西方影视赏析

外国经典影视鉴赏“膜片时代”“默片”就是无声电影。

早期电影只有画面，影片本身没有声音，只有背景音乐。

剧中人通过动作、表情，让观众了解剧情，有点像哑剧。

必要时，会插入一些字幕来帮助观众理解人物想说什么。

卓别林的《大马戏团》电影的起源：1895年12月28日卢米埃尔兄弟在巴黎卡布辛大街14好咖啡厅放映的一分钟短片：《火车进站》《园丁浇水》《工厂大门》《婴儿喝汤》不是美国的爱迪生电影分为;商业电影艺术电影《爱德华大夫》又名《意乱情迷》，美国好莱坞早期黑白影片，由著名悬疑大师希区柯克执导，大明星英格丽·褒曼和格利高里·派克主演，1944年制作完成，1945年上映。

这是一个有关心理分析的惊险故事，是电影史上第一批以精神分析学为主题的影片之一，上映后曾引起很大的争议，但这不妨碍它成为四十年代的经典影片之一，它对后来的精神分析影片产生了深远的影响。

该片获得了第十八届奥斯卡最佳戏剧片和最佳原创音乐奖。

影片开始是寒风中凋零的树枝，一句莎士比亚和一段关于心理分析的语句似乎表明了这将是一个贯彻弗洛伊德理论的戏剧故事。

剧情：一个最普通不过的弗洛伊德病例引出了影片的女主人公，精神病院的心理大夫彼特森，这是个专心学术的美女。

这所医院原来由莫奇森医生主管，将要由医学界著名的爱德华大夫接手，彼特森就是爱德华的崇拜者之一。

新来的爱德华大夫虽然英俊不凡，但似乎太年轻了点，他和彼特森很快产生了彼此爱慕之情。

但彼特森很快发现，他其实并不是爱德华大夫，而是一个被某些可怕的事困扰的失忆症病人约翰·布朗，而第二天赶来的爱德华的秘书更使他背上了谋杀爱德华的罪名。

彼特森找到逃走的约翰，试图用精神分析法帮他回忆起隐藏在记忆深处的真相。

警察的追捕，让两个人来到彼特森老师阿利克森的家中，和蔼善良的老人收留了他们，并帮彼特森一起治疗约翰·布朗。

经过诱导，约翰·布朗说出了自己的梦境，师徒两人分析出谋杀发生在爱德华与他滑雪的时候。

西方影视赏析期末总结在这个电影高度发达的时代，西方影视作品无疑是观众们的首选之一。

它们通过各种不同的题材和创作方法，逐渐引发了观众们的关注和热爱。

在这个期末总结中，我将对几部西方影视作品进行赏析，包括《肖申克的救赎》、《教父》、《阿甘正传》和《波西米亚狂想曲》。

首先，我想聊聊《肖申克的救赎》。

这部电影改编自斯蒂芬·金的同名小说，由导演弗兰克·达拉邦特执导。

它讲述了一位银行家安迪·杜弗伦在被错误判罪进入肖申克监狱后，如何通过智慧和勇气改变了自己和其他犯人的命运。

影片的画面表现精美，剧情紧凑，主题深邃，给人留下了深刻的印象。

尤其是其中的友谊、希望和自由的主题，让观众们陷入了思考和感悟。

接下来，我想谈谈《教父》。

这是由导演弗朗西斯·福特·科波拉执导的一部经典黑帮电影。

它根据马里奥·普佐的同名小说改编而来，讲述了一位意大利移民唐·维托·柯里昂如何成为了黑帮家族科里昂家族的教父一职，并通过暴力和权谋来维护家族利益的故事。

这部电影以其独特的叙事方式、深度的角色塑造和卓越的演技，成为了电影史上的经典之作。

它通过讲述黑帮家族内部的权力斗争和矛盾，反映了人性的黑暗面和无尽的欲望。

另一部我想探讨的作品是《阿甘正传》。

这是一部由导演罗伯特·泽米吉斯执导的剧情片。

它以阿甘这个智商不足但心地善良的男主角为中心，通过他的视角展示了美国历史中的一系列重要事件，包括越战、艾滋病疫情和宇航员登月等。

影片通过阿甘的纯真和乐观，呈现了一个温暖、感人的故事，让观众们在喜怒哀乐中感受到了人性的美好之处。

最后，我要提及的是《波西米亚狂想曲》。

这是一部由导演布莱恩·辛格执导的传记电影，讲述了英国摇滚乐队皇后乐队主唱弗雷迪·默丘里的一生。

影片以弗雷迪·默丘里的音乐才华和个人经历为背景，展现了他从默默无闻到成为音乐界传奇人物的艰辛历程。

东、西方电影艺术鉴赏潇潇著评鉴一种艺术不应从个人的喜好出发，这样做的目的是站在一个中立的角度看待问题，也容易在辨证看待问题的时候，既不左，也不右。

不左不右，谓之中庸。

从老子开始说，就有点扯远了，还是回到电影上来吧。

但是，我还是以个人的喜好出发来评鉴电影吧，因为，毕竟是我的作品，我有权决定我作品的出发点以及全文的基调。

一、东方电影（一）大陆电影电影的分类有很多种，我先按照地域的不同形成的不同的电影文化对电影进行分类。

至于电影的其他分类，请大家百度。

先说大陆电影。

先说导演。

大陆的这几个所谓知名的导演我都不喜欢。

不是因为别的，其拍出来的电影，实在是看不出来主题。

就像打官司，怎么分析都分析不出来矛盾的焦点，这还叫纠纷么？一部电影，怎么看都看不出来电影的主题，这还叫电影么？一部成功的电影，至少要突出一个主题，要么反映真善美，要么反映假恶丑，什么都反映不出来，不能称之为成功的电影。

大陆导演拍的新片，我基本不看。

大陆电影基本上是没有主题的，我认为，凤毛麟角的，有主题的电影，当属陆川的《可可西里》，这部片我没敢看，据说无论是动物还是人类，都十分惨烈。

但是这至少反映了一个主题，保护动物。

我们不需要反复的说三皇五帝的故事，也不愿回首近现代史上弱小的中国有那么为数不多的几个大家族的爱恨情仇，国民的欣赏水平已经提高了，现在需要的是，反映人性光辉的，感人至深的电影。

