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2017年一年级语文下册生字一到三单元组词（苏教版）璇嗗瓧1 鏄?ch奴n)锛氭槬(ch奴n)澶?ti膩n) 鏄?ch奴n)鑺?ji茅) 绔?l矛)鏄?ch奴n) 鏄?ch奴n)椋?f膿ng) 闈?q墨ng)鏄?ch奴n) 鏄?ch奴n)鍏?gu膩ng) 鏄?ch奴n)闆?y菙) 鏍?sh霉)锛氭爲(sh霉)鏋?l铆n) 鏍?sh霉)鏈?m霉) 澶?d脿)鏍?sh霉) 鑺?y谩)锛?缁?l菧)鑺?y谩) 璞?d貌u)鑺?y谩) 鍙?f膩)鑺?y谩) 瀚?n猫n)鑺?y 谩) 鑺?y谩)鑻?mi谩o) 甯?b霉)锛氬竷(b霉)璋?g菙) 鑺?hu膩)甯?b霉) 鍏?g艒ng)甯?b霉) 鍙?f膩)甯?b霉) 鍒?f膿n)甯?b霉) 甯?b霉)鏂?li脿o) 缁?zh墨)甯?b 霉) 璋?y霉)锛氬北(sh膩n)璋?g菙) 璋?y霉)瀛?z菒) 绋?d脿o)璋?y霉) 璋?y霉)绮?l矛) 甯?b霉)璋?g菙)楦?ni菐o) 姊?l铆)锛氭ⅷ(l铆)鏍?sh霉) 姊?l铆)鑺?hu 膩) 姊?l铆)瀛?z菒) 姊?l铆)鍥?yu谩n) 棣?xi膩ng)姊?l铆) 楦?y膩)姊?l铆) 鏉?x 矛ng)锛?鏉?x矛ng)鑺?hu膩) 鏉?x矛ng)鏍?sh霉) 鏉?x矛ng)瀛?z菒) 鏉?x矛ng)浠?r茅n) 閾?y铆n)鏉?x矛ng) 妗?t谩o)(t谩o)鑺?hu膩) 妗?t谩o)鏍?sh霉) 妗?t谩o)瀛?zi) 璇嗗瓧2 瓒?z煤)锛氱珛(l矛)瓒?z煤) 瓒?z煤)鐞?qi 煤) 濂?n菤)瓒?z煤) 鎵?sh菕u)瓒?z煤) 鍏?ch艒ng)瓒?z煤) 鍙?t谩i)锛氱湅(k 脿n)鍙?t谩i) 鐢?di脿n)鍙?t谩i) 鍙?t谩i)椋?f膿ng) 闃?y谩ng)鍙?t谩i) 鍊?d 菐o)锛氬€?d菐o)鍕?g艒u) 鍊?d菐o)杞?ch膿) 鍊?d脿o)绔?l矛) 鍕?g艒u)锛氬嬀(g艒u)褰?d膩ng) 鍕?g艒u)鐢?hu脿) 杩?gu貌)锛氳繃(gu貌)鍘?q霉) 杩?gu貌)鏉?l谩i) 璧?z菕u)杩?gu貌) 闂?m茅n)锛氱湅(k脿n)闂?m茅n) 澶?d 脿)闂?m茅n) 鍔?ji膩)锛氬姞(ji膩)娌?y贸u) 鍔?ji膩)娉?f菐) 鍔?ji膩)鍏?r霉) 璇嗗瓧3 鑸?zh艒u)锛氬皬(xi菐o)鑸?zh艒u) 榫?l贸ng)鑸?zh艒u) 鏈?m霉)鑸?zh 艒u) 椋?f膿ng)闆?y菙)鍚?t贸ng)鑸?zh艒u) 鐭?sh铆)锛氱煶(sh铆)澶?t贸u) 鐭?sh铆)瀛?z菒) 鐭?sh铆)娌?y贸u) 鍖?hu脿)鐭?sh铆) 鐭?sh铆)鍧?ku脿i) 娉?qu谩n)锛氭硥(qu谩n)姘?shu菒) 灞?sh膩n)娉?qu谩n) 宸?chu膩n)锛氬北(sh膩n)宸?chu膩n) 娌?h茅)宸?chu膩n) 鍐?b墨ng)宸?chu膩n) 宸?chu膩n)娴?li煤)涓?b霉)鎭?x墨) 娌?h茅)锛氭渤(h茅)姘?shu菒) 榛?hu谩ng)娌?h茅) 娌?h茅)娴?li煤) 闂?w猫n)锛氬ソ(h菐o)闂?w猫n) 闂?w猫n)鍙?h脿o) 闂?w 猫n)濂?h菐o) 闂?w猫n)棰?t铆) 瀛?xu茅)闂?w猫n) 璇?x煤n)闂?w猫n) 闂?w 猫n)鍊?h貌u) 鐤?y铆)闂?w猫n) 浠€(sh茅n)锛氫粈(sh茅n)涔?y膩o) 涓?w 猫i)浠€(sh茅n)涔?me) 骞?g脿n)浠€(sh茅n)涔?y膩o) 鍥?gu贸)锛氬浗(gu 贸)鏃?q铆) 鐖?脿i)鍥?gu贸) 鍥?gu贸)瀹?ji膩) 璇嗗瓧4 杞?l煤n)锛氳溅(ch膿)杞?l煤n) 杞?l煤n)鑳?t膩i) 杞?l煤n)鑸?chu谩n) 杞?ch膿)锛氭苯杞?q矛ch 膿) (hu菕ch膿) 椋庤溅(f膿ngch膿) 杞?gu菒)锛氳建閬?gu菒d脿o) 閾佽建(ti臎gu菒) 鍗曡建(d膩ngu菒) 杞?z脿i)锛氳浇(z脿i)瀹?k猫) 杞?z脿i)璐?hu貌) 瑁?zhu膩ng)杞?z脿i) 杞?zhu菐n)锛氳浆韬?zhu菐nsh膿n)(zhu菐ny菐n) (zhu菐nr脿ng) (zhu菐nd貌ng) 缇?m臎i)锛氱編涓?m臎il矛) 缇庢湳(m臎ish霉) 瀹岀編(w谩nm臎i) 缇庡伐(m臎ig艒ng) 浜?j墨ng)锛氬寳浜?b臎ij墨ng) 浜?j墨ng)鍩?ch茅ng) 浜?j墨ng)鍓?j霉) 娴?h 菐i)锛氬ぇ(d脿)娴?h菐i) 娴?h菐i)杈?bi膩n) 娴?h菐i)姘?shu菒)1.鏅ㄥ厜鍏?gu膩ng)锛氬厜(gu膩ng)鏄?m铆ng) 闃?y谩ng)鍏?gu膩ng) 鐏?d膿ng)鍏?gu膩ng) 鎴?ch茅ng)锛氭垚(ch茅ng)浜?r 茅n) 鎴?ch茅ng)闀?ch谩ng) 瀹?w谩n)鎴?ch茅ng) 浜?li脿ng)锛氭湀(yu猫)浜?li脿ng) 浜?li脿ng)鍏?gu膩ng) 鍙?f膩)浜?li脿ng) 璧?q菒)锛氳捣(q菒)鏉?l 谩i) 璧?q菒)绔?l矛) 璧?q菒)椋?f膿i) 鐨?de)锛氬ソ(h菐o)鐨?de) 鏄?sh矛)鐨?de) 鐪?zh膿n)鐨?de) 闃?y谩ng)锛氬お(t脿i)闃?y谩ng) 闃?y谩ng)鍏?gu 膩ng) 闃?y谩ng)鍙?t谩i) 澶?ch霉)锛氬埌(d脿o)澶?ch霉) 闀?ch谩ng)澶?chu) 鍥?s矛)澶?ch霉)2.鏄ョ瑡澹?sh膿ng)锛氱瑧(xi脿o)澹?sh膿ng) 灏?xi菐o)澹?sh 膿ng) 澹?sh膿ng)闊?y墨n) 瀹?t膩)锛氬畠(t膩)浠?men) 瀹?t膩)鏃?r矛) 鍏?q 铆)瀹?t膩) 鍐?ch艒ng)锛氬啿(ch艒ng)鐮?p貌) 鍐?ch艒ng)鍑?ch奴) 鍐?ch艒ng)鍑?j墨) 鏉?l谩i)锛氬嚭(ch奴)鏉?l谩i) 杩?gu貌)鏉?l谩i) 涓?b霉)鏉?l谩i) 澶?w脿i)(w脿i)闈?mi脿n) 澶?w脿i)鍑?ch奴) 涓?zh艒ng)澶?w脿i) 鐢?sh膿ng)锛氱敓(sh膿ng)娲?hu贸) 瀛?xu茅)鐢?sh膿ng) 涓€(y矛)鐢?sh膿ng) 绗?xi脿o)锛氱瑧(xi脿o)澹?sh膿ng) 澶?d脿)绗?xi脿o) 濂?h菐o)绗?xi脿o) 鑺?ji茅)锛氫竴(y墨)鑺?ji茅) 鑺?ji茅)鏃?r矛) 杩?gu貌)鑺?ji茅) 3.鍙跺瓙鐨勭溂鐫?鍙?y猫)锛氭爲(sh霉)鍙?y猫) 鍙?y猫)瀛?zi) 绾?h贸ng)鍙?y猫) 杩?h谩i)锛氳繕(h谩i)鏄?sh矛) 杩?h谩i)鏈?y菕u) 杩?h谩i)瑕?y脿o) 灏?ji霉)锛氬氨(ji霉)鏄?sh矛) 灏?ji霉)浣?w猫i) 璧?z菕u)锛氳蛋(z菕u)杩?j矛n) 璧?z菕u)鍑?ch奴) 璧?z菕u)鍏?r霉) 杩?j矛n)锛氳繘(j矛n)鍏?r霉) 杩?j矛n)鍑?ch奴) 蹇?x墨n)锛氬績(x墨n)閲?li) 蹇?x墨n)涓?sh脿ng) 绮?c奴)蹇?x墨n) 楂?g膩o)锛氶珮(g膩o)鍏?x矛ng) 鍗?sh膿ng)楂?g膩o) 濂?h菐o)楂?g膩o) 鍏?x矛ng)锛氶珮(g膩o)鍏?x矛ng) 鎵?s菐o)鍏?x矛ng) 灏?j矛n)鍏?x矛ng) 4.