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Press ReleaseFOR IMMEDIATE RELEASEBOSS Announces ME-90 Guitar Multiple EffectsHands-On Guitar Processor with a Compact Design and Premium BOSS Amps and Effects Derived from the Flagship GT-1000Los Angeles, CA, July 6, 2023 announces the ME-90 Guitar Multiple Effects, afavorite of performing guitarists for over three decades, combining multi-effects power with hands-on control for crafting tones in seconds. The ME-90 is the most advanced ME model to date, offering exceptional audio quality with 24-bit AD/DA and 32-bit floating point processing, flagship-grade AIRD amp models, IR loading, an effects loop, and more. Compact, battery-powered, and filled with premium BOSS tones, this all-in-one processor makes it simple to build customized sound setups for every playing situation.With its intuitive interface and diverse effects selection, the ME-90 allows guitarists to create configurations and tweak tones with the ease of a stompbox-filled pedalboard. The panel includes 30 different knobs for selecting categories and dialing in sounds instantly. There are 36 preset patches with ready-to-play pro tones, plus 36 user patches for storing personalized setups.The ME-90 features a massive library of BOSS effects, offering seven different categories filled with selections derived from the flagship GT-1000. There are 60 effect types in total, with access to over 20 more via BOSS Tone Studio. A send/return loop is available for external pedals, complete with the ability to save the on/off status in patches and place the loop before or after amp models in the signal chain.Along with its effects, the ME-90 includes amp models ported from the GT-1000, driven by advanced AIRD technology for authentic tube tone and touch response. Eleven onboard amp types offer everything from clean combo tones to punishing high-gain stacks, and more selections are available in BOSS Tone Studio. Each amp includes a dedicated cab sound for connecting to a PA or recording device, and it’s also possible to load three user speaker IRs with a dedicated software app.The ME-90 features eight footswitches with smooth, quiet operation and an expression pedal with an integrated toe switch. Memory mode allows the player to call up complete patch setups with the footswitches, while Manual mode provides direct on/off control of each effect category within the patch. The footswitch LEDs light in different colors for quick identification in the heat of a performance. There’s also an option to set all LEDs to light in fixed colors for each mode if desired.BOSS Tone Studio for macOS and Windows allows users to organize patches, edit tones, and change out some amp and effect types with alternate selections. It’s also possible to download pro setups at BOSS Tone Central and swap patches with the ME-90 community on BOSS Tone Exchange. The ME-90 supports the optional Bluetooth® Audio MIDI Dual Adaptor, enablingusers to stream music from a mobile device and wirelessly shape tones using the dedicated BTS editor app for iOS and Android.The ME-90 is lighter than its previous generation model while maintaining the rock-solid durability that BOSS is famous for. The expression pedal has been newly redesigned as well for even finer parameter control. The processor can be powered with four AA batteries or an optional AC adaptor, and a rear-panel switch optimizes the outputs for use with a guitar amp or a full-range sound system such as a PA. And along with BOSS Tone Studio communication, the USB-C output provides audio interface functionality for working with music production software on a computer.Availability & PricingThe BOSS ME-90 is available in the U.S. now for $349.99. To learn more about the ME-90 Guitar Multiple Effects, visit /us/.*Price at the time of publishing.---------About BOSSBOSS, a division of Roland Corporation, has achieved legendary status among guitarists, bassists, and vocalists with a diverse, world-leading product lineup of creative tools with exceptional sound, intuitive control, and rugged durability. Since 1977, BOSS's famous compact pedals have been used daily by everyone from beginners to touring professionals, with over 125 unique models introduced and over 16 million units sold to date. BOSS also leads the way with innovative gear in numerous other categories, from amplifiers, multi-effects processors, and loopers to wireless systems, vocal effects, tuners, metronomes, rhythm machines, recorders, and more. For more information, visit . Follow BOSS on Facebook, Twitter (@BOSSInfoGlobal), and Instagram (@BOSSInfoGlobal).Press Contact:Sarah BellingerMax Borges Agency240-483-6671**********************************Company Contact:Rebecca GenelGlobal PR/Media Relations ManagerRoland Corporation+1 (323) 890-3718************************。
We’ve Built the World’s Easiest Hoof BootThe Easyboot Trail has been designed specifically for the pleasure and trail rider. Quick and easy to apply, this boot requires no strength or force. The closure system keeps boots secure even in the toughest of trail conditions. This is a great medium distance riding boot (less than 25 miles) and is ideal to carry as replacement for a lost shoe.The Easyboot Trail also doubles as a therapy boot. Help your horse recover from abscesses, hoof injuries, founder, navicular disease, punctures and sole bruises.The sole shape is slightly longer than wide: this is an important feature that will allow more horses to wear the boots comfortably and securely. Sizing the Easyboot Trail for your Horse»Always take hoof measurements as soon as possible after a fresh trim.»Simply follow the steps on the back of this guide to select the correct size.Please feel free to contact our staff for assistance. Sizing is imperative to a good fit.»Easyboot Trail Hoof Boots are available in 13 sizes (0-12) with each size increasing by 3/16 inch (5 mm) in width and length. Important: Easyboot Trail boot sizes are not comparable to steel shoes sizes.»The unique design features of Easyboot Trail allows for width and length adjustment and it is therefore generally suitable for both wide and narrow hooves. Easyboot Trail sizing allows for natural hoof growth between trimming.»If you intend to use Easyboot Trail boots over metal shoes* take your hoof measurements after the horse is newly shod.»Correct size selection and proper fitting are very important and will ensure maximum performance from Easyboot Trail hoof boots.*Using our hoof boots over metal shoes voids the EasyCare Guarantee.Fitting the Easyboot Trail on Your Horse1. Fully open the Cordura ® cover ensuring that no hook and loop areasare touching and that the cover is pulled completely forward.2. Facing the rear of your horse, pick up the hoof and slip it into the bootTOE FIRST. Place the sole of the hoof firmly down into the sole of theEasyboot Trail – pulling the heel of the boot over the heel bulb. Placethe hoof on the ground to a weight-bearing position.3. Starting at the front, push both side flaps against the hoof wall in adownward direction. Close the cover at the rear by pulling both endsfirmly around the heel, overlapping the double hook and loop systemflaps evenly, then attaching the hook and loop strap back on itself andusing the rubber keeper to keep the strap in place. You should be ableto fit a finger between the collar of the boot and the hair line. Pleasemake sure the metal loop is on the inside of each hoof.4. The Easyboot Trail is now securely in place. Confirm that the middle ofthe four rivets on the front of the boot are aligned through the centerline of the hoof and pastern bone.© 2018 EasyCare Inc.1. 2.3.4.2.3.EasyCare Inc.The Ultimate in Hoof ProtectionEasyboot Trail Fitting Tips»Easyboot Trail boots fit on both the left and the right hoof: they are notleft/right specific.»After the cover has been secured, ensure hook and loop system flap endsare overlapped in the correct position.»Working your horse in incorrectly sized Easyboot Trails can lead tochafing. Correct size selection will ensure maximum performance andhoof boot durability.»Give your horse time to adjust to wearing Easyboot Trail boots. The firsttime you fit your horse with Easyboot Trail boots, start by just walking out.Gradually increase the duration and distance of rides wearing EasybootTrail boots will ensure your equine friend becomes accustomed to thenew hoofwear. Too much too soon can lead to chafing.APPLICATION GUIDE1.After a fresh trim, measure the width of the hoof across the soleat the widest point.2. Measure the length of the hoof from the toe to the buttress line ofthe heel. The buttress line is the farthest weight bearing point of the heel where the hoof wall ends. Do not include the heel bulbs in the measurement. 