下载文档原格式
外刊每日精读 | Japanese literature文章脉络【1】村田沙耶香自幼就被父母灌输“女德”【2】村田沙耶香在小说中隐射自己的遭遇【3】日本文学翻译步入了新时代【4】几本书里探讨了家庭生活的问题【5】村田沙耶香关于母性的观点【6】日本作者认为女性不应成为生育机器【7】作家在书中对女性的描写越发胆大【8】以男性的视角看待这些书籍会很有帮助经济学人原文Japanese literature：A world of their ownReaders in the West are embracing Japan’s bold women authors【1】Murata Sayaka has long kept company with imaginary friends. She first conjured them up as a child, while enduring bullying at school and hectoring at home. Her parents forced her to practise cooking and encourag ed “girlie” behaviour, thinking that would one day help attract a rich husband. “I didn’t feel like my body, my life, belonged to me,” Ms Murata says. She dreamed of flying away, ona spaceship with her fantasticalcompanions, to a planet where she would belong.【2】Throughout her fiction, Ms Murata questions what it means to be “normal” and writes sceptically about family life. Her work has struck a chord in Japan,her conservative home country. Her semi-autobiographical novel, “Convenience Store Woman”, wo n the prestigious Akutagawa literary prize in 2016. It has since been translated into more than 30 languages and sold over 1.5m copies.【3】Ms Murata’s work has helped usher in a new era ofJapanese literature in translation. “Convenience Store Woman” came out in English in 2018and its feminist undertones may have resonated amid the #MeToo movement, thinks Ginny Tapley Takemori, its translator. In 2020“breasts and Eggs”, a novel about pregnancy and beauty standards by Kawakami Mieko, another female Japanese author, also became an international bestseller. “Publishers used to ask for the next Haruki Murakami,” says David Boyd, a translator who has worked on Ms Kawakami’s books. “Now they ask: What’s going to be the next ‘Convenience Store Woman’?”【4】Though the settings may be unfamiliar to Western readers, thesebooks examine universal themes, such as the challenges of family life. In “Weaselsin the Attic” (2022), a novella made up of interlinking stories, OyamadaHiroko portrays an unhappily married couple who seek fulfilment by having a baby. “In Japan, it seems as if women are seen as incomplete unless they have a child,” says Ms Oyamada. Her short story “Spider Lilies” explores the related obsession withbreastfeeding. “When I had a baby, I felt like my breasts were a public asset,” the author says. “Strangers kept asking me: ‘Is the milk coming?【5】Ms Murata’s view of motherhood is even more caustic. The women inher fiction are often “monstrous”. In “Nothingness”, a short story, thefemale protagonist is incapable of maternal affection. Ms Murata once hoped her own mother would shower her with unconditional love. She now says the mother-daughter relationship usually involves “beautified abuse”.