说完导演再说说演员。

演员都混个脸熟，但是可塑性强的演员并不多。

一个演员要能演多个角色，而且每个角色都要刻画的入木三分。

经过我仔细甄别，能做到这一点的演员，男的当属孙红雷，当之无愧。

女的当属蒋勤勤，但是需要她的下一部作品对她进行进一步的评价。

（二）港澳台电影同胞们的电影，近几年有点退步。

我好几年没关注了。

就印象说说吧。

导演没有太出色的，演员嘛，帅哥靓妹比较多，但是演技平平的也是一堆一堆的。

《三岔口》的导演还不错，不过好像是个日本人，这里不做评价。

演员嘛，男的，刘德凯还行，毕竟关注他十多年了，他还没让我失望过。

中西方影视文化比较首先，中西方影视文化在题材上存在差异。

西方影视作品通常更加注重个人和家庭的情感和心理，讲述人和社会之间的关系，如《泰坦尼克号》、《阿甘正传》等。

而中国的影视作品更加注重社会现象和历史事件的揭示，如《霸王别姬》、《活着》等。

此外，西方影视作品还更加关注个人英雄主义和个人追求，而中国影视作品更加强调社会责任和道德伦理。

其次，在表现手法上，中西方影视文化也存在差异。

西方影视作品更加开放和自由，不拘泥于传统的叙事结构和表现手法，常常运用非线性叙事、跳跃剪辑等手法。

而中国影视作品则更注重传统的叙事方式和叙事结构，讲究情节的连贯性和逻辑性。

此外，西方影视作品还更加注重视觉效果和特技，如《星际迷航》系列、《X战警》系列等，而中国影视作品则更注重思想性和文化内涵，尤其是在历史剧和文艺片中。

第三，中西方影视文化在观众群体上也有差异。

西方影视作品更加面向全球观众，其中大部分作品是以英语拍摄和发行的，具有国际化的特点。

而中国影视作品则主要面向国内观众，更注重本土传统文化和价值观的表达。

此外，由于西方影视作品在技术和投资上更加发达，其制作规模和视觉效果也更为出色，这使得其在世界范围内具有很高的影响力。

最后，中西方影视文化在产业发展上也存在差异。

西方影视产业完善并发达，具有独立于政府的市场导向，涵盖了电影制作、发行、营销和影院运营等方面，形成了完整的产业链。

而中国影视产业在开放后得到了迅速发展，但还存在政府干预过多、市场竞争不充分等问题，尚未完全形成一个有机的产业体系。

综上所述，中西方影视文化在题材、表现手法、观众群体和产业发展等方面存在差异。

这些差异是由于不同国家和地区的历史、文化、价值观和审美观念的差异所导致的。

因此，了解和欣赏不同的影视文化可以增进不同国家和地区之间的了解和友谊，丰富自己的艺术鉴赏能力。

西方影视艺术赏析总结姓名：郑xx 学号：2009050431xx系别：管理系专业：房地产经营与估价西方电影是西方文化的博物馆，也是一座光影声色的迷宫。

如果您走进了西方电影的片库，扑面而来的印象一定是片目繁浩、纷红骇绿。

在这座鱼龙混杂、光怪陆离、似梦非梦的迷宫中，就需要有人插上一些标识……其中我看过的最喜欢的电影有《肖申克的救赎》、《罗马假日》、《2012》、《简爱》、《埃及艳后》等。

下面我就详细介绍下《肖申克的救赎》这部电影：关于《肖申克的救赎》，未看这部片子之前，听朋友说这片子是《越狱》的电影版，看完后，感触颇深。

我想，如果说《越狱》是对生的渴望，那《肖申克的救赎》更多的便是对生的思考了。

我想，朋友所认为的这部片子与《越狱》的关系，只是因为两者都是以越狱为主题罢。

只是，作为两个多小时时长的电影，注定它给人咀嚼的蕴味要深刻得多，《越狱》是上学期看的连续剧，印象中，那时候对社会这个无形的监狱感触很大。

有形的监狱与无形的监狱，到底哪个才能让人找到安全的归宿？在《肖申克的救赎》这部片子里，仿佛已找到了答案。

当在监狱里生活了50年的博斯获假释时，面对陌生的世界，他惶恐迷茫，“我不喜欢这地方，它令我太焦累”——世界变化得直快，或许，监狱才能给人一种安全？对于监狱，“开始，你恨它们；接着，你适应了它们；日子久了，你开始依赖它们。

”博斯最终选择了解脱，当看到他上吊时画面固定了的那一幕，留给生的人又是怎样的一种思考与无奈呢？“不再有痛苦的感觉了”——这是他离别前最后一句的感恩。

或许，就像瑞德说的——“他应该死在这里（监狱）”。

影史上真正的无冕之王!如果一个人一生只看一部电影的话，那就应该看《肖申克的救赎》。

人人都知道，知识改变命运。

其实，电影更能改变人的命运，特别是陷入低潮中的人，《肖申克的救赎》公认是史上最能改变一个人的电影，没有谁能否认这一点。

我们每个人一生都会面临许多无奈和困难，甚至是突如其来的灾难。

面对无法自控的现实，我们应该怎样面对这个真实的世界？我们要以怎样的姿态活下去呢？肖申克的救赎给了我们答案，让芸芸众生看到了一个真实的人一些真切的举动，给我们力量和勇气。

从《特洛伊》中看美国文化中的个人英雄主义公元前1200年，在那个人神共存的时代，那个崇尚武力的冷兵器时代，浩浩荡荡的战争气势扑面而来。

有人为正义而战，有人为和平而战，有人为一己之怨而战，有人为爱情而战，有人为权利而战，有人为私欲而战，特洛伊充斥着战争的喧嚣，特洛伊弥漫着战争的苍茫，也沐浴着英雄的荡气回肠。

战争終会结束，英雄注定要湮灭，青春会逝去，梦想会幻灭，爱情会消散，但是，英雄们的精神必将横贯历史，泽被古今。

英雄的人永远有着自己的执着而高贵的追求，在平凡中显现出伟大。

阿基里斯追求英雄的荣誉，他生存的唯一目的就是为了战争中的荣誉。

他要留名，他要成为最伟大的英雄，让千年后的人们依然传诵他的传说。

正如他自己说的：我不是为某一个人而站，我是为了全希腊，我是为了希腊的战士和他们的妻儿而战。

尽管他明白，无论英雄还是凡人都将湮没于历史，他还是敢于抛开外界的束缚追求自己的信仰。

出征前，母亲文预言，他将因战争而名垂千古，也会因战争失去生命，但他无畏的选择了战斗。

然而，令他没想到的是，他在战火中寻觅到属于自己的爱情，当英雄的梦想与凡人的爱情不可兼得时，他放弃了一生的最高追求，选择了飘渺但高贵的爱情。

这种追求的抉择让平凡的爱情焕发出耀眼的光芒，也显示出他的英雄气概。

赫克托尔一生追求完美。

他让他的士兵明白一个男人的尊严：维护自己的荣誉，爱护自己的妻儿，保卫自己的国家。

做个简单的男人，是那个时候多么难以实现的梦想！尽管他鄙视弟弟的怯懦，可是作为兄长他承担了罪责；而在误杀阿咯琉斯的堂弟后，他坦然地接受挑战，走向死亡。

当特洛伊城被希腊联军包围的时候，他毅然代替年迈的父王指挥军队，担起了保卫家园的重任。

即便妻子请求他留在家里不要参加战斗，也被他委婉地拒绝了。

一个已经习惯了在最前线作战的英雄，当他安排好唯一挂念的妻儿的退路以后，毅然决然地接受了阿喀琉斯的决斗。

这是一场悲壮的战斗，这是两个名副其实的英雄之间的决斗，赫克托耳虽然在这场决斗中死去，可是他英气的面庞永远留在了特洛伊民众的心里。

英美电影是世界上最流行的电影之一，其中包括许多著名的电影系列和单集电影。

英美电影以其独特的风格和视觉效果吸引了全世界的观众。

英美电影的鉴赏方法与其他电影基本相同，包括注意故事情节、人物塑造、画面构成、音乐、对白等方面。

不过，英美电影有一些独特的风格和特点，需要注意。

英美电影的故事情节通常比较复杂，注重情感表达和人物塑造。

英美电影中的人物通常具有丰富的性格和内心世界，并且在故事的发展中发生着深刻的转变。

英美电影的画面构成和音乐也十分出色，能够给观众带来强烈的视觉和听觉冲击。

总的来说，英美电影是一种值得推崇的艺术形式，拥有众多优秀的电影作品。

吉林财经大学西方电影赏析论文黑色电影人物形象研究学院：税务学院专业班级：财政学1579姓名：杜勐学号：010*******指导教师：胡泊2016年6月22日摘要：论文简单的介绍了黑色电影的特点，定义。

主要分析了几个电影中的人物形象。

主要说明了电影调子阴郁、情绪悲观、表现愤世嫉俗和人性危机。

关键词：调子阴郁、情绪悲观、愤世嫉俗、人性危机黑色电影简介：黑色电影是电影界用语，多指好莱坞侦探片，特别是强调善恶划分不明确的道德观与来自于性的动机的题材。

黑色主要用来描述该类风格晦暗、悲观且愤世嫉俗的此类型电影，这类电影通常将背景放在犯罪舞弊丛生的底层社会，充斥着被过去羁绊，对未来欠缺安全感正邪角色的无法自拔。

黑色电影特点：1．黑夜的场面特别多，无论是内景或外景，总给人以阴森可怖、前途莫测。

有危机感；2．采用德国表现主义的摄影风格，以古怪的深影和阴沉的影调来造成一个梦魇世界的幻觉；3．主人公往往是道德上具有双重人格、对周围世界充满敌意、失望孤独、最后在死亡中找到归宿的叛逆人物；4．惯常采用倒叙法或第一人称叙述法作为描写心理的手段。

