呼啸山庄人物关系图

《呼啸山庄》人物关系结构论文推荐文章近代史论文人物陈独秀热度：感动中国2019年度人物的优秀学习心得精选热度：2019感动中国十大人物吕保民观后感怎么写感动中国2019吕保民先进事迹是什么热度： 2019感动中国年度人物的优秀观后感有哪些热度：保研推荐信与申请人关系热度：《呼啸山庄》是英国女作家勃朗特姐妹之一艾米莉·勃朗特的作品，是19世纪英国文学的代表作之一。

小说描写吉卜赛弃儿希斯克利夫被山庄老主人收养后，因受辱和恋爱不遂.外出致富。

回来后对与其女友凯瑟琳结婚的地主林顿及其子女进行报复的故事。

全篇充满强烈的反压迫、争幸福的斗争精神，又始终笼罩着离奇、紧张的浪漫气氛。

此作品多次被改编成电影作品。

下面是店铺为大家精心准备的：《呼啸山庄》人物关系结构相关论文。

仅供大家参考!《呼啸山庄》人物关系结构全文如下：Title：Abstract：Wuthering Heights tells a story of superhuman love and revenge enacted on the English moors. In this thesis, an attempt is made to analyze the love triangle relationship which leads to Catherine's dilemma between love and marriage in Wuthering Heights by virtue of Freud’s theory of personality.Key words：Wuthering Heights Freud’s theory of personality love triangle relationshipIn Catherine's heart she knows what is right, but chooses what is wrong. It is her wrong decision that pushes her into the inextricable []dilemma between her love andmarriage; it is her wrong choice that plunges the two families into chaos. In the mind, she is truly out of her way.According to Sigmund Freud(1856—1939), the structure of the mind or personality consists three portions: the id, the ego, and the sup erego.“The id, which is the reservoir of biological impulses, constitutes the entire personality of the infant at birth. Its principle of operation, to guard the person from painful tension, is termed the pleasure principle. Inevitable frustrations of the id, together with what the child learns from his encounters with external reality, generate the ego, which is essentially a mechanism to minimize frustrations of the biological drives in the long run. It operates according to the reality principle … []The superego comprises the conscience, a partly conscious system of introjected moral inhibitions, and the ego-ideal, the source of the individual's standards for his own behavior. Like external reality, from which it derives, the superego often presents obstacles to the satisfaction of biological drives.”“In the mentally healthy person, these three systems form a unified and harmonious organization. Conversely, when the three systems of personality are at odds with one another the person is said to be maladjusted.” Here Catherine's tragic psychological process may be well illustrated by Freudian psychoanalysis.“I cannot express it; but surely you and everybody have a notion that there is, or should be, an existence of yours beyond you. What were the use of my creation, if I were entirely contained here?” Catherine's strange words reflect that the intelligent Emily Bronte had been earlier pondering over a same question in her work. What on earth is“the existence of Catherine's beyond Catherine”?Here we may believe that Heathcliff stands for Catherine's instinctual nature and the strongest desire—her “id” in the depths of her soul; Edgar, her ideal “superego”, represents another part of her personality: the well-bred gracefulness and the superiorit y of a wealthy family; and she, herself is the “ego” tortured by the friction between the two in the disharmonious situation.In the light of Freud's theory of personality, “the superego is the representation in the personality of the traditional values and ideals of society as they are handed down from parents to children.” Catherine's choice of Edgar as her husband is to satisfy her ideal “superego” to get wealth and high social position, which are the symbol of her class, on the basis of the education by her family and reality from her early childhood. She is a Miss of a noble family with a long history of about three hundred years. Only the marriage well-matched in social and economic status could be a satisfaction for all: her family, the society and even her practical self. “It