Emily_Dickinson诗歌赏析
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hope is the thing with feathers 诗摘要:1.诗的背景与作者简介2.诗的主题:希望3.诗中的比喻:希望是长着羽毛的东西4.诗中希望的寓意和象征意义5.诗的启示和现实意义正文:【诗的背景与作者简介】《Hope is the thing with feathers》是美国诗人Emily Dickinson 创作的一首诗。
Emily Dickinson 生于19 世纪美国,她的诗歌以独特的语言风格和对生活、自然、心灵等方面的深入洞察而著称。
【诗的主题:希望】在这首诗中,Dickinson 以“希望”为主题,通过对希望的描绘和阐述,表达了对生命、爱和美好的渴望与信念。
【诗中的比喻:希望是长着羽毛的东西】诗的第一句“Hope is the thing with feathers”便巧妙地使用了比喻,将希望形象化为长着羽毛的东西。
这一比喻意在强调希望具有生命力、轻盈和灵动的特质。
羽毛的柔软和轻盈象征着希望的力量,即使面对困境和黑暗,它也能给人带来慰藉和鼓舞。
【诗中希望的寓意和象征意义】在这首诗中,希望不仅仅是一种心理状态,更是一种具有生命力和创造力的存在。
它如同鸟儿一般,在乌云密布的天空展翅翱翔,为人们指引方向,照亮前行的道路。
希望寓意着信仰、勇气和力量,在诗人眼中,它是生命的守护者,是心灵的光芒。
【诗的启示和现实意义】《Hope is the thing with feathers》给我们的启示是,无论生活中遇到多大的困难和挫折,我们都要坚定信念,保持对希望的追求。
希望就像那长着羽毛的鸟儿,虽然有时无法触及,但它始终在我们心中,给予我们力量和勇气。
在现实生活中,这首诗激励着人们勇敢面对困境,不断追求美好的生活。
总之,Emily Dickinson 的《Hope is the thing with feathers》以其独特的比喻和寓意,传达了希望的力量和美好。
①I’m Nobody!我是无名之辈-Emily DickinsonI’m nobody! Who are you?我是无名之辈!你是谁?Are you nobody, too?你也是无名之辈吗?Then there’s a pair of us----don’t tell!那么我们就是一对儿了!千万不要透露出去They’d banish us, you know!不然我们都会被他们驱逐,你知道。
How dreary to be somebody!做一个某某,是多么沉闷无聊How public, like a frog众人像是青蛙To tell your name the livelong day整日地把你谈论啊To an admiring bog!对着他们倾慕的泥沼我是无名之辈艾米莉·狄金森我是无名之辈,你是谁?你,也是,无名之辈?这就凑成一双,别声张!你知道,他们会大肆张扬!做个,显要人物,好不无聊!像个青蛙,向仰慕的泥沼——在整个六月,把个人的姓名聒噪——何等招摇!This poem is Dickinson’s most famous and most defense of the kind of spiritual privacy she favored, implying that to be a Nobody is a luxury incomprehensible to a dreary somebody—for they are too busy keeping their names in circulation. But to be somebody is not as fancy as it seems to be.Emily DickinsonAs you probably noticed when you read this poem, none of the themes that I discussed in the Overview of Dickinson applies to this poem. My list was not meant to cover every topic Dickinson wrote on, nor does every poem she wrote fit neatly into a category.Dickinson adopts the persona of a child who is open, naive, and innocent. However, are the questions asked and the final statement made by this poem naive? If they are not, then the poem is ironic because of the discrepancy between the persona's understanding and view and those of Dickinson and the reader. Under the guise of the child's accepting society's values, is Dickinson really rejecting those values?Is Dickinson suggesting that the true somebody is really the "nobody"? The child-speaker welcomes the person who honestly identifies herself and who has a true identity. These qualities make that person "nobody" in society's eyes. To be "somebody" is to have status in society; society, the majority, excludes or rejects those who lack status or are "nobody"--that is, "they'd banish us" for being nobody.In stanza 2, the child-speaker rejects the role of "somebody" ("How dreary"). The frog comparison depicts "somebody" as self-important and constantly self-promoting. She also shows the false values of a society (the "admiring bog") which approves the frog-somebody. Does the word "bog" (it means wet, spongy ground) have positive or negative connotations? What qualities are associated with the sounds a frog makes (croaking)?Is there satire in this poem?Some readers, who are modest and self-effacing or who lack confidence, feel validated by this poem. Why?②To Make a Prairie…To make a prairieIt takes a clover and one bee,One clover and a bee,And revery.Revery alone will do,If bees are few.去造一个草原张祈试译去造一个草原需要一株三叶草和一只蜜蜂,一株三叶草和一只蜜蜂,还有梦。
Emily Dickinson诗歌--女性意识觉醒的标志古往今来,妇女的地位一直受到男权的压迫。
生活在19世纪70、80年代的美国女性被认为是男性的附庸,作为社会的个体她们并没有自己独立的思想及灵魂,而是以家庭、丈夫为中心。
这不经令人想起中国古代社会要求妇女“三从四德”“三纲五常”的男权主义思想。
然而,随着社会的发展,人类的思想得到解放,女性意识在全球各个国家相继萌芽。
Emily Dickinson作为美国女性的代表,在诗歌中直言不讳,违背传统,表达了自己对男权社会的不满。
她的诗歌在内容以及用词方面都体现出女性意识觉醒的一面。
