YT07语音模块说明书
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长鑫盛通CC 呼叫系统RC07操作手册深圳市长鑫盛通科技有限公司地址:深圳市宝安41区甲岸路华丰大厦1601联系电话:400-0088-005修订历史记录目录目录 (2)(一)产品信息 (4)(二)概述 (6)2.1 用户介绍 (6)2.2 用户登陆 (6)2.3 用户界面 (7)(三)功能模块介绍 (7)一话务管理 (7)1.通话记录 (8)2 转移设置 (8)3 座席管理 (9)4 队列管理 (10)5 IVR按键记录 (10)二客户管理 (10)1 黑名单 (11)2 标记客户 (11)3 跟进记录 (12)4 预约登记 (12)6 资料转移 (14)7 资料管理 (15)三外呼管理 (15)1 自动外呼 (15)2 点击外呼 (17)3 语音外呼 (18)4 任务列表 (22)5 智能中继 (23)四系统状态 (23)1 活动通道 (23)2 状态管理 (24)五报表管理 (25)1 服务质检 (25)2 未接来电 (25)3示忙示闲记录 (25)4任务明细报表 (26)5座席话务报表 (26)六信息管理 (26)1 知识库 (26)2 公告列表 (28)七组织结构 (28)1角色管理 (28)2用户管理 (29)3部门管理 (30)4单位设置 (31)5 Logo修改 (31)八数据配置 (32)1重启服务 (32)2标签配置 (32)4重置授权 (34)5密码修改 (34)6防火墙设置 (34)7客户字段配置 (35)8弹屏方式设定 (35)(四)工具栏(顶部) (36)1通话记录 (36)2分机示忙 (36)3 通话保持 (36)4 通话转移 (37)5服务质检 (37)6座席界面 (37)7 注销 (38)(一)产品信息CC呼叫中心系统是我公司自主研发的新一代企业级呼叫中心系统。
该系统采用了最新的IP内核一体化设计,无须外挂任何其他设备、就能实现大容量的电话呼入/呼出处理、电话转接等传统 PBX 的所有功能,同时还提供了传统 PBX 所不具备的 VoIP 网关、来电智能分配、CRM 客户关系管理、电话录音、电话会议、语音信箱、通话报表等高端系统功能。
Thank you for selecting the IT07 Audiophile in-ear monitors. Plesae take a few minutes to read these instructions carefully before using the product.谢谢您选择 IT07 入耳式耳机。
请您在使用本产品前花几分钟时间仔细阅读本说明书。
SAFETY INSTRUCTIONSWhen you connect the in-ear monitors, please make sure that the volume level is set to minimum. Adjust the volume level only after inserting the eartips. To avoid possible hearing damage, do not use your in-ear monitors for extended periods of time at high volume.The ability to hear your own voice while listening and speaking normally with in-ear monitors can serve as a measure of correct volume adjustment.We would like to point out that excessively high volumes and long listening times may cause hearing damage. Hearing defects can constitute an irreversible impairment of hearing ability.1安全须知当您连接耳机时,请确保音量设置为最小。
大洋音频特效制作模块用户使用手册(V 1.0)北京中科大洋科技发展股份有限公司版权所有2005-7一.简介大洋音频特效制作模块是D3-Edit内置的一个功能模块,在所有D3-Edit产品中都可使用。
该模块能运行在任何声卡上,也支持大洋Redbrdige板卡进行输入输出;主要用来进行音频素材的精确剪辑、特效添加,也可进行声音的录制和混音。
大洋音频特效制作模块具有如下特色功能:¾兼容性好,支持MMX及ASIO驱动的声卡¾支持22/44.1/48kHz采样,最高24bit量化的数字音频文件¾支持WA V、MP3、WMA等多种音频文件格式,并支持各种内嵌音频的编辑¾基于音频波形的调节,横向和纵向均可无级缩放¾剪辑可精确到采样点,支持对采样点值的调节¾时码显示可选择LTC、25P、30P、24P及采样点¾波形显示可选择采样值、规格化值、百分数及分贝值¾支持音频文件的剪切、拷贝、粘贴等操作¾支持混音粘贴操作¾支持反相、倒放、静音操作¾支持直接录音操作¾无限REDO/UNDO¾内置几十种音频特效,包括EQ、混响、延迟、声像调节、调制、压缩、扩展、门限、声像摇移等¾支持采样降噪处理¾提供变速不变调、变调不变速功能¾支持第三方特效插件,包括DX、VST等¾精确的相位表、VU表、频谱表,为声音调节提供参考¾VU表有平均值和峰值两种显示类型¾提供音频发生器,可发生标准千周测试信号用以设备校准¾可同步显示视频画面,方便声画对位编辑注3-Edit用户使用手册》,并已经掌握软件操作方式;相同或类似的操作本文不做详细说明,请参看《D3-Edit用户使用手册》的相关章节。
注2:以下章节涉及到的所有操作都不附快捷键说明,快捷键详情参看软件中的相应工具按钮。
广州唯创电子有限公司MP3录音模块WTN1XXX系列语音芯片说明书Note:WAYTRONIC ELECTRONIC CO.,LTD.reserves the right to change this document without prior rmation provided by WAYTRONIC is believed to be accurate and reliable.However,WAYTRONIC makes no warranty for any errors which may appear in this document.Contact WAYTRONIC to obtain the latest version of device specifications before placing your orders.No responsibility is assumed by WAYTRONIC for any infringement of patent or other rights of third parties which may result from its use.In目录1.概述: (2)2.功能简述: (2)3.管脚描述: (2)4.极限参数: (3)5.播放速率: (3)6.单线脉冲触发: (3)7.按键控制方式: (5)8.程序范例 (6)9.应用电路 (8)10.封装管脚图 (9)我司说明书以业务员和公司官网的为准1.概述:WTN1系列为全新世代高性价比的语音芯片,具有9bits高性能PWM/DAC语音引擎。
并且具备有5~20秒(6K/4bits)多样化的型号选择,并内置有高精准度起振器,毋需外部起振组件,外接组件少,让应用开发整体成本具有市场领先的优势。
2.功能简述:(1)工作电压:2.0V~5.0V(2)具备串口控制模式:数脉冲,按键控制(3)语音引擎:9bits PWM./9bits DAC(部分型号无DAC功能)(4)可编辑阶数:3800(5)阶可编辑群组数:63组(最大)(6)开机执行群组:1(7)组可放声音长度:/10(WTN1010)/20(WTN1020)(8)内置RC震荡起振回路选型注意:1.芯片的控制方式和输出方式在烧写程序时已经设定好,不可以再次更改,订做芯片时需要和业务员说明应用要求。
Newton ChannelMic Preamp, EQ, Compressor, SILKOperations Manual1.Read these instructions.2.Keep these instructions.3.Heed all warnings.4.Follow all instructions.5.Do not use this apparatus near water.6.Clean only with a dry cloth.7.Do not block any ventilation openings. Install in accordance with themanufacturer’s instructions.8.Do not install near any heat sources such as radiators, heat registers,stoves, or other apparatus (including amplifiers) that produce heat.9.Do not defeat the safety purpose of the polarized or grounding-typeplug. A polarized plug has two blades with one wider than the other.A grounding-type plug has two blades and a third grounding prong.The wide blade or the third prong are provided for your safety. If theprovided plug does not fit into your outlet, consult an electrician forreplacement of the obsolete outlet.10. Protect the power cord from being walked on or pinched particularly atplugs, convenience receptacles, and the point where they exit from theapparatus.11. Only use attachments/accessories specified by the manufacturer.12. Use only with a cart, stand, tripod, bracket, orthe apparatus. When a cart is used, use cautionavoid injury from tip-over.13. when unused for long periods of time.14. Refer all servicing to qualified service personnel. Servicing is requiredwhen the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain ormoisture, does not operate normally, or has been dropped.15. This apparatus shall not be exposed to dripping or splashing, and noobject filled with liquids, such as vases or beer glasses, shall be placed on the apparatus.16. Do not overload wall outlets and extension cords as this can result in a risk of fire or electric shock.17. This apparatus has been designed with Class-I construction and must be connected to a mains socket outlet with a protective earthingconnection (the third grounding prong).18. This apparatus has been equipped with a rocker-style AC mains power switch. This switch is located on the rear panel and should remainreadily accessible to the user.19. The MAINS plug or an appliance coupler is used as the disconnect device, so the disconnect device shall remain readily operable.20. N OTE: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment o and on, the user is encouraged to try to correct the interference by one or more of the following measures:•Reorient or relocate the receiving antenna.