would degrade me to many Heathcliff now ... if Heathcliff and I married, we should be beggars?” This is her actual worry for her future. Catherine yields to the pressure from her brother, and alike, in truth, she is yielding to the moral rules of society, without the approval and identification of which, she could not live a better life or even exist in it at all.However, Catherine underestimates what her other more intrinsic self would have effect on her. The most remarkable claim by Catherine herself may be the best convincing evidence to distinguish the different roles of Heathcliff and Edgar—her “id” and her “superego”:“My great miseries in this world have been Heathcliff's miseries, and I watched and felt each from the beginning: mygreat thought in living is himself. If all else perished, and he remained, I should still continue to be; and if all else perished, and he was annihilated, the universe would turn to a mighty stranger: I should not seem a part of it. My love for Linton is like foliage in the woods: time will change it. I'm well aware, as winter changes the trees. My love for Heathcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary. Nelly, I'm Heathcliff! He's always, always in my mind: not as a pleasure and more than I am always a pleasure to me, but as my own being. So don't talk of our separation again: it is impracticable.”It was a happy thought to make her love the kind, wealthy, weak, elegant Edgar, yet in submission to her superego to oppose against her id, she would fall into a loss of the self. Since the id is the most primitive basis of personality, and the ego is formed out of the id, Catherine's life depends wholly on Heathcliff， as the whole connotation and truth of her life in the cosmic world, for its existence and further more for the significance of her existence. Heathcliff is the most necessary part of her being. She marries Edgar, but Heathcliff still clutches her soul in his passionate embrace. Although she is a bit ashamed of her early playmate, she loves him with a passionate abandonment that sets culture, education, the world at defiance. Catherine's wrong choice for marriage violates her inner desires. The choice is a victory for self-indulgence—a sacrifice of primary to secondary things. And she pays for it.On one hand, Catherine doesn't find the heavenly happiness she was longing for. Though as a girl “full of ambition”and “to be the greatest woman of the neighborhood” would be her pride, the enviable marriage could only flatter her vanity for asecond. After her marriage, the comfortable and peaceful life in the Grange was just a monotonous and lifeless confinement of her soul. She feels chocked by the artificial and unnatural conditions in the closed Thrushcross Grange— a world in which the mind has hardened and become unalterable.“If I were in heaven, Nelly, I should be extremely miserable. ” Catherine eventually knows that the Lintons' heaven is not her ideal heaven. She and Heathcliff really possess their common heaven. Just as Catherine says,“Whatever our souls are made of, his and mine are the same; and Linton's is as different as a moonbeam from lightning, or frost from fire.”Catherine doesn't want to live in the Lintons' heaven; on the other hand, she has lost her own paradise that she ever had with Heathcliff on the bare hard moor in their childhood. The deepest bent of her nature announces her destiny—a wanderer between the two worlds. When she is alive, she occupies a position midway between the two. She belongs in a sense to both and is constantly drawn first in Heathcliff's direction, then in Edgar's, and then in Heathcliff's again and at last she loses herself completely. Her childish illusion to use her husband's money to aid