涓栫晫澶氱編鍛€鍛€(ya)锛氬ぉ(ti膩n)鍛€(ya) 濂?h菐o)鍛€(ya) 鍏?xi膩n)锛氬厛(xi膩n)鍚?h貌u) 鍏?xi膩n)鍓?qi谩n) 鏈€(zu矛)鍏?xi膩n) 鏄?sh矛)锛氬氨(ji 霉)鏄?sh矛) 浣?d脿n)鏄?sh矛) 瑕?y脿o)鏄?shi) 涔?h奴)锛氬湪(z脿i)涔?h奴) 鍑?j墨)涔?h奴) 浼?s矛)涔?h奴) 鑹?s猫)锛氱孩(h贸ng)鑹?s猫) 榛?hu谩ng)鑹?s猫) 缁?l菧)鑹?s猫) 涔?ji菙)锛氬緢(h臎n)涔?ji菙) 涓?b霉)涔?ji菙) 澶?du 艒)涔?ji菙) 绌?k艒ng)锛氬ぉ(ti膩n)绌?k艒ng) 绌?k艒ng)涓?zh艒ng) 绌?k 艒ng)姘?q矛) 绔?zh脿n)锛氱珯(zh脿n)浣?zh霉) 绔?zh脿n)绔?l矛) 鎴?zh脿n)鏂?d貌u)5浼?hu菕)锛氫紮(hu菕)浼?b 脿n) 鍚?h茅)浼?hu菕) 鍚?t贸ng )浼?hu菕) 鍜?h茅)锛氬拰(h茅)濂?h菐o) 鍜?h 茅)姘?q矛) 骞?p铆ng)鍜?h茅) 鍚?t贸ng )锛氫竴(y矛)鍚?t贸ng) 鍚?t贸ng)浼?b脿n) 鍚?t贸ng )瀛?xu茅) 鍔?b脿n)锛氬姙(b脿n)鍏?g艒ng) 鍖?b膩o)鍔?b脿n) 涓?zh菙)鍔?b脿n) 宸?b膩)锛氬反(b膩)澹?sh矛) 鍢?zu菒)宸?b膩) 涓?xi脿)宸?b膩) 鐨?p铆)锛氱毊(p铆)灏?ch菒) 鐨?p铆)姣?m谩o) 鐗?ni煤)鐨?p 铆) 杈?bi膩n)锛氳竟(bi膩n)涓?sh脿ng) 涓€(y墨)杈?bi膩n) 娌?h茅)杈?bi膩n) 璺?ti脿o)锛氳烦(ti脿o)楂?g膩o) 璺?ti脿o)杩?yu菐n) 璺?ti脿o)璧?q菒) 6鍚?ch墨)锛氬悆(ch墨)鍔?l矛) 鍚?ch墨)楗?f脿n) 灏?xi菐o)鍚?ch墨) 瀛?xu茅)(xu茅)涔?x铆) 瀛?xu茅)鐢?sh膿ng) 鍚?t贸ng )瀛?xu茅) 鍙?f膩)锛氬彂(f膩)鑺?y谩) 鍙?f膩)鐢?sh膿ng) 鍙?f膩)鐏?hu 菕) 鍔?l矛)锛氬姏(l矛)姘?q矛) 鏈?y菕u)鍔?l矛) 鍚?ch墨)鍔?l矛) 鍖?b膩o)锛氬寘(b膩o)瀛?zi) 涔?sh奴)鍖?b膩o) 鐨?p铆)鍖?b膩o) 鏍?y脿ng)锛氭牱(y 脿ng)瀛?z菒) 鏍?y脿ng)鍝?p菒n) 鎬?z臎n)鏍?y脿ng) 鍑?j墨)锛氬嚑(j墨)涓?g猫) 鍑?j墨)骞?ni谩n) 鍑?j墨)鏃?sh铆) 灏?sh菐o)锛氬緢(h臎n)灏?sh菐o) 澶?du艒)灏?sh菐o) 灏?sh菐o)瑙?ji脿n) 楗?f脿n)锛氬悆(ch墨)楗?f脿n) 绫?m菒)楗?f脿n) 楗?f脿n)绮?l矛) 7銆佸彜璇椾袱棣?瑙?ju茅)锛氱煡(zh墨)瑙?ju茅) 瑙?ju茅)閱?x菒ng) 鑷?z矛)瑙?ju茅) 鐭?zh墨)锛氱煡(zh墨)閬?d脿o) 鐭?zh墨)璇?sh铆) 鏈?w猫i)鐭?zh墨) 鍘?yu谩n)锛氬師(yu谩n)鏉?l谩i) 鍘?yu谩n)鍥?y墨n) 鑽?c菐o)鍘?yu谩n) 宀?su矛)锛氬お(t脿i)宀?su矛) 宀?su 矛)鏈?yu猫) 涓?w脿n)宀?su矛) 灏?j矛n)锛氬敖(j矛n)鍔?l矛) 灏?j矛n)閲?li 脿ng) 灏?j矛n)蹇?x墨n) 鍚?chu墨)锛氬惞(chu墨)椋?f膿ng) 鍚?chu墨)鐗?ni 煤) 鍚?chu墨)鐏?d膿ng)。

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一年级语文下册生字表及组词（人教版）?涓?(涓囦竴)(涓囧叏)(涓囧瞾) 涓?(涓佸啲)(浜轰竵)( 瀹朵竵) 鍐?()()() 鐧?(鐧捐姳榻愭斁)(鐧句竾)(鐧惧彂鐧句腑) 榻?(涓€榻?(鐧捐姳榻愭斁)(鏀堕綈) 璇?(璇磋瘽)(璇寸瑧)(璇翠功) 璇?(绗戣瘽)(璇磋瘽)(鍥炶瘽) 鏈?(鏈嬪弸)(浜叉湅濂藉弸) 鍙?(鏈嬪弸)(鍙嬩汉)(鍙嬪ソ) 鏄?(鏄ュぉ)(鏄ラ洦)() 楂?(楂樺北)(楂樺ぇ)(楂樺叴) 浣?(浣犱滑)(浣犲ソ)锛堜綘鐨勶級浠?(浣犱滑)(鎴戜滑)(浠栦滑) 绾?(绾㈣姳)()(鍙ｇ孩)缁?(缁胯崏)(缁垮寲) (缁垮彾) 鑺?(鐧捐姳榻愭斁)(绾㈣姳)(鑺辩敓) 鑽?(灏忚崏)(缁胯崏)(姘磋崏) 鐖?(鐖风埛)(澶х埛)(灏戠埛) 鑺?(鑺傛棩)(鑺傛皵)(鑺傛按) 宀?(宀佹湀)(涓囧瞾) (骞村瞾) 浜?(浜蹭汉)(浜叉湅濂藉弸)(浜茶嚜) 琛?(涓嶈)(琛岃蛋)() 鍙?(鍙や汉)(鍙ゆ枃)(鍙ゅ反) 澹?(绗戝０)(鍥炲０)(骞冲０) 澶?(澶氬皯)(澶氱敤)(澶氬績) 澶?()()(澶勯暱) 鐭?(涓嶇煡)(鐭ヤ簡li 菐o)(鐭ュ績) 蹇?(涓嶅繖) (鐧惧繖) (杩瀕i谩n蹇?娲?(娲楁墜)(娲楄。

)(姘存礂) 璁?(璁ょ湡)(璁ゅ嚭)(璁や汉) 鎵?(鎵撴壂)()() 鐪?(璁ょ湡)(澶╃湡)(鐪熷績) 鐖?(鐖朵翰)(鐖跺瓙)(鐖舵瘝) 姣?(姣嶄翰)(姣嶅コ)(鐖舵瘝) 鍏?(瀹屽叏)()(涓囧叏) 鍏?(鍏冲績)(鍏抽棬)(鍏冲彛) 鍐?(鍐欏畬)(鍐欒瘽)(鍐欏嚭) 瀹?(鍐欏畬)(瀹屽叏)(鐢ㄥ畬) 瀹?(瀹朵汉)()(澶у) 鐪?(鍥炵湅)(鐪嬫潵)(鐪嬩功) 鐫€(鐪嬬潃)(璇寸潃)(绗戠潃) 鐢?(骞寸敾)(鐢荤敾)(涔︾敾) 绗?(绗戝０)(绗戣瘽)(澶х瑧) 鍏?(楂樺叴)()(鍗砵矛鍏? 浼?(寮€浼?(澶т細)(涓嶄細) 濡?(濡堝)(澶у)() 濂?(濂跺ザ)(濂剁墰)(鐗涘ザ) 鍗?()(涓婂崍)(涓嬪崍) 鍚?(鍚堜笂)(寮€鍚?(鍚堝姏) 鏀?(寮€鏀?(鏀炬墜)(鏀剧緤) 鏀?(鏀舵墜)(鍥炴敹)(鏀跺叆) 濂?(濂崇敓)(濂冲０)(濂充汉) 澶?()()() 姘?(鐢熸皵)(鍑烘皵)(澶╂皵) 鏃?(鏃╀笂)(浠婃棭)(涓€澶ф棭) 鍘?( 鍥炲幓) ( 鏉ュ幓) ( ) 浜?(鏈堜寒)(澶╀寒)(gu膩ng)瘝鍜?( 鍜屾皵) ( 鍜屽钩) ( 鍜屽ソ) 璇?( ) ( ) ( ) 鍗?( 鍗冧竾) ( 鍗冪背) ( 鍗冨勾) 鏉?( 鏉庡瓙) ( 鏉庤姳) ( 灏忔潕) 绉€( 绉€鎵?) ( 绉€姘?) () 棣?( 棣欐皵) ( 棣欐按) ( )鍞?( 鍚堝敱) ( 璇村敱) ( 鍞辩墖) 鍚?( ) ( )锛堝惉瑙侊級杩?( 杩為槦) ( 杩炲勾) ( 杩炲繖) 杩?( 杩滄柟) ( 闀胯繙) ( )瀹?( 涓€瀹?) ( 瀹氬姏) ( 瀹氬悜) 鍚?( 鏂瑰悜) ( 椋庡悜)锛堝悜蹇冨姏锛?浠?浠ヤ笂) ( 鍙痥臎浠?) ( 浠ュ悗) 鍚?( 鍚庢灉) ( 鍚庢潵) (浠ュ悗) 鏇?( 鏇) ( 鏇村姞) ( 鏇村ソ) 涓?( 涓绘剰) ( 涓诲姏) ( 涓讳汉) 鎰?( 鎰忚) ( 涓€蹇冧竴鎰?) ( 鐢ㄦ剰) 鎬?( 鎬绘槸) ( 鎬荤粨) (鎬诲垎f膿n)鍏?( 鍏堝悗) ( 鍏堢敓) ( 鍏堜汉) 骞?