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秀兰·邓波尔（Shirley Temple，1928年4月23日-2014年2月11日），儿童时期为美国著名童星之一，美国历史上第一位女礼宾司司长。
生于美国加利福尼亚州的圣莫尼卡。
她的父亲乔治·弗朗西斯·邓波儿，（George Francis Temple）是一位银行的出纳员，她母亲格特鲁德·阿米莉亚·邓波儿，是一位家庭主妇。
她的祖先来自于英国、德国及荷兰。
3岁时邓波儿在母亲的安排下进入一所叫米格林的幼儿舞蹈学校接受训练，1934年年仅6岁出演了歌舞片《起立欢呼》，影片大获成功。
随后一年中，邓波儿出演了《新群芳大会》、《小安琪》、《小情人》等8部影片。
由于在这几部影片的出色表演，1935年年仅7岁的她就获得了第7届奥斯卡特别金像奖，成为有史以来获得奥斯卡奖的第一个孩子。
同年“美国电影科学学会”还授于她“1934年最杰出个人”称号。
从1934年到1939年，她每年都在最受欢迎的十大明星之列，成为当时美国儿童崇拜的偶像，也是成年人心目中的宠儿，曾有“大众小情人”之称。
随着她的逐渐长大，少女时代的秀兰·邓波儿，银坛魅力逐渐消退，观众无法接受他们最喜爱的小宝贝已经长大的现实。
在演完第43部影片后她正式告别影坛转而投身政坛，是共和党支持者。
先后担任过美国驻联合国代表团代表、美国驻加纳大使、福特总统时期的礼宾司司长，1989年，乔治·赫伯特·沃克·布什总统任命她为美国驻捷克斯洛伐克大使。
秀兰·邓波儿曾于1977年4月到中国访问。
那时正值美国大萧条，许多影院几乎处于破产的边缘。
由于袋中羞涩，人们很少去看电影。
自从六岁的秀兰·邓波尔扮演主角的电影“Stand up and say Hellow”（起立欢呼）公映之后，美国各大影院的票房剧增。
人们在她的笑容里忘却了贫困、焦虑、失业所带来的痛苦。
而福克斯电影公司抓到了免于该制片公司崩溃的的一根稻草。
关于努力成功的英语故事不劳无获是我最喜欢的谚语之一，它告诉我们一个事实：每个人都可以通过努力成功。
小编精心收集了关于努力成功的英语故事，供大家欣赏学习!关于努力成功的英语故事篇1Childhood: Shirley Temple懵懂童年：秀兰·邓波儿Before the age of 10, Shirley T emple enjoyed four years as the top box-office draw in America, earning an unprecedented $50, 000 per film from 20th Century Fox in the late 1930s. She gave definition to the term child star, which was the title of her autobiography.不到10岁的秀兰·邓波儿在长达四年的时间里一直是最有票房号召力的明星。
20世纪30年代晚期，她在20世纪福克斯公司(20th Century Fox)每部电影中的片酬达到史无前例的5万美元。
她定义了“童星”一词，而这也是她自传的书名。
But early success often comes with the cost of devoting your childhood to hard work rather than play. Temple acted in four films a year at an age when ordinary children swing in the playground and master cursive writing.但过早的成功往往伴随着把童年奉献给辛苦工作、而不是玩耍的代价。
在普通孩子四处游玩和涂鸦的年纪，邓波儿每年就要参演4部电影。
"The early young chargers are willing to sacrifice freedom and choice at a young age, " says Bruce Tulgan, New Haven-based consultant and author of It's Okay to Be the Boss. "They put in a huge amount of time and energy in a focused pursuit at a very young age."“年少的冲锋者们愿意在年纪轻轻时就牺牲了自由和选择，”位于纽黑文市的咨询顾问、《像个老板样》(It's Okay to Be the Boss)的作者布鲁斯·塔尔干说。
永远的“小天使” ——怀念秀兰·邓波尔 （Shirley Temple ）制作：未名湖畔 音乐：爱的力量 资料来源：网络自动翻页知名演员秀兰·邓波儿于当地时间2 月10 日在美国加利福尼亚州伍德赛德的家中去世，享年85岁。
秀兰·邓波儿的经纪人发表了一份声明：“她的一生作为演员、外交官、妈妈、祖母、曾祖母都成就卓著，我们向她致敬”。
秀兰-邓波儿1928年4月23日出生于美国加利福尼亚州的圣莫尼卡，秀兰的父亲乔治是洛杉矶一家银行的普通出纳员，母亲格特鲁迪斯是芝加哥一个珠宝商的女儿。
两岁时，秀兰·生了浓厚的兴趣。
她38部影片，由于出色的表演，7上奥斯卡颁奖台的孩子。
从1934 年到1939 年，她每年都在美国最受欢迎的十大明星之列，成为当时美国儿童崇拜的偶像，也是成年人心目中的宠儿，曾有“大众小情人”之称。
她塑造的活泼、聪明、可爱、明亮的小天使形象令许多国家和地区几代人的观众至今不能忘怀。
可爱的小天使秀兰·邓波尔一生拍了43 部电影，绝大多数是在 12 岁以前的作品。
她的演唱、舞蹈和灿烂的笑容曾使无数人为之倾倒，以致今天当人们忆及秀兰·邓波儿时，想起的永远是她被荧幕定格的纯真与可爱。