【6】Today’s literary stars belong to a long lineage of feminist writing in Japan. In the 1970s, amid anti-war and anti-capitalist feminist movements, the child-killing mother became a popular trope in fiction by Japanese women, says Iida Yuko of Nagoya University. Novelists including Oba Minako and Kono Taekoused disturbing imagery to rebel against a view of women as baby-making machines. Bookish types hope the new overseas interest in Japanese writers will extend to this period, too.【7】Yet the likes of Ms Murata are breaking new ground intheir bold depictions of sexuality. “Growing up and dating men, I never thought women could be sexual agents,” she says, noting that Japanese popular culture idealises subservient women. Her characters are aroused by things suchas stuffed toys and curtains: whereas heterosexual love often turns into a “manual”,intimacy with objects is more “creative”, she writes in “Vanishing World”, a sci-fi tale of a world where people breed through artificial insemination. “There’s always a hierarchy between man and woman,”echoes Ms Oyamada. In “Lost in the Zoo”, a short story, she likens unhappy familiesto caged animals, trapped by convention. A lesbian couple, by contrast, exude anair of liberty.【8】These books may be by and about women, but a man’s perspective can be useful, Ms Oyamada suggests. “When I depict men’s behaviour through the eyes of a woman, many people see it as an attack,” she says. “I can avoid that by speaking as a man.” She stages chauvinistic discussions between male characters in “Weasels in the Attic”,demonstrating their obliviousness to the demands of child-rearing. “Most men aren’t even aware of the pain they inflict on women,” she says. “It’s good that such pain is becoming more visible.”长难句：1.原文：In “Weasels in the Attic” (2022), a novella made up of interlinking stories, Oyamada Hiroko portrays an unhappily married couple who seek fulfilment by having a baby.2.分析：主句是主谓宾结构Oyamada Hiroko（主语）portrays（谓语动词）an unhappily married couple（宾语）。
快捷语文(NEW)五加一组合阅读七年级第二版的答案1、《红楼梦》中涉及的外国地名中哪一个是虚拟的？( ) [单选题] *A.暹罗B.茜香(正确答案)C.海西福朗思牙D.波斯2、1豪放派和婉约派是宋代词坛上的两大流派。
豪放派代表词人有李清照、柳永等，婉约派的代表词人有苏轼、辛弃疾等。
[判断题] *对(正确答案)错3、下列词语中，加着重号字的注音不正确的一项是（）[单选题] *A、收敛（liǎn）贪婪（lán）谆谆教诲（zhūn）B、荫庇（pì）云霄（xiāo）自怨自艾（ài）(正确答案)C、涎水（xián）富饶（ráo）惟妙惟肖（xiào）D、汲取（jí）谄媚（chǎn）一哄而散（hòng）4、下列词语中，加着重号字的注音正确一项是（）[单选题] *A、嘈杂（záo）揣摩（chuāi）B、平庸（yōng）携带（xié）(正确答案)C、萎缩（wěi）热忱（chěn）D、沐浴（mō）诱惑（huò）5、“可叹停机德，堪怜咏絮才。
玉带林中挂，金簪雪里埋。
”这个判词中“金簪雪里埋”所指的人物是( ) [单选题] *A.林黛玉B.贾元春C.贾探春D.薛宝钗(正确答案)6、1“师者，所以传道受业解惑也”一句是判断句。
[判断题] *对(正确答案)错7、下列句子加括号词语使用不正确的一项是（）[单选题] *A.走进桃花源，看到朵朵含苞待放的桃花，情绪低落的她不禁（眉开眼笑）了。
B.一个人如果目空一切，一意孤行，就很容易（停滞不前），甚至迷失方向。
C.相识犹如昨天，离别却又在即，回首逝去的日子，往事（浮光掠影），历历在目。
(正确答案)D.这座古朴与现代（相得益彰）的老城，将成为中国西部的物流中心和商贸中心。
8、42. 下列词语中没有错别字的一项是（）[单选题] *A．决择堕落狡辩相辅相成B．萦绕强褓浩劫愧不敢当C．绚丽枷锁拙劣怒不可遏(正确答案)D．授予荧屏开辟振耳欲聋9、1演讲又称演说或讲演。
