电铃使用说明书

仪器使用方法顺序图状态指示灯显示红色:↓按住“模式”（状态选择）键３秒后放掉状态指示灯显绿色：（1）洗掉旧时间程序（2）编制新时间程序（3）检查已编时间程序（4）修改已编程序（如检查无错, 不必进行此项操作）按住“模式”（状态选择）键３秒放掉状态指示灯显红色：校对北京时间具体详见下列使用方法：三、使用方法：（一）开机操作：把仪器插上～220V电源，此时电源指示灯、状态指示灯亮（显红色），显示屏数字不断闪动。

再将仪器面板小开关拨到关的位置（以免编程时乱响铃）。

（二）按住“模式”（状态选择）键（约3秒钟），使其上方指示灯显绿色，显示屏显示“P”时放掉。

1、洗掉旧程序：同时按下“快进”与“清零”键，当显示屏显示“good”时放掉,表明原有旧程序已全部洗干净。

接着显示屏显示“000”。

2、编制新程序：例：7:50预备 8:00 上课并打开1路用电设备8:40下课 11:30 关1路设备（1）分别按“快进”与“慢进”键，把显示屏调到7:50，按一下“6”（预）键放掉，上方指示灯发橙光，就已编入7:50预备。

（如时间调过头，可同时按下“快进”与“慢进”键，钟可倒退）。

（2）再按“慢进”键，把显示屏调到8:00，按一下“4”（上）键放掉，上方指示灯发红光；再按一下“1”路键放掉，上方指示灯亮。

这样就已编入8:00打上课铃并同时打开1路用电设备。

（3）再分别按“快进”与“慢快”键，把显示屏调到8:40分，按一下“5”（下）键放掉，上方指示灯发绿光，就已编入8:40下课。

（4）再分别按“快进”与“慢进”键，把显示屏调到11:30，再按一下“1”路键放掉,上方指示灯灭,就已编入11:30关1路用电设备。

依此类推，把一天所需时间表按时间顺序从早到晚一次性编完。

下午1:00，显示屏显示是13:00。

当60个时间程序空间被编满时，显示屏显示“End”。

无法再续编。

3、检查已编程序：依次短促按一下、按一下“模式”（状态选择）键，就会把已编好的时间表一个个从头到尾调出来。

电铃说明书一、产品简介电铃是一种用于传递声音信号的电子设备，通常用于提醒、警示、通知等场景。

本说明书将为您介绍电铃的基本功能、使用方法、注意事项等相关内容。

二、产品特点1. 高音质：电铃采用先进的声音处理技术，能够输出高品质的声音，确保声音清晰、响亮。

2. 多种音调：电铃配备了多种音调的选择，用户可以根据需要调节电铃发出的声音，以适应不同场景的需求。

3. 安装简便：电铃小巧轻便，安装简单方便，可直接固定在任何平整的表面上，也可使用附赠的安装支架进行安装。

4. 能耗低：电铃采用节能设计，能耗较低，节约能源。

5. 耐用可靠：电铃采用优质的材料制造，结构坚固，具有较强的抗震性能，长时间使用不易损坏。

三、使用方法1. 安装步骤a. 找到安装位置：选择一个合适的位置，确保电铃能够清晰地发出声音，并且容易被注意到。

b. 清洁表面：将安装位置的表面清洁干净，以确保电铃能够牢固地固定在上面。

c. 固定电铃：使用附赠的安装支架或直接使用胶水、螺丝等方式将电铃牢固地安装在所选位置上。

2. 使用步骤a. 连接电源：将电铃的电源线插入电源插座，确保供电正常。

b. 调节音量：根据需要调节电铃的音量大小，确保声音在合适的范围内。

c. 设置音调：根据需要选择电铃发出的音调，可以根据具体场景选择不同的音调。

d. 测试功能：按下电铃上的按钮，测试电铃的功能是否正常，确保能够正常发出声音。

e. 定期维护：定期清洁电铃表面，确保灰尘不会影响声音质量；如果发现故障，应及时联系专业人员进行维修。

四、注意事项1. 安全使用：在使用过程中，避免将电铃放在易燃易爆物体附近，避免触摸电铃的内部部件，以免产生电击风险。

2. 防水防潮：避免将电铃安装在潮湿的环境中，以免影响电铃的正常工作，同时注意避免电铃进水，以防发生电气故障。

3. 避免重压：避免电铃受到重压、撞击和震动，以避免损坏。

4. 正常使用温度范围：电铃的工作温度一般为-10℃至50℃，请在此温度范围内正常使用。

12SPECIFICA TIONS Laney Page 7 / 20In order to reduce environmental damage, at the end of its useful life, this product must not be disposed of along with normalhousehold waste to landfill sites. It must be taken to an approved recycling centre according to the recommendations of the WEEE (Waste Electrical and Electronic Equipment) directive applicable in your country.Supply Voltage ~100V , ~120V , ~230V , ~240V 50/60Hz Factory Option Mains Fuse (~220V>240V = T630mA L 250V) (~100>120V = T1.6A L 250V)HT Fuse T315mA LPower Consumption 100WOutput Power Rating 30WLoudspeaker 12” Celestion 8 OhmsLoudspeaker outputs Extension speaker socket (Minimum 8 Ohm Impedance)Features Pure Class A Valve tone4xEL84 Power T ubes (Matched Quad Set TAD)4x12AX7/ECC83 Preamp tubes (TAD)Hi & Lo Gain InputsFX Loop with Switchable Level & By-passFootswitchable Channel and Reverb (FS2 Optional)Reverb Digital ReverbEQ Passive Bass, Middle and T reble (Separate EQ for Clean and Drive)Bright SwitchModern SwitchInput Impedance 1MOhm/47pFSize (H*W*D) 451*558*278 (Base)Unit Weight 20Kg30112This product conforms to the requirements of the following European Regulations, Directives & Rules:-CE Mark (93/68/EEC), Low Voltage (72/23/EEC), EMC (2004/108/EEC),RoHS (EU2002/95/EC), WEEE (EU2002/96/EC)Page9 / 20The LC30-112’s 30W Class A output stage oozes classic, warm tube tones: The harder you drive it, the better it sounds. Plus with enough gain for contemporary tones, it also has a mean, spiteful side to it as well – making it ideal for any style of playing. Perfect for studio and practice use, but also equally at home or on stage by itself or plugged into a Laney extension cabinet, the sound will blow you away.Y our LC30-112 should give you years of trouble-free amplification, however please take time to read this manual and familiarise yourself with the controls as it will allow you to get the best from your amplifier. We hope you enjoy using your LC30-112 as much as we enjoyed designing and making it.Best wishes from all at LaneyHI INPUT:LO INPUT: ‘. : BRIGHT: : ‘Hi’ stands for high gain. This input is designed for the connection of low output level guitars making it well suited for guitars with single coiled or low gain humbucker type pickups. Use of high gain pickups in this input may drive the preamp too hard causing a "mushy" sound . Only use good quality guitar cable.Lo’ stands for low gain. This input is attenuated down approximately 50% from the Hi input and is designed for high output level guitars. It is useful in obtaining output that is "tight" not "mushy" from high gain humbucker type pickups Only use good quality guitar cable.GAIN Sets the level of tube preamplifier Gain or how dirty your sound is. This control should be used in conjunction with the Volume control, setting low levels of gain with high levels of volume will give the cleanest preamplifier sound with tube output stage overdrive at high volume settings. Setting a medium gain level and medium volume will give a nice crisp tone with just a little break up and warmth, again with the ability to drive the output stage at higher volume settings. Setting a high level on the gain control and a low setting on the volume will give you a nice blues tone, with the ability to again drive the output tubes at higher volume settings. Having set the gain and volume controls to your desired sound try backing off your guitar volume and tone controls for lots of other cool sounds. Good tube amplifiers have the unique ability to produce a wide range of sounds by using only your guitar controls, playing weight and style. Adds brightness and life to the treble frequencies of your guitar when on the clean channel. The switch has more effect at low Gain Volume control settings. Use in conjunction with the T reble and T one controls for optimum performance.BASS, MIDDLE, TREBLE: These are a traditional set of passive tone controls for the clean channel. Passive controls have the advantage of always sounding musical at any of their settings mainly due to their unique interactive nature. This gives players a more natural set of tools to create their ideal sound. (T ry them all set at midway (5) as a good starting point).VOLUME Sets how loud the clean channel is. T ry cranking it up a little to drive the power tubes harder for that real retro sound and feel that only a quality tube amplifier can deliver. Now use your guitar volume to control the amount of distortion.CHANNEL Switch in to enable the 'Drive' channel. (This switch must be in the disengaged position in order for the drive to be switched remotely via a foot switch.)This led will illuminate when the Drive channel is activated with the Drive switch (8) or an optional Laney FS2 remote footswitch. Sets the level of tube preamplifier drive or how dirty your sound is.This control should be used in conjunction with the Drive Volume (12) Setting low levels of gain with high levels of volume will give a clean preamplifier sound with tube output stage overdrive. Setting a medium drive level and medium Drive Volume will give a nice crisp bluesy tone, again with the ability to drive the output stage at higher Drive Volume settings. Setting a high level on the Drive control and a low setting on the Drive Volume will give you a punchy hard rock tone, with the ability to again drive the output tubes at higher Drive volume settings. Having set the Drive and Drive Volume controls to your desired sound try backing off your guitar volume and tone controls for lots of other cool sounds. Good tube amplifiers have the unique ability to produce a wide range of sounds by using only your guitar controls, playing weight and style.MODERN: The modern switch applies a degree of compression & bass lift to the signal, providing massive smooth sustain.BASS, MIDDLE, TREBLE: These are a traditional set of passive tone controls for the Drive channel and work in a similar way as those for the clean channel, except that they operate post distortion giving a wider range of distorted tone.Sets how loud the 'Drive' channel is - The tone control works in a similar fashion to theT one control you probably have on your guitar except that it uniquely works at the other end of the amplification chain. This has the ability to not only control the overall top end response but also reduce upper end harmonics on the output stage and preamplifier overdrive sounds. This will give you bright cutting sounds at high settings and smooth rounded sounds at lower settings. (Midway (5) is a good starting point)REVERB: Controls how loud the built in reverb sounds.