因此，黑色影片可以说是美国的暴力题材、德国表现主义的摄影风格和法国存在主义思想的结合体。

黑色电影定义：最早经典黑色电影的五点定义包括梦幻般的，奇怪的，性欲的，爱恨或善恶交织发生予盾的，以及残酷的，但是这种定义又被认为太简化了，不能定义黑色电影。

城市背景、黑夜、低光源照明、阴影、尤其是经由百叶窗或是缓慢的电扇投射所造成的阴影、下雨、私家侦探、俱有致命吸引力的(美丽又危险)女主角、烟雾弥漫、摄影机的位置较低，男主角的独白等等皆是古典黑色电影的特征，这些手法产生一种虚无、悲观、与颓废的气氛。

黑色电影中有许多电影类型，如黑帮电影，警察电影，社会问题电影等，并且运用许多传统与非传统的视觉效果。

有许多影评人认为黑色电影本身是一种电影类型，也有许多人认为根本没这回事。

黑色电影常常是发生在都市里的，但是有时黑色电影以小城、市郊、荒野、甚至公路为背景，就好像西部片不一定发生在西部一样。

Chapter one The emergency of the cinema as an institution1.1 What is film?● A film, also called a movie or motion picture, is a series of still or moving images. It isproduced by recording photographic images with cameras, or by creating images using animation techniques or visual effects. The process of filmmaking has developed into an art form and industry.●Films are cultural artifacts created by specific cultures, which reflect those cultures, and,in turn, affect them. Film is considered to be an important art form, a source of popular entertainment and a powerful method for educating –or indoctrinating –citizens. The visual elements of cinema give motion pictures a universal power of communication.●The cinema, wrote the documentarist Paul Rotha in the 1930s, 'is the great unresolvedequation between art and industry'.New Words●moving pictures/motion pictures, film, movie电影●Celluloid: 赛璐珞；电影胶片●Kinetoscope : 活动电影放映机●Nickelodeon：镍币影院●Phonograph：留声机●Photography：照相术，摄影术●Shot: （电影）镜头●genre: 类型1.2 Periods of Cinema● 1 The Early Years, Pre-cinema● 2 The silent era (1895-1927)● 3 the sound era (1927-)1.3 Technological development● 1. One of the first technological precursors(前驱) of film is the pinhole camera(针孔照相机), followed by the more advanced camera obscura(照相暗盒).● 2. 1888，first motion-picture camera, kinetoscope, developed in Thomas Edison‘slaboratory.● 3. 1895, Lumiere brothers start projecting motion pictures in a Paris café.● 4. 1905-10 , Era of the nickelodeon, movie theaters that charged a nickel for admission.● 5.During late 1927, Warners released The Jazz Singer, which was mostly silent butcontained what is generally regarded as the first synchronized dialogue (and singing) in a feature film;1.4 Society development●1) Movies became a cult of mass culture.●The movies, like baseball, have become something of a national pastime.●Movie palaces built in the 1910s, 1920s, and 1930s resemble gigantic cathedrals.●Roxy,6200 seats , the world‘s largest theater, described itself as ―the Cathedral of themotion picture.‖●By the 1920s the cinema had definitely become an institution – an integral feature of theexperience of being an American in the twentieth century.●2) Cinema as an economic institution– to make money.●A): It is a complex organization of producers, distributors, and exhibitor.●B): It also established various systems , such as star system and the genresystem.●3) Social institution●It is a means of providing an appropriate form of social contact for members in the worldof mass culture. It became an even more appropriate and more modern forum for leisure-time communal activity than these social institutions such as churches, dance hall, social clubs, and saloons, which belong, more properly, to an earlier, preindustrial culture.●4) Capturing Time●photography and motion pictures changed traditional notions of time.●Traditional notions of space and distance, which were based in part on how long it took toget from one place to another, were redefined by the virtually instantaneous transmission of information from one geographical location to another. Photographs, unlike sketches, paintings, and sculptures, record events instantaneously before they vanish into memory.●Thus the present and the past are rescued from the passage of time, lifted out of itscontinuous ongoing process, and frozen for all to see. Motion pictures record and reproduce the flow of time in a way that had previously been impossible, even in photography.●5) Peepshows versus Projectors: exhibitors wanted to maximize their profits andperfected projection devices to show films to a mass audience in 1895.●6)Mass production and Mass Consumption- a public spectacle:●With the advent of projection in 1895-1896, the motion pictures became the ultimate formof mass consumption.●7) Middle- Class Amusements：From ―showing‖ to ―telling‖●8）The Nickelodeon: A Collective Experience●a) Paid one nickel(5 cents) to get in, cheap;●b) Different backgrounds people shared a collective experience by watching the samepeople;●c) No sound, people can understand it by watching pictures;●d) Teach immigrants to understand America.●9) cleaning up: the Benefits of Respectability●Producers uplifted the movie contents to meet the middle-class tastes.New Words●Shot:(电影)镜头●Cut：剪辑●Suspense：悬念●feature film 长片，故事片Spectacle and Storytelling:From Porter to Griffith●1) The camera as recorder●After 1908，American cinema becomes more and more intent on the perfection ofnarrative skills.● D.W. Griffith: The Birth of a Nation(1915)●Edwin S. Porter: The Life of an American Fireman (1903)●2）the Camera as Narrator●The primitive cinema tells stories directly without stop. The cinema of Griffith(and later)actively narrates events by using parallel editing.●Exhibiting action（showing）exhibiting psychology（narration）●3)The “Feature” F ilm（故事片）●As the narratives become more complex, one-reel(1000-foot, ten-to-fifteen minute)format of the motion pictures were replaced by multiple-reel ―feature‖ films.●The Birth of a Nation(12 reels,1915) changed the nature of American film production andexhibition. It marks the end of nickelodeon theaters and introduces the luxurious movie palaces.An Evolving Institution●Peepshow Kinetoscope(1891/1893) - nickelodeons (1895/1896)–feature films(1911) –movie palaces(1913) –●New nickelodeons(1960S)Edison Projecting Kinetoscope ,1913●Edison next had his staff work on a Projecting Kinetoscope that showed moving pictureson a screen. Starting in 1897, the Projecting Kinetoscope was used in small movie houses where groups of about 100 people could see the movies lasting about 16 minutes. They usually paid five cents, a nickel, to see the show, and by 1905 the theatres became known as Nickelodeons.Modern Times (1936)Modern Times is a 1936 comedy film by Charlie Chaplin that has his iconic Little Tramp character struggling to survive in the modern, industrialized world.―a story of industry, of individual enterprise, and humanity crusading in the pursuit of happiness.‖The film is a comment on the desperate employment and fiscal conditions many people faced during the Great Depression, conditions created, in Chaplin's view, by the efficiencies of modern industrialization.Chaplin, who was always very attentive to the economic and social problems of his day, declared in 1931: ‗unemployment, that‘s the key q uestion. Machines should do improve the well-being of humanity, instead of causing tragedy and unemployment‖.In the beginning of the film; the workers are portrayed as sheep, no individuality, merely cogs in the economic system.Chaplin and Goddard are to be seen thus as black sheep, being non-conformant.The clock clearly shows that every second counts, reflected in Franklins' quote 'Time is money'.Modern Times is full of images of huge carnivorous machines, conveyor belts, gears, dials and switches. These images show an oppressive and impersonal nature of technology. The assembly line, for example, which requires a worker to know only one piece of the puzzle, thus making the worker replaceable, is portrayed in this movie as mind numbing and tedious. Even after the work is finished, the man continues the physical motions until he zones back into reality.The entrepreneurs try all kinds of ways to exploit the workers. In order to cut the cost ofneedless ―lunch time‖, the owner of the factory agrees t o a demonstration of the automated lunch feeder. The failure of the feeding machine and the disastrous result show the negative side of machine. The hilarious scene is an irony to the capitalist. What is a theme?A theme is the central or dominating idea in a work. No proper theme is simply a subject or an activity. What happens is the plot; what the happenings add up to is the theme. The theme of a story is whatever general idea or insight the entire story reveals.Major themes1.Workers are machinized and lose their individuality , becoming a part of themachine.2. people are suffering jobless, hunger and homeless in the Great Depression.The difficulty of life during those years, food and jobs were hard to come by, and as Chaplin shows us jail was preferable to the hectic and dangerous city streets. At the time of the great depression Americans had to fight for what little they had, and as the movie showed many people went hungry.3. The American dream is just a slim hope for the common people.Chapter three Stars and culture3.1 The Star System●The star system was the method of creating, promoting and exploiting moviestars in Classical Hollywood cinema. Studios would select promising young actors and glamorise and create personas for them, often inventing new names and even new backgrounds.●The star system put an emphasis on the image rather than the acting. Women wereexpected to behave like ladies, and were never to leave the house without makeup and stylish clothes. Men were expected to be seen in public as gentlemen. Morality clauses were a common part of actors' studio contracts.3.2 The Early Years: The first star●Florence Lawrence (1886 – 1938) was the first film performer to be identified on screenand the first movie star. was a Canadian silent film actress. She is often referred to as "The First Movie Star." When she was popular, she was known as "The Biograph Girl," "The IMP (Independent Motion Picture Company ) Girl," and "The Girl of a Thousand Faces." Lawrence appeared in more than 270 films for various motion picture companies.Charlie Chaplin(1889 –1977)Charlie Chaplin(1889 –1977), was an English comic actor, film director and composer best known for his work during the silent film era. He became the most famous film star in the world before the end of World War I. In 1999, the American Film Institute(AFI) ranked Chaplin the 10th greatest male screen legend of all time.