在赎罪中成长——解读伊恩·麦克尤恩《赎罪》的成长主题pdf

麦克尤恩《赎罪》中的写作主题的发展方式内容摘要：《赎罪》是英国当代作家伊恩·麦克尤恩的代表性作品之一，在历史时空的框架之下为读者讲述了一个跨越60年的忏悔故事。

《赎罪》是一部具有自反性的小说，写作是小说中最为重要的主题之一。

关键词：《赎罪》麦克尤恩写作自反性主题一.引言《赎罪》是英国当代小说家伊恩·麦克尤恩的代表性作品之一，被普遍认为是麦克尤恩最好的作品[1]，也被越来越多的评论家看作是一部当代的经典作品。

麦克尤恩的写作生涯迄今所受到的最高的评价往往来自于这部作品，同时也反映出他正处于其创作的鼎盛时期。

小说的主人公和叙述者是布里奥尼·塔利斯，直到小说第三部分的结尾读者才发现原来整部小说其实是布里奥尼的作品，其写作的目的是为她童年时期所犯下的罪行赎罪，她一生中的大部分时间都用于对所发生的事情进行书写和重写，因此《赎罪》是一部具有自反性的小说，小说的写作也是小说本身的主题之一。

通过布里奥尼，麦克尤恩警告读者不能够轻易信任作者，同时也提出了对于文学想象的危险性的警告[2]。

所谓自反性是指叙述者对于小说所采用的一系列手法、惯例、程式等成规具有清醒的意识，并且不时地将它们暴露出来。

在某种意义上说，一个具有自我意识的叙述者的叙述，就可能表现出自反性，因为在叙述中，他经常向读者表明自己是在设计一部虚构的作品，并且向读者透露各类有关疑难的秘密，或在某种程度上，夸示作品所描绘的真实与叙述的技巧之间的矛盾。

哈琴将这种朝向自反性的努力概述为一种包含三个步骤的过程，作为一种“新的需求，首先去创作小说，然后去承认小说的虚构性，接下来以批评的眼光去审视这种冲动”[3]。

这一观点将小说作品中“艺术”和“生活”的同时存在看作是在反思小说创作过程及其产生的模仿本质。

二.对于小说写作过程的反思作为一部自我反省式的小说，《赎罪》的中心主题之一正是其写作过程。

尽管反思自身写作过程的小说作品并不算罕见，但阅读它们对于读者来说都形成了一定的挑战。

《赎罪》：关于爱情、罪恶与救赎的深沉探索伊恩·麦克尤恩的长篇小说《赎罪》不仅是一部引人入胜的小说，更是一部关于人性、爱情、罪恶和救赎的哲学探索。

故事以布里奥妮幼年时的一个错误决定为起点，这一决定导致了姐姐塞西莉亚与恋人罗比的分离，并最终导致了两人的死亡。

布里奥妮用她的一生来创作小说《赎罪》，试图为自己早年的错误赎罪。

读完这部小说，我被其中复杂的人物关系和深刻的主题深深吸引。

布里奥妮的愧疚和救赎之心贯穿整个故事，她的内心冲突和挣扎让我深感同情。

她不仅为自己的错误付出了巨大的代价，更是在余生中不断地寻找赎罪的方法。

这种对罪恶的深刻反思和对救赎的执着追求，让我对人性有了更深入的理解。

同时，《赎罪》也展示了战争对人性的摧残和破坏。

在战争中，人们不得不面对生死、离别和绝望，这些经历让他们的心灵遭受巨大的创伤。

塞西莉亚和罗比的爱情故事就是这样一个悲剧，他们的命运被战争无情地拆散，最终导致了悲剧的发生。

这让我深刻体会到战争的残酷和无情，也让我更加珍惜和平与安宁。

此外，小说中的叙述策略也非常值得称道。

作者采用了多元繁复的叙述策略，通过不同历史片段的交织，展现了一个关于爱与赎罪的故事。

这种叙述方式不仅增加了故事的复杂性和趣味性，也让读者更加深入地了解人物的内心世界和历史背景。

总的来说，《赎罪》是一部非常出色的小说，它不仅让我沉浸在引人入胜的故事情节中，更让我对人性、爱情、罪恶和救赎有了更深刻的理解。

读完这部小说后，我更加珍惜身边的人和事，也更加明白救赎的重要性。

我相信，这部小说将会在我的心中留下深刻的印记，并影响我对生活和人性的看法。

麦克尤恩《赎,罪》中的叙事特色麦克尤恩《赎,罪》中的叙事特色摘要：伊恩·麦克尤恩的小说《赎罪》以四个不同的历史片段为叙述内容，以多元繁复的叙述策略讲述一个关于爱与赎罪的故事。

麦克尤恩通过主人公布里奥妮的心灵历史重塑，从个人历史的微观层面窥探长达60余年的20世纪历史图景。

小说中所采取的叙述策略契合了当代英美小说经历后现代主义洗礼后的现实主义回潮。

关键词：《赎罪》麦克尤恩叙事特色伊恩·麦克尤恩（1948—）是20世纪70年代英国文坛涌现出来的新秀，也是至今活跃在当代世界文坛的英籍作家，他的小说创作因优雅克制的笔触、极具戏剧张力的情节设置及独特新颖的审美特征和伦理面貌吸引了世人的广泛关注。

《赎罪》是麦克尤恩20XX年出版的一部小说。

小说出版后在评论届引起较大反响，好评如潮，被认为是麦克尤恩最出色的一部小说，也被《时代周刊》评选为有史以来最伟大的100部小说之一。

由这部小说改编的同名电影于20XX年9月上映，成为批评家眼中20XX年最值得关注的影片之一。

《赎罪》故事开始于1935年，13岁的布里奥妮误会了姐姐塞西莉娅和仆人的儿子罗比·特纳间的爱情，以为姐姐受到了罗比的欺侮，于是诬陷指控罗比是发生在庄园的一起强奸案中的强奸犯，致使罗比被捕入狱。

五年后，罗比刑满释放，参加了英军，见证了敦刻尔克的溃败。

此刻，布里奥妮没有去剑桥读大学，而是选择当医院里的护士，她认识到了自己当年的错误，在清教徒似的苦行生活中赎罪。

当罗比回到英国和一直等着他的塞西莉娅团聚时，布里奥妮也赶来相见。

她承诺将要出庭作证，还罗比一个清白，小说的主干叙述自此结束。

然而，在这个350页长的小说后面，却附有一个20页长度的尾声：布里奥妮此刻已是一位七十七岁的知名作家。

她告诉读者，罗比和塞西莉娅的重逢，是布里奥妮一厢情愿的编造。

前面以皆大欢喜为结局的主干叙述，其实是作者布里奥妮耗时五十九年、数易其稿所完成的一部小说。

借鉴与比较作家杂志Writer Magazine ２００９Ｎｏ．１一伊恩·麦克尤恩(Ian M cEwan ，1948－)是英国当代文坛最优秀、最具影响力的作家之一，他创作领域甚广，作品多次获布克奖提名。