·邓波尔长大了1940年邓波儿出演了幻想剧《蓝鸟》，而之后，人们惊讶的发现，邓波儿长大了。
虽然长大后的邓波儿演技和气质都很不错，但是观众却无法接受那个小女孩已经成熟了的事实。
上世纪50年代，长大了的秀兰·邓波儿22岁时正式退出舞台。
五十年代的秀兰·邓波儿主持过有关她以及她电影的一些回忆性电视节目。
秀兰·邓波尔 27 岁时结婚，这段婚姻维持了五年，她生下了大女儿。
第二段婚姻则持续终生，并让她再生下一儿一女。
治家。
走上政坛的秀兰·邓波尔成为活跃 的政治家。
她曾担任美国驻联合国代 表团代表，1974年担任美国驻加纳大 使，任期两年。
20的童星秀兰·邓波儿（1928~2014）与世长辞，享年85岁。
她在儿童时期是好莱坞历史上最受欢迎的童星之一，是当时美国孩子们崇拜的偶像，也是成年人心目中的宠儿。
年仅7岁时，她就已经成为了有史以来获得奥斯卡奖的第一个孩子。
她那甜甜的微笑和卷卷的头发影响了一个时代。
·Academy Juvenile Award编者注. All Rights Reserved.Sweet-faced,curly-haired Shirley Temple was born in Santa Monica,Califor 原nia in April,1928.She was (入学)in dance school at the age of three.一头卷发、长相甜美的秀兰·邓波儿1928年四月出生于加利福尼亚州的圣塔莫尼卡市。
她三岁就进入舞蹈学校学习。
By the age of six,she had been able to match the great Bill Robinson and(跳踢踏舞)down the (楼梯)in “”.Shefound fame as a young girl in the 1930s in films like “”,“”and “”.六岁的时候，她就已经能在电影《小上校》里配合比尔·罗宾逊，沿着宽大的楼梯跳踢踏舞。
她在20世纪30年代年少成名，出演过《亮眼睛》、《起立欢呼》、《卷毛头》等多部电影。
She acted in even better “”,for her role in which she got a special Academy Award in 1935,when she was just six years old.(迄今),she isstill the youngest person to receive an Academy Award.Between 1935and 1938,her films had been tops for four years.No one would doubt that she could act if they watched her five different expressions while eating in “”.她在《一月船长》这部电影中的表演更为精彩。
美国电影学会百年来最伟大的女演员排名2011-07-17 10:25:491、凯瑟琳·赫本（Katharine Hepburn）中文名：凯瑟琳·赫本英文名： Katharine Hepburn别名： Katherine Hounghton Hepburn性别：女生日： 1907-05-12角色：编剧,演员星座：金牛座出生地：美国康涅狄格州身高：5英尺7英寸（ 5' 7"）职业：actress, writer教育状况：Hartford School for Girls in Hartford, Connecticut Bryn Mawr College in Bryn Mawr, Pennsylvania (B.A., Drama, 1928) 演员作品爱你，想你，恋你 Love Affair (1994)金色池塘 On Golden Pond (1981)废墟中的爱情 Love Among the Ruins (1975)狂人考伯恩 Rooster Cogburn (1975)金屋春宵 Madwoman of Chaillot, The (1973)人海万花筒 A Delicate Balance (1973)The Trojan Women (1971)猜猜谁来吃晚餐 Guess Who's Coming to Dinner (1967)长夜漫漫路迢迢 Long Day's Journey Into Night (1962)夏日痴魂 Suddenly, Last Summer (1959)雨缘 Rainmaker, The (1956)艳阳天 Summertime (1955)帕特和麦克 Pat and Mike (1952)非洲皇后号 African Queen (1951)亚当的肋骨 Adam's Rib (1949)龙种 Dragon Seed (1944)台口餐厅 Stage Door Canteen (1943)自由之火 Keeper of the Flame (1942)小姑独处 Woman of the Year (1942)费城故事 Philadelphia Story, The (1940) 育婴奇谭 Bringing Up Baby (1938)摘星梦难圆 Stage Door (1937)寂寞芳心 Alice Adams (1935)塞莉娅·斯卡利特 Sylvia Scarlett (1935) 小妇人 Little Women (1933)2、贝蒂·戴维斯（Bette Davis）本名露丝·伊丽莎白·戴维斯出生日期 1908年4月5日出生地美国美国马萨诸塞州逝世日期 1989年10月6日（81岁）逝世地点法国活跃年代 