Playing on the typewriter, typing on the piano manipulation knowledge of objects
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用过的手动打字机英语作文I remember the first time I used a manual typewriter. It was in my grandfather's study, and I was fascinated by the clacking sound of the keys as I typed. The feel of the keys under my fingers was so different from a computer keyboard it required more force and precision.The ink ribbon of the typewriter always left a distinct smell on the paper, a mix of ink and metal. It's a smell that takes me back to that study every time I encounter it. There's something nostalgic and comforting about it, like stepping into a time machine and being transported to a different era.One thing I found challenging about using a manual typewriter was the lack of a backspace key. If I made a mistake, I had to use correction fluid or start over with a fresh sheet of paper. It really made me appreciate the convenience of modern word processors and their endless editing capabilities.Despite the challenges, there was a certainsatisfaction in seeing the words appear on the paper as I typed. It felt more tangible and permanent than typing on a screen. There was no "delete" button to erase my words each keystroke felt deliberate and meaningful.I also loved the physicality of using a manual typewriter. The way I had to roll the paper in and out, the sound of the carriage returning after each line, and the satisfying ding at the end of a line. It felt like I was actively creating something, not just inputting characters into a machine.Looking back, I realize that using a manual typewriter taught me patience and precision. It forced me to slow down and think about each word before I typed it. In a world of instant communication and constant distractions, there's something valuable in that kind of focus and intentionality.。
unit 1 Mr. Doherty Builds His Dream LifeIn America many people have a romantic idea of life in the countryside. Many living in towns dream of starting up their own farm, of living off the land. Few get round to putting their dreams into practice. This is perhaps just as well, as the life of a farmer is far from easy, as Jim Doherty discovered when he set out to combine being a writer with running a farm. Nevertheless, as he explains, he has no regrets and remains enthusiastic about his decision to change his way of life.在美国,不少人对乡村生活怀有浪漫的情感。
许多居住在城镇的人梦想着自己办个农场,梦想着靠土地为生。
很少有人真去把梦想变为现实。
或许这也没有什么不好,因为,正如吉姆·多尔蒂当初开始其写作和农场经营双重生涯时所体验到的那样,农耕生活远非轻松自在。
但他写道,自己并不后悔,对自己作出的改变生活方式的决定仍热情不减。
Mr. Doherty Builds His Dream LifeJim Doherty1 There are two things I have always wanted to do -- write and live on a farm. Today I'm doing both. I am not in E. B. White's class as a writer or in my neighbors' league as a farmer, but I'm getting by. And after years of frustration with city and suburban living, my wife Sandy and I have finally found contentment here in the country. 多尔蒂先生创建自己的理想生活吉姆·多尔蒂有两件事是我一直想做的――写作与务农。
关于偶像的英语作文80词史铁生全文共10篇示例,供读者参考篇1I really like my idol, Shi Tiesheng! He is a famous Chinese writer and poet. His writing is super cool and always makes me think about life and the world around me.Shi Tiesheng had a tough life because he became paralyzed after a car accident when he was young. But he didn't let that stop him from pursuing his dreams. He used to write by holding a pen in his mouth and typing on a typewriter. That's so inspiring!One of my favorite poems by Shi Tiesheng is called "Pine Tree on the Way Home". It's about a pine tree that grows on the side of the road and watches over the people passing by. I think it's a beautiful poem that reminds us to appreciate the simple things in life.I also love Shi Tiesheng's essays, where he writes about his experiences and thoughts on life. He has a unique perspective that always gets me thinking. I admire how he never gives up, no matter what challenges he faces.Shi Tiesheng is truly an amazing person and a great role model for me. I hope to be as strong and positive as he is, even when things get tough. He teaches me that no matter what happens in life, we can always find beauty and meaning in the world around us.I will always look up to Shi Tiesheng and his writing. He is not just a writer, but also a symbol of resilience and hope. I am grateful to have him as my idol.篇2Title: My Favorite Idol - Shi TieshengHi everyone, today I want to share with you all about my favorite idol, Shi Tiesheng. He is a famous writer from China and I really admire him a lot!Shi Tiesheng is a very inspiring person because he overcame many difficulties in his life. When he was young, he lost both of his legs in an accident. But instead of giving up, he continued to pursue his dreams and never stopped writing. His positive attitude and determination really motivate me to never give up, no matter how hard things may seem.Another reason why I love Shi Tiesheng is because of his writing. His books are so interesting and touching. I love reading his stories about life, love, and the world. He has a unique writing style that captures my heart every time I read his work. I hope to be as good a writer as him one day!Lastly, I admire Shi Tiesheng because he is a kind and humble person. Despite his fame, he remains down-to-earth and always cares about others. He uses his influence to spread positivity and help those in need. I think that is really amazing!In conclusion, Shi Tiesheng is not just a writer, but also a role model for me. I will always look up to him and strive to be a better person like him. I hope one day I can meet him in person and tell him how much he has inspired me. Thank you for listening to my story about my favorite idol, Shi Tiesheng!篇3Title: My Idol - Shi TieshengHi everyone! Today I want to talk about my idol, Shi Tiesheng. He is a famous Chinese writer and poet who has inspired me in so many ways. I first learned about him when my teacher read his poems in class, and I was amazed by his beautiful words and deep thoughts.Shi Tiesheng had a tough life. He lost his sight at a young age due to a tragic accident, but that didn't stop him from pursuing his passion for writing. He used braille to write his poems and essays, and his work touched the hearts of many people.One of my favorite poems by Shi Tiesheng is "The Sound of Water Drops." In this poem, he describes the simple beauty of nature and how the sound of water drops can bring peace to our minds. It always reminds me to appreciate the little things in life and find joy in every moment.Not only is Shi Tiesheng a talented writer, but he is also a kind and humble person. Despite his fame, he remaineddown-to-earth and was always willing to help others. He once said, "The world is vast and everyone is trying their best. We should be more understanding and supportive of each other." These words have taught me to be kind and compassionate to everyone around me.In conclusion, Shi Tiesheng is not just a writer or a poet, but also a role model for me. His perseverance, wisdom, and kindness have inspired me to pursue my dreams and be a better person. I will always look up to him and strive to make a positiveimpact on the world, just like he did. Thank you, Shi Tiesheng, for being my idol!