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秋颂英文赏析

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Appreciation for To Autumn
To Autumn is not only a poem written by John Keats, but also a painting of autumn in countryside drawn by him with his words.
At the beginning, Keats describes autumn as season of mists. At the last lines, he describes the scenery of the sunset with rosy hue. In this way, we can clearly find that Keats shows us a painting of the scenery of countryside in the daytime and decorates the poem with beautiful beginning and ending.
And the scenery is divided into three parts. The first part is the mature crops. In the second part, we can see busy farm work by hard working farmers. And the last part, is full of the sounds or songs by animals.
In the first part, fruits appear under the cover of mists. Slowly comes the sunshine, then the mask of morning is break and uncovered. More corps comes out. The vines full of grapes, apples, gourd, and the hazel shells.
In the second part, farmers are not directly mentioned. But through or behind the lines, we can see those busy figures of them. Their footsteps are spread in the store, on a granary floor, on a half-reaped furrow, next to the poppies, across a brook and by a cyder-press. With the lines, time slowly passes. The page of farmers and the page of daytime is turning.
Finally comes the third part, because farmer have all returned home to rest, music by animals are everywhere. Small gnats mourn, lambs, hedge-crickets, a garden-croft and
twitter, they together sing a song for the closing of an autumn day.
From the morning till to dawn, the scenery of countryside is showed to us with clear structure and wonderful harmony.
In addition to the scenery and structure, this poem also has beautiful rhymes. It is easy to find is that the last words of the third and second from last lines in each part, have the end rhyme. In this point, those series of things listed out are end with rhythmic lines, which achieves the impact of making the poem in a subtle order.
The last part of my appreciation is the usage of the sense in this poem.
We can see the milky mist, purple grapes between green wines and red apples, brown hazel. It is a fruitful autumn but also a colorful autumn. We can also touch the granary floor, the half-reaped furrow where farmers relax themselves and feel the wind passing by and flowing beneath our skin. Not just vision and touch, there is also sense of hearing. The mourn, lambs, twitter and so on, appear in the poem when sunset is coming.
This is an environment where all kinds of sounds made by animals can be heard, concluding those slight sounds. So this is an environment quiet enough for people to listen carefully and smooth the brows. It is time for relaxation, while the misty morning is time for starting a day.。

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济慈《秋颂》

济慈《秋颂》


理解诗意



第一层（1-11行）： 1-2行：开门见山，点明在秋季，在阳光的 作用下，一切都被催熟了，字里行间渗透 着赞美之情。 3-4行：秋天之所以如此内涵丰富，有阳光 的功劳。 以上四行总体描写秋天的特点及对秋天的 赞美之情。 Nhomakorabea


5-6行：树枝被果实压弯 7-8行：果实丰满清甜，让人垂涎欲滴 9-10行：虽是秋天，但是好花连连 11行：夏天辛勤的劳动带来丰硕的果实 以上七行分别从树枝、果实、花儿等不同方 面表明秋天是一个硕果磊磊的丰收季节。 以上为第一层（节）：以总分的形式展现给 读者一个丰收的季节——秋天，赞美之情溢 于言表。写的是秋天的形象。
秋 颂
济 慈（英）
题目解说

文章以“秋颂”为题，鲜明地 表明了作者对秋天的情感态度， 令人耳目一新，心中顿时觉得 秋天很伟大。“秋颂”实际上 是“颂秋”，属于句子倒装里 的宾语后置。
作者简介

济慈（1795-1821），英国诗人，出身贫苦， 因父母早亡，，少时就随别人学医谋生， 1816年后弃医从文。1817年出版第一部诗 集《诗歌》，其中有名篇《蝈蝈与蛐蛐。 他在短暂的一生中留下了不少著名的诗篇， 如颂诗《夜莺颂》《希腊古瓦颂》《秋颂》 《忧郁颂》十四行诗《白天逝去了》等。 1821年死于肺病。杰出的英诗作家之一， 也是浪漫派的主要成员 。
写作背景：

原诗三小节，课文节选的是前两节。 译文在在郑敏翻译的基础上有改动。 1819年9月的一个星期天，诗人漫游乡 野，感到空气清爽，收割过的田地显 得特别温暖过，回来后便写下这首诗。 诗人从可见的秋实、秋风一直写到可 吻的秋味，以色彩鲜明的笔调、活生 生的形象，描绘出秋给大自然和人类 带来的美好景象。
济慈《秋颂》原文及翻译