继1998年小说《阿姆斯特丹》获该奖后，2001年出版的《赎罪》（Atonement ）再次入围，虽然最终落选，但得到了评论界的一致好评，约翰·厄普代克在《纽约客》书评中称它展现了“一副壮丽的全景画卷”。

而由这部小说改编的同名电影也成为2007年度最受关注的影片之一，甚至被称为“完美的原著衍生出来的完美的电影”。

《赎罪》以二战前夕的英国乡村为背景开场。

年仅13岁的女孩布里奥尼充满想象力并极富文学天赋，她误会了姐姐塞西莉亚和仆人的儿子罗比之间的爱情，进而诬陷罗比为庄园强奸案的施暴者。

她的糊涂指证断送了姐姐的爱情，也使无辜者蒙冤入狱。

成年后的布里奥尼认识到自己当年的错误，并试图通过严格、卑微的护士工作来赎罪，而此时的罗比也被充军而远走他乡。

当罗比回到英国与塞西莉亚团聚时，布里奥尼前来负荆请罪，并承诺说出真相以洗刷他的不白之冤。

小说的主体叙述到此结束，尾声部分跳到了1999年的伦敦。

此时的布里奥尼已是位年岁已高的成功作家，她的自述揭露了前面的完美结局实则是她虚构的小说中的一部分，事实上塞西莉亚和罗比皆在战争中死去。

永远没有发生的美好结局，是布里奥尼良心的弥补，也见证了她一生都无法完成的赎罪。

作品引起了评论界的各种评论，有人赞扬其宏大的战争叙事，有人分析其中的赎罪之路，也有人评论其结尾的元小说技巧，但是很少有人注意到小说的成长主题。

总体而言，《赎罪》讲述的是一个13岁的女孩如何通过赎罪而步入成熟的故事，可称得上是一部成长小说。

然而小说对布里奥尼的成长叙述并不是线性的，而是呈现板块式的结构，几个突出的人生经历便构建了她的整个成长历程。

从一个充满幻想和嫉妒的说谎的小孩，到苦心忏悔的年轻护士，再到用写作来自我救赎的作家，布里奥尼在漫长而痛苦的赎罪之路上认识了自我，也认识了人生。

论英国作家麦克尤恩《赎罪》中主人公的忏悔与救赎作者：李宾来源：《语文建设·下半月》2014年第12期摘要：忏悔与救赎是西方文学的永恒主题之一，英国作家伊恩·麦克尤恩的小说《赎罪》再次深化并重新诠释了这一主题，文中三位主人公分别以自己独特的方式进行忏悔与救赎，但他们却始终难以完成自我救赎从而走向新生。

关键词：《赎罪》麦克尤恩忏悔救赎善恶一、罪的产生人生在世，犯错在所难免，有时一瞬间的错会酿成一生的罪，影响甚至改变自己和身边人的一生。

英国作家麦克尤恩的小说《赎罪》讲述的正是这样一个故事。

故事围绕着三个主要人物展开：罗比是塔利斯家佣人的儿子，这是一个有理想有抱负的青年，刚从剑桥大学的文学院毕业，并打算暑假过后去攻读医学。

塞西莉亚是塔利斯家的大女儿，也是刚从剑桥大学的文学院毕业，她和罗比青梅竹马，又是同学，彼此互相倾慕，但由于阶级地位的不平等使他们都压抑着对彼此的爱恋，谁也不愿意打破那一层微妙的关系。

13岁的布里奥妮是塔利斯家的二女儿，她拥有十分丰富的想象力，颇具有作家的天分，也梦想着有一天能成为一位作家。

在她13岁的这个暑假，她就自己创作了喜剧《阿拉贝拉的磨难》，并准备把它当做欢迎哥哥利昂回家的礼物。

但由于排演时间的仓促而最终未能上演。

然而悲剧就从利昂回到家的这个晚上上演了。

在晚饭期间，突然发现来家里寄宿的双胞胎表弟失踪了，于是大家就急忙分头去找。

悲剧就此发生。

黑暗的湖边，布里奥妮听到有动静，顺着微弱的灯光望去，她发现原来是表姐罗拉被人强暴了，紧急之下，凶手匆忙逃走，但布里奥妮一口咬定凶手就是罗比。

以卫道士和救世主自居的布里奥妮，面对警察，她坚定地说：“是他干的，我看见他了，我亲眼看见了他。

”[1]作为受害者的罗拉，不能确定是谁。

但是“每当表姐显示出自我怀疑之时，布里奥妮的自信就日渐高涨。

”[2]布里奥妮的自以为是，罗拉表姐的犹疑不定，警察的武断执法葬送了罗比的青春和爱情，断送了他们三个人的未来和梦想，也断送了他们各自的自由心灵，打破了她们那个原本看似幸福和平静的家庭。

《赎罪》的赎罪主题分析毕业论文论文题目学生姓名：专业班级：英语2011级1班指导教师：教授学院：外国语学院2017年6月《赎罪》的赎罪主题分析摘要伊恩·麦克尤恩是英国当代最负盛名且最具影响力的作家之一。

