威廉福克纳 介绍William Faulkner
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威廉·福克纳简介威廉·福克纳姓名:威廉·福克纳(william faulkner)性别:男出生年月:1897-1962国籍:美国所获奖项:1949年诺贝尔文学奖威廉·福克纳(william faulkner,1897-1962)美国作家,生于美国密西西比州新奥尔巴尼的一个庄园主家,南北后家道中落。
第一次世界大战期间,福克纳在空军服过役。
战后入大学,其后从事过各种职业并开始写作。
《士兵的报酬》(1926)发表后,福克纳被列入"迷惘的一代",但很快与他们分道扬镖。
《萨拉里斯》(1929)问世之后,福克纳的创作进入高峰斯。
他发现"家乡那块邮票般大小的地方倒也值得一写,只怕一辈子也写不完"。
怀着这样的信念,他把19篇长篇和70多篇短篇小说纺织在"约克纳帕塌法世系"里,通过南方贵族世家的兴衰,反映了美国独立战争前夕到第二次世界大战之间的社会现实,创伤了20世纪的"人间喜剧"。
长篇小说《喧哗与骚动》和《我弥留之际》(1930)、《圣殿》(1931)、《八月之光》(1932)、《押沙龙,押沙龙》(1936)等现代文学的经典之作。
福克纳后期的主要小说诗歌文学作品有《村子》(1940)、《闯入者》(1948)、《》(1954)、《小镇》(1957)和《大宅》(1959)等。
此外还有短篇小说、剧本和诗歌。
福克纳虽是南方重要作家,但他的小说诗歌文学作品当时并不受重视,直到1946年美国著名的文学批评家马尔科姆·考莱编选了《袖珍本福克纳文集》,又写了一篇有名的序言之后,福克纳才在文坛上引起重视。
特别是、马尔洛等人的赏识,使福克纳名声大噪。
在艺术上,福克纳受影响,大胆地大胆地进行实验,采用意识流手法、对位结构以及象征隐喻等手段表现暴力、凶杀、性变态心理等,他的小说诗歌文学作品风格千姿百态、扑朔迷离,读者须下大功夫才能感受其特有的审美情趣。
文学家福克纳是谁威廉·福克纳是美国文学史上最有影响力的作家之一,同时他也是1949年诺贝尔文学奖的得主,《喧哗与骚动》《我弥留之际》《押沙龙,押沙龙!》等为威廉·福克纳代表作。
下面是店铺搜集整理的文学家福克纳的简介,希望对你有帮助。
文学家福克纳的简介威廉·福克纳生于1897年9月25日,出身名门望族,全名威廉·卡斯伯特·福克纳。
支配这个家族的是福克纳的曾祖父威廉·克拉科·福克纳老。
他既是种植园主,又是军人、作家、政治家。
他还是经营铁路的企业家,他修的铁路是当地唯一的铁路。
牛津小镇留下老鲜明的痕迹。
老死后,坟头矗立起一座8英尺高的意大利大理石雕像。
他还著有几本小说和其他一些作品,这种文学传统一直在家中传承了下来。
福克纳作品中的“约翰·萨托里斯”就是在他曾祖父的基础上创作而来的。
福克纳的文学特点威廉·福克纳作品特点主要有虚构的约克纳帕塔法世系架构描写、意识流的表现手法、多角度的叙事手法、抽象的语言风格和象征隐喻形式的当代神话模式多方面。
约克纳帕塔法是个在福克纳笔下虚构的地名,他的许多作品,都是发生在这块土地上。
根据统计,福克纳的作品共有600多名人物,都是约克纳帕塔法不同阶层的几代人。
这个地方是福克纳根据自己故乡的为原型而塑造的,也是世界文学史上最罪名的虚构地名之一。
意识流创作手法是福克纳作品最大的特点。
所谓的意识流,就是通过对人物意识的描写,来推动故事的进展。
换言之,即是对人物的心理描写十分侧重。
在福克纳的作品中,同样采用了这一创作手法,将细腻的人物感情和复杂的心理变化穿插在其作品当中。
威廉·福克纳作品特点最明显的是,多角度叙事。
所谓的多角度叙事,就是通过某一位角色为视角,以第一人称的手法表现故事,《喧哗与骚动》是福克纳多角度叙事的经典之作,他通过对班吉、昆丁和杰生等人的视角,把人物的心理完美地表达出来。
威廉福克纳获诺贝尔文学奖演说威廉福克纳(William Faulkner,1897-1962)美国作家,生于美国密西西比州新奥尔巴尼的一个庄园主家,南北战争后家道中落。
第一次世界大战期间,福克纳在空军服过役。
战后入大学,其后从事过各种职业并开始写作。
《士兵的报酬》(1926)发表后,福克纳被列入"迷惘的一代",但很快与他们分道扬镖。
《萨拉里斯》(1929)问世之后,福克纳的创作进入高峰斯。
他发现"家乡那块邮票般大小的地方倒也值得一写,只怕一辈子也写不完"。
怀着这样的信念,他把19篇长篇和70多篇短篇小说纺织在"约克纳帕塌法世系"里,通过南方贵族世家的兴衰,反映了美国独立战争前夕到第二次世界大战之间的社会现实,创伤了20世纪的"人间喜剧"。
长篇小说《喧哗与骚动》和《我弥留之际》(1930)、《圣殿》(1931)、《八月之光》(1932)、《押沙龙,押沙龙》(1936)等现代文学的经典之作。
福克纳后期的主要作品有《村子》(1940)、《闯入者》(1948)、《寓言》(1954)、《小镇》(1957)和《大宅》(1959)等。
此外还有短篇小说、剧本和诗歌。
福克纳虽是南方重要作家,但他的作品当时并不受重视,直到1946年美国著名的文学批评家马尔科姆考莱编选了《袖珍本福克纳文集》,又写了一篇有名的序言之后,福克纳才在文坛上引起重视。
特别是萨特、马尔洛等人的赏识,使福克纳名声大噪。
在艺术上,福克纳受弗洛伊德影响,大胆地大胆地进行实验,采用意识流手法、对位结构以及象征隐喻等手段表现暴力、凶杀、性变态心理等,他的作品风格千姿百态、扑朔迷离,读者须下大功夫才能感受其特有的审美情趣。
1949年,"因为他对当代美国小说作出了强有力的和艺术上无与伦比的贡献",福克纳获诺贝尔文学奖。
I feel that this award was not made to me as a man, but tomy work -- life's work in the agony and sweat of the human spirit, not for glory and least of all for profit, but to create out of the materials of the human spirit something which did not exist before. So this award is only mine in trust. It will not be difficult to find a dedication 1 for the money part of it commensurate with the purpose and significance of its origin. But I would like to do the same with the acclaim 2 too, by using this moment as a pinnacle 3 from which I might be listened to by the young men and women already dedicated 