篇4I'm going to write an essay about my idol, Shi Tiesheng, in a cute and casual way just like a primary school student would do, here it goes:Shi Tiesheng is my idol because he is super cool and inspiring! He was a famous writer in China and his stories were really interesting. I first learned about him in my Chinese class and I couldn't stop reading his books!What's amazing about Shi Tiesheng is that he never gave up even when he faced a lot of difficulties. He lost his arms and became paralyzed in a car accident, but he didn't let that stop him from writing. He learned to use his mouth to hold the pen and kept writing amazing stories. That's so brave and awesome!I also love how Shi Tiesheng cared about nature and animals. He was always talking about protecting the environment and being kind to animals. That's really cool and I want to be like him too!Whenever I feel sad or discouraged, I always think of Shi Tiesheng and how he never gave up. He inspires me to keep going and never lose hope. He's like a superhero to me!In conclusion, Shi Tiesheng is not just a writer, he's a role model for everyone. I hope I can be as strong and brave as him one day. Thank you, Shi Tiesheng, for being my idol!篇5Who is your favorite idol? My favorite idol is Shi Tiesheng!Shi Tiesheng is a famous Chinese writer. He was born in 1951 in Beijing, China. When he was young, he loved to read books and write stories. He was very talented and soon became awell-known writer in China.One day, when Shi Tiesheng was 27 years old, he was in a terrible accident. He fell off a mountain and injured his spinal cord. As a result, he became paralyzed from the waist down and had to use a wheelchair for the rest of his life. But despite his disability, Shi Tiesheng didn't give up on his dreams. He continued to write and became even more famous. He wrote many inspiring stories that touched the hearts of millions of people.Shi Tiesheng is not only a great writer, but also a great person. He is kind, humble, and always willing to help others. He never complains about his disability and always has a positive attitude towards life. He is truly an inspiration to me and many others.I admire Shi Tiesheng not only for his talent as a writer, but also for his strength and perseverance in the face of adversity. He has taught me that no matter what challenges we face, we can always overcome them with determination and a positive attitude.Shi Tiesheng will always be my idol, and I hope to be as brave and as inspiring as him one day.篇6Once upon a time, there was a very cool and awesome idol named Shi Tiesheng. He was not just any ordinary idol, he was a writer and philosopher too. His words were like magic and his stories were so interesting.Shi Tiesheng was born in Beijing, China in 1948. He became disabled at a young age when he fell off a roof and broke his spine. But despite his disability, he never gave up on his dreams.He wrote many famous novels and essays that touched the hearts of people all around the world.One of his most popular works is a novel called "The Demon's Inheritance". It tells the story of a man who struggles to find meaning in his life after facing many challenges. Shi Tiesheng's writing style is so unique and inspiring that it has inspired many people to never give up on their dreams.Not only was he a talented writer, but he was also a wise philosopher. He believed in the power of love and kindness and always encouraged people to be compassionate towards each other. His words were like a guiding light in a dark world, showing people the way to a better life.Shi Tiesheng may no longer be with us, but his words and wisdom will live on forever. He will always be remembered as a great idol who inspired people to be kind, determined, and never give up on their dreams. Thank you, Shi Tiesheng, for being such an amazing idol to us all!篇7Oh my gosh, have you guys heard about my favorite idol, Shi Tiesheng? He is like the coolest person ever! Let me tell you all about him.Shi Tiesheng is a famous writer in China. He wrote lots of books and poems that are super inspiring. His words are so deep and meaningful, they always make me think about life in a different way. I love reading his works because they teach me so much about the world.But you know what's even more amazing about Shi Tiesheng? He overcame so many obstacles in his life. He got into a terrible accident when he was young and became paralyzed from the waist down. Despite his disability, he never gave up on his dream of writing. He's such a strong and determined person, it's truly inspiring.I really look up to Shi Tiesheng because he never lets anything hold him back. He's a true role model for all of us. Whenever I feel down or discouraged, I just think of Shi Tiesheng and his courage gives me strength.I hope one day I can meet Shi Tiesheng in person and thank him for being such an amazing idol. He's not just a writer, he's a hero in my eyes. I will always admire and support him no matter what.Shi Tiesheng, you're the best! Thank you for being such an awesome idol!篇8Hello everyone! Today, I'm going to talk about my favorite idol, Shi Tiesheng. He is a famous Chinese writer and poet. I really admire him because he is so talented and inspiring.Shi Tiesheng was born in 1951 and he lost his legs in a terrible accident when he was young. Despite this, he never gave up and continued to pursue his dreams of writing. He has written many amazing works that touch the hearts of people all over the world.One of the things I love about Shi Tiesheng is his positive attitude towards life. He always sees the bright side of things and never lets his disability hold him back. He is a true role model for me and I aspire to be as strong and determined as he is.I also admire Shi Tiesheng's creativity and imagination. His poems and stories are so beautiful and thought-provoking. Whenever I read his works, I feel inspired and motivated to chase after my own dreams.In conclusion, Shi Tiesheng is not just a writer or poet, he is a true hero. He has overcome so many challenges in his life and he continues to inspire others with his words. I am grateful to have him as my idol and I will always look up to him for guidance andinspiration. Thank you, Shi Tiesheng, for being such an amazing role model!