为奴12年人物分析ppt课件
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《为奴十二年》:理解奴隶制度与人权的斗争1. 引言1.1 概述奴隶制度是人类历史上一种残酷而不公平的社会制度,奴隶们被剥夺了自由和人权,遭受着无尽的苦难和压迫。
然而,正是在这样的黑暗背景下,无数勇敢的奴隶和支持者为自由与尊严而进行了长期艰巨的斗争。
本文将通过对《为奴十二年》这部作品的分析,深入探讨奴隶制度及其与人权之间的纠葛。
1.2 文章结构本文将分为五个主要部分来展开讨论。
首先,在第二部分中我们将回顾奴隶制度的历史背景,了解其起源、发展以及对社会经济体系产生的影响。
接着,在第三部分中我们将简要概括《为奴十二年》这部作品的故事情节,并分析其中反映出来的奴隶制度问题。
在第四部分中,我们将关注于奴隶与主人之间的权力关系、奴隶抵抗运动以及在这个过程中人权观念如何挣扎和进步。
最后,在第五部分中我们将对奴隶制度与人权斗争的问题进行思考总结,并探讨其启示和现实意义。
1.3 目的通过本文的撰写,我们旨在深入理解奴隶制度的历史背景、《为奴十二年》这部作品中所揭示的奴隶制度问题,以及人权在奴隶制度下的挣扎和进步。
我们希望通过对过去不幸经历的真实故事的回望,引起读者对于人权平等重要性的思考,并认识到人类社会中仍然存在着不公平与压迫现象。
只有通过了解历史并从中吸取教训,我们才能为未来创造一个更加公正和自由的社会。
2. 奴隶制度的历史背景2.1 奴隶制度的起源奴隶制度可以追溯到古代文明的发展阶段。
最早的奴隶制度出现在古埃及、苏美尔和亚述等地,这些文明都建立了一个由奴役人口构成的劳动力阶层。
奴隶是通过战争、抢掠或债务等途径被捕获或购买来作为财产使用的。
然而,罗马帝国时期对奴隶制度的发展起到了决定性的推动作用。
罗马帝国以其庞大而强大的奴役劳工群体而闻名。
奴隶是罗马社会经济发展的基石,他们被用于从农业生产到矿山开采、建筑工程和家庭服务等各个领域。
罗马法律将奴隶完全视为财产,并赋予主人对其生命和自由的绝对控制权。
2.2 奴隶制度的发展与扩张随着殖民主义时代的到来,欧洲国家开始通过殖民地掠夺来满足他们日益增长的财富需求。
《为奴十二年》Twelve Years a Slave:臻美的图像传记2013-11-10 12:56抛开别的不说,但是McQueen在《为奴十二年》中精妙复杂的视觉语言,我就觉得值得一座小金人。
电影第一个镜头就是田地特写,然后直切一排毫无生气地等待主人训教的黑奴,然后就是重复的劳动,类似的镜头,又在影片中反复数次出现,时代的背景,奴隶人性的压抑、自由的剥削以及商品属性,就通过几个镜头暴露出来;夜晚与身边女性黑奴的互慰,又切到与妻子的同床温情,似曾相识却迥然不同的情境,触发男主对家庭和自由过往的回忆。
电影就以这种半倒叙半插叙的方式,讲述男主角从自由黑人被人犯绑架,最终贩卖到美国南部成为奴隶的经历,直到两条时间线交合。
但叙事逻辑完全镜头上的相似或者对比,勾连出一种从男主角视角、心理和情感发展为主线的线索。
每段经历,又是记忆片段式的蒙太奇剪辑,从静物或景物的特写,给出时间和背景线索,进而过度到人物行为和语言的细节刻画。
各种象征,类比,暗示的技法,还有景深控制,和McQueen最为擅长的人物半长镜头特写的心理刻画,几乎省略了传记片所常用的所有文字语言的协助性描述,把视觉影像的优势和作用发挥到极致。
个人最欣赏的是结束前的一次长镜头面部特写,男主角完全沉浸在自我意识中,一切心理活动都留白给观众的想象。
但是男主角在希望和信任被一次次碾压后,对未来对命运不确定性的彷徨却能被捕捉,绝望下不自觉地寻觅希望却又还怕失望的复杂和难以名状。
除了影像语言,穿插的歌谣则是导演借以烘托气氛和情感的另一重要媒介。
印象特别深的开场不久Paul Dano那段训诫黑奴时充满戏谑和讽刺的演唱,穿插着奴隶们劳作的镜头,直接就把电影压抑的情绪和赤裸披露的态度体现了出来;而在累死田地的同伴葬礼上,男主情绪难以克制的高声颂唱,则是一种压抑过久的释放,情感上的高潮。
与前作《饥饿》和《耻辱》聚焦人物的小格局不同,男主角自身的不幸经历是影片的重点,但他同时也起到了一个观察者的作用,导演以他的所见所谓为媒介,去勾画特殊时代下的众生相——企图反抗却难得保全的奴隶同伴,骨肉分离心痛欲绝的黑奴母亲,难忍屈辱渴望解脱的黑妹,还有或心存仁善或病态残暴的奴隶主——从而去展现奴隶制度下人性的软弱冷漠病态残酷,当然亦有温暖和真善。
为奴十二载帕特茜分析《为奴十二载》改编自所罗门·诺瑟普同名小说,由史蒂夫·麦奎因执导,切瓦特·埃加福特、迈克尔·法斯宾德、露皮塔·尼永奥等出演的剧情电影。
影片讲述一个生活在纽约的自由的黑人,受过教育且已婚。
随后遇到两个人,他们许诺在华盛顿帮他找一份工作,当所罗门到了华盛顿才发现自己被诱拐绑架了,从此开始了他的奴隶生涯。
经历多年磨难才依靠一个好心的加拿大人帮忙送信回家,经过一场诉讼,他重获自由。
影片于2013年11月8日在美国上映。
角色介绍:帕特茜《露皮塔·尼永奥饰》:埃德温·艾普斯手下的女奴,年轻貌美,她在棉花地里一天干的活抵上别人的两倍。
为艾普斯所爱,因而成为女主人的眼中钉,常常对她百般折磨。
影片改编自真实的故事。
背景是在美国的19世纪中期,一个自由贩卖黑奴的黑暗社会。
故事主要讲述了,一个以拉小提琴为生的自由黑人,被两个骗子给卖到了黑奴贩子,接着又被两个白人资本家买去,在沦为黑奴的过程中,他试图多次逃跑,但都没有成功,无论如何他始终没有放弃希望,终于通过一个崇尚自由、反对奴隶制度的加拿大人帮他传信,通过诉讼,重获自由,结束了长达12年之久的奴隶生涯。
影片最为触动我的是一个女黑奴,帕特茜,她是一个漂亮能干的黑奴,每天能采摘200磅以上的棉花,主人对她甚是喜欢,经常强迫她与他发生关系,这使得女主人极为不满,经常故意刁难她,什么都不给她用。
帕特茜因为受不了这种不堪的生活,曾经想要故事的男主人工所罗门帮她自杀,但是被所罗门拒绝了。
她因为三天没有洗澡而去找了一块小香皂,回来后竟然被主人拿鞭子抽的皮开肉绽。
在这一刻,她始终还是一个奴隶,没有任何权利,她的生死完全掌握在主人的手里。
相比帕特茜,所罗门是幸运的,相比其他黑奴,所罗门是幸运的,因为他重新获得了自由,虽然是那么的不容易。
这部影片把当时的黑暗社会披露的淋漓尽致,是一部值得深思的电影。
打动人心的影片《为奴十二年》《经济学人》:为奴十二年译者:pinkkylin发表时间:2014-01-17新片上映:《为奴十二年》麦奎因的胜利在史蒂夫·麦奎因执导的电影《为奴十二年》开头,有位路易斯安那的种植园主带着他刚买的一男一女两个黑奴回家。
他温文尔雅的妻子等在阳台上,看到那个女奴在哭泣,就问为什么。
“她和孩子分开了,”做丈夫的叹了口气,不无同情地说,“没办法。
”这三个字成为麦奎因这部令人震惊的电影的关键词,像许多镜头表现的那样,人们把奴隶制视为常态:由来已久、合乎法律、天经地义。
对于本片19世纪中期的角色来说,把人作为财产是很平常的事,没有办法改变这种制度。
在前面的场景中,有个快活的奴隶贩子(保罗·吉亚玛提饰演)向主顾展示他的货品。
他说,“这是个很有才华的黑鬼,”可是这里没有台词暗示店里的人可能受到惊吓。
在奴隶贩子看来,赤裸受惊的黑奴和其他货色没什么不同。
在另一幕惊人的场景中,主人公所罗门·诺萨普(切瓦特·埃加福特饰演,如图)被绞索吊在树上。
在令人痛苦的漫长折磨中,他大口喘着粗气,脚尖刚刚碰到泥泞的地面。
但是麦奎因并没有用激动人心的音乐或突出的特写镜头加剧紧张的气氛。
他只是让这种残酷的折磨继续下去,在镜头的背景中,仆人干着自己的活儿,孩子们嬉戏玩耍。
这种情形持续到影片即将结束,加拿大工人(联合制片人布拉德·皮特饰演)阐述奴隶制可能是错误的概念。
与此同时,就连诺瑟普都认为,这是生活的现实。
他唯一的抱怨是,这不该是他生活的现实。
在这本根据同名回忆录改编的电影中,诺瑟普作为自由人开始了他的讲述。
1841年,他是位受人尊敬的中产阶级小提琴家,与他的妻子和两个孩子生活在纽约州萨拉托加。
但是在华盛顿特区享用了精美的晚餐后,他遭到了绑架。
当他醒来时,发现自己锁在囚室里,被告知他是从佐治亚州“逃跑的黑鬼”。
他竭力反抗,却遭到了狱卒的狠毒鞭打。
另一名囚犯劝告他,他唯一生存的机会就是对自己的真实身份保持沉默。
为奴十二载帕特茜分析没有什么比真实的生活来的更有力,而平白直述的方式则是对这种发人深省的故事的最好诠释。
每个能看到这部电影的人,几乎都出生在一个自由世界,或者冠以自由的世界。
于是,我们如何能看观影完,提出一个疑问“为什么,他不反抗,为什么他们不反抗”?19世纪中旬的美国南方大陆,那些黑奴们,从祖辈就被贩卖到了庄园里,一代又一代的奴役与驯化,从肉体,从精神上的虐待。
