《威尼斯商人》中夏洛克的人物分析
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对《威尼斯商人》中夏洛克吝啬形象的深刻分析【摘要】在莎士比亚的喜剧《威尼斯商人》中,犹太人夏洛克无疑是最光彩夺目的形象。
作为一名高利贷者,夏洛克贪财吝啬,并为钱而丧失仁爱和理智;而作为一名犹太人,他却不得不对来自安东尼奥的打击和辱骂采取忍气吞声的态度;同时,作为一名旁观者,他又在不择手段的斗争中对统治阶层的黑暗进行了真实的揭露。
本文从四个方面对它的吝啬形象进行了深刻揭露和分析,以此来感受莎士比亚文学作品中人物描写的巨大魅力。
【关键词】夏洛克;吝啬;形象作为一个跨越时空的艺术大师,莎士比亚留给后人的财富是不可估量的。
几个世纪以来,人们对他的作品进行了一次又一次的分析,而其中,有关《威尼斯商人》的评述更是屡见不鲜,以至于今天的人再想有一点自己的看法都觉得艰难,在此,本文只是想通过对夏洛克这一典型形象的分析,对莎士比亚进行再次的解读,并力争作出有限的探索。
提及莎士比亚笔下的人物,就不得不借用恩格斯对拉萨尔说过的话:“古代的性格描绘在今天是不再够用了,而在这里,我认为您原可以毫无害处地稍微多注意莎士比亚在戏剧发展史上的意义。
”显而易见,恩格斯对莎士比亚在人物塑造上的才华是大加赞赏的,事实也是如此,在他的戏剧中,汇集了各个阶层、三教九流的人物,在这里,王孙公子、贵族仕女和商人、木匠、村姑、恶棍等摩肩接踵,熙来攘往,而且,不同的人物有着各自不同的特色,每个人的性格往往既多样又单一,同时还不断地发展变化,他们在舞台上的一举一动无疑是一本生活的地图,是一种人类经验的缩影,所有的这一切,反映在他早期的喜剧创作上,又以《威尼斯商人》剧中的夏洛克最具代表意义,在这部喜剧中,作者运用生花的妙笔,塑造出了这一世界文学史上颇具特征、永不褪色的艺术形象。
一、对金钱的“不懈”追求在文中,夏洛克是一个犹太人高利贷者,他同时也是戏剧矛盾冲突的中心人物,是全剧中个性最突出、性格最鲜明、最光彩夺目的艺术形象。
随着剧情的发展和矛盾的深入,他的本来面目渐渐地凸现于我们眼前:一个吝啬鬼,靠放高利贷生钱,视钱如命,把钱作为一切行动的指南,从而拜倒在这个“世俗的上帝”(马克思语)脚下。
对夏洛克的人物分析威尼斯商人安东尼奥为人宽厚,借钱给别人从不收取利息,夏洛克对此嫉恨在心。
安东尼奥为帮助好友巴萨尼奥完婚,向夏洛克借高利贷,夏洛克佯装慷慨不取利息,但却同安东尼奥签约规定,到期不还要从安东尼奥身上割一磅肉。
安东尼奥的货船在海上遇风暴失事,不能如期偿还借款,夏洛克坚持要从安东尼奥身上割下一磅肉。
巴萨尼奥的妻子鲍西娅假扮律师出庭为安东尼奥辩护,准许夏洛克割肉,但不许多一点或者少一点,要恰巧一磅。
而且割肉时不能从他身上留下“一滴基督徒的血”,否则“按照威尼斯的法律,要以蓄意谋杀罪论处,财产要全部充公”。
于是夏洛克不仅没有得到安东尼奥的一磅肉,反而受到处罚,最终败诉。
由于夏洛克极力阻止她的女儿杰西卡和罗兰佐恋爱,以至于杰西卡和罗兰佐私奔。
在得知他的女儿逃跑后,身为富豪的他竟因为一点钱而这样诅咒他的亲生女儿:“她干出这种不要脸的事来,死了一定要下地狱。
”“哎呀,糟糕!糟糕!糟糕!我在法兰克府出两千块钱买来的那颗金刚钻也丢啦!咒诅到现在才降落到咱们民族头上;我到现在才觉得它的厉害。
那一颗金刚钻就是两千块钱,还有别的贵重的贵重的珠宝。
我希望我的女儿死在我的脚下,那些珠宝都挂在她的耳朵上;我希望她就在我的脚下入土安葬,那些银钱都放在她的棺材里!不知道他们的下落吗?哼,我不知道为了寻访他们,又花去了多少钱。
你这你这——损失上再加损失!贼子偷了这么多走了,还要花这么多去寻访贼子,结果仍旧是一无所得,出不了这一口怨气。
只有我一个人倒霉,只有我一个人叹气,只有我一个人流眼泪!”犹太人夏洛克,一个生动复杂,极端利已的高利贷者的形象,同时具备了冷酷,吝啬,残忍,贪婪,狡诈等多种丑恶的性格特征,他精明,善于经商,视财产为依靠。
夏洛克是个资产阶级高利贷者,为了达到赚更多钱的目的,在威尼斯法庭上,他凶相毕露,"我向他要求的这一磅肉,是我出了很大的代价买来的,它是属于我的,我一定要把它拿到手里。
"像一切吝啬鬼一样,贪婪是其共性。
文学评论《威尼斯商人》是莎士比亚早期杰出的喜剧之一,作品成功地塑造了一系列栩栩如生、生动鲜明的人物,其中夏洛克更是一个鲜明、生动、复杂而著名的典型形象。
这个形象的塑造有着不朽的艺术魅力,揭示出深刻的道理和意义,他的塑造成功受到了马克思、恩格斯的高度赞赏。
本文拟从以下几个方面对夏洛克形象进行多元解读。
高利贷者形象夏洛克是资本原始积累时期在种族歧视和复杂的环境中形成的一个高利贷。
夏洛克生活在种族歧视、、基督教盛行的威尼斯,他所处的那个年代,是资本主义经济发展较快的中世纪,商业资产阶级和高利贷资产阶级这两个集团在威尼斯这座城市中彼此对峙着。
在这样复杂多变的矛盾中,夏洛克的处境和出身就奠定了他的思想行为的基调,决定了他性格的发展变化,衍生了他的思想意识。
夏洛克在逆流和摔打中经历了许多磨难和艰辛,从而悟出一条道理:钱是万能的,“金钱高于一切,只有高利贷是他的生命。
”他追求“像母羊生小羊一样地快快生利息”,并且引经据典为自己高利贷的盘剥行为做辩护。
然而在那个特定的历史环境下的威尼斯,有了金钱并不等于有了一切。
民族的歧视,商业资本同高利贷资本之间的冲突,使他感到了生活的不公和压抑。
所以,他千方百计地追求最大利益,又想方设法能出人头地。
现实的残酷似一方化学试剂不时地变异着他的性格,改变着他的人生观,使他的思想行为打上拼搏、抗争、盘剥的烙印。
夏洛克是莎士比亚塑造的最复杂的人物形象之一。
作为高利贷者,夏洛克的命运是喜剧性的,他在法庭上失败,受到惩罚,构成了戏剧中的喜剧情节。
高利贷者是贪婪的,同时也是奸诈狠毒的。
强烈的金钱欲已扭曲了夏洛克性格,他的残忍本性在“一磅肉”的诉讼中得以淋漓尽致的体现。
《威尼斯商人》中的夏洛克是个高利贷者,那么我们怎样来理解高利贷这个词呢?在以私有制为基础的商品经济活动中,价值规律自发地调节生产资料和劳动力在社会生产各部门的分配,刺激并促进社会生产的发展。
一切商贸活动都遵从价值规律,所有价格都以价值规律为杠杆上下波动。
浅析《威尼斯商人》中夏洛克形象的悲剧性——以家庭、经济、法律角度为观照对象邢宽摘要:莎士比亚的名剧《威尼斯商人》一直被理解为喜剧,其中夏洛克形象一直是广大专家学者和普通读者讨论的热点人物。
本文主要以家庭、经济、法律等社会角度为观照对象,力图阐释夏洛克形象的悲剧性。
关键词:《威尼斯商人》夏洛克悲剧性家庭经济法律威廉·莎士比亚(William Shakespeare,1564-1616)是英国文艺复兴时期的天才作家。
他是英国乃至世界上最有影响力的古典剧作家之一。
马克思称莎士比亚为“人类最伟大的天才之一”。
与他同时代的戏剧家本·琼生(Ben Jonson)也曾评价说:“He was not of an age,but for all time。
”(他不属于一个时代,而属于所有时代)。
他也因其在文学上的独特成就而成为历史上最有影响的100人之一。
《威尼斯商人》写于1596年,是莎士比亚戏剧中最富于社会讽刺意义的一部。
剧中主要肯定并赞美安东尼奥、鲍西亚等人以友谊、爱情为重的人文主义生活理想,否定并谴责以夏洛克为代表的唯利是图的生活态度。
剧中成功地塑造出夏洛克这样一个鲜明生动而又复杂矛盾的典型形象。
从1623年第一版《莎士比亚全集》开始,《威尼斯商人》一直被归类为喜剧,主要也是因为剧中夏洛克的生动刻画和结尾处三对恋人的完美结合。
重读《威尼斯商人》或是重看该剧的电影版,它带给我们的更多的是同情和心痛,为着夏洛克的家庭,经济,法律等社会方面的悲剧性。
本文将逐一分析,以资共赏。
家庭角度夏洛克唯一能爱和唯一爱的女儿杰西卡对他没有任何感激之情,毫不犹豫地与情人罗伦佐私奔,并卷走了他辛苦一生积累的财富。
众所周知这些财富是他用自己的人格尊严和社会声誉为代价换来的,是在基督教占统治地位的社会夹缝中得来的。
他唯一的女儿和唯一可以得到心理安慰的财富都一起投入到基督教徒罗伦佐的怀抱了。
夏洛克在大街上哭喊着“我的钱!我的女儿!”,这是何等的伤心。
《威尼斯商人》中夏洛克的人物分析一、作品的社会背景《威尼斯商人》是莎士比亚的杰出喜剧作品之一。
作品当中的人物夏洛克是莎士比亚塑造的成功反面形象之一,造成夏洛克这种复杂性格的原因很多,主要原因是社会和历史背景。
透视过社会深层背景这一面纱,我们会了解夏洛克其实是社会的牺牲品。
中世纪的欧洲基督教一统天下,犹太人被视为是上帝唾弃的民族,他们没有自己的国家和土地,被迫在世界各地游走做生意为生。
只能靠自己的勤劳聪明努力生存和生活。
即使这样,他们还是会随时遭到基督教及当时社会普通人的歧视和侮辱。
当时的威尼斯虽说是讲法律的社会,人民大众对法律也是深信不疑,夏洛克也曾多次运用法律武器来维护自己的正当权益,以及复仇基督教徒,但是一再受到打击,他的这点力量在基督教徒面前可谓太微不足道了,仍然受到歧视和压迫。
多少人在不了解社会背景的情况下来蔑视夏洛克的,因此在评价人之前了解下社会背景是非常必要的。
二、对夏洛克的人性剖析1.夏洛克是残忍的贪婪的高利贷者的典型代表。
在小说中,夏洛克没有要求安东尼奥偿还几倍的钱而是要割掉他身上的一磅肉,从这里我们可以看出夏洛克有着强烈的复仇意识,这就意味着一旦有任何机会夏洛克都不会放过,不会放过那些鄙视他侮辱他的人。
他一步一步让安东尼奥走入他的设计中,最后不得不割掉身上的一磅肉,除了那块没有用处的肉,夏洛克能得到什么呢?夏洛克在剧中有这么句话:“他曾经侮辱过我,夺取我十几万的生意,讥笑我的亏蚀,挖苦着我的盈余,侮辱我的民族,破坏我的买卖,离间我的朋友,煽动我的仇敌,他们的理由是什么?只因为我是个犹太人,犹太人没有眼睛吗?难道犹太人没有五官四肢、没有知觉、没有感情、没有血气吗?他不是吃着同样的食物,同样的武器可以伤害他,同样的医药可以治疗他,冬天同样会冷,夏天同样会热,就像一个基督教一样吗?那么你们要是欺侮了我们,我们难道不会复仇吗?要是在别的地方我们都跟你们一样,那么在这一点上也是彼此相同的。
一曲清醒者的悲歌论《威尼斯商人》夏洛克的悲剧意象一、本文概述《威尼斯商人》是莎士比亚早期的重要作品,以其丰富的人物塑造和错综复杂的情节设计,成为文学史上的经典之作。
在这部戏剧中,夏洛克作为一个复杂而多维的角色,引起了学者们的广泛关注。