1929年—1989年配偶哈蒙·纳尔逊（1932—1938年）阿瑟·法恩斯沃思（1940—1943年）威廉·格兰特·谢里（1945—1950年）加里·梅里尔（1950—1960年）奥斯卡获奖最佳女主角奖1935年《女人女人》1938年《红衫泪痕》金球奖获奖1974年金球奖终身成就奖艾美奖获奖连续短剧/电视电影最佳女主角1979年《陌生人：母女的故事》1935年：获奖《女人女人》（Dangerous）1938年：获奖《红衫泪痕》（Jezebel）1939年：提名《卿何薄命》（Dark Victory）1940年：提名《香笺泪》（The Letter）1941年：提名《小狐狸》（The Little Foxes）1942年：提名《扬帆》（Now, Voyager）1944年：提名《史格芬顿先生》（Mr. Skeffington）1950年：提名《彗星美人》（All About Eve）1952年：提名《昨日星尘》（The Star）1962年：提名《姐妹情仇》（What Ever Happened to Baby Jane?）1934年：补充提名《名士殉情记》（Of Human Bondage）3、奥黛丽·赫本（Audrey Hepburn）奥黛丽·赫本（Audrey Hepburn，公元1929年5月4日—公元1993年1月20日），知名舞台剧与电影女演员，晚年曾任联合国儿童基金会（UNICEF）特使。
美国电影学会评定百年来奥斯卡奖最佳电影女演员下集图片来源：互联网编排制作：杭州凡夫审稿：Tgcai，（天格•蔡）第16名“上帝的艺术品”Vivien Leigh费雯．丽(1913—1967)费雯·丽（Vivien Leigh)(1913年11月5日－1967年7月7日)。
原名费雯·玛丽·哈特利（Vivien Mary Hartley），英国电影演员1940年第12届奥斯卡最佳女主角《乱世佳人》1952年第24届奥斯卡最佳女主角《欲望号街车第17名Lillian Gish 莉莲·吉思第18名Shirley Temple秀兰·邓波儿秀兰·邓波儿（Shirley Temple，1928年4月23日－）（又被翻译为莎莉谭宝），儿童时期为美国著名童星之一，美国历史上第一位女礼宾司司长。
生于美国加利福尼亚州的圣莫尼卡。
3岁时邓波儿在母亲的安排下进入一所叫米格林的幼儿舞蹈学校接受训练，1934年年仅6岁出演了歌舞片《起立欢呼》，影片大获成功。
七岁(1935年)：获得奥斯卡奖，以及“1934年最杰出个人”称号1989年，乔治·布什总统任命她为美国驻捷克斯洛伐克大使第19名“好莱坞爱神”Rita Hayworth丽塔．海华斯1918—1986国籍：西班牙出生：1918年10月17日出生地：纽约市的布鲁克林区丽塔．海华斯主要出品《南美大草原的月光下》《天使之翼Only Angels Have Wings》丽塔·海华丝经典照片(11张)《碧血黄沙Blood and Sand》《黄金梦You'll Never Get Rich》《桃花宫You Were Never Lovlier》《封面女郎Cover Girl》《荡妇吉尔达Gilda》《上海小姐The Lady From Shanghai》《胭脂虎The Loves of Carmen》《谍网妖姬Affair in Trinidad》《圣血红颜Salome》《军中红粉Miss Sadie Thompson》第20名Lauren Bacall 劳伦·贝考尔第21名“黑兰花”Sophia loren.索菲娅．罗兰(1934—)索菲娅·罗兰是久负盛名的意大利红星，从五十年代起，她就以自己独特的气质和杰出的演技，名扬天下。
Shirley Temple秀兰·邓波儿Music：Shirley Temple 秀兰·邓波儿取材自互联网幻灯片原作：诸慎裕，补充修改：李树山E-mail文化传播网秀兰·邓波儿是电影史上一个特殊年代的传奇，她在每个国家所赢得好奇心是其他任何人都无法相比的。
1938年在她10岁时，秀兰已经是美国最具票房号召力的明星。
她的演唱、舞蹈和灿烂的笑容使无数人为之倾倒，"秀兰娃娃"玩具是每个女孩童年生活的组成部分。
英文姓名：Shirley Temple中文姓名：秀兰·邓波儿出生日期：1928年4月23日出生地：加利福尼亚，圣莫尼卡父母姓名：乔治·弗朗西斯、格特鲁德·邓波尔个性：秀兰·邓波儿是个非常聪明伶俐的小姑娘。
贡献：秀兰·邓波儿·布莱克还是小姑娘的时候，她就是真正的大明星，被数以亿计喜欢她的影迷所崇拜。
获奖和其他荣誉：1935年，秀兰·邓波儿成为有史以来获得奥斯卡奖的第一个孩子！同年“美国电影科学学会”还授于她“1934年最杰出个人”称号。
有趣琐事：秀兰·邓波儿曾有两次在酒醉之后，称自己的名字是：秀兰·邓波儿·鸡尾酒和脏鬼·秀兰。
她还为自己的婚礼发明了一种叫“邓波儿蓝”的颜色。
秀兰·邓波尔的首选词汇：“噢，我亲爱的”她是美国历史上第一位担任礼宾司司长的女性！秀兰·邓波儿著有一部获奖自传书名是：《童星》。
从她成名后，世界各地无处不流行被称为“秀兰·邓波儿”的玩具。
秀兰·邓波儿的政治生涯：1967--1968年：被共和党推举竞选美国国会议员（落选）。
1969--1970年：被美国政府任命为联合国美国代表团的成员。
1974--1976年：出任美国驻加纳大使。
1976--1977年：福特总统当政时期，她担任国务院礼宾司司长，是美国历史上第一个任此要职的女性。
背景知识此次的文章是有关电影的，文中出现了一些与电影中的场景有关的描写，以及与电影中的人物相关的细节和句子。
因此了解每部电影的大意就十分的必要，而且有关《哈利波特与死亡圣器》的叙说又贯穿文章，所以更要深入了解这部电影的内容。
了解了电影的大致内容能帮助我更好的理解文章的意思，从而更准确地翻译。
所以我主要搜集了一些有关文中提到的电影的相关信息。
还有一些生词、生短语也做了详细查找，由于比较细碎，在此不一一列出，在《难词的选择》中会进一步阐述。
Oliver Twist 《雾都孤儿》（英语：Oliver Twist），是英国作家狄更斯于1838年出版的写实小说。