Heatllcliff to rise out of her brother's power has vanished in thin air. And her constant struggle to reconcile two irreconcilable ways of life is in vain too, which only caused more disorder in the two worlds and in herself as well.In Freudian principles, should the ego continually fail in its task of satisfying the demands of the id, these three factors together—the painful repression of the id's instinctual desires, the guilt conscience of revolt against the superego's wishes, and the frustration of failure in finding outlets in the external world- would contribute to ever-increasing anxiety. The anxiety piles upand finally overwhelms the person. When this happens, the person is said to leave hallucinatory wish-fulfillment, then a nervous radical breakdown, and in the end may finish the person off. Catherine is destroyed into psychic fragmentation by the friction between the two. At the height of her Edgan-Heathcliff torment, Catherine lies delirious on the floor at the Grange. She dreams that she is back in her own old bed at Wuthering Heights “enclosed in the oak-paneled bed at home, and my heart ached with some great grief…my misery arose from the separation that Hindley had ordered between me and Heathcliff.”Still dreaming, she tries to push back the panels of the oak bed, only to find herself touching the table and the carpet at the Grange:“My late anguish was swallowed in a paroxysm of despair. I cannot say why I was so wildly wretched ... and my all in all, as Heathcliff was at that time, and been converted at a stroke into Mrs. Linton...the wife of a stranger: an exile, and outcast.” She attempts to forget the lengthy days of years of life without her soul even in her temporary derangement.“Most strangely, the whole last seven years of my life grew a blank! I did not recall that they had been at all.” Her mental and physical decay rapidly leads to the body's mortal end. She dies and seems to have none into perfect peace.But even after her death, she is still a wandering ghost. In Chapter 3, Lockwood, the lodger in Catherine's oak-paneled bed at Wuthering Heights dreams about the little wailing ghost: “The intense horror of nightmare came over me: I tried to draw back my arm, but the hand clung to it, and a most melancholy voice sobbed, ‘Let me in-Let me in’.‘ Who are you?’…‘Catherine Linton’, it replied, shiveringly…‘I'm come home: I'd lost my way on the moor!’…Terror made me cruel; andfinding it useless to attempt shaking the creature off, I pulled its wrist on to the broken pane, and rubbed it to and fro till then blood ran down and soaked the bedclothes: still it wailed, ‘Let me in!’…it is twenty years, twenty years. I've been a waif for twenty years!”Catherine aspires to be back in her heaven even being a spirit. But leer self-deceptive decision has made her fall from her and Heathcliff's heaven full of demonic love and her never docile or submissive nature has drawn her out of her and Edgar's heaven filled with civilized emptiness in the meantime. She pushes herself into her tragedy, the endless dilemma between her love and marriage, which won't end up with her death.Bibliography：1.Bronte Emily，Wuthering Heights，Beijing：Foreign Language T eaching and Research Press，London：Oxford University Press 19952.Freud Sigmund，Interpretation of Dreams，Beijing：Foreign Language Teaching and Research Press 20013.Travis Trysh，Heathcliff and Cathy，the Dysfunctional Couple，The Chronicle of Higher Education，Washington，20014.Steinitz Rebecca，Diaries and Displacement in Wuthering Heights，Studies in the Novel，Denton，20005.方平译，《呼啸山庄》，上海：上海译文出版社，20006.弗洛伊德，《精神分析引论新编》，北京：商务印书馆，19967.高宣扬，《弗洛伊德传》，北京：作家出版社，19868.陆扬，《精神分析文论》，济南：山东教育出版社，20019.扬静远译，《勃朗特姐妹研究》，北京：中国社会科学出版社，198310.凌晨光，《当代文学批评学》，济南：山东大学出版社，2001。