自上世纪70年代踏入文坛，麦克尤恩笔耕不断，佳作迭出。

他先后四次获得布克奖提名，并最终于1998年以《阿姆斯特丹》折桂。

其代表作《赎罪》(Atonement)自2001年出版问世以来，广受好评，赢得了包括美国国家书评奖在内的多项殊荣。

它不仅成为麦克尤恩最受欢迎的小说，而且被评为近年来最畅销最成功的小说之一。

青少年经常以主人公身份出现在麦克尤恩的小说中，并且青少年的成长也是麦克尤恩作品关注的焦点。

麦克尤恩的第九部小说《赎罪》讲述了一个13岁的小女孩如何通过赎罪而步入成熟的故事。

许多文学评论家从主题、内容、人物和叙述手法等不同角度对小说《赎罪》进行了剖析。

但是综观这些研究成果，至今还没有从成长小说这一独特视角对作品中女主人公进行系统、深入的研究。

因此，本文将运用成长小说理论来研究《赎罪》这部作品，使得对这部作品的研究有了新的探索。

关键词：《赎罪》；伊恩·麦克尤恩；主题分析An Analysis of the Atonement of AtonementAbstractIan McEwan is one of the most prestigious and influential writers of the British contemporary. Since the 1970s into the literary world, Mike Y ouan pen farming constantly, masterpiece again and again. He has four times won the Booker nomination, and finally in 1998 to "Amsterdam" Gui Gui. Its representative "Atonement" (Atonement) since the publication of the year since 2001, widely acclaimed, including the United States won the National Book Review Award, including a number of awards. It has not only become one of the most popular novels of McEwan, but has been named one of the best-selling novels in recent years.Adolescents often appear in the novel as a hero in the story of McEwan, and the growth of young people is also the focus of the work of McEwan. McEwan's ninth novel, Atonement, tells how a 13-year-old girl goes into a mature story through atonement. Many literary critics have analyzed the novel "atonement" from the different perspectives of subject, content, characters and narrative techniques. But an overview of these research results, so far has not from the growth of this unique perspective on the heroine in the work system, in-depth study. Therefore, this article will use the theory of growing fiction to study the "atonement" of this work, making the study of this work has a new exploration. Keywords"atonement"; Ian McEwan; theme analysisContents摘要Abstract1 Introduction 01.1 Author introduction 01.2 Studies by Overseas and Chinese Scholars 0Studies by Overseas Scholars 0Studies by Chinese Scholars (1)2 Theoretical basis (2)2.1 Multi-perspective narrative (2)2.2 Multi-perspective narrative ethical significance (2)3 An Analysis of the Theme of Atonement (4)3.1 The reason for atonement (4)Atonement opens (4)Reason for atonement (5)3.2 The process of atonement (6)Brion View (7)Robbie perspective (8)3.3 The Ethical Value of Atonement (9)Conclusion (11)Bibliography (12)Acknowledgements (16)1 Introduction1.1 Author introductionAs one of the outstanding British novelists, Ian McEwan (1948) in 1975 by virtue of short stories "initial love and the final ceremony" in the British literary world cut a striking figure. In 2001, Mike Youan published the novel "Atonement". This novel not only won the critics of the widely recognized, but also won the favor of many ordinary readers. To achieve such a result, Ian McEwan has his own unique. The purpose of this paper is to explore the interaction between the author and the reader in the famous novel "Atonement" of McEwan, with the help of James Fellen's theory of narrative judgment and the narrative technique of multi-perspective narrative To analyze.1.2 Studies by Overseas and Chinese Scholars1.2.1 Studies by Overseas ScholarsIan McEwan's works have been in great graces of the critics since the very publication of his first story collection First Love, Last Rite. After almost twenty-years systematical study, British scholars have gained extraordinary progress in the studies of Ian McEwan himself and all his world-astonishing works. Atonement, published in 2001, is regarded as the most prominent and successful novel in the literature time of Ian McEwan. Therefore, abundant and exhaustive studies and researches have been launched by many eminent literary critics, scholars and book reviewers in the light of different methodologies on various subjects. All things considered, it's more helpful for us to understand the researches that have been done on Atonement from the following four aspects, namely thematic study, theoretical study, stylistic study and artistic study.Thematic study refers to those studies with respect to different subjects, creative motives and topics in a novel. Atonement is defined by Elke D'Hoker (2006) as a literary confessional fiction which is distinct from the religious confession and he insists that sheer atonement is impossible to realize merely through literary creation. What can on earth counts for redemption in his view are the endeavor and the process of atonement. Peter Mathews (2006) holds the idea in The Impression of a Deeper Darkness: Ian McEwan's Atonement that there are perhaps no absolute answers to the ambiguous questions and1.2.2 Studies by Chinese ScholarsCompared with the abroad studies, Ian McEwan's works were warmly sought after by readers and literary critics in China owing to the abundant emergence of translation and dissemination of his great works. Scholars at home started the preliminary studies on Ian McEwan himself and Atonement in the late 1990s and then pervasive researches on his literary creation were carried out increasingly. Apart from the conventional thematic exploration, Chinese scholars expound elaborately on many other research orientations with multiple critical approaches to literature for the more detailed studies. The studies on Atonement at home can be divided into the following four aspects:First is the overall introduction and summarization to Ian McEwan and his literary creation began with Lan Chun's (1998) general introduction to his literary creation and early works in an article Ian McEwan and His Works. And then Zhou Zhipeng (2006)presents the main plot and little literature review on Atonement in his article Ian McEwan's Atonement.Then it comes to the thematic studies which sprout in the early period, such as the theme of crime and atonement in professor Ding Jianning's (2004) article How Can Atonement be Possible A Review on lan McEwan's Atonement and initiation theme appeared in Cai Xiaoyan's (2009) article Growing up in Atonement An interpretation of the Initiation Theme in Ian McEwan's Atonement. Ruan Xiaojing (2010) in her master's thesis analyzes the image of Briony from two perspectives: Briony as a Freudian heroine and Briony as an initiation story heroine relatively. However, thematic studies generally emerged in the original stu即and are gradually overlapped by theoretical studies or the others which put variable narrative techniques as the focuses of study.2 Theoretical basis2.1 Multi-perspective narrativeJames Fellen once proposed that the narrative of literary works exists at two levels: the narrative level of the author and the reader's reading level. These two levels in the dynamic development of mutual influence, mutual guidance. The narrative of literary works leads to two kinds of behavior: observation and judgment. Therefore, the judgment is not only present in the narrative level of the author (ie, the judgment of the author and each character), but also at the reader's reading level (ie, the judgment made by the reader during the reading process). Whether it is the judgment of the author's narrative level or the judgment of the reader's reading level, it plays a vital role in the reader's understanding of the literary works. Recognizing this, the author can use the narrative process in the narrative process, such as multi-perspective narrative, to guide the reader to make the desired narrative judgment, so that the final narrative purpose of the work can be achieved.2.2 Multi-perspective narrative ethical significanceOn the basis of the theory of narrative judgment in literary works, the author of the paper points out that in the novel "Atonement", the author's use of multi-angle narration is mainly embodied in two aspect. First, in the first three parts of the novel, the author continues to use the internal perspective conversion method, the same event from the different characters from the perspective of repeated description. So that the reader in the grasp of the truth of the incident at the same time, but also understand the various characters on the same event of different understanding and complex inner activities, so as to understand the story of the origin of misunderstanding; second, the novel in the fourth part (end) by The third-person narrative transitions to the first-person narrative of the chief man named Rioni as the narrator and reveals the true identity of Brioni as the author of the first three parts of the Atonement and the fact that she has modified the story at the end. This conversion allows the reader to obtain two perspectives: (1) readers of Brioney's novel; (2) the reader of the novel that implied the author. Thus, the reader can from these two perspectives on the novel "atonement" to understand and explain.By analyzing the characteristics of the multi - angle narrative of the novel "atonement", the author realizes that the same information is