呼啸山庄人物关系图

《呼啸山庄》人物关系结构论文推荐文章近代史论文人物陈独秀热度：感动中国2019年度人物的优秀学习心得精选热度：2019感动中国十大人物吕保民观后感怎么写感动中国2019吕保民先进事迹是什么热度： 2019感动中国年度人物的优秀观后感有哪些热度：保研推荐信与申请人关系热度：《呼啸山庄》是英国女作家勃朗特姐妹之一艾米莉·勃朗特的作品，是19世纪英国文学的代表作之一。

小说描写吉卜赛弃儿希斯克利夫被山庄老主人收养后，因受辱和恋爱不遂.外出致富。

回来后对与其女友凯瑟琳结婚的地主林顿及其子女进行报复的故事。

全篇充满强烈的反压迫、争幸福的斗争精神，又始终笼罩着离奇、紧张的浪漫气氛。

此作品多次被改编成电影作品。

下面是店铺为大家精心准备的：《呼啸山庄》人物关系结构相关论文。

仅供大家参考!《呼啸山庄》人物关系结构全文如下：Title：Abstract：Wuthering Heights tells a story of superhuman love and revenge enacted on the English moors. In this thesis, an attempt is made to analyze the love triangle relationship which leads to Catherine's dilemma between love and marriage in Wuthering Heights by virtue of Freud’s theory of personality.Key words：Wuthering Heights Freud’s theory of personality love triangle relationshipIn Catherine's heart she knows what is right, but chooses what is wrong. It is her wrong decision that pushes her into the inextricable []dilemma between her love andmarriage; it is her wrong choice that plunges the two families into chaos. In the mind, she is truly out of her way.According to Sigmund Freud(1856—1939), the structure of the mind or personality consists three portions: the id, the ego, and the sup erego.“The id, which is the reservoir of biological impulses, constitutes the entire personality of the infant at birth. Its principle of operation, to guard the person from painful tension, is termed the pleasure principle. Inevitable frustrations of the id, together with what the child learns from his encounters with external reality, generate the ego, which is essentially a mechanism to minimize frustrations of the biological drives in the long run. It operates according to the reality principle … []The superego comprises the conscience, a partly conscious system of introjected moral inhibitions, and the ego-ideal, the source of the individual's standards for his own behavior. Like external reality, from which it derives, the superego often presents obstacles to the satisfaction of biological drives.”“In the mentally healthy person, these three systems form a unified and harmonious organization. Conversely, when the three systems of personality are at odds with one another the person is said to be maladjusted.” Here Catherine's tragic psychological process may be well illustrated by Freudian psychoanalysis.“I cannot express it; but surely you and everybody have a notion that there is, or should be, an existence of yours beyond you. What were the use of my creation, if I were entirely contained here?” Catherine's strange words reflect that the intelligent Emily Bronte had been earlier pondering over a same question in her work. What on earth is“the existence of Catherine's beyond Catherine”?Here we may believe that Heathcliff stands for Catherine's instinctual nature and the strongest desire—her “id” in the depths of her soul; Edgar, her ideal “superego”, represents another part of her personality: the well-bred gracefulness and the superiorit y of a wealthy family; and she, herself is the “ego” tortured by the friction between the two in the disharmonious situation.In the light of Freud's theory of personality, “the superego is the representation in the personality of the traditional values and ideals of society as they are handed down from parents to children.” Catherine's choice of Edgar as her husband is to satisfy her ideal “superego” to get wealth and high social position, which are the symbol of her class, on the basis of the education by her family and reality from her early childhood. She is a Miss of a noble family with a long history of about three hundred years. Only the marriage well-matched in social and economic status could be a satisfaction for all: her family, the society and even her practical self. “It would degrade me to many Heathcliff now ... if Heathcliff and I married, we should be beggars?” This is her actual worry for her future. Catherine yields to the pressure from her brother, and alike, in truth, she is yielding to the moral rules of society, without the approval and identification of which, she could not live a better life or even exist in it at all.However, Catherine underestimates what her other more intrinsic self would have effect on her. The most remarkable claim by Catherine herself may be the best convincing evidence to distinguish the different roles of Heathcliff and Edgar—her “id” and her “superego”:“My great miseries in this world have been Heathcliff's miseries, and I watched and felt each from the beginning: mygreat thought in living is himself. If all else perished, and he remained, I should still continue to be; and if all else perished, and he was annihilated, the universe would turn to a mighty stranger: I should not seem a part of it. My love for Linton is like foliage in the woods: time will change it. I'm well aware, as winter changes the trees. My love for Heathcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary. Nelly, I'm Heathcliff! He's always, always in my mind: not as a pleasure and more than I am always a pleasure to me, but as my own being. So don't talk of our separation again: it is impracticable.”It was a happy thought to make her love the kind, wealthy, weak, elegant Edgar, yet in submission to her superego to oppose against her id, she would fall into a loss of the self. Since the id is the most primitive basis of personality, and the ego is formed out of the id, Catherine's life depends wholly on Heathcliff， as the whole connotation and truth of her life in the cosmic world, for its existence and further more for the significance of her existence. Heathcliff is the most necessary part of her