博物馆 外文翻译 外文文献 英文文献

辛波斯卡博物馆英文原作The Szczepanówka Palace is a 19th-century neoclassical building located in the city of Bielsko-Biała, Poland. It was originally built for wealthy industrialist Juliusz Kindermann, but later became the property of the Lipowski family. In 1939, the palace was seized by Nazi Germany and used as a hospital during World War II. Following the war, the Polish government nationalized the property and converted it into a museum.Today, the palace is home to the Bielsko-Biała Museum, which showcases the history and culture of the region. The museum features a wide range of e某hibits, including archaeological finds, artwork, ethnographic objects, and historical artifacts.One of the most notable e某hibits is the Bielsko-Biała Goldsmithing Collection, which showcases the e某quisite handiwork of local goldsmiths over the centuries. The collection contains over 1,000 objects, including jewelry, silverware, and decorative objects. Visitors can admire the intricate designs and craftsmanship of these objects, which reflect the artistic sensibilities of the region.Another highlight of the museum is the Ethnographic Section, which e某plores the traditional folk culture of the Silesian region. The e某hibit includes clothing, tools, and household items from the 19th and early 20th centuries, giving visitors a glimpse into the daily lives of the region’s residents.The museum also features e某hibits dedicated to the history of the Bielsko-Biała region, including its industrial development, political history, and cultural heritage. Visitors can learn about the city’s founding and growth, its role in the region’s te某tile industry, and the impact of World War II on the area.In addition to the permanent e某hibits, the museum also hosts temporary e某hibitions on a wide range of topics. These e某hibits often focus on contemporary art, showcasing the workof local artists and e某ploring the cultural and social issuesof the region.。

介绍博物馆的英文读物作文英文：As a museum enthusiast, I have always been fascinated by the rich history and cultural significance that museums hold. Museums are a treasure trove of knowledge and artifacts, offering a glimpse into the past and the evolution of human civilization. 。

One of the most compelling aspects of museums is the diverse range of exhibits they offer. From ancient relics to modern art, there is something for everyone to appreciate and learn from. For example, I recently visited the British Museum in London, where I was captivated by the stunning collection of Egyptian mummies and artifacts. The intricate details and historical significance of these exhibits left me in awe and deepened my appreciation for ancient civilizations.In addition to the exhibits, museums often hosteducational programs and events that engage visitors of all ages. These programs provide a deeper understanding of the exhibits and allow for interactive learning experiences. For instance, I participated in a workshop at the Louvre Museum in Paris, where I had the opportunity to learn about traditional painting techniques and create my own masterpiece. It was a fun and enriching experience that allowed me to connect with the art on a deeper level.Furthermore, museums play a crucial role in preserving and showcasing cultural heritage. They serve as a bridge between the past and the present, allowing future generations to appreciate and learn from the achievements of their ancestors. For instance, the Smithsonian National Museum of American History in Washington, D.C. housesiconic artifacts such as the original Star-Spangled Banner and Abraham Lincoln's top hat, preserving the history and culture of the United States for generations to come.In conclusion, museums are invaluable institutions that offer a wealth of knowledge, inspiration, and cultural enrichment. Whether it's exploring ancient civilizations,admiring timeless art, or participating in educational programs, museums provide a unique and immersive experience that fosters a deeper understanding of the world around us.中文：作为一个博物馆爱好者，我一直被博物馆所蕴含的丰富历史和文化意义所吸引。

犹太人博物馆英文介绍作文英文：Jewish Museum: A Place to Learn about Jewish Culture and History。

I recently visited the Jewish Museum in New York City and was impressed by the extensive collection of artifacts and exhibits that showcase Jewish culture and history. The museum is located in the Upper East Side of Manhattan and is housed in a beautiful historic building that was once a mansion.As I walked through the museum, I learned about therich history of the Jewish people and their contributions to various fields such as art, music, science, and literature. One of the highlights of my visit was the exhibit on Jewish immigration to the United States, which featured personal stories and artifacts from immigrants who came to America in search of a better life.Another interesting exhibit was the one on Jewish holidays and traditions, which explained the significance of various customs such as lighting the menorah during Hanukkah and eating matzah during Passover. I also enjoyed seeing the collection of Jewish art, which included works by famous artists such as Marc Chagall and Max Weber.Overall, the Jewish Museum is a great place to learn about Jewish culture and history. The exhibits are informative and engaging, and the museum staff are knowledgeable and friendly. I highly recommend a visit to anyone who is interested in learning more about this fascinating culture.中文：犹太人博物馆，了解犹太文化和历史的好地方。

博物馆英语介绍作文带翻译Museum Introduction。

As one of the most popular tourist attractions in the city, the museum has been attracting visitors from all over the world for many years. It is a place where visitors can learn about the history, art, and culture of the region, and it is also a place where they can appreciate the beauty of the exhibits.The museum is located in the heart of the city, and it is easily accessible by public transportation. The building itself is a work of art, with its modern design and stunning architecture. The interior of the museum is just as impressive, with its spacious galleries and well-lit exhibits.One of the highlights of the museum is its collection of ancient artifacts. Visitors can see everything from pottery and sculptures to jewelry and weapons, all of whichprovide a glimpse into the lives of the people who lived in the region thousands of years ago.Another popular exhibit is the art collection, which includes works by some of the most famous artists of the region. Visitors can see everything from traditional paintings and sculptures to modern installations and multimedia displays.The museum also has a number of interactive exhibits that are designed to engage visitors of all ages. There are hands-on displays that allow visitors to touch and explore the exhibits, as well as multimedia presentations that provide a deeper understanding of the history and culture of the region.Overall, the museum is a must-see attraction for anyone visiting the city. With its impressive collection of artifacts, stunning architecture, and engaging exhibits, it is a place that visitors will want to return to again and again.博物馆介绍。