observed from differentthe novel "Atonement", McEwan is the use of multi-angle narrative of this effect, the "atonement," the original simple story into a huge information base bit by bit to the reader, and then guide Readers make more complex judgments at different stages of reading and ultimately reveal the theme of "atonement": the relationship between reality and fiction. Therefore, with the characteristics of multi-angle narrative in the novel, the narrative judgment of the reader to track and analyze, is to understand the "atonement" key.3 An Analysis of the Theme of Atonement3.1 The reason for atonementBritish contemporary famous writer Mike Aoyin's novel "Atonement" has been published since 2001, that is, in academia and the mass media caused a hot debate, known as the contemporary narrative classic, nominated final nomination list, has won the National Book Review Association Award Los Angeles Times Award. The success of the novel depends on the test of the fictional composition of the novel and the deep thinking of the novel. The postmodern narrative text reflects the strong self-consciousness and self-reflection, boldly improved in narrative techniques, However, it is the open text and the narrative process of the postmodern narrative means to create a variety of links and explanations, on the one hand to enhance the aesthetic effect of the novel, on the other hand makes it difficult for the reader from the traditional The rational perspective of the fictional themes of the novel to make a universal mora l judgments, as James • Fellen said, "we are in any position in the narrative are four kinds of contextual interaction results: (1) story world (2) the context of the implied author associated with the author and the reader; (3) the context of the real reader, and their relationship with the values and beliefs system, as well as the context of the believers; The narrative leads the reader to the position of the place. The concept of "narration" solves the above problems, and combines the narrative analysis with the value judgment to try to "show the state of existence through literary narration, which is the structure of the narrative, the form, the gesture, the intonation and the narrative intention, the narrative function This paper explores the theme of the atonement of the novel from the perspective of narration, "on the basis of reading the text, to explore and ask the implied in the text narrative elements of the spiritual values and orientation."3.1.1 Atonement opensAtonement" in the form of intertextuality, to Jane Austen's "Nuosangjue Temple" in the fragment as a title, describes the "Nuosangjue Temple" in the heroine Catherine on the good guys Tiren's suspicion, and Novel little Brioney suspicion sister Cecilia lovers Robbie for the erotic, and then did not see the suspect in the case of Robbie for the rape of the plot fit. Many of the novels depict a small brionian indulge in the fictional literaryorder is satisfied, because a disordered world can be written Her story "Arabella's Hardship" completely inherited the tradition of rationalism, to promote rational restraint emotions, the story of the subject "not to reason-based love is destined to fail with Jane?" Austin's "mind and emotion" coincides with the thrust. The paranoia of reason and order opened the prelude to the atonement, from the story of the world's small Briño situation, the rationalist judgment on her future several major events to explain the interpretation of a significant impact, one step One step led her to finally criticize Robbie's mistake.3.1.2 Reason for atonementAt first, in the "fountain" event, she saw Robbie proud to lift a hand, sister, began to quickly get rid of their clothes. She could not understand the behavior, and made a vague, uncertain interpretation of it, "(Robbie) as if to Cecilia issued orders. Strangely, the sister even beat him. He in the end to show her what Magic "blackmail" If the small Brioni interpretation of the incident to judge still can not be included in her rational order, the next "love letter" event makes her suddenly. She read Robbie mistakenly sent to Cecilia's love letter draft: in the dream I kiss your pussy, your sweet and humid pussy. In my mind, I have sex with you all day long. She recounted Robbie, and conceived the opening of a story full of real life, no longer a princess! The fountain side of the scene, intimidate Lin's atmosphere, ... ... through this letter, some kind of nature, cruel , And perhaps even something that has been committed, has been a dark principle, and she has no doubt that her sister is threatened to some extent even when she is agitated about what might happen , And will need her to help the city. According to these two events, she made the so-called rational judgments: Robbie is a dangerous pornography. "Now he was qualitative, she felt some comfort. Benevolence. Later, the "library" incident fully embodies her judgment on how Robin has influenced and constrained her interpretation of the scene. She illustrated the scenes of Robbie and Cecilia's love in the library as Robbie's "one attack, a melee and war" against Cecilia, and she saw the field and was in line with her expectations She had already seen Robin's letter, and she had regarded herself as the guardian of her sister, so the scene she saw in her eyes must be more or less influenced by what she knew, or she Think of what they know the impact of the situation. Finally, in the "rape case", she saw the cousin Laura assuspect is Robbie, her emotions angry and excited, she said, "she His eyes confirm what she knows and the recent experience, or, more precisely, what she knows and the recent experience confirms her judgment. A 13-year-old child can not judge "I know he is "And" I see him "in the court as a confession of the world, Robbie therefore injustice imprisonment, three years later was sent to World War II battlefield, she will also use her life time to make atonement.3.2 The process of atonementTo the third part of the novel, the adult Brioni in St. Thomas Hospital to take care of the wounded, for the crime committed deep confession. Later, Robbie returned from the battlefield and Cecilia reunited, Brioni bravely and to them, promised to tell the truth, with their own reputation in exchange for Robbie's innocence. The third part of the novel is the end: "It is not much time to draft the notes to the parents and the formal statement, and the rest of the day, she is idle, and she knows what to do.The draft is not just a letter, but also a new draft, a kind of atonement. She was ready to start. BT London, 1999. At this point Brioni's atonement was unraveled, and the narrative seemed to be at the end, but, as Heath Miller said in his interpretation of the narrative, "a table looks like a closed end The novel, as if always able to re-open, "McEwan to" 1999 London "as a question added to the end, Brioney to read the way to tell the reader is their own time 59 years, Atonement and the completion of a novel, and the text referred to Robbie and Cecilia's reunion, Brioni for Robbie name is not true, the fact that "Robbie Turner in June 1, 1940 In the days of Breton's death, Cecilia was killed in the bombing of the Bellham Marsh station in September of the same year, and I had never seen them since then, and it was impossible to make atonement. Through this metaphor, And then reconstructed the order of "the crime of atonement and new life" which had been constructed in the first three parts of the narrative text, reconstructed the standard and guided the reader to make the corresponding ethical judgment. The tragedy of "atonement" arises from the paranoia of the world order, However, the traditional judgment again Return to the world order as the ending of atonement, if the lovers get married, the people who have sinned finally get understanding. Therefore, the first threereaders often narrative process For example, at the end of the second, Robbie said to his companion, "Wake me before seven o'clock." I promise that you will not hear me say a word again. There is already a strong hint: Robbie will not wake up again, however, the reader is often optimistic about the fact that when reading the third part of Robbie and Cecilia's reunion, , There is no chance, no time to question, because it is consistent with their expectations. The reader of this judgment process and small Brioni on Luo's false identification process is surprisingly similar. No doubt, "atonement" to the author's The reader reveals a process of judgment that makes a clear distinction between "I see this" and "I know so" or "I know that should be so" and try to explain the effort of this complex world in an inherent order Are in vain, and even have bad consequences, it is overwhelmed. While "order" is the cause of atonement, "non-order" is the consequences of atonement.3.2.1 Brion ViewFrom the narrative point of view, "the facts that make up the story environment never come with 'themselves', and always according to some kind of vision, some kind of observation points present in front of us ... ... in literature, we have to study Is never the original fact or event, but something or something that has been described. 