本文旨在探讨《威尼斯商人》中夏洛克的悲剧意象,通过分析其性格特征、社会背景以及与其他角色的关系,揭示夏洛克悲剧命运的深层次原因。
文章将从多个角度展开论述,以期对夏洛克的悲剧意象进行全面而深入的分析,为理解这部经典作品提供新的视角。
在概述部分,本文将首先介绍《威尼斯商人》的基本情况,包括作品的主题、情节和人物关系等。
随后,将重点阐述夏洛克在剧中的角色定位,以及他在整个剧情发展中的作用。
还将简要介绍本文的研究目的和方法,为后续的深入分析奠定基础。
通过本文的探讨,读者将更加深入地理解夏洛克这一悲剧人物的内心世界和命运轨迹,从而对《威尼斯商人》这部经典作品产生更加丰富的认识和感受。
二、夏洛克形象的多维解读《威尼斯商人》中夏洛克这一角色,不仅仅是一个单纯的“悲剧人物”,更是一个复杂的、多维度的文学形象。
他不仅是受害者,也是施害者;他既是金钱的奴隶,也是复仇的化身。
夏洛克这一形象的多维解读,不仅反映了当时的社会现实,也揭示了人性的复杂与矛盾。
夏洛克是一个受害者。
在威尼斯这个以金钱为尊的社会里,犹太人身份的他受到了来自主流社会的歧视与排斥。
他的悲剧命运在很大程度上是社会偏见和歧视的结果。
即便是在法庭上,当他的生命受到威胁时,他的对手们依然可以用“犹太人”这一身份来攻击他,试图证明他的生命不值得被尊重。
因此,夏洛克的悲剧不仅仅是个人的悲剧,更是整个犹太民族在那个时代所遭受的不公与压迫的缩影。
然而,夏洛克并不完全是一个无辜的受害者。
他的悲剧命运也与他自身的性格和行为有关。
他贪婪、冷酷、报复心强,这些性格特点使得他在与人交往中往往采取极端的手段,进一步加剧了他与社会的对立。
他对于金钱的痴迷和对复仇的渴望,使得他在故事中成为了一个复杂而矛盾的存在。
浅析《威尼斯商人》中夏洛克的悲剧形象【摘要】莎士比亚的《威尼斯商人》是为我们所熟悉的喜剧作品,这部作品的重要的文学成就之一就是成功地塑造了夏洛克这个典型的人物形象。
作为一个受欺辱的犹太人,其性格的形成有其深刻社会根源。
本文从历史和宗教、家庭、社会和作者个人因素等角度分析夏洛克这一悲剧形象。
【关键词】威尼斯商人;夏洛克;悲剧《威尼斯商人》作为莎士比亚的作品之一,通常被认为是其喜剧作品的代表,剧中人物夏洛克更是反面性人物——他贪婪、阴险、固执、冷酷且视财如命,是世界文学作品中四大“吝啬鬼”形象之一。
但在进一步的学习与查资料过程中,本人却开始不自觉地同情起这个被公认的反面人物,同情他的命运。
作为一个当时受歧视的犹太人的形象,他是当时受歧视的犹太民族悲剧命运的代表。
夏洛克悲剧性格的形成有其深刻社会根源:犹太民族的屈辱和宗教的压迫、个人家庭的不幸、社会环境和作者个人因素等。
下面,我就从以上几个方面简要论述夏洛克的悲剧形象。
一、犹太民族的屈辱和宗教的压迫从历史和宗教角度看,犹太教与基督教在信仰上的区别,导致了犹太人在欧洲多年来深刻复杂的政治、经济、社会背景下不断被利用,造成犹太人在欧洲国家长期受到歧视、迫害和杀戮。
督教教义认为,是耶稣的12门徒之一的犹大为了30块银币而出卖了上帝之子,是犹太人将耶稣钉死在十字架上,这就造成了基督徒们在情感上对犹太人的仇视。
因此,信奉基督教的欧洲人在宗教感情上很难接纳犹太人。
这种宗教感情的社会化,又逐渐衍化成一种大众化的厌恶犹太人的社会心态。
同时,这种社会心态随着岁月的推移也被世代“遗传”,并逐渐与社会经济政治相结合,从而在莎士比亚的手中产生了《威尼斯商人》中基督徒们对夏洛克的种种歧视和仇视。
在剧本中,我们处处可以看到这种痕迹:人们称呼夏洛克时,都不是直呼其名,而是称其为“犹太人”。
如:第一幕第三场,安东尼奥愿意签下借钱的合约时说“我愿意签下这样一张约,还要对人家说这个犹太人的心肠倒不坏呢”,并骂夏洛克是异教徒,一个智者神圣的名字作证的恶人;第二幕第二场,夏洛克的仆人朗斯洛特说:“要是我从我的主人这个犹太人的家里逃走,我的良心是一定要责备我的”;第三幕第一场,萨莱尼奥说道:“世上再也找不到第三个像他们这样的人,除非魔鬼自己也变成了犹太人”;第四幕第一场,传夏洛克上法庭时,公爵说道:“来人,传那犹太人到庭”,鲍西娅:“那犹太人为什么还不动手?”等等。
威尼斯商人中的夏洛克人物形象分析《威尼斯商人》是威廉·莎士比亚创作的一部戏剧作品,该剧围绕着商人安东尼奥、朱利叶斯·凯撒、巴萨尼奥与夏洛克展开。
其中,夏洛克作为剧中的次要人物,在剧中起到了重要的作用。
以下是对夏洛克人物形象的分析。
其次,夏洛克是一个冷酷和冷静的人。
他的商业头脑敏锐,他能够准确地判断商业情报,并做出明智的决策。
在剧中,夏洛克对朋友巴萨尼奥的贷款请求提出了自己的条件,并不顾他的悲剧境遇。
这种冷静和理智的判断使得夏洛克能够保护自己的利益,同时表明他对商业的追求高于人情。
此外,夏洛克还塑造了一个惜财如命的人。
尽管夏洛克在商业上表现得非常厉害,但他也是一个非常捉紧钱袋子的人。
在剧中,当巴萨尼奥无法按时偿还贷款时,夏洛克没有动用自己的财产来帮助他,而是选择了严格地要求借款人按时偿还贷款。
夏洛克对金钱的珍视和争取使得他常常被人们视为吝啬而自私的人。
此外,夏洛克还表现出一定的谨慎和实际主义。
他对商业合作伙伴的选择非常慎重,并总是会在做出决策之前考虑所有的风险和利益。
夏洛克的实际主义表现在他通过签订一份合同来确保自己的利益,当安东尼奥无法按时偿还债务时,夏洛克毫不留情地追讨了自己的权益。
他对安东尼奥的谨慎和实际主义让他获得了商业成功。
最后,夏洛克也展示出一些人性的弱点。
尽管他被塑造成一个功利和现实的商人,但在剧中的一些场景中,他的表现也暴露出他的脆弱和孤独。
在他的商业伙伴安东尼奥面临生死存亡的时候,夏洛克展现了一丝对友情的关切,他表示自己愿意为安东尼奥自愿躺在棺材中作抵押品,以换取他的生命。
这一场景表明夏洛克虽然追求金钱和自己的利益,但他的内心深处也存在着一种人性的情感。
综上所述,夏洛克在《威尼斯商人》中是一个重要且多维的人物。
他作为一个成功而富有的商人,展现了商业头脑的敏锐和冷静。
他的财富和实际主义给他带来了商业上的成功,但他的吝啬和自私也让他被视为不够仁慈。
然而,夏洛克的形象也展现了他脆弱和孤独的一面,这使得他不仅仅是一个冷酷无情的商人形象。
《威尼斯商人》是莎翁早期的喜剧作品,并因其塑造的贪婪残忍的商人形象夏洛克而堪称经典。
夏洛克被认为是一个站在正义对立面的小丑。
他心胸狭隘、吝啬、自私,是传统意义上的反面人物。
本文首先介绍”二元对立论”和”解构主义”理论的特点以及他们在文学批评上的应用;然后结合《威尼斯商人》中的选段,分别从两种理论角度来分析夏洛克的形象;并从三个方面即故事发生的社会背景,夏洛克的自身性格因素和莎士比亚的创作观分析,探索夏洛克多面性格的原因。
本文旨在解构单一负面的夏洛克形象,展现其能言善辩、机智、热爱家庭的另一面,从而在读者心中重建一个更加丰满生动的夏洛克。
1.IntroductionAs an important means of Literary Criticism and an anti-traditional thought, Deconstruction has been widely used in criticizing the text. The main feature of Deconstruction is to prove that so-called two oppositions in structuralism such as men and women, homosexual and heterosexual, bad or good are actually inseparable and there is inbetween in the two extremes. That is to say the two oppositions can neither be completely separated nor strictly divided to two categories. So the usual conclusion is that these categories are actually not fixed or exists in any absolute form.The Merchant of Venice has been recognized as an early Shakespeare’s representative works among his comedies, and it is full of social satire. In this work, the author creates a new series of distinct images of humanism. As a negative character, Shylock arouses interest of readers and critics for his complex personality. Since Marx had such comments on the theme of the drama that the play reflected “the contradiction between capital and loan-sharking”[1]85, for a long time Shylock has been defined as a typical usurer who is mercenary and ruthless. Even in some dictionaries, Shylock has become a noun to describe the unscrupulous miser.However, these comments are somewhat partial, such as John Gross said, “If Shylock is merely a typical image, he can not occupy the stage over 400 years.”