英文文献资料外文文献一：Food safety: the shocking truth about the food industrySource: Author: Marion Nestle、Refrigeration technology, pasteurization, pesticides, disease control, these technologies so that safe food into the 20th century, public health's greatest achievements. This book view is that food safety problems also depend on politics. September 2001 events to dispel this view of the doubts about aviation aircraft used by terrorists as a destruction of weapons to civilians and public figures have anthrax spores sent folder of letters, the consequences of these events shows, food, water can easily become a a tool for terrorists, it has also become the federal government for food safety control problem.This chapter will sum up this book referred to in the various food safety problems. Some of them threatened to keep animals healthy, very few will lead to a number of human diseases. Even so, these issues impact on human well-being is deep; large-scale destruction of breeding animals, affecting the livelihood of many people, limiting personal freedom. The 20th century, 90's and early 21st century, an outbreak of mad cow disease and foot and mouth disease Although this is only because of errors caused by the production process, but still brings a lot of destructive. In contrast, bio-terrorism is the deliberate use of biological and chemical substances to achieve their political objectives. For food safety issues,Bio-terrorism extends food safety issues and political outreach; deliberate destruction, excluding any consequences of innocent injury.In this chapter, we will discuss how the rise of bio-terrorism, food safety issues and extend the extension of food safety issues. In the United States, food safety, usually refers to the family food supply reliability. E-mail from the anthrax incident, the food safety issues, also includes safety from biological terrorism. Our discussion will be the beginning of some zoonotic diseases: such as mad cow disease, foot and mouth disease, anthrax. In recent years, these zoonotic diseases harmful to humans is relatively small. Today, for these zoonotic diseases, we are concerned that they may give rise to disease, destruction of food supply system,To become a tool for bio-terrorism aspect. This chapter summarizes the discussion of this book, fromsociety and from a personal point of view what action should be taken to face these issues, as well as food safety issues present and future.The political animal diseasesOne of the consequences of globalization is that of food cross-border long-distance rapid transit, affecting food supply all kinds of disease can easily spread from one country to another country. Animal diseases have a commercial impact, if a country has come to infectious diseases of animals, other countries will refuse to import the kinds of animal meat. The impact of business at the same time there are political consequences.Britain's mad cow disease and foot and mouth disease occurred as a result of beef in the production process caused by mismanagement, compared to the U.S. anthrax letters is a result of vandalism. However, this three kinds of threatening to cause great panic, they are difficult to detect control, can cause severe disease. Moreover, these three kinds of threats against people for the food supply, as well as confidence in the Government.Mad cow is the mid-20th century, 90 of the most popular of a food security crisis, the epidemic is mainly limited to the United Kingdom. With regard to BSE-related issues and our discussion, mainly because of political issues and scientific issues intertwined Among them, public confidence had a great impact. For example, the British Government in the BSE crisis in the practice is also considered to result in distrust of genetically modified food one of the reasons. The beginning of the 20th century, 80 years, no one had heard of the disease, but in 1999, this disease affects at least 175,000 British cattle. The consequences are very serious: 400 million head of livestock were slaughtered, the loss of 70 billion U.S. dollars,Spread to 18 countries worldwide national boycott of British beef. By 2001 only, although "only" 120 people died of the human variant of mad cow disease, it is estimated the death toll will reach 10 million people. Because mad cow disease revealed the modern politics of food safety issues, it is worth detailing.英文文献中文翻译06013618 胡冬敏外文翻译一：作者：玛丽恩·内斯特尔出版时间：2004年11月食品安全：令人震惊的食品行业真相（美）玛丽恩·内斯特尔冷藏技术，巴氏消毒，杀虫剂，疾病控制，这些技术使安全食品成为20世纪公众健康最伟大的成就之一。

新西兰博物馆作文英文英文回答：Museums in New Zealand are a treasure trove of cultural and historical wonders, offering a fascinating glimpse into the diverse heritage of this remarkable country. From the iconic Te Papa Tongarewa Museum in Wellington to the Canterbury Museum in Christchurch and the Auckland War Memorial Museum, these institutions showcase a wide range of artifacts, artworks, and exhibitions that tell the story of New Zealand's rich past and vibrant present.One of the most striking features of New Zealand museums is their commitment to showcasing the indigenous Maori culture. At Te Papa, for example, visitors can explore a vast collection of Maori artifacts, including intricate carvings, traditional weapons, and ceremonial clothing. The museum also features interactive exhibitsthat bring the Maori culture to life, allowing visitors to experience traditional kapahaka performances, learn aboutMaori history, and even try their hand at weaving flax baskets.In addition to Maori culture, New Zealand museums also offer a fascinating glimpse into the country's European colonial past. The Canterbury Museum, for example, houses a vast collection of artifacts from the early days of European settlement, including personal belongings of early settlers, farm equipment, and even a replica of a 19th-century printing press. The museum also tells the story of the Canterbury earthquakes, which devastated the region in 2010 and 2011.For those interested in military history, the Auckland War Memorial Museum is a must-visit. The museum houses a vast collection of artifacts from New Zealand's military history, including uniforms, weapons, and medals. The museum also tells the stories of New Zealanders who have served in conflicts around the world, from the Boer War to the Vietnam War.Another highlight of New Zealand museums is their focuson natural history. The Auckland Museum, for example, features a world-class collection of natural history specimens, including fossils, minerals, and taxidermied animals. The museum also has a dedicated Maori natural history section, which showcases the traditional Maori knowledge of the natural world.One thing that I particularly appreciate about New Zealand museums is their commitment to accessibility and inclusivity. Many museums offer free or discounted admission to children, students, and seniors. They also offer a variety of programs and activities designed to make museums more welcoming and accessible to people of all abilities. For example, the Canterbury Museum offers sensory-friendly tours for visitors with autism spectrum disorder.Overall, New Zealand museums are a wonderful way to learn about the country's rich history, culture, andnatural environment. With their diverse collections, interactive exhibits, and commitment to accessibility, they offer something for everyone.中文回答：新西兰博物馆是文化和历史宝库，为我们提供了一个了解这个非凡国家的丰富遗产的迷人窗口。

Museum English Introduction Composition with TranslationIntroduction to the Louvre MuseumThe Louvre Museum,situated in the heart of Paris,France,is one of the worlds largest and most renowned art museums.Established in1793,it was originally a royal palace before being transformed into a public museum.The Louvre is home to over380,000 objects and artworks,ranging from ancient civilizations to the21st century.Its vast collection includes the famous Mona Lisa by Leonardo da Vinci and the Venus de Milo statue.卢浮宫博物馆介绍位于法国巴黎市中心的卢浮宫博物馆是世界上最大、最著名的艺术博物馆之一。

它成立于1793年，最初是皇家宫殿，后来转变为公共博物馆。

卢浮宫收藏了超过38万件文物和艺术品，涵盖了从古代文明到21世纪的各种作品。

其庞大的收藏包括达芬奇的著名画作《蒙娜丽莎》和维纳斯德米洛雕像。

The British Museum:A Treasure Trove of World HistoryThe British Museum,located in London,England,is dedicated to human history,art,and culture.Opened in1759,it houses a comprehensive collection that spans over two million years of world history.The museums collection is particularly strong in artifacts from the ancient world,including the Rosetta Stone,the Elgin Marbles,and the Egyptian mummies.Visitors can explore the rich tapestry of human history through its diverse and extensive exhibits.大英博物馆：世界历史的宝库位于英格兰伦敦的大英博物馆致力于展示人类历史、艺术和文化。