篇9"Hi everyone, today I want to talk about my idol, Shi Tiesheng. He is a famous Chinese writer and poet. I first learned about him in my Chinese literature class at school, and I was immediately drawn to his works.Shi Tiesheng had a tough life. When he was young, he got sick and became paralyzed. Despite his disability, he never gave up on his dream of becoming a writer. He used his experiences and emotions to create beautiful poems and stories that touched the hearts of many people.One of the things I admire most about Shi Tiesheng is his positive attitude towards life. He never complained about his condition, and instead, he used it as inspiration for his writing. He believed that everyone has the power to create something meaningful, no matter what challenges they face.I also love the way Shi Tiesheng writes. His words are simple yet powerful, and they always make me think about life in a different way. His works are full of wisdom and deep insights that resonate with me on a personal level.In conclusion, Shi Tiesheng is not just a writer or poet to me, he is a role model. His resilience, optimism, and creativity inspire me to pursue my own dreams and never give up, no matter what obstacles I may face. I hope to one day be as brave and talented as him. Thank you for listening to my essay about my idol, Shi Tiesheng!"篇10Hello everyone! Today I want to talk about my favorite idol, Shi Tiesheng. He is a famous Chinese writer and poet. I really admire him because he never gave up on his dreams, even though he became disabled after a tragic accident.Shi Tiesheng's stories are so inspiring. He always talks about life, love, and the importance of never losing hope. Even when he was in a wheelchair, he continued to write and create beautiful poems that touched the hearts of many people.I remember reading one of his poems called "The Peach Blossom." It's about a beautiful peach tree that blooms every spring, even when everything around it is in darkness. This poem taught me that no matter how hard life gets, there is always something beautiful to look forward to.Shi Tiesheng's perseverance and positive attitude have made him a role model for me. Whenever I feel like giving up, I think of him and his words of encouragement. He has taught me that no matter what challenges we face, we can always find a way to overcome them.In conclusion, Shi Tiesheng is not just a writer or poet to me, he is a true hero who has inspired me to never lose hope and always believe in myself. I hope one day I can be as strong and brave as he is. Thank you for listening to my story about my idol, Shi Tiesheng!。
分层跟踪检测(二)Grammarandusage&IntegratedskillsA级必备知识基础练Ⅰ.单句语法填空1.After getting all the work done,we put up a board reminding people (protect) the trees.2.The (propose) you came up with yesterday was highly appreciated.3.What’s more,(do) housework can be a form of mental rela study.4.I’ve heard Tom is e to do me the favor to help create a (post).5.She thought about hiring a (profession) pianist to work with her father.6.As a result a serious flood,two-thirds of the buildings in the area need to be repaired.7.When facing some serious accidents,if we know some(base) things about first aid,we can save lives.8.She finds it impossible to stick a diet.9.When I came in,I found Mike (sit) at the back of the classroom.10.The thought of going back home was all that kept him (happiness) when he was working abroad.Ⅱ.选词填空1.As we all know,most of the ratings others’ judgement on the product or service concerned.2.It’s said that in China the number of young people has been on the decrease the pressure of life.3.To make our country more prosperous,we should the principle of scientific development.4.Realizing that time is limited,we have to be careful about what we look for and what we .5.The main purpose of the passage is to present a way to plastics.6.Every time I look at the picture,I my childhood.7.She was able to get over her disappointment and justthe things she had done.8.Some people are trying hard to make theirdreams ,while some are wasting their life.Ⅲ.单句写作1.学会批判性思维是当代孩子未来所必需的重要技能。
一、根据首字母填写单词(单词拼写)1. Workers built shelters for survivors whose homes had been d_________.2. He made a c________ that he would donate all his money to charity. (根据首字母单词拼写)3. The big ship was d________ by the iceberg(冰)and all passengers fell into the ocean. (根据首字母单词拼写)二、根据汉语意思填写单词(单词拼写)4. Well, I’ve found our________(位置)on the map if you want to see where we are. (根据汉语提示单词拼写)5. They played a football game to raise money for ________ (慈善). (根据汉语提示单词拼写)6. She does a lot of work for ________(慈善). (根据汉语提示单词拼写)三、根据中英文提示填写单词(单词拼写)7. It's a registered c________(慈善机构) and has raised a large sum of money to help the victims in the flood. (根据中英文提示填空)8. Testing needs to be done to ________(确定) the long-term e________ of the medicineon humans. (根据汉语提示单词拼写)(根据首字母单词拼写)四、完成句子9. 我坚信,我们越尊重自然,自然给予我们的馈赠就越多。
(the+比较级...,the+比较级...)I firmly believe that ________, ________.10. Scientists are doing their best to find out ________ this environmental problem.科学家们正在尽力找到这个环境问题的解决方法。
意外的礼物作文提纲英文回答:Unexpected gifts are always a pleasant surprise, asthey often come when we least expect them. One such giftthat I received was a vintage typewriter from my grandfather. It was completely unexpected and caught me off guard. I had always admired the beauty and elegance of typewriters, but never thought I would own one. This gift holds a special place in my heart because it not only represents a piece of history, but also a connection to my grandfather.When I first laid eyes on the typewriter, I was immediately drawn to its intricate design and craftsmanship. The shiny black keys, the metal frame, and the satisfying sound it made when I typed all added to its charm. It was like stepping back in time and experiencing a different era.I couldn't help but imagine the stories that were writtenon this very machine.The typewriter also holds sentimental value because it was passed down from my grandfather. He had used it during his younger years and it had been in our family for generations. Knowing that it had played a part in his life made it even more special to me. It was a way for me to connect with him and feel closer to my family history.I have always been a lover of writing, and this unexpected gift has inspired me even more. I find myself sitting at the typewriter, typing away, and feeling a sense of nostalgia and creativity. There is something about the physical act of typing that is so different from typing on a computer. It requires more effort and focus, but it also feels more personal and intimate.Every time I use the typewriter, I am reminded of the thoughtfulness and love behind this unexpected gift. It serves as a reminder to cherish the little things in life and to appreciate the people who bring joy into our lives. It has also taught me the importance of preserving history and passing down traditions.中文回答:意外的礼物总是令人愉快的惊喜,因为它们通常在我们最不期待的时候出现。
第二学期高中新课程模块期中考试试题(卷)高一英语第一部分听力(共两节,满分30分)第一节(共5小题;每小题1.5分,满分7.5分)听下面5段对话。
每段对话后有一个小题,从题中所给的A、B、C三个选项中选出最佳选项,并标在试卷的相应位置。
听完每段对话后,你都有10秒钟的时间来回答有关小题和阅读下一小题。
每段对话仅读一遍。
1. How long will the man wait for the post office to open?A. Fifteen minutes.B. Half an hour.C. An hour.2. When did the plane to Shanghai take off?A. At 12:25.B. At 12:30.C. At 12:35.3. How does the woman usually contact her friends?A. By letter.B. By telephone.C. By e-mail.4. What do the two speakers probably do?A. They are reporters.B. They are doctors.C. They are tourists.5. Why does the woman thank the man?A. Because he is a good listener.B. Because he lent her some money.C. Because he returned her lost money to her.第二节(共15小题;每小题1.5分,满分22.5分)听下面5段对话或独白。