[2]273 There are still certain positive aspects in his personality. Then in recent years, people have begun to get away from the influence of stereotyped bias on Shylock and give Shylock a fair and objective evaluation.The paper here is intended only to reverse the term of “binary opposition”, use the theory of deconstruction to analyze Shylock, and study the real Shylock through the interpretation of Shylock’s language, action and psychological description. In this paper, three sections can be identified: the study of theories of “binary opposition”and Deconstruction, the analysis of Shylock’s image from the perspectives of thesetwo theories, and the various factors influencing the formation of Shylock’s image.2. Review of “Binary Opposition” and DeconstructionBinary t hought often appears in people’s minds. People like to look at the problem from the perspective of binary opposition because of the relatively simple way of thinking. Deconstruction, corresponding to binary opposition, is a pluralistic analysis approach, and similar to the multiple results of the mathematical analysis.2.1 Theory of “Binary Opposition”Structuralism is one of the most frequently used methods to analyze the language, culture and society in the second half of the twentieth century. As the core of Structuralism, “binary oppositions” provides us with an effective method of comprehending such a critical approach [3]128. In critical theory, a binary opposition is a pair of theoretical opposites. It is often seen as a fundamental organizer of human philosophy, culture, and language [4]1.from / The most classic example of “binary opposition” is rational and emotional, while in western philosophy, rationality has always enjoyed higher evaluation than sensibility. Another example is presence and absence. Similarly, the former position in the Wester n philosophy is much higher than the latter. The similarity of “high concept” is regarded as the impact of the l ogical centrality’s western philosophy.The reasons why people tend to look at the problem in the perspective of binary opposition are the influence of empiricism in addition to the simple way of thinking. Empirical approach is to use the direct impact of the self-experience and imagination to judge or determine the nature. The simplest qualitative ways are the ones like: good or bad, I like or I do not like, like me, or do not like me, you can believe or not believe. Usually people’s thinking is qualitative. Binary world may exist in only two parts, and usually the two are absolute and opposed. Briefly, it is hard for people to avoid the dualistic way of thinking in fact, because people used to grade or think about things according to their experience.2.2 Theory of DeconstructionThe emergence of the term of “binary oppositions” help s people get away from the chaotic living appearance and expose the integrity of the hidden structure. However, in post-structuralism, the categorization of binary oppositions is “often value-laden and ethnocentric”, with an illusory order and superficial meaning[5]36. It simplifies the results. Because there are a variety of positions located between these two extreme positions. In fact, many arguments about the structuralism are trying to clarify the mentioned problems.In a word, facing the complex research questions, structuralism takes evasive attitude rather than a positive attitude to overcome difficulties and press ahead despite difficulties. This is negative.In 1967,the publication of a French philosopher Jacques Derrida’s Of Grammatology marked the birth of the theory of deconstruction. “Deconstruction” is der ived from Heidegger’s Being and Time, and the original meaning is decomposition, digestion, revealing and so on. The word Heidegger used means decomposing or disassembling the structure, and then exploring the meaning out.Deconstruction is also called post-structuralism. Post-structuralism encompasses the intellectual developments of certain continental philosophers and sociologists who wrote within the tendencies of twentieth-century French philosophy [6]13.The criticism of binary opposition is not simply to reverse the oppositions, but in essence, the deconstruction doesn’t tend to any arm of binary opposition. Deconstruction is the “event” or “moment” at which a binary opposition is thought to contradict itself, and undermine its own authority [4]1.Generally, deconstruction attempts to demonstrate a discrete text contains several patchy contradictions; therefore that any text has one more interpretation; the text itself is inextricably linked to the interpretation; these irreducible interpretations is not compatible; and thus that an interpretative reading cannot go beyond a certain point. J. Hillis Miller has described deconstruction this way: “Deconstruction is not a dismantling of the structure of a text, but a demonstration that it has already dismantled itself. Its apparently-solid ground is no rock, but thin air.”