●Chaplin used mime, slapstick(闹剧) and other visual comedy routines, and continued wellinto the era of the talkies, though his films decreased in frequency from the end of the 1920s. His most famous role was that of The Tramp(流浪汉). "The Tramp" is a vagrant with the refined manners, clothes, and dignity of a gentleman.●Charles Chaplin combines, in the image of the Tramp, the old-world, aristocratic valuesof Victorian society, and the new-world egalitarianism(平等主义) of the immigrant, whose hunger and homelessness make him the defiant opponent of all arbitrary authority –especially policemen. Thus his costume of derby, dress coat, and cane look back nostalgically to a former elegance. And his concern for proper behavior and social manners identify him with more traditional values.Comments●In 2008, Martin Sieff, in a review of the book Chaplin: A Life, wrote: ― Chaplin was notjust 'big', he was gigantic. ‖●George Bernard Shaw called Chaplin "the only genius to come out of the movieindustry".3.3 Late Victoriamism●American Victorianism: Its values consist of sexual repression and restraint; hard workand an aversion to idleness; a sense of moral orderliness and self-control, discipline, self-confidence, self-sufficiency. The nineteenth- century ideal of womanhood consists: piety, purity, submissiveness, and domesticity. Lillian Gish was regard as the ideal Victorian femininity.Lillian Gish●Lillian Diana Gish (1893 –1995) was an American stage, screen and television actresswhose film acting career spanned 80 years, from 1912 to 1992.●She was a prominent film star of the 1910s and 1920s, particularly associated with thefilms of director D.W. Griffith, including her leading role in Griffith's seminal Birth of a Nation(1915).●Her sound-era film appearances were sporadic, but included memorable roles in thecontroversial western Duel in the Sun(1946) and the offbeat thriller untouchable (1955).The American Film Institute (AFI) named Gish 17th among the greatest female stars of all time. She was awarded an Honorary Academy Award in 1971, and in 1984 she received an AFI Life Achievement Award.3.4 Late Victorianism●During the 1910s and 1920s, the status of women changed as the American economyshifted from a rural and agricultural to an urban and industrial base. More and more women got jobs as typewriters /secretaries, clerks and salesgirls. These economic changes produced profound social changes, resulting in greater freedom for women. Movie stars function changed to adapt this transformations.Mary Pickford●Mary Pickford(April 8, 1892 –May 29, 1979) was a Canadian-born motion pictureactress, co-founder of the film studio United Artists and one of the original 36 founders of the Academy of Motion Picture Arts and Sciences. Known as "America's Sweetheart,""Little Mary" and "The girl with the curls".Douglas Fairbanks●Douglas Fairbanks, Sr. (May 23, 1883 – December 12, 1939) was an American actor,screenwriter, director and producer. He was best known for his swashbuckling roles in silent films such as The Thief of Bagdad, Robin Hood, and The Mark of Zorro.●An astute businessman, Fairbanks was a founding member of United Artists. Fairbankswas also a founding member of The Motion Picture Academy and hosted the first OscarsCeremony in 1929. With his marriage to Mary Pickford in 1920, the couple became Hollywood royalty with Fairbanks constantly referred to as "The King of Hollywood", a nickname later passed on to actor Clark Gable.3.5 Stars of the 1920s●The Jazz Age: sexual liberation, the woman‘s suffrage movement:●Rudolph Valentino, Clara Bow, Greta Garbo●unconventional, sexual liberated young women of the roaring twenties defended theiractions in terms of a modern morality.Stars of the 1920s: Having “It”●Sexuality now dominates the screen can be seen in the emergence of a novel criterion forstardom –the possession of ―It‖.●Elinor Glyn‘s 1926 novel call It, was adapted for the screen and starred thequintessential Hollywood flapper – the pretty, sexy, fun-loving, impudent, worldly-wise Clara Bow. Glyn defined ―It‖ as ―an inner magic, an animal magnetism,‖ and declared Bow to be the ―It Girl.‖Clara Bow●Clara Gordon Bow (July 29, 1905 – September 27, 1965) was an American actress bornand raised in Prospect Heights, Brooklyn, who rose to stardom in the silent film era of the 1920s. Her high spirits and acting artistry made her global fame. Bow came to personify the roaring twenties and is described as its leading sex symbol.Rudolph Valentino- Latin Lover●Rudolph Valentino (May 6, 1895 – August 23, 1926) was an Italian actor, and early popicon. Known as the "Latin Lover", he was one of the most popular international stars of the 1920s, and one of the most recognized stars of the silent film era. He is best known for his work in The Sheik and The Four Horsemen of the Apocalypse. His death at age 31 caused mass hysteria among his female fans, propelling him into icon status.●The sexuality of Valentino, Garbo, and other foreign-born screen idols of the 1920sdiffers in nature from the wildness of American youth epitomized by Bow. American men hated Valentino almost as passionately as American women loved him.Greta GarboFrom Divinity to Humanity●Greta Lovisa Gustafsson(1905 –1990), better known as Greta Garbo, was a notedSwedish actress and recluse. She was a major star in the United States during the silent film era and the Golden Age of Hollywood. In 1999, the American Film Institute (AFI) ranked Garbo fifth on their list of greatest female stars of all time.●With the down-to-earth realism associated with the coming of sound, with the socialupheavals introduced by the stock market crash and the Depression, and with the redefinition of American notions of individualism brought about by the New Deal, the aloof, aristocratic nature of silent screen stars came under increasing criticism and attack.The American audience want their stars to more human and more accessible.●Garbo: a femme fatale(deadly woman) 蛇蝎美人—Garbo Talks –Garbo Laughs(more accessible)The Appearance of Sound Films● A sound film is a motion picture with synchronized sound, or sound technologicallycoupled to image, as opposed to a silent film. The first feature film originally presented asa talkie(有声电影) was The Jazz Singer, released in October 1927.3.6 Depression/Repression: the 1930sThe transition to sound ushers in a new breed of movie star made up of a actors and actresses from the theater, vaudeville, the recording industry, and radio. Distinct vocal styles provide the basis of stardom for many performers, belonging to the working class. American audiences fall in love with burly, homely, hard-working, proletarian tough guys, homespun humorous stars and the adorable little ―orphan‖ S hirley Temple.Shirley Temple●Shirley Jane Temple (born April 23, 1928) is an American film and television actress,singer, dancer, autobiographer, and former U.S. Ambassador to Ghana and Czechoslovakia. She began her film career in 1932 at the age of three, and in 1934, skyrocketed to superstardom in Bright Eyes, a feature film designed specifically for her talents. She received a special Academy Award in February 1935.Clark Gable：Populist HeroWilliam Clark Gable(1901 –1960) was an American film actor, nicknamed ―The King of Hollywood‖ in his heyday. In 1999, the American Film Institute named Gable seventh among the greatest male stars of all time.●Gable‗s most famous role was Rhett Butler in the 1939 Civil War epic film Gone with theWind, in which he starred with Vivien Leigh. His performance earned him his third nomination for the Academy Award for Best Actor; he won for It Happened One Night (一夜风流，1934) and was also nominated for Mutiny on the Bounty(叛舰喋血记1935).3.7 Sex，Censorship，and Star Images●In 1934, the Motion Picture Producers and Distributors of America reinstituted theProduction Code to against the depictions of crime and violence, sexual themes such as adultery, scenes of passion, seduction or rape, sexual perversion, and miscegenation. The code handcuffed the rampant sexuality of early 1930s. It turned sex comedy into screwball comedy(神经喜剧).●Sexual self-censorship drives sex underground during the war years and finally explodesin the resexualization of Hollywood that takes place in the postwar years in film noir and in films with more sexually explicit themes and with sexier stars.Katharine Hepburn (AFI‘s 1st)Selected works●The African Queen (1951)●Suddenly, Last Summer (1959)●Long Day's Journey into Night (1962)●Guess Who's Coming to Dinner (1967)●The Lion in Winter (1968)●On Golden Pond (1981)●The Philadelphia Story (1939–1941King Kong(1933)Technical Achievements●This low-rent monster movie pointed the way toward the current era of special effects,science fiction, cataclysmic destruction, and nonstop shocks. "King Kong" is the father of "Jurassic Park," the "Alien" movies and countless other stories in which heroes are terrified by skillful special effects. Despite its various deficiencies and occasionally antiquated style, King Kong remains not only a milestone of movie-making, but a magical experience. Watching King Kong reminds us of what movies once were and what they have the potential to be, and that's something that Jurassic Park will never be able to do. Stop Motion●Stop motion (定格动画)(also known as stop action) is an animation technique to make aphysically manipulated object appear to move on its own. The object is moved in small increments between individually photographed frames, creating the illusion of movement when the series of frames is played as a continuous sequence. Clay figures are often used in stop motion for their ease of repositioning.Discrimination against Women●1) Jack‘s words (14‘50, cd1)--They are nuisance.