其中诗歌内容方面,这种不满的控诉主要体现在婚恋观、宗教观中。
而诗歌形式主要体现在选词和诗节的运用方面。
1诗歌内容1.1 婚恋观Emily寻求精神自由平等,试图摆脱社会约束。
在她生活的年代,若一名女子对他人有爱慕之心,她是不会直言不讳地表达出来的,因为社会传统要求她们学会控制自己的情感。
她们没有表达爱的勇气,只能被动地接受。
而Emily不顾世俗的看法,勇敢地倾诉自己心中的爱恋,主动去爱。
在why do I love you, sir?一诗中"Why do I love" You, Sir? Because— The Wind does not require the Grass To answer—Wherefore when He pass She cannot keep Her place…表达出男人、女人都是社会构成的主体,在恋爱关系中处于平等地位。
她虽为一名女子,可是同样有表达爱情的权利,因此她把行动付诸于实践。
Emily思想独立,敢于突破。
在她所处的时代,婚姻中的大多数女子都是以家庭为中心,以照顾丈夫和孩子为己任,没有自己的人生追求。
她在I’m a wife 中用反讽的手法将矛头直指那些安于现状,麻木满足的已婚妇女。
她们逆来顺受,面对社会角色的分配没有自己独立的想法。
抽象 感性 跳跃———评爱米莉迪金森诗歌中的意象吴 娜爱米莉迪金森(Emily Dickinson1830~1886),美国文学史上一朵灿烂的奇葩。
在她那1700多首诗歌里,无论是《生命》之歌,还是《自然》之情;不管是《爱情》之颂,还是《时间与永恒》之叹;她都写得那样情真意切,别具风味。
她的诗只有时间,没有时代;只有空间,没有世界;只有上帝和死神,没有人群。
她似乎生活在远离世俗的纯净真空世界里。
南北战争,欧洲风云,文坛论战,一切都不曾进入她思想的花园。
她终日沉醉于形而上学的冥想和充满自潮意味的内省;占据她心灵的是死亡和那死后的虚无世界。
迪金森的诗是心灵的产物,她把自己的感情全部倾注到诗中,恰如她自己所言:“我的诗太靠近我的心灵”。
在形式上,迪金森的技巧寓丰富于简陋。
其句式往往打破常规文法,韵脚常常蹒跚不稳,音步时时零乱不堪。
她的思想放纵驰骋,她的表达自由潇洒,以致她的诗从来不受格律的约束。
难怪华德(A.C.Ward)评价说惠特曼和迪金森“写起诗来,似乎诗坛上史无前人”。
爱米莉迪金森被誉为“自萨浮以来最伟大的女诗人”、“最神秘的优秀诗人”和“一位早生的现代诗人”。
英美的现代诗人深受她的影响,尤其她那种打破传统格律形式的简洁象征手法,以及充满玄想和怪喻的风格。
意象派将她视为保姆。
在她的诗中,一切都是充满活力的,花草和虫鸟固然各具多姿的生命,然而,即使是一片阴影,一道闪光,一片沉寂,甚至于一个幻想,一丝情调,一种感觉,都充满十分奇异的活力。
即使上帝,也不再是一个令人敬畏的严肃长者,而是她调侃、争论和撒娇的对象。
她把上帝称为“我们的老邻居”、“有名的教士”、“窃贼”、“银行家”和“天父”。
她随意挥霍自己的意象,读者每每被她那种既怪诞又新鲜的比喻所激怒、困惑,而最终入迷。
一辆火车会“停在它马厩的门口”;报纸会“像松鼠一样地赛跑”;地平线会“举步远行”;霜会变成一位“金发碧眼的刺客”;一种无边的广阔会“像一位邻居来到”。
校园英语 / 文艺鉴赏爱情•死亡•永恒——艾米莉•狄金森诗歌解读乐山职业技术学院/雷唯蔚【摘要】艾米莉•狄金森是美国十九世纪的著名女诗人,有“白衣修女”之称。
在其默默无闻的一生中,创作了1700多首诗歌,其中的500多首以死亡为主体,更多的诗歌主题关乎到爱情和永恒。
本论文旨在对艾米莉•狄金森诗歌进行解读,以寻求其理想的爱情,对死亡的超然认识以及所追求的超现实化的永恒。
【关键词】艾米莉•狄金森诗歌 爱情 死亡 永恒美国十九世纪的著名女诗人艾米丽•狄金森(E m i l y Dickinson,1830-1886)一生所创作的1700多首诗歌中,主题中融汇了爱情、死亡与永恒,与美国诗人惠特曼(Whitman)并称为“美国诗歌的两座高峰”。
这位深居简出、终身未嫁的女诗人过着修女一般的生活,因不愿意与出版商妥协而仅仅发表了7首诗歌。
艾米丽•狄金森不因经济利益而拍卖自己的灵魂,而是与自己的灵魂对话,不断地追求自己的理想。
她所留下的诗篇内容含蓄而敏锐,却又包含着深刻的韵味,开创了美国文学创作的意象派之先河。
一、艾米丽•狄金森诗歌中的死亡和永恒艾米丽•狄金森的诗歌以抒情为主,通过对美的事物和景物艺术化而迸发出激情,其委婉的诗歌表达形式是动感的,更是其内心情感的呈现,形成了高度的思想概括。
虽然诗歌创作具有浪漫主义情怀,然艾米丽•狄金森的独特之处在于,其所创作的诗歌是运用委婉的语句表达真情实感,使得读者在阅读艾米丽•狄金森的诗歌时,要从诗歌的艺术性角度对诗歌创作内容深入体会,以从诗歌中能够准确地捕捉诗人的创作意境。
与其他的诗歌作品相比,艾米丽•狄金森的诗歌不仅感性、浪漫,还充满着哲学味道,透过简短的诗句,就能够从中悟出人生道理。
比如,艾米丽•狄金森在创作自然景物描写的诗篇时,并不是对单纯的景物以感想,而是更多地赋予了景物以道德意义。
以“冬日的斜阳”为例:冬日的午后,有一道斜阳。
……每当它来临时,大地屏住呼吸。
这首诗歌中,“冬日的斜阳”所象征的就是死亡,当斜阳来临,“大地屏住呼吸”,浓重的死亡气息被暗示出来。
狄金森死亡诗赏析本文解读了美国女诗人艾米丽·狄金森死亡诗歌的主题。
第一,作者将肉体死亡细致描写为安详的暂时歇息;第二,诗人从不同的角度写出死亡者超然的临终感受;第三,狄金森的悼亡诗阐述了人生生与死的大道理。
标签:狄金森;死亡;诗歌死亡,像爱情一样,是古今中外文人墨客笔下一个经久不衰的主题。
但是,将这一主题挖掘得如此透彻如此淋漓尽致的,却非美国女诗人艾米丽·狄金森莫属。
单从数量上而言,她一生所作的1775首诗歌作品中,涉及到死亡主题的不下五、六百首,几乎占了其总创作量的三分之一。
康拉德·艾肯曾如此评价狄金森:“死亡和死后的问题困扰着她。
她仿佛时时都在思考这个问题——她一生都在经历死亡,日日都在探索死亡。
”[1]然而,狄金森的死亡诗不仅数量众多,而且风格独特,一扫以往死亡诗作品中的悲伤之情,反而以从容冷静甚至超脱淡然的姿态把玩这个令人望而生畏的话题,凭借着细致的观察力与深入的洞察力,以多维的视角探索死亡主题。
依据狄金森诗集与书信集编辑托马斯·约翰逊的观点,她的死亡诗作品大致可分为三种类型。
一种是对肉体死亡的细致描写,一种是通过想象将死亡进行拟人化处理,还有一些则是悼亡诗。
[2]鉴于狄金森死亡诗篇庞大的数量,要想对这些作品进行全景式的描述几乎是不可能的,因此,我们不妨以约翰逊的分类为线索,选取各类中代表性的诗篇进行赏析,以期能够领略这座巨大诗歌宝库中的精华。
一第一类诗歌往往以细致的笔触描摹死亡来临时或来临后死者的模样。
例如“她躺着,仿佛在做游戏”。
她躺着,仿佛在做游戏—她的生命已经离去—打算回来—却不会很快—她欢快的双臂,半垂—仿佛是暂时歇息—一瞬间,忘记了—就要开始的把戏—这首诗描写了一个小女孩之死。
在这场本应充满痛苦的死亡中,我们却仿佛是看到憨态可掬的孩童游戏间歇忽然忘记了自己正在玩着的游戏,而忍俊不禁。
她曾经“会闪烁的眼睛” 仿佛还是那么调皮,“还在用眼色/ 向你,逗趣”。
收稿日期:2020-6-16艾米莉·狄金森(Emily Dickinson )于1830年12月10日出生于美国马萨诸塞州的阿默斯特镇。
她接受过良好的教育,但从青年时期开始就选择过着隐居的生活。
艾米莉·狄金森一生中写了近1800首诗,但生前发表的仅7首。
她和沃尔特·惠特曼被认为是美国19世纪最重要的两位诗人。
在她所写的诗歌中,自然诗多达500多首,占其诗歌总数的近三分之一。
她的自然诗具有独特的风格和开阔的视野,充分表达了她对大自然的关心和喜爱。
加上艾米莉·狄金森是一位女性作家,所以她的自然诗就自然而然地体现出了她作为女性对两性关系的思考。
“随着经济不断发展和社会的进步,人类社会面临的生态危机挑战日益严峻”(刘畅 等,2018),人们的生态保护意识和女性意识也慢慢崛起,因此,从生态女性主义视角来分析艾米莉·狄金森的自然诗在当今社会是具有重要意义的。
1 生态女性主义概述在20世纪70年代,环境破坏越来越严重,人们开始意识到保护环境的重要性和紧迫性。
当时,许多女权主义者把环境问题也视为女权主义需要解决的问题之一,于是生态女性主义应运而生。
生态女性主义思想的形成是艾米莉·狄金森自然诗的生态女性主义解读□ 庄筱钰 王旭霞南京林业大学外国语学院[摘 要] 艾米莉·狄金森是19世纪著名的美国诗人之一,她一生中共创作了500多首自然诗。
她的自然诗具有独特的风格,充分表达了她对大自然的关心和喜爱以及她作为女性对两性关系的独立思考。