呼啸山庄中的情感与家庭关系概述《呼啸山庄》是英国作家艾米莉·勃朗特创作的经典小说，讲述了一个充满悲剧色彩的家族故事。

该小说深入探讨了人与人之间的情感纠葛和家庭关系的复杂性。

主要角色关系1.海斯克利夫与凯瑟琳：海斯克利夫是一个粗鲁而野蛮的男人，而凯瑟琳则是一个美丽但自负的女子。

他们之间存在着强烈的吸引力，却也常常为彼此带来伤害。

他们之间错综复杂、互不相让的情感纠缠展示了一种令人惊叹又可怕的爱情。

2.基尔恩希：作为主人公布什·基尔恩希（Lockwood）笔记本中描述者，他在呼啸山庄做客期间对那里发生的事情进行观察和记录。

基尔恩希一方面被海斯克利夫和凯瑟琳这对令人困惑又令人着迷的人物所吸引，另一方面也感受到了家族关系间的复杂性。

3.赫顿家族关系：呼啸山庄是赫顿家族的产业，代代相传。

这个家族内部存在着多种复杂的情感关系和争斗。

海斯克利夫是一个私生子，他与父亲赫顿、它的合法儿子希尔顿之间存在着复杂而紧张的关系。

情感表达与矛盾冲突1.爱恨交织：小说中展示了持久而独特的爱情，如凯瑟琳对海斯克利夫的缠绵深情。

同时，在主要角色和家庭成员之间也有充满敌意和仇恨的情感纠葛。

2.理解与误解：呼啸山庄中充满着人们对彼此心灵深处需求和欲望的误解。

尽管角色之间可能有着强烈的情感联系，但他们却经常无法真正理解和满足彼此。

3.社会与家庭压力：小说描写了封闭、孤立且严苛的社会环境，家族成员受到社会和家庭的枷锁所束缚。

这种压力不仅限制了他们的自由，并且导致了悲剧发生。

家庭与亲情1.父母与孩子：小说展示了父母对子女的深切关怀，以及他们为保护自己孩子而采取的行动。

赫顿对希尔顿的保护就是一个例子。

然而，家庭关系中也经常暴露出因误解、冷漠或反抗而造成的矛盾。

2.兄弟姐妹关系：小说中有一些兄弟姐妹之间表达互相宽慰和关爱的情感时刻。

例如海斯克利夫和凯瑟琳均与哥哥希尔顿有着特殊的情感联系。

3.养父与养子：小说中海斯克利夫被赫顿领养后，体验到了完全不同于血缘关系的亲情纽带。

呼啸山庄中的爱恨情仇《呼啸山庄》是英国作家艾米莉·勃朗特于1847年出版的经典小说，以其深刻描绘了人性的复杂和爱恨情仇而闻名。

本文将详细探讨小说中主要人物之间纠缠不清的感情纠葛，以及这些情感关系对剧情发展的影响。

一、吉尔伯特家族吉尔伯特家族是本故事的核心，他们与邻近地区波尔顿（Bolton）家族有着激烈的恩怨历史。

主要人物包括：希斯克里夫、凯瑟琳、埃德加等。

1. 希斯克里夫与凯瑟琳希斯克里夫和凯瑟琳是《呼啸山庄》中最具代表性的角色之一。

他们在童年时就结下了深厚的友谊，但由于身份和社会阶层的差异，他们无法成为命定中相伴一生的伴侣。

2. 凯瑟琳与埃德加尽管凯瑟琳深爱着希斯克里夫，但为了追求稳定的社会地位和财富，她选择了嫁给了另一个青年绅士埃德加。

这导致了凯瑟琳与希斯克里夫之间的情感断裂和愤怒。

二、波尔顿家族波尔顿家族是吉尔伯特家族坐落在山庄附近的邻居，也扮演着重要角色。

1. 希斯克里夫与伊莎贝拉由于对凯瑟琳的背叛感到愤怒和失望，希斯克里夫转而与伊莎贝拉建立起复杂而暴力的关系。

他利用伊莎贝拉来报复凯瑟琳，却在过程中造成更多痛苦和毁灭。

2. 凯瑟琳与亨利为了摆脱自己婚姻中无趣和束缚感，凯瑟琳被波尔顿家族中的亨利所吸引。

他们发展出一段激情四溢、错误而复杂的关系。

三、爱恨情仇对剧情的影响《呼啸山庄》中的爱恨情仇交织在一起，构成了整个故事的核心。

这些情感关系对剧情产生了深远的影响。

1. 牺牲与痛苦希斯克里夫为了复仇，在自己和其他人之间撕裂开来，带来了无尽的痛苦。

他们互相伤害、背叛，最终导致家族和社会关系被摧毁。

2. 理性与激情的冲突凯瑟琳面临着理性与激情之间不断斗争的困扰。

她感受到来自传统社会观念和内心深处真实感情之间的冲突，这逐渐摧毁了她自己和周围人的幸福。

3. 命运与报应小说通过展示主要人物之间错综复杂但不可避免的联系和因果关系，向读者展示出命运和报应是如何在他们身上发挥作用，并让他们付出代价。