他们也有上帝,不过那肤色是白色的,正如他们的命运掌握在他们的主人手里。
他不反抗,是因为他出生成长在北方的自由人,黑人里的上流阶级,受过高等教育,自由出入与白人上流的派对,在满是白人的高级餐厅里也能出人意表的表现自如。
他不反抗的原因,更是因为他相信制度,相信一张证明自己自由身的文件,可以证明他生而自由,而非如那些黑奴。
电影里从开头,他被人绑架,卖给蛇头,苦苦解释自己的自由身,惨遭毒打,镜头从他绝望的脸,上掠,监狱的围栏,红色的砖墙,直到凝固在远方的白宫,拷问这个许诺给予黑人平等的国家。
他想过逃跑,但是看到最逃脱念头的同伴被蛇头一刀刺死,逃跑的念头慢慢抑住。
而同伴的尸体,被抛入河里,漂在船动的水流里,隐喻了这代人或几代人的奴隶之路。
他被卖,被转卖,遇到还算善良的奴隶主,也遇到丧心病狂的奴隶主,却被最终来自国家之外的人解救。
被奴役的故事本来就已经是够学院级别的题材,而故事里纷繁的人物塑造,也着实更有这个故事的真实性奠了基础。
这三重的安排,想来也对应了百年黑人解放的漫长运动。
Ford先生对应了,善良的人可以一定程度上的保护弱者,却不一定能解救别人,且往往沦为别人的帮凶。
Epps,典型故事书里奴隶主形象的代表,恶,完全没有人性,没有一点点善念存在。
而对于恶人,反抗成功的例子更多也是在书里。
能帮助别人获得自由的人,也就是Bass先生,一个游历过美国,享受过自由滋味的人。
享受过爱才能予其与人。
说到主角为奴十二年的历程,Mcqueen的电影自然不像Django那样快意恩仇。
史蒂夫·麦奎因(Steve McQueen),男,生于1930年3月24日美国印第安那州,逝世于1980年11月7日墨西哥,死于肺癌。
六、七十年代著名的好莱坞硬汉派影星,与达斯汀·霍夫曼等大明星齐名。
出演的角色大都是比较边缘的“英雄人物”,在美国影坛有重要地位。
Steve McQueen的个人经历也比较特别,他的父亲在他童年的时候就抛弃了他的酒鬼母亲,他是由祖母和舅舅养大的。
他成年以后曾寻找过他的父亲,但是只找到他父亲的遗孀——他的父亲在那之前的三个月去世了。
1980年McQueen因为身患癌病逝。
Sheryl Crow的歌曲唱的是Steve McQueen最著名的代表作,1963年的The Great Escape(《大逃亡》)。
相信很多七十年代出生的中国人都看过一部描写二战期间盟军战俘,利用与德国人足球比赛的机会从战俘营逃脱的影片《胜利大逃亡》(英文名Victory),史泰龙还在里面扮演了个配角。
此《大逃亡》非彼《大逃亡》,习惯了看大团圆结局的观众可能对Steve McQueen 这出电影会非常失望——同样的二战战俘逃亡的故事,The Great Escape里面的战俘筹备的更为周全,更为严密,时间更长,波折更多,而且他们也“胜利”的逃了出来,但是逃脱的战俘最后大部分被抓住,进而被纳粹杀害。
Steve McQueen在影片中扮演战俘营里唯一的一个美国军人,逃亡途中弄了辆摩托车,企图甩脱纳粹的追捕,跨越瑞士国界。
冲击了许多次,这条硬汉还是失败了,但是他最后这场摩托追车也成为经典。
这部影片虽然没有把这个普通人追求自由的故事过分理想化和浪漫化,但是沉稳的节奏里始终忠于现实,反而更突出了这些平凡英雄的悲剧,让人感叹人的毅力和对自由的渴望,才是身处逆境里最有力的武器。
另一部Steve McQueen的代表作是Papillon,是法语里“蝴蝶”的意思。
咋一看这么娘娘腔的影片名字,好像和硬汉的形象扯不上什么关系,可是这部电影是我看过的影片中最有男性气概的影片之一。
《为奴十二年》激活经典,“高大上”口语来袭《为奴十二年》(12 Years a Slave)是一部由传记体小说改编的电影,讲述了生活在美国纽约的自由黑人Solomon 的故事。
Solomon被诱拐绑架、卖身为奴,在经历12年磨难后依靠一个好心的加拿大人的帮助才重获自由。
影片细腻地刻画了Solomon面对一次次身体和精神的双重折磨所做的挣扎,以及他为了活下来而秉持的异于常人的忍耐和坚定的决心,颇令人感动和深思。
在第86届奥斯卡颁奖典礼上,该影片不负众望,一举夺得最佳影片奖。
这部电影中人物对白较少,更多的是通过无声的场景展现苦难的残酷,影片中不多的对白一出现就成了经典。
下面笔者就为大家细细解读这些文字,并教大家如何应用这些“高大上”的口语。
【台词背景】影片开头,Solomon因擅长演奏小提琴而为人所知。
一天,两个黑奴贩子以邀请Solomon为一个马戏团伴奏为由把他骗到了华盛顿。
演奏结束当晚,三个人聚在一起庆祝,Solomon被两个黑奴贩子灌醉,其中一人望着不省人事的Solomon意味深长地说:“Tomorrow you will feel as well and refreshed as if the earth were new again. (明天你就会感觉神清气爽,仿佛世界又焕然一新。
)”第二天早上,Solomon发现自己被关了起来,手脚戴着镣铐,即将被当做黑奴贩卖,他的世界确实“焕然一新”。
【台词拾贝】这句台词中的as if是“好像”的意思,引导方式状语从句,从句中的be动词并没有遵循“主将从现”的原则(指在时间状语从句、条件状语从句和让步状语从句等从句中,如果主句是一般将来时,从句用一般现在时替代一般将来时)用is,而是用了were。
这是虚拟语气的语法现象,因为as if后面的内容与现实是相反的,世界并没有真正焕然一新。
在虚拟语气中,am/is/are都要改为were。
大家应该听过美国著名女歌手Beyoncé的那首“If I Were a Boy”吧?这个歌名就用了虚拟语气,因为在现实生活中“我”是女孩,并没有变成男孩,所以要将am改为were。
《为奴十二年》:追寻自由的救赎之旅《为奴十二年》由史蒂夫?麦奎因执导,是一部反映奴隶制对黑人残酷迫害的影片。
影片根据所罗门?诺萨普的同名小说改编,讲述了所罗门从一个自由黑人到被欺骗并被卖身到南方为奴,经历十二年苦熬终于重新成为自由人的故事。
所罗门作为自由人的生活经历不是影片刻画的重点,只是一笔带过。
所罗门成为一名奴隶,在奴隶制的压迫下艰难生存,是影片的内核所在。
影片对黑奴生存状况的把握及对黑人传统文化的诠释,是其一大亮点。
而人物形象塑造上则存在着一些缺憾,这既有原著的先天不足之嫌,也有改编中有失偏颇之处。
本文从亮点和缺憾两方面,浅析影片《为奴十二年》。
一美国黑人历史大致可分为三个时期:被贩运到美国后一个半世纪的奴隶生活,之后是半个多世纪的谷物分成制和佃农生活,最后是黑人城市社区的建立和第二次解放。
[1]奴隶生活无疑是其中最漫长最黑暗的时期,影片真实反映了黑奴生存状况的恶劣及黑奴对源自非洲的传统黑人文化的认同。
在《为奴十二年》上映之前,另一部黑奴题材的影片《被解放的姜戈》已经热映,两部电影常常会被拿来放在一起进行比较。
昆汀的影片一如既往宣扬着他崇尚的暴力美学,而黑奴曼丁哥角斗将血腥场面推向极致。
欣赏角斗的奴隶主则残暴而狡猾,成为典型的符号化形象。
而《为奴十二年》则同样有很多暴力场面,其中尤以女奴帕特茜被鞭打为典型,堪称鞭鞭见血。
但总体上来说,影片并不是以这种暴力为美,而是通过暴力来反映黑奴的生存状态,从而引发人们的同情和反思。
奴隶主形象,也较“姜戈”有较大变化。
《为奴十二年》中的奴隶主,并不是清一色的残暴形象,而是更加全面。
片中既有艾普斯这种传统残暴型的奴隶主,也有威廉?福特这种温文尔雅型奴隶主。
在这一点上,影片可以说是一个进步。
奴隶主也是人,也分三六九等,这才是真实的生活。
以前的影片往往放大了奴隶主恶的一面,而善的一面则完全消失,这未免有失偏颇。
黑奴不堪奴役,逃跑成了他们奔向自由的惟一途径。
而奴隶主阶级对黑奴的一生都必须采取严格防范和残酷迫害的手段,从警察、皮鞭到种种私刑无所不用其极。
影片《为奴十二年》的主人公所罗门·诺瑟普原本是一个生活在纽约萨拉托加的自由的黑人,他才华横溢,富有学问,有一个幸福的家庭。
在一次聚会中偶然认识了两个白人,他们声称给所罗门介绍马戏团表演伴奏的工作,要带他一起去华盛顿,但一夜醒来,不料所罗门却被他们拐卖沦为了黑人奴隶,就这样,所罗门开始了与其他黑人奴隶一起暗无天日的奴隶生活,直到遇到好心的白人木匠巴斯先生出手相助,帮他恢复“自由人”的身份,才结束了他被奴役的命运。
影片开头白底黑字的字幕“本片根据所罗门·诺瑟普的真人真事改编”,提醒观众这不仅是一部电影,更是一段不堪回首的黑奴历史。
一、敏感的创作题材电影《为奴十二年》延续了导演麦奎因以往的拍摄风格,其被公认的最大价值就在于对黑人奴隶制深刻的题材诠释。
黑人奴隶制是黑人被欧洲殖民统治者在拉丁美洲强迫从事奴隶劳动的腐朽的制度,从16世纪初开始实行,直到19世纪80年代才被废除。