( 骞叉灉) ( 骞插噣) ( 椋庡共)璧?( 璧舵棭) ( 璧跺繖) ( 璧舵潵) 鏄?(鏄庡ぉ) ( 鏄庝寒) ( 鏄庣櫧) 鍑€( 骞插噣) ( 娲楀噣) ( 涓€骞蹭簩鍑€) 鍚?( 鍚堝悓) (涓€鍚? ( 鍚屽姏) 宸?( 宸ヤ汉) ( 宸ュ巶) ( 宸ュ湴) 涓?( 涓撲竴) ( 涓撳績) ( 涓撻暱)鎵?( 鎵嶅共) ( 鎵嶆皵) ( 浜烘墠) 绾?( 鍗囩骇) (鐝璪膩n绾? ( 鐭崇骇) 绗铓?( 铓傝殎) ( 铓傝潡) 铓?( 铓傝殎) ( 鐧借殎) 鍓?( 浠ュ墠) ( 鍓嶆柟) ( 绌哄墠) 绌?( 绌烘皵) ( 澶╃┖) ( 绌轰腑)鎴?( 鎴垮瓙) ( 鎴垮眿w奴) ( 鑽夋埧) 缃?( 涓婄綉) ( 缃戝惂) ( 娓攜菢缃?) 璇?( 鍙よ瘲) ( 璇楁瓕g膿) ( 璇椾功) 鏋?( 鏍戞灄) ( 鏋楀瓙)級绔?( ) ( 绔ュ勾) ( 绔ヨ瘽) 榛?( 榛勭墰) ( 榛勬渤) ( 榛勭摐) 闂?( ) ( ) ( ) 绔?( 绔嬪畾) ( 绔嬭捣)锛堢珛鏂癸級鏄? 鎬绘槸) ( 鍙痥臎鏄?) ( f膿i ) 鏈?( 浜戞湹) ( 鑺辨湹) 缇?( 缇庡ソ) ( 缇庝附) ( 缇庡コ) 鍙?( 鍙跺瓙) ( 缁垮彾) ( 鍙剁墖) 鏈?( 椋炴満) ( 鏈轰細) ( 鏃舵満) 閫?( 閫佽姳) ( 閫佽蛋) ( 閫佸洖) 杩?( 杩囨潵) ( 杩囧幓) ( 璧拌繃) 鏃?( 鏃舵満) ( 鍗堟椂) ( 鍙ゆ椂) 璁?( 璁╁紑) ( 鍑鸿) ( 璁╂潵璁╁幓) 铏?) ( 椋炶櫕) ( 姣涙瘺铏?) 寰€( 鏉ュ線) ( 寰€鍚?) ( 杩囧線) 寰?( 寰堝ソ) ( ) ( 寰堝ぇ) 娌?( 灏忔渤) ( 娌虫按) ( 娌抽┈) 鍊?( 鍊熻繃) ( 鍑哄€?) ( 鍊熶功) 鍝?( ) (効)璋?( 璋佹湁)( 璋佸湪)( 璋佹槸璋侀潪) 鎬?( 鎬曚汉)( 鎬曠敓)(涓嶆€曪級璺?( 鍚庤窡)( 璺熷墠)( 璺熶粠) 鍑?( 鍑夋按)( )( 鍑夊彴) 閲?( 鍔涢噺)( 澶ч噺)( 鎵撻噺) 鏈€( 鏈€澶?)( 鏈€濂?)( 鏈€楂?) 鍥?( )( 鑺卞洯)( ) 鍥?( 鍥犱负)( 鍥犳灉)(鍓嶅洜鍚庢灉锛?涓?( 涓轰簡)( 鍥犱负)( 涓轰粈涔?) 鑴?( 娲楄劯)( 鑴哥孩)( 鑴歌壊) 闃?( 鍚戦槼)( )( 闃冲厜) 鍏?( 闃冲厜)( 椋庡厜)( 鍏夋槑) 鍙?( )( )( 璁稿彲) 鐭?( 鐭冲ご)( 鐭冲瓙)( 鐭虫灄) 鍔?( 鍔炲叕)( 鍔炴硶)( ) 娉?( 鍔炴硶) ( 鐢ㄦ硶) ( 娉曞瓙) 鎵?( 鎵惧埌)( 鎵句汉)( 鎵鹃綈) 璁?( ) ( 涔) ( ) 鍒?( 鍒嗗埆)( )( ) 鍒?( )( 鏉ュ埌)( 鍒板ご) 閭?( 閭ｅぉ)( 閭ｉ噷)( 閭ｄ箞) 閮?(閮芥槸)( 閮藉ソ)( ) 鍚?( 鍚撲汉)( 鍚撴€?)( 鎯婂悡) 鍙?( )(仛)( 澶у彨) 鍐?( )( 鍐嶄笁)( 鍐嶇敓) 璞?( 澶ц薄)( 姘旇薄)( 璞＄墮) 鍍?( 濂藉儚)( 鐢诲儚)( 鍍忚瘽) 鍋?( 鍋氬伐)( 鍋氭硶)( ) 鐐?( 鐐圭伀)( 鐐瑰瓙)( 鐐规槑) 鐓?( 鐓ф槑)( 鐓т寒)( 鏃ョ収)鍗曞厓鐢熷瓧缁勮瘝娌?( 娌欏瓙)( 娌欏彂)( 椋炴矙璧扮煶) 娴?( 娴烽)( 澶ф捣)(娴锋按锛?妗?( 鐭虫ˉ)( 杩囨ˉ)( 妗ュご) 绔?( 绔瑰彾)( 绔瑰瓙)( 绔规灄) 鍐?( 鍐涗汉)( 鍐涢槦)( 娴峰啗) 鑻?( 绂捐嫍)( 鑻楁湪)( 鑻楁潯) 浜?( 浜曟按)( 浜曞彛)( 鎵撲簳) 涔?( 瀹朵埂)( 涔′笅)( 鑰佷埂锛?闈?( 姘撮潰)( 鍏ㄩ潰)( 闈㈡潯) 蹇?( 蹇樻湰)( 蹇樻垜)( ) 鎯?( 鎯冲康)( 鎯虫硶)( 鎯宠薄) 蹇?(蹇典功) ( 鎯冲康)(蹇靛康涓嶅繕锛?鐜?( 鐜嬪悗)( 浜茬帇)( 澶х帇) 浠?(粠)( 浠庡墠)( 浠庢潵) 杈?( 宸﹁竟)( 杈硅繙)( 娴疯竟) 杩?( 杩欎釜)( 杩欒竟)( 杩欎箞) 杩?( 杩涘叆)( 鍓嶈繘)( 杩涘幓) 閬?( 鐭ラ亾)( 璺戦亾)( 闂ㄩ亾) 璐?( 璐濇瘝)( 瀹濊礉)( 璐濆彾) 鍘?( 鍘熸潵)( 鍘熷洜)( 骞冲師) 鐢?( 鐢峰瓙)( 鐢风敓)( 鐢峰コ) 鐖?( 鐖卞績)( 鐖卞ソ)( 鐖变汉) 铏?( 铏剧背)( 铏剧毊)( 楸艰櫨) 璺?( 璺戝厜)( 璺戣蛋)( 璺戣溅) 鍚?( )( 鍚圭墰)( 鍚规皵) 鍦?( 澶у湴)( 鍦熷湴)( 澶╁湴) 蹇?( )( )( ) 涔?( 涔愬ぉ)( 涔愬湡)( 涔愬洯) 鑰?( 鑰佷汉)( 鑰佷即)( 鑰佸勾) 甯?( 鑰佸笀)( 甯堢敓)( 甯堢埗) 鐭?( )( 闀跨煭)( ) 瀵?( 瀵规柟)( 瀵瑰彿)鍐?( )( 鍐锋按)( 鍐锋贰) 娣?( 娣℃按)( 娣″繕)( 骞虫贰) 鐑?( )(按)( ) 鎯?( )( 鎯呰妭)( 蹇冩儏) 鎷?( 鎷夊姏)( 鎷夐潰)( 鎷夎溅) 鎶?( 鎶婂叧)( 鎶婃墜)( ) 缁?( 閫佺粰)( 杩樼粰)( 缁欓潰瀛?) 娲?( 骞叉椿)( 娲诲姏)( 娲诲姩) 绉?( 绉嶇敯)( 绉嶅湴)( 绉嶇摐寰楃摐) 鍚?( 鍚冭嫤)( )( 鍚冨姏) 缁?( 鑰佺粌)( 缁冧範)( 璁瓁un缁?) 涔?( )( 瀛︿範)( 缁冧範) 鑻?( 鑻﹀ご)( 鑻﹀姏)( 鑻︽按) 瀛?( )( 瀛︾敓)( 澶у) 闈?( 闈炴硶)(潪)( 闈炲父) 甯?(骞冲父)(甯歌瘑)( 涔犱互涓哄父) 闂?( )(瘽)( ) 闂?( 浜洪棿)( )( 鎴块棿) 浼?( 鍚屼紮)( 灏忎紮瀛?)( 浼欎即) 浼?( 鍚屼即)( 鑰佷即)( 浼欎即) 鍏?( )( 鍏卞悓)( 鎬诲叡) 姹?( 姹借溅)( 姹芥按)( 姹芥补) 鍒?( 鍒嗗紑)( 鍗佸垎)( 鍒嗗埆) 瑕?( 瑕佸ソ)( 瑕佺偣)( ) 娌?( 娌℃湁)(娌″畬娌′簡)( 娌′簨) 浣?( 浣嶅瓙)( 璁╀綅)( 鍦颁綅) 瀛?( 瀛╁瓙)( )( 濂) 閫?( 浜洪€?)( 閫夋嫨z茅)( 鏂囬€?)鍖?( 鍖楁柟)( 鍖楄竟)( 鍖椾含) 鍗?( 鍗楁柟)( 鍗楃摐)(澶╁崡鍦板寳) 姹?( 闀挎睙)( 姹熸按)( 姹熸渤) 婀?( 婀栨按)( 婀栬竟)( 姹熸箹)绉?( 绉嬪ぉ)( )( 绉嬫敹) 鍙?( )( )( )鏄?( 鏄熸槦)( 琛屾槦)( 鏄熺┖) 闆?( )( 鐧介洩)(涓嬮洩) 甯?( 甯)( )( ) 璇?( 璇锋眰)( 璇峰潗)( 璇峰畨) 灏?( 灏辨槸)( 灏变笟)( 灏卞儚) 鐞?( 鍦扮悆)( )( 鐞冨績锛?鐜?( 鐜╃瑧)( 鐜╄€?)( 鐜╃伀) 璺?( 璺抽珮)( 璺虫按)( 璺宠繙) 妗?( 妗冨瓙)( 妗冩爲)( 妗冭姳) 鏍?( 鏍戞湪)( 鏍戞灄)( 鏍戝共) 鍒?( 鍒氭墠)( 鍒氱洿)( ) 鍏?( 鍏拌姳)( 鍏拌崏)( 鐧界帀鍏?) 鍚?( 鍚勫埆)( 鍚勮嚜)( 鍚勫湴) 鍧?( 鍧愪笅)( 鍧愯溅)( 灏卞潗) 搴?( 搴т綅)( 璁╁骇)( 搴ц惤) 甯?( 甯﹀瓙)( 甯﹁矾)( 褰╁甫) 鎬?( 鐫€鎬?)( 鎬ュ繖)( 鎬ヤ簨) 鍚?( 鍚嶅瓧)( 鍚嶄汉)( 鍑哄悕) 鍙?( 鍙戠敓)( 鍙戠伀)( 澶村彂) 鎴?( 鎴愪负)( 鎴愪汉)( 鎴愬崈涓婁竾) 鏅?( 鏅氫笂)( 鏅氫細)( 澶滄櫄) 鍔?( 鍔ㄥ姏)( 鍔ㄦ墜)( 鍔ㄤ汉) 鏂?( 鏂板勾)( 鍏ㄦ柊)( 鏂版墜) 鏈?( 鏈夋椂)( 鏈夊悕)( 鏈夌殑) 鍦?( 鍦ㄥ骇)( 鍦ㄦ剰)( 鍦ㄤ簬) 浠€( 浠€涔?) 涔?( 浠€涔?)( 澶氫箞)( 閭ｄ箞) 鍙?( 鍙樺寲)( 鍙樺姩)( 鍙樻晠) 鏉?( 闈㈡潯)( 鏉″瓙)( 鏉℃枃)。