3. Compare your measurement with the size chart below.4. Ideally, the length and width measurement will fit into the samesize. If the length and width measurements indicate different sizes, select the larger size. If the width and length measurements are different by more than one size, this boot style is not recommended. Be sure to check your measurements against an alternative boot in the EasyCare line--another style may accommodate your horse’shoof shape better.SizeWidth in inches Length in inches 0 3 15 /16" - 4 1/8" 4 1/8" - 4 5/16"1 4 1/8" - 4 5/16" 4 5/16" - 4 1/2"2 4 5/16" - 4 1/2" 4 1/2" - 4 3/4"3 4 1/2" - 4 3/4" 4 3/4" - 4 15/16"4 4 3/4" - 4 15/16" 4 15/16" - 5 1/8"5 4 15/16" - 5 1/8" 5 1/8" - 5 5/16"6 5 1/8" - 5 5/16" 5 5/16" - 5 1/2"7 5 5/16" - 5 1/2" 5 1/2" - 5 11/16"8 5 1/2" - 5 11/16" 5 11/16" - 5 15/16"9 5 11/16" - 5 15/16" 5 15/16" - 6 1/8"10 5 15/16" - 6 1/8" 6 1/8" - 6 5/16"11 6 1/8” - 6 1/2” 6 5/16” - 6 11/16”126 1/2” - 6 7/8”6 11/16” -7 1/8”Size Width in mm Length in mm 0100-105mm 105-110mm 1105-110mm 110-115mm 2110-115mm 115-120mm 3115-120mm 120-125mm 4120-125mm 125-130mm 5125-130mm 130-135mm 6130-135mm 135-140mm 7135-140mm 140-145mm 8140-145mm 145-150mm 9145-150mm 150-155mm 10150-155mm 155-160mm 11155-165mm 160-170mm 12165-175mm170-180mmA product of EasyCare Inc.EasyCare Guarantee800.447.8836 | All products should be used in accordance with the instructions in this application guide. EasyCare Inc. hereby disclaims responsibility for the misuse of any product and for losses incurred through the use of any product described in this guide, on EasyCare Inc. product packaging, or on . EasyCare Inc. products are not intended to diagnose or cure any medical condition.Join the ConversationFor tips and tricks follow EasyCare:/easyboot /easycarevideosThe Easyboot Trail is packed with features»Quick and easy to apply. No strength or force required. »Available in 13 sizes to fit most breeds. »Comfortable, lightweight and highly durable. »Cordura® fabric exterior and padded leather band. »Drainage holes built into sole. »EasyCare Gaiters sold separately.Aggressive tread pattern provides serious traction and grip.Hook and loop closure, no buckles or straps to get inthe way.Front shield protects the area that takes the mostabuse.Opens wide for ease of application.。
HPP-600Pneumatic Hand PumpVolume ControlThe HPP-600pump is equipped with two knobs for fine adjustment of the system pressure.The vent knob can be used to slowly reduce the system pressure.The vent knob should be closed prior to pressurizing the system by turning the knob away from the pump housing.The Vernier knob can be used to increase or decrease the system at a more controlled rate.For fast relieve of the pressure,move the pressure/vacuum pin to the opposite direction.Pressure/Vacuum SelectorThe pump can be used to generate pressure or vacuum depending on the position of the pin located in the pressure/vacuum switch.Press the pin on the side of the pump housing according to labels for the desiredoperation.For High Pressure OperationPrior to pressurizing, back out the Vernier knob until the ring on the Vernier shaft is showing. Pump to pressurize. Turn the Vernier knob towards the pump housing and the pressure should easily be able to reach 600 psi.NOTE:The pump uses a Schrader valve instead of a needle valve.Thus,full open or closed is several turns from the end of the travel.Over-tightening does not increase the seal.FittingsThe pump is equipped with 1/8" and 1/4" BSP ports. In order to use NPT fittings, a NPT to BSP Parallel Thread Adapter is required. These adapters, which are included with the pump, have a bonded washer attached to the male end of the adapter.MAINTENANCENo routine maintenance is required.A periodic check of system calibration is recommended.The Pump is not field serviceable and should be returned to Omega Engineering if repair is needed (field repair should not be attempted and may void warranty).Be sure to include a brief description of the problem plus any relevant application notes.Contact customer service to receive a return goods authorization number before shipping.FOR WARRANTY RETURNS, please have the following information available BEFORE contacting OMEGA:1.Purchase Order number under which the product was PURCHASED,2.Model and serial number of the product under warranty, and 3.Repair instructions and/or specific problems relative to the product.FOR NON-WARRANTY REPAIRS, consult OMEGA for current repair charges. Have the following information available BEFORE contacting OMEGA:1. Purchase Order number to cover the COST of the repair,2.Model and serial number of the product, and 3.Repair instructions and/or specific problems relative to the product.OMEGA’s policy is to make running changes, not model changes, whenever an improvement is possible. This affords our customers the lat-est in technology and engineering.OMEGA is a registered trademark of OMEGA ENGINEERING, INC.© Copyright 2008 OMEGA ENGINEERING, INC. All rights reserved. This document may not be copied, photocopied, reproduced, translated, or reduced to any electronic medium or machine-readable form, in whole or in part, without the prior written consent of OMEGA ENGINEERING, INC.WARRANTY/DISCLAIMER OMEGA ENGINEERING, INC. warrants this unit to be free of defects in materials and workmanship for a period of 13 months from date of purchase. OMEGA’s WARRANTY adds an additional one (1) month grace period to the normal one (1) year product warranty to cover handling and shipping time. This ensures that OMEGA’s customers receive maximum coverage on each product.If the unit malfunctions, it must be returned to the factory for evaluation. OMEGA’s Customer Service Department will issue an Authorized Return (AR) number immediately upon phone or written request. Upon examination by OMEGA, if the unit is found to be defective, it will be repaired or replaced at no charge. OMEGA’s WARRANTY does not apply to defects resulting from any action of the purchaser, including but not limited to mishandling, improper interfacing, operation outside of design limits, improper repair, or unauthorized modification. This WARRANTY is VOID if the unit shows evidence of having been tampered with or shows evidence of having been damaged as a result of excessive corrosion; or current, heat, moisture or vibration; improper specification;misapplication; misuse or other operating conditions outside of OMEGA’s control. Components in which wear is not warranted,include but are not limited to contact points, fuses, and triacs.OMEGA is pleased to offer suggestions on the use of its various products. However, OMEGA neither assumes responsibility for any omissions or errors nor assumes liability for any damages that result from the use of its products in accordance with information provided by OMEGA, either verbal or written. OMEGA warrants only that the parts manufactured by the company will be as specified and free of defects. OMEGA MAKES NO OTHER WARRANTIES OR REPRESENTATIONS OF ANY KIND WHATSOEVER, EXPRESSED OR IMPLIED, EXCEPT THAT OF TITLE, AND ALL IMPLIED WARRANTIES INCLUDING ANY WARRANTY OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE HEREBY DISCLAIMED. LIMITATION OF LIABILITY: The remedies of purchaser set forth herein are exclusive, and the total liability of OMEGA with respect to this order, whether based on contract, warranty,negligence, indemnification, strict liability or otherwise, shall not exceed the purchase price of the component upon which liability is based. In no event shall OMEGA be liable for consequential, incidental or special damages.CONDITIONS: Equipment sold by OMEGA is not intended to be used, nor shall it be used: (1) as a “Basic Component” under 10 CFR 21 (NRC), used in or with any nuclear installation or activity; or (2) in medical applications or used on humans. Should any Product(s)be used in or with any nuclear installation or activity, medical application, used on humans, or misused