(Always switch off and disconnect the power cord when not in use)ST ANDBY: Disconnects the main HT voltage from the tubes but keeps the tubes warm so that they are ready to go instantly. Switch off for short breaks when you don’t want to wait for the tubes to warm up again.POWER: Main power switch for the unit. T ube amplifiers take between 30 seconds and 2 minutes to warm up and be readyto play after switching on, this is normal. Use in conjunction with the standby switch. SWITCH: DRIVE LED: DRIVE: DRIVE VOL: . It is useful to experiment with drive levels and drive volumes. If youwant a very open, warm and semi overdriven sound try reducing the amount of drive and increasing the drive volume. This reduces pre amp gain but pushes the power amp section and makes it work harder giving you a very desirable level of power amp distortion which is a very pleasing “retro” style sound.TONE: POWER LED:This led will be lit when the amplifier is switched on.Page11 / 20POWER INLET SOCKET: Connect to your power source. Make sure the specified voltage is correct for your country!POWER FUSE: This drawer contains the main safety fuse for the unit. The fuse protects the AC power to the amplifier. USE ONLY THE CORRECT SIZE AND RATING OF FUSE AS SPECIFIED ON THE PANEL. If a fuse blows or fails and areplacement of the same size and rating is installed and it in turn blows, the amplifier has suffered a malfunction internally and needs immediate service from a qualified technician. DO NOT TRY USING A FUSE OF HIGHER RATING. Using a fuse that is too large in current rating may cause serious, irreparable damage to the amplifier and presents a serious fire hazard. The mains fuse ratings are detailed in the specs section on page 7 of this manualHT FUSE: This fuse protects the DC power to the tubes within the amplifier. USE ONLY THE CORRECT SIZE AND RATING FUSE AS SPECIFIED ON THE PANEL. If a fuse blows or fails and a replacement of the same size and rating is installed and it in turn blows, the amplifier has suffered a malfunction, at this point check the output tubes and replace faulty ones if required. Should tubes not be the problem the amplifier should be checked out by a qualified technician. Do not try using a fuse of greater value. Using a fuse that is too large in current rating may cause serious, irreparable damage to the amplifier. Fuses are designed to protect, do not take chances.SERIAL NO: Displays the model and serial number of the unit.EFFECTS LOOP: SEND/LINE OUT: Connect the input of your external effect to this socket. All of the signal leaves the amplifier via the `Send’ socket to be processed and comes back from the effects via the `Return` socket. This socket can also be used to control another L -112 amplifier connected to this socket via its own return socket. Some Effects are better C30Spare power fuseincluded in the tray.suited to being between the guitar and amplifer input - these are foot pedal types / distortion / wah wah pedals etc. Rack mount effects will work better in the FX loop on the amplifer rear. Stomp boxes are normally designed for small signals such as a guitar output whereas rack mount FX are designed for the higher signal level obtained from an FX send. This socket can also be used as a Line Level Out.BY -PASS/LEVEL SWITCH: This switch allows the effects loop to be by-passed if not in use, it also gives you the option of running the FX loop at 0dB (750mV) or at -10dB (250mV) to suit your processor.EFFECTS LOOP: RETURN: Connect the output from your external effects to this socket. The effects loop allows you to connect external effects such as tremolo’s, chorus and delays to your amplifier. All of the signal leaves the amplifier via the `Send’ socket and comes back from the effects via the `Return` socket. Use the output level control on your FX to control how loud the FX return signal sounds. This is an insert type control, therefore you need to set the Dry/ Wet mix in your FX processor.FOOTSWITCH SOCKET: Provided for the connection of a Laney FS2 footswitch (optional) .This allows you to remotely switch between the clean/drive channel and & switch the built in reverb On/Off.INTERNAL CABINET: y a ¼”(6.3mm) the impedance selector 6 L -112L -112L -112EXTENSION CABINET: Use to connect an 8-16 ohm extension cabinet. Please note mismatched impedance will reducethe amplifiers performance and in some cases may cause damage to your amplifier. T ry the L -112 into a Laney extension cabinet - you will be amazed what this baby cranks out.The internal loudspeaker is connected b jack to this socket. With no extension cabinet connected ensure that switch () is set to 8 ohms. In use your C30 should always have a speaker connected otherwise you risk damaging the C30’s output transformer.IMPEDANCE SELECTOR SWITCH: This optimises the C30’s output for 4 or 8-16 ohm loads. When using withthe ‘on board ’ speaker set to it 8 ohms. If using an 8-16 ohm extension cabinet at the same time as the onboard speaker, set the switch to 4 ohms. If you set it wrong it will reduce the life of your output tubes and won’t sound as good.C30Page13 / 209821985432101098765432101098765431010987654310109876543101098765431010976DRIVE VOLUME BASS MIDDLE TREBLE TONE DRIVE CHANNEL 543101098765432101098765431010987654310109876543101098765431010976GAIN VOLUME BASS MIDDLE TREBLE TONE CLEAN CHANNEL 5431010987654321010987654310109876543101098765431010987698215431010976GAIN VOLUME BASS MIDDLE TREBLE TONE CLEAN CHANNEL 985432101098765432101098765431010987654310109876543101098765431010976DRIVE VOLUME BASS MIDDLE TREBLE TONE DRIVE CHANNEL CLEANCLEAN CRUNCHBLUES LEADROCK LEADPage 15 / 20• T ube amplifiers; generally sound much warmer/sweeter than solid state transistor amplifiers but they also need a little more respect due to the fragile glass tubes themselves. The LC30-112 uses top quality tubes, which should give you years of trouble free service, however like all tube amps; it is important to treat it with a certain amount of care.• T ubes are fragile glass components; they can easily be damaged if thrown in and out of vehicles,• Make sure the impedance; of your cabinets matches the setting on your amplifier. Improper impedance matching will result in reduced output power output and compromised sound at best and amplifier failure/premature tube failure at worst.• Allow the amplifier; to warm up to room temperature before switching it on, The sudden thermal shock generated can crack the cold glass tube housing plus any moisture is bad news around high voltage electronics.• Allow the amplifier; to cool down after playing before moving. Hot tubes are more susceptible to damage than cool e good quality loudspeaker leads, cheap leads are often not up to the job of handling the large requirements for loudspeakers and can often short out.• T ube amplifiers; don't like running into a open circuit. A tubes life expectancy is based upon a number of factors which include operating temperature, how hard and how often it is played, vibration due to travel etc. T ubes should be changed in your amplifier if you notice any change in your amplifiers performance etc. They need not be changed at any regular interval.• T ypical problems; with preamp tubes can be a crackly noise, hiss, hum and microphony. The preamp tubes can safely be changed with no action required if they fail or reduce in performance. T ypical output tube problems can be blown HT fuse; sound lacking in punch, sound lacks extreme highs or lows and low level hum. The Output tubes can be replaced singularly if you replace them with the exact same type AND grade as factory fitted otherwise they should be replaced as a quad set. See the diagram following to see how to check the tube grade fitted. Exact replacement preamp tubes and matched sets of output tubes are available from Laney via your dealer.• To change a tube; switch off the unit and unplug from the mains supply. Wait for the tubes to cool down. Lay amplifier down on its front face and remove the protective grille held in place with four screws. Y ou should now be able to access the underside of the amplifier chassis. Preamp tubes are protected with a screen can, to remove; gently twist the screen can anti clockwise and then pull up. The tube can then be gently pulled out. T ake care when pushing the new tube in to make sure the pins are all aligned properly. Output tubes have a spring retainer which must be pulled away before the tube will come out.Amplifier connection In order to avoid damage, it is advisable to establish and follow a pattern for turning on and off • ;your equipment. With all system parts connected, effects processors etc. BEFORE turning on your guitar amplifier. Many products have large transient surges at turn on and off which can cause damage to your speakers. By turning on your guitar amplifier LAST and making sure its Volume controls are set to minimum any transients from other equipment will not reachPage17 / 20your loudspeakers. Wait until all system parts have stabilised; usually a couple of seconds. Similarly when turning off your system always turn down the Volume controls on your guitar amplifier and then turn off its power before turning off other equipment. • Servicing: The user should not attempt to service these products. Refer all servicing to qualified service personnel.V1V2V3V4V5V6V7V8FX ControlleruOLaneyPage 19 / 20。

