绝望主妇第一季第8集剧本(中英文)

无望的主妇中英文台词比较-NARRATOR: My name is Mary Alice Young.我是 Mary Alice Young。

When you read this morning's paper, you may come across an article about theunusual day I had last week.come across:有时碰到article:文章unusual:不平时的当你今日的晨, 可能会到一篇文章对于上个礼拜我所渡的不平时的一天。

Normally, there's never anything newsworthy about my life.normally ：平时 newsworthy:有新价的平时 , 我的生活里是没有什么有新道价的。

That all changed last Thursday. change:改.可是上个礼拜四全部都改了。

Of course everything seemed as normal at first.of course:自然seem:仿佛，忧如normal:平时as normal:照旧at first:最先，开始自然,开初,全部看起来都很平时。

I made my breakfast for my family.我一家人做好早饭。

-MARY ALICE: Here we are. Waffles.Waffles:夫干夫来了。

-NARRATOR: I performed my chores. perform:达成chore: (家庭或庄的) ，活我做好了做家。

-NARRATOR: I completed my projects. complete:达成project:【里指美化家居】达成我的手工作品。

--NARRATOR: I ran my errands. ran:有步地行errand:差使,差事run errand:跑腿达成我的使命。

绝望地主妇第一季中英文台词对照第一集(Season 1, Episode 1)场景：主角颖儿和她的家人坐在客厅里，看电视。

颖儿：嗨，大家好！我是颖儿。

欢迎来到《绝望地主妇》。

费德勒：颖儿，你在看啥？Ying'er, what are you watching?颖儿：我正在看这个超级有趣的美剧。

里面的妇女们生活在一个美丽而又疯狂的社区里。

费德勒：听起来有意思。

可以借我看吗？Sounds interesting. Can I borrow it?颖儿：当然可以！但我保证你会上瘾的。

Of course! But I guarantee you'll get addicted.（几个小时后，费德勒一直盯着电视屏幕）费德勒：这个剧真的太好笑了！我下次会继续看的。

场景：颖儿和她的邻居在社区的咖啡厅见面。

颖儿：嘿，安妮！最近怎么样？Hey, Anne! How have you been?安妮：哎呀，我最近有点闷。

孩子们总是让我手忙脚乱。

颖儿：我明白。

生活中总有一些烦恼。

你有没有想过要做些什么让自己开心的事情？I understand. There are always some worries in life. Have you thought about doing something that makes you happy?安妮：没错。

我一直想学做糕点，但从来没有开始过。

True. I've always wanted to learn how to bake, but I never started.颖儿：那就现在开始吧！我可以帮你找一些食谱。

Then start now! I can help you find some recipes.场景：颖儿和她的丈夫人在餐厅用餐。

颖儿：亲爱的，我想打工。

我们需要更多的经济支持。

Honey, I want to get a job. We need more financial support.丈夫：但你应该是家庭主妇啊。

《Desperate Housewives》第1季1-01"My name is Mary Alice Young. When you read this morning's paper, you may come across an article about the unusual day I had last week. Normally, there is never anything newsworthy about my life. But that all changed last Thursday.""Of course, everything seemed quite normal at first. I made breakfast for my family. I performed my chores. I completed my projects. I ran my errands. In truth, I spent the day as I spent every other day, quietly polishing the routine of my life. Until it gleamed with perfection. That's why it was so astonishing when I decided to go to my hallway closet and retrievea revolver that had never been used."The next day my friends came together to pack away my clothes, my personal belongings and what was left of my life. Not quite Gabrielle, not quite. How ironic. To have something I tried so desperately to keep secret treated so causally. I'm so sorry, girls. I never wanted you to burden with this.第二天我的朋友们都来帮我收拾衣服，私人物品还有――我剩下的那些东西。

绝望的主妇台词详细解析（8）简介：（红色标注生单词或词组，黄色标注常用句）这节是Lynatte无意间从Bree那里得知Gabi和一个小年轻搞到一起去了。

A: Hey, you're out early.嗨，你出来得真早。

B: Oh, I just wanted to pick up some fresh croissants for breakfast.我就是想买一些新鲜的牛角面包当早餐。