济慈《秋颂》原文及翻译

济慈《秋颂》原⽂及翻译 《秋颂》为济慈所作的⼀⾸诗歌。

下⾯店铺⼩编把这⾸诗歌的原⽂和翻译都带给⼤家，欢迎阅读。

作者简介 作者简介 济慈，全名约翰·济慈John Keats(1795年—1821年)，出⽣于18世纪末年的伦敦，他是杰出的英国诗作家之⼀，也是浪漫派的主要成员。

其⼀⽣写出了⼤量的优秀作品，其中包括《圣艾格尼丝之夜》《秋颂》《夜莺颂》等名作，表现出诗⼈对⼤⾃然的强烈感受和热爱，为他赢得巨⼤声誉。

济慈诗才横溢，与雪莱、拜伦齐名。

他⽣平只有25岁，但其遗下的诗篇⼀直誉满⼈间，被认为完美地体现了西⽅浪漫主义诗歌的特⾊，并被推崇为欧洲浪漫主义运动的杰出代表。

他主张“美即是真，真即是美”，擅长描绘⾃然景⾊和事物外貌，表现景物的⾊彩感和⽴体感，重视写作技巧，语⾔追求华美，对后世抒情诗的创作影响极⼤。

原⽂ 原⽂ To Autumn John Keats I. Season of mists and mellow fruitfulness, Close bosom-friend of the maturing sun; Conspiring with him how to load and bless With fruit the vines that round the thatch-eves run; To bend with apples the moss’d cottage-trees, And fill all fruit with ripeness to the core; To swell the gourd, and plump the hazel shells With a sweet kernel; to set budding more, And still more, later flowers for the bees, Until they think warm days will never cease, For Summer has o’er-brimm’d their clammy cells. II. Who hath not seen thee oft amid thy store? Sometimes whoever seeks abroad may find Thee sitting careless on a granary floor, Thy hair soft-lifted by the winnowing wind; Or on a half-reap’d furrow sound asleep, Drows’d with the fume of poppies, while thy hook Spares the next swath and all its twined flowers And sometimes like a gleaner thou dost keep Steady thy laden head across a brook; Or by a cyder-press, with patient look, Thou watchest the last oozings hours by hours. III. Where are the songs of Spring? Ay, where are they? Think not of them, thou hast thy music too, While barred clouds bloom the soft-dying day, And touch the stubble plains with rosy hue; Then in a wailful choir the small gnats mourn Among the river sallows, borne aloft Or sinking as the light wind lives or dies; And full-grown lambs loud bleat from hilly bourn; Hedge-crickets sing; and now with treble soft The red-breast whistles from a garden-croft; And gathering swallows twitter in the skies.译⽂ 译⽂ 1 雾⽓洋溢，果实圆熟的秋， 你和成熟的太阳成为友伴; 你们密谋⽤累累的珠球， 缀满茅檐下的葡萄藤蔓; 使屋前的⽼树背负着苹果， 让熟味透进果实的⼼中， 使葫芦胀⼤，⿎起了榛⼦壳， 好塞进甜核;⼜为了蜜蜂 ⼀次⼀次开放过迟的花朵， 使它们以为⽇⼦将永远暖和， 因为夏季早填满它们黏巢。