导演史蒂夫·麦奎因作为一名黑人同胞,对黑奴历史有着不可避免的追溯寻根的情怀,当他在发现所罗门·诺萨普的自传体小说之后,便与编剧约翰莱德利搜集、查阅了大量的有关资料,一起改编剧本,也正因导演的身份,才能诠释出如此震撼人心的黑奴题材的影片。
[1]影片《为奴十二年》故事就是讲述在美国唯一一次内战——南北战争的前夕,蓄奴严重的十二年所罗门被拐骗奴役的经历。
影片开篇就展现了一批黑奴在种植园里被白人奴隶主安排砍藤条的场景。
他们像货物一样被放到市场上,被白人主人随意挑选,受尽非人的待遇。
影片中也描述了白人商人是如何贩卖黑人的过程。
所罗门在被拐卖之后,一夜之间由自由人变为了奴隶,尽管他百般不愿,但只能跟别的黑奴一起被放在黑奴市场上进行交易。
商人把他们当成商品一样赤身裸体地展示、介绍,商人随意触摸、拍打他们的身体,小孩也任由操控,像动物一样听从指令表演,任顾客随意观察他们的身体、随意挑选买卖。
买卖黑奴的这一幕毫无保留地揭露黑奴地位的卑贱、人权的丧失。
奴隶制毫无公平和正义可言这是来自加拿大的自由旅行者Bass对奴隶场主Epps所说的话,看到这句话时,我顿时被这句话所隐藏的巨大的痛恨和痛苦击倒。
任何一个有着良知的人都能明白奴隶制的不合理与疯狂。
“你确实花钱买了他们,法律也承认他们是你的权利,但是很抱歉,法律也未必是对的,假设他们颁布了新法,剥夺了你的自由,让你变为奴隶,只是假设,法律是会改变的,Epps,但普世真理是不会变的。
这是一个事实,简单明了。
只要它是一个事实,就对所有人都适用,不论是黑是白。
”观众的心理和情感大致能从Bass的这一段话中略微地表达出来,没有过激的情感表达,只是平淡地将自己的心中所想说出来,却触动了许多人自由的心。
奥斯卡的颁奖要考虑到社会情感和政治倾向,也许这就是为奴十二年能从地心引力那夺得86届最佳影片金像奖的原因。
现在的我们去看当时的黑奴经历,总会觉得各种不合理,各种非人性。
其实黑人的奴隶地位从大航海时代的开始就已经逐步形成。
人类文明的飞速发展时期,正是黑人整个民族的受难史。
15世纪中叶至19世纪叶末,西方殖民主义国家为了向美洲殖民地种植园和矿山提供劳动力,从黑非洲掳走大批黑人,将其远程贩运到美洲等地,这就是血腥的非洲奴隶贸易。
奴隶贸易为西欧资本家带来了巨额利润,成为资本原始积累的重要来源。
奴隶贸易大致分为三个阶段。
故事的背景为第三阶段,此时,欧洲国家开始逐渐禁止奴隶贩卖,美国成为奴隶贸易的主要国家。
1861年,美国北方的资本主义雇佣劳动制与南方的种植园奴隶制矛盾日益激化,达到不可调和的地步,4月南北战争爆发,其矛盾的焦点便是黑人奴隶制度的存废。
为奴十二年的故事就发生在那漫长的矛盾积蓄的过程中。
故事侧重点放在描写黑人奴隶的艰苦生活,和部分农场主的虚伪残暴。
主线则是所罗门为了生存,为了自由所做出的努力,及其结果,有好有坏,好的让他活得舒适些,坏的却总是让他几乎丧命。
故事的开头的那一段,老实说不知道意义何在,大概是一种倒序手法,但是后来的故事中,这段情景的再现只能给人一种,“噢,这一段在这儿啊。
《为奴十二年》:奴隶制度下的人性扭曲论在第86届奥斯卡颁奖礼上,影片《为奴十二年》无疑成了现场焦点,荣获最佳影片、最佳剧本以及最佳女配角等多项大奖。
影片根据所罗门?诺瑟普的自传体小说《为奴十二年》改编,云集了切瓦特?埃加福特、迈克尔?法斯宾德、本尼迪克特?康伯巴奇、布拉德?皮特等一众大牌,讲述了一个名叫所罗门的富足黑人,本来有着体面的工作和幸福的家庭,突然有天被白人骗到华盛顿,一觉醒来沦为黑奴的故事。
主人公长达12年的奴隶生涯中,从最初的反抗呐喊到最后的隐忍苟活,备受凌辱,目睹了人性中最丑恶的一面,最终,主人公凭着坚强的意志以及对自由的渴望,在加拿大进步人士的帮助下重新回归为自由人。
《为奴十二年》里所有演员的表现都令人印象深刻,无论是大牌明星抑或是初出茅庐的新人演员,都把角色发挥到极致,同时配上大师汉斯?季默创作的背景音乐,奏响属于那个阴暗时代的奏鸣曲。
当然,最突出的表演属于男主角切瓦特?埃加福特,他全身心地投入这个黑人的悲惨命运中,无论是眼神、动作还是每一次不经意的叹息,观众都为之命运担忧。
影片通过所罗门的视角,揭露了奴隶制度的罪恶以及人性的扭曲,是一部黑奴斗争的血泪史。
一、人贩子的人性扭曲男主角所罗门(切瓦特?埃加福特饰)是个小提琴演奏家,受过教育,工作稳定,家庭幸福,而这一切都被两个外地人的到来打破。
这两人衣着体面,谈吐得体,一见面就尽显谄媚,说被所罗门的精湛演技折服,希望他去华盛顿到更大的场合去演奏,最吸引男主角的是丰厚的工资,随后便跟着来到华盛顿,两个人带他享受了顿大餐,喝了很多酒,正当所罗门憧憬美好的未来时,没想到这是他人生噩梦的开始,一觉醒来恍如隔世,醒过来时手脚套着铁链,躺在黑漆漆冰冷的小破屋里,才发觉被骗了,他万万没想到自己遇到的竟是贩卖奴隶的人贩,从此命运完全被改变。
接下来,面对其他人贩,刚开始所罗门强力辩解自己的自由人身份,得到的却是一顿毒打并被告知自己的身份是从蓄奴州逃出来的黑奴,在被运往南方的船上,结识了几个和他一样境遇的同伴,还包括一位母亲和两个孩子。
为奴十二年赏析为奴十二年,虽然是我只看了一遍,并且还是在上课时看的第二个影片,但是我至今还没忘记其中的种种情景,这是一个让我印象深刻,很难忘记的一部非常精彩的影片。
我了解到《为奴十二载》斩获了2013年的奥斯卡最佳影片大奖,备受关注。
影片是由所罗门·诺瑟普在1853年所著传记体小说《为奴十二年》改编而成。
影片讲述的了一个自由黑人被拐骗后经历了长达十二年的奴隶生活的故事。
影片中多次出现长镜头,蒙太奇的使用也十分用力,通过这些拍摄和剪辑技巧的使用使男主人公十二年的为奴苦难更加撼人心魄,为表达影片主题出彩了不少。
一、从长镜头和蒙太奇评论影片开场第一个镜头就使用了长镜头和蒙太奇。
刚一开始就落在了一排黑奴身上,他们一动不动,拘谨呆滞,像雕塑一样默然站着,听着监工教他们如何砍藤条,无辜的双眸像是道尽人生的无奈与悲凉。
每天大量的体力却只能换来简简单单索然无味的午餐,几十平米的房间睡下了几十名黑奴。
夜,早已黑得让人不敢去探索,几乎所有人都沉浸在梦乡的时候,拥簇的小房还有一位辗转反侧的身影,他就是所罗门·诺瑟普——一位拥有自由人身份的黑人。
这时,镜头也顺镜头也顺应转换到了他原来在北纽约悠哉无虑的生活场景。
10 秒时长的长镜头让观众感到心口发闷,和最后突然转变的蒙太奇手法,让人体会到这种感受如同奴隶们被役使、被折磨的感受,压抑苦闷。
开场的长镜头带给观众压抑感受就如同给影片整体做了铺垫的基调,从而能使观众在心理上得到预知,给影片厚重的历史题材做了很好的铺垫。
在讲述主人公所罗门是如何被诱骗沦为奴隶的时候,影片采用了长镜头和蒙太奇混合进行的奇妙组合。
从所罗门与两位介绍人共进晚餐的场景一下子切换到在一个黑漆漆的屋子里,手脚都戴上了镣铐,从梦里刚醒来的所罗门惊讶地审视着周围的这一切,犹如从天堂落入地狱,导演将这个黑暗的过程用了15秒左右的时间来呈现,让人物明白自己的处境,从而带领观众来明白主人公的处境。
随后当所罗门开始试着捋顺前晚发生的事情时,运用蒙太奇的手法来回穿梭,展现了主人公时不时地回想昨晚发生的事情的场景,一点一点的明白了自己是如何被困在黑屋子里的,通过蒙太奇的穿插使用,引导观众了解剧情,从这里开始展开了所罗门十二年被奴役的故事。
《为奴十二年》中艾普斯邪恶本我分析及其形成原因探析贵州师范大学/屈培洪【摘要】所罗曼诺瑟普的自传小说《为奴十二年》展示了19世纪50年代奴隶们最真实的苦难生活,也揭露出奴隶的痛苦大部分是来自奴隶主的残酷人性。
而对《为奴十二年》的研究却很少有人在小说文本的基础上从精神分析的角度来探索小说中人物的人性。
因此,本文将基于弗洛伊德的人格结构理论对小说人物Epps进行人格结构解读,探讨他邪恶膨胀的本我及其形成的原因。