No matter how glorious a culture used to be, it will be replaced by a new culture, without any exception.Human beings are creating new cultures continually, while the culture itself cannot be immortal.However, we can still seek the traces of these cultures through some vehicle, which is the museum.This book takes the architecture and display features of museums as its content, displaying variousthematic museums’ features in modeling and space design. From the use of materials to their culturaland regional embodiment, the book analyses the cultural and historical connotations of museum designsystematically.DESIGN MEDIA PUBLISHING LIMITEDThematic Museums DESIGN MEDIAPUBLISHING LIMITED ThematicMuseumsThematic Museums%&4*(/ .&%*" 16#-*4)*/( -*.*5&%CONTENTSThe New Museum Aan de StroomLos Angeles Museum of the HolocaustVoyager New Zealand Maritime MuseumShimane Museum of Ancient IzumoMuseum of LiverpoolNew Mexico History MuseumMadinat al Zahra MuseumCarabineros Museum of ChileExtension of the National Maritime MuseumWaterloo Region Museum 612202428344452606874808697102110122128134140146152158172178186194202208214220226234240248256262268274282288296302Yokosuka Museum of Art Museum Villa Vauban Grand Rapids Art Museum ARoS Arrthus Museum of Art Crpatoa Museum of Contemporary Art Extension of the Denver Art Museum Musee Herge Mecenat Art Museum Museum of Culture, Fine Arts and Science, Changchun Crocker Art MuseumJiangsu Provincial Art MuseumBechtler Museum Tel Aviv Museum of Art The Bronx Museum of the Arts Expansion, North Wing Erie Art Museum Lam - Lille Museum of Modern, Contermproary and Outsider Art Museo Soumaya Museum ABC Illustration and Design Centre Labyrinth of Sciences and The Arts Museum Riverside Museum National Automobile Museum Renovation and Extension Welios Science Museum National Glass Museum Polish Aviation Museum Nestlé Chocolate Museum Fort Worth Museum of Science and History Museum of Energy National Automobile Museum Canadian Museum of Nature Lyon House Museum Mimesis Museum ECO MUSEUM in Rennes INDEXHISTORY MUSEUMART MUSEUM SCIENCE MUSEUM COMPREHENSIVE MUSEUM5IF ."4 JT EFTJHOFE BT B TJYUZ NFUSF IJHI UPXFS 5FO HJHBOU OBUVSBM TUPOF CPYFT BSF QJMFE VQ BT B QIZTJDBM EFNPOTUSBUJPO PG UIF HSBWJUZ PG IJTUPSZ GVMM PG IJTUPSJDBMPCKFDUT UIBU PVS BODFTUPST MFGU CFIJOE *U JT B TUPSFIPVTF PG IJTUPSZ JO UIF IFBSU PGUIF PME EPDLT&BDI GMPPS PG UIF UPXFS JT UXJTUFE B RVBSUFS UVSO TP UIBU DSFBUFT B IVHF TQJSBMTUBJSDBTF 5IJT TQJSBM TQBDF XIJDI JT CPSEFSFE CZ B XBMM PG DPSSVHBUFE HMBTT JT BQVCMJD DJUZ HBMMFSZ " SPVUF PG FTDBMBUPST DBSSZ WJTJUPST VQ GSPN UIF TRVBSF UP UIF UPQPG UIF UPXFS 5IF TQJSBM UPXFS UFMMT UIF TUPSZ PG UIF DJUZ JUT QPSU BOE JUT JOIBCJUBOUTThe New Museum Aan de StroomLocation : Antwerp, Belgium Designer : Neutelings Riedijk Architects Completion Date : 2010 Construction Area : 19,557m 2 Photographer : Neutelings Riedijk Architects and City of Antwerp East Façade North Façade West Façade South FaçadeLeft : SituationFacing : Overview east side5IF .VTFVN "BO EF 4USPPN ."4 JT MPDBUFE CFUXFFO UIF PME EPDLT JO UIF IFBSU PG ²)FU &JMBOEKF³ 5IJT PME QPSU BSFB JT UIF NBKPS VSCBO SFOFXBM QSPKFDU JO UIF DFOUSF PG "OUXFSQ BOE JT EFWFMPQJOH BT B WJCSBOU OFX DJUZ EJTUSJDU'BmBEFT ¿PPST XBMMT BOE DFJMJOHT PG UIF UPXFS XFSF DPNQMFUFMZ DPWFSFE XJUI MBSHF TMBCT PG SFE *OEJBO TBOETUPOF IBOE DMFBWFE NBLJOH UIF JNBHF PG B NPOVNFOUBM TUPOF TDVMQUVSF 5IF GPVS DPMPVST PG UIF TUPOF TMBCT CBTFE PO B DPNQVUFSJTFE QBUUFSO BSF EJWJEFE PO UIF GBmBEF5IF TQJSBM HBMMFSZ JT MJOFE XJUI B IVHF DVSUBJO PG DPSSVHBUFE HMBTT 8JUI JUT QMBZ PG MJHIU BOE TIBEPX USBOTQBSFODZ BOE USBOTMVDFODZ PG UIF VOEVMBUJOH HMBTT GBmBEF CSJOHT B MJHIUIFBSUFE DPVOUFSXFJHIU UP UIF HSBWJUZ PG UIF TUPOF TDVMQUVSF5P TPGUFO UIF NPOVNFOUBM UPXFS WPMVNF B QBUUFSO PG NFUBM PSOBNFOUT IBT CFFO QVU MJLF B WFJM PWFS UIF GBmBEF 5IF PSOBNFOUT BSF TIBQFE MJLF IBOET UIF MPHP PG UIF $JUZ PG "OUXFSQ *OTJEF UIF CVJMEJOH UIJT QBUUFSO DPOUJOVFE UISPVHI NFUBM NFEBMMJPOT NPMEFE CZ B EFTJHO PG 5PN )BVUFLJFU XJUI B UFYU PG 5PN -BOPZF0O FBDI ¿PPS UIF WJTJUPS DBO FOUFS UIF NVTFVN IBMM BOE HP JOUP UIF IJTUPSZ PG UIF EFBE DJUZ XIJMF PO IJT XBZ UP UPQ CSFBUIUBLJOH QBOPSBNBT PG UIF MJWJOH DJUZ JUTFMG VOGPMET "U UIF UPQ PG UIF UPXFS BSF B SFTUBVSBOU B QBSUZ SPPN BOE B QBOPSBNJD UFSSBDF XIFSF UIF QSFTFOU JT DFMFCSBUFE BOE UIF GVUVSF QMBOOFE5IF .VTFVN TRVBSF BU UIF GPPU PG UIF UPXFS JT BO JOUFHSBM QBSU PG UIF EFTJHO 5IF TRVBSF JT EFDPSBUFE JO UIF TBNF SFE TUPOF BT UIF UPXFS BOE TVSSPVOEFE CZ QBWJMJPOT BOE UFSSBDFT BT BO VSCBO TQBDF GPS FWFOUT BOE PVUEPPS FYIJCJUJPOT 5IF DFOUSBM QBSU PG UIF TRVBSF JT IBMG TVOLFO BOE GPSNT B GSBNFXPSL GPS B MBSHF NPTBJD PG -VD 5VZNBOTLeft : Night view hallRight : Evening view eastFacing Above : Inside viewFacing Below : Internal spaceFacing Above and Below : Interior with windowGround Floor Plan: 1. Entrance hall 2. Information desk 3. Cafetaria 4. Logistic centre 5. Garage6. WorkshopsLevel 9 Plan:13. Restaurant14. Conference room15. Kitchen16. Roof terraceLevel 1 Plan: 7. Gallery 8. Offices 9. Meeting rooms10. Staff canteenLevel 2 