时光倒流七十年Somewhere in Time

影评知识&; 欧美电影影评&;十二月4《时光倒流七十年》影评沉入时间之海作者九尾黑猫分类: 欧美电影影评浏览: 3导演: 吉诺特〃兹瓦克编剧: 理查德〃麦瑟森主演: 克里斯托弗〃里夫/ 简〃西摩尔/ 克里斯托弗〃普卢默/ 特雷莎〃怀特/ 比尔〃厄尔文/ 威廉姆〃H〃梅西类型: 剧情/ 爱情/ 奇幻制片国家/地区: 美国语言: 英语上映日期: 1980-10-03片长: 103 分钟又名: 似曾相识/ Somewhere in Time《时光倒流七十年》的剧情简介大学生理查德（克里斯托弗〃里夫饰）在毕业典礼上遇到了一个老妇人，老妇人送给他一只金表，并表示等他回来。

虽然他感到非常奇怪，但事情也不了了之了。

8年后他成为一个著名的剧本作家，他为了寻找灵感来到了一家酒店度假，酒店历史悠久，在历史陈列室内他被一张女明星Elise（简〃西摩尔饰）的照片深深吸引住了，并认得她就是送金表的老妇人。

原来老妇人在送于他金表的晚上已经离世了。

而他通过梦境，回到时光倒流的70年前，发现自己竟与这名女明星又有一段美丽的爱情故事影评当现实不够完美，人们就开始追求虚幻的梦境，把海日波光的涟影，山林鸟语的回音融合在一起。