•Increase the separation between the equipment and the receiver.•Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.•Consult the dealer or an experienced radio/TV technician for help.CAUTION: Changes or modifications to this device not expressly approved by Rupert Neve Designs LLC, could void the user's authority to operate the equipment under FCC rules.21. This apparatus does not exceed the Class A/Class B (whichever is applicable) limits for radio noise emissions from digital apparatus as set out in the radio interference regulations of the Canadian Department of Communications.ATTENTION — Le présent appareil numérique n’émet pas de bruits radioélectriques dépassant las limites applicables aux appareils numériques de class A/de class B (selon le cas) prescrites dans le réglement sur le brouillage radioélectrique édicté par les ministere des communications du Canada.22. Exposure to extremely high noise levels may cause permanent hearing loss. Individuals vary considerably in susceptibility to noise-induced hearing loss, but nearly everyone will lose some hearing if exposed tosufficiently intense noise for a period of time. The U.S. Government’s Occupational Safety and Health Administration (OSHA) has specifiedthe permissible noise level exposures shown in the following chart.According to OSHA, any exposure in excess of these permissible limitscould result in some hearing loss. To ensure against potentially dangerous exposure to high sound pressure levels, it is recommended that all persons exposed to equipment capable of producing highsound pressure levels use hearing protectors while the equipment is in operation. Ear plugs or protectors in the ear canals or over the ears must be worn when operating the equipment in order to preventpermanent hearing loss if exposure is in excess of the limits set forth here:Important Safety InstructionsWARNING — To reduce the risk of fire or electric shock, do notexpose this apparatus to rain or moisture.Duration, per day in hoursSound Level dBA, SlowResponse Typical Example 890Duo in small club 692495Subway Train3972100 Typical music via head phones 1.51021105Siren at 10 m distance 0.5 1100.25 or less 115Loudest parts at a rock concertThe lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated "dangerous voltage" within the product's enclosure, that may be of sufficient magnitude to constitute a risk of electric shock to persons.Le symbole éclair avec point de flèche à l'intérieur d'un triangle équilatéral est utilisé pour alerter l'utilisateur de la présence à l'intérieur du coffret de "voltage dangereux" non isolé d'ampleur suffisante pour constituer un risque d'éléctrocution.The exclamation point within an equilateral triangle is intended to alert the user of the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance.Le point d'exclamation à l'intérieur d'un triangle équilatéral est employé pour alerter les utilisateurs de la présence d'instructions importantes pour le fonctionnement et l'entretien (service) dans le livret d'instruction accompagnant l'appareil.This symbol indicates that this product must not be disposed of with other waste. Instead, it is your responsibility to dispose of your waste equipment by handing it over to a designated collection point for the recycling of waste electrical andelectronic equipment. The separate collection and recycling of your waste equipment at the time of disposal will help conserve natural resources and ensure that it is recycled in a manner that protects human health and the environment. For moreinformation about where you can drop off your waste equipment for recycling, please contact your local city recycling office or the dealer from whom you purchased the product.Table of ContentsIntroductionBlock Diagram Newton Front Panel Newton Rear PanelNewton FeaturesSpecifications Limited Warranty 1 1 2 3 4 7 11N e w t o n C h a n n e l B l o c k D i a g r a mRupert Neve Designs Newton ChannelThank you for purchasing the Rupert Neve Designs Newton Channel. We hope you enjoy using this product as much as we have enjoyed designing and building it. The Newton Channel features Class-A analog signal paths, a 3-band discrete EQ section, a VCA compressor and custom Rupert Neve Designs transformer coupled outputs with variable SILK. The Newton Channel is designed to provide users with an intuitive, high-quality channel strip that is useful in a wide variety of recording and mixing applications.1N e w t o n C h a n n e l F r o n t P a n e l2N e w t o n C h a n n e l R e a r P a n e l3e v BNewton Channel Front Panel FeaturesMic Gain12-position rotary switch that controls the microphone preamp gain in 6dB steps. For line level input signals, set the Mic Gain to the “0dB” position.48VPush-button switch that illuminates RED when +48V Phantom Power is engaged.Ø (Polarity)Push-button switch that illuminates AMBER when engaged and inverts the phase of the preamp signal. TRIM31-detent potentiometer that allows the user to adjust the preamp gain within a range of +/- 6dB.HPFPush-button switch that illuminates GREEN when the variable high pass filter is engaged.FREQ31-detent potentiometer that allows the user to adjust the cutoff frequency of the variable high pass filter within a range of 20 Hz to 250 Hz.EQ INPush-button switch that illuminates GREEN when the EQ section is engaged.LF31-detent potentiometer that controls the amount of boost or cut for the low frequency shelf within a range of +/- 12dB.60/150Push-button switch that selects between the two available low frequency shelf frequencies: 60Hz (OUT) and 150Hz (IN).MID FREQ31-detent potentiometer that controls the frequency of the midband peaking EQ within a range of 220Hz to7kHz.MID31-detent potentiometer that controls the amount of boost or cut for the MID FREQ peaking EQ within a range of +/-12dB.8K/16KPush-button