以雾都伦敦为背景，讲述了一个孤儿悲惨的身世及遭遇，主人公奥立弗在孤儿院长大，经历学徒生涯，艰苦逃难，误入贼窝，又被迫与狠毒的凶徒为伍，历尽无数辛酸，最后在善良人的帮助下，查明身世并获得了幸福。
如同狄更斯的其他小说，本书揭露许多当时的社会问题，如救济院、童工、以及帮派吸收青少年参与犯罪等。
本书曾多次改编为电影、电视及舞台剧。
世界知名导演罗曼.波兰斯基于2005年也曾将此书拍成电影。
Shirley Temple秀兰·邓波儿（Shirley Temple，1928年4月23日－）（又被翻译为莎莉谭宝），儿童时期为美国著名童星之一，美国历史上第一位女礼宾司司长。
生于美国加利福尼亚州的圣莫尼卡。
3岁时邓波儿在母亲的安排下进入一所叫米格林的幼儿舞蹈学校接受训练，1934年年仅6岁出演了歌舞片《起立欢呼》，影片大获成功。
1999年，邓波儿以其童星时期的成就，被美国电影学会选为百年来最伟大的女演员第18名。
曾经演过《小孤女》。
Harry Potter and the Deathly Hallows 《哈利·波特与死亡圣器》(《Harry Potter and the Deathly Hallows》)，是英国女作家J.K.罗琳创作的哈利·波特系列小说的第7部，也是该系列的终结篇。
Temple, Shirley (1928- ), American motion-picture actress, considered among the most successful child stars in the history of film. She was born Shirley Jane Temple in Santa Monica, California. Propelled byan ambitious mother, Temple made her film debut at the age of three, and at age six she wasfeatured in Stand Up and Cheer (1934). Known for her blond ringlets and her appealing lisp, andrecognized for her ability to sing and tap-dance, Temple became a celebrity in 1934, when shestarred in four films: Now and Forever, Little Miss Marker, Baby Take a Bow, and Bright Eyes.At the end of that year she was given a special Academy Award "in grateful recognition of heroutstanding contribution." During the Great Depression of the 1930s, Temple was celebrated byan adoring public. A sophisticated performer who often seemed more mature than the adultsaround her, Temple had no difficulty upstaging her experienced costars, among them such veteran performers as Lionel Barrymore, Adolph Menjou, Sidney Blackmer, Alice Faye, Robert Young, Cesar Romero, Jimmy Durante, and C. Aubrey Smith. Among the films Temple made for Fox Film Corporation (her studio for all but her first two pictures) in the 1930s were The Little Colonel, Curly Top, and The Little Rebel, in 1935; Poor Little Rich Girl, Dimples, and Stowaway, in 1936; Wee Willie Winkie and Heidi, in 1937; Rebecca of Sunnybrook Farm and Little Miss Broadway, in 1938; and The Little Princess and Susannah of the Mounties, in 1939. At the height of her popularity, from 1935 to 1938, Temple was the biggest box-office attraction in Hollywood, and the large gross revenues from her films helped to make Fox a major film studio. Temple made a number of films as a teenager-among them Miss Annie Rooney (1942), I'll Be Seeing You (1944), Since You Went Away (1944), The Bachelor and the Bobbysoxer (1947), and Fort Apache (1948)-but her appeal had faded, and the films were not successful. In 1949 she retired from