济慈《秋颂》原文及翻译

济慈《秋颂》原文及翻译

济慈《秋颂》原⽂及翻译 《秋颂》为济慈所作的⼀⾸诗歌。

下⾯店铺⼩编把这⾸诗歌的原⽂和翻译都带给⼤家，欢迎阅读。

作者简介 济慈，全名约翰·济慈John Keats(1795年—1821年)，出⽣于18世纪末年的伦敦，他是杰出的英国诗作家之⼀，也是浪漫派的主要成员。

其⼀⽣写出了⼤量的优秀作品，其中包括《圣艾格尼丝之夜》《秋颂》《夜莺颂》等名作，表现出诗⼈对⼤⾃然的强烈感受和热爱，为他赢得巨⼤声誉。

济慈诗才横溢，与雪莱、拜伦齐名。

他⽣平只有25岁，但其遗下的诗篇⼀直誉满⼈间，被认为完美地体现了西⽅浪漫主义诗歌的特⾊，并被推崇为欧洲浪漫主义运动的杰出代表。

他主张“美即是真，真即是美”，擅长描绘⾃然景⾊和事物外貌，表现景物的⾊彩感和⽴体感，重视写作技巧，语⾔追求华美，对后世抒情诗的创作影响极⼤。

原⽂ To Autumn John Keats I. Season of mists and mellow fruitfulness, Close bosom-friend of the maturing sun; Conspiring with him how to load and bless With fruit the vines that round the thatch-eves run; To bend with apples the moss’d cottage-trees, And fill all fruit with ripeness to the core; To swell the gourd, and plump the hazel shells With a sweet kernel; to set budding more, And still more, later flowers for the bees, Until they think warm days will never cease, For Summer has o’er-brimm’d their clammy cells. II. Who hath not seen thee oft amid thy store? Sometimes whoever seeks abroad may find Thee sitting careless on a granary floor, Thy hair soft-lifted by the winnowing wind; Or on a half-reap’d furrow sound asleep, Drows’d with the fume of poppies, while thy hook Spares the next swath and all its twined flowers And sometimes like a gleaner thou dost keep Steady thy laden head across a brook; Or by a cyder-press, with patient look, Thou watchest the last oozings hours by hours. III. Where are the songs of Spring? Ay, where are they? Think not of them, thou hast thy music too, While barred clouds bloom the soft-dying day, And touch the stubble plains with rosy hue; Then in a wailful choir the small gnats mourn Among the river sallows, borne aloft Or sinking as the light wind lives or dies; And full-grown lambs loud bleat from hilly bourn; Hedge-crickets sing; and now with treble soft The red-breast whistles from a garden-croft; And gathering swallows twitter in the skies. 译⽂ 1 雾⽓洋溢，果实圆熟的秋， 你和成熟的太阳成为友伴; 你们密谋⽤累累的珠球， 缀满茅檐下的葡萄藤蔓; 使屋前的⽼树背负着苹果， 让熟味透进果实的⼼中， 使葫芦胀⼤，⿎起了榛⼦壳， 好塞进甜核;⼜为了蜜蜂 ⼀次⼀次开放过迟的花朵， 使它们以为⽇⼦将永远暖和， 因为夏季早填满它们黏巢。

约翰.济慈的美学观点在“秋颂”中的体现

约翰.济慈的美学观点在“秋颂”中的体现

约翰.济慈的美学观点在“秋颂”中的体现本文从网络收集而来，上传到平台为了帮到更多的人，如果您需要使用本文档，请点击下载按钮下载本文档（有偿下载），另外祝您生活愉快，工作顺利，万事如意！约翰?济慈，出生于18世纪末年的伦敦，是具有世界影响的大诗人，杰出的英国诗人作家之一，积极浪漫主义的主要成员。

济慈才华横溢，与雪莱、拜伦齐名。

他善于运用描写手法创作诗歌，将多种情感与自然完美结合，从生活中寻找创作的影子。

他的诗篇能带给人们身临其境的感受。

1818年到1820年，是济慈诗歌创作的鼎盛时期，《秋颂》也是在这一时期内写成的。

济慈在《希腊古瓮颂》中提出了“美即是真，真即是美”这个内涵深刻的命题，对后世抒情诗的创作影响极大。

他的诗作充满辽阔高远的想象、自然瑰丽的语言和摄人心魄的力量，不断唤起人们内在的激情和渴望。

一、约翰.济慈的美学观点济慈认为，一个人的美学观点主要来自于他的生活经历。

他认为诗歌反应的不仅仅只是生活中美的一面，更应有丑的一面，那才是生活，才是人们切身感受到的种种，所以他主张“美即是真，真即是美”。

他带给无数读者新的视角，引导每一个人要善于发现美、拥有一颗美丽善良的心，这就是快乐人生的秘诀。

济慈笔触清新，作品选材特点独特，在他的诗歌里无论是绝美的爱情还是催人奋进的激情，都像被赋予了灵魂的呐喊，从心灵上引起共鸣，更从生活中找到影子。

他的笔下有令人感动的场面更有百转千回的诉说。

济慈善于描写景物和自然现象，经过他描写的自然景物和事物外面，能给人充分的遐想空间，并融入其中，对丑的鞭挞和对美的追求构成了他抒情诗的基调。

二、济慈的美学观点在《秋颂》中的体现《秋颂》完成于1819年9月19日，这一天，济慈漫步于乡野田间，空气清新怡人，使他感到心旷神怡，远处收割后的田野在诗人的眼中显得愈发温暖无比，于是，济慈诗兴大发，且走且吟，并在回到住处后将灵感整理成诗。

这首诗代表了济慈的诗歌创作水平。

它通过一系列的景色给读者展示了一幅金秋的蓝图。