Plan:11. Gallery12. Exhibition roomLevel 3 Plan: 11. Gallery 12. Exhibition room Level 4 Plan: 11. Gallery 12. Exhibition room 2345681099667111211121112161314151Los Angeles Museum of the HolocaustLocation: Los Angeles, CA,USA Designer: Belzberg Architects Completion Date: 2010 Photographer: Belzberg Architects, Benny Chan-Fotoworks, Iwan Baan 5IF EFTJHO JOUFOU PG UIJT NVTFVN JT UP BMMFHPSJDBMMZ SFMBUF UIF WJTJUPSµT DISPOPMPHJDBM FYQFSJFODF PG UIF CVJMEJOH UP UIBU PG )PMPDBVTU WJDUJNT *O PSEFS UP BDIJFWF UIJT UIF FYQFSJFODF PG UIF CVJMEJOH JT MBSHFMZ EJDUBUFE CZ UIF UJNFMJOF PG B WJTJUPSµT QBTTBHF GSPN QPJOU PG BSSJWBM UISPVHI UP IJT IFS BTDFOTJPO CBDL UP QBSL MFWFM GSPN UIF VOEFSHSPVOE FYIJCJU TQBDFT*U JT B NVTFVN CVJMEJOH JO B QVCMJD QBSL TVCNFSHFE JOUP MBOETDBQF UFSSBJO UPNBJOUBJO PQFO QBSL TQBDF 5IF NVTFVN JT POF PG UIF MBSHFTU JOUFOTJWF HSFFO SPPGT JO $BMJGPSOJB BOE JT PO USBDL UP SFDFJWF -&&% (PME $FSUJ¾DBUJPO GSPN UIF 64(#$Below: Museum Roof Plan5IF OFX CVJMEJOH GPS UIF -PT "OHFMFT .VTFVN PG UIF )PMPDBVTU -".05) JT MPDBUFE XJUIJO B QVCMJD QBSL BEKBDFOU UP UIF FYJTUJOH -PT "OHFMFT )PMPDBVTU .FNPSJBM1BSBNPVOU UP UIF EFTJHO TUSBUFHZ JT UIF JOUFHSBUJPO PG UIF CVJMEJOH JOUP UIF TVSSPVOEJOH PQFO QBSL MBOETDBQF 5IF NVTFVN JT TVCNFSHFE JOUP UIF HSPVOE BMMPXJOH UIF QBSLµT MBOETDBQF UP DPOUJOVF PWFS UIF SPPG PG UIF TUSVDUVSF &YJTUJOH QBSL QBUIXBZT BSF VTFE BT DPOOFDUJWF FMFNFOUT UP JOUFHSBUF UIF QFEFTUSJBO ¿PX PG UIF QBSL XJUI UIF OFX DJSDVMBUJPO GPS NVTFVN WJTJUPST5IF QBUIXBZT BSF NPSQIFE POUP UIF CVJMEJOH BOE BQQSPQSJBUFE BT TVSGBDF QBUUFSOJOH 5IF QBUUFSOJOH DPOUJOVFT BCPWF UIF NVTFVNµT HBMMFSJFT GVSUIFS DPOOFDUJOH UIF QBSLµT MBOETDBQF BOE QFEFTUSJBO QBUIT #Z NBJOUBJOJOH UIF NBUFSJBM QBMFUUF PG UIF QBSL BOE FYUFOEJOH JU POUP UIF NVTFVN UIF IVFT BOE UFYUVSFT PG DPODSFUF BOE WFHFUBUJPO CMFOE XJUI UIF FYJTUJOH NBUFSJBM QBMFUUF PG 1BO 1BDJGJD 1BSL 5IFTF TJNQMF NPWFT DSFBUF B EJTUJODUJWF GBmBEF GPS UIF NVTFVN XIJMF NBJOUBJOJOH UIF QBSLT UPQPHSBQIZ BOE MBOETDBQF5IF NVTFVN FNFSHFT GSPN UIF MBOETDBQF BT B TJOHMF DVSWJOH DPODSFUF XBMM UIBU TQMJUT BOE DBSWFT JOUP UIF HSPVOE UP GPSN UIF FOUSZ %FTJHOFE BOE DPOTUSVDUFE XJUI TVTUBJOBCMF TZTUFNT BOE NBUFSJBMT UIF -".05) CVJMEJOH JT PO USBDL UP SFDFJWF B-&&% (PME $FSUJ¾DBUJPO GSPN UIF 64 (SFFO #VJMEJOH $PVODJMExhibit Plan:1. Taper atrium2. Gallery3. Audio room Left Above and Right Above: Ramp wall123222222222321Section:1. Planter continous2. Beam3. 6” GravelCross Section1. Parking2. Gallery3. LobbySectionMezzanine Floor Plan: 1. Open to below2. Ramp to garage below, ramp slope 20%3. Storage4. Conference room5. Library stacks6. Admin officeNorth Ramp Elevation213456Location: Auckland, New Zealand Designer: Pete Bossley Architects Total Floor Area: 1,456m2Completion Date: 2009 Photographer: Simon Devitt Awards: 2011 Property Council NZ, ExcellenceAward in Special Purpose Category; 2010 NZ Institute of Architects, Auckland Public Architecture AwardVoyager New ZealandMaritime Museum5IJT FYUFOTJPO UP UIF /FX ;FBMBOE .BSJUJNF .VTFVN JT EFTJHOFE UP IPVTF BOFYIJCJUJPO PG /FX ;FBMBOE ZBDIUJOH GSPN FBSMZ TNBMM CPBUT UISPVHI UP /;- XIJDI¾STU XPO UIF "NFSJDBµ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mBEFXIJDI BOOPVODF UIF QSFTFODF PG JUT JOUFSJPS QVSQPTFFacing Above: North elevationFacing Below: East elevation at night-BSHF QMBOFT PG QPMZDBSCPOBUF DMBEEJOH DPOUSBTU XJUI UIF USBEJUJPOBM CVJMEJOH 4VCUMF TIJGUT BXBZ GSPN UIF PSUIPHPOBM DPNCJOFE XJUI UIF FWFS DIBOHJOH WBSJFUZ PG DPMPVS USBOTQBSFODZ BOE SFGMFDUJWJUZ PG UIF QPMZDBSCPOBUF TVHHFTU UIF FQIFNFSBM BOE DPOTUBOUMZ TIJGUJOH DPOEJUJPOT PG XJOE MJHIU BOE TXFMM XIJDI BSF JOUFHSBM UP UIF XPSME PG ZBDIUJOH 5IF NBJO FBTUFSO QBOFM MJGUT UP GPMMPX UIF SBNQ JOTJEF BOE QBSUJBMMZ SFWFBM UIF FYIJCJUT UISPVHI B TMJUIFS PG HMB[JOH VOEFSOFBUI BOE PG UIF TFB GSPN XJUIJO%FTQJUF BDIJFWJOH UIF MPX MJHIU MFWFMT SFRVJSFE GPS BSUFGBDU QSPUFDUJPO UIF TQBDFT HMPX XJUI UIF TPGUMZ USBOTNJUUFE MJHIU QBTTJOH UIPVHIU UIF EPVCMF TLJO NVMUJ DFMMVMBS QPMZDBSCPOBUF XIJDI IBT HPPE 67 BOE UIFSNBM QSPUFDUJPO QSPQFSUJFT4PPO BGUFS FOUFSJOH GSPN UIF PMEFS HBMMFSJFT WJTJUPST DPOGSPOU UIF QPXFSGVM GPSN PG UIF CMBDL IVMM IPWFSJOH JO UIF TQBDF BCPWF 3BUIFS UIBO CFJOH TVQQPSUFE PO UIF VTVBM DSBEMF UIF CPBU JT TVTQFOEFE GSPN BCPWF CZ JUT PXO SJHHJOH UIFSF JT OP BEEJUJPOBM NFDIBOJTN PUIFS UIBO UIBU VTFE PO UIF CPBU JO BDUJPO7JTJUPST UIFO GPMMPX BO FYUFOEFE BSDIJUFDUVSBM QSPNFOBEF GSPN UIF NBJO TQBDF PVU UP UIF XIBSG FEHF BOE POUP UIF SBNQ XIJDI XJOET VQ QBTU UIF TNBMM CPBUT JO UIF TPGU MJHIU BOE EBQQMFE SF¿FDUJPOT GSPN UIF TFB UIFO CBDL JOUP UIF NBJO TQBDF UP DPOUJOVF DMJNCJOH UIJT UJNF BSPVOE /;- BOE VQ UP UIF IJHI QPJOU XIFSF UIF "NFSJDBT $VQ JT EJTQMBZFE "MPOH UIJT NFUSF SBNQ UIF WJTJUPST FYQFSJFODF OVNFSPVT EJTQMBZT BOE WJFXQPJOUT PG UIF ZBDIUT"U OJHIU UIF MBSHF QMBOF GBDJOH 1SJODF 8IBSG CFDPNFT B IVHF MJHIU CPY XJUI NBHJDBM MJHIU FGGFDUT BDSPTT UIF XBUFS Above Left: Black Magic NZL32Above Right: Hall of yachtingFacing Above: Exhibition space1. Existing gallery2. Hobson Wharf3. Entrance4. Introduction5. Local segment6. Technology segment7. NZL32 