【关键词】为奴十二年 人格结构 本我【Abstract 】The autobiography of Solomon Northup, Twelve Years A Slave, shows the miserable life of black slaves and reveals that most of their suffering comes from the cruelty of abuser ’s humanity. In terms of humanity, few scholars interpret the novel Twelve Years A Slave from the perspective of psychoanalysis. Therefore, this paper will be based on Freud ’s theory of personality structure to analyze the character Epps ’ evil personality, especially his evil id, and explore the forming causes of his inflated cruel id.【Key words 】Twelve Years A Slave; Personality structure; Id1. IntroductionThe novel Twelve Years A Slave reproduces Solomon Northup ’s bitter experience that he was sold as a slave, after suffering and struggle for 12 years and eventually regained freedom in 1840s. This novel uncovers the tragic social reality of black slaves under the dark and inhuman slavery. And 150 years later, it draws public attention and scholars ’ interpretation with it ’s profound social and cultural significance. But scholars ’ research on the basis of novel text of Twelve Years A Slave mainly start with social and cultural perspectives and few of them discuss the characters and their spiritual world. Therefore, this paper will use Freud ’s personality structure theory, treat a specific character as the research object, give the novel character Epps a psychoanalytic interpretation, to analyse his evil id, namely the id for violence, the id for immediate satisfaction and the id for possession, and explore that Epps ’ evil personality is caused by the distorted external world, incapable ego and absent superego.2. The Theory of Freud ’s Personality StructureThe theoretical basis of this paper is Freud ’s theory of personality structure. He believes that the construction of a complete structure of personality consists of three parts, namely, id, ego and superego. The instinct of self, is irrational in unconscious psychological part so-called the id, following the “pleasure principle ” to avoid pain and displeasure, to seek for instant satisfaction. For example, the newborn babies ’crying and eating are completely driven by chaos, disorder, and disorganized id to satisfy the instinctive needs without thinking at all. There is no essential difference between them and animals. So the id “knows no judgments of value :no good and evil, no morality ”. The so-called ego is the reality of self. It is the organized and orderly part of conscious structure of the psyche developed through people ’s study and social practice, also the regulator between the id and the external world with the “reality principle ”. Superego is the morality of self, developed from the ego and suppresses the id with the seeking of the “morality principle ”. As the product of human civilization and social ethics, superego concerns the social virtues and taboos which is our awareness of what is right and what is wrong. If the id is summed up as “I want ”, then the ego is “I can ”, and super-ego is “I should ”.Freud holds that the id, ego, and superego are interrelated and interacted. Id is eager to meet the requirements of desire and instinct to seek happiness in despite of the reality ;superego imposes interference and restriction on human behavior and desire in accordance with ethical standards ;and ego activities between id and superego to implement the wishes of id as the conditions permit meanwhile to obey the compulsory rules of superego. Therefore, “ego serves three severe masters ... the external world, the superego and the id ”.3. The Evil Id of EppsThe id represents the selfish, greedy, and aggressive side of the personality structure reflecting the biological aspect of human being, which is a kind of animal instinct, especially sexual impulse. So id is a chaotic unstable world containing many repressed instincts and evil desires which not to be accepted by society. On the one hand, id is the driving force of human activities, without it mankind will no longer have the passion, impulse and pursuit ;on the other hand, id