使用方法：1、打开机器底部电池盖板，装入1号电池2节（停电时保持程序用），接通220V电源，首先同时按两个“复位”键两次，屏幕显示“0：00”，此时秒点闪动。

2、时钟使用说明：（1）调星期：按“星期”键调星期，按一下调一天。

（2）调时分：按“时间+”键调时、分，按一下加一，按住不放转为快加，按“时间-”调时、分，按一下减一，按住不放，转为快减。

（3）校秒：在走时状态下按一下“储存”键，时钟显示‘秒钟’，按下“时间+”键，或“时间-”键，可调整秒，再按一下“储存”键，时钟部分返回显示当前时、分状态。

编程方法：编程前应列好时间表：1、按住“编程”键五秒，星期指示灯全部闪烁，时钟显示部分显示“0：15”表示本机已进入编程状态，请求输入响铃模式和每次响铃时间，本机检有三种响铃模式供选择，可用星期键调整（每按一下星期键，变换一次，在三种模式间切换）（1）星期一至星期日批示灯全部闪（表示一周七天都打铃）（2）星期一至星期六批示灯闪，星期日不闪（表示星期一到星期六打铃，星期日不打铃）（3）星期一至星期五批示灯闪，星期六、星期日不闪（表示星期一到星期五打铃，星期六、星期日不打铃）（4）本机每次响铃时间默认为15秒，如感觉不满意可用“时间+”和“时间-”键修改，本机可在0——99秒之间任意设置打铃时间长度。

确认打铃模式和打铃长度后按“储存”键储存。

2、编程：按作息时间表，用“时间+”和“时间-”将时钟时、分、调整到欲打铃的时间，按一下“储存”键，此时，“打铃”指示灯亮，机器内部继电器吸合，电铃开始响。

表示此打铃点输入成功。

注：如果想去掉这一打铃点，再按一下“储存”键，此时，“打铃”指示灯熄灭，表示此单一打铃点擦除成功。

（本机在编程状态下最多能按40次“储存”键，如果输入的错误过多，请复位后重新输入。

否则将因输入错误而不能正常工作）。

将时间调到下一次欲打铃的时间，按一下“储存”键，此时“打铃”指示灯亮，表示此点输入成功。

本文部分内容来自网络整理，本司不为其真实性负责，如有异议或侵权请及时联系，本司将立即删除！== 本文为word格式，下载后可方便编辑和修改！ ==电铃敬老院用篇一：电铃使用方法说明使用方法：1、打开机器底部电池盖板，装入1号电池2节（停电时保持程序用），接通220V电源，首先同时按两个“复位”键两次，屏幕显示“0：00”，此时秒点闪动。

2、时钟使用说明：（1）调星期：按“星期”键调星期，按一下调一天。

（2）调时分：按“时间+”键调时、分，按一下加一，按住不放转为快加，按“时间-”调时、分，按一下减一，按住不放，转为快减。

（3）校秒：在走时状态下按一下“储存”键，时钟显示‘秒钟’，按下“时间+”键，或“时间-”键，可调整秒，再按一下“储存”键，时钟部分返回显示当前时、分状态。

编程方法：编程前应列好时间表：1、按住“编程”键五秒，星期指示灯全部闪烁，时钟显示部分显示“0：15”表示本机已进入编程状态，请求输入响铃模式和每次响铃时间，本机检有三种响铃模式供选择，可用星期键调整（每按一下星期键，变换一次，在三种模式间切换）（1）星期一至星期日批示灯全部闪（表示一周七天都打铃）（2）星期一至星期六批示灯闪，星期日不闪（表示星期一到星期六打铃，星期日不打铃）（3）星期一至星期五批示灯闪，星期六、星期日不闪（表示星期一到星期五打铃，星期六、星期日不打铃）（4）本机每次响铃时间默认为15秒，如感觉不满意可用“时间+”和“时间-”键修改，本机可在0——99秒之间任意设置打铃时间长度。