hanging above8. Store9. Gallery of yachts10. NZL32 segment11. Sir Peter Blake segment12. Ramp up over13. Blake Theatre14. Void15. NZL3216. Blue water segment17. TheatreGround Floor PlanFirst Floor Plan12356784911121415131614101175IF 4IJNBOF .VTFVN PG "ODJFOU *[VNP XBT FTUBCMJTIFE UP FYIJCJU UIF BSUJGBDUT BOEDVMUVSF PG UIF *[VNP BSFB POF PG UIF DSBEMFT PG DVMUVSF BOE DJWJMJTBUJPO PO UIF +BQBOTFBTJEF BOE UIF TPVSDF PG WBMVBCMF BSDIBFPMPHJDBM SFNBJOT BOE DVMUVSBM BSUJGBDUT5IF CVJMEJOH FYUFSJPS JT DPNQBDU XJUI B QBJS PG MBZFSFE GPMEJOH SPPGT UIBU DSFBUF BMJMUJOH TLZMJOF BOE CMFOE JOUP UIF HFOUMF VOEVMBUJPOT PG UIF HBSEFO BOE NPVOUBJOT JOUIF CBDLHSPVOE5IF NVTFVN JUTFMG JT B MPX MZJOH TUSVDUVSF XJUI BO FOUSZXBZ UIBU JT DMFBSMZ NBSLFECZ B SPX PG USFFT UIBU MFBE UP B HMB[FE FOUSBODF IBMM 5IJT IBMM TFQBSBUFT UIFGPSFDPVSU GSPN UIF HBSEFO JO UIF OPSUI BOE JUT USBOTQBSFODZ QSPWJEFT B EJTUJODUDPOOFDUJPO CFUXFFO UIF JOUFSJPS BOE FYUFSJPS PG UIF CVJMEJOHShimane Museum of Ancient IzumoLocation: Izumo City, Japan Designer: Fumihiko Maki + Maki and Associates Completion Date: 2006Construction Area: 11,855m2Photographer: Toshiharu Kitajima, Makoto YoshidaSouth Elevation and Section:1. Entrance hall2. Lobby3. Permanent exhibition4. Storage5. Shop6. Café7. Observation deckWest Elevation and Section:1. Lobby2. Permanent exhibition3. Lecture room4. Library5. OfficeFacing Above: Southwest elevationFaicng Below: Night view12345671234525IF TJUF NFBTVSFT TJY IFDUBSFT BOE XBT EFTJHOFE UP BQQFBS BT BO FYUFOEFE MBOETDBQF HFTUVSJOH UPXBSET UIF 4ISJOF DPNQMFY BOE UIF TVSSPVOEJOH OBUVSBM MBOETDBQF1FSQFOEJDVMBS UP UIF HMB[FE FOUSBODF IBMM JT B NFUSF MPOH CZ NFUSF IJHI $PS 5FO TUFFM XBMM UIBU JT SFNJOJTDFOU PG ²5BSBUB TUFFM³ BO JNQPSUBOU NBUFSJBM JO UIF IJTUPSZ PG 4IJNBOF 5IVT UIF FYUFSJPS GPSN PG UIF CVJMEJOH NFEJBUFT CFUXFFO UIF BODJFOU BOE UIF NPEFSO BT XFMM BT UIF DPOTUSVDUFE BOE UIF OBUVSBM MBOETDBQF"GUFS FOUFSJOH WJB UIF HMB[FE FOUSBODF IBMM WJTJUPST QBTT UISPVHI UIF $PS 5FO TUFFM XBMM JOUP UIF FYIJCJUJPO MPCCZ XIFSF SFNOBOUT PG UIF UJNCFS DPMVNOT GSPN UIF PSJHJOBM (SBOE *[VNP 4ISJOF BSF PO QFSNBOFOU EJTQMBZ 5IF FYIJCJUJPO MPCCZ GVODUJPOT BT UIF DFOUSF PG UIF NVTFVNµT TQBUJBM DPNQPTJUJPO GSPN XIJDI WJTJUPST DBO NPWF FBTJMZ CFUXFFO UIF FYIJCJUJPO TQBDFT 4VSSPVOEJOH UIF FYIJCJUJPO [POF JT B TVQQPSU [POF XIJDI DPOTJTUT PG TUPSBHF BOE QSFQBSBUJPO SPPNT SFTFBSDI GBDJMJUJFT BOE BENJOJTUSBUJWF PGGJDFT 5IJT DMFBS TQBUJBM EJTUSJCVUJPO BMMPXT FBTF PG NPWFNFOU GPS NVTFVN WJTJUPST BT XFMM BT FGGJDJFOU NVTFVN NBOBHFNFOU NBJOUFOBODF BOE TFDVSJUZ"GUFS UPVSJOH UIF NVTFVN WJTJUPST DBO SFUVSO UP UIF HMB[FE FOUSBODF IBMM BOE SFMBY JO UIF GJSTU GMPPS UFBSPPN PS TFDPOE GMPPS PCTFSWBUJPO EFDL 1BOPSBNJD WJFXT PG UIF TVSSPVOEJOH MBOETDBQF BOE UIF BEKBDFOU *[VNP 4ISJOF VOGPME BOE WJTJUPST DBO DPOUFNQMBUF UIF FYIJCJUJPO BSUJGBDUT PODF VTFE PO UIJT TJUF PWFS ZFBST BHP5Above : Building and landscape Below : South gardenGround Floor Plan: 1. Entrance Hall 2. Gallery 3. Lobby4. Permanent exhibition5. Temporary exhibition6. Lecture room7. Library8. Office9. Storage10. Mechanical 11. Café12. Observation deck1234657812114910458Museum of LiverpoolLocation:Liverpool, UK Designer:3XN Completion Date: 2011 Site Area: 13,000m2Photographer: Pete Carr, Philip Handforth, Richard White 5IF OFX .VTFVN PG -JWFSQPPM XJMM OPU POMZ UFMM UIF TUPSZ PG JUT JNQPSUBODF BT POF PG UIF 8PSMEµT HSFBU QPSUT PS BCPVU JUT DVMUVSBM JO¿VFODF TVDI BT XJUI UIF #FBUMFT QIFOPNFOPO *U XJMM BMTP TFSWF BT B NFFUJOH QPJOU GPS )JTUPSZ UIF 1FPQMF PG -JWFSQPPM BOE WJTJUPST GSPN BSPVOE UIF HMPCF 5IFSFGPSF BDDPSEJOH UP UIF "SDIJUFDU UIF TUSVDUVSF GVODUJPOT BT NVDI NPSF UIBO KVTU B #VJMEJOH PS B .VTFVNLeft: Liverpool sketch"T UIF MBSHFTU /BUJPOBM .VTFVN UP CF CVJMU JO UIF 6, JO PWFS ZFBST BOE TJUVBUFE PO B 6/&4$0 8PSME )FSJUBHF 4JUF OFYU UP -JWFSQPPMµT GBNPVT ²5ISFF (SBDFT³ UIF 1SJODJQBM "SDIJUFDU BOE $SFBUJWF %JSFDUPS BU 9/ ,JN )FSGPSUI /JFMTFO XBT GVMMZ BXBSF PG UIF NBHOJUVEF PG UIF DIBMMFOHF XIFO JU DBNF UP EFTJHOJOH UIF OFX .VTFVN PG -JWFSQPPM5IJT JT POF PG UIF MBSHFTU BOE NPTU QSFTUJHJPVT QSPKFDUT JO 9/µT ZFBS IJTUPSZ 5IF .VTFVNµT EFTJHO JT B SFTVMU PG B WFSZ SJHPSPVT QSPDFTT XIFSF JU XBT PG VUNPTU QSJPSJUZ UP MJTUFO UP UIF DJUZ JOIBCJUBOUT MFBSO UIF DJUZµT IJTUPSZ BOE VOEFSTUBOE UIF QPUFOUJBM PG UIF IJTUPSJDBM TJUF UIBU UIF .VTFVN OPX TJUT VQPO5IF SFTVMU JT B EZOBNJD MPX SJTF TUSVDUVSF XIJDI FOUFST JOUP B SFTQFDUGVM EJBMPHVF XJUI UIF IBSCPVS QSPNFOBEFµT UBMMFS IJTUPSJDBM CVJMEJOHT 5IJT JOUFSBDUJPO GBDJMJUBUFT B NPEFSO BOE MJWFMZ VSCBO TQBDF 5IF EFTJHO JT SFNJOJTDFOU PG UIF USBEJOH TIJQT XIJDI BU POF UJNF EPNJOBUFE UIF IBSCPVS XIJMF UIF GBmBEFµT SFMJFG QBUUFSO QVUT GPSXBSE B OFX JOUFSQSFUBUJPO PG UIF IJTUPSJDBM BSDIJUFDUVSBM EFUBJM JO UIF ²5ISFF (SBDFT³ 5IF FOPSNPVT HBCMFE XJOEPXT PQFO VQ UPXBSET UIF $JUZ BOE UIF )BSCPVS BOE UIFSFGPSF TZNCPMJDBMMZESBX IJTUPSZ JOUP UIF .VTFVN XIJMF BU UIF TBNF UJNF BMMPX UIF DVSJPVT UP MPPL JOLeft and Below :Hand-sketches of façadeGround FloorFirst FloorSecond FloorNew Mexico History MuseumLocation: Santa Fe, New Mexico State, USA Designer: SaylorGregg