鏅烘収鏍戠煡鍒般€婅嫳鍥芥枃瀛︽极璋堛€嬬珷鑺傛祴璇曠瓟妗?绗竴绔?1銆?English literature began with the ( ) settlement in England.A:RomanB:CelticC:EnglishD:Anglo-Saxon绛旀: Anglo-Saxon2銆?Beowulf, written about the life of England in the ( ) society,is said to bethe national epicof the English people.A:primitiveB:feudalC:medievalD:agricultural绛旀: feudal3銆?Beowulfis written in the form of ( ), a popular form of poetry in Anglo-Saxon literature.A:balladB:blank verseC:coupletD:alliterative verse绛旀: alliterative verse绗簩绔?1銆?The medieval period is often called the Dark Age for the dominating power of ( ) over everything in the society.A:the KingB:feudal lordsC:the ChurchD:the knights绛旀: the Church2銆?The central character of a romance is ( ), who follows the code of behavior calledchivalry.A:the knightB:the warriorC:the GladiatorD:a soldier绛旀: the knight3銆?The stories of ( ) are the most well-known ballads, songs of stories told orally in 4-line stanzas.A:the green knightsB:King ArthurC:Robin HoodD:the Vikings绛旀: Robin Hood4銆? Piers the Plowmanwritten by William Langland in the form of ( ) represents the achievements of popular literature of Medieval England.A:allegoryB:symbolismC:a dreamD:epic绛旀: allegory5銆?( ) is considered the father of English poetry, whose most representative work isThe Canterbury Tales.A:William LanglandB:Edmund SpenserC:John MiltonD:Geoffrey Chaucer绛旀: Geoffrey Chaucer6銆?The Canterbury Tales,a collection of stories strung together and told by 30 pilgrims on their way to pilgrimage, is written in the form of ( ).A:blank verseB:alliterative verseC:heroic couopletD:ballad绛旀: heroic couoplet7銆?The key-note of the Renaissance is ( ).A:humanismB:realismC:romanticismD:asceticism绛旀: humanism绗笁绔?1銆?It was ( ) who first introduced and reformed the English drama which reached its climax in the hands of William Shakespeare.A:JohnWycliffB:University WitsC:Christopher MarloweD:Ben Johnson绛旀:B2銆?Great writers of the English Renaissance who are known for humanism, took ( ) as the centre of the world and voiced the human aspirations for freedom and equality.A:the worldB:GodC:powerD:man绛旀:D3銆?Shakespeare is hailed by ( ), contemporary with Shakespeare, as 鈥渘ot of an age, but for all time鈥?A:Christopher MarloweB:Ben JonsonC:Robert GreeneD:Thomas Nash绛旀:B4銆?Hamlet is characterized as a(an) ( ) on that, he loves good and hates evil;he is a man free from prejudice and superstition; he has unbounded love for the world and firm belief in the power of man.A:idealistB:PuritanC:humanistD:patriot绛旀:C5銆? Edmund Spenser was considered the ( ) for his achievements in poetry.A:鈥渢he Poets鈥?Poet鈥?B:鈥渇ather of English poetry鈥?C:鈥渢he saint of English poetry鈥?D:鈥渢he greatest English poet鈥?绛旀:A6銆?