确认打铃模式和打铃长度后按“储存”键储存。

2、编程：按作息时间表，用“时间+”和“时间-”将时钟时、分、调整到欲打铃的时间，按一下“储存”键，此时，“打铃”指示灯亮，机器内部继电器吸合，电铃开始响。

表示此打铃点输入成功。

注：如果想去掉这一打铃点，再按一下“储存”键，此时，“打铃”指示灯熄灭，表示此单一打铃点擦除成功。

（本机在编程状态下最多能按40次“储存”键，如果输入的错误过多，请复位后重新输入。

User’s GuideVTX200SThree-Channel Guitar Amplifier with Stereo Digital SignalProcessingTABLE OF CONTENTS:Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3The T op Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4,5The Bottom Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6The DSP Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7Storing Your Own Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8Restoring the Factory Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8More About The Save/T ap Button . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8Using the Footswitch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9DSP Factory Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10,11Suggested Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12,13DSP“Fill in the Blanks” (for User Presets) . . . . . . . . . . . . . . . . . . . . .14System Block Diagram . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15T echnical Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . .back coverThis equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequen-cy energy and, if not installed and used in accordance with the instructions, may cause harmful interfer-ence to radio communications. However, there is no guarantee that interference will not occur in a par-ticular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:• Reorient or relocate the receiving antenna.• Increase the separation between the equipment and the receiver.• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.• Consult the dealer or an experienced radio/TV technician for help.Changes or modifications to this device not expressly approved by SLM Electronics could void the user’s authority to operate the equipment under FCC rules.Declaration of ConformityManufacturer’s Name:SLM ElectronicsCorporate Headquarters:1901 Congressional Drive, St. Louis, Missouri 63146 Primary Production Facility:700 Hwy 202 W, Yellville, Arkansas, 72687Product Type:Audio AmplifierProducts meet the regulations for compliance marking under:ETL standards UL6500, UL60065, or UL813CSA standards E60065 or C22.2 No.1-M90CE safety standard EN60065CE EMC standards EN55103 or EN55013 and EN61000C-tick designation Level 2, ABN #56748810738, ARBN# N222KETI standard K60065 (limited model approval)Compliance Support Contact: SLM Electronics, Attn: R&D Compliance Engineer1901 Congressional Drive, St Louis, Missouri, 63146 • Tel.: 314-569-0141, Fax: 314-569-01753The Top Panel:121: INPUT:Use this jack to connect your guitar to the amplifier by means of a shielded instrument cable. CHANNEL1 - Featuring a low gain FlexWave circuit for clean sounds or sounds with mild dis-tortion:2:LOW:Use this control to adjust the low frequency level of Channel 1.3: GAIN:Use this control to adjust the amount of distortion produced by Channel 1.4:MID:Use this control to adjust the midrange frequency level of Channel 1.5:LEVEL:Use this control to adjust the output level of Channel 1.6:HIGH:Use this control to adjust the high frequency level of Channel 1.7: CHANNEL1 SELECT:This switch, when depressed, selects Channel 1 as the active channel. The adjacent LED illuminates when Channel 1 is active.CHANNEL2 - Featuring a medium gain FlexWave circuit for moderate distortion and crunch:8:LOW:Use this control to adjust the low frequency level of Channel 2.9: GAIN:Use this control to adjust the amount of distortion produced by Channel 2.10:MID:Use this control to adjust the midrange frequency level of Channel 2.11:LEVEL:Use this control to adjust the output level of Channel 2.12:HIGH:Use this control to adjust the high frequency level of Channel 2.13: CHANNEL2 SELECT:This switch, when depressed, selects Channel 2 as the active channel. The adjacent LED illuminates when Channel 2 is active.CHANNEL3 - Featuring a high gain FlexWave circuit for extreme distortion and sustain:14:LOW:Use this control to adjust the low frequency level of Channel 3.15: GAIN:Use this control to adjust the amount of distortion produced by Channel 3.16:MID:Use this control to adjust the midrange frequency level of Channel 3.17:LEVEL:Use this control to adjust the output level of Channel 3.18:HIGH:Use this control to adjust the high frequency level of Channel 3.19: CHANNEL3 SELECT:This switch, when depressed, selects Channel 3 as the active channel. The adjacent LED illuminates when Channel 3 is active.4520: MUTE:This switch, when depressed, mutes the output signal at the speaker jacks and the effects loops, allowing you to silently tune or switch instruments. The adjacent LED illuminates when the Mute function is active.21: TUNER:The electronic tuner is active whenever the amplifier is turned on, providing constant,“real time” tuning. The bottom row of LEDs indicate which note (string) is being tuned. The top row of LEDs provides directional queues to facilitate quick and precise tuning of your instrument. The indicated note (string) is properly tuned when only the center LED is illuminated.22. EFFECTS:Use this control to select one of the fifteen digital effects. Complete information about the DSP effects is on page 7.23. DELAY:Use this control to select one of the fifteen digital delay effects. Complete information about the DSP effects is on page 7.24: SAVE/TAP:Use this pushbutton to set the tempo of many of the effects by tapping the button repeatedly in time with the desired tempo. The Save/Tap button is also used to save DSP presets and to restore the factory default DSP settings. Additional information about the Save/Tap button is on pages 7 and 8.25: SAVE/TAP LED:This LED flashes in time with the tempo set by the Save/Tap button (#4) and serves as a status indicator for certain DSP activities (see page 8).26:REVERB:Use this control to adjust the amount of the digital reverb effect. In its fully counter clockwise position the signal is “dry” (without any reverb). As you rotate the control clockwise the amount of reverb increases. The Reverb setting may be saved as a channel preset - see page 8.SAVE / TAPO P H A W C S F LAN G E P H A SE R EC GG I ALMUTE3The Bottom Panel:27: POWER (not shown):Use this switch to turn the amplifier on (top of the switch depressed) and off (bottom) of the switch depressed. The switch illuminates when the power is on.28: AC LINE CORD (not shown):This grounded power cord is to be plugged into a grounded power outlet, wired to current electrical codes and compatible with the voltage, power, and frequency requirements stated on the bot-tom panel. Do not attempt to defeat the safety ground connection.29: SPEAKER OUTPUTS: Use these jacks to connect the amplifier to the speakers. The VTX200S is shipped from the factory with a cable from each channel connected to the speakers within the cabinet. Additional speakers may be connected providing the four ohm minimum load rating for these jacks is observed. When using the stereo Chorus effect the right channel is dry and the left channel is detuned (wet). Each channel will provide 70 watts RMS into an eight ohm load and 100 watts RMS into a four ohm load. 30:STEREO EFFECTS LOOP RETURN:When using a stereo external effects processor, connect this jack to the output jack of the effect by means of a shielded three conductor signal cable terminated with a stereo (R/T/S) 1/4”connector.31:STEREO EFFECTS LOOP SEND:When using a stereo external effects processor, connect this jack to the input jack of the effect by means of a shielded three conductor signal cable terminated with a stereo (R/T/S) 1/4”connector.32:MONO EFFECTS LOOP RETURN:When using a mono external effects processor, connect this jack to the output jack of the effect by means of a shielded signal cable.33:MONO EFFECTS LOOP SEND:When using a mono external effects processor, connect this jack to the input jack of the effect by means of a shielded signal cable.34:FOOTSWITCH:Use this jack to connect the footswitch cable (5-conductor midi cable) to the four-button footswitch (supplied). This allows you to remotely switch between the channels, set tap tempos, save new presets, and access a second