in any way, OMEGA assumes no responsibility as set forth in our basic WARRANTY/DISCLAIMER language, and, additionally, purchaser will indemnify OMEGA and hold OMEGA harmless from any liability or damage whatsoever arising out of the use of the Product(s) in such a manner.RETURN REQUESTS /INQUIRIES Direct all warranty and rep air requests/inquiries to the OMEGA Customer Service Department. BEFORE RETURNING ANY PRODUCT(S) TO OMEGA, PURCHASER MUST OBTAIN AN AUTHORIZED RETURN (AR) NUMBER FROM OMEGA’S CUSTOMER SERVICE DEPARTMENT (IN ORDER TO AVOID PROCESSING DELAYS). The assigned AR number should then be marked on the outside of the return package and on any correspondence.The purchaser is responsible for shipping charges, freight, insurance and proper packaging to prevent breakage in transit. regulations that apply. OMEGA is constantly pursuing certification of its products to the European New Approach Directives. OMEGA will add the CE mark to every appropriate device upon certification.The information contained in this document is believed to be correct, but OMEGA Engineering,Inc. accepts no liability for any errors it contains, and reserves the right to alter specifications without notice. WARNING: These products are not designed for use in, and should not be used for, human applications.。
BOUTON MARCHE / ARRÊT :-Mise en marche : branchez le cordon d’alimentation sur une prise secteur.-Arrêt : débranchez le cordon d’alimentation de la prise secteur et appuyez sur le bouton Marche / Arrêt pendant plus de 2 s. REMARQUE : L ’appareil ne peut pas être arrêté lorsqu’il est branché sur le secteur ou qu’un enregistrement est en cours.Entrées de tensionEmplacement des pions de couleur Cordon secteur Logement Carte SD ConnexionUSB Ethernet RJ 45Entrées de courantPEL 103(PEL 103 uniquement) :Permet de parcourir et de sélectionner l’affichage des données.BOUTON SÉLECTION :Met en marche ou arrête la session d’enregistrement et active ou désactive la liaison Bluetooth.La fonction s’obtient par un appui de 2 s sur le bouton SÉLECTION , ce qui allume successivement le voyant REC pendant 3 s, puis le voyant Bluetooth.VOYANT REC (DÉCLENCHEMENT / ARRÊT)-Le relâchement du bouton lorsque le voyant est allumé lance l’enregistrement (s’il était arrêté) -Le relâchement du bouton lorsque le voyant est éteint arrête l’enregistrement (s’il était en cours)VOYANT BLUETOOTH (MARCHE / ARRÊT)-Le relâchement du bouton lorsque le voyant est allumé active Bluetooth (s’il était désactivé)-Le relâchement du bouton lorsque le voyant est éteint désactive Bluetooth (s’il était activé)754321698Installation de DataView ®NE CONNECTEZ PAS L’INSTRUMENT AU PC AVANT D’AVOIR INSTALLÉ LES LOGICIELS ET LES PILOTES.1.Branchez le CD dans son lecteur.Si l’exécution automatique est activée, le programme démarre automatiquement dans votre navigateur. Si l’exé-cution automatique n’est pas activée, sélectionnez Start.html dans D:\SETUP (si votre lecteur de CD-ROM est le lecteur D ; sinon, remplacez D par la lettre de lecteur appropriée).2. Sélectionnez votre langue et cliquez sur ENTRÉE . Autorisez votre navigateur à ouvrir le fichier.3. Sélectionnez la colonne Logiciel.4.Sélectionnez DataView ou PEL Transfer si vous ne souhaitez installer que PEL Transfer.5. Téléchargez le fichier et décompressez-le.6. Sélectionnez Setup.exe et suivez les instructions.REMARQUE : Pour des instructions d’installation complètes, reportez-vous au manuel fourni sur le CD-ROM.Carte SDIntroduisez la carte SD fournie dans le PEL.Le PEL prend en charge les cartes SD (jusqu’à 2 Go) et SDHC (entre 4 et 32 Go).• Une carte de 2 Go peut contenir 4 semaines d’enregistrements si vous n’enregistrez pas les harmoniques.• Lorsque la carte SD est dans l’appareil, il est possible de la formater, dans certaines conditions, lorsquevous êtes connecté à Dataview ®.• Un formatage est possible sans restriction si la carte est inséréedans un PC en utilisant le lecteur de carte fourni.• L’extraction à chaud est possible si aucun enregistrementn’est en cours.Ouverture de PEL Transfer• Branchez le cordon d’alimentation sur une prise secteur.L’appareil se met en marche.• Raccordez le PEL au PC avec le câble USB fourni. Attendez queles pilotes aient fini de s’installer avant de continuer.• Double-cliquez sur l’icône du PEL sur le bureau pour ouvrirPEL Transfer.• Sélectionnez l’icône Ajouter un appareil dans la barred’outil ou dans le menu principal Appareil .• Suivez les instructions de l’assistant Ajouter un appareil . SiPEL Transfer ne détecte pas l’appareil dans la liste déroulante, cliquez sur le bouton Actualiser ou débranchez, puis rebranchez le câble USB.• Lorsque la connexion avec l’appareil est établie, le nom de cedernier doit s’afficher sur le côté gauche de la fenêtre dans la branche Réseau PEL de l’arborescence.Configuration de l’appareilPour configurer votre PEL, sélectionnez l’appareil dans le répertoire Réseau PEL.Ouvrez la boîte de dialogue Configurer l’appareil en cliquant sur l’icône Configurer dans la barre d’outils,dans le menuAppareil ou dans la zone État .Cette boîte de dialogue comporte cinq onglets :• Général : Comporte des champs permettant d’attribuer des libellés à l’appareil, des options de commanded’arrêt automatique, de commande de l’afficheur LCD, de boutons de fonctionnement, de réglage de l’horloge et de formatage de la carte SD.• Communication : Options relatives à la liaison Bluetooth et au réseau LAN.• Mesure : Sélection du système de distribution, rapport des tensions, sélection de la fréquence et réglagedes capteurs de courant.• Enregistrement :Options de sélection des paramètres d’enregistrement.• Compteurs : Réinitialisation des compteurs et options de réinitialisation des compteurs d’énergie partielle.Cliquez sur le boutonpour transférer sur l’appareil la nouvelle configuration.Exemple de répertoire Réseau PELInstallation des sondes et des capteurs de courantDouze jeux de bagues et de pions de couleurs sont fournis avec l’appareil. Utilisez-les pour identifier les sondes et les bornes d’entrée.• Détachez les pions et placez-les dans les trous sous les bornes (les grands pour les bornes de courant, les petits pour les bornes de tension).• Clipsez une bague de la même couleur à l’extrémité de la sonde qui sera branchée sur la borne.• Mesure du courant : connecteurs 4 points I1, I2, I3• Mesure de la tension : bornes V1, V2, V3 et NLes sondes de mesure doivent être connectées au circuit à surveiller selon le schéma de branchement sélectionné. N’oubliez pas de définir le rapport de transformation lorsque nécessaire.MontageLe PEL comporte des aimants incorporés qui permettent de le fixer sur une surface magnétique.Lancement d’un enregistrement (Marche / Arrêt)Pour lancer un enregistrement, procédez de l’une des manières suivantes :• Dans PEL Transfer : Sélectionnez l’option appropriée dans l’onglet Enregistrement de la boîte de dialogue Configuration. L’appareil peut être configuré pour déclencher un enregistrement soit à une date et une heure future, soit immédiatement après écriture de la configuration sur l’appareil.• Sur l’appareil : Appuyez sur le bouton SÉLECTION et maintenez-le appuyé jusqu’à ce que le voyant vert s’allume, puis relâchez-le. L’appareil démarre l’enregistrement selon les réglages de configuration précédents. Pour arrêter un enregistrement, procédez de l’une des manières suivantes :• Dans PEL Transfer : Dans le menu, sélectionnez Appareil > Arrêter l’enregistrement .• Sur l’appareil : Appuyez sur le bouton SÉLECTION et maintenez-le enfoncé jusqu’à ce que le voyant vert s’allume, puis relâchez-le.Affichage de l’enregistrementLes données enregistrées peuvent être transférées de deux manières sur le PC pour y être affichées et pour générer des rapports :• La carte SD peut être retirée de l’appareil et branchée sur le PC via le lecteur de carte SD fourni. Lancez PEL Transfer, sélectionnez la commande Ouvrir dans le menu Fichier, pointez le fichier ICP portant le numéro de session souhaité sur la carte SD et sélectionnez Ouvrir.• Connexion directe entre le PC et le PEL (USB, réseau ou Bluetooth). Lancez PEL Transfer, ouvrez une connexion vers l’appareil, sélectionnez-le (veillez à ce qu’il soit connecté) dans l’arborescence, puis sélectionnez Sessions enregistrées. Double-cliquez sur la session d’enregistrement souhaitée.Le téléchargement terminé, sélectionnez le test téléchargé et cliquez sur le bouton Ouvrir dans la boîte de dialogue Téléchargement. Dans les deux cas, la session s’ajoute à Mes sessions ouvertes dans l’arborescence. Les données peuvent alors être affichées.09 - 2012Code 693779A01 - Ed. 1。