塞浦路斯的国王皮格马利翁认为世间的女性都不完美，用洁白的象牙雕刻了一座完美的女性雕塑，便从此迷恋上这个塑像，正如纳喀索斯恋上了自己在水中的倒影。

不同于纳喀索斯用死祭奠美丽，皮格马利翁对雕像痴迷不悔的爱恋打动了阿芙洛狄忒，赋予雕像生命。

巴纳斯派诗人们把美比作大理石，因为它的永恒与时间的凝固，无言的宁静，隐匿在每个人的梦中之乡。

那些想象中的美超越了自然的界限，幻化成一面使万象放大更美的明镜。

正如蒙娜丽莎无法获得的笑容，维纳斯无法重现的手臂，人们不断迷恋着那些不可能重现的美景。

“时光倒流70年”改编自小说家理查德•马特森（Richard Matheson）的小说《Bid Time Return》。

时光倒流七十年Somewhere In Time英文影评(1980)He is a talented young playwright of 1980. She is a great new star of the American theater in 1912, on her way to becoming the toast of one continent. They meet, fall ecstatically in love and are suddenly separated, it seems, forever - time travel being far less predictable than even the Long Island Rail Road.This is more or less the plot of ''Somewhere in Time,'' which is hereby nominated for the 1980 ''Hanover Street'' award that each year goes to the big-budget screen romance with the highest giggle content. The film opens today at the Trans-Lux 85th Street and other theaters.Somewhere in Time,'' which does for time-travel what the Hindenburg did for dirigibles, was written by Richard Matheson, based on his novel, ''Bid Time Return,'' and directed by Jeannot Szwarc, whose last triumph was ''Jaws 2.''Its stars are Christopher Reeve (''Superman''), as Richard Collier, the playwright who falls in love with an old photograph and successfully wills himself back into the world of 1912, and Jane Seymour, a beautiful young Englishwoman who plays the actress, Elise McKenna. The music is largely by Rachmaninoff, whose ''Rhapsody on a Theme by Paganini'' is played more often than sanity can easily accommodate.The film's principal setting is Mackinac Island, Mich., and its Grand Hotel, which is one of the last, great 19th-century American resorts still in tip-top shape. The hotel and Mackinac are spectacularly lovely, but fail to give substance to this ephemeral endeavor.The screenplay is priceless (funny) and though both Miss Seymour and Christopher Plummer, who plays the actress's stern manager, are credible, it's Mr. Reeve who sets the film's tone. Unfortunately, his unshadowed good looks, granite profile, bright naivete and eagerness to please - the qualities that made him such an ideal Superman - look absurd here. Though he is physically huge, he has no more weight on the screen than a giant, helium-filled canary. He doesn't even walk with authority. He sort of floats, but awkwardly.It may also be that he has been badly directed, urged to act, to ''do things,'' to add bits of ''business'' to the characterization when less would have possibly been more. Another movie like this and it will be back to the phone booth forever.公主日记2:Royal Engagement英文影评(2004)The story opens with Mia graduating from college (when we last saw her she was in high school) and zipping off to Genovia, which her grandmother, Queen Clarisse Renaldi (Julie Andrews), hopes she will govern someday soon. As in the original ''Princess Diaries,'' much of the putative comedy involves the free-spirited Mia working in gentle, contrapuntal harmony with her veddy, veddy proper grandmother. Because the ugly duckling has already molted into a swan, however, the plot this time around hinges on some minor palace intrigue and romances with two blow-dried suitors who take turns holding the royal hand while keeping a safe distance from the royal chastity. In between the cooing and wooing, the pratfalls and product placements, Ms. Hathaway and Ms. Andrews flash smiles of such dazzling wattage they could carry California through its next energy crisis.''The Princess Diaries 2'' was directed by Garry Marshall, who has been selling wish-fulfillment fantasies for years, most notably in''Pretty Woman'' and in the first ''Princess Diaries'' movie. Mr. Marshall, whose place in pop-culture heaven was secured long ago by television comedies like ''The Dick Van Dyke Show,'' on which he served as a writer, is not much of a film director. Depending on the budget, his movies look either cheap (like this one) or studio slick (''Pretty Woman''), and tend to have the same flat, presentational visual style that's familiar from most sitcoms. (That's why his movies fit so snugly into airplane monitors.) And as in those sitcoms shot in front of live audiences, Mr. Marshall's actors often play to the camera and wait for laughs, which can be a serious problem when the screenplay is as deeply unfunny as this one.Built on vintage and newly minted clichés, Shonda Rhimes's script combines a classic storybook scenario with the usual self-help uplift. After undergoing a radical makeover in the first ''Princess'' movie, Anne has metamorphosed into a self-possessed young woman. She knows how to walk in high heels, iron the frizz out of her hair and whirl around the dance floor with ineligible partners without making them feel bad. True, her sexuality comes across as weirdly underdeveloped, closer to that of the preadolescents who constitute this G-rated movie's core audience, than that of most typical college graduates. But that's in keeping with the character whose appeal is largely predicated on being essentially unremarkable in every respect in looks, intelligence, personality and that most dubious of designated female traits, niceness.There's nothing wrong with being nice if it means giving succor to the poor and being kind to animals, but there's something unsettling about a character as bland, mushy and fiber-free as soggy corn flakes. Once upon a different time, Mia might have found her truest self by hanging out with the soulfully truculent adolescent girls in ''Ghost World.'' Instead, Ms.Andrews whisked in with a face frozen in do-re-mi beatitude and carried Mia off to a world where every unruly hair and thought is as smoothed down as the grass on a windswept Bavarian mountain. In the first film, Mia discovered she was to the manner born. Now, the princess who would be queen learns what the rest of us know already: happy movie endings generally come to those women who eat their independence and, in time, a wedding cake too.贫民窟里的百万富翁Slumdog Millionaire英文影评（2008）A gaudy, gorgeous rush of color, sound and motion, “Slumdog Millionaire,”the latest from the British shape-shifter Danny Boyle, doesn’t travel through the lower depths, it giddily bounces from one horror to the next.A modern fairy tale about a pauper angling to become a prince, this sensory blowout largely takes place amid the squalor of Mumbai, India, where lost children and dogs sift through trash so fetid you swear you can smell the discarded mango as well as its peel, or could if the film weren’t already hurtling through another picturesque gutter.Mr. Boyle, who first stormed the British movie scene in the mid-1990s with flashy entertainments like “Shallow Grave” and “Trainspotting,” has a flair for the outré. Few other directors could turn a heroin addict rummaging inside a rank toilet bowl into a surrealistic underwater reverie, as he does in “Trainspotting,” and fewer still could do so while holdingonto the character’s basic humanity. The addict, played by Ewan McGregor, emerges from his repulsive splish-splashing with a near-beatific smile (having successfully retrieved some pills), a terrible if darkly funny image that turns out to have been representative not just of Mr. Boyle’s bent humor but also of his worldview: better to swim than to sink.Swimming comes naturally to Jamal (the British actor Dev Patel in his feature-film debut), who earns a living as a chai-wallah serving fragrant tea to call-center workers in Mumbai and who, after a series of alternating exhilarating and unnerving adventures, has landed in the hot seat on the television game show “Who Wants to Be a Millionaire.” Yet while the story opens with Jamal on the verge of grabbing the big prize, Simon Beaufoy’s cleverly kinked screenplay, adapted from a novel by Vikas Swarup, embraces a fluid view of time and space, effortlessly shuttling between the young contestant’s past and his present, his childhood spaces and grown-up times. Here, narrative doesn’t begin and end: it flows and eddies — just like life.By all rights the texture of Jamal’s life should have been brutally coarsened by tragedy and poverty by the time he makes a grab for the television jackpot. But because “Slumdog Millionaire” isself-consciously (perhaps commercially) framed as a contemporary fairy tale cum love story, or because Mr. Boyle leans toward the sanguine, this proves to be one of the most upbeat stories about living in hell imaginable. It’s a life that begins in a vast, vibrant, sun-soaked, jampacked ghetto, a kaleidoscopic city of flimsy shacks and struggling humanity and takes an abrupt, cruel turn when Jamal (Ayush Mahesh Khedekar), then an exuberant 7, and his cagier brother, Salim (Azharuddin Mohammed Ismail), witness the murder of their mother (Sanchita Choudhary) by marauding fanatics armed with anti-Muslim epithets and clubs.Cast into the larger, uncaring world along with another new orphan, a shy beauty named Latika (Rubina Ali plays the child, Freida Pinto the teenager), the three children make their way from one refuge to another before falling prey to a villain whose exploitation pushes the story to the edge of the unspeakable. Although there’s something undeniably fascinating, or at least