set of DSP presets. (See page 9 for additional information.)67SAVE / TAPO W U SANA E EC GG I ALEFFECTS:NAME DESCRIPTIONSAVE/TAP BUTTON CONTROLS:Chorus 1stereo chorus w/low depthspeed: 1 cycle/tap - period: .05 - 1 second Chorus 2stereo chorus w/medium low depth speed: 1 cycle/tap - period: .05 - 1 second Chorus 3stereo chorus w/medium high depth speed: 1 cycle/tap - period: .05 - 1 second Chorus 4stereo chorus w/high depth speed: 1 cycle/tap - period: .05 - 1 second Flange 1flanger w/low depthspeed: 4 cycles/tap - period: .05 - 1 second Flange 2flanger w/medium low depth speed: 4 cycles/tap - period: .05 - 1 second Flange 3flanger w/medium high depth speed: 4 cycles/tap - period: .05 - 1 second Flange 4flanger w/high depthspeed: 4 cycles/tap - period: .05 - 1 second Phaser 1phase shift w/low feedbackspeed: 2 cycles/tap - period: .05 - 1 second Phaser 2phase shift w/medium low feedback speed: 2 cycles/tap - period: .05 - 1 second Phaser 3phase shift w/medium high feedback speed: 2 cycles/tap - period: .05 - 1 second Phaser 4phase shift w/high feedbackspeed: 2 cycles/tap - period: .05 - 1 second Oct-adds signal one octave below original n/a Phase Wah medium phase w/touch sensitive wah n/a Wahtouch sensitive wah wahn/a bypass (dry signal - no effect)n/aDELAY:NAME DESCRIPTIONSAVE/TAP BUTTON CONTROLS:Single 1single delay w/low level delay time: .05 - 1 sec Single 2 single delay w/medium level delay time: .05 - 1 sec Single 3 single delay w/high leveldelay time: .05 - 1 sec Single 4 single delay w/maximum level delay time: .05 - 1 sec Echo 1 echo delay w/low level delay time: .05 - 1 sec Echo 2 echo delay w/medium level delay time: .05 - 1 sec Echo 3 echo delay w/high leveldelay time: .05 - 1 sec Echo 4echo delay w/maximum level delay time: .05 - 1 sec Ping Pong 1 stereo panning delay w/low level delay time: .05 - 1 sec Ping Pong 2 stereo panning delay w/medium level delay time: .05 - 1 sec Ping Pong 3 stereo panning delay w/high leveldelay time: .05 - 1 sec Ping Pong 4 stereo panning delay w/maximum level delay time: .05 - 1 sec Special 1 low echo delay w/effect on echo only delay time: .05 - 1 sec Special 2 medium echo delay w/effect on echo only delay time: .05 - 1 sec Special 3high echo delay w/effect on echo only delay time: .05 - 1 sec bypass (dry signal - no effect)n/aSIGNAL PATH FOR SPECIAL DELAY EFFECTS:DELAYSIGNAL PATH FOR ALL OTHER EFFECTS:EFFECTSEFFECTSDELAY8Storing Your Own Presets:Each channel of the VTX200S has two factory assigned DSP presets, as shown on pages 10 and 11. No matter what the settings of the DSP controls, the preset is recalled when a channel is selected. You may change the DSP settings by rotating the DSP con-trols - these changes will remain active until a different channel is selected, but will not be there for later use unless they are saved. To save a new DSP preset to a channel,first make the desired DSP changes. Then press and hold the Save/Tap button for about three seconds. The Save/Tap LED will flash through three quick sequences, indicating the preset was saved. The new preset is stored for that channel and will remain in mem-ory until a new preset is stored for that channel or the factory presets are restored.We recommend making copies of page 14 of this guide for the purpose of writing down your own presets.Restoring the Factory Presets:The factory assigned DSP presets may be restored, erasing any changes you have made. Turn the amplifier off. Press and hold the Save/Tap button as you turn the amplifi-er on. The Save/Tap LED will flash through two quick sequences, indicating the factory presets have been restored.More About the Save/Tap Button:The Save/Tap button is used to set the tempo of an effect by pressing it twice within a one second time frame. The time between the two taps sets the timing of the effect. If the Save/Tap button is pressed an odd number of times (once, three times, etc.), the tim-ing will default to the maximum one second time period.The Effects and the Delays may each have a different tap speed. The default “target”for the Save/Tap button is the Delay control. To select the Effects control as the tap but-ton’s target, rotate the Effects control. The Save/Tap tempo function will automatically revert back to the Delay control 16 seconds after the Effects control is rotated, or when the tap speed was last changed for the Effects control.NOTE: In most cases, it is usually more pleasing to the ear to set a slower tap speed for the HI effects and a faster tap speed for the LO effects.SAVE / TAPSAVE / TAPSAVE / TAP9Using the Footswitch:The special Crate four-button footswitch supplied with the VTX200S performs a variety of functions. The footswitch allows remote channel selection, remote Tap/Save for each channel, and allows access to an additional DSP preset for each channel of the amplifier. Use only the supplied Crate four-button momentary footswitch with the VTX200S. A standard 5-wire midi cable (supplied) may be used to connect the footswitch to the amplifier.(See page 8.)the LED channel - “DSP NOTE: DSP Bank “B” pre-sets are only accessible when the footswitch is connected, only DSP “A”is accessible.SWITCH #1:CH. 1 SELECT;TAP/SAVE FOR CH. 1FOOTSWITCHSWITCH #2:CH. 2 SELECT;TAP/SAVE FOR CH. 2SWITCH #4:LED on: DSP BANK A LED off: DSP BANK B421SWITCH #3:CH. 3 SELECT;TAP/SAVE FOR CH. 3310DSP Factory Presets:O P H AGG LO P H AGG LO P H AGG LFactory Preset 1: Clean w/Chorus, Delay, ReverbFactory Preset 2: Rhythm w/Slapback DelayFactory Preset 3: Solo w/Flange, Delay, ReverbThe VTX200S Factory Presets for the DSP section are as follows:11DSP Factory Presets:OP H AGG LO P H AGG LO P H AGG LFactory Preset 4: Clean w/ReverbFactory Preset 5: Rhythm w/ReverbFactory Preset 6: Solo w/ReverbThe VTX200S Factory Presets for the DSP section are as follows:INPUT12 INPUT12 INPUT12 INPUT12 INPUT12INPUT 12"Oceanic"Clean withVibrato, Delay,& Reverb"Super Funk"Clean withWah, Delay,& Reverb"Arena"Rhythm withReverb& Delay"Haze Faze"Rhythm withPhase& Reverb"Solo Wah"Solo withWah, Delay& Reverb"Octanator"Solo withOctave& Reverb1213SAVE / TAPO C T -C H OF L AN GE S I NEG A LMUTE3SAVE / TAPO C T -C H OF L AN GE S I NEN G A LMUTE3SAVE / TAPO C T -C H OF L AN GE S I NEN G A LMUTE3SAVE / TAPO CT -C H OF L AN GE S I N EN G A LMUTE3SAVE / TAPO C T -C H OF L AN GE S I N EG A LMUTE3SAVE / TAPO C T -C H OF L AN GE S I N EG A LMUTE3EFFECTS TAP Tempo: MEDIUMDELAY TAP Tempo: MEDIUMEFFECTS TAP Tempo: N/ADELAY TAP Tempo: FASTEFFECTS TAP Tempo: N/ADELAY TAP Tempo: MEDIUMEFFECTS TAP Tempo: MEDIUMDELAY TAP Tempo: N/AEFFECTS TAP Tempo: N/ADELAY TAP Tempo: N/AEFFECTS TAP Tempo: N/ADELAY TAP Tempo: N/ADSP “Fill in the Blanks”(User Settings): Copy this page to fill in your own DSP Presets!User Preset:GLUser Preset:GLUser Preset:GL 1415System Block Diagram:INPUTCHANNEL 1BUFFERFLEX WAVE (LOW CHANNEL 2FLEX WAVE (MEDIUM CHANNEL 3FLEX WAVE (HIGH SWITCH CONTROLLERDSPA/B FOOTSWITCH 1 2 3 4TUNERA BC D EF GPOWER AMP 1OUTPUTS RETURN SEND SEND RETURNDAMPINGPOWER AMP 2OUTPUTS DAMPINGVTX200S TECHNICAL SPECIFICATIONS:Output Power Rating70W per channel @5% THD, 8 ohm load100W per channel @5% THD, 4 ohm load Speaker Size and Rating(2) Celestion Seventy 80W 12” 8 ohmInput Impedance470kΩTotal System Gain Ch 174dB, all controls @10Ch 288dB, all controls @10Ch 3103dB, all controls @10Maximum Input Signal Accepted 5 volts peak-to-peakChannel 1Low Control26dB range @ 70HzMid Control10dB range @ 900HzHigh Control20dB range @ 10kHzChannel 2Low Control26dB range @ 70HzMid Control10dB range @ 900HzHigh Control20dB range @ 10kHzChannel 3Low Control17dB range @ 100HzMid Control16dB range @ 1kHzHigh Control12dB range @ 7kHzPower Requirements120 VAC, 60Hz, 95VA100/115VAC, 50/60Hz, 95VA;230VAC, 50/60Hz, 95VASize and Weight21” H 27-3/4” W x 11-1/4”D, 45 lbs.The VTX200S is covered with a durable Tolex material: wipe it clean with a lint-free cloth.Never spray cleaning agents onto the cabinet. Avoid abrasive cleansers which would damage the finish.Crate continually develops new products, as well as improves existing ones. For this reason, the specificationsand information in this manual are subject to change without notice.@2004 SLM Electronics, a division of St. Louis Music, Inc • 1400 Ferguson Avenue • St. Louis, MO 6313347-387-01 • 082004。