( ) is a distinctive verse form adopted by Edmund Spenser in his works incluiding his masterpieceThe Faerie Queene. It has 9-line stanzas, rhyming in ababbcbcc.A:鈥淭he mighty lines鈥?B:sonnetC:鈥淭he Spenserian Stanza鈥?D:blank verse绛旀:C7銆?Francis Bacon won for himself the first English ( ) for his achievements in English literature of the Renaissance.A:dramatistB:poetC:prose writerD:essayist绛旀:D8銆?The most representative work of Francis Bacon is ( ), which is the first collection of English essays.A:Advancement of LearningB:EssaysC:The Interpretation of NatureD:Novum Organum绛旀:B绗洓绔?1銆? ( )is regarded as the greatest prose writer in theEnglish literature of the17th century, who is best known for his workThe Pilgrim鈥檚 Progress.A:John DrydenB:Francis BaconC:George HerbertD:John Bunyan绛旀:D2銆?The Pilgrim鈥檚 Progressis written in the form of ( ) .A:symbolsB:allegoryC:allusionsD:aggressions绛旀:3銆? 鈥淭he Metaphysical Poets鈥?refer to theloose group of17th-century English poets whose work was characterized by the inventive use of( )A:metaphorB:imaginationC:conceitD:symbols绛旀:C4銆? In his 鈥淎 Valediction: Forbidding Mourning鈥? John Donne makes a most impressive comparison between love and ( ) as the dominant conceit of the poem.A:a pair of compassesB:an earthquakeC:a farewell to a dying personD:a piece of gold绛旀:A5銆?The 17th century of English history was marked mainly by the English Bourgeois Revolution which ended with the establishment of ( ) as a compromise between the bourgeoisie and the monarchy.A:the United KingdomB:institutional monarchyC:the Whig PartyD:the Tory Party绛旀:B6銆?(聽聽聽聽) was the religious cloak of the English Bourgeois Revolution which advocated God's supreme authority over human beings.A:HumanismB:RepublicanismC:CalvinismD:Puritanism绛旀:D7銆? Puritan poetry in the 17th-century English literature is represented best by ( ), who producedParadise Lostas his representative work.A:John MiltionB:John DonneC:Robert HerrickD:John Dryden绛旀:A8銆?Throughout his life, Milton showed strong rebellious spirit agaisnt many things he thought unjust and acted as the voice of ( ) of England under Oliver Cromwell.A:the ParliamentB:the CommonwealthC:the MonarchD:the Royalists绛旀:B9銆? 鈥淥n his Blindness鈥?and 鈥淥n his Deceased Wife鈥?are the two best-known of Milton鈥檚 ( ).A:elegiesB:blank versesC:sonnetsD:alliterative verses绛旀:C10銆? Milton鈥檚Paradise Lostemploysthe themes taken from ( )of the Christian Bible.A:GenesisB:MatthewC:ExodusD:Luke绛旀:A11銆? The central theme ofParadise Lostis ( ).A:the creation of manB:the fall of manC:resurrectionD:final judgment绛旀:绗簲绔?1銆?The Enlightenment was an intellectualmovement throughout Western Europe in the18thcenturywhich was an expression of the struggle of bourgeoisie against ( ).A:puritanismB:feudalismC:humanismD:classicism绛旀:B2銆? Among the English Enlighteners of the 18th century,there were chiefly two groups: the ( ) group and the radical group.A:conservativeB:revolutionaryC:royalistD:moderate绛旀:D3銆? The Tatler,a British literary and society journal begun byRichard Steelein 1709,featured cultivated essays on( ).A:contemporary mannersB:social evilsC:class strugglesD:cultural state绛旀:A4銆?As a distinctive way, ( ) are adopted by the neo-classicist playwrights in the 18th-century English literature.A:realistic techniquesB:three unitiesC:heroic coupletsD:satires绛旀:B5銆?