switch that selects between the two available high frequency shelf frequencies: 8kHz (OUT) and 16kHz (IN).4Newton Channel Front Panel Features (continued)HF31-detent potentiometer that controls the amount of boost or cut for the high frequency shelf within a range of +/-12dB.COMP INPush-button switch that illuminates GREEN when the compressor section is engaged.THRESHOLD31-detent potentiometer that controls the compressor threshold range from +20dBu to -30dBu. When the input signal rises above the set threshold level, compression begins with a soft-knee at a 2:1 ratio.RELEASE31-detent potentiometer that controls the compressor release time. The overall timing range available is 50mS (FAST) to 500mS (SLOW).GAIN31-detent potentiometer that controls the compressor make-up gain within a range of -6dB to +20dB.PRE EQPush-button switch that routes the compressor section ahead of the EQ section when engaged.SILKIlluminated push-button switch that toggles through the three available SILK modes: OFF, RED, and BLUE. RED enhances harmonic content in high mid and high frequencies. BLUE enhances harmonic content in low and low mid frequencies.TEXTURE31-detent potentiometer that controls the amount of SILK harmonics added within the transformer output stage when SILK is engaged.GR and OUT Metering8-segment LED meters that indicate compressor gain reduction (dB) and output level (dBu).POWERLED that illuminates GREEN when the Newton Channel is powered ON.5Newton Channel Rear Panel FeaturesPOWERIEC AC power inlet with integrated power switch. 100-240VAC at 50/60Hz. 35 Watts maximum AC power con-sumption.GROUND LIFTSlide switch that lifts XLR Pin 1 from chassis ground on the MAIN OUT and the -6dB OUT to help isolate from ground interference.-6dB OUTBalanced XLR output utilizing the center tap of a custom Rupert Neve Designs transformer.MAIN OUTBalanced XLR output utilizing a custom Rupert Neve Designs transformer.LINK1/4” TRS jack that allows two Newton Channel compressors to be linked together for stereo compressor operation. ONL Y INTENDED FOR USE WITH OTHER NEWTON CHANNEL LINK JACKS.INPUTBalanced XLR-1/4” TRS combo jack input that can be used for MIC or LINE level signals.6SpecificationsNote: All measurements typical, all measurements recorded using 25ft. XLR output cablesInput Impedance 8900 ohmsInput to Line Output (No Features Engaged, Un-weighted)Maximum Input Level +23.6 dBuNoise (Un-weighted)Line Out (Unity Gain) -102 dBu -6dB Line Out (Unity Gain) -107 dBu Line Out (+30dB Gain) -95 dBu Equivalent Input Noise @ +30dB Gain (EIN) -125 dBuMaximum Output Level @ 1kHz +23.6 dBuFrequency Response<10Hz to 30 kHz +/- 0.1 dB <5Hz to 70 kHz +/- 0.25 dB <5Hz to 140 kHz -3 dB THD+N BW (<10Hz to 22 kHz) 0 dBu at 1 kHz 0.0013 % +20 dBu at 1 kHz 0.0007 %Input to Line Output (Equalizer Engaged)Noise (BW <10 Hz to 22 kHz) -90 dBu THD+N @ 0 dBu (EQ Flat) 0.003% Input to Line Output (Compressor Engaged)Noise @ 0dB Make-Up Gain (BW <10 Hz to 22 kHz) -91 dBu THD+N @ 0 dBu (EQ Flat) 0.005% Compressor SectionAttack Time (fixed) 20mS Release Time (variable) 50mS (fast) to 500mS (slow) Product Dimensions (W x D x H) 19” (48.3 cm) x 8.125” (20.63 cm) x 1.75” (4.5 cm) Shipping Dimensions (W x D x H) 24” (61 cm) x 13” (33 cm) x 4” (10.2 cm) ShippingWeight 9 lbs. (4.1 kg)78M i c P r e a m p F r e q u e n c y R e s p o n s e G r a p h Z S O U R C E =150 o h m s , -45d B u I n p u t S i g n a l M e a s u r e m e n t s w e e p s t a k e n a t +6d B , +24d B , +42d B , a n d 60d B G A I N9E QF r e q u e n c y R e s p o n s eG r a p h10C o m p r e s s o r R a t i o S w e ep Z S O U R C E =150 o h m s , M e a s u r e m e n t s w e e p s t a k e n a t +10, 0, -10, -20, a n d -30d B u T h r e s h o l dPRODUCT WARRANTYRupert Neve Designs warrants this product to be free from defects in materials and workmanship for a period of three (3) years from date of purchase, and agrees to remedy any defect identified within such three year period by, at our option, repairing or replacing the product.LIMITATIONS AND EXCLUSIONSThis warranty, and any other express or implied warranty, does not apply to any product which has been improperly installed, subjected to usage for which the product was not designed, misused or abused, damaged during shipping, damaged by any dry cell battery, or which has been altered or modified in any way. This warranty is extended to the original end user purchaser only. A purchase receipt or other satisfactory proof of date of original purchase is required before any warranty service will be performed. THIS EXPRESS, LIMITED WARRANTY IS IN LIEU OF ALL OTHER WARRANTIES, EXPRESS OR IMPLIED, TO THE EXTEND ALLOWED UNDER APPLICABLE STATE LAW. I N NO EVENT SHALL RUPERT NEVE DESI GNS BE LI ABLE FOR ANY SPECI AL, I NCI DENTAL, OR CONSEQUENTIAL DAMAGES RESULTING FROM THE USE OF THIS PRODUCT. Some states do not allow the exclusion or limitation of consequential damages or limitations on how long an implied warranty lasts, so this exclusion may not apply to you.WARRANTY SERVICEIf you suspect a defect in this product, please contact our support staff for troubleshooting by phone (512-847-3013)oremail(**********************).Ifitisdeterminedthatthedeviceismalfunctioning,wewillissuea Return Material Authorization and provide instructions for shipping the device to our service department.Rupert Neve DesignsPO Box 1969Wimberley TX 78676tel: +1 512-847-3013fax: +1 512-847-8869775-00043 Rev A11。
1、语音模块(YT07、YS07)音质可分高、中、低3个等级。
音质决定存储时间,从高到低依次为3分钟、6分钟、24分钟。
下面介绍获取相应音频文件。
2、WA V格式文件、音质参数(PCM Signed16bit,mono)为语音模块可识别的高音质音频信息。
获取方法如下
2.1打开GoldWave软件,打开一个任意格式的音频文件,如图:MP3格式文件
2.2在软件菜单项【效果】选择重新采样
2.3重新采样参数选择22050
2.4确定重新采样后,软件提示需要另存文件
2.5点击确定,选择【文件】菜单,另存为
2.6选择另存为wav文件格式,音质选择PCM Signed16bit,mono
2.7将处理完成的文件,复制到录音软件ADUIO目录下,即可识别。
3、WA V格式文件、音质参数(PCM Signed16bit,mono)为语音模块可识别的中音质音频信息。
获取过程和高音质一样,只是重新采样参数为11025,如下图