RACING CHAIRModel RCOM100SFA CompaniesASSEMBLY BREAKDOWNM8 * 7 PCS WASHER M8 * 20MM * 3 PCS5/16" * 25MM * 4PCS1/4" * 3/4" BOLT * 6 PCS 6MM * 1 PCSSPRING WASHER * 4 PCS`BACK CUSHION * 1 PCS HANDLEBAR * 1 PCS M8 WASHER * 3PCS M8 * 20MM * 3 PCS SEAT * 1 PCS M8 WASHER * 3 PCSPLATE * 1 PCSSPRING WASHER * 4 PCS 5/16" * 25MM BOLT * 4 PCS DUST COVER * 1 PCS GAS HEIGHTADJUSTMENT * 1 PCSCHAIR LEGS * 1 PCS HANDLEBAR * 1 PCS1/4" * 3/4" BOLT * 6 PCS 12910495141167812391011121314ASSEMBLY INSTRUCTIONSAAttach the #2 left handlebar on the #4 seat, secure with screw-driver.BRepeat the same process to assemble the #3 right handlebar on the #4 seat.CAssemble #7 gas height adjustment with #6 dust cover and then insert into #5 plate.DFix the #5 plate and #4 seat sets using #9 washer and #14 spring washer with #11 bolt.EAssemble the #1 back cushion and #4 seat with bolt #10 and washer #9 x 3 pcs by #13 hex key wrench.FFix the #8 chair legs with #4 seat sets.OPERATING INSTRUCTIONSSEAT BACK INCLINATION ADJUSTMENTAThis picture shows the position of the control shaft for seat back angle adjust-ment. In normal situations, it is located at the level as the picture indicates.BPull the control shaft outward to release the seat back.CChange the seat back angle by leaning back to the desired position. Push the control shaft back in to lock the seat back in this position.DThis picture shows the locked position after seat back angle adjustment.AThis picture shows the position of the seat up/down control shaft. It is the same con-trol shaft that adjusts the seat back angle.BRaise the seat by rotating the control shaft clockwise upward without any body weight on the seat. The seat will not raise if there is body weight on it.CLower the seat by rotating the control shaft clockwise upward while seated.Release the control shaft when the desired position is achieved.A B CA B C DONE YEAR LIMITED WARRANTYFor a period of one (1) year from date of purchase, SFA Companies, Inc . will repair or replace, at its option,without charge, any of its products which fails due to a defect in material or workmanship under normal usage. This limited warranty is a consumer's exclusive remedy.Performance of any obligation under this warranty may be obtained by returning the warranted product,freight prepaid, to SFA Companies, Inc . Warranty Service Department, 10939 N. Pomona Ave., Kansas City, MO 64153.Except where such limitations and exclusions are specifically prohibited by applicable law,(1) THE CONSUMER'S SOLE AND EXCLUSIVE REMEDY SHALL BE THE REPAIR OR REPLACEMENT OF DEFECTIVE PRODUCTS AS DESCRIBED ABOVE.(2) SFA Companies, Inc. SHALL NOT BE LIABLE FOR ANYCONSEQUENTIAL OR INCIDENTAL DAMAGE OR LOSS WHATSOEVER.(3) ANY IMPLIED WARRANTIES, INCLUDING WITHOUT LIMITATION THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE, SHALL BE LIMITED TO ONE YEAR, OTHERWISE THE REPAIR, REPLACEMENT OR REFUND AS PROVIDED UNDER THIS EXPRESS LIMITED WARRANTY IS THE EXCLUSIVE REMEDY OF THE CONSUMER, AND IS PROVIDED IN LIEU OF ALL OTHER WARRANTIES, EXPRESS OR IMPLIED.(4) ANY MODIFICATION, ALTERATION, ABUSE, UNAUTHORIZED SERVICE OR ORNAMENTAL DESIGN VOIDS THIS WARRANTY AND IS NOT COVERED BY THIS WARRANTY .Some states do not allow limitations on how long an implied warranty lasts, so the above limitation may notapply to you. Some states do not allow the exclusion or limitation of incidental or consequential damages, so the above limitation or exclusion may not apply to you. This warranty gives you specific legal rights, and you may also have other rights, which vary from state to state.SFA Companies10939 N. Pomona Ave. Kansas City, MO 64153888-332-6419*******************REPLACEMENT PARTSIndividual replacement parts are not available for this product. For questions call or write: SFA Companies 10939 N. Pomona Ave. Kansas City, MO 64153, U.S.A. e-mail:*******************;Tel:(888)332-6419Fax:(816)891-6599; Website: 。
亨奴：化茧成蝶作者：季明来源：《中国纤检》2014年第18期源自经典对美的追求，是每位女性乐此不疲的话题，如何将这种美演绎出独一无二的感觉，更是每位女性的终生课题。
女装品牌“亨奴Hono”，就是为了最大限度展现专属每位女性独有之美。
故事要从20世纪30年代说起，当时旗袍大行其道，被确认为中国尊贵女性的传统服装。
“亨奴”品牌始创人卓遵业先生跟随上海的时装风气来到了香港，创立了风靡一时的“亨奴行”裁缝店，“亨”代表大亨（香港大亨）、富贵高尚人家。
“奴”是古代妇女的自称（奴家），“亨奴”就是尊贵人家的女士们。
日积月累，“亨奴行”所创立的低调奢华和黑白经典风格深入人心。
这种经典的风格不断得到延续与提升，于1986年，卓遵业的孙子卓应松先生创立亨奴服装厂并注册“亨奴Hono”品牌，至今，亨奴在全国大中城市已经拥有500多家店铺，为中国万千女性提供了专属于她们的独特优雅，而这种独特的优雅，必须从产品本身说起。
据亨奴品牌设计总监黄蔷介绍，每一件亨奴的服装，都经过了用心的选料、独特的剪裁，从每一位女性出发创造出一种时尚与功能共存的美学。
选料艺术对于亨奴来说，延续经典并不是一成不变的守旧，而是不断地发展和创新。
尤其在面料开发方面，“亨奴”只会用“会呼吸的面料”，利用天然环保的纤维使每一件衣服都透风透气。
“亨奴知道皮肤是人最大的器官，而衣服的面料是接触皮肤最多的。
所以我们主张用具减压功能、会呼吸、透风透气的面料。
在突出时尚品位的同时，让肌肤与我们的生活享受同步！”亨奴设计总监黄蔷告诉记者，“用上乘的面料做上乘的女装”一直是亨奴的选料宗旨。
因为只有上乘的面料才能保障衣服的耐用性、功能性和艺术性。
一直以来，亨奴公司采用美国杜邦公司和意大利优质原材料，以其现代的设计理念、优质的面料、创新的技术，致力为女性展示其典雅、高贵、大方稳定的性格与品位。
整体面料和版型的粘合度非常注重弹性，用料上也强调环保的概念，令穿着者感到和谐。
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Eich Jonathan Saunders H.Stern Jones New York H20 Plus Jones New York Collection Habitual Jones New York Signature Hafize Ozbudak Jonquil Haflinger Jordana Hai Jose & Maria Barrera Haider Ackermann Josef Seibel HairArt Joseph A Josie Hairdo. by Jessica Simpson & Ken P Hale Bob Josie Natori Halmanera Jovani Halogen Jovovich-Hawk Halston JS Boutique Hamadi JS by Jessica Hamamelis JS Collections Hampshire Studio Juan Antonio Lopez Hampton Sun Juara Han Cholo Jucca Hanae Mori Jude Frances Hanes Judith Jack Hang Accessories Judith Leiber Hanii Y Judith Ripka Hanky Panky Juice Beauty Hanna G Juicy Couture Hanro Juicy Couture Beach Harajuku Lovers Jules Smith Designs Hard Tail Julia Cocco’ HardTail Forever Julianne Hari Julie Brown Harlequin Julie Haus Harley-Davidson Julie K Handbags Harlow Julius & Friends Harmony Lane Jully Kang Harrison Morgan Jump Hartford June Jacobs Spa Hask Junior Drake Hat Attack Junk Food Haurex Jurlique Haute Just Cavalli Haute Hippie Just For You Havaianas Just Peachy Haven Girl Justin Hawaiian Silky JVL Hayden K-Swiss Hazel K. Bell Head Over Heels K. Jacques Heart And Soul K.C. Malhan Heather Hawkins Kahuna Heaven & Earth Kai Heel to Toe Kain Label Heeley Kale Hei Poa Kalliste Heidi Klein Kamik Heidi Weisel Kamill Heimstone Kanebo Helen Ficalora KangaROOS Helen Kaminski Kaos Helen of Troy Kara Ross Helene Berman Karen Kane Helle Comfort Karen Millen Heller Karen Neuberger Hello Kitty Karen Neuburger Helly Hansen Karen Scott Helmut Lang Karen Walker Hemisphere Karen Zambos Hempz Karina Henrik Vibskov Karl Donoghue Henry Beguelin Karl Lagerfeld Henry Cotton’s Karla Colletto Henry Cuir Karoo Mark Eisen Herbacin Kas Herbal Essences Kashmere Herbalind Kashwere Herbavita Kasil Hermes Kasper Herve Leger Kate Herve Van Der Straeten Kate Hill Hesh Pharma Kate Landry Heys Kate Moss Hi-Tec Kate Somerville Hierbas de Ibiza Kate Spade High Kathy Van Zeeland High Fashion Handbags Katia Lombardo High Sierra Katie Costello Hilary Duff Kawasaki Hilary Radley Kay Celine Hilton Kay Unger Himalaya Kay Unger New York Hip KC Designs Historic Research Keds Hobo International Keen Hogan Kelly & Katie Holiday In Kelsi Dagger Holiday Traditions Ken Scott Hollister Kendall Conrad Holly Fulton Kendra Scott Hollywood Fashion Tape Kenneth Cole Hollywood Milano Kenneth Cole Reaction Hollywould Kenneth Jay Lane Home Skin Lab Kenra Homedics Kensie Honeybee Gardens KensieGirl Honeydew Intimates Kent Honora Kenzie Hope Kenzo Hoss Intropia Kerri Wilder Hot Kiss Kerrigan Hot Sox Kettle Black Hot Tools Kevyn Aucoin Hot Tools Ceramic Ti Professional Khombu HOTMilk Kiehl’s Hourglass Kieselstein-Cord House of Dereon Kiki de Montparnasse House Of Harlow Kill City House of Holland Killah HTC Kiltie Hudson Kim Vo Hudson Jeans Kimberly Faith Hue Kimberly Ovitz Huggies Kimberly Sayer of London Hugo Boss Kimchi & Blue Huit Kimel Humanoid Kind Humphrey’s Kinerase Hunter King Baby Studio Hunter Boots King’s Cortina Hurley Kings & Queens Hush Puppies Kingsley Hussein Chalayan Kipling Hyde Collection Kirna Zabete Hydraulic Kirra Hydrogen Kiss My Face HydroPeptide Kissy Kissy Hylexin Kite And Butterfly Hype Kitson I’M Isola Marras Kitty I.N. San Francisco Klein-Becker I.N. Studio Klorane IBD Klub Nico KM Collections Iceberg KMS Ichi Kneipp Icon Knitwit Idea Village Kohl’s Iisli Kokin Ila Kokon To Zai Ilaria Nistri Komarov Ilary Koo-J Ile de Tahiti Kooba Ileana Makri Kookai Illmatic Kork-Ease Illuminare Cosmetics Korres Iman KORS Shoes。