本文从生态女性主义的视角出发剖析艾米莉·狄金森的自然诗,以揭示她的自然诗中体现出的人与自然和谐共存的生态思想以及反对男性中心主义的女性意识。
[关键词] 艾米莉·狄金森;自然诗;生态女性主义[中图分类号] I106 [文献标识码] A [文章编号] 1009-6167(2020)26-0029-04以“生态女性主义”这个术语的出现为标志的,这个术语最早由法国女权主义作家法兰克·澳博妮(Francoise d ’Eaubonne )于1974年提出。
艾⽶丽狄更⽣诗歌分析In A NutshellHey now, just because Emily Dickinson didn't get out much, doesn't mean that she totally lost touch with the world. Though the "Belle of Amherst" is infamous for rarely leaving her hometown – or even her home stead– she still had a great many observations about the changing world around her, some of which we see in "I like to see it lap the Miles." Dickinson's father, Edward, was actually an instrumental part of the committee involved in bringing the railroad to their town (Amherst, MA) in 1853, so the 23-year-old poetess must have heard a whole lot about the arrival of the world-changing "iron horse" over the family dinner table.Interestingly, though her father proudly watched the arrival of the first train in the town, Emily herself watched from a distance, in the woods.* This same distance – a combination of fascination and wariness, perhaps – stands out in "I like to see it lap the Miles." The coming of the railroad definitely meant a change in sleepy Amherst's way of life, and in Emily's own. We have to wonder what personal impact this change of pace made to this reclusive poet and the rapidly modernizing world around her.*For an interesting and very sophisticated discussion of this family connection, check out Chapter One of Domnhail Mitchell's book, Emily Dickinson: Monarch of Perception, available at Google BooksBasically, there's not much "plot" in this brief, riddle-like poem. In it, Dickinson describes the progress of a strange creature (which astute readers discover is a train) winding its way through a hilly landscape. The speaker admires the train's speed and power as it goes through valleys, stops for fuel, then "steps" around some mountains. The animal-like train passes by human dwellings and, though it observes them, doesn't stop to say hello. Instead, it goes on ahead, chugging loudly as it passes through a tunnel, and steams downhill. Finally, the train (compared in the end to a powerful horse) stops right on time at the station, its "stable."ANALYSISBACK NEXTSymbolism, Imagery, WordplayWelcome to the land of symbols, imagery, and wordplay. Before you travel any further, please know that there may be some thorny academic terminology ahead. Never fear, Shmoop is here. Check out our...Form and MeterDickinson's poems are often described as "hymn-like," which is actually a pretty good way of thinking about her sing-songy, musical verse; they're best read aloud to make sure you really feel the c...SpeakerThe speaker in this riddle is even more mysterious than the subject of the riddle itself. We figure out that she's talking about a train ("she" being an arbitrary gender assignment) – but who is...SettingThe landscape the poem takes us to is fairly non-specific, but we can imagine it clearly nonetheless. The speaker describes a train winding its way over miles, dipping through valleys and around an...Sound CheckEven before we figure out that "I like to see it lap the Miles" describes a train in motion, we can already feel the "chugga chugga (choo choo!)" rhythm of the railway. Dickinson's poem possesses a...What's Up With the Title?Dickinson wasn't one for giving poems grand (or even explanatory) titles – or, for that matter, any titles at all. Instead, her poems are most commonly referred to by their first lines (in this c...Calling CardDickinson's poems are deliciously deceptive in their apparent simplicity. When read aloud, this poem, like many of her others, seems effortlessly consistent and delightfully smooth. However, upon