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高 英 修 辞

高 英 修 辞
高 英 修 辞

Lesson 2

1.Metaphor: 暗喻

A figure of speech in which a word or phrase that ordinarily designates one thing is used to designate another, thus making an implicit comparison.

暗喻是一种修辞,通常用指某物的词或词组来指代他物,从而暗示二者之间的相似之处。

1). And secondly, because I had a lump in my throat and a lot of sad thoughts on my mind that had little to do with anything in Nippon railways official might say.

2). …I was again crushed by the thought…(Page 13, Para. 4, Line 1)

3). …At last the intermezzo came to an end and…(Page 13, Para. 4, Line 1)

4). …when the meaning of these last words sank in, jolting me…(P15, P. 7, Lines 1~3)

2. alliteration(头韵): is the use of several words in close proximity beginning with the same letter or letters.

e.g. 1)the fast train in the world slipped to a stop….

2)I feel sick,, and ever since then they have been testing and treating me ….

3. rhetorical question (反诘句)

e.g. 1) Was I not at the scene of the crime?

4. Synecdoche: 提喻

A figure of speech in which a part is used for the whole (a hand for sailor ), the whole for a part (as the law for police officer ), the specific for the general (as cutthroat for assassin ), the general for the specific (as thief for pickpocket ), or the material for the thing from which it is made (as steel for sword ).

举隅法,提喻法:一种修辞方法,以局部代表整体(如用手代表水手),以整体代表局部(如用法律代表警官),以特殊代表一般(如用直柄剃刀代表杀人者),以一般代表特殊(如用贼代表扒手),或用原材料代表用该材料制造的东西(如用钢代表剑)

e.g.1) The rather arresting spectacle of little old Japan adrift amid beige concrete skyscrapers is the very symbol of the incessant struggle between the kimono and the miniskirt. (Para. 7)

l ittle old Japan: traditional Japanese houses

2 )There were fresh bows, and the faces grew more and more serious each time the name Hiroshima was repeated .(synecdoche)

5. Metonymy: 换喻

A figure of speech in which one word or phrase is substituted for another with which it is closely associated, as in the use of “Washington” for “the United States government” or of “the sword” for “military power”.

e.g.1)换喻,转喻:一种一个词或词组被另一个与之有紧密联系的词或词组替换的修辞方法,如用“华盛顿”代替“美政府”或用“剑”代替“军事力量”

The rather arresting spectacle of little old Japan adrift amid beige concrete skyscrapers is the very symbol of the incessant struggle between the kimono and the miniskirt. (Para. 7)

the kimono and the miniskirt: the Japanese culture and the western culture

6. Irony:反语

The use of words to express something different from and often opposite to their literal meaning to achieve the humorous and ironic effect.

反语:正话反说或反话正说以达到幽默和讽刺的效果。

e.g. 1)This way I look at them and congratulate myself on the good fortune that my illness has brought me. (P. 17)

7. Sarcasm讽刺

Sarcasm is an expression or cutting remark clearly meaning the opposite to what is felt.

e.g. 1)Hiroshima—the “liveliest”City in Japan

2)If you want to write this city, do not forget to say that this city is the gayest city in Japan, even if…

8. Euphemism 委婉语

Speak with good words 把话说得好听些,婉转些,使听者感到愉快。

e.g. 1)Each day that I escape death, each day of suffering that helps to free me from earthly cares…. 指尘世的生活现在的痛苦

9. Climax: 层进法/渐升

A series of statements or ideas in an ascending order of rhetorical force or intensity.

层进法:在不断增强的修辞力度或强度中使用的一系列陈述和方法

e.g. 1)No one talks about it any more, and no one wants to, especially the people who were born here or who lived through it. (page 15~16, Para. 12, Lines 1~3)

从没人提它了,到不想提它了,再进为更不想提它了

10. Anti-climax: 渐降

Anti-climax, as used in the text, states one’s thoughts in a descending order of significance or intensity from strong to weak, from weighty to light. It has achieved a humorous or surprised or even a sarcastic effect when the mayor was introducing his city to the visitors, who were expecting his answer to have something to do with the atom bomb, but who ironically heard “oysters” in the end.