Three-Channel Guitar Amplifier with DSP and Channel TrackingOwner’s ManualTABLE OF CONTENTSIntroduction (3)Channel Tracking (4)The Front Panel (5)The Rear Panel (6)The DSP Section (7)Using the Footswitch with the DSP (8)Suggested Settings (9)System Block Diagram (10)Technical Specifications (12)Service Information (12)2IntroductionCongratulations! You are now the proud owner of the Crate FlexWave120H three-channel guitar amplifier with advanced digital signal processing (DSP) and Channel Tracking. This rug-ged amplifier combines outstanding features with serious clean and distorted sounds. Digital Reverb, Delay, and Modulation effects provide you with a wide variety of sounds. Crate’s unique Channel Tracking feature automatically stores your DSP settings for each channel to memory. As you switch from one channel to another, the DSP settings for the selected chan-nel are instantly recalled. The supplied three-button footswitch allows you to select channels and change the DSP bank (Bank A/Bank B) by “remote control.” A front panel 1/8" stereoCD input jack allows you to play along with your CD player, MP3 player, or iPod. A rear panel insert jack allows you to add even more effects by connecting an external effect processor. Like all Crate products, your FlexWave120H amplifier is designed by musicians and built using only the best components. Extensive testing confirms that this amplifier is the absolute best it can be. In order to get the most out of your new amplifier, we strongly urge you to read this manual before you begin playing.And thank you for choosing Crate.Here are some of the features packed into your new FlexWave120H Amplifier:• 120 watts rms power outputThree-ChannelOperation•Channel—HighG ainChannel—OverdriveChannel—Clean• 3-band EQ on the Overdrive and Clean Channels• Proprietary “Shape” EQ control on the High Gain Channel• DSP Effects including Delay, Modulation, and Reverb sectionsInput• CD• EffectsLoopFootswitchincluded• 3-FunctionjackSpeaker• External• Built-in Chromatic Tuner3Channel TrackingYour Crate FlexWave120H gives you the power of Channel Tracking. Once you select a DSP setting for each channel, Channel Tracking stores the settings to memory whenever you change channels. When you go back to that channel, Channel Tracking recalls those DSP set-tings automatically, without changing the DSP controls!For example:• Select the Clean channel. Set the Mod control to “Flanger,” the Delay control to “Medium,”and adjust the Reverb control to your preference.• Select the Overdrive channel. Set the Mod control to “Chorus,” the Delay control to “Slap,”and readjust the Reverb control to a different setting. (The DSP settings for the Clean channel are now saved to memory.)• Select the High Gain channel. Set the Mod control to “Phaser,” the Delay control to “Long,”and readjust the Reverb control once again. (The DSP settings for the Overdrive channel are now saved to memory.)• Reselect the Clean channel. (The DSP settings for the High Gain channel are now saved to memory.)When you reselected the Clean channel, the DSP settings previously stored in memory were automatically recalled. Switch to the Overdrive channel and the DSP settings you just stored are still there. You can change the DSP settings at any time. Once you set the DSP and select another channel, Channel Tracking stores the settings for you. Even when the amplifier is turned off, the DSP settings are stored and recalled the next time you turn it on. That’s the power of Channel Tracking!In addition, each channel has two DSP banks, Bank A and Bank B, when you use the supplied three-button footswitch (see page 8 for more information on using the footswitch). Channel Tracking also remembers which DSP bank was selected for each channel.41. POWER: Use this switch to turn the amplifier on (top of the switch depressed) and off (bottom of the switch depressed). The switch illuminates when the amplifier is turned on.2. ELECTRONIC TUNER: The electronic tuner is active whenever the amplifier is turned on, providing constant “real-time” tuning. The row of red LEDs on the left indicates which note is being tuned. When a single LED is lit, it represents the note that appears just below the LED. When two LEDs are lit, it represents the note that appears between them in the bottom row. The left green LED indicates the note is flat, and the right green LED indicates the note is sharp. The note is properly tuned when both LEDs are lit at the same time.3. CD INPUT: Use this 1/8" stereo mini jack to connect the output from a CD player, MP3 player, laptop, etc., to the amplifier. The signal at this jack is summed into a mono signal, which is sent to the internal power amp circuit. Use the output level con-trol for the signal source to adjust the signal for the proper mix with your guitar.4-6. EFFECTS: Use these controls to apply and adjust the DSP effects. Complete informa-tion on these effects is provided on page 7. 7. HIGH: This adjusts the treble frequen-cies. Use this control to attain a bright and lively sound for your instrument when using the Clean channel.8. MID: This adjusts the midrange frequen-cies. Use this control to get the best projec-tion and midrange tones for your instrument when using the Clean channel.9. LOW: This adjusts the bass frequencies. Use this control to get the best sounding bass response for your instrument when using the Clean channel.10. VOLUME: Use this control to adjust the output level of the Clean channel.11. CLEAN LED: This LED illuminates when the Clean channel is selected.12. OVERDRIVE/CLEAN: Use this switch to select the Clean channel or the Overdrive and High Gain channels. With the switch in the out position, the Clean channel is select-ed. When the switch is pushed in, either the High Gain or Overdrive channel is selected, depending on the setting of the High Gain/ Overdrive switch [19].13. LEVEL: Use this control to adjust the output level of the Overdrive channel.14. HIGH: This adjusts the treble frequen-cies. Use this control to attain a bright and lively sound for your instrument when using the Overdrive channel.15. MID: This adjusts the midrange frequen-cies. Use this control to get the best projec-tion and midrange tones for your instrument when using the Overdrive channel.16. LOW: This adjusts the bass frequen-cies. Use this control to get the best sound-ing bass response for your instrument when using the Overdrive channel.17. GAIN:Use this control to adjust the amount of distortion for the Overdrive channel.18. OVERDRIVE LED: This LED illuminates when the Overdrive channel is selected. 19. HIGH GAIN/OVERDRIVE: Use this switch to select the High Gain or Overdrive channel. With the switch in the out position, the Overdrive channel is selected. When the switch is pushed in, the High Gain channel is selected.Note: This switch is only active when the Overdrive/Clean switch [12] is pushed in.20. LEVEL: Use this control to adjust the output level of the High Gain channel.The Front Panel5621. SHAPE: Use this control to “dial in” the tone for the High Gain channel. Rotating this control counter-clockwise enhances the mid frequencies, while rotating it clockwise enhances the low and high frequencies.22. GAIN: Use this control to adjust the amount of distortion for the High Gain channel.23. HIGH GAIN LED: This LED illuminates when the High Gain channel is selected.24. INPUT: Use this jack to connect your guitar to the amplifier by means of a shield-ed instrument cable.The Rear PanelCrate’s STP201, STP202, or STP203 stereo-to-mono Y-cord or an adapter such as Crate’s YPP117 and two 1/4" mono signal cables to connect to the effect, as shown below.26. CHANNEL FOOTSWITCH: Use this jack to connect one of the footswitch cables to the three-button footswitch (supplied). This allows you to remotely switch between the Clean, High Gain, and Overdrive channels. Additional infor-mation about the opera-tion of the footswitch is on page 8.27. DSP FOOTSWITCH: Use this jack to connect one of the footswitch cables to the three-but-ton footswitch (supplied). This allows you to select between two DSP pre-sets for each of the three channels. Additional infor-mation about the opera-tion of the footswitch is on page 8.speaker cabinet. Note: The external speaker cabinet shouldhave a nominal impedance of 4 ohms or higher.29. FUSE: The fuse protects the amplifier from damage caused by a faulty AC power source or other problems. If the fuse opens, replace it with the same size and type. If fuses continue to fail, check the AC source. If the source is okay, refer to page 12 or con-tact your Crate dealer for service information.30. POWER CORD:This grounded powercord is to be plugged into a grounded power outlet, wired to currentelectrical codes and compatible with the voltage, power, andfrequency requirementsstated on the rear panel. Do not attempt to defeat the safety ground con-nection!8Using the Footswitch with the DSPThe Crate three-button footswitch supplied with the FlexWave120H allows access to an addi-tional DSP preset for each channel of the amplifier. When the footswitch is connected to the amplifier as shown below, the “original” DSP presets are active for each channel when the #3 footswitch LED is illuminated. These are referred to as “DSP Bank A.” When the #3 button is switched and the LED is off, a second DSP preset may be stored and recalled for each chan-nel — “DSP Bank B.”Note: DSP Bank B presets are only accessible when the footswich is connected to the ampli-fier. When the footswitch is not connected, only DSP Bank A is accessible.LED ON = HIGH GAIN CHLED OFF = OVERDRIVE CH[only when Switch #2 is activated (LED ON)]LED OFF = CLEAN CHSuggested SettingsSweet ‘n Clean:Just a ‘Lil Nasty:Politely Gritty:Down ‘n Dirty:Mean & Obscene:9System Block Diagram10INPUTBUFFERMIX AMPCLEANDAMPING POWER AMPEXT.SPEAKERINSERTTUNERDSPMIX AMPCHANNEL HIGH GAINCONTROL DSP BANK A BANK BCONTROL11This equipment has been tested and found to comply with the limits for a Class B digital device, pur-suant to part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:• Reorient or relocate the receiving antenna.• Increase the separation between the equipment and the receiver.• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.• Consult the dealer or an experienced radio/TV technician for help.Changes or modifications to this device not expressly approved by LOUD Technologies Inc. could void the user's authority to operate the equipment under FCC rules.Declaration Of ConformityManufacturer: LOUD Technologies Inc.16220 Wood-Red Rd. NEWoodinville, WA 98072, USAProduct Name: Crate FlexWave120HProduct Type: Audio AmplifierComplies with Standards:LVD: 92/31/EEC, 93/68/EEC, & 73/23/EWGSafety: EN60065EMC: EN55013, EN55020, EN55022, EN55103, EN61000-3-2, & EN61000-3-3The official Declaration of Conformity for this product is kept on file at:LOUD Technologies Inc., 16220 Wood-Red Road NE, Woodinville, WA 98072 • Tel: 1-866-858-5832FlexWave120H TECHNICAL SPECIFICATIONS:Output Power Rating 120W rms @ 5% THD into 4 ohm load, 120 VAC Gain High Gain Channel 110 dB, all controls @ 10Overdrive Ch 88 dB, all controls @ 10Clean Ch 58 dB, all controls @ 10CD Input 29 dBMaximum Input Signal Accepted 2.5 volts rms @ 400 HzInput Impedance 470k ohmHigh Gain Channel Shape Control Proprietary CircuitOverdrive Channel Low 20 dB range @ 80 HzMid 15 dB range @ 1 kHzHigh 20 dB range @ 10 kHzClean Channel Low 36 dB range @ 80 HzMid 15 dB range @ 800 HzHigh 40 dB range @ 10 kHzExternal Speaker: 4 ohm minimum nominal impedancePower Requirements 120 VAC, 60 Hz, 95 VA100/115 VAC, 50/60 Hz, 95 VA230/240 VAC, 50/60 Hz, 95 VASize (H x W x D) 10.2 in/25.9 cm x 29.8 in/75.7 cm x10.5 in/26.7 cmWeight 27.8 lb/12.6 kgThe FlexWave120H is covered with a durable Tolex material. Wipe it clean with a lint-free cloth.Never spray cleaning agents onto the cabinet. Avoid abrasive cleansers which would damage the finish.Crate continually develops new products, as well as improves existing ones. For this reason, the specifications and information in this manual are subject to change without notice.“Crate” is a registered trademark of LOUD Technologies Inc. All other brand names mentioned are trademarks or registered trademarks of their respective holders and are hereby acknowledged.Service Information:If you are having a problem with your FlexWave120H, you can go to our website()and click on Support for service information, or call 1-800-898-3211 during business hours (7 am to 5 pm PST, Monday-Friday). If you are outside of the U.S., contact your local distributor for technical support and service.@2007 LOUD Technologies Inc.16220 Wood-Red Road NE • Woodinville, WA 98072Part No. 0022726 Rev. A 02/0712。