4、WA V格式文件、音质参数(IMA ADPCM11.025kHz,4位,单声道)为语音模块可识别的低音质音频信息。
获取方式如下
4.1打开GoldWave软件,打开一个任意格式的音频文件,如图:MP3格式文件
4.2在【文件】菜单下选择另存为
4.3选择另存为wav文件格式,音质选择(IMA ADPCM11.025kHz,4位,单声道)
4.4将处理完成的文件,复制到录音软件ADUIO目录下,即可识别。
文档会不定期更新,获取最新文档请至启英泰伦语音AI平台()下载。
高性能语音识别模块数据手册CI-D0XGS07J-BT版本号:V1.1模块介绍概述本模块是针对低成本离线语音应用方案开发的一款通用、便携、低功耗高性能的语音识别模块,型号包括为:CI-D02GS07J-BT 和CI-D03GS07J-BT,两个型号管脚完全兼容,区别为主芯片型号不同,CI-D02GS07J-BT主芯片为CI1302,CI-D03GS07J-BT主芯片为CI1303。
CI-D03GS07J-BT中的主芯片CI1303比CI-D02GS07J-BT中的主芯片CI1302多2MB的Flash,可以实现更多命令词和算法功能。
图1 模块框图表1 模块选型表模块选型本地命令词300条以内本地命令词500条带插口单麦离线语音蓝牙模块CI-D02GS07J-BTCI-D03GS07J-BT该模块具有以下特点:模块体积小巧,长宽为37mm×40mm ,工作电压为 5.0V-5.5V ,一颗蓝牙5.0芯片和一颗音频功放芯片,带一路麦克风、一路喇叭和一路5V 电源及UART 的接口,此UART 接口也为5V 电平。
模块插入麦克风和喇叭直接供电即可使用,也可以直接通过接插件将UART 连接到产品主控板,由产品主控板的5V 电源进行供电,UART 通信或GPIO 控制,无需焊接。
模块包含2*3.5mm 螺丝孔,方便固定及安装。
模块主芯片支持离线神经网络计算,支持单麦克风降噪增强,单麦克风回声消除,360度全方位拾音,可抑制环境噪音,保证嘈杂环境中语音识别的准确性。
使用本模块进行离线语音识别不依赖网络,时延小,性能高,可实现97%以上的高识别率,10米超远距离识别,响应时间最快达到0.2S 。
模块可以应用于有能耗等级要求的产品和电池供电类产品中,运行功耗≤0.5W 。
模块带有一颗低功耗蓝牙芯片,兼容蓝牙5.0协议。
用户可通过手机等多媒体终端连接蓝牙播歌、接听电话和微信小程序控制等。
E702T网络音频模块应用手册摘要本文简单介绍了E702T网络音频模块的功能和使用方法。
目录一、简介 (3)二、模块结构 (3)三、功能特点 (4)四、模块配置 (5)4.1、简介 (5)4.2、简单使用说明 (5)五、用户串口 (7)5.1、简介 (7)5.2、协议简介 (7)5.3、有格式指令类型 (8)5.4、无格式数据 (8)六、虚拟串口 (8)七、功放接口 (9)八、应用 (10)8.1、播放模式 (10)8.1.1、应用介绍 (10)8.1.2、二次开发介绍 (11)8.1.3、服务器软件介绍 (11)8.2、录播模式 (12)8.2.1、录播介绍 (12)8.3、对讲模式 (13)8.2.1、对讲介绍 (13)8.3.2、二次开发介绍 (14)九、关注我们 (14)一、简介E702T是一款高性能的10/100M网络音频模块,采用ARM+DSP构架,能接收网络音频数据流,转换成音频模拟信号输出。
亦能采样本地的mic输入或linein输入,发送到网络上,供其他网络音频模块接收播放。
提供语音级的双向音频数据传输,便于构建网络语音对讲系统。
内置2W D类功放,可接8Ω/2W 扬声器。
E702T模块还提供了一组功放控制接口,具有静音输出,工作信号输出,继电器输出和开关输入,可方便控制外置大功率功放。
提供1路用于接收用户命令和反馈模块信息的用户串行接口,1路虚拟串口便于扩展用户的应用,1路扩展串行接口,可接串口摄像头等串口设备,1路SPI扩展接口。
我们提供了NAManager软件用于模块的IP地址等参数配置,提供二次开发动态库用于网络音频广播和网络语音对讲系统开发。
二、模块结构E702T使用了ARM和DSP双处理器构架, ARM处理器负责数据的传输,用户命令的解析执行以及功放接口的控制,DSP负责语音数据的编码解码和输出,外接2W功放,可直接驱动4~8Ω扬声器。
模块内安装了一个硬件看门狗,防止处理器异常死机,提高系统稳定性。
语音模块使用说明书(型号:LMD507)LMD507语音模块是蓝马电子推出的LMD系列语音模块之一。
集输入控制、音频存储、功放于一身。
特点是输出功率大、双路输出、稳定可靠、可重复录音、开关触点控制、体积小等。
主要控制放音方式有:通过10组触点控制、485总线控制、无线遥控。
主要应用范围:厂区、矿山、广场、住宅小区、旅游景区、营房、铁路道口等场所的安装工程、报警提示功能。
1.产品特性●板载功放模块,最高可输出功率达50W,双路输出、声音宏亮。
●板载音量调节,可根据实际安装需求进行调整。
●全新电路设计,抗干扰能力强。
●体积更小 65*52mm●全新音频播放控制算法,音质更好。
●支持多种采样格式,最多可存储24分钟声音(采样率11025Hz 16位采样),声音可任意分段,每段声音可以是任意长度。
●语音信息可分段录制、分段播放。
并可随时更换语音信息●控放音方式有:485总线控制,可以控制200段声音播放。
指令简单,工作波特率可设。
低电平触发方式(按键接地或单片机IO口置低),可接入9路常开或常闭触点控制9段声音。
无线遥控解方式,需要外接无线接收模块。
(请咨询厂家技术支持)还可以根据客户需求,开发您需要的控制方式。
●板载FLASH存储器。
成本更低,可靠性更好。
●防止误动作,内部多种保护措施。
●新增待机模式,待机状态工作电流仅8mA。
LMD507产品手册蓝马电子版本:2.0 2.产品图片、接口介绍及典型应用示意图2.1产品外形图2-1 LMD507产品正面图图2-2 LMD507背板图2.2接口介绍引脚功能说明备注VCC 直流电源正极9~24V 宽范围电源GND 直流电流负极A 485+ 485通讯线。
录音和控制。
B 485+ 485通讯线。
录音和控制。
1R- 右声道输出R+ 右声道输出L- 左声道输出L+ 左声道输出1~9 触点输入可直接按制9路声音。
1-9路触点与COM接通,即可播放声音。
10/COM 触点输入公共端JP1 485终端电阻短接此点,终端电阻接入。
公共广播系统手册 T-7700一、产品用途及功能特点 (3)(1)产品用途 (3)(2)功能特点 (3)二、软件安装 (5)(1)系统服务器软件安装要求 (5)(2)系统软件安装 (5)(3)系统软件注册 (8)三、IP 网络广播系统---配置工具 (10)(1)终端配置 (11)(2)分区配置 (14)(3)呼叫策略配置 (16)(4)报警配置 (18)(5)定时任务配置 (20)(6)定时巡更配置 (24)(7)用户配置 (26)四、IP 网络广播系统---配置 IP 地址 (30)五、IP 网络广播系统---运行服务器 (31)六、IP 网络广播系统---播放中心 (33)附录:IP 网络广播系统的广域网应用设置 (37)IP 网络广播系统软件用户手册一、产品用途及功能特点(1)产品用途广播系统管理和控制软件、安装于网络广播控制中心或计算机,是广播系统数据交换、系统运行和功能操作的综合管理平台。
(2)功能特点1.软件是整个系统的运行核心,统一管理系统内所有音频终端,包括寻呼话筒、对讲终端、广播终端和消防接口设备,实时显示音频终端的 IP 地址、在线状态、任务状态、音量等运行状态。
2.支撑各音频终端的运行,负责音频流传输管理,响应各音频终端播放请求和音频全双工交换,具备终端管理、用户管理、节目播放管理、音频文件管理、录音存贮、内部通讯调度处理等功能。
3.管理节目库资源,为所有音频终端器提供定时播放和实时点播媒体服务,响应各终端的节目播放请求,为各音频工作站提供数据接口服务。
4.提供全双工语音数据交换,响应各对讲终端的呼叫和通话请求,支持一键呼叫、一键对讲、一键求助、一键报警等通话模式,支持自动接听、手动接听,支持自定义接听提示音。
5.支持多种呼叫策略,包括呼叫等待、呼叫转移、无人接听提醒,支持时间策略和转移策略自定义设置。
6.支持终端短路输入联动触发,可任意设置联动触发方案和触发终端数量,触发方案包括短路输出、音乐播放、巡更警报等。
BUS语音提示器使用说明书一、产品特点支持播放SD卡语音内容,SD容量范围为32MB到1GB;最多可直接点播510段语音;现场MICROPHONE演讲功能;5级音量可调;单声道0.5W/8Ω音频输出;可播放6K~32KHz、36KHz采样率的AD4格式音频以及6K~16KHz采样率的WAV格式音频;语音播放过程中,两路信号源输出,可控制外部电器;可扩展成操作过程LED数码管显示。
二、电器参数工作电压:DC12~24V音频功率:0.5W / 8Ω音频声道:单声道三、实物图片说明LEDOK图片说明:序号图片标识功能说明1 LED 电源指示2 数字键点播语音,可组合使用3 * VOL+4 # VOL-5 OK 确定播放语音MIC ON/OFF图片说明:序号图片标识功能说明1 MIC MICROPHONE输入插孔2 ON/OFF MICROPHONE开关,往插孔方向拨动为开。
VOICE图片说明:序号图片标识功能说明1 VOICE 音频输出S1GND S2VCC图片说明序号图片标识功能说明1 S1 信号输出1,语音播放时为低电平输出,电平等于VCC2 GND 电源地线3 S2 信号输出2,语音播放时为高电平输出,电平等于VCC4 VCC 电源正极四、操作说明通电操作:红线接电源正极,棕线接电源地,要求输入电压为DC12~24V,通电正常,电源指示灯亮(红色)。
现场麦克风演讲:通电的状态下,从MIC处插上MICROPHONE,将开关拨到MIC方向,就可以对着MICROPHONE说话,MICROPHONE处输入的语音经放大后从VOICE处输出。
点播SD卡语音:SD按动数字键可以播放SD里面的语音,如要播放第1段,则按"1"键,按键触发过程中,电源指示灯熄灭,等待1.5秒,就可以播放语音,在按动“1”键后按动“OK”键,则直接播放语音,语音播放过程中电源指示灯亮(红、黄色),如需要播放第12段,则按“1”键后继续按“2”键,等待1.5秒后,语音开始播放,在连续按动“1”键和“2”键后,继续按动“OK”键,则直接播放语音。
MAINTENANCE AND INSPECTION: TRANSFORM YOUR OPERATIONS WITH VOICE GUIDANCEHoneywell Voiceavailable sooner for other tasks.The SRX3 Wireless Headset raises the standard in technician efficiency, productivity, accuracy and pact, ergonomic and rugged, Honeywell Voice A700x Series devices can be body-worn or mounted for maximum operational flexibility.WORKING BY VOICE1. Honeywell Voice for Maintenanceand Inspection frees mobile workers’hands and eyes in order to maximizeproductivity and achieve higheraccuracy rates. Our robust solutionis comprised of:• Rugged, noise-suppressingheadsets with SoundSense™technology• Directional microphones that deliverclear, crisp audio from your workersinto the system• A wearable mobile device to interfacewith the Honeywell Voice system• Advanced software to integrate withyour preferred host system2. Using “text-to-speech” and “speech-to-text” technologies (available inmore than 40 languages), HoneywellVoice converts standard operatingprocedures to direct techniciansthrough each required task or stepin maintenance, inspection or repairprocesses.3. As a technician completes each step,s/he speaks a verbal confirmationinto a headset.a. When prompted, the technicianalso can upload photos using atouch-screen device to record thecondition of equipment before andafter work is performed.b. Using a mobile device also providesthe technician access to imagesand information to help identifyparts or explain