4 to the same anguish 5 and travail 6 , among whom is already that one who will some day stand where I am standing 7 .Our tragedy today is a general and universal physical fear so long sustained by now that we can even bear it. There are no longer problems of the spirit. There is only the question: When will I be blown up? Because of this, the young man or woman writing today has forgotten the problems of the human heart in conflict with itself which alone can make good writing because only that is worth writing about, worth the agony and the sweat.He must learn them again. He must teach himself that the basest of all things is to be afraid; and, teaching himself that, forget it forever, leaving no room in his workshop foranything but the old verities 8 and truths of the heart, the universal truths lacking which any story is ephemeral and doomed 10 -- love and honor and pity and pride and compassion 11 and sacrifice. Until he does so, he labors 12 under a curse. He writes not of love but of lust 13 , of defeats in which nobody loses anything of value, of victories without hope and, worst of all, without pity or compassion. His griefs grieve on no universal bones, leaving no scars. He writes not of the heart but of the glands 14 .Until he learns these things, he will write as though he stood among and watched the end of man. I decline to accept the end of man. It is easy enough to say that man is immortal 15 simply because he will endure: that when the last ding-dong of doom 9 has clanged and faded from the last worthless rock hanging tideless in the last red and dying evening, that even then there will still be one more sound: that of his puny 16 inexhaustible voice, still talking. I refuse to accept this. I believe that man will not merely endure: he will prevail. He is immortal, not because he alone among creatures has an inexhaustible voice, but because he has a soul, a spirit capable of compassion and sacrifice and endurance.The poet’s, the writer's, duty is to write about these things. It is his privilege to help man endure by lifting his heart, byreminding him of the courage and honor and hope and pride and compassion and pity and sacrifice which have been the glory of his past. The poet's voice need not merely be the record of man, it can be one of the props 17 , the pillars to help him endure and prevail.■文章重点单词注释:1dedicationn.奉献,献身,致力,题献,献辞参考例句:We admire her courage,compassion and dedication.我们钦佩她的勇气、爱心和奉献精神。
威廉福克纳的简介威廉;福克纳是美国文学史上最有影响力的作家之一,也是1949年诺贝尔文学奖的得主,下面是搜集整理的威廉福克纳的简介,希望对你有帮助。
威廉;福克纳生于1897年9月25日,出身名门望族,全名威廉;卡斯伯特;福克纳。
支配这个家族的是福克纳的曾祖父威廉;克拉科;福克纳老。
他既是种植园主,又是军人、作家、政治家。
他还是经营铁路的企业家,他修的铁路是当地唯一的铁路。
牛津小镇留下老鲜明的痕迹。
老死后,坟头矗立起一座8英尺高的意大利大理石雕像。
他还著有几本小说和其他一些作品,这种文学传统一直在家中传承了下来。
福克纳作品中的“约翰;萨托里斯”就是在他曾祖父的基础上创作而来的。
威廉福克纳的文学特点意识流福克纳笔下的剧情浸染着人物的复杂心理变化,细腻的感情描写穿插其中。
他的作品最大的外在特点是绵延婉转及结构极为繁复的长句子和反复斟酌推敲后选取的精巧词汇。
他和风格简洁明了、干脆利落的海明威更是两个极端。
与欧洲文学试验者乔伊斯、伍尔芙、普鲁斯特等人遥相呼应,大量运用意识流、多角度叙述和陈述中时间推移等富有创新性的文学手法。