每段对话或独白后有几个小题,从题中所给的A、B、C三个选项中选出最佳选项,并标在试卷的相应位置。
听每段对话或独白前,你将有时间阅读各个小题,每小题5秒钟;听完后,各小题将给出5秒钟的作答时间。
2022年山东省济宁市兖州实验高级中学高三英语期末试卷含解析一、选择题1. His study is in______: his house keeper has long since given up trying to put his papers in order.A. troubleB. dangerC. collisionD. chaos参考答案:D【详解】考查名词辨析。
句意: 他的书房一片混乱:他的管家早已放弃整理他的文件。
A. trouble麻烦;B. danger危险;C. collision碰撞;D. chaos混乱。
结合句意故选D。
2. The TV program is very attractive as it deals with ________ subjects such as music, painting and fashion.A. diverseB. constantC. casualD. precise参考答案:A略3. When _____ comes to codes of ethics, I think everyone should strictly obey them.A. thatB. thisC. itD. one参考答案:C4. Comedies, examples ______ are Beverly Hills Cop and Home Alone, continue to bevery popular.A. in thatB. for whichC. of whichD. of them参考答案:C5. at my classmates' faces, I read the same excitement in their eyes.A. LookingB. LookC. To lookD. Looked参考答案:A解析:look与句子主语I为主动关系,因此用looking.考点:本题考查非谓语动词。
江西省赣州市于都县2024届八年级英语第二学期期末监测试题满分120分,时间90分钟一、完形填空(10分)1、阅读短文,从每题A、B、C、D四个选项中,选出一个能填入文章中相应空白处的最佳答案。
Coming home from school, I opened the door of the living room. I was ____1____ by what I saw. Mother sat on the sofa and she was ____2____. I had never seen that.“Mother?” I said. “What happened?” she wiped away tears (擦掉眼泪) and put on a weak smile. “____3____ important. Just that I’m going to ____4____ the job at the radio station. I can’t type(打字) fast enough.”“You have been practicing typing on your green typewriter ____5____ and I believe you’ll catch on,” I said. “You always said you could do anything if you set your ____6____ to it.”“I think I can in most things,____7____ I can’t do this,” she said. She put her face ____8____ my shoulder (肩膀). Finding Mother in tears, I began very slowly to ____9____ the pressure on her. She was still my mother, but she was also a ____10____ person like me, capable of(会……的)fear, hurt and failure.week later, Mother took a ____11____ selling dry goods (商品、货物). But the evening practice on that green typewriter ____12____. I had a very ____13____ feeling now when I passed her door at night and heard her tapping away. I knew there was something more going on there than a woman learning to type.Several years later, Mother ____14____ took up working as a newspaper reporter. The green typewriter sits in my office now, unrepaired. When I have trouble writing an article and think about ____15____, I will think of my mom, looking at the typewriter. What keeps in my mind then is not her failure, but her will to go ahead.1. A. moved B. shocked C. excited D. interested2. A. crying B. laughing C. talking D. kidding3. A. Nothing B. Everything C. Something D. Anything4. A. change B. get C. lose D. achieve5. A. recently B. clearly C. suddenly D. actually6. A. force B. mind C. opinions D. feelings7. A. because B. so C. and D. but8. A. against B. over C. in D. with9. A. hide B. introduce C. understand D. hold10. A. unusual B. common C. sweet D. brave11. A. ticket B. hobby C. job D. trip12. A. developed B. worked C. stopped D. continued13. A. crazy B. peaceful C. different D. same14. A. successfully B. simply C. hardly D. quietly15. A. giving off B. giving up C. giving out D. giving away二、阅读理解(40分)2、Do you feel a little sleepy after lunch? Well, that’s normal. Your body naturally slows down then. What should you do about it? Don’t reach for a coffee! Instead, take a nap (小睡).It’s good to have a daily nap. First of all, you are more efficient (效率高的) after napping. You remember things better and make fewer mistakes. Also, you can learn things more easily after taking a nap. A nap may increase your self-confidence (自信) and make you more active. It may even cheer you up. But, there are some simple rules you should follow about taking a nap. First, take a nap in the middle of day, about eight hours after you wake up. Next, a 20-minute nap is the best. If you sleep longer, you may fall into a deep sleep. After waking from a deep sleep, you will feel worse. Also, you should set an alarm clock. That way, you can fully relax during your nap. You won’t have to keep looking at the clock, so you don’t oversleep.Now, the next time you feel sleepy after lunch, don’t get stressed. Just take a nap!1. It is ________ to get sleepy for you at noon.A. normalB. strangeC. amazing (令人惊奇的)D. interesting2. After taking a nap, you may feel more ________.A. stressedB. confident (有信心的)C. sleepyD. careful3. The proper (适当的) period (一段时间) of time for taking a nap is ________.A. as long as you likeB. eight hoursC. about twenty minutesD. an hour4. What can help you have a fully relaxing nap according to the passage?A. A cup of coffee.B. A quick meal.C. An alarm clock.D. Some fruit.5. The best title for this article may be ________.A. Just a quick napB. Just for a coffeeC. A quick meal is enoughD. Sleep longer3、配对阅读。
Playing on the typewriter,typing on the piano:manipulation knowledge of objectsJong-yoon Myung *,Sheila E.Blumstein,Julie C.Sedivy Department of Cognitive and Linguistic Sciences,Box 1978,Brown University,Providence,RI 02912,USAReceived 25August 2004;accepted 19November 2004AbstractTwo experiments investigated sensory/motor-based functional knowledge of man-made objects:manipulation features associated with the actual usage of objects.In Experiment 1,a series of prime-target pairs was presented auditorily,and participants were asked to make a lexical decision on the target word.Participants made a significantly faster decision about the target word (e.g.‘typewriter’)following a related prime that shared manipulation features with the target (e.g.‘piano’)than an unrelated prime (e.g.‘blanket’).In Experiment 2,participants’eye movements were monitored when they viewed a visual display on a computer screen while listening to a concurrent auditory input.Participants were instructed to simply identify the auditory input and touch the corresponding object on the computer display.Participants fixated an object picture (e.g.“typewriter”)related to a target word (e.g.‘piano’)significantly more often than an unrelated object picture (e.g.“bucket”)as well as a visually matched control (e.g.