acting.The name "Shirley Temple" conjures up the image of a golden-hairdo moppet tap- dancingher way through a sugar-coated career. This, despite the facts that Temple herself -- ShirleyTemple Black since her 1950 marriage -- endured several professional setbacks, pursued animpressive second career in politics, and, as a child, was a driven actress who despite her age,conducted herself like a studio professional.Unlike the eerily adult kids who populate today's films, Temple was unapologetic about being a child. Soon after came Margaret O'Brien and Natalie Wood, both knowing and prescient. The floodgates were open for brilliant but non-childlike performances by Tatum O'Neal, Jodie Foster and Home Alone's sensation Macaulay Culkin. Encouraged to be wise beyond their years, mouthing adult lines and thrust into grown-up situations, many of today's junior stars develop egos that are allowed to grow unchecked. However, during hersix years at Fox and 20th-Century-Fox, Temple was sheltered by both her studio and parents from the harshrealities of the Depression. Indeed, she seems to have been one of the lastchild actresses allowed to be a child. Ironically, Temple began her careerplaying adult roles in a series of 1932 "Baby Burlesks," short subjects thattoday would be considered highly inappropriate. She played charactersnamed "Morelegs Sweet-trick" (a pun on Marlene Dietrich) and "Mme.Cradlebait." But when Fox signed her in 1934, the studio abandoned the infant sexpot image and let her be what she really was -- an energetic, resilient, good-natured little girl. Fox needed a star. In the first years of the Depression, the studio was in serious financialtrouble. With such lighthearted charmers as The Little Colonel (1935; April 23) and Rebecca of Sunnybrook Farm (1938; April 23), Temple became the No. 1 box-office attraction in Hollywood between 1934 and '38,single-handedly pulling her studio out of the red. A typical early hit was Bright Eyes (1934; April 23), costarring one of her favorite leading men, James Dunn, and introducing her signature hit, "On the Good Ship Lollipop" (an airplane -- not a boat, as is usually assumed).Like many young stars, Temple learned early to rely on herself. In her first films, she wasbanished to a black box if she behaved -- at age 4! -- childishly. Rather than becomingpetulant and rebellious, Temple later wrote that this "lesson of life was profound andunforgettable. Time is money. Wasted time means wasted money means trouble. Time