c...Tough-o-MeterThough this poem may seem kooky and confusing on a first reading (as it's supposed to – after all, it's a riddle), it's actually pretty straightforward, as Dickinson poems go. Compared to her mor...TriviaEmily's father, Edward Dickinson, was instrumental in bringing the railroad to Amherst, MA, and he even led a parade in honor of the first train (source).It's possible to sing all of Emily Dickinso...Steaminess RatingSex is just a non-issue here. This poem expresses wonder, fascination, admiration – but that's about it. In fact, there aren't even any human bodies present at allAllusionsMark 3:17 (line 13 – "Boanerges")THEMESBACK NEXTLittle Words, Big IdeasPowerIn the nineteenth century, the newfangled steam engine was a byword for power. Just imagine living in a world without planes, trains, and automobiles, where the fastest thing going was a speedy hor...Man and the Natural WorldThe train itself may be the star of "I love to see it lap the Miles," but we shouldn't forget about the supporting actors – valleys and mountains that serve as the backdrop to the poem. By framin...AdmirationHave you ever really admired someone – a friend, a teacher, a celebrity – but had the uneasy feeling that, try though you may, you just might not like them very much? You know, you respect this...Technology and ModernizationThough "I like to see it lap the Miles" doesn't overtly engage with the question of technology and modernization, it's definitely lurking in the background. This poem is a riddle to readers, just a...Find quotes from this poem, with commentary from Shmoop. Pick a theme below to begin.quotesPower QuotesAnd then — prodigious step Around a Pile of Mountains — (4-5)Man and the Natural World QuotesI like to see it lap the Miles —And lick the Valleys up — (1-2)Admiration QuotesI like to see it lap the Miles—And lick the valleys up (1-2)Technology and Modernization QuotesAnd stop to feed itself at Tanks — (3)STUDY QUESTIONS1. Dickinson offers a lot of hints at this creature's identity, but no definiteanswer. Sooooo…what is it?2. [Spoiler Alert!]3. Congratulations! You've figured out that it's a train. If this is a poemabout a manmade invention, why bother with all of this animal imagery?4. What are the speaker's feelings about the train? She says that she"likes" to see it as it speeds by – is that the only emotion she expresses, or might her feelings be more complicated?5. We see a whole lot of the train, but not the countryside it passes through,or its inhabitants. What might this empty landscape signify?我喜欢看它舔着路程--舔净⼭⾕--停下来在⼤桶边喂⾷⾃⼰--然后--迈开⼤步⽽去周围的层层群⼭--⽬中⽆⼈的窥视进⼊路边的--⼩棚⼦-然后进⼊采⽯场钻进其⼭脊之间⼀刻不停地抱怨着爬⾏着可怕的--呜呜的节奏--然后⾃⼰逐⼭⽽下--像雷神之⼦⼀样地嘶叫--然后--守时如⼀颗星停下来--温顺⽽强有⼒到达它⾃⼰的厩门前2.我最喜欢⽬视着他开始荡起那圈⼩⼩的波纹,然后静静的吻噬这幽深的⼭⾕,慢慢⽣长着,扩散着,最终⽌步于那些战车⾥。
idiedforbeautybutwasscarce词的特点"i died for beauty but was scarce"是一句极简的诗句,来自美国诗人艾米莉·迪金森(Emily Dickinson)的作品。
该句具有以下特点:
1.简洁:该句仅有八个词,同时包含了一个完整的句子,非常简洁明了。
2.隐晦:这句诗句暗示了一个意象或观点,但并没有直接表达出来,使读者需要通过推理和想象加以理解。
3. 对比:这句诗句中有两个对立的概念:"beauty(美)"和"scarce (稀少)"。
这种对比营造了强烈的意境和情感。
4. 死亡主题:"i died for beauty(我为美丽而死)"这一表述包含了死亡的概念。
迪金森经常将死亡视为她的创作主题之一。
浅析艾米莉.狄金森的诗歌特色及艺术思想摘要:爱米莉·狄金森,美国19世纪最伟大的女诗人,1830年12月10日出生在马萨诸塞州的阿默斯特镇。
除了几次有限的外出以外,她的一生都在自已的家中度过,直到1886车5月15日逝世。
在阿默斯特镇的家中,她默默无闻地用一生创乍了1775首诗。
这些关系到生命、永恒、爱情、自然和死亡的主题诗,表现了她强烈的思想和情感。
这些诗提示了一个充实、坚强的个性,同时也反映了她灵魂世界的独立和宽广。
关键词:狄金森诗歌特色艺术思想1 艾米莉·狄金森是19世纪美国著名女诗人,被公认为开创了意象派之先河艾米莉·狄金森在世时深居简出,终身未嫁,过着一种近似修女式的生活,因喜穿白衣裙,被家乡阿默斯特镇的人称为“白娥”(the moth)。
她一生默默无闻,生前仅有7首诗歌发表,因为她不愿服从当时的出版商提出对她诗歌进行修改的要求,为此她视发表诗为拍卖灵魂。
由于她的勤勉和探索精神她在孤寂和静思中追求自己的理想,在诗歌创作上另辟蹊径,给后人留下了1775首诗歌和1000余封书信,经发现、整理,陆续出版。
1890年《爱米莉·狄金森诗集》的问世第一次使她的诗与公众见面,此时正值她死后四年。
最初的评论是:她的诗缺少音韵语法错误令人费解的暗喻组成了没有语言知识未受过教育的情感混杂物。
但另一些评论则是:狄金森的诗含蓄、敏锐、意趣深刻。
1955年《狄金森诗集》的出版包容了她全部的诗作随着越来越多的诗篇问世狄金森的名声得到更多的好评被认为和惠特曼、爱伦·坡一样是美国十九世纪的伟大抒情诗人之一。