The information in this document is subject to change without notice and does not represent a commitment on the part of Native Instruments GmbH. The software described by this docu-ment is subject to a License Agreement and may not be copied to other media. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by Native Instruments GmbH, hereinafter referred to as Native Instruments.“Native Instruments”, “NI” and associated logos are (registered) trademarks of Native Instru-ments GmbH.ASIO, VST, HALion and Cubase are registered trademarks of Steinberg Media Technologies GmbH.All other product and company names are trademarks™ or registered® trademarks of their re-spective holders. Use of them does not imply any affiliation with or endorsement by them.Document authored by: David Gover and Nico Sidi.Software version: 2.8 (02/2019)Hardware version: MASCHINE MIKRO MK3Special thanks to the Beta Test Team, who were invaluable not just in tracking down bugs, but in making this a better product.NATIVE INSTRUMENTS GmbH Schlesische Str. 29-30D-10997 Berlin Germanywww.native-instruments.de NATIVE INSTRUMENTS North America, Inc. 6725 Sunset Boulevard5th FloorLos Angeles, CA 90028USANATIVE INSTRUMENTS K.K.YO Building 3FJingumae 6-7-15, Shibuya-ku, Tokyo 150-0001Japanwww.native-instruments.co.jp NATIVE INSTRUMENTS UK Limited 18 Phipp StreetLondon EC2A 4NUUKNATIVE INSTRUMENTS FRANCE SARL 113 Rue Saint-Maur75011 ParisFrance SHENZHEN NATIVE INSTRUMENTS COMPANY Limited 5F, Shenzhen Zimao Center111 Taizi Road, Nanshan District, Shenzhen, GuangdongChina© NATIVE INSTRUMENTS GmbH, 2019. All rights reserved.Table of Contents1Welcome to MASCHINE (23)1.1MASCHINE Documentation (24)1.2Document Conventions (25)1.3New Features in MASCHINE 2.8 (26)1.4New Features in MASCHINE 2.7.10 (28)1.5New Features in MASCHINE 2.7.8 (29)1.6New Features in MASCHINE 2.7.7 (29)1.7New Features in MASCHINE 2.7.4 (31)1.8New Features in MASCHINE 2.7.3 (33)2Quick Reference (35)2.1MASCHINE Project Overview (35)2.1.1Sound Content (35)2.1.2Arrangement (37)2.2MASCHINE Hardware Overview (40)2.2.1MASCHINE MIKRO Hardware Overview (40)2.2.1.1Browser Section (41)2.2.1.2Edit Section (42)2.2.1.3Performance Section (43)2.2.1.4Transport Section (45)2.2.1.5Pad Section (46)2.2.1.6Rear Panel (50)2.3MASCHINE Software Overview (51)2.3.1Header (52)2.3.2Browser (54)2.3.3Arranger (56)2.3.4Control Area (59)2.3.5Pattern Editor (60)3Basic Concepts (62)3.1Important Names and Concepts (62)3.2Adjusting the MASCHINE User Interface (65)3.2.1Adjusting the Size of the Interface (65)3.2.2Switching between Ideas View and Song View (66)3.2.3Showing/Hiding the Browser (67)3.2.4Showing/Hiding the Control Lane (67)3.3Common Operations (68)3.3.1Adjusting Volume, Swing, and Tempo (68)3.3.2Undo/Redo (71)3.3.3Focusing on a Group or a Sound (73)3.3.4Switching Between the Master, Group, and Sound Level (77)3.3.5Navigating Channel Properties, Plug-ins, and Parameter Pages in the Control Area.773.3.6Navigating the Software Using the Controller (82)3.3.7Using Two or More Hardware Controllers (82)3.3.8Loading a Recent Project from the Controller (84)3.4Native Kontrol Standard (85)3.5Stand-Alone and Plug-in Mode (86)3.5.1Differences between Stand-Alone and Plug-in Mode (86)3.5.2Switching Instances (88)3.6Preferences (88)3.6.1Preferences – General Page (89)3.6.2Preferences – Audio Page (93)3.6.3Preferences – MIDI Page (95)3.6.4Preferences – Default Page (97)3.6.5Preferences – Library Page (101)3.6.6Preferences – Plug-ins Page (109)3.6.7Preferences – Hardware Page (114)3.6.8Preferences – Colors Page (114)3.7Integrating MASCHINE into a MIDI Setup (117)3.7.1Connecting External MIDI Equipment (117)3.7.2Sync to External MIDI Clock (117)3.7.3Send MIDI Clock (118)3.7.4Using MIDI Mode (119)3.8Syncing MASCHINE using Ableton Link (120)3.8.1Connecting to a Network (121)3.8.2Joining and Leaving a Link Session (121)4Browser (123)4.1Browser Basics (123)4.1.1The MASCHINE Library (123)4.1.2Browsing the Library vs. Browsing Your Hard Disks (124)4.2Searching and Loading Files from the Library (125)4.2.1Overview of the Library Pane (125)4.2.2Selecting or Loading a Product and Selecting a Bank from the Browser (128)4.2.3Selecting a Product Category, a Product, a Bank, and a Sub-Bank (133)4.2.3.1Selecting a Product Category, a Product, a Bank, and a Sub-Bank on theController (137)4.2.4Selecting a File Type (137)4.2.5Choosing Between Factory and User Content (138)4.2.6Selecting Type and Character Tags (138)4.2.7Performing a Text Search (142)4.2.8Loading a File from the Result List (143)4.3Additional Browsing Tools (148)4.3.1Loading the Selected Files Automatically (148)4.3.2Auditioning Instrument Presets (149)4.3.3Auditioning Samples (150)4.3.4Loading Groups with Patterns (150)4.3.5Loading Groups with Routing (151)4.3.6Displaying File Information (151)4.4Using Favorites in the Browser (152)4.5Editing the Files’ Tags and Properties (155)4.5.1Attribute Editor Basics (155)4.5.2The Bank Page (157)4.5.3The Types and Characters Pages (157)4.5.4The Properties Page (160)4.6Loading and Importing Files from Your File System (161)4.6.1Overview of the FILES Pane (161)4.6.2Using Favorites (163)4.6.3Using the Location Bar (164)4.6.4Navigating to Recent Locations (165)4.6.5Using the Result List (166)4.6.6Importing Files to the MASCHINE Library (169)4.7Locating Missing Samples (171)4.8Using Quick Browse (173)5Managing Sounds, Groups, and Your Project (175)5.1Overview of the Sounds, Groups, and Master (175)5.1.1The Sound, Group, and Master Channels (176)5.1.2Similarities and Differences in Handling Sounds and Groups (177)5.1.3Selecting Multiple Sounds or Groups (178)5.2Managing Sounds (181)5.2.1Loading Sounds (183)5.2.2Pre-listening to Sounds (184)5.2.3Renaming Sound Slots (185)5.2.4Changing the Sound’s Color (186)5.2.5Saving Sounds (187)5.2.6Copying and Pasting Sounds (189)5.2.7Moving Sounds (192)5.2.8Resetting Sound Slots (193)5.3Managing Groups (194)5.3.1Creating Groups (196)5.3.2Loading Groups (197)5.3.3Renaming Groups (198)5.3.4Changing the Group’s Color (199)5.3.5Saving Groups (200)5.3.6Copying and Pasting Groups (202)5.3.7Reordering Groups (206)5.3.8Deleting Groups (207)5.4Exporting MASCHINE Objects and Audio (208)5.4.1Saving a Group with its Samples (208)5.4.2Saving a Project with its Samples (210)5.4.3Exporting Audio (212)5.5Importing Third-Party File Formats (218)5.5.1Loading REX Files into Sound Slots (218)5.5.2Importing MPC Programs to Groups (219)6Playing on the Controller (223)6.1Adjusting the Pads (223)6.1.1The Pad View in the Software (223)6.1.2Choosing a Pad Input Mode (225)6.1.3Adjusting the Base Key (226)6.2Adjusting the Key, Choke, and Link Parameters for Multiple Sounds (227)6.3Playing Tools (229)6.3.1Mute and Solo (229)6.3.2Choke All Notes (233)6.3.3Groove (233)6.3.4Level, Tempo, Tune, and Groove Shortcuts on Your Controller (235)6.3.5Tap Tempo (235)6.4Performance Features (236)6.4.1Overview of the Perform Features (236)6.4.2Selecting a Scale and Creating Chords (239)6.4.3Scale and Chord Parameters (240)6.4.4Creating Arpeggios and Repeated Notes (253)6.4.5Swing on Note Repeat / Arp Output (257)6.5Using Lock Snapshots (257)6.5.1Creating a Lock Snapshot (257)7Working with Plug-ins (259)7.1Plug-in Overview (259)7.1.1Plug-in Basics (259)7.1.2First Plug-in Slot of Sounds: Choosing the Sound’s Role (263)7.1.3Loading, Removing, and Replacing a Plug-in (264)7.1.4Adjusting the Plug-in Parameters (270)7.1.5Bypassing Plug-in Slots (270)7.1.6Using Side-Chain (272)7.1.7Moving Plug-ins (272)7.1.8Alternative: the Plug-in Strip (273)7.1.9Saving and Recalling Plug-in Presets (273)7.1.9.1Saving Plug-in Presets (274)7.1.9.2Recalling Plug-in Presets (275)7.1.9.3Removing a Default Plug-in Preset (276)7.2The Sampler Plug-in (277)7.2.1Page 1: Voice Settings / Engine (279)7.2.2Page 2: Pitch / Envelope (281)7.2.3Page 3: FX / Filter (283)7.2.4Page 4: Modulation (285)7.2.5Page 5: LFO (286)7.2.6Page 6: Velocity / Modwheel (288)7.3Using Native Instruments and External Plug-ins (289)7.3.1Opening/Closing Plug-in Windows (289)7.3.2Using the VST/AU Plug-in Parameters (292)7.3.3Setting Up Your Own Parameter Pages (293)7.3.4Using VST/AU Plug-in Presets (298)7.3.5Multiple-Output Plug-ins and Multitimbral Plug-ins (300)8Using the Audio Plug-in (302)8.1Loading a Loop into the Audio Plug-in (306)8.2Editing Audio in the Audio Plug-in (307)8.3Using Loop Mode (308)8.4Using Gate Mode (310)9Using the Drumsynths (312)9.1Drumsynths – General Handling (313)9.1.1Engines: Many Different Drums per Drumsynth (313)9.1.2Common Parameter Organization (313)9.1.3Shared Parameters (316)9.1.4Various Velocity Responses (316)9.1.5Pitch Range, Tuning, and MIDI Notes (316)9.2The Kicks (317)9.2.1Kick – Sub (319)9.2.2Kick – Tronic (321)9.2.3Kick – Dusty (324)9.2.4Kick – Grit (325)9.2.5Kick – Rasper (328)9.2.6Kick – Snappy (329)9.2.7Kick – Bold (331)9.2.8Kick – Maple (333)9.2.9Kick – Push (334)9.3The Snares (336)9.3.1Snare – Volt (338)9.3.2Snare – Bit (340)9.3.3Snare – Pow (342)9.3.4Snare – Sharp (343)9.3.5Snare – Airy (345)9.3.6Snare – Vintage (347)9.3.7Snare – Chrome (349)9.3.8Snare – Iron (351)9.3.9Snare – Clap (353)9.3.10Snare – Breaker (355)9.4The Hi-hats (357)9.4.1Hi-hat – Silver (358)9.4.2Hi-hat – Circuit (360)9.4.3Hi-hat – Memory (362)9.4.4Hi-hat – Hybrid (364)9.4.5Creating a Pattern with Closed and Open Hi-hats (366)9.5The Toms (367)9.5.1Tom – Tronic (369)9.5.2Tom – Fractal (371)9.5.3Tom – Floor (375)9.5.4Tom – High (377)9.6The Percussions (378)9.6.1Percussion – Fractal (380)9.6.2Percussion – Kettle (383)9.6.3Percussion – Shaker (385)9.7The Cymbals (389)9.7.1Cymbal – Crash (391)9.7.2Cymbal – Ride (393)10Using the Bass Synth (396)10.1Bass Synth – General Handling (397)10.1.1Parameter Organization (397)10.1.2Bass Synth Parameters (399)11Working with Patterns (401)11.1Pattern Basics (401)11.1.1Pattern Editor Overview (402)11.1.2Navigating the Event Area (404)11.1.3Following the Playback Position in the Pattern (406)11.1.4Jumping to Another Playback Position in the Pattern (407)11.1.5Group View and Keyboard View (408)11.1.6Adjusting the Arrange Grid and the Pattern Length (410)11.1.7Adjusting the Step Grid and the Nudge Grid (413)11.2Recording Patterns in Real Time (416)11.2.1Recording Your Patterns Live (417)11.2.2Using the Metronome (419)11.2.3Recording with Count-in (420)11.3Recording Patterns with the Step Sequencer (422)11.3.1Step Mode Basics (422)11.3.2Editing Events in Step Mode (424)11.4Editing Events (425)11.4.1Editing Events with the Mouse: an Overview (425)11.4.2Creating Events/Notes (428)11.4.3Selecting Events/Notes (429)11.4.4Editing Selected Events/Notes (431)11.4.5Deleting Events/Notes (434)11.4.6Cut, Copy, and Paste Events/Notes (436)11.4.7Quantizing Events/Notes (439)11.4.8Quantization While Playing (441)11.4.9Doubling a Pattern (442)11.4.10Adding Variation to Patterns (442)11.5Recording and Editing Modulation (443)11.5.1Which Parameters Are Modulatable? (444)11.5.2Recording Modulation (446)11.5.3Creating and Editing Modulation in the Control Lane (447)11.6Creating MIDI Tracks from Scratch in MASCHINE (452)11.7Managing Patterns (454)11.7.1The Pattern Manager and Pattern Mode (455)11.7.2Selecting Patterns and Pattern Banks (456)11.7.3Creating Patterns (459)11.7.4Deleting Patterns (460)11.7.5Creating and Deleting Pattern Banks (461)11.7.6Naming Patterns (463)11.7.7Changing the Pattern’s Color (465)11.7.8Duplicating, Copying, and Pasting Patterns (466)11.7.9Moving Patterns (469)11.8Importing/Exporting Audio and MIDI to/from Patterns (470)11.8.1Exporting Audio from Patterns (470)11.8.2Exporting MIDI from Patterns (472)11.8.3Importing MIDI to Patterns (474)12Audio Routing, Remote Control, and Macro Controls (483)12.1Audio Routing in MASCHINE (484)12.1.1Sending External Audio to Sounds (485)12.1.2Configuring the Main Output of Sounds and Groups (489)12.1.3Setting Up Auxiliary Outputs for Sounds and Groups (494)12.1.4Configuring the Master and Cue Outputs of MASCHINE (497)12.1.5Mono Audio Inputs (502)12.1.5.1Configuring External Inputs for Sounds in Mix View (503)12.2Using MIDI Control and Host Automation (506)12.2.1Triggering Sounds via MIDI Notes (507)12.2.2Triggering Scenes via MIDI (513)12.2.3Controlling Parameters via MIDI and Host Automation (514)12.2.4Selecting VST/AU Plug-in Presets via MIDI Program Change (522)12.2.5Sending MIDI from Sounds (523)12.3Creating Custom Sets of Parameters with the Macro Controls (527)12.3.1Macro Control Overview (527)12.3.2Assigning Macro Controls Using the Software (528)13Controlling Your Mix (535)13.1Mix View Basics (535)13.1.1Switching between Arrange View and Mix View (535)13.1.2Mix View Elements (536)13.2The Mixer (537)13.2.1Displaying Groups vs. Displaying Sounds (539)13.2.2Adjusting the Mixer Layout (541)13.2.3Selecting Channel Strips (542)13.2.4Managing Your Channels in the Mixer (543)13.2.5Adjusting Settings in the Channel Strips (545)13.2.6Using the Cue Bus (549)13.3The Plug-in Chain (551)13.4The Plug-in Strip (552)13.4.1The Plug-in Header (554)13.4.2Panels for Drumsynths and Internal Effects (556)13.4.3Panel for the Sampler (557)13.4.4Custom Panels for Native Instruments Plug-ins (560)13.4.5Undocking a Plug-in Panel (Native Instruments and External Plug-ins Only) (564)14Using Effects (567)14.1Applying Effects to a Sound, a Group or the Master (567)14.1.1Adding an Effect (567)14.1.2Other Operations on Effects (574)14.1.3Using the Side-Chain Input (575)14.2Applying Effects to External Audio (578)14.2.1Step 1: Configure MASCHINE Audio Inputs (578)14.2.2Step 2: Set up a Sound to Receive the External Input (579)14.2.3Step 3: Load an Effect to Process an Input (579)14.3Creating a Send Effect (580)14.3.1Step 1: Set Up a Sound or Group as Send Effect (581)14.3.2Step 2: Route Audio to the Send Effect (583)14.3.3 A Few Notes on Send Effects (583)14.4Creating Multi-Effects (584)15Effect Reference (587)15.1Dynamics (588)15.1.1Compressor (588)15.1.2Gate (591)15.1.3Transient Master (594)15.1.4Limiter (596)15.1.5Maximizer (600)15.2Filtering Effects (603)15.2.1EQ (603)15.2.2Filter (605)15.2.3Cabinet (609)15.3Modulation Effects (611)15.3.1Chorus (611)15.3.2Flanger (612)15.3.3FM (613)15.3.4Freq Shifter (615)15.3.5Phaser (616)15.4Spatial and Reverb Effects (617)15.4.1Ice (617)15.4.2Metaverb (619)15.4.3Reflex (620)15.4.4Reverb (Legacy) (621)15.4.5Reverb (623)15.4.5.1Reverb Room (623)15.4.5.2Reverb Hall (626)15.4.5.3Plate Reverb (629)15.5Delays (630)15.5.1Beat Delay (630)15.5.2Grain Delay (632)15.5.3Grain Stretch (634)15.5.4Resochord (636)15.6Distortion Effects (638)15.6.1Distortion (638)15.6.2Lofi (640)15.6.3Saturator (641)15.7Perform FX (645)15.7.1Filter (646)15.7.2Flanger (648)15.7.3Burst Echo (650)15.7.4Reso Echo (653)15.7.5Ring (656)15.7.6Stutter (658)15.7.7Tremolo (661)15.7.8Scratcher (664)16Working with the Arranger (667)16.1Arranger Basics (667)16.1.1Navigating Song View (670)16.1.2Following the Playback Position in Your Project (672)16.1.3Performing with Scenes and Sections using the Pads (673)16.2Using Ideas View (677)16.2.1Scene Overview (677)16.2.2Creating Scenes (679)16.2.3Assigning and Removing Patterns (679)16.2.4Selecting Scenes (682)16.2.5Deleting Scenes (684)16.2.6Creating and Deleting Scene Banks (685)16.2.7Clearing Scenes (685)16.2.8Duplicating Scenes (685)16.2.9Reordering Scenes (687)16.2.10Making Scenes Unique (688)16.2.11Appending Scenes to Arrangement (689)16.2.12Naming Scenes (689)16.2.13Changing the Color of a Scene (690)16.3Using Song View (692)16.3.1Section Management Overview (692)16.3.2Creating Sections (694)16.3.3Assigning a Scene to a Section (695)16.3.4Selecting Sections and Section Banks (696)16.3.5Reorganizing Sections (700)16.3.6Adjusting the Length of a Section (702)16.3.6.1Adjusting the Length of a Section Using the Software (703)16.3.6.2Adjusting the Length of a Section Using the Controller (705)16.3.7Clearing a Pattern in Song View (705)16.3.8Duplicating Sections (705)16.3.8.1Making Sections Unique (707)16.3.9Removing Sections (707)16.3.10Renaming Scenes (708)16.3.11Clearing Sections (710)16.3.12Creating and Deleting Section Banks (710)16.3.13Working with Patterns in Song view (710)16.3.13.1Creating a Pattern in Song View (711)16.3.13.2Selecting a Pattern in Song View (711)16.3.13.3Clearing a Pattern in Song View (711)16.3.13.4Renaming a Pattern in Song View (711)16.3.13.5Coloring a Pattern in Song View (712)16.3.13.6Removing a Pattern in Song View (712)16.3.13.7Duplicating a Pattern in Song View (712)16.3.14Enabling Auto Length (713)16.3.15Looping (714)16.3.15.1Setting the Loop Range in the Software (714)16.3.15.2Activating or Deactivating a Loop Using the Controller (715)16.4Playing with Sections (715)16.4.1Jumping to another Playback Position in Your Project (716)16.5Triggering