“couch”).Results of the two experiments suggest that manipulation knowledge of words is retrieved without conscious effort and that manipulation knowledge constitutes a part of the lexical-semantic representation of objects.q 2005Elsevier B.V.All rights reserved.Keywords:Manipulation knowledge;Perceptual vs.functional knowledge;Sensory/motor experiences;Lexical-semantic representation1.IntroductionA key is a small implement that is made of metal and cut into a special shape.A key is also associated with a lock or door.The function of a key is to fasten or unfasten a lock by turning 0022-2860/$-see front matter q 2005Elsevier B.V.All rights reserved.doi:10.1016/j.cognition.2004.11.010*Corresponding author.Tel.:C 14018631101;fax:C 14018632255.E-mail address:jong-yoon_myung@ (J.Myung).its bolt.To this end,certain actions by hand and wrist movements are used.Even for such a simple object as a key we represent various kinds of knowledge:we not only know how the object looks or feels,but also what it is used for and how we use it.A critical question concerns what the underlying representation and structure of such knowledge is like.Since the groundbreaking studies by Warrington (1975),many researchers have reported case studies of category-specific impairments as a source of insight into such knowledge representations.On tasks such as picture naming and word definition,patients show a disproportionate impairment with stimuli denoting living things (e.g.animals and fruits/vegetables)relative to non-living things (e.g.tools and utensils)or vice versa.The patterns of category-specific impairments seemed to indicate that lexical-semantic representations are not randomly organized,but have a certain underlying structure.Category-specific impairments have,hence,been considered a window into the structure of lexical-semantic representation.A dominant view on category-specific impairments in the literature is the sensory-functional hypothesis,initiated by Warrington and Shallice (Shallice,1988;Warrington &McCarthy,1983;Warrington &Shallice,1984)and further developed by other researchers (Farah &McClelland,1991;Saffran &Sholl,1999;see Forde &Humphreys,1999,for review).The sensory-functional hypothesis claims that category-specific impairments arise because of a differential weighting of sensory and functional information in categories.In this view,sensory information,visual in particular,is important in differentiating between living things,while functional information is crucial in differentiating between non-living things.Thus,the distinction between knowledge of an object’s perceptual characteristics and its function has played an important role in research on object representation in general.1Although functional information is a crucial concept in explaining category-specific impairments,there is surprisingly little consensus about its definition.The operational definition of functional information has varied across studies,ranging from information about an object’s usage to non-sensory information including encyclopedic information (e.g.Cree &McRae,2003,p.181).2Postulating that the function of objects is a primary basis for categorization,Nelson (1973)noted,“Functional definitions will be found to vary in their complexity and abstraction from the earliest simple definitions in terms of action to definitions in terms of higher order properties of the most abstract type such as hormones or S–R connections”(p.37).On this view,the “earliest simple”functional concept is derived from our intuitive interaction with an object.For instance,when we see a water gun,we think of pushing its1Throughout this paper,the concept perceptual will be used in a broad sense,including sensory/motor states.Due to a common usage of the ‘sensory-functional’dichotomy in the domain of category-specific impairments,sensory will be used interchangeably with perceptual .2For instance,Garrard,Ralph,Hodges,and Patterson (2001)used the following criteria:“attributes classified as sensory were those which could be appreciated in some sensory modality [.];attributes categorized as functional were those which described an action,activity,or use of an item [.];encyclopedic attributes were considered to be those describing some other type of associative relationship (p.131).”Although Garrard et al.’s definition of functional seems pretty clear,there are still disputable cases.Powerful is considered as functional information for an aeroplane,but not strong for an alligator.While ‘aeroplane has engine’or ‘bicycle has gears’is classified as encyclopedic knowledge,‘bicycle has brakes’is functional knowledge.J.Myung et al./Cognition 98(2006)223–243224J.Myung et al./Cognition98(2006)223–243225 trigger to squirt a stream of water.The action of pushing the trigger of a water gun is the “earliest simple”functional concept about a water gun.Yet,the physical relations implicated in the process of how the increase of the pressure in the water gun produces a curvilinear squirt of water or its chemical impact on a person’s skin and his/her response to it would belong to higher abstract functional knowledge.Thus,functional knowledge comprises multiple characteristics,ranging from heavily perceptually based to highly abstract.Functional information has been generally considered as knowledge about the intended usage or purpose of an object,namely what an object is used for(“what for”knowledge).As such,functional knowledge has been regarded as conceptual in nature. However,we also have knowledge about how to use an object,or more exactly,how to manipulate an object to successfully carry out its intended usage(“how”knowledge).This type of functional knowledge is presumably grounded in sensory/motor experiences.Supporting Nelson’s view that even functional knowledge has a perceptual basis, Martin,Ungerleider,and Haxby(2000)define functional knowledge as the“information about patterns of visual motion and patterns of motor movements associated with the actual use of the object.As such,this information is as dependent on sensory experience as is information about the visual form.The difference is that functional information is derived from motor movements,and visual processing of motion,rather than visual processing of form”(p.1028).In this sense,functional information is not necessarily characterized as more abstract,conceptual or verbal than perceptual information.As evidence for this view of functional information,Martin and colleagues showed in a series of neuroimaging studies that there is category-specific activation in the ventral premotor cortex(VPMCx)and the posterior middle temporal gyrus(PMTG)for the retrieval or recognition of manipulable artifacts such as tools and utensils(e.g.Chao& Martin,2001;Martin,Wiggs,Ungerleider,&Haxby,1996;see Martin&Chao,2001,for review;also see Grabowski,Damasio,&Damasio,1998).The middle temporal gyrus is well known to be sensitive to visual motion information and the premotor area is involved in processing motor movements.Thus,although not conclusive,the activation pattern in these areas is consistent with the hypothesis that information about patterns of visual motion and motor movements may be relevant for the retrieval or recognition of man-made objects.Patterns of visual motion and motor movements reflect the manner of interaction with objects,namely how we use an object for its intended usage.Hence,in addition to“classically functional”information(“what for”),manipulation information (“how”)appears to be an important part of the lexical-semantic representation of man-made objects,and this sensory/motor-based functional knowledge seems to be represented in the VPMCx and the PMTG.More directly addressing the multi-dimensionality of functional knowledge,some neuropsychological case studies using picture identification,definition or semantic judgment tasks have shown dissociations in which functional knowledge could be differentiated into usage-based“what for”and manipulation-based“how”(e.g.Buxbaum, Veramonti,&Schwartz,2000;Sirigu,Duhamel,&Poncet,1991).Reporting on two apraxic patients,JD and WC,Buxbaum et al.