2 狄金森的诗主要抒写爱情、死亡、自然、不朽和美她的诗歌韵律模仿“颂歌”经书,她借用了不规则的格律,她的诗押半韵,词汇夹杂着反语、抽象的拉丁语和具体的盎格鲁撒克逊语。
她的诗行富于格言、警句富于动感想象高度概括,体现了她的思想情感。
作为优秀的抒情诗人,狄金森在对美的事物、美的景观迸发出激情的艺术表现上与华兹华斯是有区别的。
艾米莉·狄金森的诗歌赏析【精选】艾米莉·狄金森的诗歌赏析在现实生活或工作学习中,大家都知道一些经典的诗歌吧,诗歌具有精炼含蓄的特点,起着反映社会生活、表达思想感情的作用。
诗歌的类型多样,你所见过的诗歌是什么样的呢?下面是小编整理的艾米莉·狄金森的诗歌赏析相关内容,供大家参考借鉴,希望可以帮助到有需要的朋友。
美国传奇诗人艾米莉·狄金森,一生共创作诗稿一千七百余篇,生前仅发表诗文七篇,去世后深锁在箱子中的大量创作被看做是她留给后世的厚礼。
在她描写爱情与死亡的诗篇中常给人孤独昏暗消极之感,而本文赏析的作品展现作者生活的充实饱满和对爱情的坦然与决绝。
1.引言艾米莉·狄金森(Emily Dickinson 1830~1886)出生于美国马塞诸塞州的埃默斯特镇,1858后足不出户,被称作“阿姆斯特的女尼”。
狄金森自小受父亲宗教的影响,在其作品中明显体现清教思想。
虽然她从二十多岁起就过着孤寂隐居的生活,然而她并不孤独,她强大的精神世界让她在自己的空间里独立,简单,充实的生活。
狄金森的创作被世人分为三个时期,第一时期是1861年以前,作品传统、感情清新自然;第二时期是1861~1865年,是狄金森充满激情与活力的高产期。
她在1862一年就创作诗歌366首,是最多作品的.年份,本文此诗即为此阶段作品之一;1866年之后被视为第三时期。
据记载,狄金森的生命中出现过两次朦胧的浪漫情愫。
一次是与已婚的塞缪尔·鲍尔斯相恋,但由于他已婚,爱情还未开始就已然结束;一次是与她父亲的朋友,年长于她18岁的洛德法官。
本文赏析的诗歌是诗人为第一次恋爱所作。
2.诗歌赏析Ourselves were wed one summer-dear- Emily DickinsonOurselves were wed one summer-dear-/You Vision-was inJune-/And when Your little Lifetime failed,/I wearied-too-of mine-And overtaken in the Dark-/Where You had put me down-/By Some one carrying a Light-/I-too-received the Sign.‘Tis true-Our Futures different lay-/Your Cottage-faced the sun-/While Oceans-and the North must be-/On every side of mine‘Tis true,Your Garden led the Bloom,/For mine- in Frosts- were sown-/And yet, one Summer, we were Queens-/But You- were crowned in June-《我们曾在一个夏季结婚—亲爱的》我们曾在一个夏季结婚,亲爱的—/你最美的时刻,在六月—/在你短促的寿命结束以后—/我对我的,也感到厌倦—在黑夜里被你赶上—/你让我躺下—/一旁有人手持烛火—/我,也接受超度亡魂的祝福—是的,我们的未来不同—/你的茅屋面向太阳—/我的四周,必然是—/海洋,和北方—是的,你的园花首先开放—/而我的,播种在严寒—/然而有一个夏季我们曾是女王——/但是你,在六月加冕2.1内容赏析这首诗的题目温婉动人,仿佛带领读者步入一段美好的回忆之中。
EmilyDickenson诗歌赏析及解读Because I could not stop for Death, He kindly stopped for me;The carriage held but just ourselves And Immortality.We slowly drove, he knew no haste, And I had put awayMy labor, and my leisure too,For his civility.We passed the school, where children stroveAt recess, in the ring;We passed the fields of gazing grain, We passed the setting sun.Or rather, he passed us;The dews grew quivering and chill,For only gossamer my gown,My tippet only tulle.We paused before a house that seemed A swelling of the ground;The roof was scarcely visible,The cornice but a mound.Since then 'tis centuries, and yet each Feels shorter than the dayI first surmised the horses' heads Were toward eternity. 我无暇去会死亡爱米莉·伊丽莎白·狄更生我无暇去会死亡,死神便和善地接我前往,我只好放下劳作与闲暇,无法拒绝他的殷勤礼让。
我们一起坐上马车,还有永生陪伴身旁,我们驱车缓缓前行,他悠然自得不慌不忙。
解读艾米莉·狄金森诗歌的女性意识一引言艾米莉·狄金森是19世纪美国著名的女诗人,她的诗歌充满着瑰丽的想象和深刻的思想,被誉为美国现代诗歌的先驱。
狄金森以其特有的敏锐观察和大胆笔触,思考生命,感悟爱情,体验自然,她的诗歌内容涉及爱情、自然、死亡、宗教等众多领域,并在男权主义社会强烈体现了其女性的文学主体意识。
面对神圣不可侵犯的男性权威,狄金森以斗士的勇气和智慧无情地嘲弄男性权威。
二狄金森笔下女性的社会地位狄金森的诗歌展现了当时女性对男性的依附和女性低下的社会地位。
女性没有经济地位、社会地位和政治地位,被视为二等公民,被剥夺了只有男性才能享有的许多权利。
狄金森诗歌中的男性往往以统治者、征服者的强悍形象出现,他们是万能的,有着至高无上的地位和权力,操纵着女人的命运。
而在这些高大的男性形象面前,女性始终显得弱小无助。
她们常常是被动渺小的接受者和求助者。
在狄金森的笔下,女性是附属于男性的,离开男性的庇护,女性则无法生存。
“我们是花朵,你是太阳!/原谅我们,当日光隐退,/我们悄悄地靠近您!/迷恋西边落日”(106首)。
这里男性被比喻为太阳,高高在上的太阳是独立的,不依附人和事物而存在。
而女性却是鲜为人知、微不足道的花朵,女性必须依赖男性,否则就如同花儿失去阳光的照耀而凋零。
男性是太阳,迫使女性不能自己,深深地爱上他。
面对象征男性的强悍者,女性无能为力,只能被动地接受征服。
这是一种强者对弱者强迫式的征服。
“她迎合他的要求,放弃/自己的消遣,/承担起女人和妻子/应引以为荣的责任”(732首)。
在这首诗里,狄金森认为,婚姻泯灭了一个女孩所有的个性与自由,梦想与憧憬。
女孩本应在广阔无边的知识海洋中遨游,本该有志趣爱好,但结婚之后,女孩转变成为了本分的、地位微不足道的妻子,一切都要按照新婚丈夫的要求行事。
在此诗中,男人也是万能的,有着至高无上的地位和权力,操纵着女人的命运。
丈夫一声令下,女人就必须立即去承担女人和妻子的“光荣责任”。
I. 诗歌背景《i never saw a moor》是一首由美国诗人Emily Dickinson创作的诗歌,被收录于她的诗集《The Poems of Emily Dickinson》中。
Emily Dickinson是19世纪美国文学史上的重要诗人之一,她的诗歌以其独特的风格和深刻的思想而闻名,对后世诗人和文学家产生了深远的影响。
II. 诗歌解读1. 题目解读《i never saw a moor》中的“moor”指的是荒野或荒地,诗人通过这个词表达了自己对于未知、陌生世界的好奇和渴望。
诗歌的题目暗示了诗人没有亲眼见过荒野,但却能够通过内心的想象和精神的追求去探索那个未知的世界。
2. 内容解读这首诗共有4句,每句都表达了诗人对自然、对未知世界的向往和想象。
诗人通过对自然景观的描述,展现了她对未知世界的向往和对自然的敬畏之情。
她没有亲眼见过荒野,但却通过自己的内心感受和想象,将荒野描绘得栩栩如生。