Architects Completion Date: 2009 Construction Area: 8.919m 2 Photographer: Kirk Gittings, Gallagher & Associates Award Name: 2010 N.M. Heritage Preservation Award for Urban Design with an Historic Context$BTUJOH OFX MJHIU PO B QSPVE IJTUPSZ UIF /FX .FYJDP )JTUPSZ .VTFVN WFOFSBUFT JUT QSFEFDFTTPST BOE PGGFST B OFX DJWJD PVUMPPL5IF PMEFTU DPOUJOVPVTMZ PDDVQJFE QVCMJD CVJMEJOH JO UIF 6OJUFE 4UBUFT UIF 1BMBDF PG UIF (PWFSOPST JO 4BOUB 'F XBT DPOTUSVDUFE JO BT 4QBJOµT DJUBEFM JO UIF "NFSJDBO 4PVUIXFTU " TUSJLJOH BEPCF CVJMEJOH XJUI BO FYUSBPSEJOBSZ IJTUPSZ UIF 1BMBDF TFSWFE GPS ZFBST BT UIF SFQPTJUPSZ PG BSUJGBDUT GSPN PUIFS FSBT 8IFO UIF /FX .FYJDP )JTUPSZ .VTFVN PQFOFE BEKBDFOU UP UIF 1BMBDF JU MJGUFE UIF CVSEFO GSPN UIF ZFBS PME CVJMEJOH BOE QSPWFE USBOTGPSNBUJWF GPS UIF JOUFSQSFUBUJPO PG IJTUPSZ UISPVHIPVU UIF 4UBUFFacing : Museum at duskSite Plan (Left):1.The Palace of the Governors2. New Mexico History Museum3. Fray Angelico Chaves History Library and Photo Archive4. Meem Community Room5. The Plaza21534" DPOUFNQPSBSZ CVJMEJOH JO EFTJHO UIF OFX 4UBUF )JTUPSZ .VTFVN JT UIF GJSTU JOTUJUVUJPO JO /FX .FYJDP UP GVMMZ JOUFSQSFU UIF 4UBUFµT VOJRVF IJTUPSZ PG DPORVFTU BOE MJCFSBUJPO *U DPNQMFNFOUT UIF 1BMBDF PG (PWFSOPST JO TDBMF TJ[F BOE TUZMF *U DPOUBJOT FYQBOTJWF FYIJCJUJPO BOE BENJOJTUSBUJWF TQBDF HBMMFSZ RVBMJUZ MJHIUJOH BOE FOWJSPONFOUBM DPOUSPMT GPS B QSJDFMFTT DPMMFDUJPO PG NBQT QIPUPHSBQIT UFYUJMFT BSUJGBDUT BOE BSU " TFBU UIFBUSF GPS QFSGPSNBODFT BOE SFTFBSDI TQBDF GPS IJTUPSJBOT BSF BMTP DPOUBJOFE XJUIJO UIF .VTFVN BOE UIF MBSHF UXP TUPSFZ MPCCZ IBT CFDPNF UIF DIPTFO TJUF GPS TPDJBM FWFOUT 5XP TUPSFZT BCPWF HSBEF BOE UXP TUPSFZT CFMPX UIF .VTFVN DBQUVSFT UIF DFMFCSBUFE 4BOUB 'F TVO JMMVNJOBUJOH JOUFSJPST UISPVHI TLZMJHIUT BOE DMFSFTUPSJFT %FFQ TFU XJOEPXT UFNQFS UIF TVNNFS TVO BOE QSPWJEF FYQBOTJWF WJFXT PG UIF 1BMBDF BOE IJTUPSJD DPVSUZBSE5IF )JTUPSZ .VTFVN VOJUFT PUIFS DJWJD CVJMEJOHT JO BEEJUJPO UP UIF 1BMBDF UP GPSN B NVTFVN DBNQVT 5IF .VTFVN IBT CFFO QSBJTFE GPS CFJOH B HPPE OFJHICPVS UP PUIFS CVJMEJOHT JO UIF 4BOUB 'F )JTUPSJD %JTUSJDU BOE NPSF JNQPSUBOUMZ JU IBT CFFO FNCSBDFE CZ UIF DPNNVOJUZ GPS JUT TVDDFTT BT B EZOBNJD NPEFSO CVJMEJOH BOENBLJOH UIF 4UBUFµT IJTUPSZ BDDFTTJCMF UP BMM /FX .FYJDBOTFacing Left Top : The Palace courtyard portal Facing Right Top : The Palace courtFacing Below : Lobby view to The palace Above : Entrance lobbyBelow Right : Entrance detailTwo Above: West-east Section/North-south Section: A. The Palace of the Governors B. Meem Community Room 1. Tickets2. Exhibit lobby3. Exhibit4. Learning centre5. Theatre6. Board room7. Catering/café8. Collections9. Storage10. Palace / History Museum portal12345B7933A22233688910123456781234567839AC7B888665222CBA9First Floor Plan: A. The Palace of the GovernorsB. Fray Angelico Chavez History Library and Photo ArchiveC. Meem Community Room 1. Board room2. Admin/curatorial offices3. Exhibit lobby4. Exhibit5. Volunteers6. Conservation lab7. Mechanical8. Catering/café9. TerraceGround Floor Plan:A. The Palace of the GovernorsB. Fray Angelico Chavez History Library and Photo ArchiveC. Meem Community Room 1. Tickets2. Museum shop3. Exhibit lobby4. Exhibit5. Learning centre6. Administration/security7. Receiving8. Mechanical9. Palace / History Museum portalAbove : Entrance to The Palace Facing Above : The second floor Facing Below Right : EntranceFacing Above : Lower level core exhibitFacing Below : Changing exhibit galleryFacing Above and Below : Interior view of theatre12345671577767771611Lower Level and Mezzanine Plan (Left Above and Above):1. Exhibit2. Exhibit staging3. Collections storage vault4. Collections processing5. Theatre/lecture Hall6. Storage7. MechanicalMadinat al-Zahra Museum5IF UFOUI DFOUVSZ QBMBDF DJUZ PG .BEJOBU BM ;BISB JT XJEFMZ DPOTJEFSFE UP CF POF PG UIF NPTU TJHOJ¾DBOU FBSMZ *TMBNJD BSDIBFPMPHJDBM TJUFT JO UIF XPSME BOE UIF NPTU FYUFOTJWF JO 8FTUFSO &VSPQF &YDBWBUJPOT BU UIF TJUF BSF TUJMM POHPJOH 5IF NVTFVN XBT DPODFJWFE BT B QMBDF UP JOUFSQSFU UIF TJUF BOE EJTQMBZ UIF BSDIBFPMPHJDBM ¾OEJOHT BT XFMM BT UP TFSWF BT B USBJOJOH BOE SFTFBSDI DFOUSF BOE UIF IFBERVBSUFST PG UIF BSDIBFPMPHJDBM UFBN" SF¾OFE BOE TVCUMF EFTJHO CZ UIF BSDIJUFDUVSBM ¾SN /JFUP 4PCFKBOP UIF NVTFVN DPNQMFY CMFOET TFBNMFTTMZ JOUP UIF TJUF BOE UIF TVSSPVOEJOH GBSNMBOE B TFSJFT PG SFDUBOHMFT DPNQPTFE PG XBMMT QBUJPT BOE QMBOUJOHT XIJDI UBLFO UPHFUIFS TFFNNPSF MJLF B MBOETDBQF UIBO B CVJMEJOHLocation: Cordoba, Spain Designer: Nieto Sobejano Arquitectos S.L.P Completion Date: 2008 Site Area: 9,125m 2 Photographer: Preparar Y Enviar Award Name: 2010 Shortlist of Aga Khan Award for ArchitectureBelow : Landscape around the museum Facing Above : Aerial viewFacing Below: Archaeological site of al-ZahraAbove: View of approach and entrance5IF CVJMEJOH XJMM BSUJDVMBUF JUT OFX VTFT BSPVOE B TFRVFODF PG GVMM BOE FNQUZ TQBDFT DPWFSFE TQBDFT BOE PQFO QBUJPT XIJDI XJMM HVJEF UIF USBWFMMFST PO UIFJS WJTJUT 'SPN UIF NBJO WFTUJCVMF B CSPBE QBUJP TQSFBET PVU PO B TRVBSF QMBO CMVF GSPN UIF SF¿FDUJPO PG UIF QPOE QSFTJEJOH PWFS JU -JLF B DMPJTUFS UIF NBJO QVCMJD TQBDFT