他的小说具有明显的空间形式小说的特征,他对意识流技巧和时间错置的创造性使用丰富了小说这一传统文学体裁时间和空间上的表现形式,无疑对传统的叙事结构构成变革性的挑战,给读者的传统文学审美价值体系带来了全新的冲击,对读者的理解能力和想象能力是个极大的考验。
让-保罗;萨特曾评价《喧哗与骚动》:“福克纳的哲学是时间的哲学。
”意识流是福克纳作品的重要表现手法。
比如《喧哗与骚动》中,昆丁的思绪在手表齿轮的声音、耶稣在海上行走、华盛顿的诚实、小物件上的红迹、自己手指的血之间自由跳跃,却显得十分自然。
自由联想往往是不受时间限制的,比如《我弥留之际》中艾迪的意识,由过去与父亲的对话,联想到现在教授学生的烦恼,再到将来的安眠,过去、现在和未来就通过意识流串了起来。
除了意识的自然跳跃,潜意识的沉淀、积累、扩展也是福克纳艺术手法的表现内容,比如昆丁自杀前一天,他对过去的记忆、对周围环境的感知,全部汇集成关于凯蒂贞操的潜意识。
威廉福克纳的简介威廉·福克纳是美国文学史上最有影响力的作家之一,也是1949年诺贝尔文学奖的得主,下面是店铺搜集整理的威廉福克纳的简介,希望对你有帮助。
威廉福克纳的简介威廉·福克纳生于1897年9月25日,出身名门望族,全名威廉·卡斯伯特·福克纳。
支配这个家族的是福克纳的曾祖父威廉·克拉科·福克纳老。
他既是种植园主,又是军人、作家、政治家。
他还是经营铁路的企业家,他修的铁路是当地唯一的铁路。
牛津小镇留下老鲜明的痕迹。
老死后,坟头矗立起一座8英尺高的意大利大理石雕像。
他还著有几本小说和其他一些作品,这种文学传统一直在家中传承了下来。
福克纳作品中的“约翰·萨托里斯”就是在他曾祖父的基础上创作而来的。
威廉福克纳的文学特点意识流福克纳笔下的剧情浸染着人物的复杂心理变化,细腻的感情描写穿插其中。
他的作品最大的外在特点是绵延婉转及结构极为繁复的长句子和反复斟酌推敲后选取的精巧词汇。
他和风格简洁明了、干脆利落的海明威更是两个极端。
与欧洲文学试验者乔伊斯、伍尔芙、普鲁斯特等人遥相呼应,大量运用意识流、多角度叙述和陈述中时间推移等富有创新性的文学手法。
他的小说具有明显的空间形式小说的特征,他对意识流技巧和时间错置的创造性使用丰富了小说这一传统文学体裁时间和空间上的表现形式,无疑对传统的叙事结构构成变革性的挑战,给读者的传统文学审美价值体系带来了全新的冲击,对读者的理解能力和想象能力是个极大的考验。
让-保罗·萨特曾评价《喧哗与骚动》:“福克纳的哲学是时间的哲学。
”意识流是福克纳作品的重要表现手法。
比如《喧哗与骚动》中,昆丁的思绪在手表齿轮的声音、耶稣在海上行走、华盛顿的诚实、小物件上的红迹、自己手指的血之间自由跳跃,却显得十分自然。
自由联想往往是不受时间限制的,比如《我弥留之际》中艾迪的意识,由过去与父亲的对话,联想到现在教授学生的烦恼,再到将来的安眠,过去、现在和未来就通过意识流串了起来。
威廉福克纳的简介威廉·福克纳生于1897年9月25日,出身名门望族,全名威廉·卡斯伯特·福克纳。
支配这个家族的是福克纳的曾祖父威廉·克拉科·福克纳老。
他既是种植园主,又是军人、作家、政治家。
他还是经营铁路的企业家,他修的铁路是当地唯一的铁路。
牛津小镇留下老鲜明的痕迹。
老死后,坟头矗立起一座8英尺高的意大利大理石雕像。
他还著有几本小说和其他一些作品,这种文学传统一直在家中传承了下来。
福克纳作品中的“约翰·萨托里斯”就是在他曾祖父的基础上创作而来的。
意识流福克纳笔下的剧情浸染着人物的复杂心理变化,细腻的感情描写穿插其中。
他的作品最大的外在特点是绵延婉转及结构极为繁复的长句子和反复斟酌推敲后选取的精巧词汇。
他和风格简洁明了、干脆利落的海明威更是两个极端。
与欧洲文学试验者乔伊斯、伍尔芙、普鲁斯特等人遥相呼应,大量运用意识流、多角度叙述和陈述中时间推移等富有创新性的文学手法。
他的小说具有明显的空间形式小说的特征,他对意识流技巧和时间错置的创造性使用丰富了小说这一传统文学体裁时间和空间上的表现形式,无疑对传统的叙事结构构成变革性的挑战,给读者的传统文学审美价值体系带来了全新的冲击,对读者的理解能力和想象能力是个极大的考验。
让-保罗·萨特曾评价《喧哗与骚动》:“福克纳的哲学是时间的哲学。
”意识流是福克纳作品的重要表现手法。
比如《喧哗与骚动》中,昆丁的思绪在手表齿轮的声音、耶稣在海上行走、华盛顿的诚实、小物件上的红迹、自己手指的血之间自由跳跃,却显得十分自然。
自由联想往往是不受时间限制的,比如《我弥留之际》中艾迪的意识,由过去与父亲的对话,联想到现在教授学生的烦恼,再到将来的安眠,过去、现在和未来就通过意识流串了起来。
除了意识的自然跳跃,潜意识的沉淀、积累、扩展也是福克纳艺术手法的表现内容,比如昆丁自杀前一天,他对过去的记忆、对周围环境的感知,全部汇集成关于凯蒂贞操的潜意识。
William FaulknerWilliam Faulkner (1897-1962) ■ William Faulkner was born in NewAlbany, Mississippi and raised in nearbyOxford, and lived there almost all hislife. Faulkner left school in his tee nsand had no further formal educationbeyond a year (1919-1920) as a specialstudent at the University of Mississippi.William Faulkner (1897-1962)■ The fact that William Faulkner was bom into a Southern family with a fairly long tradition is perhaps the most important of all the in flue nces that made him a major writer in American literature.William Faulkner (1897-1962)■ The town of Oxford where he was brought up became the model for his fictional Jefferson, the seat of 丫oknapatawpha county. His own family history found its way into his novels and the members of his family proved to be prototypes for his characters.William Faulkner (1897-1962)■ Faulkner's knowledge of the life of the American Deep South, with its tragic history of rise and fall in its fortunes, its ways and mores, and its language, all fused in his