辽宁省沈阳市第七中学2023-2024学年八年级下学期开学考试英语试题学校:___________姓名：___________班级：___________考号：___________一、阅读理解①You may think you cannot live through summer without air conditioners(空调). But in ancient China, hand fans were almost the only help for people to drive the heat away.①Chinese people started to use hand fans over 2,000 years ago. The fans came in different shapes, such as round and square. They were also made from all kinds of materials(材料). Palm leaf fans were cheap and easy to make. Feather(羽毛) fans showed the owner’s high status(地位). Sandal wood(檀香) fans could send out a sweet smell.①Later, hand fans became even more popular because they were seen as artworks. At that time, tuanshan (round fans) and zheshan (folded fans) were the most common.①In the shape of a full moon, tuanshan was usually made of silk. They had beautiful embroidery(刺绣) of birds and flowers on them. Women, especially those in the palace, liked to use them. Poets in ancient China often compared a woman’s abandoned(被抛弃的) fate to tuanshan. Nalan Xingde wrote during the Qing Dynasty, “If only life were as beautiful as when we first met, why should the autumn wind bother to pity deserted painted fans?”①However, men, especially the literati(文人), used zheshan, or folded fans. The literati liked them because zheshan were usually made of paper and they could paint and write poems on them. It was a way for them to show off their talents in literature, painting and calligraphy(书法). Almost anything can be painted on zheshan, but the most popular ones are usually landscapes(风景).①Today, Chinese people still use these fans. They have already become a symbol of Chinese culture and also a part of our everyday life. So the next time you use a fan, you may think of the stories behind it.1．According to this passage, which of the following may be Wang Xizhi’s favorite hand fan?a. b. c. d.A．ac B．ad C．bc D．bd2．Which of the following is the Chinese translation of the underlined sentence in Paragraph 4?A．人生若只如初见，何事秋风悲画扇。
英语故事：曾祖母的奇怪故事I love listening to my great-grandma's stories, so I didn't object when she started to tell me a story about one of her strange experiences over a glass of iced tea…My Great-Great Grand-dad died in 1918 at the age of 48 when he fell off of a galloping1 horse. My Great Grandma was only 17 when this happened. The story goes that at the get together after the funeral, a strange man showed up. No one had seen him at the funeral, or anytime else for that matter. He stayed for a long time, hardly talking to anybody, and refusing to take off his coat and hat. When my Great-Great aunt pointed2 out to this man that, for the life of her, she could not recall who he was, he became absolutely livid and ran from the house. You can imagine how strange this seemed to everybody.Curiosity got the best of Great grandma and she decided3 to follow this strange man outside to see where he had gone. She stepped outside and proceeded out into the middle of the yard, but she stopped short because the strangest sight met her eyes…the man was standing4 quietly on the roof of the barn, just about 5 yards away, illuminated5 only by the moonlight. She remembers that he had an unnatural6 gleam to his eyes, and when the clouds passed over the moon, and the night was pitch black, that gleam remained.我喜欢听曾祖母讲故事。