being. She marries Edgar, but Heathcliff still clutches her soul in his passionate embrace. Although she is a bit ashamed of her early playmate, she loves him with a passionate abandonment that sets culture, education, the world at defiance. Catherine's wrong choice for marriage violates her inner desires. The choice is a victory for self-indulgence—a sacrifice of primary to secondary things. And she pays for it.On one hand, Catherine doesn't find the heavenly happiness she was longing for. Though as a girl “full of ambition”and “to be the greatest woman of the neighborhood” would be her pride, the enviable marriage could only flatter her vanity for asecond. After her marriage, the comfortable and peaceful life in the Grange was just a monotonous and lifeless confinement of her soul. She feels chocked by the artificial and unnatural conditions in the closed Thrushcross Grange— a world in which the mind has hardened and become unalterable.“If I were in heaven, Nelly, I should be extremely miserable. ” Catherine eventually knows that the Lintons' heaven is not her ideal heaven. She and Heathcliff really possess their common heaven. Just as Catherine says,“Whatever our souls are made of, his and mine are the same; and Linton's is as different as a moonbeam from lightning, or frost from fire.”Catherine doesn't want to live in the Lintons' heaven; on the other hand, she has lost her own paradise that she ever had with Heathcliff on the bare hard moor in their childhood. The deepest bent of her nature announces her destiny—a wanderer between the two worlds. When she is alive, she occupies a position midway between the two. She belongs in a sense to both and is constantly drawn first in Heathcliff's direction, then in Edgar's, and then in Heathcliff's again and at last she loses herself completely. Her childish illusion to use her husband's money to aid Heatllcliff to rise out of her brother's power has vanished in thin air. And her constant struggle to reconcile two irreconcilable ways of life is in vain too, which only caused more disorder in the two worlds and in herself as well.In Freudian principles, should the ego continually fail in its task of satisfying the demands of the id, these three factors together—the painful repression of the id's instinctual desires, the guilt conscience of revolt against the superego's wishes, and the frustration of failure in finding outlets in the external world- would contribute to ever-increasing anxiety. The anxiety piles upand finally overwhelms the person. When this happens, the person is said to leave hallucinatory wish-fulfillment, then a nervous radical breakdown, and in the end may finish the person off. Catherine is destroyed into psychic fragmentation by the friction between the two. At the height of her Edgan-Heathcliff torment, Catherine lies delirious on the floor at the Grange. She dreams that she is back in her own old bed at Wuthering Heights “enclosed in the oak-paneled bed at home, and my heart ached with some great grief…my misery arose from the separation that Hindley had ordered between me and Heathcliff.”Still dreaming, she tries to push back the panels of the oak bed, only to find herself touching the table and the carpet at the Grange:“My late anguish was swallowed in a paroxysm of despair. I cannot say why I was so wildly wretched ... and my all in all, as Heathcliff was at that time, and been converted at a stroke into Mrs. Linton...the wife of a stranger: an exile, and outcast.” She attempts to forget the lengthy days of years of life without her soul even in her temporary derangement.“Most strangely, the whole last seven years of my life grew a blank! I did not recall that they had been at all.” Her mental and physical decay rapidly leads to the body's mortal end. She dies and seems to have none into perfect peace.But even after her death, she is still a wandering ghost. In Chapter 3, Lockwood, the lodger in Catherine's oak-paneled bed at Wuthering Heights dreams about the little wailing ghost: “The intense horror of nightmare came over me: I tried to draw back my arm, but the hand clung to it, and a most melancholy voice sobbed, ‘Let me in-Let me in’.‘ Who are you?’…‘Catherine Linton’, it replied, shiveringly…‘I'm come home: I'd lost my way on the moor!’…Terror made me cruel; andfinding it useless to attempt shaking the creature off, I pulled its wrist on to the broken pane, and rubbed it to and fro till then blood ran down and soaked the bedclothes: still it wailed, ‘Let me in!’…it is twenty years, twenty years. I've been a waif for twenty years!”Catherine aspires to be back in her heaven even being a spirit. But leer self-deceptive decision has made her fall from her and Heathcliff's heaven full of demonic love and her never docile or submissive nature has drawn her out of her and Edgar's heaven filled with civilized emptiness in the meantime. She pushes herself into her tragedy, the endless dilemma between her love and marriage, which won't end up with her death.Bibliography：1.Bronte Emily，Wuthering Heights，Beijing：Foreign Language T eaching and Research Press，London：Oxford University Press 19952.Freud Sigmund，Interpretation of Dreams，Beijing：Foreign Language Teaching and Research Press 20013.Travis Trysh，Heathcliff and Cathy，the Dysfunctional Couple，The Chronicle of Higher Education，Washington，20014.Steinitz Rebecca，Diaries and Displacement in Wuthering Heights，Studies in the Novel，Denton，20005.方平译，《呼啸山庄》，上海：上海译文出版社，20006.弗洛伊德，《精神分析引论新编》，北京：商务印书馆，19967.高宣扬，《弗洛伊德传》，北京：作家出版社，19868.陆扬，《精神分析文论》，济南：山东教育出版社，20019.扬静远译，《勃朗特姐妹研究》，北京：中国社会科学出版社，198310.凌晨光，《当代文学批评学》，济南：山东大学出版社，2001。