processes.4. Spoken information is convertedinto data by Honeywell Voice, thencommunicated back to your hostsystem to provide real-time updatesto required logs and other records. Maintenance and Inspection: Transform Your Operations With Voice Guidance | | 34 | | Maintenance and Inspection: Transform Your Operations With Voice GuidanceAIRCRAFT AND FLEETS: ENSURE SAFETY AND COMPLIANCE WITH VOICE DIRECTIONSStreamline off-wing maintenance, repair and overhaul (MRO) to restore aircraft engines, as well as workflows for airframe and structuralcomponents and other aircraft systems, to designed operational condition.AIRCRAFT MROOther aviation applications for voice-directed processes include:Heavy MaintenanceImprove the consistency anddocumentation of comprehensive structural inspections as well as work performed on aircraft.Component InspectionEnsure flight worthiness by enabling regular inspection and maintenance checks or airframe components. Line MaintenanceBetter execute MRO for aircraft systems, including auxiliary power units, avionics, wheels and brakes, communicationequipment and flight controls.Optimize maintenance of fleet power units and trailers as well as improve use of the most common required and preventive maintenance checklists.FLEET MAINTENANCEVoice-directed applications for heavy-duty trucks and other fleet vehicles include: Regulatory ComplianceEstablish consistent processes in order to comply with required inspections and fleet procedures for preventive maintenance. Real-Time Repair RecordsAccurately document in real time all repairs of power units and trailers, including recording information about parts replaced and new parts ordered. Aftermarket ServicesEnsure adherence to checklists for standard procedures when technicians perform retrofits with additional partsor components.Maintenance and Inspection: Transform Your Operations With Voice Guidance | | 5MORE INDUSTRIES: INCREASE THROUGHPUT, COLLECT VALUABLE DATAImprove maintenance and inspection processes across a variety of industries and applications, ranging from assembly and logistics to construction and utilities, health care, and oil and gas.ASSEMBLY AND LOGISTICSAs employees and assets change, training becomes more important. With step-by-step voice guidance, technicians require less training and no shadowing. By queuing results and integrating directly with business systems, employees will no longer waste time navigating screens. Instead, they can focus on the work required.OIL AND GASThe oil and gas field presents uniquechallenges for workers. Employees arerequired not only to navigate heightsin their environment, but also avoidpotentially explosive situations. Byenabling workers to focus on safetyprocedures as well as the task at hand,Honeywell Voice can improve safety.HEALTH CAREErrors in health care can have significantconsequences. Through standardizationand elimination of transposition,Honeywell Voice can ensure equipmentand processes critical to human health aremaintained and executed properly. Voiceguidance and data collection at the pointof care enable medical staff to maintaincleanliness best practices, improvequality and accuracy while reducingdocumentation overhead.CONSTRUCTION AND UTILITIESNetwork connectivity and host systemsoftware may not always be availablein the field. Honeywell Voice captures,queues and transmits data when anetwork becomes available. Contractors,technicians and inspectors can workon-site uninterrupted.6 | | Maintenance and Inspection: Transform Your Operations With Voice GuidanceBENEFITS OFVOICE GUIDANCE: DELIVER NEW LEVELS OF CONSISTENCY AND EFFICIENCYHoneywell Voice for Maintenance and Inspection enhances the documentation of standard operating procedures and improves compliance by eliminating the cumbersome and inefficient steps associated with previous maintenance and inspection processes.Eliminate inefficient and outdated tools Array still used for maintenance and inspectionprocesses, such as data entry and look-uptime on a laptop or handheld device, orcumbersome paper forms. With HoneywellVoice, technicians respond to spokencommands delivered in their languagethrough headsets. Then they verbally inputtheir findings directly into your system viaa headset microphone while performingeach task as directed.The voice-enabled Maintenanceand Inspection application runs oncompatible Android or iOS devices.Maintenance and Inspection: Transform Your Operations With Voice Guidance | | 7Honeywell Voice 2555 Smallman StreetPittsburgh, PA 15222 /voice MIBR (ENUS) | Rev 1 | 08/20© 2020 Honeywell International Inc.。
2007INTRODUCTION ............................................................................................................................................................................1MODULE SELECTION ..................................................................................................................................................................3MODULE CATEGORIES MODEL NUMBERS SIGNAL LEVELSINSTALLATION NOTESMODULE SELECTION CHART ........................................................................................................................................................5MUTING ........................................................................................................................................................................................7MICROPHONE INPUT MODULES .. (9)ML-11T Microphone/Line Input with Mute Send/Receive ......................................................................................................9M-01 Series Microphone Input ............................................................................................................................................9M-11S Microphone Input with Mute-Receive ......................................................................................................................10M-21S