watchable, about this ghastly interlude — the young actors are very appealing and sympathetic, and the images are invariably pleasing even when they shouldn’t be — it’s unsettling to watch these young characters and, by extension, the young nonprofessionals playing them enact such a pantomime. It doesn’t help even if you remember that Jamal makes it out alive long enough to have his 15 televised minutes.It’s hard to hold onto any reservations in the face of Mr. Boyle’s resolutely upbeat pitch and seductive visual style. Beautifully shot with great sensitivity to color by the cinematographer Anthony Dod Mantle, in both film and digital video, “Slumdog Millionaire” makes for a better viewing experience than it does for a reflective one. It’s an undeniably attractive package, a seamless mixture of thrills and tears, armchair tourism (the Taj Mahal makes a guest appearance during a sprightly interlude) and crackerjack professionalism. Both the reliably great Irrfan Khan (“A Mighty Heart”), as a sadistic detective, and the Bollywood star Anil Kapoor, as the preening game-show host, run circles around the young Mr. Patel, an agreeable enough if vague centerpiece to all this coordinated, insistently happy chaos.In the end, what gives me reluctant pause about this bright, cheery, hard-to-resist movie is that its joyfulness feels more like a filmmaker’s calculation than an honest cry from the heart about the human spirit (or, better yet, a moral tale). In the past Mr. Boyle has managed to wring giggles out of murder (“Shallow Grave”) and addiction (“Trainspotting”), and invest even the apocalypse with a certain joie de vivre (the excellent zombie flick “28 Days Later”). He’s a blithely glib entertainer who can dazzle you with technique and, on occasion, blindside you with emotion, as he does in his underrated children’s movie, “Millions.” He plucked my heartstrings in “Slumdog Millionaire” with well-practiced dexterity, coaxing laughter and sobs out of each sweet, sour and false note.变形金刚英文影评Transformers(2007)When it comes to Transformers, I have no ax to grind, pro or con. For me, it's just another loud, plot-deficient summer motion picture. In this case, nostalgia doesn't grip me - I'm too old to have played with the gadgets or watched the cartoon. I'm sure many fanboys (and girls) will be delighted by what Michael Bay has done to update the Transformers mythos (basically, that means incorporating A-level special effects and blowing lots of things up). On the other hand, those with no particular emotional attachment to the toys and their multimedia offshoots may dislike this movie as much as I did.Thus far, the summer of 2007 has been full of very loud, very unsatisfying action movies. Transformers tops them all - it's louder, flashier, and more hollow than anything else out there. At 135 minutes, it drags - sometimes painfully so. The movie is top-heavy with exposition, and the only decent action scenes occur in the final 25 minutes. Despite an epileptic camera, those sequences are impressive from a special effects point-of-view, but they aren't exciting. That's because the characters are so poorly developed and the Transformers so singularly uninteresting that the question of who wins or loses doesn't matter. All the effort behind Transformers went into making the robots look cool; nothing went into developing a compelling storyline. Even the headline bout between Optimus Prime and Megatron is pedestrian - two big metallic monsters slugging it out while the camera spins around them as if out of control. It's kind of reminiscent of the Rock 'Em Sock 'Em Robots going at it.The film tells of the struggle between the good guy Autobots and the bad guy Decepticons as they scour Earth in search of the fabled Allspark (a really big cube of power). The goal of the Decepticons and their leader, Megatron, is to seize the cube as a means of domination and control. The Autobots, led by Optimus Prime, want to protect humanity by destroying the Allspark. A secret segment of the U.S. military, Sector Seven, has captured the Allspark and is hiding it deep inside the Hoover Dam. They also have a cryogenically frozen Megatron in custody. (I know that all sounds silly, and it is, but short descriptions of science fiction films often come across as childish.)Shia LaBeouf, who's as hot as any young working male star, plays Sam Witwicky, a high school boy who becomes involved in this situation because his grandfather's glasses contain a clue to the Allspark's location. His father buys him a car for graduation and it turns out to be Bumblebee, an Autobot. For all the time that the movie spends on developing Sam's home life - including giving him a mother, a father, school rivals, and a hot girlfriend (Megan Fox) - the character remains surprisingly lifeless. LaBeouf's performance is charming and earnest but he never made me care about Sam. The intent is to make this an average guy who becomes heroicafter being thrust into extraordinary circumstances, but the movie doesn't get us there.The movie gets a badly needed jolt of energy a little past the half-way point with the introduction of a zany John Turturro as Sector Seven Agent Simmons. Turturro's off-the-wall performance is in synch with what one might expect from a movie that is essentially one long product placement. In fact, the entire first segment with Simmons (from when he enters Sam's house until he has "first contact" with the Transformers) works better as comedy than anything else. Alas, another veteran actor in the cast, Jon Voight, doesn't fare as well as Turturro. The word "embarrassing" was defined for performances like this one. Voight plays the Secretary of Defense. I kept waiting for Leslie Nielsen to show up as the President.There's a secondary plot involving a group of young analysts and hackers that goes nowhere. Despite absorbing roughly 20 minutes of screen time, there's no payoff for these characters and they pretty much vanish near the end. Their inclusion is baffling since they appear to serve no purpose beyond padding out the film's running length and providing occasional comedy relief (most of which comes courtesy of Anthony Andersen). Cutting out these characters wouldn't damage the film's integrity. In fact, the tighter focus might make for a better movie.If the dialogue is anything to go by, Bay has a sense of humor. Not only does he take a moment to poke fun at one of his earlier hit movies, but he allows so many howlingly bad lines to be spoken that the level of self-parody has to be intentional. Transformers is a jumble of the good, the bad, and the ugly, with the latter two categories outweighing the former. The film has a lot of nice touches (such as the opening attack in Qatar, where there is a sense of danger, and the John Hughes-inspired introduction of Sam), but the meat of the story is plodding, recycled sci-fi drivel. That, I suppose, is what happens when a major motion picture is based on a 20-plus year old toy phenomenon.Transformers is so belabored that it makes Pirates of the Caribbean: At World's End seem like a masterpiece of pacing. It makes that "classic" midsummer alien invasion movie, Independence Day, seem like a template for inventive plotting and solid character development. Even by Michael Bay standards, this movie is vapid. Yes, there are plenty of explosions, but those are a dime-a-dozen these days; even Discovery Channel's Mythbusters has them. Transformers isn't clean, big-budget fun; it's clean, big-budget tedium. For Transformers fans, I suppose this is a dream motion picture. For everyone else, it's a nightmare.钢琴家\战地琴人英文影评(2002)The PianistRoman Polanski's new movie, ''The Pianist,'' is based on the memoirs of Wladyslaw Szpilman, a star of Polish radio and cafe society in the 1930's and a member of Warsaw's assimilated Jewish middle class, who lived through the Nazi occupation and the Warsaw ghetto. Szpilman's recollections, published shortly after the war, offer, like other such books, a deeply paradoxical impression of the Holocaust. Accounts of survival, that is, are both representative and anomalous; they at once record this all but unimaginable historical catastrophe and, without intentional mendacity or inaccuracy, distort it.The reason for this could not be simpler. Most of the intended victims of Nazi genocide did not survive; the typical Jewish experience in 1940's Europe was death. One of the main genres that allow later generations access to this time thus presents an inevitably unrepresentative picture of it.We naturally identify with the protagonists of these books, and the characters based on them in movies and plays, and so imagine that we would have been among the lucky ones, even if the real odds suggest otherwise. (We also comfort ourselves in the vain belief that, had we been there, we would have bravely defied the Nazis, risking our own well-being to help their victims.) When it is not treated with the uneasy sentimentality reserved for miracles, survival -- whether through dumb luck, resilience,the kindness of strangers or some combination of these -- is often viewed with a deep and bitter sense of the absurd.Mr. Polanski, who was a Jewish child in Krakow when the