--You‘ve got in the way already.●2) Ann is just a tool to make money.(9‘35)The director wants Ann in his film to attract the public●3)Ann is depicted in the movie as the weak.Ann‘s screaming;What killed King Kong?●King Kong himself,●Love for Ann,●Human,●Greed,●Science and technology/ modern weapon●Discrimination against King Kong;●Curiosity;Metaphors for Kong●1) Human vs NatureThe scene with Kong grasping the top of the Empire State Building with one hand while swiping futilely at the attacking bi-planes with the other makes a statement about man‘s indiscriminate(不加区别的) destruction of nature on the path to technological mastery. Kong was king of Skull Island, but, on Manhattan Island, he is a rampaging nuisance to be dealt with. It's not so much beauty that killed the beast, as it is the march of progress. In the world of man, a mythical beast like Kong has no room to survive.●2) Racist conceptions of blacks often depict them as subhuman, ape or monkey-like.In the movie, Kong stands for the black man brought in chains from a dark island (full of murderous primitive pagans) and with a penchant(嗜好) for skinny white blondes. (racism)shotA shot is a continuous strip of motion picture film, created of a series of frames, that runsfor an uninterrupted period of time. Shots are generally filmed with a single camera and can be of any duration. A shot in production, defined by the beginning and end of acapturing process, is equivalent to a clip in editing, defined as the continuous footage between two edits. Frames, shots, clips, scenes, and sequences form a hierarchy of units fundamental to many tasks in the creation of moving-image works.Some Film Termsediting, cutting 剪接Straight-on angle 平视镜头The high angle 俯视镜头The low angle 仰视镜头medium close-up 中景特写镜头Extreme long shot 大远景/大全景mise-en-scene 舞台布景slow motion 慢镜头special effects 特技cutIn film and video editing, a cut is an abrupt, but usually trivial film transition from one sequence to another. It is synonymous with the term edit, though ―edit‖ can imply any number of transitions or effects. The cut, dissolve（渐隐）and wipe serve as the three primary transitions.Fades（淡出）, dissolves, and wipes are perceived as gradually interrupting one shot and replacing it with another. Cuts are perceived as instantaneous changes from one shot to another.MPAA（The Motion Picture Association of America ）‟s Film-rating SystemRating symbol MeaningG- General AudiencesAll ages admitted(1968–present)PG- Parental Guidance SuggestedSome material may not be suitable for children(1971–present)PG-13 - Parents Strongly CautionedSome material may be not be appropriate for children under 13(1984–present)R- RestrictedUnder 17 requires accompanying parent or adult guardian(1968–present)NC-17- No One 17 and under admitted(1990–present)Citizen Kane（1941）公民凯恩●Directed by Orson Welles●Produced by Orson Welles●Starring:●Joseph Cotten约瑟夫·科顿.....Jedediah Leland●Dorothy Comingore多萝西·康明戈尔.....Susan Alexander Kane●Orson Welles奥逊·威尔斯.....Charles Foster Kane●Distributed by RKO Radio Pictures Inc. 雷电华影片公司Academy Awards(Oscars)9 nominations – 1941●Outstanding Motion Picture – RKO Radio Pictures (Orson Welles, Producer)●Best Director – Orson Welles●Best Actor – Orson Welles●Best Writing (Original Screenplay)●Best Art Direction●Best Film Editing●Best Cinematography (Black-and-White)●Best Music●Best Sound RecordingLow-camera angles/position●Low-camera angles projects the significance, or perceived significance, of theindividuals that occupy the frame, as they dominate its focus. Kane…s attem pts to establish and perpetuate his ego are an undercurrent(潜伏在) to such scenes. Rosebud●The final word of Charles Foster Kane “Rosebud” is both a symbol and metaphorfor the life which Kane essentially pursues. It is a representation of the love, happiness, simplicity, and innocence which defined his existence.Charles Foster Kane●arbitrary, domineering, self-willed, self-centered, conceited●Ambitious, industrious, intelligent, just, upright●LonelyNon-lineal narrative/plot constructionNon-lineal narrative provides stark(明显的) juxtapositions（并置）between images of characters.Themes● 1. Family love is essential in one‟s life, if it is lost then it cannot be found.● 2. The American dream can not only build on materials.● 3. If you want true love, you must love others first.Films by GenreActionAdventureComedyCrime and gangsterMusical and DanceScience FictionWesternsHorrorEpicDramaWarFilm-noirDisasterMysteryRomanceDocumentarySportThrillerFamilyFantasyFilm NoirFilm noir, French for "black film", first applied to Hollywood movies by French critic Nino Frank in 1946, is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and sexual motivations. Hollywood's classic film noir period is generally regarded as stretching from the early 1940s to the late 1950s. Film noir of this era is associated with a low-key black-and-white visual style.Many of the prototypical stories and much of the attitude of classic noir derive from the hardboiled school（冷硬派）of crime fiction that emerged in the United States during the Depression.Characteristics of Film Noir1.Visual: The low-key lighting schemes of many classic film noirs are associated withstark light/dark contrasts and dramatic shadow patterning;2.Structure: Film noirs tend to have unusually convoluted story lines, frequentlyinvolving flashbacks and other editing techniques that disrupt and sometimes obscure the narrative sequence;3.Subject matter: Crime, usually murder, is an element of almost all film noirs; inaddition to standard-issue greed, jealousy is frequently the criminal motivation;4.Tone: Film noir is often described as essentially pessimistic;Why did film noir appear?1. Film noir…s aesthetics are deeply influenced by German Expressionis m(表现主义),an artistic movement of the 1910s and 1920s that involved theater, photography, painting, sculpture, and architecture, as well as cinema. The opportunities offered by the booming Hollywood film industry and, later, the threat of growing Nazi power led to the emigration of many important film artists working in Germany. They like to use chiaroscuro(明暗对照法) lighting and were interested in crime.2. The primary literary influence on film noir was the hardboiled school ofAmerican detective and crime fiction.3. War had changed American‟s thinking. Film noir deals with a uniquely Americanexperience of wartime and postwar despair and alienation as a disoriented(迷失的) America readjusts to a new social and political reality.HollywoodHollywood is a district in Los Angeles, California, United States situated west-northwest of downtown Los Angeles. Due to its fame and cultural identity asthe historical center of movie studios and movie stars, the word Hollywood is often used as a synonym of American cinema.HistoryIn 1853, one adobe hut(泥砖砌成的房屋) stood in Nopalera, named for the Mexican Nopal(仙人掌属植物) cactus indigenous to the area. By 1870, an agricultural community flourished in the area with thriving crops of many common and exotic varieties. Soon thereafter, land speculation led to subdivision of the large plots and an influx of homeowners.In 1886, H. H. Wilcox bought an area of Rancho La Brea that his wife then christened "Hollywood."Within a few years, Wilcox had devised a grid plan for his new community, paved Prospect Avenue (now Hollywood Boulevard) for his main street and was selling large residential lots to wealthy Midwesterners looking to build homes so they could "winter in California."In 1911, the Nestor Company opened Hollywood's first film studio in an old tavern on the corner of Sunset and Gower. Not long thereafter Cecil B. DeMille and D. W.Griffith began making movies in the area drawn to the community for its open space and moderate climate.In the 1960s, music recording studios and offices began moving to Hollywood an offshoot(衍生物) of the nightclubs further west on Sunset Boulevard. Other businesses, however, continued to migrate to different parts of the city.Hollywood today is a diverse, vital, and active community striving to preserve the elegant buildings from its past.Walk of FameThe Hollywood Walk of Fame consists of more than 2,400 five-pointed terrazzo and brass stars embedded in the sidewalks along fifteen blocks of Hollywood Boulevard and three blocks of Vine Street in Hollywood, California. The stars are permanent public monuments to achievement in the entertainment industry, bearing the names of a mix of actors, musicians, directors, producers, musical and theatrical groups, fictional characters, and others. The Walk of Fame is administered by the Hollywood Chamber of Commerce and maintained by the self-financing Hollywood Historic Trust.The celebrity with the most "stars" on the Hollywood Walk of Fame is singing-cowboy Gene Autry, who earned five different "stars," one in each of the above categories. His five stars are located at 6644, 6520, 6384, 6667, and 7000 Hollywood Boulevard.Dead Poets Society(1989)Dead Poets Society is a 1989 American drama film distributed by Touchstone Pictures.•Academy awards:•Won: Best Original Screenplay (Tom Schulman)•Nominated: Best Actor in a Leading Role•Nominated: Director (Peter Weir)•Nominated: Best Picture。