imagination and recreated, became the substanee of a Faulkneria n world strangely in spiring both nostalgia and a sense of impending doom in modern readers・William Faulkner (1897-1962)■ Most of Faulknefs works are set in the American South, with his emphasis on the Southern subjects and consciousness, and they are about people from a small region in Northern Mississippi, Yoknapatawpha County, which is actually an imaginary place・■ With his rich imagination, Faulkner turned the land, the people and the history of the region into a literary creation and mythical kingdom. As a result, 丫oknapatawpha Country has become an allegory or a parable of the Old South, with which Faulkner has managed successfully to show a panorama of the experience and consciousness of the whole Southern society・William Faulkner (1897-1962)■ The Yokanapatawpha County series have an overall pattern in which the fate of a ruined homeland always focuses on the collision of Faulknefs intelligent, sensitive, and idealistic protagonists with the society of the 20th century・■ Almost all his heroes turn out to be tragic because they are prisoners of the past, or of the society, or of some social and moral taboos, or of their own in trospective pers on alities.William Faulkner (1897-1962)■ His first two novels, Soldier's Pay and Mosquitoes (1927), were not very promising, but Sartoris (1929) revealed Faulkner's fuller development as a writer. For the first time he entered his fictional country and began to create a world of his own.■ With Sartoris his training as a writer came to a close. His next book, The Sound and the Fury (1929), was definitely the mature work of a major author.William Faulkner (1897-1962)■ In 1930 As I Lay Dying came out, and what had apparently begun to worry him was the lack of critical acclaim for his work. He then contrived the sexually aggressive and sensational plot of Sanctury (1931) to shock the public into a kind of recognition.William Faulkner (1897-1962) ■ Of Faulkner's literary works, 3 novels are masterpieces:□ The Sound and the Fury D Light inAugust 匚 Absalom,Absalom!□ Go Down, MosesWilliam Faulkner (1897-1962) ■ During the next ten years hecontinued to work on hisYoknapatawpha county. His majorworks such as Light in August 932),Absalom, Absalom! 936), and GoDown, Moses (1942) appeared one after another.William Faulkner (1897-1962)■ Here the deep South is delineated in as minute detail as possible・ Indeed, Faulkner's works have been termed the Yoknapatawpha saga,u one connected story,” one “mythical kingdom."William Faulkner (1897-1962)■ He writes about the histories of a number of southern aristocratic families and traces them back to the very beginning when the Chickasaw Indians were still lawful owners of the land.William Faulkner (1897-1962)■ In the very rise of these family fortunes, Faulkner sees their in evitable fall. These white settlers may have dreamed, built great houses with confidence and courage, and achieved a degree of success in