[7]34.3. A nalysis of Shylock’s image from the perspective of two theoriesFrom the perspective of “Binary Opposition”, Shylock is defined as a ruthless mercenary miser, all the hateful aspects gathered in his personality. This is stereotyped unitary Shylock. However, in terms of Deconstruction, Shylock is not a simply-defined anti-hero. Deconstruction will reveal a complex multifaceted Shylock with some positive characteristics.3.1 Stereotyped unitary Shylock in terms of “Binary Opposition”According to this term, we know that according to “binary opposition”, everything has two sides. For example, in The Merchant of Venice, it reflects the conflicts between the capitalists and usurers at the beginning of the capitalist society. The theme of this play is to praise kindness, friendship and love, so the evil aspects can be found in the play.In this play, Shylock and such Antonios are oppositions. Antonio is the embodiment of friendship. In order to help Bassanio marry Portia, Antonio can sacrifice anything no matter it is money or life. His merit is to be admired. Bas sanio is the embodiment of love. He is very brave to pursue his own true love. In process of love pursuit, he is witty, intelligent and courageous. As the heroine this play, Portia is the embodiment of wisdom and beauty. She focuses on morality instead of wealth, family status, and uses her intelligence and wisdom to fight against Shylock. We can infer these conclusions from the following excerpts.Antonio’s friendshipExcerpt Scene one, Act oneANTONIOI pray you, good Bassanio, let me know it; And if it stand, as you yourselfstill do, within the eye of honour, be assured, my purse, my person, my extremest means, lie a ll unlock’d to your occasions.……ANTONIOYou know me well, and herein spend but time to wind about my love with circumstance; And out of doubt you do me now more wrong in making questionof my uttermost than if you had made waste of all I have: Then do but say to me what I should do that in your knowledge may by me be done, and I am prest unto it: therefore, speak.From the conversation, we can infer that Antonio treasures his friend very much. In his opinion, Bassanio plays a more important way than his wealth or even his life. Although finally he is nearly framed to death by Shylock, he doesn’t blame Bassanio for owed money. He helps Bassanio without any ulterior motives, just for his friendship.Bassanio’s loveExcerpt Scene two, Act threeBASSANIOPromise me life, and I’ll confess the truth.PORTIAWell then, confess and live.BASSANIO‘Confess’and ‘love’had been the very sum of my confession: O happy torment, when my torturer doth teach me answers for deliverance!But let me to my fortune and the caskets.Compared with romantic songs, Bassanio’s short sentence-”Confess and love had been the very sum of my confession”transmits his deep love. It not only expresses the romance, but also shows the steadfast love.Portia’s intelligenceExcerpt Scene seven, Act twoPORTIAGo draw aside the curtains and discover the several caskets to this noble prince. Now make your choice.PORTIAThe one of them contains my picture, prince: If you choose that, then I am yours withal.Here I choose this excerpt rather than the fighting against Shylock in the court. Maybe many readers will overpass it. Via the process of choosing her husband, Portia uses a novel way. Her wisdom helps her get a true love.Compared with these positive characters, as a negative character, Shylock can only be a selfish, abominable and greedy miser. In our textbooks, Shylock’s image isdefined by the traditional “binary oppositions”.Excerpt Scene three, Act oneSHYLOCK[Aside] How like a fawning publican he looks! I hate him for he is a Christian, but more for that in low simplicity he lends out money gratis and brings down the rate of usance here with us in V enice. If I can catch him once upon the hip, I will feed fat the ancient grudge I bear him. He hates our sacred nation, and he rails, even there where