Germans arrived in September 1939, presents Szpilman's story with bleak, acid humor and with a ruthless objectivity that encompasses both cynicism and compassion. When death is at once so systematically and so capriciously dispensed, survival becomes a kind of joke. By the end of the film, Szpilman, brilliantly played by Adrien Brody, comes to resemble one of Samuel Beckett's gaunt existential clowns, shambling through a barren, bombed-out landscape clutching a jar of pickles. He is like the walking punchline to a cosmic jest of unfathomable cruelty.Perhaps because of his own experiences, Mr. Polanski approaches this material with a calm, fierce authority. This is certainly the best work Mr. Polanski has done in many years (which, unfortunately, is not saying a lot), and it is also one of the very few nondocumentary movies about Jewish life and death under the Nazis that can be called definitive (which is saying a lot). And -- again paradoxically -- this is achieved by realizing the modest, deliberate intention to tell a single person's story, to recreate a specific and finite set of events. (Ronald Harwood's script does take some necessary liberties with Szpilman's account, but these seem justified by the demands of movie storytelling.)The ambition to produce a comprehensive vision -- a single spectacle adequate to the Holocaust -- ultimately defeated Steven Spielberg's admirable and serious ''Schindler's List.'' Mr. Polanski, in staging a narrow, partial slice of history, has made a film that is both drier and more resonant than Mr. Spielberg's.One of Mr. Polanski's trademarks is what might be called (to continue multiplying paradoxes) a humane sadism. He has always been fascinated by what happens to weak, ordinary people -- Mia Farrow in ''Rosemary's Baby,'' for instance, or Jack Nicholson in ''Chinatown'' -- when they are intruded upon by evil forces more powerful than they, and he punishes his actors, peeling back their vanity to make them show the face of humanity under duress.One of Mr. Brody's most appealing features -- from ''King of the Hill'' 10 years ago through such varied and underseen pictures as ''Restaurant,'' ''Summer of Sam'' and ''Bread and Roses'' more recently -- is his quick-witted, almost smart-alecky cockiness. His Szpilman, in the first section of ''The Pianist,'' has the gait of a self-satisfied dandy and the smug smile of a man who takes charm and good fortune as his birthright.As he plays piano in a broadcast studio, an explosion rattles the building. He ducks, wipes some plaster off his sleeve, and keeps playing. Later Szpilman refuses to allow the widespread panic at the German invasion to interfere with more pressing matters, like the seduction of a star-struck young woman named Dorota (Emilia Fox).History, the occupying Germans and Mr. Polanski then conspire to wipe the smirk off his face. The Nazi takeover is followed by a swift, brutal chronicle of violation and humiliation as the Szpilman family are stripped of their possessions, their dignity (the elderly father, played by Frank Finlay, is beaten by a German soldier for daring to use the sidewalk) and their home. With the other Jews of Warsaw, they are herded into the ghetto, a captive labor force subject to continual culling by disease, starvation and the random violence of their tormentors.Mr. Polanski, working in Poland for the first time in 40 years (and also in Prague), reconstructs the look and rhythm of life in the ghetto with care and sobriety. You feel the dread and confusion of the inhabitants, and you also observe their intuitive, futile attempts to master the situation -- circulating underground newspapers, smuggling contraband through the walls and quietly arming themselves for resistance.The survival instinct is shown to exist in a weird, numb state that combines defiance and resignation. And Szpilman's evasion of death involves a curious combination of pluck, passivity and arrogance. He is the only member of his family who avoids being shipped to the extermination camps, and he later manages to escape from the ghetto altogether. During the 1943 ghetto uprising, he is locked in a secure apartment in the gentile part of the city, and he watches helplessly from the window as the partisans begin their brave, doomed resistance to the German occupiers.From this moment forward ''The Pianist'' -- which opens today in New York and Los Angeles -- becomes a tour de force of claustrophobia and surreal desperation, and Mr. Polanski ruthlessly strips his Szpilman down to the bare human minimum. He is neither an especially heroic nor an entirely sympathetic fellow, and by the end he has been reduced to a nearly animal condition -- sick, haggard and terrified. But then the film's climax offers the most dramatic paradox of all: a glimpse of how the impulses of civilization survive in the midst of unparalleled barbarism. When I first saw this film last spring in Cannes (where it won the Golden Palm), I thought Szpilman's encounter, in the war's last days, with amusic-loving Nazi officer (Thomas Kretschmann) courted sentimentality by associating the love of art with moral decency, an equation the Nazis themselves, steeped in Beethoven and Wagner, definitively refuted. Buton a second viewing, the scene, scored to the ravishing, sorrowful music of Chopin, was a painful and ridiculous testament to just how bizarre the European catastrophe of the last century was.Szpilman may have been the butt of a monstrous joke, but the last laugh -- appropriately deadpan -- was his. ''What will you do when this is over?'' the officer asks. ''I'll play piano on Polish radio,'' Szpilman replies. Which is exactly what he did until his death two years ago. ''The Pianist'' is rated R (Under 17 requires accompanying parent or adult guardian). It has many scenes of extreme violence.篱笆墙外Over the Hedge英文影评 (2006)"Over the Hedge" is one of the few comic strips in which you will find debates about the Theory of Relativity, population control and global warming. None of those issues are much discussed in the new animated feature inspired by the strip, but there is a great deal about suburban sprawl, junk food and the popularity of the SUV .The movie opens with the coming of spring and the emergence from hibernation of many forest animals, including some that do not actually hibernate, but never mind. Vincent the bear awakens to find that his entire stash of stolen food has been -- stolen! He apprehends the master thief RJ the raccoon and gives him a deadline to return the food, or else. RJ cleverly mobilizes the entire population of the forest to help him in this task (during which he does not quite explain the bear and the deadline). And together they confront an amazing development: During the winter, half of their forest has been replaced by a suburb, and they are separated from it by a gigantic hedge.That's the setup for a feature cartoon that is not at the level of "Finding Nemo" or "Shrek," but is a lot of fun, awfully nice to look at, and filled with energy and smiles. It's not a movie adults would probably want to attend on their own, but those taking the kids are likely to be amused, and the kids, I think, will like it just fine.Once again we get an animal population where all the species work together instead of eating each other, and there is even the possibility of interspecies sex, when a human's house cat falls in love with Stella the skunk. There is also the usual speciesism; mammals and reptiles are first-class citizens, but when a dragonfly gets fried by an insect zapper, not a tear is shed.These animals once ate leaves and roots and things, but all that has changed since Hammy the squirrel discovered nacho chips. The animals find these so delicious, they are the forest equivalent of manna, and RJ, who usurps leadership of the bunch from Verne the turtle, is happy to lead them to the promised land of nachos and other junk foods, in the garbage cans and kitchens of humans.Like all humans who like to live with a view of beautiful forests, the humans in "Over the Hedge" are personally offended that they are occupied by animals. Gladys (Allison Janney), the head of the homeowners' association, is personally affronted that RJ and his cronies might violate her garbage can, and brings in Dwayne (Thomas Haden Church), a pest control expert known ominously as The Verminator. "I want them exterminated as inhumanely as possible," she tells him. She's all heart.The encroachment of the forest animals and the efforts of the Verminator in "Over the Hedge" don't approach the wit and genius of a similar situation in the Academy Award-winning "Wallace & Gromit: The Curse of the Were-Rabbit" (2005), but then how could they? This movie is pitched at a different level. But the action scenes are fun, the characters are well-drawn and voiced, and I thought the film's visual look was sort of lovely. If the animals lack the lofty thinking of their originals on the comics page, they are nevertheless a notch or two above the I.Q. levels of many an animated creature.They have to be. It's a hard life for a forager these days, when you're caught between an angry bear on one side of the hedge and a street hockey game on the other.。