(2000)investigated their patients’knowledge about the function and manipulation of manipulable objects.Apraxia has been regarded as a window into manipulation-based“how”knowledge since apraxic patients are impaired at performing and comprehending hand/body movements in spite of lack of any muscularproblems–sometimes even in the presence of intact “what for”knowledge about an object (Buxbaum,Schwartz,&Carew,1997).JD and WC performed the picture version of the Function and Manipulation Triplets Test (Buxbaum &Saffran,1998),in which they were asked to view three pictured objects and select the two that were most similar to one another with respect to three conditions:function (e.g.“record player”,“radio”,“telephone”),manipulation (e.g.“typewriter”,“piano”,“stove”)and function and manipulation together (e.g.“roller”,“paintbrush”,“screwdriver”).3Both patients’performance was significantly worse in the manipulation condition (JD:3/14,21%correct;WC;7/14,50%)compared to the function condition (JD:16/20,80%;WC 20/20,100%).Their performance on the function and manipulation condition was intermediate (JD:14/20,70%,WC:12/20,60%).This strong relationship between apraxia and manipulation knowledge deficits suggests that sensory/motor representations are involved not only in comprehending and producing voluntary movements,but also in thinking about them.Nevertheless,it is worth noting that Buxbaum and colleagues used an explicit task.In other words,participants were explicitly asked to retrieve appropriate types of knowledge.It is possible that the dissociations they noted in their patients reflected a failure to appropriately use heuristic information or strategies to group the words appropriately.Thus,their study does not address whether manipulation knowledge would be accessed in an implicit task,and additionally,whether this knowledge is automatically accessed without conscious effort,reflecting its status as an intrinsic part of the lexical-semantic representation of objects.In their neuroimaging studies,Martin and colleagues used various types of tasks including passively viewing pictures,silently naming pictures and reading written names,and found a consistent activation pattern.These results show a stable involvement of certain neural areas in manipulation knowledge and are suggestive of automatic access to manipulation knowledge at the neural level.Although very suggestive,neural activations in the sensory/motor areas during object identification are not direct evidence that manipulation knowledge is activated during object identification.Therefore,it is necessary to examine activation of manipulation information in a more direct manner:If clear effects of manipulation knowledge on cognitive processing can be shown in an implicit behavioral task in which manipulation knowledge is not explicitly called for,then it will not only provide evidence for manipulation knowledge as an intrinsic part of object representation,but will also buttress the neuroimaging results by Martin and colleagues.Yet,to date there is little behavioral evidence for the automatic activation of manipulation information in an implicit task.Thus,the present study aimed to investigate the retrieval of manipulation knowledge in implicit behavioral tasks in normal subjects,using two different experimental methods in different modalities.The first experiment used a lexical decision task in the auditory modality and the second experiment tracked participants’eye movements to a picture display while they mapped speech input to a picture in the display.3Throughout this paper,single quotes signify a stimulus word,double quotes signify a stimulus picture,and italics signify a conceptual representation.Thus,‘typewriter’signifies the word typewriter,“typewriter”signifies a picture of a typewriter,and typewriter signifies the corresponding concept.J.Myung et al./Cognition 98(2006)223–243226J.Myung et al./Cognition98(2006)223–243227A lexical decision task has been commonly used in studies on lexical-semantic processing(e.g.Meyer&Schvaneveldt,1971;Milberg&Blumstein,1981;Swinney, Onifer,Prather,&Hirshkowitz,1979)and provides a measure of priming,namely an effect of processing facilitation based on a relationship between the prime and target words (e.g.a faster reaction time latency to the target‘dog’following a semantically related prime such as‘cat’compared to a semantically unrelated prime such as‘cup’).Priming is a robustfinding demonstrated for words and pictures(e.g.Carr,McCauley,Sperber,& Parmelee,1982;Moss,Ostrin,Tyler,&Marslen-Wilson,1995;Vanderwart,1984)and has been interpreted as reflecting the organization or operation of processes within the lexical-semantic network.Therefore,the priming paradigm has been a useful tool for research on the lexical-semantic interconnections among the units of the network.A priming paradigm was used in Experiment1to determine whether significant priming would obtain in an implicit task where the relationship between the prime-target pairs was based on shared manipulation features between objects that are otherwise semantically dissimilar(e.g.‘piano’–‘typewriter,’‘key’–‘screwdriver’).Usually,prime and target words used in a priming experiment are semantically related or semantically associated with each other.Thus,it is useful to determine whether common manipulation features would lead to a priming effect when the prime-target pairs are not otherwise semantically or associatively related.Experiment2used an eye tracking paradigm.Eye movement techniques have been increasingly used to study lexical processing due to several advantages(e.g.Allopenna, Magnuson,&Tanenhaus,1998;Dahan,Magnuson,&Tanenhaus,2001;Tanenhaus, Spivey-Knowlton,Eberhard,&Sedivy,1995;Yee&Sedivy,2005).First,eye movements can be measured without disrupting speech or requiring participants to make a metalinguistic judgment.Second,the typical task requirements for the participant are to either look at or point to an object in the display.Thus,participants can engage in a naturalistic task.Third,eye movement techniques providefine-grained and continuous temporal information,allowing for monitoring the temporal course of lexical-semantic processing.For the present study,we hypothesize that participants will show an effect of processing facilitation even in implicit tasks based on the common manipulation features between objects.Both Experiments1and2investigate manipulation knowledge indirectly without explicitly asking participants to access this manipulation knowledge.In other words, manipulation knowledge about objects is not task-relevant.Furthermore,the tasks are directed at the lexical level(lexical decision and speech-to-picture-mapping)that functions as a“mediator”to the semantic representation of objects.Thus,a consistent pattern of results across these two different implicit tasks will provide strong behavioral evidence for the importance of manipulation knowledge in the lexical-semantic representation of objects.2.Experiment1Experiment1investigated whether response time(RT)latency in an auditory lexical decision task reflects the activation of common manipulation features.If manipulationfeatures are shared by object concepts due to their similar manner of manipulation (e.g.piano and typewriter ),a priming effect would be expected for word pairs that denote those objects.Thus,the relatedness between a prime and a target in Experiment 1is based on the common manipulation features among objects that are otherwise semantically dissimilar.In a lexical decision task,a priming effect occurs if participants make a faster lexical decision to a target word (e.g.