spentworking is more fun than standing in an icy black box and getting an earache." Time started tocatch up to Temple, who began to age before the public's eyes. She was also maturing in herapproach to her career. In her own favorite film, the Kipling adaptation of Wee Willie Winkie (1937), a 9-year-old Temple worked hard to impress director John Ford. The tough-minded. veteran filmmaker won her eternal love by treating her as a grownup, brooking no girlish nonsense and brushing off her attempts at charm. This was just the thing for the coddled child star; she delighted in doing her own stunts, drilling with the troops and working harder than everyone else. When Ford finally muttered, "Nice kid, that," his gruff comment made her day. Her hardworking professionalism extended to other shoots. When a little boy wearing her dress served as a body double for the goat-butting scene in Heidi (1937; April 23), the star protested. Temple preferred to do her own stunts, arguing that the hard work made her feel like "one of the gang."By the end of the decade, Temple was no longer the baby of the lot. After her Fox contract ended in 1940, Templewent on to make a handful of modest films, including Since You Went Away in1943 and The Bachelor and the Bobby-Soxer in 1947. However, her prioritywas to act (at last!) her age. Her teen years were happy ones, she recalled. Brushingout her famous curls, Temple enrolled in Westlake School for Girls and delighted inthe joys of sodas, sock hops and even schoolwork. "Westlake was my spring latch toanother world,"she said. "I could hardly wait, catch-up homework notwithstanding."The prospect of becoming a has-been before puberty has driven many a child star todistraction and destruction. But thanks to Temple's strengths, one innate(self-discipline) and the other learned (studio-style professionalism), this starexpected no less from herself on her way out than she did on her way up. In the late '40s, Temple departed gracefully from Hollywood.Two decades later, she re-emerged into the spotlight by announcing her candidacyfor Congress. She lost the election, but Temple displayed her trademark tenacityand went on to enjoy a long and successful career with the United Nations and theState Department. Currently retired, she reports that she is at peace with her lifeand proud of her accomplishments in two of the nation's most influential arenas."If I had to do it all over again," Shirley Temple Black recently declared, "Iwouldn't change anything."。