Microphone Input with Remote Volume Control........................................................................................................10M-41S Microphone Input with Mute-Send ..........................................................................................................................11M-51 Series Microphone Input with Voice Gate ..................................................................................................................11M-61 Series Microphone Input with Compressor................................................................................................................12M-03P High Impedance Microphone Input ..........................................................................................................................12LINE INPUT MODULES . (13)ML-11T Microphone/Line Input with Mute Send/Receive.........................................................................................................13B-01 Series Balanced Line Input ........................................................................................................................................13B-11S Balanced Line Input with Mute-Receive....................................................................................................................14B-21S Balanced Line Input with Remote Volume Control ....................................................................................................14B-41S Balanced Line Input with Mute-Send........................................................................................................................15L-01 Series Line Matching Input ........................................................................................................................................16L-11S Line Matching Input with Mute-Receive....................................................................................................................17L-41S Line Matching Input with Mute-Send........................................................................................................................17U-01 Series Unbalanced Line Input ....................................................................................................................................18U-03 Series Unbalanced Line Input with High/Low Cut Filters ............................................................................................19U-11 Series Unbalanced Line Input with Mute-Receive ......................................................................................................19U-12S Unbalanced Line Input with Variable Mute-Receive Depth ........................................................................................20U-13 Series Unbalanced Line Input with High/Low Cut Filters and Mute-Receive................................................................20U-14R Dual Input Priority with AGC......................................................................................................................................21U-21S Unbalanced Line Input with Remote Volume Control..................................................................................................21U-43 Series Unbalanced Line Input with High/Low Cut Filters and Mute-Send ....................................................................22U-61S Unbalanced Line Input with Compressor ..................................................................................................................23SPECIAL FUNCTION MODULES ..................................................................................................................................................24LINE OUTPUTT-01S Balanced Line Output................................................................................................................................................24T-02S Unbalanced Line Input with Music-On-Hold Output ..................................................................................................24T-12S Unbalanced Line Input with Music-On-Hold Output and Input Mute-Receive..............................................................25TONE GENERATORS-20S Digital Message/Tone with USB.................................................................................................................................25S-01S 1 kHz Sine Wave Test Tone ......................................................................................................................................26S-02S Buzzer/Yelp Tone......................................................................................................................................................26S-04S Switch-Selectable Tone............................................................................................................................................27REMOTE VOLUME CONTROLV-01S Remote Master Volume Control (VCA)........................................................................................................................27SPEAKER PROCESSORE-03Equalizer For F-121....................................................................................................................................................28E-04Equalizer For H-1........................................................................................................................................................28E-05Equalizer For H-2........................................................................................................................................................28E-06Equalizer For H-3........................................................................................................................................................28E-07Low Pass Filter For FB-100/HB-1.. (28)TABLE OF CONTENTSPAGE II TABLE OF CONTENTSTABLE OF