their golden past, but they can not escape the defeat to which they are doomed from the very outset, for they have displaced the Indians and enslaved the Black race・William Faulkner (1897-1962)■What Faulkner is talking about concerns not merely the American South but the human situation in general. The spiritual deterioration which characterizes modern life stems directly from the loss of love and want of emotional response.The Sound and the Fury■ The Sound and the Fury tells a story of deterioration from the past to thepresent. The past it idealized to form astriking contrast with the lovelesspresent. There is in the book an acutefeeling of nostalgia toward the happypast.The Sound and the Fury■ Quentin*s section offers a good illustration. A miserable creature in the modern world, Quentin frequently casts a backward glance at the time of his childhood when life was innocent, romantic, and secure・He just cannot bring himself to come to terms with the present when is, to him, purposeless, futile, and devoid of the values which make life worth living ・The Sound and the Fury■ His suicide offers an example of a complete negation of the present. In a sense, Quentin's value system may represent Faulkner's own idea of an ideal way of life, that of an ante-bellum society.The Sound and the Fury■ With the story of Jas on whose life embodies all the vices of the modern world, the contrast between the ante-bellum society and the present one is brought out in the most poignant manner possible. The triumph of rationalism over feeling and compassion is best illustrated in this sterile and loveless individual.The Sound and the Fury■ Faulkner once said that TheSound and the Fury is a story of u lost innocence M which proves itself to be an intensification of the theme of imprisonment in the past.Faulkner's Style■ Faulkner has always been regarded as a man with great might of invention and experimentation. He added to the theory of the novel as an art form and evolved his own literary strategies. To him, the primary duty of a writer was to explore and represe nt the infinite possibilities inhere nt in huma n life・Therefore a writer should observe with no judgment whatsoever and reduce authorial intrusion to the lowest minimum.Faulkner's Style■ The most characteristic way of structuring his stories is to fragment the chronological time. He deliberately broke up the chrono logy of his narrative by juxtaposing the past with the present, in the way the montage does in a movie. The modern stream-of- consciousness technique was also frequently and skillfully exploited by Faulkner to emphasize the reactions and inner musings of the narrator.Faulkner's Style■ Moreover, Faulkner was good at presenting multiple points of view, which gave the story a circular form, wherein one event is centered, with various points of view radiating from it, or different people responding to the same story.Faulkner's Style■ Thus a high degree could be reached・ The other narrative techniquesFaulkner