'McEwan has shown his superb narrative and narrative tactics in the Atonement, and he has taken a different view of the same incident The narrative perspective of the narrative lines of the "three aspects of the Atonement" (the first three texts of the Atonement) of the Brioni version is analyzed and deconstructed, and it is not difficult to analyze the novels Home of the road of atonement, "the subject to make the appropriate judgments.Adult Brioni tried to enter into the consciousness of different characters in his novel "atonement", and to show the truth truthfully and not to make any good and evil moral judgment in the identity of the author in order to achieve through the novel The purpose of atonement, therefore, her "fountain" event, "library" events are described from the multi-point of view. This seemingly unsatisfied gesture did not actually achieve the purpose of her intervention. On the "fountain" event and the "library" incident, Brioni were from Robbie, Cecilia and small Brioni two different points of view to narrate, on the one hand to restore the truth of the facts, on the other hand But also to the narrator of the reader to understand the small Brioni committed "sin" behind the goodwill and itsof Brioni's novels, narrators and writers are in three roles, and the reliability of her narrative is questionable. The author's reader can find the flaws of his reliability from the narrative of the novel.3.2.2 Robbie perspectiveIn the second part of the novel, Robbie recalled from his point of view Brioni ten years old that year of deliberately fell into the water of a past: small Brioney in order to confirm that Robbie will not fall out of danger after she died , Regardless of the danger of life jump into the water, and in Robbie struggling to save her later, to its deep confession: "I love you". From Robbie's point of view, it was Little Brioni who breeded himself and eventually turned away from love, which led to her slander in the rape case, false accusations. Is Robibie huffing Brioni, but his narrative is reliable, as follows: First, from the text of the narrative, it is true that Robbie hates Brioni, Can be seen that this "fall into the water" event is not Robbie's unthinkable imagination and fabricated, Brioni did not deny this incident. Second, in the previous year Brioni had responded to Robbie's swimming event: after the "love letter" incident, she mentioned that "there was a lot of times in the summer, she had been in the pool with him alone, By the time he taught her to step on the water and breaststroke ', the third and most important point, look at the full text can not find any Brioney point of view of her own feelings of this narrative, on the contrary, she expressed in the narrative Was so calm, as in the "fountain" incident, she initially mistakenly that Robbie to Cecilia to marry him, she commented: "He has the courage to Cecilia courtship, it is not surprising. So across the door of the first love, every day there should be a lot of it After the affair, she wanted to write a story about the incident, "This is a story of a man who likes everyone, but the heroine in the story has been skeptical to him, and finally, she finally exposes Out of the original incarnation of evil. "The heroine of Brioni himself, she has been" doubt "on Robbie? Obviously the answer is no. These seemingly calm narrative is to cover her to Robbie Love of the heart, and her in the "fountain" event, "library" incident in the performance of the calm, and the attitude of the formation of a sharp contrast, quite hope to hide something too.Of course, the Brioni version of "atonement" is actually Mike Youan by Brioney's hand on its narrative text for such a deal, intended to reveal to the reader "novelist can not achieve its salvation after all," the theme, As McEwan was expressed by Brioney'scan we get atonement?" There is no one in this world. The kind of entity or the higher form is what she can, is reconciled with it, or will forgive her. Outside her, nothing does exist. 'The novelist has absolute power, his hand of God Can create everything in his narrative, destroy everything, he can not escape the weakness of human nature, the narrative object of its reorganization, deletion, to their own advantages and disadvantages of dealing with; even if Brioney through the novel atone Very strong, sincere, she was in their own atonement of the road set up such a barrier, can not go beyond its own limitations. Brioney realized that "this is always a can not finish Into the task. This is the key, "but she is still struggling to try.3.3 The Ethical Value of AtonementThe ethical value of "atonement" can not be judged simply by the two elements of "fictitious sin" and "true atonement". Brioni creation novel "Atonement" after 59 years, from 1940 onwards, she is committed to restore the truth: she collects a lot of information, even if it is a little bit of the real changes have given her great satisfaction, Brioni wants to "write all this as a historical record." However, the approximation of reality is atonement? In fact, the novel's fiction is its inherent ability to get rid of, no one will take her novel as a historical record, even Novels want to make atonement of Brioney also "is just an illusory existence. No one will care about what is false in the novel, who is distorted. Since the true completion of the atonement, which readers can from this real ending, "what kind of meaning, hope or gratification? ... ... in addition to serving the harsh authenticity, who will believe (this outcome)? , Brioni finally chose the "fiction", in her last manuscript has lovers get married, literary compassion through the world to be beautiful to achieve. "Fiction" constitute the original sin of the novel, the novel atonement also "Fiction" in the realization.However, McEwan eventually reveals the cruel truth in his version of "atonement", and what is the ethical value of this exposition? McEwan's end of this metaphor is the return of postmodern texts to realism, but This is not a copy of the old realism, but in the layers, the intention of "re-awakening the social responsibility of literature", in the narrative layer, inherited the realism of the "realism of the bigthe form of meta-fiction to expose the truth of the facts, but also pointed out that "let my novel lovers eventually round and round, endless, not by Cowardly or evasion, but my last great sincerity, is a sign of forgetting and despair. This is McEwan's self-consciousness and self-reflection. McEwan's "atonement" in the crime, the crime of Brioni, Laura sin, the crime of war, ... ... these are realistic way to record, not and should not be forgotten; there are also love Love of the people, even if the evil can not be redemption, Robbie and Cecilia final reunion of the end to give the world is beautiful and hope. Against the forgotten and desperate, which is "atonement" to assume the literary bounden social responsibility.ConclusionThere is no doubt that narrative criticism has created a new idea of aesthetic and ethical value research. According to Western human rhetoric, "narrative can help shape the reader's emotions, self and life, develop their moral consciousness." By entering the narrative space of "atonement", we have launched a multi-dimensional dialogue between "author-narrator-text-reader" and a multi-level analysis of the theme of "atonement" The From the interpretation of judgment and judgment of the interaction, different perspectives of narrative, narrative ethical value point of view, the "atonement" narrative techniques and aesthetic judgments to be affirmed. The social responsibility of the literature "Forgiveness and Despair" revealed by "atonement" has an important ethical value for the postmodern world where we are today.Bibliography[1]Abrams, M.H. A Glossary of Literary Terms [M]. Toronto: Harcourt Brace College Publisher, 2003. [2] Baldick, Chris. Oxford Concise Dictionary of Literary Terms[Z]. Shanghai: Shanghai Translation Publishing House, 2013.[3] Bedford, Martyr. She Stripped off and Plunged in [J]. Literary Review, 2001 (10):52.[4] Begley, Adam. A Novel of Discrete Parts, Blessedly at One with Itself [M].NewYork Observer, (18, March) 2012.[5] Buckley, Jerome. Season of Youth: The Bildungsroman from Dickens to Golding[M]. Cambridge: Harvard UP, 1974.[6] Byrnes, Christina. The Work of Ian McEwan: A Psychodynamic Approach [M].Nottingham: Paupers' Press, 2012.[7] Childs, Peter. A Reader's Guide to Essential Criticism: The Fiction of Ian McEwan[M]. New York:。