( ) writers in the 18th-century English literature modelled themselves ontheGreek and Romanwritersin their dramatic writings.A:Pre-romanticistB:RealistC:Neo-classicistD:Enlightenment绛旀:C6銆? AlexanerPope was a masterof poetryinheroic couplet.He strongly advocated ( ), emphasizing that literary works should be judged by classical rules.A:realismB:naturalismC:aestheticismD:classicism绛旀:D7銆? Daniel Defoe is an early proponent of the ( ) novel whose masterpieceRobinson Crusoetells about the adventures of a sailor on the sea and on an island.A:sentimentalistB:epistolaryC:realistD:Gothic绛旀:C8銆丄s one of the greatest satirists in the 18th century,(聽聽聽聽)made use of satire to attacksocial evilsand call for social changes in hisGulliver's Travels.A:Johnathan SwiftB:Daniel DefoeC:Samuel RichardsonD:Henry Fielding绛旀:A9銆?Gulliver鈥?s Travelstells about the adventures of Gullliver through the fairy tale of fantasy which is a great satire on ( ).A:human mindB:human heartC:human spiritD:human nature绛旀:D10銆?( ), the greatest realist novelist of the 18th-century English literature, is also considered the father of the English novel.A:Jonathan SwiftB:Henry FieldingC:Daniel DefoeD:Oliver Goldsmith绛旀:B11銆?Tom Jonesshows Fielding鈥檚 philosophical view of 鈥渞eturn to ( )鈥? Thus, in characterization, a contrast is made between Tom Jones, the good-nautured though flawed man, and Bilfil, the hypocritical villain.A:natureB:childhoodC:countrysideD:motherland绛旀:A12銆?Sentimentalism of English literature got its name from Lawrence Stern's novel (聽聽聽聽) in which Sterne tries to catch the actual flow of human mind and sentiment.A:Tristram ShandyB:The Vicar of WakefieldC:PamelaD:A Sentimental Journey绛旀:D13銆? Sentimetalism is also found in Samuel Richardson鈥檚 ( ) novels which convey female characters鈥?feelings and sentiments.A:realistB:adventureC:epistolaryD:historical绛旀:C14銆? The only poet of the sentimentalist school of literature is Thomas Gray, whose well-known 鈥淓legy Written in a Country Churchyard鈥?earned for him the name of a 鈥? ) Poet鈥?A:LakeB:NationalC:LocalD:Graveyard绛旀:D15銆? Oliver Goldsmith鈥檚The Vicar of Wakefieldconveys his reflections on the relations between sentimentalism and ( ) in the 18th-century English literature.A:satireB:realismC:romanticismD:localism绛旀:16銆? The latter half of the 18th century English literaturewas marked by a strong protest against the bondage ofclassicismanda recognition of the claims of passionand emotion which is later known as ( ).A:sentimentalismB:realismC:pre-romanticismD:neo-classicism绛旀:C17銆? Robert Burnsis the best known of the poets who have written in the( )dialect.A:IrishB:ScottishC:LondonD:Celtic绛旀:B绗叚绔?1銆? Romanticism preferred ( ) to reason and rationalism. To William Wordsworth,poetry is the spontaneous overflow of powerful feelings.A:emotionB:devicesC:rhetoricD:art绛旀:A2銆乀he joint publication