merchants most do congregate, on me, my bargains and my well-won thrift, which he calls interest. Cursed be my tribe, if I forgive him!From these asides, we can infer that Shylock is narrow-minded. And he hates Antonio. He thinks it is his chance to get even with Antonio. His revenge plan is launched. Besides these, we know that Shylock is a usurer from the communication between Shylock and Antonio. People in the Venice who are Christians don’t appreciate Shylock.Excerpt Scene three, Act threeSHYLOCKGaoler, look to him: tell not me of mercy; This is the fool that lent out money gratis: Gaoler, look to him.ANTONIOHear me yet, good Shylock.SHYLOCKI’ll have my bond; speak not against my bond: I have sworn an oath that I will have my bond. Thou call’dst me dog before thou hadst a cause; But, since I am a dog, beware my fangs: The duke shall grant me justice. I do wonder,Thou naughty gaoler, that thou art so fond to come abroad with him at his request.This is the core problem of the play. Shylock wants Antonio to pay the money back. If not, Antonio must cut a pound of his flesh. From this conflict people consider Shylock as a bloody grim usurer. E. F. C. Ludowyk also supports the idea that people consider Shylock a devil and Antonio’s doom[8]303. In the theory of”Binary Opposition”, Shylock naturally becomes the villain. Greedy, cunning, cruel--all the evil aspects of the character of Shylock can not be denied. Thus it can be seen that it is feasible and possible to use “binary opposition s” to the practice literary criticism[3]127.3.2 Complex multifaceted Shylock in terms of DeconstructionIf we analyze Shylock with the Deconstruction. We will find another Shylock who will be a man you may love.Firstly, Shylock is a wise businessman.Shylock is a usurer, which means he has a lot of primitive accumulation. He is a businessman who is always attempting to maximize benefits. Besides daily business, usury is one of his main income. It is excusable. Indeed with the exception of Portia, the character of Shylock is the most valued in the play. He loves money and makes no secret of his passion by crying it out on the open market [9]34.Secondly, Shylock is a family lover.Excerpt Scene five, Act twoSHYLOCKWell, thou shalt see, thy eyes shall be thy judge, the difference of old Shylock and Bassanio:--What, Jessica!--thou shalt not gormandise, as thou hast done with me:--What, Jessica!--And sleep and snore, and rend apparel out;--Why, Jessica, I say!LAUNCELOTWhy, Jessica!SHYLOCKWho bids thee call? I do not bid thee callIn the above scene, Shylock was anxious because Launcelot calls Jessica’s name. On one hand, Launcelot is a servant with lowly status. Addressing his daughter’s name seems to shake Jessica’s status; on the other hand, Launcelot is not upright, and is a Christian. Hearing “Jessica” words from his mouth, Shylock think s she is the apple of an insult.Though indeed Shylock loves money, there are things he values infinitely more, among other things his daughter; “Jessica, my child” [10]20.Though he curses her in overwhelming and passionate anger, longing to see her death at his feet with the jewels in her ears and the ducats in her coffin, he loves her nevertheless more than all his jewels and his ducats. Thrust out of public life and Christian society into narrow limits of household joys, the poor Jew found himself entirely dependant on family ties. He would not have given away the turquoise ring once given him by his wife Lea for a “forest of monkeys” [9] 35.In view of this, Shylock is a true family lover.Finally, Shylock has racial dignity.Excerpt Scene one, Act threeSHYLOCK……He hath disgraced me, and hindered me half a million; laughed at my losses, mocked at my gains, scorned my nation, thwarted my bargains, cooled my friends, heated mine enemies; and what’s his reason? I am a Jew. Hath not a Jew eyes? hath not a Jew hands, organs……Why, revenge. The villany you teach me, I will execute, and it shall go hard but I will better the instruction.Obviously, this is Shylock’s complaint against Antonio.From the above we can see that Antonio discriminated before. He discriminates Shylock as moneylender and a Jewish.Then Shylock’s unreasonable demands--to cut a pound of flesh, come into being. Why he would rather give up twice the fine than a pound of meat? Because he wants revenge. Long-term discrimination, depression, injustice and bitterness have