呼啸山庄中的爱恨情仇《呼啸山庄》是英国作家艾米莉·勃朗特于1847年出版的经典小说，以其深刻描绘了人性的复杂和爱恨情仇而闻名。

本文将详细探讨小说中主要人物之间纠缠不清的感情纠葛，以及这些情感关系对剧情发展的影响。

一、吉尔伯特家族吉尔伯特家族是本故事的核心，他们与邻近地区波尔顿（Bolton）家族有着激烈的恩怨历史。

主要人物包括：希斯克里夫、凯瑟琳、埃德加等。

1. 希斯克里夫与凯瑟琳希斯克里夫和凯瑟琳是《呼啸山庄》中最具代表性的角色之一。

他们在童年时就结下了深厚的友谊，但由于身份和社会阶层的差异，他们无法成为命定中相伴一生的伴侣。

2. 凯瑟琳与埃德加尽管凯瑟琳深爱着希斯克里夫，但为了追求稳定的社会地位和财富，她选择了嫁给了另一个青年绅士埃德加。

这导致了凯瑟琳与希斯克里夫之间的情感断裂和愤怒。

二、波尔顿家族波尔顿家族是吉尔伯特家族坐落在山庄附近的邻居，也扮演着重要角色。

1. 希斯克里夫与伊莎贝拉由于对凯瑟琳的背叛感到愤怒和失望，希斯克里夫转而与伊莎贝拉建立起复杂而暴力的关系。

他利用伊莎贝拉来报复凯瑟琳，却在过程中造成更多痛苦和毁灭。

2. 凯瑟琳与亨利为了摆脱自己婚姻中无趣和束缚感，凯瑟琳被波尔顿家族中的亨利所吸引。

他们发展出一段激情四溢、错误而复杂的关系。

三、爱恨情仇对剧情的影响《呼啸山庄》中的爱恨情仇交织在一起，构成了整个故事的核心。

这些情感关系对剧情产生了深远的影响。

1. 牺牲与痛苦希斯克里夫为了复仇，在自己和其他人之间撕裂开来，带来了无尽的痛苦。

他们互相伤害、背叛，最终导致家族和社会关系被摧毁。

2. 理性与激情的冲突凯瑟琳面临着理性与激情之间不断斗争的困扰。

她感受到来自传统社会观念和内心深处真实感情之间的冲突，这逐渐摧毁了她自己和周围人的幸福。

3. 命运与报应小说通过展示主要人物之间错综复杂但不可避免的联系和因果关系，向读者展示出命运和报应是如何在他们身上发挥作用，并让他们付出代价。

飘一、关于这部小说的简介：小说《飘》是美国著名女作家玛格丽特·米歇尔创作的一部具有浪漫主义色彩、反映南北战争题材的小说。

主人公斯佳丽身上表现出来的叛逆精神和艰苦创业、自强不息的精神，一直令读者为之倾心。

这部经久不息的小说感动了无数的读者。

多次被翻拍成电影。

电影又名《乱世佳人》。

二、关于这部小说的人物表如下：1.思嘉：本书的女主人公，塔拉庄园杰拉尔德的女儿，是克莱顿最美丽、最有个性的姑娘，任性、自负而固执，也极端自私，讲求实际，对南方的道德传统常常不屑一顾。