is also the source of evil humanity because it conceals all kinds of instinctive impulses that are not allowed to be made for human society, ethics, and legal norms, once the id inflates, too much desires and greed would bring distress to others. Therefore, for the id condition mentioned above, the following part is going to illustrate Epps ’s inflated id based on the novel text.3.1 Id for ViolenceAs Northup ’s autobiography and memory, the most common description of Twelve Years A Slave is the violence of the slave owner, Epps. When Solomon has just become Epps ’ slave, the novel mentions that the greatest pleasure of Epps iswaving his whip, listening to the slaves terrified screams, and looking on the lash scar dropping on slave’s back. The thirteenth chapter of the novel is even named after the violence of Epps, it says in the beginning that the crack of the whip and the screams of the slaves continue from dusk until midnight everyday. Almost every day slaves suffer from whipping, and usually after weighing in cotton. The branches are broken accidentally when they pick cotton, slaves will be whipped;the amount of cotton is not up to standard, slaves will be whipped;slacking, quarreling and fighting, then undoubtedly slaves will be whipped. Besides, the shooting match always makes him more violent and crazy so that he can get indescribable satisfaction and pleasure through flogging defenseless slaves. In addition, he also loves to dance. After the carnival and dancing with slaves, he always becomes more cruel and ruthless to punish slaves because of trivial matters. Therefore, Solomon mentions repeatedly, this is my master, cold, cruel, heartless Epps.This morbid desire to obtain pleasure from the suffering of others is typical unrestrained violence desire. Violence is a natural and normal desire for every human being. But because of the conditional restrictions, such as the selective time, occasion and object, the id and desire for violence will be controlled within normal limits so that the usual social activities won’t be affected. As we have seen, Epps’ violence id is excessively expanded without any restrictions, the consequence of this kind of expansion is the slaves bearing the bitter fruit of his evil humanity and enduring both physical and mental torture.3.2 Id for Immediate SatisfactionIn addition to violence, Epps has a typical infantile appetite for instant satisfaction as baby’s state. Like Bressler describes that unchecked by any controlling will, the id operates on impulse, wanting immediate satisfaction for all its instinctual desires. Babies are closest to the id;anything they wants must be satisfied at once otherwise they will wail without ceasing. While as an adult, Epps also stays in this condition. According to the description of the novel, in despite of time and place, as long as Epps has dance interest, all slaves have to cheer up to dance with him no matter how tired they are or how much work they will have to do tomorrow. Even after sacrificing the whole night’s sleep, the cotton slaves picked could not be less than even a pound of standard weight. The whip still waved on the head, and the master would never consider whether they have been affected by a sleepless night. Epps is only in pursuit of his own pleasure, regardless of reality and other’s condition. In his logic, all slaves should have a good-night-sleep and always be energetic to complete heavy work although they danced all night, which is the typical symptom of id expansion.Epps is just careless and instinctive like a baby who won’t consider whether their adults are busy or tired. A baby is a baby because they don’t have to think about