T H E S O U N T H A T C R E A T E S L E G E N D SChorusP/N 049106Your new Fender®Ultimate Chorus amplifier is a fine musi-cal instrument that will deliver great tone and pleasure for years to come. It combines many of the great musical fea-tures that have made Fender®amplifiers the only serious choice of guitarists for over 45 years, with a few new tricks of its own.The most striking tonal feature of the Ultimate Chorus amp is its fat, full-range chorus. Unlike many other chorus designs that can make an amp sound thin or “washsy”, our classic analog circuit actually adds depth and dimension to any style of playing— whether you’re playing rhythm or solo. Also, besides the basic Volume, Treble, Mid, Bass and Reverb controls in the Normal channel, the Ultimate Chorus features completely independent Reverb and Tone controls in the Drive channel.The DRIVE channel also features exclusive Fender®Pre- & De-Emphasis Distortion circuitry based on unique Pre and Post clipper voicing filters. These filters were designed to simulate the preamp tone settings and speaker output of an overdriven tube amplifier. You get the searing smooth highs backed by deep punch that stack amps are known for. The MID BOOST switch provides a second pre-empha-sis voice and the PRESENCE control provides continuous variation of the high frequency content in the de-emphasis voicing. The extended range, three band equalization cir-cuitry is after the distortion and can be used to further mod-ify the overall sound of the amp. In addition, a true, stereo chorus circuit utilizing two 65-watt power amplifiers gives this amp that lush, stereo chorus sound. The Fender®ULTI-MATE CHORUS is one of the most “Expressive” amplifiers ever made.In addition to convenient features like All Front Panel Mounted Controls and Jacks, the ULTIMATE CHORUS fea-tures a detachable footswitch for selecting the Drive Channel and for activating the stereo chorus circuitry.These switching functions are sent over a standard 1/4 inch phone plug for ease of connection or extension of the footswitch to remote pedal boards. The versatility of the ULTIMATE CHORUS is greatly expanded by the individual mono and true, stereo effects loops. These patch points allow for a wide variety of external effects connection schemes and amplifier slaving configurations. They also provide for direct connection to recording and sound rein-forcement mixers.Last, but definitely not least, the Fender®ULTIMATE CHO-RUS packs a new stereo power amp section based on a radically underdamped design that interacts with the speakers in much the same way as a tube amplifier does, producing sparkle and punch with an increase in apparent loudness and power that defies comparison to other simi-larly rated units. These amps are LOUD, and the Fender Special Design 12 inch speakers can reliably put it out, day after day.This manual is designed to familiarize you with your new amplifier and to acquaint you with its many fine features. Read it carefully so that you will benefit from all the fea-tures as soon as you start using the amplifier.The built-in quality of a Fender®amplifier is the result of over four decades of dedication in the combined skills of research and development by our engineers and musicians.That is why we proudly say...FENDER®, The Sound That Creates Legends.WARNING: TO REDUCE THE RISK OF FIRE OR SHOCK HAZARD, DO NOT EXPOSE AMPLIFIER TO RAIN OR MOISTURE.ULTIMATE CHORUS FRONT PANEL FUNCTIONSINPUT 1- A high impedance, high sensitivity plug-in connection for instruments.INPUT 2- Plug-in connection for instruments. This input exhibits a lower input impedance and sensitivity than INPUT 1 (Item A) and is useful with active preamp guitars, and will provide a darker tone with passive guitars. Both inputs are identical when used simulta-neously.VOLUME-Adjusts the overall loudness of the Normal Channel.NORMAL CHANNEL INDICATOR- This LED is illumi-nated when the Normal Channel is active.TREBLE- Adjusts the amount of boost (accentuation) or cut (attenuation) in the high frequency range of the Normal Channel.MID- Adjusts the amount of boost or cut in the mid fre-quency range of the Normal Channel.BASS-Adjusts the amount of boost or cut in the low frequency range of the Normal Channel.REVERB-Adjusts the overall amount of reverberated signal mixed with the original dry signal for the Normal Channel.GAIN- Adjusts the amount of preamp amplification in the Drive Channel. Cleaner sound is achieved at lower gain settings; high gain settings will produce more sustain and distortion. This control works in con-junction with the DRIVE VOLUME control (Item L) to set the overall loudness at the output while the Drive Channel is active.MID BOOST- Activates a special pre-emphasis filter that accentuates mid range frequencies. This boost occurs pre distortion in the Drive Channel and will fur-ther modify the distortion characteristic. PRESENCE- Adjusts the amount of boost or cut in the upper high frequency range of the Drive Channel. This control occurs post preamp distortion and is useful in adjusting the distortion characteristic from brash, to smooth.VOLUME-Adjusts the overall loudness of the Drive Channel.DRIVE CHANNEL INDICATOR- This LED is illuminated when the Drive Channel is active.TREBLE- Adjusts the amount of boost or cut in the high frequency range of the Drive Channel.MID- Adjusts the amount of boost or cut in the mid fre-quency range of the Drive Channel.BASS- Adjusts the amount of boost or cut in the low frequency range of the Drive Channel.DRIVE SELECT- Activates the Drive Channel. NOTE: This switch disables the Channel Select Footswitch and the Normal Channel controls.REVERB- Adjusts the overall amount of reverberated signal mixed with the original dry signal for the Drive Channel.RATE- Adjusts the sweep rate of the chorus generating circuitry. A lower number corresponds to a slower rate of sweep.SELECT- Activates the stereo CHORUS mode for both the Normal and Drive channels. NOTE: This switch disables the Chorus Select Footswitch.A. B.C. D. E. F. G. H. I.J.K.L. M. N. O. P. Q. R. S. T.DEPTH- Adjusts the intensity of the chorus effect. A lower setting will introduce a subtle yet distinct effect, whereas a higher setting will create a more dramatic effect. With both the RATE (Item S) and DEPTH controls set midway or higher, a variety of vibrato/tremolo type effects can be achieved.CHORUS INDICATOR- This LED is illuminated when the stereo chorus is active. The color of the LED is modu-lated red and green by the chorus sweep LFO to give a visual indication of the sweep rate. FOOTSWITCH- Plug-in connection for remote footswitch to switch between the Normal and Drive channels and to activate the Stereo Chorus mode. For proper operation of the footswitch, both DRIVE SELECT (item Q) and CHORUS SELECT (Item T) switches should be out. NOTE: Any good quality patch cord will work with the remote footswitch; however, a speaker grade cord is preferable to a coax guitar cord when it is available.MONO FX SEND- This jack provides an unbalanced mono output signal from the preamp at a point before the internal CHORUS circuits. This output can be used in conjunction with the MONO FX RETURN (Item Y) as a patch point for mono effects devices. (SEE EFFECTS LOOP CONNECTION DIAGRAMS.) The MONO FX SEND can also be used to feed recording and sound reinforcement mixers a dry signal. (For a signal with internal CHORUS, use the STEREO FX SEND (Item Z) jack.) Additionally this output can be used to drive another ULTIMATE CHORUS as a slave amp. This is done by connecting a standard guitar cord from the MONO FX SEND jack of the master amplifier to the MONO FX RETURN jack of the slave.MONO FX RETURN- This unbalanced jack inputs sig-nal to the stereo chorus generating circuitry, which drives the stereo power amp section. It automatically disconnects the preamp and reverb circuitry when used. This is useful when using the MONO FX option or when using the ULTIMATE CHORUS as a slave amplifier for a mono signal source. The CHORUS is active in the slave so that a stereo image will be gener-ated if it is used.STEREO FX SEND- This jack provides an unbalanced stereo output from the preamp, reverb and chorus cir-cuits of the ULTIMATE CHORUS. This output can be used in conjunction with the STEREO FX RETURN (Item AA) as a patch point for stereo effects devices. (SEE EFFECTS LOOP CONNECTION DIAGRAMS.) The Stereo Effects Loop jacks are standard 1/4 inch Tip-Ring-Sleeve types, with the left channel signal on the tip and the right channel signal on the ring. This send can also be used to feed a stereo signal to two chan-nels of a recording or sound reinforcement mixer. Additionally this output can be used to drive another ULTIMATE CHORUS as a slave amp. This is done by connecting a shielded stereo cord from the STEREO FX SEND jack of the master amplifier to the STEREO FX RETURN jack of the slave.STEREO FX RETURN- This stereo jack inputs signal directly to the left and right power amps. It automati-cally disconnects the preamp, reverb and chorus cir-cuitry when used. This is useful when using the ULTI-MATE CHORUS as a slave amplifier for a stereo signal source.POWER SWITCH- Turns AC power ON and OFF. When the switch is OFF the amplifier is completely shut down.U. V. W. X.Y. Z.AA. BB.LINE CORD: This amplifier is equipped with a grounding type supply cord to reduce the possibility of shock hazard.Be sure to connect it to a grounded receptacle.DO NOT ALTER THE AC PLUG.VINYL CARE: The exclusive Fender ®vinyl covering on your cabinet has been especially designed for years of lasting beauty. A very light soapy solution on a sponge may be used to remove dirt and residue that may accumulate in the grain. Be careful not to let any liquid come in contact with operating surfaces. DO NOT have the amplifier plugged into the power outlet when cleaning.If the amp is set up but does not function, check the following items:•Is the amp power cord properly plugged into an electrical outlet?•Is there power at the outlet?•Are the speakers properly connected to the amplifier?•Are all the control knobs turned up above four?•Is the volume control on the instrument turned up?•Is your instrument properly plugged into the amplifier?(Eliminate any effect pedals and try another guitar cord.)If, after checking all of the above, the system is still not performing correctly, consult your Fender ®Service Dealer.TROUBLESHOOTER‘S CHECKLISTULTIMATE CHORUS REAR PANELTYPE:PR 204120V Version022-6701-010230V Version022-6761-010240V Version022-6731-010INPUT IMPEDANCE:INPUT 1 only - Greater than 1MΩINPUT 2 - 131kΩNOMINAL LEVEL:INPUT 1 only - 100 mVINPUT 2 - 200mVPOWER OUTPUT:65W R.M.S. per channel = 130W R.M.S.RATED LOAD IMPEDANCE:8 Ohms per channelMONO EFFECTS LOOP:Nominal Level: -10dBVSend Output Impedance:1kΩReturn Input Impedance:25kΩSTEREO EFFECTS LOOP:Nominal Level: -10dBVSend Output Impedance: 1kΩReturn Input Impedance: 14kΩ(Specifications for each channel - Left on Tip, Right on Ring)POWER REQUIREMENTS:100V AC 50/60 Hz, 360W120V AC 60 Hz, 360W230V AC 50 Hz, 360W240V AC 50 Hz, 360WSPEAKER COMPLEMENT:Two 8ΩFender®Special Design 12-inch speakers (P.N. 025923)PHYSICALSPECIFICATIONS:Height:18-1/2” (47cm)Width: 26-1/8” (66cm)Depth: 10-1/4” (26cm)Weight:47 lbs. (21.3kg)SOUND:“KICKS @$$, in STEREO!”WARNINGS: NO USER SERVICEABLE PARTS INSIDE, REFER SERVICING TO QUALIFIED PERSONNEL ONLY.THIS EQUIPMENT MUST BE EARTH GROUNDED.A PRODUCT OF:FENDER®MUSICAL INSTRUMENTS CORP., CORONA, CA 91720。