40首国外电影背景音乐欣赏(2)40首国外电影背景音乐推荐21 The John Dunbar Them... -- John Barry《与狼共舞》原声大碟可以说是John Barry最好的作品之一，其特点就是多主旋律，且每一个主旋律都异常优美。

John Barry以其擅长的华丽管弦乐细细向我们展开了血脉贲张的激斗、广阔的大场面、柔美、激昂....22 Im Forrest... Forre... -- Alan SilvestriForrest gump是《阿甘正传》的主题音乐，如同那根白色的羽毛在空中不定的飘浮，时降时起，钢琴跳动着奏出清新的音符，这段音乐如同阿甘的内心世界一样，简单、纯洁、天真、烂漫，背景中小提琴轻轻地伴随着，然后一组弦乐开始演奏着主题旋律，钢琴则变为伴奏，主旋律随着飘过马路的那羽毛变的欢快，几个干脆而清新的钢琴音符结束这个美丽的开始。

23 Love Story Theme -- Francis Lai《爱情故事》是世界电影史上最经典的爱情电影之一，曾获最佳原作配乐金像奖。

这首配乐是原声大碟中最后一首，当男主角在漫天大雪中坐在体育场看台上，回想着与妻子过去的时光，镜头逐渐拉远，留给观众的是无尽的唏嘘和伤感.....如果有曲子只凭它的音乐符号就能刺痛所有人内心深处，那么应该有这首爱情故事吧。

24 Buon Giorno Principe... -- Nicola PiovaniBuon GiornoPrincipessa(早安!公主)来自电影《美丽人生》，这是一个爱情与亲情的主题，是一首清淡优雅的抒情小品，含蓄而真挚，透着温暖的质感和明亮色调。

在影片中最动人的一刻，莫过於在集中营中，男主角带着稚子，偷偷用广播呼唤爱妻，传达父子均安的消息。

25 The Good, The Bad an... -- Ennio MorriconeThe Good，The Bad and The Ugly是同名电影《黄金三镖客》的主旋律，是一向富于求新和实验精神的配乐大师Ennio Morricone 为影片配乐注入了勃勃生机和丰富的内涵的力作。

- 224-校园英语 / 翻译探究美学视角下的英文歌名汉译初探陕西中医药大学外语学院/李珊珊【摘要】歌名翻译的成功是整个歌曲翻译成功的一半。

从美学角度看，歌名翻译是译者从自身的审美意识出发，将源语歌名转化为目的语歌名的一种审美活动。

本文从简约美、形式美、新奇美和意境美四方面来分析英文歌名的汉译。

【关键词】美学 英文歌名 汉译一、引言歌名翻译的优劣对歌曲的传播有着重要的影响。

歌名的生命力要看它能否抓住译入语读者的眼球，让他们看到歌名后有兴趣继续听下去。

翻译恰当而传神的歌名，必然会更易为人们所接受并钟爱。

从美学角度看，翻译实质上是一种审美活动，它是审美主体(译者)对审美客体(原作)的审美要素进行分析、综合、转化、加工，再到完成的一系列审美再现活动。

本文将结合英文歌名的美学特征，从美学角度即简约美、形式美、新奇美和意境美四方面来分析英文歌名的汉译。

二、简约美简约就是用简练的语言表现尽可能丰富的意义，其透明度强、清晰度高的特点无疑是一种美。

一般来说，无论英文歌名包含多少个单词，汉译时常常使用二至五个汉字。

如低音歌手玛丽安•安德森的经典圣歌He’s Got the Whole World in His Hand译为《世界属于他》；芭芭拉•史翠珊与尼尔•戴蒙德合唱的You Don’t Bring Me Flowers译为《情逝》……它们如果被译为《他把整个世界掌握在他手中》、《你不再带鲜花给我了》，则显得歌名冗长，缺乏美感，不便于广泛流传。

简约体现出一目了然的特点，与当今社会快节奏的生活方式相吻合。

因此，译者要注重英文歌名汉译的简约之美，使听众便于记忆和接受，尽可能使听众能“一见钟情”。

三、形式美好的内容，如果缺乏优美的形式，也不易流传开来。

鉴于英文歌名汉译多译为二至五个汉字这一特点，英文歌名汉译的形式美主要体现在四字格的运用以及三字和五字名称的均衡形式美上。

1.汉语四字格之美。

在英文歌名汉译中，汉语四字格的使用不仅可以让译名朗朗上口，还可以让译文更具美感而且更吸引人，可以唤起听众的好奇心和兴趣。

【100首最伟大的电影主题音乐】这是一套对所有影迷和音乐爱好者来说都不可多得的专辑，收录了100首从1939年~2006年经典电影的经典主题曲，这些著名乐曲被各种各样的广播电视节目和活动场合引用为背景音乐，因此值得珍藏。