reality situations, they also have no ability to hurt others. But if the adults like baby only consider their own id, own instincts, and own desires for instant satisfaction despite the external reality, then it will inevitably cause unnecessary trouble for the people and things around them, delay the usual work, hinder normal process, and burden others as Epps does.3.3 Id for PossessionApart from the id for violence and instant satisfaction, Epps has an inflated appetite for possessions as well. The desire to possess something is an instinct of human identity. Because of this desire, we have private ownership and the concept of private goods. But too much possessive desire will lead to the evil of humanity.In Twelve Years A Slave, Epps never regards blacks as human beings but regards them as “personal chattels”, a purely living property. His possession of slaves requires not only the possession of the flesh, but also the spiritual possession. Take the poor girl, Patsy, for example, she simply visits her friends, but Epps thinks she betrays him for seducing his lewd neighbor and whips her into a coma with her back badly mutilated. This whiplash destroys her vitality that she could not step out of the vigorous pace, her heart filled with sorrow and her eyes are not radiant any more. The evil id of personality of Epps has killed a young girl’s soul. Besides, when Solomon takes the irrefutable evidence to prove he is a free man and ask to leave, Epps has no guilty for torturing him nor any pity or sadness for his leaving, but only anger and malicious invective for his losing of private belongings. In fact Epps would rather Solomon is dead than he is a free man out of his control, because he wants to hold all these things whether alive or dead, physically, spiritually and completely. It is his excessive possessive id that spawns a lot of malevolent thoughts and evil deeds.4. Causes of the Evil IdWhen it comes to the causes of Epps’ evil id, we must take into account the relationship relates to id among the personality structure systems. As noted above that ego has three masters, id, external world and superego, Freud also clarifies ego is struggling to defend itself from three dangers or masters:from the external world, from the libido of the id, from the severity of the superego. Although this is the three factors that affects ego, it can also be shown that in the theory of personality structure, id, ego, superego and external world are closely related to each other, and each of them will be influenced by the other three of them. Therefore, external world, ego and superego can prove to be the causes of the evil id by the same reason, which is a corollary.4.1 The Distorted External WorldThe story took place in the southern slave states of the United States from 1840s to 1850s, the social environment of thisage was inseparable from slavery, which provided strong legal endorsement for slave trade. When the law has tacitly ruled that the master is in possession of the power of life and death of the slaves and, to some extent, denies the contract spirit that all men are created equal, the social environment in this place is no longer normal, and the distorted society will affect human nature and become worse.In this novel, Solomon mentions that there is a patrol where he lives, they can arrest, shot and even kill any black slaves leaving master plantation without permit. He does not know whether the law or the public gives the right to patrols to kill others, or whether both the law and the public are crazy in this place. As a matter of fact, what is very worth mentioning is when Solomon was sold as a slave, the resistance of the abolitionist