CONTENTS PAGE III APPLICATIONS (30)1.Paging Over Background Music (30)2.Telephone Paging and Music-On-Hold (30)3.Banquet Room Sound System (30)4.School Gymnasium Sound System (31)5.Mute Send and Receive Combination Using Two Modules (31)FREQUENTLY ASKED QUESTIONS (31)General1.Which module should I use for a microphone?2.Which module should I use for a wireless microphone receiver?3.Which module should I use for an AM/FM tuner,cassette deck,CD player,computer sound card,juke box,mixer or satellite receiver?4.Which modules should I use for telephone or microphone paging with priority over a music source?5.Which module should I use for Music-On-Hold (MOH)?6.What type of potentiometer do I need for a Remote Volume Control module?7.How do I use one of the 900 Series processor modules?8.What is the proper wiring for the screw terminal type input modules?9.What’s the difference between the “L”Series and “B”Series modules?10.Which modules are for “mute send”?11.Which modules are for “mute receive”?Troubleshooting12.Why won't the M-11 (Microphone Input with Mute-Receive) pass signal?13.Why won't my paging source override my music source?14.Why isn't my condenser microphone working with an M Series module?15.Why is my signal level low with an L Series module?MODULAR PRODUCTS REFERENCE CHART (33)MODULE CROSS-REFERENCE CHART (34)JUMPER SETTINGS CHART (35)CONNECTOR WIRING CHART (36)INTRODUCTION PAGE 1INTRODUCTION Welcome to the TOA 900 SeriesModule Guide!In this guide,you'll find everything you need to takeadvantage of the powerful flexibility of 900 Seriesmodular products — function descriptions; signalflow and wiring diagrams; specifications; jumpersettings; application examples; and other usefulinformation.Understanding the modules will give you thefreedom to configure custom systems FAST without complicated modifications.And as your customers’needs change,you can easily add more inputs ornew functions by simply changing or addingmodules.An electronic version of the guide is also availablefor download at .Ifyou have any questions,please contact TOA ProductSupport at 1-800-733-4748 — we're here to help!TOA Electronics,Inc.Dedicated to Bob Sweet,author of the original 900Series Module Guide,1990.MODULE SELECTION PAGE 3 MODULE SELECTIONMODULE SELECTION CHART PAGE 5 MODULE SELECTION CHARTMUTING PAGE 7 MUTINGMICROPHONE INPUT MODULES PAGE 9M-01ML-11TMICROPHONE INPUT MODULESM-11M-21MICROPHONE INPUT MODULESPAGE 10M-41M-51MICROPHONE INPUT MODULES PAGE 11M-61 M-03MICROPHONE INPUT MODULES PAGE 12B-01ML-11T LINE INPUT MODULES:BALANCED PAGE 13LINE INPUT MODULESB-11 B-21LINE INPUT MODULES:BALANCED PAGE 14B-41LINE INPUT MODULES:BALANCED PAGE 15L-01LINE INPUT MODULES:LINE MATCHING PAGE 16LINE INPUT MODULES:LINE MATCHING PAGE 17L-11L-41U-01LINE INPUT MODULES:UNBALANCEDPAGE 18U-03U-11LINE INPUT MODULES:UNBALANCED PAGE 19U-12 U-13LINE INPUT MODULES:UNBALANCED PAGE 20U-21U-14LINE INPUT MODULES:UNBALANCEDPAGE 21LINE INPUT MODULES:UNBALANCED PAGE 22U-43U-61LINE INPUT MODULES:UNBALANCED PAGE 23T-01 T-02SPECIAL FUNCTION MODULES:LINE OUTPUTPAGE 24SPECIAL FUNCTION MODULEST-12S-20SPECIAL FUNCTION MODULES:LINE OUTPUT PAGE 25SPECIAL FUNCTION MODULES:TONE GENERATORS-01 S-02SPECIAL FUNCTION MODULES:TONE GENERATOR PAGE 26S-04V-01SPECIAL FUNCTION MODULES:TONE GENERATOR PAGE 27SPECIAL FUNCTION MODULES:VOLUME CONTROLE-03 E-04 E-05 E-06 E-07E Series Processor Modules for TOA SpeakersSPECIAL FUNCTION MODULES:SPEAKER PROCESSORPAGE 28E-03E-04E-05E-06E-07SPECIAL FUNCTION MODULES:SPEAKER PROCESSOR PAGE 29E SeriesProcessor Modules for TOA SpeakersAPPLICATIONSPAGE 30APPLICATIONSAPPLICATIONS PAGE 31FREQUENTLY ASKED QUESTIONSFREQUENTLY ASKED QUESTIONSPAGE 32FREQUENTLY ASKED QUESTIONS (continued)MODULAR PRODUCTS REFERENCE PAGE 33MODULE CROSS-REFERENCEPAGE 34Notes:• H Series microphone modules do not provide phantom power.• Original mute-type modules (pre-1994) connect to Mute Bus #1 only.Newer "MK2" mute-type modules connect to both Mute Bus #1 and Mute Bus #2 and have a "MK2" label on the module faceplate.JUMPER SETTINGS PAGE 35Note:1.In many applications,NO jumper changes are required.Mute-Receive and Mute-Send modules connect to both Mute Bus #1 and Mute Bus #2by default.2.Configure the M-11S Mute Response Mode before use - it will not pass signal out-of-the-box.CONNECTOR WIRING PAGE 36TOA E LECTRONICS, I NC.TEL: 800-733-7088FAX: 800-733-9766TOA C ANADAC ORPORATIONT EL: 905-564-3570F AX: 905-564-3569© 2007, TOA Electronics, Inc.。
浪劲TTS使用说明浪劲听力生成器使用说明一、软件安装1、软件客户端的安装双击客户端安装程序,根据提示完成安装向导。
2、语音包的安装本软件支持中文男女声与美语男女声共4个TTS语音包,以完成英语及中文自动合成语音功能。
3、软件支持平台本软件支持WindowsXP/2003/Vista/7.0二、菜单按钮说明:三、制作一份听力音频:1、填入内容将word中的内容复制到编辑框中或直接在中间空白的编辑框中输入。
可以通过鼠标右键中的样式下的来统一输入的格式。
2、编辑电脑朗读内容软件默认是采用美语朗读。
将需要中文电脑朗读的内容标记为<中女>听力考试现在开始或<中男>听力考试现在开始,分别对应为中文女生朗读或中文男声朗读。
没有标记的英文内容将采用默认声音处选择的美语声音朗读。
但是为了支持诸如男女对话这样的复杂朗读,系统提供了一组标记符号(例如:某段文字Hello, I'm kitty,需要临时用女声朗读,您可以如此标记:<女>Hello, I'm kitty),并在菜单栏提供了标记快捷按钮,使用时先用鼠标拖拉选中需要标记的文字,再点击相应的标记按钮即可。
注:对于已经标明男女朗读的内容,鼠标右键的工具栏中提供了“M/W识别”,直接在编辑界面右键中选择“M/W识别”,会将M:开头表示男,W:开头表示女,Q:表示Question的内容自动转换识别。
例如:W: Come along now. Open your mouth. I can’t give you the injection with your mouth closed, can I?M: I…I…I don’t want an injection. I hate needles.Q: Where is the conversation most probably taking place?换为:<女> Come along now. Open your mouth. I can't give you the injection with your mouth closed, can I?<男> I…I…I don't want an injection. I hate needles.Question, Where is the conversation most probably taking place?3、编辑真人朗读内容在需要使用已有音频或者是自己录制音频的内容处,选择好内容后按下菜单上的,可以看到这段内容已经被标记为<原声>XXX。