‘typewriter’)following a related prime (e.g.‘piano’)than an unrelated prime (e.g.‘blanket’).2.1.Methods2.1.1.ParticipantsThirty-four male and female participants from the Brown University community took part in the experiment.All participants were native speakers of American English and had no reported hearing deficits.They were paid $5for their participation.2.1.2.StimuliManipulation was defined operationally as general actions on an object that involve body movements and typically are associated with its intended usage.For instance,a typewriter and a piano require similar hand positions and movements despite the difference of their intended usages.A key and a screwdriver require a similar manipulation,namely similar wrist movements although their precise hand configurations and finger positions may be different.A key needs a precision grip while a screwdriver requires a power grip.Thus,it was the similarity of the general action patterns among objects rather than that of detailed finger positions that defined common manipulation movements.A total of 53stimulus pairs of objects were initially identified according to the criterion that they share manner of manipulation,but no other characteristics.Nonetheless,objects with similar means of manipulation tend to be also similar in visual shape (e.g.gun and drill,gavel and hammer).To control for this visual similarity,88participants who did not participate in the priming study were asked to rate 75pairs of items (the initially identified 53pairs and 22fillers)in terms of their similarity of manipulation and their similarity of visual shape on a one to five point scale (from “not similar at all”to “very similar”).Stimuli that were rated as low in shape similarity (!3)and high in manipulation similarity (O 3)were selected as the experimental stimuli.According to this criterion 28word pairs were finally selected.The mean ratings were 3.9for manipulation similarity and 2.2for visual shape similarity.An equal number of prime words that were neither semantically,phonologically,nor visually similar to the targets were also selected (For the complete list of stimuli,see Appendix).The control primes were matched to the experimental primes in terms of word frequency.For lexical frequency,the database of Kucera and Francis’(1967)written frequency was used.However,many man-made objects have long compound names such as ‘pencil sharpener’or ‘turkey baster,’and the percentage of these words in the stimulus list was high (50/84:60%).Since Kucera and Francis’database does not contain most of the compound words used in the experiment,Graff’s (1995)North American News Text Corpus was also used to determine the frequency of all the compound words.Because two different databases were used for the lexical frequency ofJ.Myung et al./Cognition 98(2006)223–243228J.Myung et al./Cognition98(2006)223–243229 simple and compound words,their frequency was counterbalanced separately.In addition, the duration(ms)of the prime stimuli was also controlled.An equal number of non-word targets was created and preceded by real word primes. The non-words were similar in phonological structure to the real word targets.However,to parallel the structure of the compound words,12non-word targets(12/28,43%)were composed of a word part and a non-word part,such asflag vanter,ropeflew or comb chella. In this way,participants could not make a lexical decision based on only thefirst half of the target words.Two stimulus lists were prepared and counterbalanced in terms of frequency,stimulus duration and similarity ratings.Each participant was shown only one list so that no item was heard more than once.Trial order was randomized for each participant.2.1.3.ProcedureStimuli were recorded by a female native speaker of American English in a sound-attenuated booth.They were recorded onto magnetic tape using a Sony Walkman Professional tape recorder and a Sony stereo microphone and then digitized onto a VAX Station II at a sampling rate of20kHz with a9.0-kHz lowpassfilter and a14bit quantization.The experiment was controlled by a Dell computer that played out the auditory stimuli and recorded the participants’responses.Stimuli were presented over headphones.Each trial consisted of a word–word or word–non-word pair with a50ms interstimulus interval(ISI)and a2000ms intertrial interval(ITI).Participants were instructed to make a lexical decision as quickly as possible without sacrificing accuracy.However,they were also instructed to listen carefully to the entire target stimulus before making a lexical decision.These instructions were crucial because of the high percentage of long compound words in the stimulus list.For instance,we did not want subjects to make a lexical decision based on only thefirst half of the compound target(e.g.‘lawn’in‘lawn mower’).Lexical decision responses were made by pressing a button marked yes or no on a box placed in front of the participant.All participants were right-handed and the dominant hand was always used for a response.RTs were measured from the onset of the target stimulus.2.2.ResultsLexical decision responses were analyzed for both mean RT and percentage error rate. The data were compared for targets preceded by a word that shared manipulation features (Related condition)and targets preceded by an unrelated word(Unrelated condition). Outliers that were two standard deviations(SD)from the mean were excluded from the analysis.Two one-way analyses of variance(ANOVA)were conducted,one for RT latencies and one for percentage errors with participants(F1)as a random variable.The RT results are shown in Fig.1.The results of the ANOVA showed a significant priming effect for the Related condition(1191ms)as compared with the Unrelated condition(1221ms) in the latency data(F1(1,33)Z4.897,P Z.034).In addition to the analysis by participants,an item analysis was also conducted. Because the outliers that were removed were not distributed evenly across the items, median RTs were used for