渐降表述概念的方式是使意义强烈的语言按照步步降低的语气顺序排列,语势由强而弱,语气由重到轻,有此达到取笑、讽刺或是喜剧的效果。

e.g. 1) seldom has a city gained such world renown(提到广岛的名气,首先想到的是原子弹)and I am proud and happy to welcome you to Hiroshima, a town known throughout the world for its —oysters.”(p.15)

11. Simile 明喻is an expression making a comparison in the imagination between two things using the words as or like

e.g. Serious looking men spoke to one another as if they were oblivious of the crowds about them…

Lesson 4

1. Darrow had whispered throwing a reassuring arm around my shoulder as we were waiting for the court to open. (para2) Transferred epithet

2. The case had erupted round my head not long after I arrived in Dayton as science master and football coach at secondary school.(para 3) Synecdoche

3. After a while, it is the setting of man against man and creed against creed until we are marching backwards to the glorious age of the sixteenth century.(para14) Irony

4. '' There is some doubt about that '' Darrow snorted.(para 19) Sarcasm

5. The Christian believes that man came from above. The evolutionist believes that he must have come from below.(para 20) Antithesis

6. Gone was the fierce fervor of the days when Bryan had swept the political arena like a prairie.(para 22) Alliteration; Simile

7. The crowd seemed to feel that their champion had not scorched the infidels with the hot breadth of his oratory as he should have. (Para 22)

He appealed for intellectual freedom, and accused Bryan of calling for a duel to the death between science and religion. (Para 23)

The court broke into a storm of applause that surpassed that Bryan.

Snowball: grow quickly; spar: fight with words; thunder: say angrily and loudly; scorch: thoroughly defeat; duel: life and death struggle; storm of applause: loud applause by many people; the oratorical duel; spring the trump card. Metaphor

Lesson 6

1. Most Americans remember Mark Twain as the father of Huch Finn‘s(synecdoche) idyllic cruise through the eternal boyhood and Tom Sawyer‘s endless summer of freedom and adventure. (Para.1) Hyperbole

2. I found another Twain as well (Para.1) synecdoche

3. a man who became obsessed with the frailties of the human race, who saw clearly ahead a back wall of night. (Para.1) metaphor

4. The geographic core, in Twain‘s early years, was the great valley of the Mississippi River, main artery of transportat ion in the young nation‘s heart. (Para.3) metaphor

5. Lumber, corn, tobacco, wheat, and furs moved downstream to the delta country; sugar, molasses, cotton, and whisky traveled north. ( Para.3) antithesis

6. the cast of characters set before him in his new profession was rich and varied—a cosmos (Para.4) alliteration metaphor

7. Steamboats decks teemed not only with the main current of pioneering humanity, but its flotsam of hustlers, gamblers, and thugs as well. (Para.5) Metaphor

8. For eight months he flirted with the colossal wealth available to the lucky and persistent, (Para.5) metaphor 9. He went west by stagecoach and succumbed to the epidemic of gold and silver fever in Nevada‘s Washoe region. (Para.7) metaphor 10. From the discouragem ent of his mining failures, Mark Twain began digging his way to

regional fame as a newspaper reporter and humorist. (Para.8) metaphor

11. The instant riches of a mining strike would not be his in the reporting trade, but for making money, his pen would prove mightier than his pickax. (Para.8) metonymy 12. in the spring of 1864, less than two years after joining the Territorial Enterprise, he boarded the stagecoach for San Francisco, then and now a hotbed of hopeful young writers. (Para.8) metaphor

13. Mark Twain honed and experimented with his new writing(metonymy) muscles… (Para.9) metaphor

14. It was a splendid population——for all the slow, sleepy, sluggish-brained sloths stay at home… (Para.9) alliteration

15. ―It was a splendid population——for all the slow, sleepy, sluggish-brained sloths stayed at home…‖(Para.9) alliteration

16. ―It was that population that gave to California a name for getting up astounding enterprises and rushing them through with a magnificent dash and daring (alliteration) and a recklessness of coat or consequences, which she (synecdoche) bears onto this day——and when she projects a new surprise, the grave world( transferred epithet)

smiles(personification) as usual, and says ?Well, this is California all over.‘‖(Para.9)

17. Two years later the opportunity came for him to take a distinctly American look at the old world. (Para.12) transferred epithet pleasure cruise(metaphor)

18. Bitterness fed on the man who had made the world laugh. (Para.21) personification

19. America laughed with him. (Para.13) personification and synecdoche

20. Tom Sawyer quickly became a classic tale of American boyhood. (Para. 13) synecdoche

21. Tom‘s mischievous daring, ingenuity, and sweet innocence of his affection for …..

( Para.15) transferred epithet

22. Six chapters into Tom Sawyers, he drags in ―the juvenile pariah….‖(Para.16) metaphor 23.

I have tried it, and I don‘t work; it don‘t work, Tom. It ain‘t for me…The widder eats by a bell; she goes to bed by a bell; she gits up by a belleverything‘s so awful regluar body can‘t stand it.(Para.16) alliteration parallelism repetition