名词解释1. 影视鉴赏：影视艺术鉴赏是人们在观看影视作品时的一种认识活动和精神活动。

2.蒙太奇：法文英译，“剪接”的意思。

有广义和狭义之分。

狭义是两个镜头接在一起的方式，广义是组镜头句式的结构的意思，如何通过一组镜头的排列来说明事情。

一般有叙事性、表现型两种句式。

3.景别：景别是指由于摄影机与被摄体的距离不同，而造成被摄体在电影画面中所呈现出的范围大小的区别。

景别的划分，一般可分为五种，由近至远分别为特写（人体肩部以上）、近景（人体胸部以上）、中景（人体膝部以上）、全景（人体的全部和周围背景）、远景（被摄体所处环境）。

在电影中，导演和摄影师利用复杂多变的场面调度和镜头调度，交替地使用各种不同的景别，可以使影片剧情的叙述、人物思想感情的表达、人物关系的处理更具有表现力，从而增强影片的艺术感染力。

4. 镜头：镜头是指相机上接收光学对象，并且对其进行调整，从而实现光学成像的部件（其他如数码摄像机、显微镜等光学仪器上也有镜头，作用基本相似）。

5. 声音：声音是由物体振动产生，正在发声的物体叫声源。

声音以声波的形式传播，声音只是声波通过固体或液体、气体传播形成的运动。

声波振动内耳的听小骨，这些振动被转化为微小的电子脑波，它就是我们觉察到的声音。

2.列出你最喜欢的5部西方电影，任选其中3部，各描述一个令你最难忘的电影场景，并说明理由。

《当幸福来敲门》、《空军一号》《阿甘正传》《泰坦尼克号》《战马》①《当幸福来敲门》如果你有梦想的话，就要去捍卫它。

那些一事无成的人想告诉你你也成不了大器。

如果你有理想的话，就要去努力实现。

就这样。

2009年2月22日看了这部《当幸福来敲门/The Pursuit of Happyness》，克里斯·加德纳是一个生活拮据的医疗产品小推销员，妻子不堪生活艰苦而离开了他，他带着五岁的儿子开始了极其困苦的生活，有时甚至因付不起房租或旅馆费用，又在收容所排不到床位，而不得不带着儿子住在地铁站的卫生间里，但是这些都没能让克里斯·加德纳倒下。

以自由为主题的《蓝》讲述了因一次意外突然失去音乐家丈夫和五岁女儿的茱莉在往后的生活中复杂的心路历程。

此片所表达的不是行动意义上的自由，也不是政治意义上的自由，而是情感自由与灵魂自由的相互角逐。

情感自由即人与外界事物情感上的联系，对家人的爱、对朋友的信任、对路人的怜悯、对敌人的仇恨等等都是一种情感自由。

它对于人们来讲即是一种享用也是一种负担。

比如，对家人的爱一方面会使你感受到幸福，另一方面，在家人身陷困境时，你会焦急担心的无法入眠。

这就是说，与外界的情感联系，在你得到满足的同时也无形的压负着你。

因此，我们可以说情感自由是一种昆德拉式的“重”。

而灵魂自由则是完全失去任何负担的存在形式。

也就是昆德拉式的“轻”。

茱莉在失去家人后，显然已被情感自由压得喘不过气来。

在自杀未遂后，她认识到了造成自己彻骨伤痛的就是情感自由。

于是，她卖掉了别墅，告别了园丁和女佣，毁掉了丈夫未完成的遗作，甚至还用一夜情的方式回绝了曾是丈夫助手且深爱着她的奥利佛。

通过这一系列的举措，茱莉禁锢了感情自由，唯一留下的，便是一盏蓝水晶吊灯。

而这盏灯正是灵魂自由的象征。

至此，朱丽完成了从“重”到“轻”的转换。

接下来的黄昏、咖啡和雪糕、悠扬的笛声、斗殴、阳光下的静坐……都透露着“轻”的意味。

然而，即使一个人生活，也不可能杜绝所有外界的联系。

此后，导演安排了四个人与茱莉见面，第一个出场的是归还项链的男孩，项链又把她与“重”联系起来，但茱莉拒绝了，她宁愿活在灵魂自由中。

接着她遇到了同楼的舞女露丝，当露丝看到蓝水晶吊灯时，便羡慕的问道“你是怎么找到这盏灯的”朱丽回答说“我就是找到了”这也进一步说明了茱莉已实现了灵魂自由。

第三个出场的是奥利佛，他在咖啡馆找到了茱莉，依然没将她拉回情感自由。

最后，朱丽去看望老年痴呆的母亲，她很羡慕母亲什么都记不清，真正脱离了情感的重负，“现在我只剩下一件事要做，就是什么也不要，我不要拥有任何东西，也不要回忆，不要朋友和爱情，他们都是陷阱。