麦克尤恩《赎罪》中青年的道德危机摘要：《赎罪》当中的布利奥尼、罗拉等青年都共同造成了罗比被陷害的事实，而赎罪行为贯穿于整部小说，让布利奥尼等人背负着沉重的人性拷问，而悲惨的罗比等人最后只能够选择在战场上战死，来洗脱救赎自己的污名。

因此，在一个谎言之下，多个青年人都受到道德危机的影响，而这种影响，正是伊恩·麦克尤恩所思考和探究的问题。

关键词：《赎罪》、伊恩·麦克尤恩、青年、欲望、道德危机伊恩·麦克尤恩所创作的《赎罪》是其第九部小说，在这一部小说当中，麦克尤恩非常关注当前青年人出现的伦理道德层面存在的危机，这一个危机主要从布利奥尼这一批青年在道德上出现的问题展开。

麦克尤恩特别注重在道德危机之下，青年在心理层面逐渐产生的一种内心的扭曲以及分化，尤其在内心自我道德谴责的条件下，所产生的一系列的物质以及精神层面的困境。

从道德危机角度解析《赎罪》当中两个青年，特别是布利奥尼的谎言以及所带来的持续性影响，能够更好地反思《赎罪》对于人性原罪的批评，特别是青年之所以选择谎言去实现自己目的本身的动机，这都是人性和社会共同扭曲的结果。

一、《赎罪》中青年道德危机的动因：青年的人格冲突《赎罪》当中的青年出现的道德危机，实际上很大程度是青年在特定的年龄阶段、社会条件以及个人性格因素下产生的人格冲突，这样的一种人格冲突成为小说当中青年道德危机重要动因。

从奥地利的心理学家弗洛伊德的理论上看，每一个人的人格实际上都是由本我、自我以及超我三个部分共同组成的，本我实际上是每一个人最为原始的冲动以及本能，而每一个人都会用理想的自我去指导或者纠正每一个人冲动行为。

在《赎罪》这一部小说当中，女青年布利奥尼实际上就面对着自己内在人格的冲突，这样的冲突，最后变成了布利奥尼在漫长一生当中都耿耿于怀的罪恶，并且背负着赎罪的意志。

这一点突出表现在小说《赎罪》中，经历了非常多的物是人非，特别是亲自经历了战争的布利奥尼，面对罗比夫妇的时候，因为自己内心深处极度深刻的罪恶，她内心不断谴责自己，甚至没有办法应对罗比的质问。

麦克尤恩《赎罪》中的写作主题探索作者：王辰晖来源：《文学教育》2015年第06期内容摘要：《赎罪》是英国当代作家伊恩·麦克尤恩的代表性作品之一，在历史时空的框架之下为读者讲述了一个跨越60年的忏悔故事。

《赎罪》是一部具有自反性的小说，写作是小说中最为重要的主题之一。

关键词：《赎罪》麦克尤恩写作自反性主题一.引言《赎罪》是英国当代小说家伊恩·麦克尤恩的代表性作品之一，被普遍认为是麦克尤恩最好的作品[1]，也被越来越多的评论家看作是一部当代的经典文学作品。

麦克尤恩的写作生涯迄今所受到的最高的评价往往来自于这部作品，同时也反映出他正处于其创作的鼎盛时期。

小说的主人公和叙述者是布里奥尼·塔利斯，直到小说第三部分的结尾读者才发现原来整部小说其实是布里奥尼的作品，其写作的目的是为她童年时期所犯下的罪行赎罪，她一生中的大部分时间都用于对所发生的事情进行书写和重写，因此《赎罪》是一部具有自反性的小说，小说的写作也是小说本身的主题之一。

通过布里奥尼，麦克尤恩警告读者不能够轻易信任作者，同时也提出了对于文学想象的危险性的警告[2]。

所谓自反性是指叙述者对于小说所采用的一系列手法、惯例、程式等成规具有清醒的意识，并且不时地将它们暴露出来。

在某种意义上说，一个具有自我意识的叙述者的叙述，就可能表现出自反性，因为在叙述中，他经常向读者表明自己是在设计一部虚构的艺术作品，并且向读者透露各类有关疑难的秘密，或在某种程度上，夸示作品所描绘的真实与叙述的技巧之间的矛盾。