used to con struct his stories include symbolism and mythologicaland biblical allusions.A Rose for Emily■ A Rose for Emily is Faulkner's first short story published in 1930. Set in the town of Jeffers on in 丫oknapatawpha, the story focuses on Emily Grierson, an eccentric spinster who refuses to accept the passage of time, or the inevitable change and loss that accompanies it.A Rose for Emily■ As a descendant of the Southernaristocracy, Emily is typical of those inFaulkner's Yoknapatawpah stories whoare the symbols of the Old South butthe prisoners of the past. In this story,Faulkner makes best use of the Gothicdevices in narrati on.Quote 1■ When Miss Emily Grierson died, our whole town went to her funeral: the men through a sort of respectable affection for a fallen monument, the women mostly out of curiosity to see the inside of her house, which no one save an old man・ servant—a combinedgardener and cook—had seen in at least ten years.(Selected Readings 617-618)Quote 2■ Then we noticed that in the second pillow was the indentation of a head. One of us lifted something from it, and leaning forward, that faint and invisible dust dry and acrid in the nostrils, we saw a long strand of iron-gray hair. (Selected Readings 629)。
William Faulkner 威廉福克纳(1897-1962)William Faulkner ranks with Ernest Hemingway as one of the leading American authors of the Twentieth Century. Faulkner, like Robert Frost, was a regionalist, who spent most of his life in a small, particular area of the United States, writing about the scenes and people he knew best. Faulkner’s region was the Deep South, with its bitter history of slavery, civil war and destruction. He invented a county and a town in his imagination very similar to his own part of Mississippi, and he wrote about the society in the South by inventing families which represented different social forces: the old, decaying upper class; the rising,ambitious, unscrupulous class of “poor whites”; and the Negroes who labored for both of them. Most of his stories take place in this imaginary Yoknapatawpha County, and concern members of the same families at different times in history. 他的多数故事都发生在他构想的Yoknapatawpha县,他笔下的人物不是一次写完,同一人物会在几本书中,在不同历史时期反复出现。
热点作家15 福克纳一、人物简介威廉·福克纳(William Faulkner 1897年9月25日-1962年7月6日),美国文学史上最具影响力的作家之一,意识流文学在美国的代表人物,1949年诺贝尔文学奖得主,获奖原因为"因为他对当代美国小说做出了强有力的和艺术上无与伦比的贡献"。
他一生共写了19部长篇小说与120多篇短篇小说,其中15部长篇与绝大多数短篇的故事都发生在约克纳帕塔法县,称为"约克纳帕塔法世系"。
其主要脉络是这个县杰弗生镇及其郊区的属于不同社会阶层的若干个家族的几代人的故事,时间从1800年起直到第二次世界大战以后。
世系中共600多个有名有姓的人物在各个长篇、短篇小说中穿插交替出现。
最有代表性的作品是《喧哗与骚动》。
二、主要作品《士兵的报酬》Soldiers' Pay 1926《蚊群》Mosquitoes 1927《沙多里斯》Sartoris 1929《喧哗与骚动》The Sound and the Fury 1929《我弥留之际》As I Lay Dying 1930《圣殿》Sanctuary 1931《八月之光》Light in August 1932《塔门》Pylon 1935《押沙龙,押沙龙!》Absalom, Absalom! 1936《不败者》The Unvanquished 1938《野棕榈》The Wild Palms 1939《村子》The Hamlet 1940《去吧,摩西》Go Down, Moses 1942《坟墓的闯入者》Intruder in the Dust 1948三、荣誉殿堂1.1939年1月福克纳登上《时代周刊》封面,在好莱坞的日子,他一共赚了21000美元。
1938年2月,他买下了320英亩的"绿野农场"。
同年他在《哈泼斯》月刊上发表了短篇小说《烧马棚》,并获欧·亨利奖。