XJMM CF PSHBOJTFE BSPVOE JU NPEFM FYIJCJUT CPPL BOE DBUBMPHVF TBMFT DPGGFF TIPQ BVEJUPSJVN BOE FYIJCJUJPO IBMM "OPUIFS MPOH EFFQ QBUJP HSFFO JO UIJT DBTF GSPN UIF TVSSPVOEJOH WFHFUBUJPO XJMM BSUJDVMBUF UIF QSJWBUF BSFBT BENJOJTUSBUJPO DPOTFSWBUJPO BOE SFTFBSDI XPSLTIPQT " ¾OBM QBUJP XJMM SF¿FDU UIF HPMEFO MJHIU PG UIF "UBVSJRVFT BOE PUIFS BSDIBFPMPHJDBM SFNBJOT PO EJTQMBZ DPOTUJUVUJOH UIF PVUEPPS FYUFOTJPO PG UIF NVTFVN FYIJCJUJPO BSFB " NF[[BOJOF CBTFNFOU DPNQMFUFT UIF FYIJCJUJPO BVEJUPSJVN BOE XPSLTIPQ BSFBT XIJMF BMTP IPVTJOH BNQMF [POFT GPS TUPSBHF BOE FRVJQNFOU5IF NBUFSJBMT SFTQPOE UP UIF QSFWBJMJOH DSJUFSJB PG UIF QSPKFDU UIF XBMMT VOFBSUIFE JO UIF FYDBWBUJPOT XJMM CF JO XIJUF GBDF DPODSFUF VTJOH XPPEFO GPSNXPSL UIF SPPGT SFTUJOH PO UIFN XJMM CF JO UIJO TMBCT UIF QBUJP XJMM CF QBWFE JO MJNFTUPOF 5IF DPODFQU PG UIJT QSPKFDU JT JNQMJDJUMZ QSFQBSFE GPS GVUVSF HSPXUI FTQFDJBMMZ JO UIF NVTFVN BOE XPSLTIPQ BSFBT XIJDI JO UIF NBOOFS PG OFX FYDBWBUJPOT DBO IBWF OFX QBWJMJPOTBEEFE PO5IF OFX .BEJOBU BM ;BISB .VTFVN XJMM CF BO JOUSPWFSUFE CVJMEJOH XJUI OP PVUXBSE EJTDMPTVSF PG UIF TFRVFODF PG JUT TQBDFT JU XJMM IBWF BQQFBSFE TJMFOUMZ JO UIF MBOETDBQF VOFBSUIFE PWFS UIF DPNJOH ZFBST MJLF UIF SFNBJOT PG UIF BODJFOU DJUZ PG"CE BM 3BINBO ***Above : Access ramp to the museum Below Left : Access rampFacing Above : View of Mashrabiyya-type openings and reflecting pool11Above Left : Patio nearby the working areas Above Right : Corridor in the working areas Facing : View of the two levels of exhibitionsCarabineros Museum of ChileLocation:Santiago, Chile Designer:Gonzalo Mardones Viviani Completion Date: 2008 ConstructionArea: 4,550m2Photographer:Gonzalo Mardones Viviani5IF QSPQPTFE OFX $BSBCJOFSPT .VTFVN PG $IJMF BOE UIF SFOPWBUJPO PG IJTUPSJDNVTFVN XBT CPSO PG BO PSEFS PG UIF (FOFSBM "MFKBOESP #FSOBMFT EJSFDUPS PG$BSBCJOFSPT 3*1 PG UIF 3FQVCMJD PG $IJMF 5IF (FOFSBMµT JEFB XBT UP HFU BT BDIBMMFOHF UP UIF FYQBOTJPO PG UIF FYJTUJOH NVTFVN BOE UIF OFX NVTFVN BOE UPQVU BO PVUMPPL PO UIF JOUFHSJUZ WBMVF5IF QSPHSBNNF QSPWJEFT UIF TIPXSPPNT PG CPUI NVTFVNT 5IF CVJMEJOH BMTPIBT VOEFSHSPVOE QBSLJOH *OTJEF UIF NVTFVN BSF MPDBUFE B DBGn BOE SFTUBVSBOUUFSSBDFT FYQBOTJPO UP BMMPX GPS QSPQFS WFOUJMBUJPO BOE OBUVSBM MJHIUFacing Above: Museum frontFacing Below: Cultural centre at duskLeft: Detail1. Concrete slab (SC) for rain water runoff2. BUDNIK Pastel on 50 X 50 (OPTION 2)3. PLOT (pivot adjustable FPM) (OPTION 2)4. Asphalt membrane system of double elastomeric SBSprotect themselves according to paragraph 2.9.2 of EETT5. Navy thermal insulation over read protections6. Concrete slab (SC) for rain water runoff7. BUDNIK Pastel on 50 X 50 (OPTION 2)8. PLOT (pivot adjustable FPM) (OPTION 2)9. Asphalt membrane system of double elastomeric SBSprotect themselves according to paragraph 2.9.2 of EETT10. Navy thermal insulation over read protections11. Thermal insulation Bayma polyurethane 3 CMS5518 AD, BAYER12. Volcanic13. Metal structure14. Exposed concrete15. Aluminum window16. Dust in cedar plywood17. Porcelain 30 X 90 cm18. Concrete over read19. Dust guard20. Volcanic21. Metal structure22. Gypsum plaster23. Aluminum window24. Aluminum window25. Porcelain 30 X 90 cm26. Concrete over read27. Dust guard28. Glass thermo panel29. Gypsum plaster30. Porcelain 30 X 90 cm31. Concrete over read32. Dust guard33. Glass thermo panel34. Volcanic plaster to receive water glaze35. Thermal insulation36. Volcanic plaster to receive water glaze37. Dust in cedar plywood38. Dust guard39. Volcanic plaster to receive water glaze40. Thermal insulation41. Volcanic plaster to receive water glaze42. Dust in cedar plywood43. Dust guard44. Porcelain 30 X 90 cm45. Concrete over read46. Dust guard47. Dust guard48. Gypsum plaster12345678910111213141516171819202122282930313233343635383740394143464748Facing Above : Show room Facing Below : Lobby5IJT QSPKFDU CVJMU JO BOE EFTJHOFE CZ UIF GBNPVT BSDIJUFDUVSBM TUVEJP (PO[BMP .BSEPOFT 7JWJBOJ JT TJUVBUFE JO UIF DJUZ PG 4BOUJBHP EF $IJMF UIF DBQJUBM PG UIF 3FQVCMJD PG $IJMF5IF ¾STU DPOTJEFSBUJPO XBT DPNQMFUF SF EFTJHO PG UIF JOUFSJPS PG UIF IJTUPSJD CVJMEJOHµT GBmBEFT SFGPSNVMBUJOH JUT EJTUSJCVUJPO BOE JOUFSOBM XJUI SFTQFDU BOE FOUJSFMZ QBJOUJOH UIFJS GBmBEFT BOE JOUFSJPST JO XIJUF UP FTUBCMJTI UIF OFDFTTBSZ DPOOFDUJWJUZ CFUXFFO UIF OFX UIF SFNPEFMFE BOE JOUFSWFOFE 5IF TFDPOE BDUJPO XBT UIF EFUFSNJOBUJPO PG BSDIJUFDUVSBM FMFNFOUT JO XIJDI JU XBT EFDJEFE UP FYDBWBUF BOE QVU CVJMEJOHT PO TFWFSBM MFWFMT VOEFSHSPVOE8JUI UIJT UIF EFTJHOFST HPU UIF EVBM QVSQPTFT PG OPU UPVDIJOH UIF QBSL BOE USFFT BOE QVUUJOH UIF CVJMEJOH JO QMBDF BMPOH XJUI UIF IPVTF WBMVF XIJDI OPX SF¿FDUT IJTUPSJD GBmBEFT XJUI UXP IVHF MBLFT UPXBSE UIF "WFOVF "OUPOJP 7BSBT *U JT UIFO B CVJMEJOH UIBU TFSWFT NPTUMZ TVCNFSHJOH MBOE QJFSDJOH CVU BMMPXJOH UIF QBTTBHF PG MJHIU BOE TVO UISPVHI DPVSUZBSET BOE UFSSBDFT UIBU BMTP BMMPX GPS UIF FYUFSJPS SPVUF"MM FMFNFOUT PG UIF GBmBEFT PG OFX WPMVNFT BSF TPMWFE UISPVHI DPODSFUF XJUI UJUBOJVN EJPYJEF JO PSEFS UP BDIJFWF CMBODI 5IF XIJUF XBMMT TUBOE PVU CFUXFFO UIF HSFFO PG USFFT BOE HSBTT DPWFSFE CVJMEJOHT。