no place to be taken out, so once he has opportunities, he will clutch at straws as a life buoy. That makes the ridiculous scene.Shylock is discriminated and abused, not only by Antonio for their conflict of interest, but also by anyone who can insult.Excerpt Scene one, Act fourGRATIANOO, be thou damn’d, inexecrable dog! And for thy life let justice be accused.Thou almost makest me waver in my faith to hold opinion with Pythagoras, that souls of animals infuse themselves into the trunks of men: thy currish spirit Govern’d a wolf, who, hang’d for human slaughter, even from the gallows did his fell soul fleet, a nd, whilst thou lay’st in thy unhallow’d dam, infused itself in thee;for thy desires are wolvish, bloody, starved and ravenous.Here, Gratlano curses Shylock mercilessly, however Shylock just replies: “Till thou canst rail the seal from off my bond, Thou but offend’st thy lungs to speak so loud: Repair thy wit, good youth, or it will fall to cureless ruin. I stand here for law.” Although there are sarcastic words, and even point of shame, at least there is no insult meant.Shylock loves his race, and he tried his best to protect his national dignity. So, as a Jew, Shylock is subjected to inhuman treatment. He is a warrior to face theirrational system and unfair society.In short, in order to defend the dignity of his nation and individual, Shylock struggles unremittingly against Christian. He is brave and he deserves our sympathy, respect and admiration.Having deconstructed, the multi-faceted nature of Shylock’s image is revealed.4. The factors influencing the formation of Shylock’s imageWith the increase of Shylock’s research, the comments about Shylock also become various. We can see from the above analysis, Shylock is not only a mercenary usurer, but also a man deserves our sympathy. Of course, at the same time, more and more people begin to focus on the causes of his character. The paper here sum up three factors influencing the formation of Shylock’s image.4.1 Social background in Shylock’s ageWhen Shakespeare wrote The Merchant of Venice, Britain was in the period of rapid development of capitalism, and gradually expanded overseas. The accumulation of wealth was an important goal of national development. Although the usurers represented by Shylock had ever supported the economic development, they were finally overwhelmed by the rolling tide. Because the loan sharks did not create new wealth for society, they were only for personal interests. They were called parasites by the rising bourgeois. The businessmen such as Antonio became the typical emerging bourgeoisie with time going by. They were engaged in overseas trade, set up UK’s image outside the territory, spr ead the impact of the UK, and also brought wealth for the country to complete the primitive accumulation of capitalism.I n such an economic context, Shylock’s situation would have never turned out to a comedy. The fate of Shakespeare’s Shylock was predetermined by the tragic status of usueres based on such economic foundation.The Merchant of Venice took place in medieval Europe when Christian dominated world, the Church of Rome tried to publicize an idea that the Jews were people God cast aside. Jews were regarded as the culprit of all evils and become main objective the European rulers to pass all sorts of conflicts over. But the Christians seem to have forgetton that Jesus himself was Jewish. The Jews stick to their beliefs, refuse to believe in Jesus, so in the history, Jews were attached to thewords closely: rove, persecution, and discrimination. As a Jew living in Venice, in a society with racial and religious differences, Shylock’s social status is very low. Venice residents, Christians even his servant call him “the Jews” or even “Jewish dog”. In particular, Antonio often humiliates him with no reason, alienates his friends, and incites his enemies. He calls Shylock a heretic in public for many times and also spits on his Jewish robe. About it, weak Shylock can do nothing but swallow his anger, most with a shrug, to show his carelessness. Actually, however, these insults damaged Shylock’s national feelings. In turn, it became deep-seated hatred to Venetian and Christians[11]]23.from /In religion, Christianity is the main body of the European society. They dominate the social and political life. According to Christian propaganda, the Jews are the sworn enemy to the