她从少女时代起便一直盲目地爱慕着艾希礼，因艾希礼与媚兰订婚而赌气嫁给媚兰的哥哥查尔斯。

重建塔拉庄园时为了交税，她不惜破坏妹妹的爱情又嫁给弗兰克。

在困难面前，她表现出极其惊人的坚强和勇气。

她的魅力深深地吸引了白瑞德，由于她始终没有看清楚白瑞德和艾希礼在自己心中的位置，最终又失去了白瑞德的爱。

但她坚强地告诉自己她一定有办法让他回到身边。

2.艾希礼：典型的南方世家子弟，长相英俊，性格懦弱无能，一身贵族社会的破落、腐朽气息。

爱思嘉却深知无法驾驭思嘉，因而娶了弱不禁风的媚兰。

然而在精神上却始终不能忠于妻子。

战后，南方的一切旧秩序打破了，他一无是处，经营思嘉的锯木厂也缺乏能力。

3.媚兰：艾希礼的妻子。

文静温柔、单纯善良、博爱宽容，几乎集中了南北战争前后南方女人所应当具备的所有优秀品质。

虽然身体柔弱，然而她的坚强和勇敢并不亚于思嘉。

因亚特兰大被围期间以及在塔拉重建时对思嘉产生了深厚的情谊，自始至终她都深爱思嘉，也宽容、信任思嘉。

最后冒生命危险第二次怀孕，也正应为此而死去。

4.白瑞德：全书中性格最复杂、眼光最锐利的一个人物。

他是南方贵族家庭的不肖子，倔强、精明、狡诈，发战争财，其行为深为南方上流社会所不齿。

然而他在许多方面也体现出灵魂的高尚之处，如爱孩子、不歧视下人等。

他深爱思嘉，早就看出思嘉和他十分相似，在弗兰克死后便娶了她，然而，因思嘉迟迟没能领悟他的爱情而伤透了心，女儿邦尼死后，他对思嘉的爱情也随之全部破碎。

《呼啸山庄》人物关系结构【摘要】《呼啸山庄》是一部经典的英国小说，其人物关系结构错综复杂。

希思克利夫和凯瑟琳的关系牵扯出三角恋情，而他们与希斯克利夫之间的错综关系更加扑朔迷离。

凯瑟琳与埃德加的婚姻关系也充满了矛盾和挣扎。

雪莱和凯瑟琳之间的情感纠葛充满着悲剧色彩，而他与希波利特的关系也注定了悲剧的结局。

这些人物关系不仅促成了小说的剧情发展，也深刻地塑造了小说的主题。

人物之间的纠葛和情感纷争使得整个故事更加扣人心弦，反映了人性的复杂和扭曲。

《呼啸山庄》中的人物关系交织复杂，不仅令读者欲罢不能，更使得整个故事达到了深刻的情感共鸣。

【关键词】《呼啸山庄》、人物关系结构、希思克利夫、凯瑟琳、希斯克利夫、埃德加、雪莱、希波利特、交织复杂、剧情发展、塑造主题。

1. 引言1.1 介绍《呼啸山庄》《呼啸山庄》是英国作家艾米莉·勃朗特的代表作之一，也是世界文学史上不可忽视的经典之作。

这部小说以19世纪英国乡村为背景，讲述了由于爱情、复仇和疯狂而引发的家族纷争和个人悲剧。

故事围绕着希斯克利夫、凯瑟琳和希思克利夫这几个主要人物展开，展现出了深厚的人性复杂性和悲剧性。