诗歌的开头“i never saw a moor”直截了当地表达了诗人没有见过荒野,而接下来的三句则通过对自然景观的描绘,揭示了诗人内心深处对自然的向往和对未知世界的渴望。
III. 诗歌风格1. 语言简洁明了Emily Dickinson的诗歌语言简洁明了,常常用意象丰富的词语来描绘自然景观。
《i never saw a moor》中的诗句简短精练,每一句都含义丰富,通过简单的语言表达了丰富的内心世界。
2. 意境深远诗人通过对自然景观的描绘,勾勒出了一幅广阔的自然画卷。
她通过诗歌将读者带入了一种宁静、祥和的氛围中,让人感受到大自然的美丽和奇妙。
IV. 诗歌主题1. 对未知世界的向往《i never saw a moor》表达了诗人对未知世界的向往和渴望。
诗人没有亲眼见过荒野,但却通过自己内心的想象和渴望,对荒野产生了强烈的向往和热爱。
2. 对大自然的敬畏诗人在诗中对自然的景观进行了深入而真挚的描绘,展现了对大自然的敬畏和对自然美丽的赞美。
①I’m Nobody!我是无名之辈-Emily DickinsonI’m nobody! Who are you?我是无名之辈!你是谁?Are you nobody, too?你也是无名之辈吗?Then there’s a pair of us----don’t tell!那么我们就是一对儿了!千万不要透露出去They’d banish us, you know!不然我们都会被他们驱逐,你知道。
How dreary to be somebody!做一个某某,是多么沉闷无聊How public, like a frog众人像是青蛙To tell your name the livelong day整日地把你谈论啊To an admiring bog!对着他们倾慕的泥沼我是无名之辈艾米莉·狄金森我是无名之辈,你是谁?你,也是,无名之辈?这就凑成一双,别声张!你知道,他们会大肆张扬!做个,显要人物,好不无聊!像个青蛙,向仰慕的泥沼——在整个六月,把个人的姓名聒噪——何等招摇!This poem is Dickinson’s most famous and most defense of the kind of spiritual privacy she favored, implying that to be a Nobody is a luxury incomprehensible to a dreary somebody—for they are too busy keeping their names in circulation. But to be somebody is not as fancy as it seems to be.Emily DickinsonAs you probably noticed when you read this poem, none of the themes that I discussed in the Overview of Dickinson applies to this poem. My list was not meant to cover every topic Dickinson wrote on, nor does every poem she wrote fit neatly into a category.Dickinson adopts the persona of a child who is open, naive, and innocent. However, are the questions asked and the final statement made by this poem naive? If they are not, then the poem is ironic because of the discrepancy between the persona's understanding and view and those of Dickinson and the reader. Under the guise of the child's accepting society's values, is Dickinson really rejecting those values?Is Dickinson suggesting that the true somebody is really the "nobody"? The child-speaker welcomes the person who honestly identifies herself and who has a true identity. These qualities make that person "nobody" in society's eyes. To be "somebody" is to have status in society; society, the majority, excludes or rejects those who lack status or are "nobody"--that is, "they'd banish us" for being nobody.In stanza 2, the child-speaker rejects the role of "somebody" ("How dreary"). The frog comparison depicts "somebody" as self-important and constantly self-promoting. She also shows the false values of a society (the "admiring bog") which approves the frog-somebody. Does the word "bog" (it means wet, spongy ground) have positive or negative connotations? What qualities are associated with the sounds a frog makes (croaking)?Is there satire in this poem?Some readers, who are modest and self-effacing or who lack confidence, feel validated by this poem. Why?②To Make a Prairie…To make a prairieIt takes a clover and one bee,One clover and a bee,And revery.Revery alone will do,If bees are few.去造一个草原张祈试译去造一个草原需要一株三叶草和一只蜜蜂,一株三叶草和一只蜜蜂,还有梦。
如果蜜蜂不多,单靠梦也行。
Dickinson's tiny poem makes a huge statement about the nature of musing, day-dreaming, or as she puts it, "revery."AnalysisThis little poem expresses Dickinson’s continuing love affair with the spiritual level of being. She begins by claiming that to make a physically large item, “a prairie,” all one needs is two small physical items, “a clover and one bee.”Then she qualifies that by saying, “One clover, and a bee / And revery”; then she qualifies that claim further, by saying if you don’t have one of those physical components, “bees,” (and by implication, the clover as wel l), then you can still make the prairie by revery alone.