与其他许多电影原声集不同，它里面不仅包含了最动听的曲目，更包含了最必不可少的曲目。

全套专辑一共6CD，于2007年录制，所有曲目皆由布拉格爱乐乐团（City Of Prague Philharmonic）重新演绎，虽然不完全是电影配乐的原汁原味了，但其音质和水准都和电影原声不相上下，可以与蓝光原盘里面的DTS配乐相媲美，本资源为FLAC无损分轨，音质非常出色，极力推荐，是陶冶情操，回味经典的绝好选择.曲目：DISC I (1939 ~ 1961) ：01. 20th Century Fox Fanfare And Cinemascope Extension02. Gone With The Wind (Tara's Theme)--乱世佳人03. Casablanca (As Time Goes By)--卡萨布兰卡04. The Third Man (The Harry Lime Theme)--第三人05. High Noon (Do Not Forsake Me Oh My Darlin')--正午06. The Dambusters (March)--轰炸鲁尔水坝记07. The Man With The Golden Arm (Main Theme)--金臂人08. Around The World In 80 Days (Around The World In 80 Days)--环游世界八十天09. The Bridge On The River Kwai (March)--桂河大桥10. The Big Country (Main Theme)--锦绣大地11. North By Northwest (Overture)--西北偏北12. Ben-Hur (Parade Of The Chariotees)--賓虛13. A Summer Place (Young Love)--夏日恋情14. The Magnificent Seven (Main Theme)--豪勇七蛟龙15. Psycho (Main Theme / Murder)--精神病患者16. Exodus (Overture)--出埃及记17. Breakfast At Tiffany's (Moon River)--蒂凡尼的早餐DISC II (1962 ~ 1968) ：01. Lawrence Of Arabia (Overture)--阿拉伯的劳伦斯02. Hatari (Baby Elephant Walk)--哈泰利03. Dr. No (The James Bond Theme)--007之诺博士04. The Pink Panther (The Pink Panther Theme)--粉红豹05. The Great Escape (Main Title)--大逃亡06. 633 Aquadron (Main Title)--633轰炸大队07. Zorba The Greek (Zorba's Dance)--希腊人佐巴08. Doctor Zhivago (Lara's Theme)--日瓦戈医生09. Born Free (Born Free)--生来自由10. The Good, The Bad And The Ugly (Main Title)--黄金三镖客11. Casino Royale (Theme)--007别传之皇家夜总会12. The Thomas Crown Affair (The Windmills Of Your Mind)--龙凤斗智13. Bullitt (Main Theme)--警网铁金刚14. Romeo And Juliet (Love Theme)--罗密欧与朱丽叶15. 2001: A Space Odyssey (Also Sprach Zarathustra)--2001漫游太空16. Twisted Nerve (Main Theme)-- 魔鬼天使DISC III (1968 ~ 1978) ：01. Once Upon a Time in the West (Jill's Theme)--西部往事02. Midnight Cowboy (Midnight Cowboy)--午夜牛郎03. Butch Cassidy and the Sundance Kid (Raindrops keep fallin' on my Head)--神枪手与智多星04. Love Story (Love Story)--爱情故事05. Dirty Harry (Main Title)--肮脏的哈里06. Summer of '42 (Summer of '42)--1942年夏天07. The Godfather (Speak Softly Love)--教父08. Deliverance (Duelling Banjos)--激流四勇士09. The Exorcist (Tubular Bells)--驱魔人10. Jaws (Main Title)--大白鲨11. Barry Lyndon (Sarabande)--乱世儿女12. Taxi Driver (Main Theme)--出租车司机13. Rocky (Gonna fly now)--洛奇14. Star Wars: A New Hope (Main Theme)--星球大战15. Close Encounters of the Third Kind (Main Title / Resolution and Finale)--第三類接觸16. The Deer Hunter (Cavatina)--猎鹿人17. Superman (Main Theme)--超人DISC IV (1979 ~ 1990) ：01. Star Trek: The Motion Picture (End Titles)--星际迷航02. Somewhere In Time (Somewhere In Time)--时光倒流七十年03. Chariots Of Fire (Titles)--烈火战车04. Raiders Of The Lost Ark (The Raiders March)--夺宝奇兵05. E.T. The Extraterrestrial (Bicycle Chase & End Credits)--ET06. Merry Christmas, Mr. Lawrence (Merry Christmas, Mr. Lawrence)--战场上的快乐圣诞07. The Natural (The Natural)--天赋08. Once Upon A Time In America (Deborah's Theme)--美国往事09. Back To The Future (Main Theme)--回到未来10. Out Of Africa (Main Theme)--走出非洲11. Jean De Florette (Jean De Florette)--恋恋山城12. The Mission (Gabriel's Oboe)--战火浮生13. Cinema Paradiso (Love Theme)--天堂电影院14. Batman (The Batman Theme)--蝙蝠侠15. Dance With The Wolves (The John Dunbar Theme)--与狼共舞16. Edward Scissorhands (Main Title)--剪刀手爱德华DISC V (1990 ~ 1998) ：01. Ghost (Unchained Melody)--人鬼情未了02. Robin Hood: Prince Of Thieves (Main Title)--侠盗罗宾汉03. 1492: Conquest Of Paradise (1492: Conquest Of Paradise)--1492年，克里斯托弗·哥伦布04. The Last Of The Mohicans (Main Title)--最后一个莫西干人05. Jurassic Park (Suite)--侏罗纪公园06. True Romance (You're So Cool)--致命浪漫07. The Piano (The Heart Asks Pleasure First)--钢琴别恋08. Schindler's List (Schindler's List)--辛德勒名单09. Il Postino (Girl On A Bicycle)--邮差10. The Shawshank Redemption (End Titles)--肖申克的救赎11. Braveheart (End Titles)--勇敢的心12. William Shakespeare's Romeo + Juliet (The Balcony Scene)--罗密欧与朱丽叶13. The English Patient (As Far As Florence / Rupert Bear)--英国病人14. Dragonheart (Main Themes)--龙之心15. Airforce One (Main Title)--空军一号16. Titanic (My Heart Will Go On)--铁达尼号17. Saving Private Ryan (Hymn To The Fallen)--拯救大兵雷恩DISC VI (1999 ~ 2006) ：01. Eyes Wide Shut (Waltz No. 2 From Jazz Suite No. 2)--大开眼戒02. American Beauty (Any Other Name)--美国丽人03. Star Wars: The Phantom Menace (Duel Of The Fates)--星球大战04. Gladiator (Now We Are Free)--角斗士05. The Lord Of The Rings: The Fellowship Of The Ring (The Fellowship)--魔戒06. Harry Potter And The Philosopher's Stone (Hedwig's Theme)--哈利波特07. Spiderman (Main Theme)--蜘蛛侠08. Pirates Of The Caribbean: The Curse Of The Black Pearl (Suite)--加勒比海盗09. The Girl With The Pearl Earring (Griet's Theme)--戴珍珠耳环的少女10. Les Choristes (Les Choristes)--放牛班的春天11. Passion Of The Christ (Resurrection) --耶稣受难记12. Memoirs Of A Geisha (Sayuri's Theme & End Credits)--艺伎回忆录13. Munich (Prayer For Peace)--慕尼黑惨案14. The Chronicles Of Narnia: The Lion, The Witch And The Wardrobe (Suite)--纳尼亚传奇15. Wallace And Gromit: Curse Of The Were-Rabbit (Theme And Chase)--超级无敌掌门狗16. Brokeback Mountain (Suite)--断背山17. The Da Vinci Code (Chevaliers De Sangreal)--达芬奇密码。

[穿越时空的电影]50部不可不看的时空/穿越电影篇一: 50部不可不看的时空/穿越电影刚上映的《李献计历险记》可算是国产电影里面把时空穿越元素运用得最密集的一部电影。