通过深入分析《呼啸山庄》中各个人物之间的复杂关系，我们可以更深入地理解这部小说的精髓所在，以及作者对人性、道德和社会现实的思考和反思。

1.2 概述人物关系结构《呼啸山庄》是英国作家Emily Bronte的经典小说，讲述了希斯克利夫和凯瑟琳之间错综复杂的爱恨情仇，以及他们与其他人物之间纷繁复杂的人际关系。

小说中的人物关系结构是整个故事的核心，是推动情节发展和展现主题的关键。

在《呼啸山庄》中，人物关系错综复杂、纷繁复杂。

希思克利夫和凯瑟琳之间的复杂爱恨情仇是整个故事的主线，他们之间的关系充满着激烈的情感冲突和离奇的命运交错。

希思克利夫与凯瑟琳的爱情纠葛也牵扯出了希斯克利夫的身世秘密，进一步加剧了他们之间的关系复杂度。

凯瑟琳与希思克利夫之外的其他人物也在人物关系中扮演着重要角色。

呼啸山庄：爱与痛苦的边界概述《呼啸山庄》是英国作家艾米莉·勃朗特创作的一部经典小说。

该小说以复杂的人物关系和情感冲突为主线，描绘了19世纪英国北部庄园生活中爱与痛苦的边界。

1.人物关系与情感1.1 凯瑟琳与希斯克利夫凯瑟琳和希斯克利夫是小说中最重要的角色之一。

他们从童年时期开始就建立了深厚的情感连接，然而他们之间存在着贵族和仆人之间不可逾越的鸿沟。

这种不平等导致了他们最终无法在一起，使得他们的爱变成痛苦。

1.2 凯瑟琳与埃德加凯瑟琳被迫与思想迥异的埃德加结婚。

尽管埃德加对她非常关心，但凯瑟琳内心却始终对充满野性的希斯克利夫念念不忘。

这种错位的情感使得她陷入了痛苦与折磨之中。

1.3 希斯克利夫与伊莎贝拉希斯克利夫为了报复凯瑟琳嫁给埃德加，决定追求伊莎贝拉。

然而，这段关系只是建立在仇恨和复仇的基础上，最终导致了伊莎贝拉的痛苦和悲伤。

2.社会阶级与爱情2.1 社会阶级对爱情的限制《呼啸山庄》揭示了19世纪英国社会等级制度对个人自由选择爱情的限制。

凯瑟琳和希斯克利夫之间的阶级差异成为他们无法在一起的最主要原因。

2.2 爱情对社会阶级的挑战尽管面临着重重困难，但凯瑟琳和希斯克利夫仍然试图跨越社会阶级束缚。

小说中描绘了他们不顾一切地追求爱情并与传统观念作斗争的勇气和决心。

3.痛苦与牺牲3.1 爱情的痛苦《呼啸山庄》展示了爱情带来的痛苦和折磨。

凯瑟琳和希斯克利夫之间的复杂情感，以及他们对彼此无法实现的渴望造成了深深的伤害。

3.2 牺牲与救赎小说中还存在一些角色通过牺牲自我来挽救他人或得到救赎的情节。

这种牺牲精神体现了爱与痛苦之间微妙而复杂的联系。

结论《呼啸山庄》通过描绘复杂的人物关系和摆脱社会阶级束缚寻求真爱所带来的痛苦，探索了爱与痛苦之间边界线上所存在的挣扎和冲突。

这部小说引发读者对于个人自由、社会等级制度和传统观念等话题的深思，并成为文学史上不可忽视的经典之作。