MIX7MIX7 is a 7-channel mono summing mixer in Eurorack format that can be used to mix audio, CV, Triggers or Gate signals. There are two modes of operation that are set by a jumper at the back of the module.Unity gain (JUMPER OFF: OUT = IN): The level of each input equals that of the output, what comes in comes out.Attenuated gain (JUMPER ON: OUT = 0.4IN): The level of each input is attenuated at the output to provide more headroom for mixing hot (loud) audio signals without distortion.The module is shipped in Unity mode, with the jumper o .MIX7 can be used in multiple ways, so lets get started:Drum MixerSequence a drum pattern with up to 7 drum sounds, connect the audio output of each drum module to an input of MIX7. Connect the output of MIX7 to your sound system. Use individual volume controls on drum modules to set the drums balance.Mixing Oscillators WaveformConnect the waveforms from two Z3000’s to the inputs of MIX7. Connect the mix output of MIX7 to your sound system through a Filter like the Z2040. You have just patched the audio part of a monophonic synth patch.Mixing Control Voltage SourcesIn this example we will need two Z4000 envelopes. Connect the outputs of both to the inputs of MIX7. Connect the mix output of MIX7 to your Frequency Modulation (FM) input of Z2040 lter. Now you can modulate the lter frequency with two envelopes.Mixing Triggers And GatesConnect the trigger outputs from your Circadian Rhythms or Trigger Riot to di erent inputs on the MIX7, send the MIX OUT to a Tiptop Audio ONE Sample Player, play with the Mute button on the sequencers to add and remove triggers from the mix.Mixing More Than 7 ChannelsMIX7 is a summing bus that can be expanded by using two or more MIX7 modules to add channels. Connect the output of the rst MIX7 to input 1 on the second MIX7. Connect the output of the second MIX7 to your sound system. Now you have patched a 13-channel mixer.Modes And Jumper SettingsThere are two modes of operation that are set by a jumper at the back of the module. With the jumper set on one pin or none of the pins the mode is set to Unity Gain, this is how your MIX7 is set by us when shipped to you. With the jumper set on two pins the mode is Attenuated Mode. On the back of the module the options appear as:JUMPER OFF: OUT = INJUMPER ON: OUT = 0.4 INMode 1 - Unity gain: the level of each input equals that of the output, what comes in comes out. This is the standard mode typical to modular synthesizer mixers. This mode is transparent with no added gain and can be used with all type of signals.Mode 2 - Attenuated Gain: the level of each input is attenuated before it gets mixed to provide more headroom for mixing hot (loud) audio signals without distortion. This mode should be con-sidered if you are planning to use MIX7 primarily for mixing hot signals like Tiptop drums and ONE Sample Player modules, giving you peace of mind knowing there is little chance of clipping the signals even when the volume levels of the sounds feeding the mixer are high. Mixing of audio signals with no distortion and clipping is essential for quality mixing, for example when mixing bass drums. In many cases bass drums are pure sine waves. If these waves are getting clipped, the bass drum gets added harmonics that change its purity. This can lead to a unintentionally distor-ted bass drum instead of a well-rounded one. Clipping is indicated by the RED led on the module.Mode 1Mode 2Processing Drums In GroupsBy using two or more MIX7 it’s easy to create ''subgroups''. Subgroups are used to process groups of di erent sounds simultaneously. For example you can mix bass drums, toms and snare together using one MIX7 and Hi Hats and cymbals using another MIX7.1. Connect the output of the rst MIX7 to a High Pass input on Forbidden Planet and theoutput of the second MIX7 to a delay.2. Connect MIX7 outputs to the inputs on a third MIX7.3. Connect the output of the third MIX7 to your sound system.Now you have split your drum sounds into two separate processing groups: High-Pass lter on low and mid-range drums and delay on cymbals and hi hats. This is a typical work ow of signal routing and sound design inside the modular.Mixing Oscillator Waveforms1. Tune your Z3000 oscillator to a nice bass frequency.2. Connect square wave to input 1 on MIX7.3. Connect sine wave output of a second Z3000 tuned one octave lower than the rst tochannel 2 of MIX7.4. Connect mix output of MIX7 to the input of Z2040 lter.5. Connect the output of Z2040 to your sound system.Now you have a square wave tone reinforced by a sub bass sine wave that you can lter to taste.A variation on the patch described above.1. Tune your Z3000 oscillator to a nice bass frequency.2. Conne.ct square wave output to the input of Z2040.3. Connect the output of Z2040 to input 1 on MIX7.4. Connect sine wave output of a second Z3000 tuned one octave lower than the rst tochannel 2 of MIX7.5. Connect mix output of MIX7 to your sound system.Now you have a square wave tone that you can lter to taste reinforced by a sub bass sine wave that is ltered separately.Mixing Control Voltages1. Connect saw wave output of Z3000 to the audio input of Z2040, connect the output ofZ2040 to your sound system.2. Connect the output of Z4000 ADSR envelope to input 1 on MIX7.3. Connect the output of a second Z4000 to input 2 on MIX7.4. Connect the output of a third Z4000 to input 3 of MIX7.5. Connect the 16 step output of Z8000 to input 4 of MIX7.6. Connect the mix out of MIX7 to the frequency modulation input of Z2040.Trigger the 3 envelopes from 3 separate tracks of Circadian Rhythms, clock Z8000 from the main Circadian Rhythms clock output. Now run the sequence. By creatively arranging your gate patterns that trigger the envelopes and mixing in modulation sequence you cancreate very interesting modulation patterns.Connect The Sound Of Your Mobile Phone To Your ModularMIX7 can even be used to amplify a weak signal. It’s not the ideal way of doing that, but what hap-pens if you don’t have a dedicated ampli er module handy? Use Stackcables to send your phone audio to all 7 inputs on MIX7, (make sure MIX7 is set to UNITY MODE). MIX7 has now multiplied the gain of your phone by 7, making it usable for use in the modular.。