如果这还不能让你过瘾，跟着果壳微科幻来看看《完全电影》杂志评出的影史50大时空/穿越电影吧。

如果你长假不打算穿越去哪儿的话，照着这个片单来找片看是个不错的主意。

50.《蝴蝶效应》The Butterfly Effect49.《触不到的恋人》The Lake House48.《灵幻夹克》The Jacket47.《误闯阿瑟王宫》A Connecticut Y ankee In King Arthur’s Court46.《时间旅行者的妻子》The Time Traveler’s Wife45.《热浴盆时光机》Hot Tub Time Machine44.《时空特警》Timecop43.《午夜巴黎》Midnight in Paris42.《王牌大贱谍2》Austin Powers: The Spy Who Shagged Me41.《佩姬苏要出嫁》Peggy Sue Got Married40.《惊爆银河系》Galaxy Quest39.《时空线索》Deja Vu38.《时光倒流七十年》Somewhere in Time37.《拜见罗宾逊一家》Meet the Robinsons36.《一人有一点颜色》Pleasantville35.《时空急转弯》Les visiteurs34.《第五屠宰场》Slaughterhouse-Five33.《恐怖游轮》Triangle32.《黑洞频率》Frequency31.《费城超时空实验》The Philadelphia Experiment30.《星际旅行4：抢救未来》Star Trek IV: The V oyage Home 29.《罗拉快跑》Lola rennt28.《领航员》Flight of the Navigator27.《源代码》Source Code26.《星际旅行8：第一类接触》Star Trek: First Contact25.《鬼玩人3：魔界英豪》Army of Darkness: Evil Dead 3 24.《两世奇人》Time After Time23.《达莱克斯入侵地球》Daleks’ Invasion Earth: 2150 A.D. 22.《中世纪的导航者》The Navigator: A Mediaeval Odyssey 21.《逃离猩球》Escape from the Planet of the Apes20.《回到未来3》Back to the Future Part III19.《超人》Superman18.《比尔和泰德历险记》Bill & Ted’s Excellent Adventure 17.《哈利?波特与阿兹卡班的囚徒》Harry Potter and thePrisoner of Azkaban16.《时光大盗》Time Bandits15.《堤》La jetée14.《圣诞欢歌》The Muppet Christmas Carol13.《时空大挪移》The Time Machine12.《星际迷航》Star Trek11.《时空罪恶》Los cronocrímenes10.《人猿星球》Planet of the Apes09.《终结者2》Terminator 2: Judgment Day08.《生活多美好》It’s a Wonderful Life07.《土拨鼠之日》Groundhog Day06.《回到未来2》Back to the Future Part II05.《十二猴子》Twelve Monkeys04.《雷管》Primer03.《死亡幻觉》Donnie Darko02.《终结者》The Terminator01.《回到未来》Back to the Future篇二:《完全电影》杂志评出的影史50大时空/穿越电影50.《蝴蝶效应》The Butterfly Effect49.《触不到的恋人》The Lake House48.《灵幻夹克》The Jacket47.《误闯阿瑟王宫》A Connecticut Y ankee In King Arthur’s Court46.《时间旅行者的妻子》The Time Travel er’s Wife45.《热浴盆时光机》Hot Tub Time Machine44.《时空特警》Timecop43.《午夜巴黎》Midnight in Paris42.《王牌大贱谍2》Austin Powers: The Spy Who Shagged Me41.《佩姬苏要出嫁》Peggy Sue Got Married40.《惊爆银河系》Galaxy Quest39.《时空线索》Deja Vu38.《时光倒流七十年》Somewhere in Time37.《拜见罗宾逊一家》Meet the Robinsons36.《一人有一点颜色》Pleasantville35.《时空急转弯》Les visiteurs34.《第五屠宰场》Slaughterhouse-Five33.《恐怖游轮》Triangle32.《黑洞频率》Frequency31.《费城超时空实验》The Philadelphia Experiment30.《星际旅行4：抢救未来》Star Trek IV: The V oyage Home29.《罗拉快跑》Lola rennt28.《领航员》Flight of the Navigator27.《源代码》Source Code26.《星际旅行8：[)第1类接触》Star Trek: First Contact25.《鬼玩人3：魔界英豪》Army of Darkness: Evil Dead 324.《两世奇人》Time After Time23.《达莱克斯入侵地球》Daleks’ Invasion Earth: 2150 A.D.22.《中世纪的导航者》The Navigator: A Mediaeval Odyssey21.《逃离猩球》Escape from the Planet of the Apes20.《回到未来3》Back to the Future Part III19.《超人》Superman18.《比尔和泰德历险记》Bill & Ted’s Excellent Adventure17.《哈利•波特与阿兹卡班的囚徒》Harry Potter and the Prisoner of Azkaban16.《时光大盗》Time Bandits15.《堤》La jetée14.《圣诞欢歌》The Muppet Christmas Carol13.《时空大挪移》The Time Machine12.《星际迷航》Star Trek11.《时空罪恶》Los cronocrímenes10.《人猿星球》Planet of the Apes09.《终结者2》Terminator 2: Judgment Day08.《生活多美好》It’s a Wonderful Life07.《土拨鼠之日》Groundhog Day06.《回到未来2》Back to the Future Part II 05.《十二猴子》Twelve Monkeys04.《雷管》Primer03.《死亡幻觉》Donnie Darko02.《终结者》The Terminator01.《回到未来》Back to the Future。

Somewhere In Time《时光倒流七十年》改编自美国20世纪伟大作家理查德麦瑟森发表于1976年的小说《及时想见》，影片的主题曲最终和本片一样成为了经典，它的名字就是《Somewhere In Time》完整题名为《帕格尼尼主题狂想曲》，是一支温柔多情、缠绵悱恻的钢琴协奏曲。

我最早知道这首歌是在一本网络小说中，书中的主角最喜欢这首歌，由此我也开始注意这首歌。

在下了这首歌后我一遍又一遍的聆听，心中有种莫名的感动，像清泉般涌出心头。

这首歌是灵魂的演奏。

有故事的人才可以把自己的情感带进音乐。

静静的泡一杯浓茶，电脑里放出熟悉的老歌，静静地想就起往事，这就是我对这首歌的所有感受。

有很多的人说过，“如果时间可以重来，我一定会……”可是，真的只是想要重新选择一次人生吗？还是对曾经的留恋与不舍？毕竟，也许曾经做错过很多，但曾经却是那么的美丽，那么的明亮。

脆弱透明得像极了小时候最爱的玻璃球，那么干净、那么纷繁、那么易碎、那么快乐、那么忧伤、……即使放在手心小心翼翼的呵护着，仍会在不觉中摔落在地，碎成一地会划破手心的残渣……这首歌的主题现在己成为大家最耳熟能详的抒情音乐，但它并没有煽情媚俗的外表，反而散发著一股优雅内歛的古典气质与当下的流行歌曲大相径庭，像一幅用音符细细勾勒的工笔素描。

这首歌是电影的主题曲，在这首歌既在意境和影像上的结合，这首既成音乐在意境和影像上的结合，都美的无以复加．电影中这是男主角最喜爱的音乐作品，当男女主角一同出游时，男主角在划船时也哼了这首曲子，女主角问男主角这是什麼曲子，男主角回答是拉赫曼尼赫夫的作品，女主角有些讶异，因为她一直是拉赫曼尼赫夫的乐迷，却不曾听过这首曲子，其实那是因为当时这首曲子的确尚未创作出来，男主角有意用这首曲子向女主角暗示男主角来自”未来”，因为後来在女主角的遗物中有一个特别订作的音乐盒，当中的音乐正是这个曲子．这首曲子与电影呈现了高度的协调。