Christianity. Because at that time in Europe, in economic field, wealthy Jewish incurred the resentment of emerging bourgeois and feudal aristocracy, in particular, such as Shylock has a certain economic status of the Jews. However for the face of law, they can not openly restrict the Jews politically, and only can play tricks on Jews in the economic and religious. Antonio lends money with no interest. On the one hand that is his kindness; on the other hand can not deny that it is economically competitive with Shylock’s loan business.Although Shylock has a certain economic status, according to bourgeois law, in the hierarchical society of Europe, he is also ruled in the political and religious position.4.2 Shylock’s personalityFirstly, Shylock has a strong spiritual force. He is tough, stubborn and unyielding, and his vengeance in mind is very strong. He loves money, but there is still something he values other than money, namely the easing of his wounded spirit, the just vengeance for inexpressible injuries. That is why though they offer him ten times the amount of the borrowed sun he refuses it. It is because that the desire in his subconscious has been hidden for too many years. He wants revenge, because he can tolerate no more, whether in terms of economy or religion. He loses the case, and refuses to kneel for mercy, because he is full of hatred.Secondly, he is weak. In class society, the superstructure of the legal system must be serving the interests of the ruling class. Shylock demands his execution in accordance with the laws of Venice. There is no doubt that Shylock’s words are truth.Shylock's tragedy is that he does not realize that the Venetian law enacts for their own interests, which can be an arbitrary interpretation according to their needs. This should be the most serious legal system, however in the capitalist society, it only serves ruling class that lead Shylock to change his belief finally indirectly.4.3 Shakespeare’s views of creationIn the play, Antonio and Shylock commencing proceedings around a contract are based on the folklore of the e ast story “pound of flesh of the contract”[12]84. In this prototype story, the hero is a Jewish merchant with a strong vengeance. Shakespeare used this theme into his own play. After the creation and processing, he gave the man greedy, mean, treachery and other personalities to make this image even more vivid. But Shakespeare could not have been affected by the prototype of the story, and retained some of these characters.Moreover, the birth of The Merchant of Venice was related to the political events that in the same year. In 1594, Jewish physician Lopez of Queen Elizabeth was innocently executed [13]144-148. With absence of sufficient evidence to prove the Jews Lopez a spy sent by the King of Spain, he was arbitrarily sentenced to death. But London residents still endorsed the spirit of brutal acts for prejudice. In such social background, The Merchant of Venice was born. More or less, it reflects the author’s position on racial discrimination, not just the mockery of some unhealthy tendencies[14]32.Actually, Shakespeare’s views play the most important role in the play. Shylock’s failure can not be equivalent to the fact that he is an evil. Shylock converts to Christianity, which r eflects Shakespeare’s faith in Christian. Shakespeare repeatedly stressed the need for the kind of Christianity, and the Christianity rooted in his mind. However, he is also a humanist who is not mature enough at that time. He has class limitations. Humanism itself also has time limitations. On the one hand, he is a devout Christian, the religious discrimination against Jews; on the other hand, he is a humanist, to promote bourgeois theory of human nature, the performance of his ideas of equality. And he is also in sympathy with Shylock. Some people think that the tragedy of Shylock is a usurer that shall be subject to punishment, but actually existence of a usurer is generated in the legitimate bourgeois class. The undeniable reason of sneering the usury is racial prejudices of Shakespeare, as he praised the people who have a common subconsciousness of discrimination against Jews.5.ConclusionThe above discussion is by no means comprehensive but it can serve our purpose to analyze the characters in the literature and know more about the Shylock.The idea of “deconstructing” is a good way for readers