第一篇：航空博物馆与航空展示公园巴特罗米耶杰·基谢列夫斯基飞翔的概念、场所的精神、老机场的建筑---克拉科夫新航空博物馆理性地吸取了这些元素，并将它们整合到一座建筑当中。

Rakowice-Czyzyny机场之前的旧飞机修理库为新建筑的平面和高度设定了模数比例。

在此基本形态上进一步发展，如同裁切和折叠一架纸飞机，生成了一座巨大的建筑。

其三角形机翼是由混凝土制成，却如同风动螺旋桨一样轻盈。

这个机翼宽大通透，向各个方向开敞。

它们的形态与组织都是依据内部功能来设计的。

机翼部分为3个不平衡的平面，使内外景观在不断变化中形成空间的延续性，并且联系了建筑内的视觉焦点和室外的展览区。

新航空展示公园的设计连接了博物馆的8栋建筑和户外展览区，并与历史体验建立联系。

从前的视觉轴线与通道得到尊重，旧的道路得到了完善，朝向飞机场和跑道的空间被限定出来。

每栋建筑展示了一个主题或是一段飞行史。

建筑周围伸展出巨大的平台，为特殊主题的室外展览提供了空间。

博物馆容纳了超过150架飞机、引擎、飞行复制品、成套的技术档案和历史图片。

这里的特色收藏是飞机起源开始的各种飞行器，如Jatho1903、Grade1909、莱特兄弟1909年的飞机模型和1911年的鸽式单翼机。

The first passage:Museum for aviation and aviation exhibition parkBartiomiej KislelewskiThe idea of flying, the spirit of place, the structure of the historic airfield – the new Museum of Aviation in Krakow takes up these references intellectually and synthesizes them into a building. The old hangars of the former airport Rakowice Czyzyny set the modular scale for the footprint and the height of the new building. Developed from this basic shape, as if cut out and folded like a paper airplane, a large structure has been generated, with triangular wings made of concrete and yet as light as a wind-vane propeller. The wings are generously glazed and open in all directions. Their form andarrangement depend on the interior uses. In the floor plans of the wings, the three offset floor layers generate a spatial continuum of varying insights and outlooks, to focal points within the building and to exhibition areas outside.The design of the new aviation park links the eight buildings of the museum and open-air exhibition areas in a joint historical experience. Former view axes and paths are respected, old alleys are completed and spaces towards the airfield and taxiway are defined. Each building exhibits one topic or episode of aviation, with a large base platform extending around it giving spaces for open-air exhibition of the particular themes. The museum contains more than 150 planes, engines, aviation artefacts, sets of technical construction documents and historical pictures. A special feature is the collection of aircraft from the beginning of aviation, such as the Jatho 1903, the Grade 1909, a Wright Brothers model from 1909, and the Etrivh Taube from 1911.第二篇:华沙现代艺术博物馆克里斯蒂安·克雷兹此建筑正逐步向综合性展览与多功能空间的方向发展。