这首歌是我很喜欢的一首英文歌曲，也是我很少能认出来的英文歌曲，听着这首歌我往往会回忆高中毕业的时候。

影视片名译例欣赏随着国际文化交流的日渐增多，大量的外国电影、电视剧会在中国的影剧院和电视台播映。

这就涉及到影视片名的汉译问题。

外国电影、电视剧片名的翻译一般采用直译和根据剧情意译两种方法。

一、直译Artificial Intelligence《人工智能》Air Force One《空军一号》Batman 《蝙蝠侠》Brave Heart 《勇敢的心》/《惊世未了情》Casablanca《卡萨布兰卡》/《北非谍影》Cat People《豹妹》City of Angels 《天使之城》Crouching Tiger, Hidden Dragon《卧虎藏龙》Dances with Wolves 《与狼共舞》First Blood 《第一滴血》The Godfather 《教父》High Crime《极度重罪》The Horse Whisperer《马语者》Ice Age《冰河纪》Jane Eyre《简爱》Lady Chatterley’s Lover《查泰莱夫人的情人》The Lion King《狮子王》Marco Polo《马可·波罗》The Modern Times《摩登时代》Mulan《花木兰》The Mummy《木乃伊归来》Next Friday《下星期五》Notre Dame de Paris《巴黎圣母院》On Golden Pond《金色池塘》Pearl Harbor《珍珠港》Roman Holiday《罗马假日》/《金枝玉叶》The Schindler’s List《辛德勒的名单》Saving Private Ryan《拯救大兵瑞恩》Shakespeare in Love《莎翁情史》Singing in the Rain《雨中曲》/《万花嬉春》The Silence of the Lambs《沉默的羔羊》The Sound of Music《音乐之声》Speechless《尽在不言中》Star Wars《星球大战》Tess 《苔丝》Titanic《泰坦尼克》/《冰海沉船》True Lie《真实的谎言》Yellow Handkerchief《黄手绢》二、根据内容情节意译Abatjour 《浪漫的挑逗》About Last Night《邂逅》Absolute Power 《一触即发》Accidental Hero 《无名英雄》The Accused 《暴劫梨花》Addicted to Love《为你疯狂/不知不觉爱上你》All American Girl 《二八年华寂寞心》All Night Long 《风骚俏佳人》The Ambassador 《乱世风云》American President《白宫夜未眠》Another Woman 《缘尽半生》Awakening《无语问苍天》Baby Game 《凌空娇子》Baby Love《一见痴情》Back Roads 《天涯路》Bathing Beauty《出水芙蓉》Betty Blue 《巴黎野玫瑰》The Bridges of Madison County《廊桥遗梦》Butterflies 《狂蜂浪蝶》Carve Her Name with Pride 《女英烈传》Charlie’s Angels 《霹雳娇娃》Charlie and Louise《相逢自有缘》Comeback 《湄公河》Crash《欲望号街车》Die Hard 《虎胆龙威》Dynasty《中国风云》The English Patient 《别问我是谁》/《英伦情人》Free and Easy《潇洒先生》Gone with the Wind《乱世佳人》Great Expectations 《孤星血泪》Hamlet 《王子复仇记》/《哈姆莱特High Point《最高密令》It Could Happen to You《倾城佳话》It Happened One Night 《一夜风流》Kramer vs Kramer 《克莱默夫妇》Lisa《爱在生命终结时》A Long Way Home《万水千山》The Mexican《危险情人》Les Miserables 《孤星泪》/《悲惨世界》My Fair Lady《窈窕淑女》The Object of Beauty《美丽的谎言》Never Been Kissed《一吻定江山》Paradise《金童玉女》Plenty《谁可相依》The Punisher 《特警威龙》Quiz Show《幕后游戏》Rebecca 《蝴蝶梦》Rebel without a Cause《养子不教谁之过》Salt on Our Skin《有情不悔》Saturday, Sunday and Friday《消魂梦中人》Scandal《凤舞英伦》Sex Dream《幻彩年华》Someone Like You《似曾相识》Somewhere in Time 《时光倒流七十年》Top Gun 《壮志凌云》Touch and Go《情浓再相逢》Truly, Madly, Deeply《一屋一鬼一情人》Us Two《感官天使》Waterloo Bridge 《魂断蓝桥》※Welcome Home《情归何处》Where the Heart Is 《芳心天涯》Zoolander《超级模特》。

六级听⼒提升好电影推荐六级听⼒提升好电影推荐Roman Holiday 罗马假⽇Breakfast at Tiffany’s 蒂梵尼的早餐Gone with the Wind 乱世佳⼈Casablanca卡萨布兰卡Sabrina 情归巴黎（⽼版）Somewhere in Time 时光倒流70年Sense and Sensibility 理智与情感Pride and Prejudice 傲慢与偏见Little Woman ⼩妇⼈The Age of Innocence 纯真年代Leon, the Professional 这个杀⼿不太冷The Shawshank Redemption肖申克的救赎The Legend of Fall 秋⽇传奇Forrest Gump 阿⽢正传Waling on the Clouds 云中漫步Somersby 似是故⼈来Serendipity 缘分天注定The Ghost 幽灵The Bodyguard 保镖Kate and Leopard隔世情缘My Best Friend’s Wedding 我最好朋友的婚礼Pretty Woman 漂亮⼥⼈Romeo and Juliet 新版罗密欧与朱丽叶Titanic 泰坦尼克French Kiss 情定巴黎Catch Me If You Can. 猫⿏游戏Around the World in 80 Days 环游地球80天Indecent Proposal 桃⾊交易Big Daddy 冒牌⽼爸Mr. Deeds 迪兹先⽣50 First Dates 初恋50次Meet the Parents 拜见岳⽗⼤⼈Meet the Folkers 拜见岳⽗⼤⼈续集The Robot 机器⼈Princess’ Dairy1 公主⽇记1 Princess’ Dairy2 公主⽇记续集Bridget Jones’s Diary 1 BJ单⾝⽇记1 Bridget Jones’s Diary 2 BJ单⾝⽇记续集Terminal 幸福终点站Casper ⿁马⼩精灵Lion King 狮⼦王Shrek 1 怪物史莱克1Shrek 2 怪物史莱克续集Finding Nemo 海底总动员The Tale of Sharks鲨鱼⿊帮The Incredibles 超⼈总动员King Kong ⾦刚Mr. Weatherman 天⽓预报员In Her Shoes 偷穿⾼跟鞋Brokeback Mountain 断背⼭Crash 撞车The American presidentBaby boomBatman 蝙蝠侠Big 长⼤成⼈Clueless ⽆药可救Fat man and little boyTrading places 打赌Four wedding a funeral 四个婚礼⼀个葬礼The sweetest gift 甜蜜的礼物The graduate 毕业⽣When Harry met Sally当哈⾥遇到沙梨Indiana Jones and the last Crusaoe 印第安纳琼斯（夺宝骑兵系列）Iron and silk 铁与丝You’re got mail ⽹上情缘Patch Adams ⼼灵点滴Philadelphia 费城Plans, trains ＆Automobiles 旅⾏冒险记Sleepless in SeattleSense and sensibility 理智与情感Terms of Endearment 母⼥情深The sound of musicA fish called WandaEpisodeFriends ⽼友记Joey ⽼友记续集之Joey篇Seinfield 宋飞正传Everybody Loves Raymond （⼈⼈都爱雷蒙德）Desperate Housewife （绝望的主妇）——剧情好看，场景养眼，演员声⾳漂亮，语⾔⽣活，强烈推荐！Lost （迷失）Prison Break发⾳⽐较好的⼥演员：May rain, Julia Roberts, Camer Diaz 发⾳⽐较好的男演员：汤姆.汉克斯, 达斯仃.霍夫曼。