一、影视鉴赏的基础知识1. 影视的定义和分类影视是利用影像、声音等手段来进行艺术表达和传播的一种艺术形式。

根据其形式和内容的不同，影视可以分为电影和电视剧两大类。

电影是指在大银幕上放映的影像作品，而电视剧是指在电视台播放的影像作品。

2. 影视的发展历史影视的发展可以追溯到19世纪末，当时人们通过摄影机和投影机的发明，首次实现了影像的记录和播放。

随着科技的不断进步，影视的制作和传播方式也在不断改变，从最初的无声电影到有声电影，再到彩色电影和3D电影，影视技术不断更新，影视作品的制作水平也不断提高。

3. 影视鉴赏的重要性影视作为一种文化传播和艺术表达的方式，对于人们的审美情趣和文化修养具有重要影响。

影视鉴赏可以帮助人们更好地理解和欣赏影视作品，提高自己的审美水平，增进对影视艺术的理解和认识。

二、影视鉴赏的基本方法1. 影视作品的分析方法影视作品的分析方法可以分为两个层面，即艺术层面和技术层面。

在艺术层面上，影视作品的叙事结构、人物塑造、主题内容等都是需要重点分析的方面；在技术层面上，影视作品的摄影、音乐、剪辑等技术手段也是需要重点分析的方面。

通过对这些方面的综合分析，可以全面了解影视作品的制作水平和创作意图。

2. 影视作品的评价标准要进行影视鉴赏，就需要有一定的评价标准。

评价一个影视作品的好坏可以从多个角度入手，比如剧情是否合理、人物是否真实、表现手法是否巧妙、观感效果是否出色等方面。

同时，要考虑到影视作品的受众群体和文化环境的差异，不同背景的人群对于影视作品的评价标准也会有所不同。

3. 影视作品的历史和背景知识在进行影视鉴赏时，要对影视作品的历史和背景有一定的了解。

一部影视作品所处的时代背景、文化背景、制作背景等都会对影视作品的内容和形式产生一定的影响，了解这些背景知识可以帮助我们更好地理解和欣赏影视作品。

1. 人物塑造人物是影视作品中的灵魂，一个成功的影视作品必须有鲜活、立体的人物形象。

在进行影视鉴赏时，需要关注影视作品中人物的性格特点、行为举止、语言表达等方面，从而深入理解人物的内心世界。

简爱电影观后感
简爱自幼父母双亡，姨母将她送进了洛伍德慈善学校，过着艰苦的生活。

在学校，她目睹好朋友海伦病死。

简长大后，被桑非德庄园的女管家聘用为小女孩阿戴列·瓦朗的家庭教师。

后来，简和庄园主人罗契斯特先生相爱。

但罗契斯特先生15年前已和一个疯女人结婚。

当简知道真相后，两人陷入深深的痛苦之中。

简选择离开，接着疯女人放火后坠楼身亡，桑非德庄园变成了一片废墟。

后来，简继承了叔父给她留下一笔遗产。

她找到失明的罗契斯特先生并和他结了婚，从此拥有了一个美满的家庭，过着快乐幸福的日子。

影片中的简爱，给我留下了深刻的印象。

她个性鲜明，不畏权威，与旧时代的逆来顺受，面对强权忍气吞声的西方女性截然不同。

从小，她便表现出了自尊、自强、敢于抗争的新女性形象。

在被送进慈善学校时，她大胆地揭露姨母的刻薄和虚伪；在学校里毫不畏惧苛刻、虚伪的院长的打压，还教海伦“当我们无缘无故挨打的时候,我们应狠狠地回击;教训教训打我们的那个人,叫他永远不敢再这样打人。

”再到后来，她与罗契斯特先生相爱，她叫他什么都不用给她，除了尊重。

在发现罗契斯特先生已婚的事实后，毅然决然的离开宁愿孤苦伶仃也不愿放弃自尊自爱，始终保持着独立完整的自我。

由始至终，她都保持独立自强的精神和人格，让人折服。

透过简爱这个形象，导演和作者无情地批判了压迫女性，重男轻女的旧习俗，旧思想。

反映了当代女性对男女平等和女性独立人格的追求。

同时告诉世人要与时俱进，摒弃性别歧视的旧思想，学会尊重和爱护女性，共同追求自由平等，创建一个和谐自由的社会。

Hope, Free and Friends.希望，自由和朋友。

——《肖申克的救赎》有感摘要：电影在艺术表现力上不但具有其他各种艺术的特征，又因可以运用蒙太奇这种艺术性极强的电影组接技巧，具有超越其他一切艺术的表现手段，对人们的生活有着深远的影响，丰富人们的文化生活。

《肖申克的救赎》(The Shawshank Redemption)改编自斯蒂芬·金《不同的季节》(Different Seasons)中收录的《丽塔海华丝及萧山克监狱的救赎》。

影片《肖申克的救赎》在牢狱题材电影中突破了类型片的限制，拍出了同类作品罕见的人情味和温馨感觉，因而在公映时成为卖座鼎盛的黑马。

关键词：希望、自由、朋友I have to remind myself that some birds ain’t meant to be caged我不得不提醒我自己，有些鸟是不能被关在笼子里的Their feathers are just too bright它们的羽毛太漂亮了And when they fly away, the part of you knows it was a sin to lock them up does rejoice当它们飞走的时候，你会觉得把它们关起来欣赏是一种罪恶But still, the place you live in is that much more drab and empty that they’re gone但是，它们不在了定会让你感到寂寞I guess I just miss my friend可能我只是想念我的朋友。

其实，直到现在，直到现在我坐在电脑前，写这篇小文的时候，还在犹豫，到底从哪一个论点来写这电影给我的感想。

想到了所谓的“精英阶层”，想到了“hope, the thing that may be terrible or good.”，想到了“free，自由”，当然，还有“friends，朋友”。

越狱前夕，紧张与仓惶《越狱》，第一季，第二十集——汉语言文学3班，万明鹏，P120711318 《越狱》是2005年，由美国著名导演桑福德-布克斯塔弗、博比-罗斯和布莱特-雷纳三人共同导演的一部剧情与犯罪类型的电视剧，到现在一共有四季。

这部电视剧主要以监狱逃生为线索，在情结安排上相当紧凑，内容扣人心弦。

可以说是我所看过的最优秀的一部电视剧。

现在，我对该部电视剧第一季第二十集做一个简单的介绍与评述。

剧情简介：在本集故事开始之前，影片回顾了之前的重要片段，提及了很多重要的情节和画面，为本集的开展做一个引入和铺垫，使得这一集的故事相对具有完整性，让观众能够接受。

之后，本集的故事才正式开始。

贝里克发现迈克尔等人挖的地洞惊骇不已，猝不及防间突遭威斯特莫兰的袭击，一番打斗后他被捆住扔进地道，受伤的威斯特莫兰告诉迈克尔，必须在今晚警卫发现贝里克失踪前逃走。