《呼啸山庄》人物关系结构【摘要】《呼啸山庄》是一部经典的英国小说，其人物关系结构错综复杂。

希思克利夫和凯瑟琳的关系牵扯出三角恋情，而他们与希斯克利夫之间的错综关系更加扑朔迷离。

凯瑟琳与埃德加的婚姻关系也充满了矛盾和挣扎。

雪莱和凯瑟琳之间的情感纠葛充满着悲剧色彩，而他与希波利特的关系也注定了悲剧的结局。

这些人物关系不仅促成了小说的剧情发展，也深刻地塑造了小说的主题。

人物之间的纠葛和情感纷争使得整个故事更加扣人心弦，反映了人性的复杂和扭曲。

《呼啸山庄》中的人物关系交织复杂，不仅令读者欲罢不能，更使得整个故事达到了深刻的情感共鸣。

【关键词】《呼啸山庄》、人物关系结构、希思克利夫、凯瑟琳、希斯克利夫、埃德加、雪莱、希波利特、交织复杂、剧情发展、塑造主题。

1. 引言1.1 介绍《呼啸山庄》《呼啸山庄》是英国作家艾米莉·勃朗特的代表作之一，也是世界文学史上不可忽视的经典之作。

这部小说以19世纪英国乡村为背景，讲述了由于爱情、复仇和疯狂而引发的家族纷争和个人悲剧。

故事围绕着希斯克利夫、凯瑟琳和希思克利夫这几个主要人物展开，展现出了深厚的人性复杂性和悲剧性。

通过深入分析《呼啸山庄》中各个人物之间的复杂关系，我们可以更深入地理解这部小说的精髓所在，以及作者对人性、道德和社会现实的思考和反思。

1.2 概述人物关系结构《呼啸山庄》是英国作家Emily Bronte的经典小说，讲述了希斯克利夫和凯瑟琳之间错综复杂的爱恨情仇，以及他们与其他人物之间纷繁复杂的人际关系。

小说中的人物关系结构是整个故事的核心，是推动情节发展和展现主题的关键。

在《呼啸山庄》中，人物关系错综复杂、纷繁复杂。

希思克利夫和凯瑟琳之间的复杂爱恨情仇是整个故事的主线，他们之间的关系充满着激烈的情感冲突和离奇的命运交错。

希思克利夫与凯瑟琳的爱情纠葛也牵扯出了希斯克利夫的身世秘密，进一步加剧了他们之间的关系复杂度。

凯瑟琳与希思克利夫之外的其他人物也在人物关系中扮演着重要角色。

呼啸山庄：爱与痛苦的边界概述《呼啸山庄》是英国作家艾米莉·勃朗特创作的一部经典小说。

该小说以复杂的人物关系和情感冲突为主线，描绘了19世纪英国北部庄园生活中爱与痛苦的边界。

1.人物关系与情感1.1 凯瑟琳与希斯克利夫凯瑟琳和希斯克利夫是小说中最重要的角色之一。

他们从童年时期开始就建立了深厚的情感连接，然而他们之间存在着贵族和仆人之间不可逾越的鸿沟。

这种不平等导致了他们最终无法在一起，使得他们的爱变成痛苦。

1.2 凯瑟琳与埃德加凯瑟琳被迫与思想迥异的埃德加结婚。

尽管埃德加对她非常关心，但凯瑟琳内心却始终对充满野性的希斯克利夫念念不忘。

这种错位的情感使得她陷入了痛苦与折磨之中。

1.3 希斯克利夫与伊莎贝拉希斯克利夫为了报复凯瑟琳嫁给埃德加，决定追求伊莎贝拉。

然而，这段关系只是建立在仇恨和复仇的基础上，最终导致了伊莎贝拉的痛苦和悲伤。

2.社会阶级与爱情2.1 社会阶级对爱情的限制《呼啸山庄》揭示了19世纪英国社会等级制度对个人自由选择爱情的限制。

凯瑟琳和希斯克利夫之间的阶级差异成为他们无法在一起的最主要原因。

2.2 爱情对社会阶级的挑战尽管面临着重重困难，但凯瑟琳和希斯克利夫仍然试图跨越社会阶级束缚。

小说中描绘了他们不顾一切地追求爱情并与传统观念作斗争的勇气和决心。

3.痛苦与牺牲3.1 爱情的痛苦《呼啸山庄》展示了爱情带来的痛苦和折磨。

凯瑟琳和希斯克利夫之间的复杂情感，以及他们对彼此无法实现的渴望造成了深深的伤害。

3.2 牺牲与救赎小说中还存在一些角色通过牺牲自我来挽救他人或得到救赎的情节。

这种牺牲精神体现了爱与痛苦之间微妙而复杂的联系。

结论《呼啸山庄》通过描绘复杂的人物关系和摆脱社会阶级束缚寻求真爱所带来的痛苦，探索了爱与痛苦之间边界线上所存在的挣扎和冲突。

这部小说引发读者对于个人自由、社会等级制度和传统观念等话题的深思，并成为文学史上不可忽视的经典之作。