and researchers to study Shakespeare and his works. The study here endeavors to accommodate the theoretical and practical objectives of the thesis: to work towards an integrative model of deconstruction analysis and testify the model by analyzing some specific text.In summary, Shylock well deserves research as an immortal classic literary figure in the history of world literature, and he is the first personalized Jewish with his own flesh and blood on the stage in UK.Shylock is abhorrent, and all his actions center for money. So he is indifferent to the friendship between people and the righteousness of the heart; Shylock is poor. Facing the law of Venice, he is weak; of course, Shylock has his merits. He exposes the true darkness of the ruling group and has his courageous struggle alone. It is these different factors of personalities that do not make the character fade away with the passage of time. On the contrary, it will even show the more charming and eternal artistic brilliance as time goes[15]27。
《威尼斯商人》之夏洛克人物分析作者:许继莹来源:《西部论丛》2018年第08期摘要:莎士比亚的著名剧作《威尼斯商人》中的夏洛克一直是倍受非议的人物形象之一。
他大多被冠以残忍,贪婪,视财如命,吝啬鬼的称号。
可是,当我们细细品读文本,从当时的社会背景来分析,却发现夏洛克只不过是当时社会环境下的一个牺牲品,一个悲哀的犹太人形象。
我们应以公平的眼光来审视这个人物。
关键词:夏洛克悲剧犹太人一、《威尼斯商人》概述《威尼斯商人》是莎士比亚的杰出喜剧作品之一,作品当中的人物夏洛克是莎士比亚塑造的一个反面形象,但是造成夏洛克这样的原因有很多,我们只有透过社会政治等背景这层纱,我们才能对夏洛克这个人物进行全面分析。
该剧完成于1596年,它很好地反映了资本主义社会早期工商业资产阶级与高利贷商人之间尖锐的矛盾;同时,该剧还反映基督教和犹太教的矛盾。
对犹太人而言,那是个压抑的时代。
二、《威尼斯商人》中夏洛克的人物分析经济上,几千年来,欧洲国家在法律上禁止犹太人占有土地,同时基督教会也不许犹太人务农。
“中世纪后期,欧洲各国为了保护本国的经济,在手工业、贸易、金融等领域对犹太人加以限制。
欧洲各国统治者还通过增收重税、规定就业限制、无故罚款、没收财产等手段,发到掠夺犹太人财富的目的。
”①犹太人只能从事一些高利贷这类被基督教士认为肮脏、卑鄙的职业。
经济基础决定上层建筑,为了生存,犹太人别无他法,金钱的取之不易一方面造成了犹太人的视钱如命,一方面也使犹太人贪婪、吝啬的形象固化下来。
民族宗教上,《威尼斯商人》中,犹太人就是一个受歧视的群体,遭人唾弃的厄运已经降临在夏洛克身上。
剧中的安东尼奥、公爵、葛莱西安诺等基督教人都带有明显的种族歧视,尤其是安东尼奥,他在称呼夏洛克时都是“那犹太人,犹太狗,畜牲的灵魂”我们可以看得出夏洛克是悲哀的,他是犹太民族悲剧的代表。
“夏洛克既是令人憎恨又令人同情的悲剧人物。
在他身上渗透着那个时代,那个民族的悲剧因素……他被迫从事当时最为人鄙视的放债业。
试论《威尼斯商人》中夏洛克悲剧色彩概要:《威尼斯商人》描写的只是关于一磅肉的争斗,实际上却是一场宗教之争,夏洛克在其中仅是一个牺牲品,是时代背景下的必然产物。
夏洛克虽然残酷、吝啬、贪婪、凶狠,但是他也是被迫害者,具有浓厚的悲剧意味,正是因为此种多面性成就了夏洛克永恒的艺术生命。
这部剧作中,非常重要的文学成就之一为完美塑造了一个冷酷无情、唯利是图、一毛不拔的高利贷者形象——夏洛克。
但是作为主人公之一的夏洛克自身悲剧意味浓厚,他到底是正面人物还是反面人物的问题,文学界一直众说纷纭。
本文主要通过分析夏洛克的悲剧形象,进而剖析其悲剧成因。
威廉·莎士比亚一生创作出诸多戏剧,被喻为“人类文学奥林匹克山上的宙斯”。
中世纪的欧洲被基督教统治,宣传犹太人为罪恶魁首,被上帝所唾弃,成为被压迫与奴役的目标。
经济上,其财产被无辜没收掠夺;宗教信仰方面,犹太人信仰被基督教徒们想方设法的改变,甚至进行迫害与诬陷。
《威尼斯商人》的创作背景就是如此。
剧作中的安东尼奥是一个大方、受人尊敬的商人与基督教徒,夏洛克为一个不折不扣的高利贷者与犹太人。
安东尼奥因帮助朋友不惜向夏洛克借钱,由于长期受到安东尼奥谩骂侮辱,夏洛克怀恨在心,要求安东尼奥若逾期还钱,需要在身上割一磅肉以作补偿。
然而安东尼奥最终得救,夏洛克被没收全部财产,其宗教信仰被迫改变。
一、夏洛克悲剧形象解读(一)无人情味、自私贪婪的吝啬鬼特殊的社会生活导致夏洛克形成爱财如命的吝啬性格,他在金钱面前毫无人性可言。
在家中,他克扣与虐待仆人,致使其消瘦到皮包骨头,离他而去;对女儿,他禁锢其自由,反对其爱情,甚至还剥夺其继承权,以至于女儿与情人携款私奔。
女儿出走后,夏洛克呼唤女儿不是因为思念,而是痛惜被带走的金子。
在它看来,衡量事物的尺度唯有金钱。
(二)被迫害与歧视的形象当时的社会背景下,犹太人被迫害与歧视,正是由于夏洛克是犹太人,因而安东尼奥可以对其肆意辱骂。
他的愤恨诉说其实代表一个被损害侮辱的民族的愤怒呼号。
《威尼斯商人》人物评析-生活类《威尼斯商人》是莎士比亚的经典作品,里面的人物个个鲜活生动,仿佛就生活在我们身边。
今天咱们就来好好评析一下这些有趣的人物,看看他们能给咱们的生活带来啥启示。
先说夏洛克,这个犹太商人可真是让人又恨又怜。
他一心想要报复安东尼奥,就因为人家借钱不要利息,抢了他的生意。
你说这夏洛克得多小心眼儿啊!记得有一次我去菜市场买菜,碰到一个摊主,因为别人的摊位比他的人气旺,他就满脸不高兴,嘴里还嘟囔着一些不好听的话。
这让我一下子就想到了夏洛克,他们都是那种见不得别人好,心胸狭隘的人。
这种人在生活中往往过得不快乐,因为他们的心思都放在嫉妒和怨恨上了。
再来说说鲍西娅,这可是个聪明伶俐的女子。
她女扮男装,在法庭上巧妙地化解了危机。
这让我想起了我表妹参加学校的辩论比赛。
本来她们那组处于劣势,可我表妹凭借着清晰的思路和出色的口才,愣是把局面扭转了过来,最后赢得了比赛。
鲍西娅就和我表妹一样,有着聪明的头脑和勇敢的心。
在生活中,咱们要是能像鲍西娅这样,遇到难题不退缩,善于动脑筋,那还有啥解决不了的事儿呢?安东尼奥呢,他是个善良、重情义的人。
为了朋友巴萨尼奥,他甘愿冒着生命危险去借债。
我就有这么一个朋友,有一回我生病住院,手头缺钱,他二话不说就把自己的积蓄拿出来借给我,还经常来医院照顾我。
安东尼奥的这种真诚和义气,在生活中太珍贵了。
要是人人都能像他这样对待朋友,那这世界得多温暖啊!巴萨尼奥,一开始感觉他有点不靠谱,为了追求爱情盲目借债。
不过后来他也认识到了自己的错误,变得成熟起来。
这就像我邻居家的一个小哥哥,刚开始工作的时候,花钱大手大脚,没个规划。
后来经历了一些挫折,才知道要勤俭节约,认真规划自己的未来。
巴萨尼奥的经历告诉我们,人都会犯错,但重要的是能及时醒悟,改正错误。
还有杰西卡,为了爱情勇敢地逃离了父亲的束缚。
这让我想起了我的一个同学,她家里人不同意她和男朋友在一起,可她就是坚持自己的选择,最后也收获了幸福。
第17卷第4期徐州教育学院学报Vo1.17,No.4 2002年12月J.of Xuzhou Education College Dec.,2002论5威尼斯商人6中夏洛克形象的双重性顾晓辉内容提要5威尼斯商人6塑造了夏洛克这个典型形象。
长期以来,夏洛克都被认为是一个贪婪、狡猾、吝啬和残暴冷酷的反面角色。
然而,作为犹太人,夏洛克遭受到了非人的对待,是种族歧视和宗教迫害的牺牲品,因此也引起了读者的同情。
本文从文化分析的角度阐释了夏洛克形象塑造的双重性。
关键词莎士比亚夏洛克5威尼斯商人6威廉#莎士比亚(William Shakespeare)是英国文学史上最伟大的戏剧家和诗人。
他一生共创作了38部戏剧,154首十四行诗和2首长诗。
在这些作品中,他为我们展现出了17世纪英国社会的政治、经济、文化、风土人情的全貌。
不仅如此,莎士比亚在艺术上也取得了非凡的成就:他的思想深刻成熟,作品主题博大广泛,情节曲折感人,语言优美流畅,人物生动典型,作品的意义和内容/像宇宙一样伟大和无限0,/包含着整个过去现在和未来0¹。
因此,马克思称他是/最伟大的戏剧天才。
0º莎士比亚在艺术上的主要成就之一是他成功地塑造出了各种各样的人物形象,表现了形形色色、五彩缤纷的人物性格。
这些剧中人物个性鲜明,生动逼真,深刻典型,体现出莎士比业对人类惊人的洞察力和表现力。
他以具体可感的艺术形象来表现以人为中心的社会生活,每个角色都依据其所处的历史氛围、社会状况和个体环境来塑造。
譬如哈姆雷特是为父报仇的忧郁王子,朱丽叶是为爱献身的纯真少女,麦克白是野心膨胀的篡位者,,莎学家费赖伊评论道:/莎士比亚的人物向我们的理解力发出了挑战,,我们在莎剧中找到了一个人性的实验室,它比任何人文科学的实验室更能显示出人类的整个生活。
因此,理解和欣赏莎士比亚为舞台所创造出来的东西,就可以帮助我们理解和欣赏我们在生活中所遇到的一切。
0»同时,莎士比亚的人物性格并非确定的、单一的、抽象的,而是变化的、复杂的、丰满的、完整的和高度多样化的。