of聽聽(聽聽聽聽) in 1798 by Wordsworth and Coleridge marked the beginning of the Romantic movement in England.A:'Lines Composed upon Tinten Abbey'B:'Rime of Ancient Mariner'C:Lyrical BalladsD:'Preface to Lyrical Ballads'绛旀:C3銆?To Wordsworth, the theme of poetry should be concerned with ( ), the language of peotry should be plain, and the people poetry should deal with are country folk.A:country lifeB:common lifeC:city lifeD:fantastic life绛旀:B4銆?In鈥淚 Wandered Lonely as a Cloud鈥? 鈥渢he inward eye鈥?refers to ( ), which is a metaphor to appeal to the reader鈥檚 imagination of the author鈥檚 inner feelings.A:鈥渉eart鈥?B:鈥渆motians鈥?C:鈥渞eason鈥?D:鈥渕ind鈥?绛旀:D5銆? In鈥淭he Solitary Reaper鈥? the feeling of ( ) is clearly conveyed to the reader, especially in the first stanza.A:lonelinessB:melancholyC:homesicknessD:disillusionment绛旀:B6銆? Percy Bysshe Shelley belongs to the school of ( ) romantic poets, whose masterpiecePrometheus Unboundowes much to the Greek tragedyPrometheus Bound.A:revolutionaryB:passiveC:activeD:lyrical绛旀:C7銆? ( ) is Shelley鈥檚 bestknown lyric in which he calls forth the overthrowing of the old social system and bringing destruction to it.A:鈥淥de to the West Wind鈥?B:鈥淭o a Skylark鈥?C:鈥淭he Cloud鈥?D:鈥淪ong to the Man of England鈥?绛旀:A8銆?Walter Scott is the only novelist of the romantic literature of the 19th-century England and his novels are mainly ( ) novels as far as genre is concerned.A:realistB:historicalC:sentimentalistD:psychoanalytical绛旀:B9銆? Scott鈥檚 historical novels touch uponthe subject matters ofthe history of( ), thehistory of Englandand the history of European countries.A:IrelandB:WalesC:FranceD:Scotland绛旀:D绗竷绔?1銆? JaneAusten鈥檚 novels mainly concern such issues as the ( ) of young women. Because of the use of satire and criticism of social prejudices, she is considered as a realist novelist rather than a romantic writer.A:mannersB:moralsC:ethicsD:feminism绛旀:A2銆? The Bronte sisters refer to Charlotte, Emily and Anne Bronte, with the elder two represented byJane Eyreand ( ) respectively.A:The ProfessorB:Agnes GreyC:Wuthering HeightsD:Villette绛旀:C3銆?Of the women writers in the 19th century English literature, ( ) is the only one that deals with the life of the working-class people, represented by her novelMary Barton.A:Mrs. GaskellB:Charlotte BronteC:George EliotD:Jane Austen绛旀:A4銆?The novels of George Eliot mostly deal with ( ) problems and contain psychological studies of the characters.A:socialB:moralC:culturalD:psychological绛旀:B绗叓绔?1銆? In response to the social, political and economic problems associated withindustrialisation,() novel becomes the leading genre of the Victorian literature.A:critial realistB:psychoanalyticalC:aestheticistD:new romanticist绛旀:A2銆乀he first period of Charles Dickens鈥檚 literary careeris characterized mainly by (聽聽聽聽) and the novels are filled with moral teachings.A:mysticismB:pessimismC:fatalismD:optimism绛旀:D3銆? Thomas Hardyis the most representativerealist in the later decades of the Victorian era,whose principal works are the ( ) novels, i.e., the