movement and rhetoric was skyrocketing. Between 1846 and 1861, the south America from the coast to the hinterland defended slavery that slavery should be viewed as the most secure and stable system in the world, it is admitted by the constitution, the natural law and moral law. So the south America was more committed to slavery at this time. Thus the pathological society allows him to indulge in id, lust and evil without breaking the social norms and being punished by law.In terms of the external world, apart from the bad influence of social environment, unfortunately, according to the novel, Epps ’ families, his wife and son, also indulge his id precisely and concretely. He loves his wife. He is willing to satisfy his wife ’s any strange ideas and all her requirements, as long as the request would not cost too much money. As for Mrs. Epps, regrettably, her greatest wish is to sell or kill Patsy. But for Epps, Patsy is of great economic value because she is so capable that she can do two or three times work as much as others. Besides, Epps always covets the beautiful young girl. For whatever reason, he is reluctant to sell or kill her. As a result, when Mrs. Epps is furious, the only best way to quell her anger is Epps satisfying her request to flog Patsy. He is so glad to meet this demand because he can also get pleasure from other ’s suffering. Except the demand of his wife, his son ’s admiration and imitation also distort his mind. Epps ’ eldest son adores him so much that he imitates his father to whip the slaves and speak dirty words. He is even proud of it because doing this can arouse his father ’s laughter and obtain his praise. Such worship and imitation are no doubt an encouragement to his indulgence in id and lust, cruelty and violence.4.2 The Incapable EgoConnect with external world, ego is the part that exerts influence and restriction on id. Ego controls id as man rides a horse, the rider must tighten the rein to control the horse ’s normal run. Therefore, contrary to the passion id contains, ego stands for reason and common sense related to the outside reality.In this aspect, ego ’s growth depends on the normal and healthy social environment, life custom and family influence, if the reality of the society is distorted then the growth of ego will be distorted too. Ego could limit the id, but the distorted ego not only fails to play its proper role in limiting and regulating, but also promotes the expansion of the id and intensifies the evil degree of the personality.As the earlier part has illustrated that the society with slavery in which individual has right to harm and kill others is undoubtedly distorted and dysfunctional. As a member of vested interests and upper middle class of the morbid society, it is taken for granted that Epps ’ ego has been branded with social mark and distorted by the diseased life environment. The society will not condemn his wickedness and self-willed, the law will not punish his violence and the harm he brings to others, which in fact is a covert encouragement, encouraging him to be more cruel and violent, make his desires of id more expansive. Meanwhile, for the influence his families bring to him, Epps has being set up a bad example to his son all the time, while his son ’s behaviors then encourage him in turn to continue to aggravate his cruel, twist his ego, indulge his id and desire. It is a vicious cycle of human nature between them.To sum up, what mentioned above is the ego follows reality principle, regulates the id to fit the social norm. But when society is distorted, family expectations is not appropriate, the ego of Epps is of course has been distorted by the