美国文学的特点（范文5篇）以下是网友分享的关于美国文学的特点的资料5篇，希望对您有所帮助，就爱阅读感谢您的支持。
美国文学的特点（1）20世纪的美国文学，堪称美国文学史上的“黄金时期”，同时也可以说是又一次“文艺复兴”。
这一时期，现实主义、自然主义和现代主义形成了多元并存的局面，促进了现代美国文学的空前繁荣。
==小说==这一时期的小说创作主旨虽然是现实主义，但不同的作家在创作实践中却呈现出各自的特色。
这一时期的小说创作有几种倾向：1、两种现实主义小说。
在这方面的主要代表是亨利詹姆斯，他的创作继承了19世纪的高雅“现实主义”传统，擅长描写美国东部有闲阶级男女的心理。
他作品描写的民主思想浓厚、独立性强、天真无邪、不拘虚礼但又有些我行我素的美国上层妇女形象，始终被看成是美国文化产物的典型。
与这种创作倾向截然相反的是乡土小说和反映农民心声的作品。
这方面比较有影响的作家哈姆林加兰。
2、乡土作家和幽默小说。
这方面的代表性作家是欧亨利。
他的短篇小说篇幅不长，以情节取胜，一般以写小市民生活为主，充满了蕴含同情的幽默和恢谐之特色。
尤其是那些出人意料的结尾和“情理之中、意料之外”的谋篇布局手法更每每令读者拍案叫绝。
3、“黑幕揭发者”与厄普顿辛克莱。
从19世纪90年代开始，一批以揭露资本家穷奢极欲和政府丑闻为主要内容的暴露文学曾一度发展到高峰。
其中以厄普顿辛克莱的《屠场》最有影响。
4、自然主义和现实主义的交织。
这一时期美国文学的一个重要成就在于出现了一批既具有现实主义倾向同时又受到欧洲自然主义哲学和文学思潮影响的作家。
他们所描写的往往是一些没有文化、出身贫寒的下层人民和社会渣滓。
第一部显示出决定论哲学倾向的作品是斯蒂芬克莱斯的中篇小说《街头妇女郎梅季》。
杰克伦敦参加过美国的社会主义运动，曾有“美国无产阶级文学之父”之称。
实际上，他同时受到马克思主义、尼采的超人哲学和斯宾塞的社会达尔文主义的影响，这些均反映在他的主要长短篇小说中。
人生格言这个世界既不是有钱人的世界，也不是有权人的世界，它是有心人的世界。
学习要加，骄傲要减，机会要乘，懒惰要除。
世界上1%的人是吃小亏而占大便宜，而99%的人是占小便宜吃大亏。
大多数成功人士都源于那1%。
最好的进攻就是进攻自己。
真正的财富是一种思维方式，而不是一个月收入数字。
竞争，其实就是一种友谊，在对手的帮助下提高你的聪明度，害怕竞争的人已经输给了对手。
好书推荐《新天方夜谭》这部小说集收入19世纪的英国著名作家斯蒂文森的6部作品，中篇和短篇数量各半。
具体包括：《自杀俱乐部》、《印度王大钻石》、《海岸孤亭》、《诗人维隆的一夜》、《玛绰伊爵士的门》、《六弦琴之恋》。
本书借助东方故事样式的叙述形态所产生的特殊审美情趣，以及精干结构的情节性张力，摈弃了冗长乏味的叙述议论空间，给读者以异常轻快明晰的字句享受。
作者在本书中营造了一种特殊的若即若离的情调，使目下的现实与文本的虚拟既结合又疏离，使人物刻画、情节构思、象征手法、隐喻使用等写作技巧更为自如、圆润。
而且，在这部作品里，作者还较为准确地揭示出人性的多重性与复杂性。
本书中的作品以仿阿拉伯民间文学巨著《天方夜谭》的形式（因此其中即使是中篇小说，也可视作红线贯通的短篇故事的集合来阅读、分析），借助说故事者独特的视阈和轻松幽默的话语，提供了读者一窥19世纪发达资本主义大都市繁华喧闹背后的阴郁、丑陋与恐怖的机遇。
事实是，这部极具朴素民间故事叙述结构与形态的、以出人意表的紧张情节和充满讽刺幽默语言为支架的小说集，毋论彼时抑或当下，都确确实实地吸引住了众多读者的眼球。
《青铜葵花》《青铜葵花》（长篇小说）是作家曹文轩在2005年激情奉献、心爱备至的最新力作。
讲述一个男孩与一个女孩的故事。
男孩叫青铜，女孩叫葵花。
一个特别的机缘，七岁的城女孩葵花和乡村男孩青铜成了兄妹相称的朋友。
他们一起生活，一起长大。
但十二岁那年，女孩葵花被命运召回了她的城市，男孩青铜从此常常遥望着芦荡的尽头，遥望着女孩葵花所在的地方……时事政治1.中国舰艇编队首航钓鱼岛海域日本军舰全程跟踪2.中国成立钢管舞国家队依繁曾进世界大赛24强3.中国最新型号潜艇曝光西方猜测配备垂射防空导弹4.中日舰队隔空对阵围绕“第一岛链”密集交锋5.英媒：中国正研发“鬼鸟”第五代隐形战机美文欣赏“讨厌”的书我十分喜欢看书，是一只名副其实的“书虫”，只要手中一有书，我就会废寝忘食，一个劲地看书。
一、教材分析本次习作是看图作文。
图中表现的是关于孩子们进行小足球比赛的一个场景。
图中只有守门员和观众，留给学生很大的想象空间。
意在培养学生细致的观察能力和想象能力，从图中感受童年生活的有趣和快乐。
二、教学目标1．创设轻松的课堂环境，引导学生积极参与，培养学生的作文兴趣。
2．通过引导、评价训练学生细致观察、准确描述和合理想象的能力。
3．指导学生看图作文的方法，能按一定的顺序观察和表达，进行初步的作文技巧训练。
4．深化本单元主题：感受童年生活的情趣，能通过观察、想象，体会图中人物内心，真实地表达自己的感受。
三、教学重点指导看图作文的方法，引导学生学会细致观察和合理想象。
四、教学难点让有序细致观察转化为学生的清晰表达，通过有效评价让表达逐步清晰自然，鼓励学生表达出自己的理解和情感。
五、教学准备学生：观看足球比赛，了解足球，适当了解足球相关知识、规则和术语。
教师：PPT课件，足球、手套等道具。
六、教学思路看图作文容易让学生限制在静止的画面中，尤其是以足球为题材的本课，学生在实际生活中接触并不多，这也是学生观察想象过程中最大的阻碍。
如果以传统方式设计：出示图片、明确要求、重点指导、尝试书写，可能会让学生产生对作文的畏难情绪，让课堂缺乏真实的生成过程。
基于此，我对本课进行了较为大胆的设计。
整节课以活动（模拟情景）再现图上内容，学生扮演角色，融入情境，以全体参与展现图画，以精彩的模拟比赛贯穿全课。
让学生积极参与，乐在其中，让表达在激发兴趣的基础上顺其自然。
为避免活动过程喧宾夺主、顾此失彼，图片以“剧本”形式出现，活动过程中引导学生观察剧本，研究剧本，以剧本为依托，把握图上内容。
七、教学过程（一）情境导入，直奔主题教师拿背包上场，营造神秘氛围：老师给大家带来一个礼物，猜猜是什么？不在乎猜的结果，只在乎猜的过程，猜后说出自己的理由，训练表达的欲望与能力。
学生乐在其中。
教师拿出足球：我们要干什么呢？当然不能进行真正的足球赛，我们可以一起演一场比赛，也一定能感受到其中的乐趣。