“Revery” means dream, thought, extended concentration on any subject, or even day-dreaming wherein the mind is allowed to roam free over the landscape of unlimited expansion, but to the speaker in t his poem, “revery” is more like meditation which results in a true vision.The speaker’s power of revery demonstrates an advanced achievement, far beyond ordinary day-dreaming or cogitation. Ultimately, this speaker is claiming that without any physical objects at all, the mind of one advanced in the art of revery can produce any object that mind desires.③Success Is Counted Sweetest 成功的含义Success is counted sweetest 从未成功的人们By those who ne'er succeed. 最懂得成功的甜美.To comprehend a nectar 惟有极度的渴求Requires sorest need. 方能体会甘露的滋味.Not one of all the purple host 身穿紫服的王者之师Who took the flag today 今日虽高扬凯旗,Can tell the definition, 却无一人能把胜利的含义So clear,of victory, 说清道明.As he,defeated,dying, 战败者奄奄一息,On whose forbidden ear 凯乐在远处奏响,The distant strains of triumph 冲破阻隔,飞到他的耳际Break,agonized and clear. 悲痛而嘹亮.A common idea in Dickinson's poems is that not having increases our appreciation or enjoyment of what we lack; the person who lacks or does not have understands whatever is lacking better than the person who possesses it. In this poem, the loser knows the meaning '"definition" of victory better than the winners. The implication is that he has "won" this knowledge by paying so high a price, with the anguish of defeat and with his death.In stanza one, she repeats the s sound and, to a lesser degree, n. Why does she use this alliteration? i.e., are the words significant? "Sorest" is used with the older meaning of greatest, but can it also have the more common meaning? What are the associations of "nectar"--good, bad, indifferent? Does "nectar" pick up any word in the first line?In stanza two, "purple" connotes royalty; the robes of kings and emperors were dyed purple. It is also the color of blood. Are these connotations appropriate to the poem? In a battle, what does a flag represent? Why is victory described in terms of taking the losing side's flag?In stanza three, what words are connected by d sounds and by s sounds? Is there any reason for connecting or emphasizing these words? Dickinson is compressing language and omitting connections in the last three lines. The dying man's ears are not forbidden; rather, the sounds of triumph are forbidden to him because his side lost the battle. The triumphant sounds that he hears are not agonized, though they are clear to him; rather, he is agonized at hearing the clear sounds of triumph of the other side. They are "distant" literally in being far off and metaphorically in not being part of his experience; defeat is the opposite of or "distant" from victory.Success is counted sweetest..."SummaryThe speaker says that "those who ne'er succeed" place the highest value on success. (They "count" it "sweetest".) To understand the value of a nectar, the speaker says, one must feel "sorest need." She says that the members of the victorious army ("the purple Host / Who took the flag today") are not able to define victory as well as the defeated, dying man who hears from a distance the music of the victors.The three stanzas of this poem take the form of iambic trimeter--with the exception of the first two lines of the second stanza, which add a fourth stress at the end of the line. (Virtually all of Dickinson's poems are written in an iambic meter that fluctuates fluidly between three and four stresses.) As in most of Dickinson's poems, the stanzas here rhyme according to an ABCB scheme, so that the second and fourth lines in each stanza constitute the stanza's only rhyme.CommentaryMany of Emily Dickinson's most famous lyrics take the form of homilies, or short moral sayings, which appear quite simple but that actually describe complicated moral and psychological