external world, by the social norms and slavery law, by his wife ’s lack of mercy and his son ’s unkind naivety. Consequently, the dysfunctional ego of Epps is useless and incapable in his structure of personality. It does not play the regulatory role between reality and id to suppress the expansion of id. As a result, Epps ’ instinctive impulses and desires swell up in varying degrees which brings the slaves unbearable tribulations.4.3 The Absent SuperegoT h e s u p e r e g o i s a “m o r a l s e l f ”, c o m p o s e d o f “conscience ” and “self ideal ”. The strength of the superego is to guide the ego, restrict the id, and follow the ideal and moral principle. So superego, the moral judicial branch of the personality structure, punishes the behaviors of violating social norms and moral ethics through conscience and self ideal, which makes people feel guilty and remorseful and stop doing bad things. In this sense, the superego of Epps does not exist nor work, the first reason is his behaviors to a certain extent do not violate the social customs and laws ;the second reason is he does not have any feelings like remorse and guilt.As mentioned earlier, the external world, the social morality and the norms of law are distorted at all. In addition to the patrols, Solomon also mentions one thing he thinks could adequately reflect the state of the local community, that is, Marshall, alsoa plantation owner, killed the man who talked with him about industrial acquisitions. Because two of them had a quarrel, so the man was shot by Marshall and lost his life. But Marshall was not imprisoned but acquitted. He returned to his estate, continued his normal, brutal life, and made friends with many people like Epps as usual. This is the life state under the distorted social norms and laws. Therefore, as to Epps, the crazy and cruel things he does to slaves do not, to some extent, violate social morality and the law. As for personal morality, he has nothing more. After the murder of Marshall, he has a better relationship with Marshall and defends him on various occasions. In addition, Solomon describes in the novel that as long as can bring benefits for Epps, he can watch the slave’s tongue is uprooted, watch them being burnt to ashes by fire, or watch them being torn to pieces by dog, with complete indifference. He has no conscience and no guilt, so he doesn’t have superego at all, what’s more about the inhibition of superego on the id indeed?5. ConcludingNo doubt Epps’ id and desire are so powerful and his ego can not limit the development of his instinctive desire, which makes id dominant in the three parts of personality structure in the end. As a result, this imbalance of personality brings misery to slaves, some of them even pay the price of lives but the culprit does not care. All in all, this paper interprets the character Epps in the novel from a new psychoanalytic point of view for exposing the humanity and the unfriendly social environment to black slaves at that ages, with the hoping that the interpretation will advance the study of such a great novel, help the readers have a deeper understanding of human nature.References:[1]Bressler,Charles E.Literary Criticism:An Introduction to Theory and Practice[M].Upper Saddle River:Prentice Hall,Inc.2011. [2]Freud,Sigmund.New Introductory Lectures on Psychoanalysis [M].London:Penguin Books Ltd.1933.Northup Solomon Twelve Years A Slave[M].New York:Dover Publications.2000.[3]左金梅,申富英,张德玉.当代西方文论[M].中国海洋大学出版社,2005.[4]弗洛伊德.精神分析引论[M].张堂会,译.北京:北京出版社, 2007.[5]Northup,Solomon.Twelve Years A Slave[M].New York:Dover Publications.2000.[6]黄赛楠.浅析美国内战中的南北论战[D].华东政法大学,2015.作者简介:屈培洪(1994-),女,贵州师范大学研究生,英语语言文学专业。