哈琴将这种朝向自反性的努力概述为一种包含三个步骤的过程，作为一种―新的需求，首先去创作小说，然后去承认小说的虚构性，接下来以批评的眼光去审视这种冲动‖[3]。

这一观点将小说作品中―艺术‖和―生活‖的同时存在看作是在反思小说创作过程及其产生的模仿本质。

二.对于小说写作过程的反思作为一部自我反省式的小说，《赎罪》的中心主题之一正是其写作过程。

当前英国最具影响力的作家之一伊恩·麦克尤恩的新作《赎罪》便是一部既秉承英国文学传统又锐意创新的佳作。

根据本小说改编的同名电影也在2007年作为威尼斯电影节开幕影片播出。

在2008年1月14日该片还勇夺第65届美国金球奖剧情类最佳影片奖。

此外，2008年2月10日在素有英国“奥斯卡”之称的英国电影学院奖中，《赎罪》又收获一枚最佳影片奖。

不仅如此，《赎罪》还荣膺2008年奥斯卡仅有的五部最佳提名影片之一。

[1]本文拟就小说对英国文学传统的继承以及作者在写作技巧的创新两方面进行分析。

《赎罪》是一部既有现实主义风格又兼具后现代主义的特点的极富创新特点的小说。

自18世纪以来现实主义在英国的文学创作中始终顽强地显示着强大的生命力。

[2]尽管先有上世纪20年代以来现代主义的洗礼，后有自60年代以来一些新思潮如后现代主义，后结构主义，新历史主义等冲击着英国文化中持续长久的旧秩序，但是英国人自有其审美尺度， 他们并不认为越脱离传统、越奇特、越标新立异的作品才越有文学价值，即便是在新思潮的小说里还是能找到现实主义的影子。

英国人对现实主义的偏爱可见一斑。

《赎罪》的作者伊恩·麦克尤恩生于1948年，在他登上文坛的时候适逢后现代思潮风头正劲，因而不可避免的受到时代潮流的影响，在表现手法方面刻意追求创新。

[3]在《赎罪》中，更多地表现出作者对于传统的执著，对英国文学传统的继承，当然他在写作技巧方面的创新又体现了作者作为当代作家的创新精神。

这种对传统的继承与创新在《赎罪》中得到了鲜明体现。

首先，《赎罪》包含着鲜明的现实主义的元素。

小说无论在文字还是在内容上都没有具有后现代主义标志性的夸张变形，拼贴杂糅、戏彷嘲谑、话语膨胀等因素。

小说具有现实主义的通俗明朗，通篇围绕一个13岁的爱幻想的女孩展开，由于她的幼稚，最终酿成了姐姐凄婉悲伤的爱情悲剧。

作品以爱情悲剧为线索，通过几个典型人物的塑造，再现了当时英国社会的现实生活和广泛的社会问题。

在二十世纪的后二十五年中，马丁・艾米斯（ＭａｒｔｉｎＡｍｉｓ）和伊恩・麦克尤恩（ＩａｎＭｃＥｗａｎ）是英国最有影响且最具争议的两位作家。

艾米斯背负着“英国文坛坏小子”的恶名，而麦克尤恩则被批评界戏称为“阴森的伊恩”（ＩａｎＭａｃａｂｒｅ）。

艾米斯的小说大多描写暴力、谋杀、死亡、情色、吸毒、核恐怖、末世情结等，而麦克尤恩的早期作品同样充斥着令人震惊的性乱、死亡、乱伦、怪癖、畸恋等内容。

不过，自九十年代以来，麦克尤恩不断突破原有的创作路数，发表了多部艺术风格截然不同的优秀作品。

２００１年，麦克尤恩凭借长篇新作《赎罪》第四次获布克奖提名，虽然最后铩羽而归，但评论界、读书界认为，它比１９９８年夺得布克奖的《阿姆斯特丹》更应该获得此项大奖。

与美国化了的艾米斯小说不同，《赎罪》散发着强烈的“英国味”。

它含蓄隽永，恢弘而不失细腻，是一部纯正地道的英式小说。

小说的主要内容是，二战前夕，英格兰乡村的一间老宅发生了强暴———年幼妹妹布里奥妮的糊涂指证断送了姐姐与男友之间的纯真爱情。

由于姐姐赛西莉娅与其男友罗比后来双双去世，妹妹终生陷入忏悔与赎罪之中，并试图用小说创作来完成揭露真相。

但是强暴事件的当事人位居社会上层，可以借助权势让揭发者身败名裂。

暮年的女主人公不仅难以将小说出版，同时也陷入元小说式的艺术反思之中。

《赎罪》所涉及的主题包括心理成长，罪与罚，忏悔与拯救，有关性的“肮脏小秘密”（劳伦斯语），历史叙事与文学自觉等。

它的行文舒缓有力，文体洗练优美，节奏有张有弛，抒情浓淡相宜，思辨深邃而自然，典型地代表了麦克尤恩小说创作的又一个高峰。

在《赎罪》的第一部分，麦克尤恩借鉴前人的痕迹俯拾皆是：英格兰乡间的幽秘古宅与福斯特的霍华兹庄园何其相似；小说氛围的营造与石黑一雄的《残日》有异曲同工之效；罗比与赛西莉亚之间的爱情是典型的跨越阶级之恋；精美古瓶的无意摔碎，如同亨利・詹姆斯金碗上的裂痕，象征着情感的微妙变化；罗比随手写下的“我在梦中吻你的私处”，在无意中被塞进了寄给赛西莉娅的情书中，他的“手误”多么像是弗洛伊德心理学的注脚；古宅月黑之夜发生的“强暴风波”使人联想到《印度之行》中阴暗古洞内的“性攻击”事件。

作者： 杨澜
作者机构： 河南农业大学外国语学院,河南郑州450002
出版物刊名： 郑州大学学报：哲学社会科学版
页码： 97-102页
年卷期： 2017年 第4期
主题词： 伊恩·麦克尤恩;《赎罪》;青少年成长;创伤心理
摘要：青少年的成长一直都是麦克尤恩关注的主题。

同样地,在《赎罪》中,作者真正的关注焦点是主人公布里奥妮在成长过程中经历的种种创伤——不完整的家庭秩序、亲情缺失、代际间幽灵创伤等因素都给布里奥妮心中留下了阵阵隐痛。

整部小说都围绕着主人公布里奥妮在十一岁的夏天犯下的＂罪行＂及其持续多年的后果,以塔利斯一家人为切入点、在分析布里奥妮心理机制的同时管窥出一段动荡的岁月。

通过将个体创伤书写与成长主题的成功链接,麦克尤恩把对人性的洞察、对传统伦理的呼唤、对现代权力话语机制的谴责在作品中相互交织,使《赎罪》成为一部虚构与现实互相影射、家庭对子女造成的无形创伤与战争对个体造成的身心重创遥相呼应的杰作。