truths. "Success is counted sweetest" is such a poem; its first two lines express its homiletic point, that "Success is counted sweetest / By those who ne'er succeed" (or, more generally, that people tend to desire things more acutely when they do not have them). The subsequent lines then develop that axiomatic truth by offering a pair of images that exemplify it: the nectar--a symbol of triumph, luxury, "success"--can best be comprehended by someone who "needs" it; the defeated, dying man understands victory more clearly than the victorious army does. The poem exhibits Dickinson's keen awareness of the complicated truths of human desire (in a later poem on a similar theme, she wrote that "Hunger--was a way / Of Persons outside Windows-- / The Entering--takes away--"), and it shows the beginnings of her terse, compacted style, whereby complicated meanings are compressed into extremely short phrases (e.g., "On whose forbidden ear"). Theme of Success Is Counted Sweetest "Success Is Counted Sweetest" by Emily Dickinson basically sends the message that success, like any other possession tangible or intangible, is only appreciated by those whom it is not always readily available.The theme of the poem is that only those who have not been successful think that success is so important. The loser is the one who continues to crave success as the winner fades into a neutral state of emotion.Dickinson clearly states this message and implies it throughout the poem, and uses rhyme, imagery, and irony to incorporate the theme that the one who thirst for success is the one who never succeeds.The rhythmic pattern makes the poem flow together, using the rhyme scheme ABCB in the short, three stanzas, like a song. This typical rhyming scheme gives a light affect to the poem; creating the feeling of simpleness and achieving the feeling that the message is not buried deep in the poem's lines and is easy to comprehend.In the first stanza, the speaker declares that it is only those who “ne’er succeed” who have the notion that success is the best thing. “A nectar” metaphorically represents the thing that is desired. Nectar is anything that is sweet.Emily also uses imagry to develop her message. In the second stanza, the speaker dramatizes a field victory , saying that the winners cannot clearly state a definition of victory. The stanza paints a picture of the victor in the war, but the victor does not understand to the full extent what his victory is, and just counts it as victory. In the third stanza, the defeated, however, is in 'agony' and knows how powerful success is and what affect it has.Dickinson also implies irony in the third stanza as she implies that the defeated is the one that actually feels what success is, even though he is not the one that achieved it. She implies that the message of triumph is louder in the ears of those who do not have it; those who have reached success have not felt what it is like without success.The speaker here exaggerates the notion of the defeated by saying they lay” dying”-this exaggeration is one of the reasons that readers may misunderstand and claim that the speaker is referring to a Civil War battle. But the “forbidden ear?” is not literally dying but merely suffering the defeat. The loser, by suffering defeat still has in his heart the deep desire to win, while the winners can merely wallow in the glow of victory.Emily's theme is typical, she sends the message that one never fully appreciates what one has until it is no more, because an abundance is usually taken for granted. In this case, the possession that is not appreciated by those who have it is success, because not being victorious is surely a greater loss than being victorious is a gain.。