novels describing the characters and environment of his native countryside.A:realistB:character and environmentC:modernistD:Bildungsroman绛旀:B4銆?In the aesthetic movement of the 19th century, 鈥淎rt for Art鈥檚 Sake鈥?can simply mean the focus on ( ) rather than on deep meaning of literary works.A:formB:techniqueC:impressionD:beauty绛旀:D5銆? ( ) is a type of poetry written in the form of a speech of an individual character whose spiritual world is conveyed to the reader through the author鈥檚 subtle psychological analysis.A:Interior monologueB:Free associationC:Dramatic monologueD:Psycho-analysis绛旀:C6銆?鈥淏reak, Break, Break鈥? is a short lyric poem written by Alfred Tennyson which is a(n) ( ) for the poet to reveal his grief over the death of his friend.A:elegyB:lyricC:sonnetD:ode绛旀:A7銆?Thomas Carlyle's non-fiction The French Revolution: A Historywas the inspiration for Charles Dickens' s novel(聽聽 ).A:Hard TimesB:Great ExpectationsC:A Tale of Two CitiesD:Oliver Twist绛旀:C8銆?John Ruskin was the leading English artcritic of the Victorian era. In hisModern Painters, he argued that the principal role of the artist is ( ).A:鈥渁rt for art鈥檚 sake鈥?B:鈥渢ruth to nature鈥?C:innovationD:creativity绛旀:B9銆?In hisCulture and Anarchy, ( ) showed his deepest contempt for and most frequent attack on the middle-class Philistines who he thought lacked culture.A:Thomas CarlyleB:John RuskinC:Charles KinsleyD:Matthew Arnold绛旀:D绗節绔?1銆?Writers, artists and composers we consider 鈥渕odern鈥?had their roots in the ( ) era which produced such writers as Joseph Conrad, E. M. Forster, W. S. Maugham, etc.A:EdwardianB:VictorianC:ElizabethanD:Georgian绛旀:A2銆? A Passage to Indiais set on Joseph Conrad鈥檚 own experience in India which deals with the theme of ( ) in addition to persoal relationships.A:patriotismB:culturalismC:fatalismD:colonialism绛旀:D3銆? ( )is admittedlyan autobiographicalnovel which draws much onMaugham鈥檚own experience.A:The Moon and SixpenceB:The Razor鈥檚 EdgeC:Of Human BondageD:Howard鈥檚 End绛旀:C绗崄绔?1銆?鈥淭he Waste Land鈥?is written by T. S. Eliot in which the theme of the ( ) of the post-World War I generation is declared to the reader.A:dreamB:disillusionmentC:enlightenmentD:radicalism绛旀:B2銆? Because of his Irish background, ( ) is thought to be the driving force of the Irish Literary Revival.A:William Butler YeatsB:AlfredTennysonC:Matthew ArnoldD:Robert Browning绛旀:A3銆?Ulysses, written by James Joyce and considered the most representative of the Egnlish stream-of-consciousness novels, is set in ( ), Ireleand .A:LondonB:EdinburghC:ManchesterD:Dublin绛旀:D4銆? The only female writer of the stream-of-consciousness novel is ( ), who produced such novels asTo the Lighthouse, Mrs. Dalloway, The Waves, etc. .A:Catherine MansfieldB:George EliotC:Virginia WoolfD:Elizabeth Bowen绛旀:C5銆?D. H. Lawrence is a modernist novelist who makesreflectionsupon thedehumanizingeffects of( ) in his representative workSons and Lovers.A:modernizationB:industrialisation C:urbanizationD:mechanization。

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