24. Nine years after Tom Sawyer swept the nation. ( Para.17) metaphor

25. Bitterness fed on the man who had made the world laughed. (Para.21) metaphor

26. Now the gloves came off with biting satire. (Para.21) transferred epithet metaphor

27. dictating his autobiography late in life, he commented with a crushing sense of despair on men‘s final release from earthly struggles. (Para.22) metaphor

28. where the have left no sign that they had existed— a world which will lament them a day and forget them forever. (Para.22) antithesis personification

Lesson 14

1.This changed conviction into certainty. (Para 1) Alliteration

2. I had not the slightest doubt where our duty and policy lay. (Para 1) Litotes

3. I suppose they will be rounded up in hordes. (Para 1) Metaphor

4. … I asked whether for him, the arch an ti-Communist, this was not bowing down in the House of Rimmon. (Para 5) Metaphor

5. If Hitler invaded Hell I would make at least a favorable reference to the Devil in the House of Commons. (Hitler is much eviler than the devil.) (Para 5) Hyperbole

6. The Maze regime is devoid of all theme and principle except appetite and racial domination. (Para 8) Metaphor

7. It excels all forms of human wickedness in the efficiency of its cruelty and ferocious aggression. (Para 8) Irony

8. I see the Ru ssian soldiers standing on the threshold of their native land…. (Para 8) Metaphor 9. – for the safety of their loved ones, the return of the bread-winner, of their champion, of their protector. (Para 8) Innuendo

10. I see the ten thousand villages of Russia where the means of existence is wrung so hardly from the soil… (Para 8) Metaphor

11. I see advancing upon all this in hideous onslaught the Nazi war machine, with its clanking, heel-clicking, dandified Prussian officers, … (Para 8) Metaphor

12. I see all the ①dull, drilled, docile, brutish, masses of the Hun soldiery plodding on ②like a swarm of crawling locusts. (Para 8) ①Alliteration ②Simile\Ridicule

13. I see the German ①bombers and fighters in the sky, still ②smarting from many a British

③whipping, ④delighted to find what they believe is an easier and safer ⑤prey (the Russian soldiers). (Para 8) ①Synecdoche ②③④Metaphor\Personification ⑤Metaphor

14. Behind all this ①glare, behind all this ②storm, I see that small group of villainous men

who plan, organize, and launch this ③cataract of horrors upon mankind…(Para 9)

①Metaphor ②Metaphor ③Metaphor

15. I have to declare the decision of His Majesty‘s Government… (Para 10) Antonomasia

16. – for we must spread out now at once, with out a day‘s delay. (Para 10) Repetition

17. I have to make the declaration, but can you doubt what our policy will be? (Para 10) Rhetorical Question

18. We have but one aim and one single, irrevocable purpose. (Para 10) Repetition

19. We are resolved to destroy Hitler and every vestige of the Nazi regime. (Para 10)

Metaphor

20. From this nothing will turn us—nothing. (Para 10) Inversion

21. We will never parley, we will never negotiate…(Para 10) Repetition

22. We have rid the earth of his shadow (influence) and liberated its peoples from his yoke (control). (Para 10) Metaphor

23. ①Any man or state who ②marches with Hitler is our foe. (Para 10)

①Antithesis ②Metaphor

24. It follows therefore that we shall….We shall…, as we shall faithfully and steadfastly to the end… (Para 10) Parallelism

25. But when I spoke… which have impelled or lured him on his Russian adventure I said there was one deeper motive behind his outrage. (Para 12) Euphemism

26. He wishes to destroy the Russian power ….from the East and hurl it upon this Island, which he knows….of his crimes. (Para 12) ①Metaphor ②Synecdoche

27. … and that he can overwhelm Great Britain before the Fleet and airpower of the United States may intervene. (Para 12) Synecdoche

28. He has so long thrived and prospered. (Para 12) Repetition

29. …and that then the①scene will be clear for the final ②act,…(Para 12)

①Metaphor ②Euphemism

30. …, just as the cause of any Russian fighting for his h earth and home is the cause of free men and free peoples in every quarter of the globe. (Para 13) Alliteration

31. Let us learn the lessons already taught by such cruel experience. (Para 13) Alliteration

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