作者： 耿潇[1]
作者机构： [1]中南民族大学外语学院,湖北武汉430074
出版物刊名： 电影文学
页码： 28-29页
年卷期： 2014年 第5期
主题词： 麦克尤恩;《赎罪》;布里奥妮
摘要：伊恩·麦克尤恩的小说《赎罪》被改编成电影于2006年上映后引起了巨大的反响.影片以布里奥妮从童年、成年到老年的成长主题为叙述主线,指出其心理上的自我认同和自我建构贯穿于“犯罪”和“赎罪”的全过程.从女性主义的视角,结合人格发展理论,麦克尤恩展现了一位在成长历程中勇敢面对自己错误、承受“惩罚”并尽力修补自己曾经犯下的“罪”的现代女性形象.。

成长的代价——解读《赎罪》的成长主题
吕霞
【期刊名称】《太原大学学报》
【年(卷),期】2014(015)003
【摘要】《赎罪》是英国当代著名作家伊恩·麦克尤恩的代表作之一,在众多的主题之中,成长主题尤为突出.文章从成长主题的视角出发探讨了主人公由无知到成熟的心灵历程,成长的阵痛以及为此付出的代价在这部成长小说得到了很好的体现,主人公写作赎罪的过程正是其成长的过程.
【总页数】4页(P81-84)
【作者】吕霞
【作者单位】南京信息职业技术学院素质教育部,江苏南京210023
【正文语种】中文
【中图分类】I561.074
【相关文献】
1.跨文化博弈下的成长主题解读——以成长小说《一位女士的画像》为例 [J], 刘芳宏;杨劲松
2.跨文化博弈下的成长主题解读--以成长小说《一位女士的画像》为例 [J], 刘芳宏;杨劲松
3.成长中的困惑流浪后的蜕变--菲利普·罗斯《美国牧歌》中的成长主题解读 [J], 苗莉珺
4.成长的困惑与迷茫--从象征手法解读《麦田里的守望者》的成长主题 [J], 黄婷
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5.少年的成长与困惑\r——解读毕飞宇《平原》中的成长主题 [J], LI Yun;LI Yan 因版权原因，仅展示原文概要，查看原文内容请购买。

赎罪中成长：论麦克尤恩小说《赎罪》
石凤龄
【期刊名称】《喜剧世界:中》
【年(卷),期】2022()4
【摘要】英国作家伊恩 ? 麦克尤恩的《赎罪》运用多重式内聚焦的叙述模式讲述了一个罪与赎的故事。

小说聚焦于主人公布里奥妮年少犯罪到成年赎罪的心路历程,具有自我反思和成长的意味。

同时,元小说结尾体现麦克尤恩对小说的虚构和历史的真实之间思考和尝试,是小说家的后现代语境下创作意识的成长。

【总页数】2页(P0099-0100)
【作者】石凤龄
【作者单位】山东师范大学外国语学院
【正文语种】中文
【中图分类】J
【相关文献】
1.寻找真实的努力:伊恩·麦克尤恩小说《赎罪》中读者的参与
2.浅析伊恩·麦克尤恩小说《赎罪》中的人文主义关怀
3.戏中戏——伊恩·麦克尤恩小说《赎罪》文本的不稳定性
4.无法完成赎罪的“俄狄浦斯”--伊恩·麦克尤恩小说《赎罪》中女主人公的神话原型分析
5.麦克尤恩小说《赎罪》中的反讽叙事
因版权原因，仅展示原文概要，查看原文内容请购买。

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《玉石雕像》中的非言语交流149 加工层次理论指导下的商务英语词汇学习150 Jane Austen’s Views on Marriage Reflected in Pride and Prejudice151 男女二元等级对立的颠覆－－《奥兰多》之女性主义解读152 归化和异化翻译策略的研究153 莎士比亚《仲夏夜之梦》中的男性探究154 论中西旅游文化的差异性155 《加里波利的坟墓》的反讽与对话156 以马斯洛需求层次理论分析《傲慢与偏见》中的爱情婚姻观157 从生态批评视角解读海明威作品158 A Research on Frances Burnett’s “Fauntleroy” Writing Style159 A Comparison of the English Color Terms160 A Comparison of Color Words Between Chinese and English Cultures161 Are Indians Prisoners of Their Race-An Analysis of the Sources and Rise of National Awareness162 从功能对等理论看幽默语言的翻译163 从语言角度分析《功夫熊猫》中中西文化的交融164 试析德莱塞对《嘉莉妹妹》女主人公的非道德描写165 模糊语言在英语新闻中的语用分析166 海明威《太阳照样升起》的存在主义表达167 Tradition and Beyond—Reading The Diviners as a Bildungsroman168 论《追风筝的人》中父子关系的心理剖析169 从违反合作原则看电影语言的会话含义——以《最后的武士》为例170 西游记神话人物称谓翻译策略：归化与异化171 以学生为中心的英语词汇教学的研究172 Doomed Tragedy out of Desire-Driven Morbid Personalities in Nabokov’s Lolita 173 An Analysis of Conflict Images in Invisible Man174 从文化视角看汉英翻译中的语篇连贯性175 Judy’s Double Character in Daddy-Long-Legs176 中美价值观的比较－－以《老友记》为例177 从文化差异角度看中式菜单英译178179 高中英语听力课中的文化教学180 中英谚语体现的东西方价值观的差异181 《厄舍古屋的倒塌》中哥特式文学特点分析182 口语语篇中责任情态的人际意义研究183 A Study of Children Images in Huck Finn and Tom Sawyer184 荒岛主义在《蝇王》中的映射185 《辛德勒名单》主人公性格分析186 论《最后的莫西干人》中的印第安情结187 一项有关影响中国学生英语听力理解的因素的调查研究188 象征手法在《少年派的奇幻漂流》中的运用研究189 顺应论视野下茶文化负载词的英译策略190 The Racial Stereotypes in American TV Media191 American Individualism as Shown in Forrest Gump192 Pursuing a Harmonious Man-Woman Relationship In The Thorn Birds193 从功能对等理论看字幕翻译194 图式理论在英语阅读教学中的应用195 从僵尸和吸血鬼比较中西方文化的异同196 从《了不起的盖茨比》看美国梦的幻灭197 论零翻译在公司名称汉英翻译中的应用198 文化负迁移对翻译的影响199 英汉称谓语对比研究200 英语“名词+ ly”类形容词的词化分析、语义特征及句法功能。