this analysis.In particular,long items,which have a highsusceptibility to variability in RTs,had more outliers and fewer data points than short items.Thus,the median RTs were entered into the ANOVA with items (F 2)as a random variable.The analysis showed a marginally significant priming effect for the Related condition (1175ms)as compared with the Unrelated condition (1201ms)(F 2(1,27)Z3.305,P Z .080).When looking at the data by item,item (target)duration appeared to be an important factor since there was variability in RT latencies caused in part by the differences in target durations.Target durations varied considerably,ranging from 450to 1200ms.Indeed,there was a linear relationship between target durations and RT latencies (r Z .699for the related condition,r Z 0.543for the unrelated condition).This linearity is not surprising given that the participants were instructed to listen carefully to the whole word so that they did not miss any part of the compound words.In order to take into account the effects of target duration on RTs in the item analysis,an ANCOVA was conducted using the median RT latencies with target duration as a covariate in the analysis.After eliminating the variability caused by target durations,the ANCOVA was significant (F 2(1,26)Z 4.196,P Z .052).Fig.2shows the results graphically:2.3.DiscussionThe results of Experiment 1indicate that there is a reliable priming effect for manipulation features.Participants were faster to make a lexical decision to a target word following a prime word that was related to the target in terms of the manner of manipulation.This finding supports the notion that sensory-based functional knowledge is an intrinsic part of the lexical-semantic representation of objects and that this manipulation knowledge is activated in an implicit task.This is a significant addition topreviousFig.1.Mean lexical decision latencies as a function of priming condition in Experiment 1(by participant):bars indicate standard errors.J.Myung et al./Cognition 98(2006)223–243230findings from explicit tasks such as semantic judgment (e.g.Buxbaum et al.,2000),picture description and gestural response (e.g.Sirigu et al.,1991)that used explicit tasks.Explicit tasks require participants to consciously access their knowledge.The current results suggest that participants access manipulation knowledge even without being overtly required to do so.The main goal of Experiment 1was to determine whether manipulation features shared by object concepts would produce a priming effect.Nonetheless,it is controversial whether priming reflects purely automatic processing or whether it is influenced by postlexical processing involving the participants’strategies such as relatedness checking or participants’expectations (e.g.Shelton &Martin,1992).In fact,it is generally assumed that semantic priming in a lexical decision task reflects both automatic and controlled processing routines (Neely,1976,1977,1991).Thus,in Experiment 2an eye tracking methodology was used,which not only may be less susceptible to strategic processing routines but which also gives an on-line measure,providing continuous fine-grained temporal information.3.Experiment 2Experiment 2aimed to replicate the findings of Experiment 1using a different experimental method (eye tracking)and a different paradigm (speech-to-picture mapping).The goal of Experiment 2was to determine whether eye movements would show sensitivity to an object related to a given spoken target in terms of manipulation features,and if so,when this happens.Eye movement techniques have been increasingly used in research on lexical processing since they continuously monitor on-going processing on a millisecondscaleFig.2.Median lexical decision latencies as a function of priming condition in Experiment 1(by item):bars indicate standard errors.J.Myung et al./Cognition 98(2006)223–243231and participants are engaged in a more naturalistic task without being required to make a metalinguistic ing pictorial stimuli with auditory word presentation,Yee and Sedivy (2005)showed that words semantically related to the uttered word become active as it is being pronounced.Participants followed recorded instructions to point to one of four pictures (the target picture)displayed on a computer screen.In the semantically related condition,not only the target (e.g.“hammer”),but also the related item (e.g.“nail”)was shown on the screen.From about 200–900ms after the onset of the target word,participants were more likely to fixate a picture semantically related to the target word than an unrelated picture (e.g.“monkey”)(t 1(29)Z 6.9,P !0.01,and t 2(23)Z 5.3,P !0.01for participants and items,respectively).It is important to note that even for a visual display paradigm in which the possible locations of the target are known in advance,a saccadic eye movement takes about 180ms to initiate in response to linguistic input (Altmann &Kamide,2004;Matin,Shao,&Boff,1993).Thus,Yee and Sedivy’s result suggests that semantically related items start to become active after minimal acoustic input.Given such an early time course,it is very unlikely that participants’fixations on semantically related pictures reflect their strategic or conscious processing of the semantic relationship between the target and the related picture.Therefore,an eye tracking method with several advantages,especially its fine-grained and continuous temporal information about the ongoing process,is ideal for our aim of the study.3.1.Methods3.1.1.ParticipantsThirty male and female participants from the Brown University community took part in the experiment.All participants were native speakers of American English and had normal or corrected-to-normal vision and no reported hearing deficits.They were paid $5.00for their participation.3.1.2.ApparatusEyeLink,a head-mounted eye tracking system by SR Research,was used to monitor participants’eye movements.It has a high resolution (noise-limited at !0.018)and a fast data rate (250samples per second).Stimuli were presented on a 1500Elo Entuitive 1525C touch screen monitor with the PsyScript 5.1(Bates &Oliveiro,2003).3.1.3.StimuliA total of 28stimulus pairs used in Experiment 1were initially selected for the manipulation-related stimuli,namely stimuli that have common manipulation features (e.g.“piano”–“typewriter”,“key”–“screwdriver”).For the displays,color pictures were selected from a commercial clip art collection and from a picture library (Rossion &Pourtois,2004).Since Experiment 2used pictures instead of words,visual similarity or confusability was especially critical.To minimize the possibility that participants would mistake the picture of the manipulation-related item for the target,an identification task as well as a discrimination task was conducted in a pre-test.The identification task sought to determine whether the pictures clearly represented what they were intended to represent.Thirty-seven participants,different from J.Myung et al./Cognition 98(2006)223–243232。