Sections or Scenes via MIDI (717)16.6The Arrange Grid (719)16.7Quick Grid (720)17Sampling and Sample Mapping (722)17.1Opening the Sample Editor (722)17.2Recording Audio (724)17.2.1Opening the Record Page (724)17.2.2Selecting the Source and the Recording Mode (725)17.2.3Arming, Starting, and Stopping the Recording (729)17.2.5Checking Your Recordings (731)17.2.6Location and Name of Your Recorded Samples (734)17.3Editing a Sample (735)17.3.1Using the Edit Page (735)17.3.2Audio Editing Functions (739)17.4Slicing a Sample (743)17.4.1Opening the Slice Page (743)17.4.2Adjusting the Slicing Settings (744)17.4.3Manually Adjusting Your Slices (746)17.4.4Applying the Slicing (750)17.5Mapping Samples to Zones (754)17.5.1Opening the Zone Page (754)17.5.2Zone Page Overview (755)17.5.3Selecting and Managing Zones in the Zone List (756)17.5.4Selecting and Editing Zones in the Map View (761)17.5.5Editing Zones in the Sample View (765)17.5.6Adjusting the Zone Settings (767)17.5.7Adding Samples to the Sample Map (770)18Appendix: Tips for Playing Live (772)18.1Preparations (772)18.1.1Focus on the Hardware (772)18.1.2Customize the Pads of the Hardware (772)18.1.3Check Your CPU Power Before Playing (772)18.1.4Name and Color Your Groups, Patterns, Sounds and Scenes (773)18.1.5Consider Using a Limiter on Your Master (773)18.1.6Hook Up Your Other Gear and Sync It with MIDI Clock (773)18.1.7Improvise (773)18.2Basic Techniques (773)18.2.1Use Mute and Solo (773)18.2.2Create Variations of Your Drum Patterns in the Step Sequencer (774)18.2.3Use Note Repeat (774)18.2.4Set Up Your Own Multi-effect Groups and Automate Them (774)18.3Special Tricks (774)18.3.1Changing Pattern Length for Variation (774)18.3.2Using Loops to Cycle Through Samples (775)18.3.3Load Long Audio Files and Play with the Start Point (775)19Troubleshooting (776)19.1Knowledge Base (776)19.2Technical Support (776)19.3Registration Support (777)19.4User Forum (777)20Glossary (778)Index (786)1Welcome to MASCHINEThank you for buying MASCHINE!MASCHINE is a groove production studio that implements the familiar working style of classi-cal groove boxes along with the advantages of a computer based system. MASCHINE is ideal for making music live, as well as in the studio. It’s the hands-on aspect of a dedicated instru-ment, the MASCHINE hardware controller, united with the advanced editing features of the MASCHINE software.Creating beats is often not very intuitive with a computer, but using the MASCHINE hardware controller to do it makes it easy and fun. You can tap in freely with the pads or use Note Re-peat to jam along. Alternatively, build your beats using the step sequencer just as in classic drum machines.Patterns can be intuitively combined and rearranged on the fly to form larger ideas. You can try out several different versions of a song without ever having to stop the music.Since you can integrate it into any sequencer that supports VST, AU, or AAX plug-ins, you can reap the benefits in almost any software setup, or use it as a stand-alone application. You can sample your own material, slice loops and rearrange them easily.However, MASCHINE is a lot more than an ordinary groovebox or sampler: it comes with an inspiring 7-gigabyte library, and a sophisticated, yet easy to use tag-based Browser to give you instant access to the sounds you are looking for.What’s more, MASCHINE provides lots of options for manipulating your sounds via internal ef-fects and other sound-shaping possibilities. You can also control external MIDI hardware and 3rd-party software with the MASCHINE hardware controller, while customizing the functions of the pads, knobs and buttons according to your needs utilizing the included Controller Editor application. We hope you enjoy this fantastic instrument as much as we do. Now let’s get go-ing!—The MASCHINE team at Native Instruments.MASCHINE Documentation1.1MASCHINE DocumentationNative Instruments provide many information sources regarding MASCHINE. The main docu-ments should be read in the following sequence:1.MASCHINE MIKRO Quick Start Guide: This animated online guide provides a practical ap-proach to help you learn the basic of MASCHINE MIKRO. The guide is available from theNative Instruments website: https:///maschine-mikro-quick-start/2.MASCHINE Manual (this document): The MASCHINE Manual provides you with a compre-hensive description of all MASCHINE software and hardware features.Additional documentation sources provide you with details on more specific topics:►Online Support Videos: You can find a number of support videos on The Official Native In-struments Support Channel under the following URL: https:///NIsupport-EN. We recommend that you follow along with these instructions while the respective ap-plication is running on your computer.Other Online Resources:If you are experiencing problems related to your Native Instruments product that the supplied documentation does not cover, there are several ways of getting help:▪Knowledge Base▪User Forum▪Technical Support▪Registration SupportYou will find more information on these subjects in the chapter Troubleshooting.Document Conventions1.2Document ConventionsThis section introduces you to the signage and text highlighting used in this manual. This man-ual uses particular formatting to point out special facts and to warn you of potential issues.The icons introducing these notes let you see what kind of information is to be expected:This document uses particular formatting to point out special facts and to warn you of poten-tial issues. The icons introducing the following notes let you see what kind of information canbe expected:Furthermore, the following formatting is used:▪Text appearing in (drop-down) menus (such as Open…, Save as… etc.) in the software andpaths to locations on your hard disk or other storage devices is printed in italics.▪Text appearing elsewhere (labels of buttons, controls, text next to checkboxes etc.) in thesoftware is printed in blue. Whenever you see this formatting applied, you will find thesame text appearing somewhere on the screen.▪Text appearing on the displays of the controller is printed in light grey. Whenever you seethis formatting applied, you will find the same text on a controller display.▪Text appearing on labels of the hardware controller is printed in orange. Whenever you seethis formatting applied, you will find the same text on the controller.▪Important names and concepts are printed in bold.▪References to keys on your computer’s keyboard you’ll find put in square brackets (e.g.,“Press [Shift] + [Enter]”).►Single instructions are introduced by this play button type arrow.→Results of actions are introduced by this smaller arrow.Naming ConventionThroughout the documentation we will refer to MASCHINE controller (or just controller) as the hardware controller and MASCHINE software as the software installed on your computer.The term “effect” will sometimes be abbreviated as “FX” when referring to elements in the MA-SCHINE software and hardware. These terms have the same meaning.Button Combinations and Shortcuts on Your ControllerMost instructions will use the “+” sign to indicate buttons (or buttons and pads) that must be pressed simultaneously, starting with the button indicated first. E.g., an instruction such as:“Press SHIFT + PLAY”means:1.Press and hold SHIFT.2.While holding SHIFT, press PLAY and release it.3.Release SHIFT.1.3New Features in MASCHINE2.8The following new features have been added to MASCHINE: Integration▪Browse on , create your own collections of loops and one-shots and send them directly to the MASCHINE browser.Improvements to the Browser▪Samples are now cataloged in separate Loops and One-shots tabs in the Browser.▪Previews of loops selected in the Browser will be played in sync with the current project.When a loop is selected with Prehear turned on, it will begin playing immediately in-sync with the project if transport is running. If a loop preview starts part-way through the loop, the loop will play once more for its full length to ensure you get to hear the entire loop once in context with your project.▪Filters and product selections will be remembered when switching between content types and Factory/User Libraries in the Browser.▪Browser content synchronization between multiple running instances. When running multi-ple instances of MASCHINE, either as Standalone and/or as a plug-in, updates to the Li-brary will be synced across the instances. For example, if you delete a sample from your User Library in one instance, the sample will no longer be present in the other instances.Similarly, if you save a preset in one instance, that preset will then be available in the oth-er instances, too.▪Edits made to samples in the Factory Libraries will be saved to the Standard User Directo-ry.For more information on these new features, refer to the following chapter ↑4, Browser. Improvements to the MASCHINE MIKRO MK3 Controller▪You can now set sample Start and End points using the controller. For more information refer to ↑17.3.1, Using the Edit Page.Improved Support for A-Series Keyboards▪When Browsing with A-Series keyboards, you can now jump quickly to the results list by holding SHIFT and pushing right on the 4D Encoder.▪When Browsing with A-Series keyboards, you can fast scroll through the Browser results list by holding SHIFT and twisting the 4D Encoder.▪Mute and Solo Sounds and Groups from A-Series keyboards. Sounds are muted in TRACK mode while Groups are muted in IDEAS.。