迈克尔立刻布置下任务，各人分头行动，如何把24小时受到监控的林肯弄出来成了最大的障碍，林肯是主人公的亲哥哥，可以说主人公进监狱的唯一目的就是为了就林肯。

迈克尔向萨拉坦白越狱计划，请求她帮一个小忙，下班时别锁办公室的门。

萨拉感觉十分为难，她无法说服自己告发迈克尔，矛盾不已、进退两难的她，提前离开办公室作为逃避。

另一方面，副总统办事不力，遭到幕后支持者的斥责和威胁。

阿布兹打电话通知狱外同伙准备好飞机，并透露只有三个人能成功逃脱。

维罗妮卡查出蒙大拿神秘电话的地址与泰伦斯的公司有关，维罗妮卡准备亲自去一趟，尼克同时接到阿布兹的电话指令。

贝里克恢复意识后，拼命想挣脱绳索和胶带，被众人及时发现。

众人得知图纳也要和他们一起越狱表示强烈反对，但面对迈克尔坚决的态度只得作罢，“便条”把“背包”的刀子交给迈克尔，提醒他注意“背包”和阿布兹。

迈克尔在完成泰姬陵的时候从泰姬陵上偷拿下一块支柱，他得到波普的许可在禁闭室看望林肯，发现林肯被锁在墙壁上，寸步难行，这更加大了他的援救难度。

欧洲电影赏析《放⽜班的春天》剧情：世界著名指挥家⽪埃尔·莫安琦(Pierre Morhange，雅克·佩兰饰)重回法国故地出席母亲的葬礼，他的旧友(戴迪亚·费拉蒙饰)送给他⼀本陈旧的⽇记，看着这本当年⾳乐启蒙⽼师克莱门特(Clement Mathieu，杰勒德·尊诺饰)遗下的⽇记，⽪埃尔慢慢细味着⽼师当年的⼼境，⼀幕幕童年的回忆也浮出⾃⼰记忆的深潭……克莱门特是⼀个才华横溢的⾳乐家，不过在1949年的法国乡村，他没有发展⾃⼰才华的机会，最终成为了⼀间男⼦寄宿学校的助理教师，这所学校有⼀个外号叫"⽔池底部"，因为这⾥的学⽣⼤部分都是难缠的问题⼉童。

到任后克莱门特发现学校的校长(Francois Berleand饰)以残暴⾼压的⼿段管治这班问题少年，体罚在这⾥司空见惯，性格沉静的克莱门特尝试⽤⾃⼰的⽅法改善这种状况，闲时他会创作⼀些合唱曲，⽽令他惊奇的是这所寄宿学校竟然没有⾳乐课，他决定⽤⾳乐的⽅法来打开学⽣们封闭的⼼灵。

赏析：克莱门特开始教学⽣们如何唱歌，但事情进展得并不顺利，⼀个最⼤的⿇烦制造者就是⽪埃尔·莫安琦(Jean-Baptiste Maunier饰)，⽪埃尔拥有天使的⾯孔和歌喉却有着令⼈头疼的性格，谆谆善诱的克莱门特把⽪埃尔的⾳乐天赋发掘出来，同时他也与⽪埃尔的母亲产⽣了⼀段微妙感情。

飞逝的欢笑和⽆法抑制的泪⽔都已成为过去，却永远不能被忘怀。

如果是由⼀段⾳乐，⼀⾸歌或是⼀组合唱连接起这遥远的回声，那么它们所打下的烙印就会更加深刻。

可能是由于这个缘故，当看到⼀群反叛的寄宿学校的孩⼦们被召集到⼀个合唱团中，并谱写出他们动⼈的孩提乐章时，观众被深深地打动了。

1948年，当马修克莱蒙——⼀位失业的⾳乐教师在⼀所管教寄宿学校找到了⼀份管教的⼯作时，他如同进⼊了⼀个孩⼦们的地狱。

他被匆忙逃⾛的原任管教的经历所震惊，⼜亲眼⽬睹了学校各项严厉的惩罚⼿段。

西方影视文化艺术鉴赏——信念的力量这个学期的选修课——西方影视文化艺术鉴赏一共欣赏了十部优秀的电影：《勇敢的心》、《我的巨型希腊婚礼》、《特洛伊木马屠城》、《与狼共舞》、《法国中尉的女人》、《七宗罪》、《燃情岁月》、《逃狱三王》、《阿甘正传》、《彼得.潘》。

透过这些电影的表层我们可以了解到许多西方国家的一些独特风俗（如印第安风俗，美国西部风俗），欣赏到很多美丽旖旎的当地风景。

深入到电影的内涵来看，我们更可以思思品味出电影中反映出来，亦或想表达的情感。

通过这些电影，使我对西方的文化艺术有了一定的了解，其中的两部电影《勇敢地心》，《彼得.潘》给我留下了深刻的印象。

现在我就浅谈自己对这两部电影的一些理解。

《勇敢的心》（《 Brave heart 》）这部电影主要讲述苏格兰人Wallace为了争取自由与英军不断抗争，宁死不屈的故事。

影片在悠扬的苏格兰风笛声中缓缓展开。

随着时间的推移，华莱士在经历了亲人被杀的悲痛后随叔父去欧洲游学，之后满怀对生活的热爱回到了故乡。

无奈，残酷的现实让他不得不站起来反抗。

心中注定属于英雄的抗争和对自由深深的信仰让Wallace成为了神话般的领袖。

我看到影片中的苏格兰男人们是穿着裙子上战场，光着屁股对敌军挑衅，光明正大地侮辱敌人。

他们的行为虽然有点可笑，但却是是为了全民族的自由而可以不顾自己仪表尊严这样的人应该对其肃然起敬。

而影片中最令人感动的就是最后Wallace在刑场上用尽全身力气喊出“freedom ”的画面。

这一声呐喊不仅是他这一生奋斗的目标，也是他对英军贵族有力的宣言。

在影片结束时苏格兰风笛又响起来的时候，连绵不断的苏格兰山脉，茂盛的森林，星星点点的村庄，凄婉的风笛，跟随着华莱士，知道了自由的价值——没自由，我宁死。

我想，当一个人为积威之所劫时，选择的是奋起反抗而不是逆来顺受；当一个人在关键时刻被盟友所出卖时，选择的是继续战斗而不是从此妥协；当一个人在接受酷刑时喊出的是自己的追求而不是“开恩”时，他的心中必定存在着一种信念，一种渴望得到人类最基本生存要求的信念，一种追求自由信念。

外国经典电影赏析《教父》：这部电影由弗朗西斯·福特·科波拉执导，改编自马里奥·普佐的同名小说。

它讲述了黑手党家族的兴衰历程，展现了家族成员之间的权力斗争、忠诚与背叛。

电影中的角色形象鲜明，情节紧凑，对话经典，给观众留下了深刻的印象。

《肖申克的救赎》：这部电影由弗兰克·德拉邦特执导，改编自斯蒂芬·金的中篇小说《丽塔·海华丝及肖申克的救赎》。

它讲述了一个被冤枉入狱的银行家在监狱中如何与狱友建立友谊，并最终逃脱的故事。

电影中的主题包括希望、友谊和自由，给观众带来了深刻的思考。

《阿甘正传》：这部电影由罗伯特·泽米吉斯执导，改编自温斯顿·格鲁姆的同名小说。

它讲述了一个智商只有75的阿甘如何在命运的安排下，经历了越南战争、水门事件、乒乓外交等重大历史事件，最终成为了一名成功的商人。

电影中的阿甘形象深入人心，他的乐观、善良和坚韧不拔的精神给观众带来了巨大的鼓舞。

《泰坦尼克号》：这部电影由詹姆斯·卡梅隆执导，讲述了1912年泰坦尼克号邮轮沉没时，一名穷画家和一名富家女之间的爱情故事。

电影中的特效、音乐和演员表演都堪称经典，给观众带来了震撼的视觉和情感体验。

《盗梦空间》：这部电影由克里斯托弗·诺兰执导，讲述了一群盗梦者通过进入他人的梦境来窃取信息或植入想法的故事。

电影中的概念新颖，情节复杂，给观众带来了前所未有的观影体验。

思想方面也具有深刻的意义。

它们给观众带来了丰富的情感体验和深刻的思考，是电影史上的瑰宝。

外国经典电影赏析《辛德勒的名单》：这部电影由史蒂文·斯皮尔伯格执导，改编自托马斯·基尼利的历史小说。

它讲述了一位德国企业家在二战期间如何拯救了1100多名犹太人的故事。

电影中的场景真实，情感深刻，展现了人性的光辉和黑暗，给观众带来了巨大的震撼。

《美丽人生》：这部电影由罗伯托·贝尼尼执导，讲述了一位父亲在纳粹集中营中如何通过谎言和游戏来保护自己的儿子，让他在苦难中感受到生活的美好。