SHF系列电铃
产品用途
规格参数
SHF电铃，系属外击式电铃，声音洪亮悦耳，适用于交流380V电路中，应用在工
厂、机关、学校、铁路等室内外的公共场合，作为音响讯号和报警所用。

型及以下
选型指南
正常工作条件
□ 周
□ 空气相对湿度不大于85%；
□ 单次持续工作时间不宜超过3分钟；
□ 工作电压在±10%额定电压范围内均能正常工作；
□ 绝缘电阻不低于20MΩ；
□ 在无易爆、无腐蚀金属和破坏绝缘的气体与尘埃(包括导电尘埃)环境中使用；
□ 在没有雨雪侵袭的地方使用。

围环境温度不高于+40℃，不低于-40℃；
订货须知
订货时须说明电铃铃碗直径、电流类别、额定电压、数量等参数。

例如订购电铃铃碗直径为
150mm6寸AC110V，为:电铃SHF-150mm6110V 100。

()，，黑数量100只。

可写(寸)黑只
全国统一客服热线: 400 898 1166 348。

OWNER'S MANUALKBA35X DFXCongratulations on the purchase of your new Kustom amp! Your KBA35X DFX model successfully draws on more than 30 years of amplifier design and manufacturing experience at Kustom. This amp was planned from the ground up by our engineers to offer top-notch tone and dependable performance. Inside this manual, you'll find useful information about the amp's features and some suggested settings to illustrate its tonal capabilities. We wish you many years of enjoyment with your Kustom amplifier.DURATION PER DAY IN HOURS8643211/2 HR. or LESSDANGEREXPOSURE TO EXTREMELY HIGH NOISE LEVELS MAY CAUSE APERMANENT HEARING LOSS. INDIVIDUALS VARY CONSIDERABLY TO NOISE INDUCED HEARING LOSS BUT NEARLY EVERYONE WILL LOSE SOME HEARING IF EXPOSED TO SUFFICIENTLY INTENSE NOISE FOR A SUFFICIENT TIME.THE U.S. GOVERNMENT'S OCCUPATIONAL SAFETY AND HEALTHADMINISTRATION (OSHA) HAS SPECIFIED THE FOLLOWING PERMISSIBLE NOISE LEVEL EXPOSURES: ACCORDING TO OSHA, ANY EXPOSURE IN THE ABOVE PERMISSIBLE LIMITS COULD RESULT IN SOME HEARING LOSS. EAR PLUGS ORPROTECTORS IN THE EAR CANAL OR OVER THE EARS MUST BE WORN WHEN OPERATING THIS AMPLIFICATION SYSTEM IN ORDER TO PREVENT A PERMANENT HEARING LOSS. IF EXPOSURE IN EXCESS OF THE LIMITS AS PUT FORTH ABOVE, TO INSURE AGAINST POTENTIALLY HARMFULEXPOSURE TO HIGH SOUND PRESSURE LEVELS. IT IS RECOMMENDED THAT ALL PERSONS EXPOSED TO EQUIPMENT CAPABLE OF INDUCING HIGH SOUND PRESSURE LEVELS, SUCH AS THIS AMPLIFICATION SYSTEM, BE PROTECTED BY HEARING PROTECTORS WHILE THIS UNIT IS IN OPERATION.WARNING!!THIS APPARATUS SHALL NOT BE EXPOSED TO DRIPPING OR SPLASHING. NO OBJECTS FILLED WITH LIQUIDS SUCH AS VASES SHALL BE PLACED ON THE APPARATUS.!TO AVOID ELECTRICAL SHOCK, DO NOT DISASSEMBLE.REFER SERVICING TO QUALIFIED PERSONAL ONLY!AVIS: RISQUE DE CHOC ELECTRIQUE-NE PAS OUVRIR.THIS SYMBOL IS INTENDED TO ALERT THE USER TO THEPRESENCE OF UNINSULATED "DANGEROUS VOLTAGE" WITHIN THE PRODUCT'S ENCLOSURE THAT MAY BE OF SUFFICIENT MAGNITUDE TO CONSTITUTE A RISK OF ELECTRIC SHOCK TO PERSONS.THIS SYMBOL IS INTENDED TO ALERT THE USER TO THE PRESENCE OF IMPORTANT OPERATING AND MAINTENANCE(SERVICING) INSTRUCTIONS IN THE LITERATURE ACCOMPANYING THE UNIT.Kustom Inc., 4940 Delhi Pike, Cincinnati, OH • USA (800) 999-5558 Fax: (513) 347-2192 / IMPORTANT1. Read all safety and operating instructions before using this product.2. All safety and operating instructions should be kept for future reference.3. Obey all cautions in the operating instructions and on the back of the unit.4. All operating instructions should be followed.5. This product should not be used near water i.e. bathtub, sink, swimming pool, wet basement, etc.6.This product should be located so that its position does not interfere with proper ventilation. It should not be placed flat against a wall or placed in a built-in enclosure that will impede the flow of cooling air.7. This product should not be placed near a source of heat, such as a stove, radiator, or another heat producing amplifier.8.Connect only to a power supply of the type indicated on the back of the amplifier near the power supply cord.9.Do not break off the ground pin of the power supply cord.10.Power supply cords should always handled carefully. Never walk or place equipment on power supply cords. Periodically check cords for cuts or signs of stress, especially at the point where the cord exits the unit.11. The power supply cord should be unplugged when the unit is unused for long periods of time.12.If this product is to be mounted in an equipment rack, rear support should be provided.13.Metal parts and vinyl covering may be cleaned with a damp rag.14.Care should be taken so that objects do not fall and liquids are not spilled into the unit through the ventilation ports or any other openings.15.This unit should be checked by a qualified service technician if:A. The power supply cord or plug has been damaged.B. Anything has fallen or been spilled into the unit.C. The unit does not operate correctly.D. The unit has been dropped or the enclosure damaged.16. The user should not attempt to service this equipment. All service work must be done by a qualified service technician for warranty repairs.CAUTIONTHIS AMPLIFIER HAS BEEN DESIGNED AND CONSTRUCTED TO PROVIDE ADEQUATE POWER RESERVE FOR PLAYING MODERN MUSIC WHICH MAY REQUIRE OCCASIONAL PEAK POWER. EXTENDED OPERATION AT ABSOLUTE MAXIMUM POWER IS NOT RECOMMENDED SINCE THIS COULD DAMAGE THE ASSOCIATED LOUDSPEAKER SYSTEM. PLEASE BE AWARE THAT MAXIMUM POWER CAN BE OBTAINED WITH VERY LOW SETTINGS OF THE MASTERVOLUME CONTROLS IF THE INPUT SIGNAL IS VERY STRONG.SOUND LEVEL dB FLOW RESPONSE909395971001031101.)CD/Tape Input - this 1/4" 3 conductor jack will allow you to plug in a CD player, tape or any other sourceto practice along with. It sums the left and right signals into a mono signal and passes it through to the amplifier section. To control the volume of the source, adjust the output volume of the device. We suggest you turn the volume all the way down then plug in and adjust the volume according to your taste.2.)Guitar Input - this is a 1/4" 2 conductor input jack for plugging in your instrument. It is intended for bassguitar or Hi-Z microphones but will accept other instruments as well.3.)Volume Level - this control is the output volume control for the bass guitar input. Slowly increase thecontrol to increase the volume. If you are using a bass guitar with an on-board preamp, set it's level for a mid position before increasing this control otherwise distortion may occur.5.)Low - this control is the bass control. It is active and set to boost or cut frequencies at 60 Hz. This willeffect the low frequency signals. Turning it fully clockwise, the signal is boosted 15 db. Turning itcounterclockwise, the low will be rolled off -15db. Especially good for making low output, thin toned bass guitars sound fuller.6.)Lo Mid - this control is the Low Midrange control. It is active and set to boost or cut frequencies at 250HzThis will effect the mid-low frequency signals. Turning it fully clockwise, the signal is boosted 10 db.Turning it counterclockwise, the low-mids will be rolled off -10db. Especially good for "cleaning up" muddy bass guitar overtones.7.)Hi Mid - this control is the High Midrange control. It is active and set to boost or cut frequencies at1.5KHz. This will effect the mid-high frequency signals. Turning it fully clockwise, the signal is boosted 10 db. Turning it counterclockwise, the low-mids will be rolled off -10db. Increasing this will add punch to a bass guitars' sound.8.)High - this is the high frequency control. It is active and set to boost or cut frequencies at 8KHz. This willeffect the high frequency signals. Turning it fully clockwise, the signal is boosted 15 db. Turning it counterclockwise, the highs will be rolled off -15db. This will add or subtract the high end attack of slapping style sounds or pick attack and clarity.9.)Effects On/Off - this switch engages the digital effects section.10.)Effects Level - this control adds the digital effects section and mixes it into the main signal buss. Severaldifferent effects are available.11.)Program Select - this switch will select any of eight different effects. 4- Chorus, 2- Flanges, 2- Chorus,and 2- delay.12.)Jewel Light - this jewel light lets you know that the amplifier is on.13.)Power - this switch turns on and off the AC power to the amp.Back Panel - (not pictured)Speaker Out - this is a 2 conductor 1/4" speaker output jack. This will disconnect the internal speaker and allow an external speaker cabinet to be employed. Rating is 8 ohms.Line Output - this is a 2 conductor 1/4" line output jack. This will allow an external amplifier or mixing board to be supplied with the signal from this amp. This is output is attenuated and comes from the power amp signal.Headphone Jack - this is a 1/4" 3 conductor jack for plugging headphones. It will sum the signal and put the sound in both ears, thereby creating a pseudo-stereo sound. Volume will be determined by the volume control on the channel you are on. It will disconnect the internal speaker when plugged into. This will allow quiet practicing.Footswitch- this is a mono 1/4” jack. Plug a single non LED type footswitch (optional) into this jack to turn the digital effects on and off.4.) Notch - this control is a dramatic cut filter. It is "notched" at a rate of -15db. The width of the notch is set atone octave and can be swept from 45 Hz to 1KHz. It will create a very precise subtraction of undesirable overtones or allow you to fine tune your tone settings.Suggested Settings(These settings are general starting points. Theyare designed to get you close to the sound you are looking for. If the control is not shown, then it doesn't apply to this particular sound. )Traditional Electric Bass Setting - in this setting the amplifier will deliver a standard electric bass sound. Whether you are playing rock, country, blues or gospel, this setting will get you close.Because of the Active EQ, you will be able to dial in your preferences from here. If you play with a pick and want less top end attack on the notes, roll off a bit of the High control. If it's deeper bottom your looking for, add more low and low mid. The key is to experiment to achieve your own personal sound.Funk "Slap" Sounds - this style of music needs a good strong attack sound with lots of top end. Usually a hollowed out middle will produce the extra top end necessary for the punch needed for this style of music. If you are using a more thumb style, a bit more low end and volume might be needed for your particular style of playing. Or less if you really hit it hard. Even though this is a practice or rehearsal level amplifier, it will deliver the punch and clarity that you require. Remember to try this amp with an additional speaker plugged in. You'll be nicely surprised.Alternative Style - this setting is designed for a upper end punch and edge that will cut through most any sound. This style will work well with pick or fingers and will add a touch of distortion to the sound as well. Make sure your instrument's volume control is up all the way. Since you are adding volume, you need to be careful with the actual amount of e.q.. you use as it also can add distortion to the sound. Also, you may want to use a compressor pedal in the signal chain before the amp to give it a smoother sound but still "edgy". As in all the settings above, it is strictly a matter of personal taste in a achieving the sound you are looking for.....experiment.OFF1. LITE CHORUS 12. LITE CHORUS 23. MEDIUM CHORUS4. HEAVY CHORUS5. FLANGE 16. FLANGE 27. SLAPBACK8. DELAYLO-MID HIGHNOTCH LEVEL LEVELPROGRAM57LOW HI-MID OFF1. LITE CHORUS 12. LITE CHORUS 23. MEDIUM CHORUS4. HEAVY CHORUS5. FLANGE 16. FLANGE 27. SLAPBACK8. DELAYLO-MID HIGHNOTCH LEVEL EQUALIZERDIGITAL EFFECTSLEVELPROGRAM731VOLUMELOW HI-MID OFF1. LITE CHORUS 12. LITE CHORUS 23. MEDIUM CHORUS4. HEAVY CHORUS5. FLANGE 16. FLANGE 27. SLAPBACK8. DELAYLO-MID HIGHNOTCH LEVEL EQUALIZER DIGITAL EFFECTSLEVELPROGRAM7VOLUME LOW HI-MID。