Endoproteinase Glu-Cfrom Staphylococcus aureus V8suitable for protein sequencing Catalog Number P6181Storage Temperature –20 °CTECHNICAL BULLETINCAS RN 66676-43-5EC 3.4.21.19Synonym: V8 ProteaseProduct DescriptionEndoproteinase Glu-C from Staphylococcus aureus strain V8 is a serine endoprotease, which hydrolyzes peptide bonds at the carboxyl side of glutamyl andaspartyl residues. The specificity of Glu-C is dependent upon the buffer and pH employed as well as thestructure around the potential cleavage site.1-7Inammonium acetate (pH 4.0) or ammonium bicarbonate (pH 7.8) the enzyme preferentially cleaves glutamyl bonds; whereas, in phosphate buffer (pH 7.8) Glu-C will cleave at either site. No cleavage will occur if a proline residue is on the carboxyl side.1The enzyme also exhibits esterase activity.1,2Endoproteinase Glu-C is suitable for proteomic work. It is widely used in proteomics for peptide mapping and protein sequence work due to this highly specific cleavage of peptides resulting in a limited number offragments.1-7Endoproteinase Glu-C has an average molecular massof 29.02 kDa.8,9The protease is active in the pH range of 3.5–9.5 and exhibits a double maximum of proteolytic activity at pH 4.0 and 7.8 with hemoglobin as thesubstrate.1,2The specificity and activity of Glu-C is retained in 20% organic solvents.10Glu-C is reported to be fully active in the presence of 0.2% SDS and retains 50% of itsactivity in 4.0 M urea.2-6A known peptide such as the oxidizedB chain of insulin should be run as a control for all experiments.Precautions and DisclaimerThis product is for R&D use only, not for drug,household, or other uses. Please consult the Material Safety Data Sheet for information regarding hazards and safe handling practices.Preparation InstructionsReconstitute the lyophilized product in water.Storage/StabilityStore the product at –20 °C. When stored at –20 °C, the product retains activity for at least one year. Frozen solutions can be thawed and frozen repeatedly without loss of activity.1ProcedureFor peptide or protein digestion, a ratio between 1:20 and 1:100 (w/w) of enzyme to substrate isrecommended. Dissolve the peptide or protein to be digested in 100 mM NH 4HCO 3, pH 7.8, or 100 mM Tris HCl,pH 7.8. Recommended incubation time is between 2–18 hours at 37 °C depending on theenzyme to substrate ratio. Endoproteinase Glu-C may also be used for in-gel digestions of proteins.11-14ResultsThe suitability of this product is demonstrated by the digestion of the oxidized B chain of insulin (Catalog Number I1764) as described in Figure 1. The sequence of the oxidized B chain of insulin is:FVNQHLC ox GSHLVEALYLVC ox GERGFFYTPKAFigure 1.Suitability Assay of Glu-CThe oxidized B chain of insulin (100 µg) was digested with 5 µg of Glu-C for 18 hours at 37 °C in 100 µl of 100 mM NH 4HCO 3, pH 7.8. A 20 µg aliquot was separated on a Discovery ®C18 column (25 cm x 4.6 mm, 5 micron, Catalog Number 504971) using a 20 minute linear gradient from 5–50% B at 0.7 ml/min and was detected in the UV at 214 nm and by mass spectrometry. Solvent A: 0.1% (v/v) TFA in water, Solvent B: 0.08% (v/v) TFA in acetonitrile.The Glu-C peptide fragments were identified as follows:Retention Time (minutes)Mass (Da)Fragment 15.091529.4Phe 1–Glu 1316.41914.3Ala 14 –Glu 2116.731086.0Arg 22 –Ala 30During the 18 hour digestion only the expected peptides were generated with no indication of other major proteolytic activity.References1.Drapeau, G.R. Methods Enzymol., 45, 469-475,(1976).2.Drapeau, G.R. Methods Enzymol., 47, 189-191,(1977).3.Burdon, R.H. and Knippenberg, P.H. (eds.),Laboratory Techniques in Biochemistry and Molecular Biology: Sequencing of Proteins and Peptides, Volume 9, Elsevier, (New York, 1989) p 73.4.Tarr, G.E. Methods of ProteinMicrocharacterization: A Practical Approach, Humana Press, (New Jersey, 1986), p 167.5.Smith, B.J., Methods in Molecular Biology, Volume3, New Protein Techniques, Humana Press, (New Jersey, 1988) p 57.6.Aitken, A. et al., Protein Sequencing: A PracticalApproach, IRL Press, (Oxford, 1989) p 43.7.Stone, K.L. et al., A Practical Guide to Protein andPeptide Purification for Microsequencing, Academic Press, Inc. (New York, 1989) p 31.8.Drapeau, G.R., Can. J. Biochem., 56, 534-544,(1978).9.Carmona, C. et al., Nucleic Acids Res., 15, 6757,(1987).10.Welinder, K.G., Anal. Biochem., 174, 54-64, (1988).11.Jeno, P., et al., Anal. Biochem., 224, 75-82, (1995).12.Bensal, M.P., et al., J. Biol. Chem., 264, 13780-13784, (1989).13.Scheler, C., et al., Electrophoresis, 19, 918-927,(1998).14.Lech, J.J., et al., Fundam. Appl. Toxicol., 29, 260-266, (1996). Related Productssuitable for protein sequencing Catalog ProductNumber α-ChymotrypsinC6423Endoproteinase Arg-C P6056Endoproteinase Asp-N P3303Endoproteinase Lys-C P3428Leucine aminopeptidase L9776TrypsinT8658Insulin Chain B, Oxidized I1764MelittinM1407α-MelanocyteM4135Stimulating HormoneDiscovery is a registered trademark of Sigma-Aldrich ®Biotechnology LP and Sigma-Aldrich Co.LKB,MAM 02/08-1Sigma brand products are sold through Sigma-Aldrich, Inc.Sigma-Aldrich, Inc. warrants that its products conform to the information contained in this and other Sigma-Aldrich publications. Purchaser must determine the suitability of the product(s) for their particular use. Additional terms and conditions may apply. Please see reverse side ofthe invoice or packing slip.0200400600800100012000510152025Time (min)A b s o r b a n c e , 214n m (m A u )15.0916.4116.73。
Avec la fonction Temporisateur l'écran principal.Appuyer surpour ouvrir la têtede pompe.pour sélectionnerle Mode Standard.le Mode Standard.Installer l'unité Steritest™ sur la pompe.Appuyer sur pour fermer la tête de pompe.de la pompe.fixer la valeur du temporisateur .Remarque : Non accessible lorsque la pompe est en fonctionnement.Configurer la pompeMode Régulation de la pressionSans la fonction Temporisateurpour arrêter la pompe avant la fin du temps prédéfini.Utilisation en Mode Stan dardGuide rapide de l'interface utilisateurde la pompe Steritest™ SymbioUtilisation en Mode Méthodes de testà l'écran principal.Remarque : Ce mode n'est accessible que si des méthodes de test ont été préalablement chargées dans la pompeà l'aide du logiciel Steritest™ Symbio.à l'écran précédent..Appuyer surpourouvrir la tête de pompe.à l'étape précédente.à l'écran précédent.Remarque : Pour télécharger le Guide l'utilisateur de la pompe Steritest™ Symbio complet, rendez-vous sur /steritest-symbio.© 2019 Merck KGaA, Darmstadt, Allemagne et/ou ses sociétés affiliées. Tous droits réservés.Merck , Steritest, Sigma-Aldrich et Millipore sont des marques de Merck KGaA, Darmstadt, Allemagne, ou d'une société affiliée. Toutes les autres marques citées appartiennent à leurs propriétaires respectifs. Des informations détaillées sur les marques sont disponibles via des ressources accessibles au public. PF16602FR Version 3.0 01/2019L'activité Life Science de Merck KGaA, Darmstadt, Allemagne opère sous le nom de MilliporeSigma aux États-Unis et au Canada.Appuyer sur pour fermer la tête de pompe.Une fois la dernière étape de la méthode de test terminée, appuyer sur pour ouvrir la tête de pompe.Suivre les instructions de l'étape. Puis appuyer surpour passer à l'étape suivante.。