A: Oh, cool. Listen, I just wanted you to know I appreciated you backing me up last night, you know, with the kiss thing.不错，听着，我就是想告诉你我感谢你昨晚站我这边，你知道，就是接吻的事。

B: To be honest, I don't think I would've liked it, either.老实说，我不认为我会喜欢那样。

A: Yeah, but I probably should've just gone with it. Gaby was just being Gaby, having fun.是啊，我应该让这件事情过去，她就是那样的个性，有趣的。

B: Well, I wouldn't be so hard on yourself, given her history.好吧，鉴于她的过去，我就不会像你这样想。

A: What do you mean?你什么意思？B: You know, the affair.你知道的，就是那个外遇的事。

A: Gaby had an affair?她搞外遇了？B: You didn't know?你不知道吗？A: No!不知道。

B: I thought everybody knew. Oh, I feel awful. Oh, Ida Greenberg's behind you.我以为每个人都知道，我感觉糟透了。

DESPERATE HOUSEWIVES 1X08Original Airdate (ABC): 28/NOV/2004==========================TRANSCRIPT:==========================SCENE: Focus in on a Bible being opened. Mary Alice begins speaking.MARY ALICE: There is a widely read book that tells us everyone is a sinner. Of course, not everyone who reads this book feels guilt over the bad things that they do.Pull out to see that Bree opened the Bible and is reading from it.MARY ALICE: But Bree Van de Kamp did. In fact, Bree had spent most of her life, feeling guilty.Flashbacks showing the images of what Mary Alice is speaking of.MARY ALICE: As a child, she felt guilty about not getting straight A’s. As a teenager, she felt guilty about letting her boyfriend go to second base. As a newlywed, she felt guilty about taking three weeks to get out her thank you cards she knew the transgressions of her past were nothing compared with the sin she was about to commit.SCENE: The Van de Kamp family is all in the living room. Danielle and Rex are seated while Andrew paces, and Bree looks through the Bible.DANIELLE: Couldn't we just go to the police and tell them it was an accident?REX: This wasn't some simple DUI. Not only was your brother drinking, Andrew left the scene of the crime. That makes it a hit and run.ANDREW: Maybe I could go to Canada, you know, until the statute of limitations is up. DANIELLE: Do you really think mom and dad are going to foot the bill while you go moose hunting for seven years?REX: If Carlos’ mother dies, there is no statute of limitations..DANIELLE: Right. Because then it’s murder.ANDREW: Shut up!DANIELLE: You shut up!ANDREW: How could it be murder, it was an accident!(pause)BREE: We have to get rid of the car. But we can't sell it. The police might find it, and there could be DNA. We take the car to a bad part of town. We'll leave the keys in the ignition and the doors unlocked. If the police don't find it, we'll get the insurance money, and if they do, it wasn't in our possession. Anyone could have hit Mrs. Solis.ANDREW: That sounds good!REX: Bree, are you sure?BREE: Our son could spent the rest of his life in jail. I won't allow that.Bree stands up and puts the Bible away.MARY ALICE: Bree knew what she was about to do was wrong, but like most sinners, she would worry about her guilt tomorrow.BREE: Well everybody should, uh, go wash up. We're having pancakes for breakfast.MARY ALICE: Not since my own suicide had violence intruded upon the serenity of life on Wisteria Lane in such a conspicuous fashion. And needless to say, my friends attacked the problem head on.Lynette, Susan, and Bree are all in the middle of the street, trying to clean off the skid marks on the road. Lynette brought the broom. Susan brought the trash bags. And Bree brought the industrial strength solvent.LYNETTE: Woo. That stuff is strong!BREE: It has to be, I don't want Gabrielle and Carlos coming home to this ugly reminder in front of their house.LYNETTE: So, has anyone been over there?SUSAN: Julie and I went over this morning.BREE: How is Juanita doing?SUSAN: She’s been in a coma ever since she came out of ER. Nobody knows when or even if she'll wake up.LYNETTE: This is awful. Carlos must be just devastated.SUSAN: I hope she wakes soon. Maybe she can tell us who was driving that car.BREE: We can only hope.A red car zips around the corner and speeds past the women.Lynette stands up, shouting after the car.LYNETTE: Slow down, you jerk, this is a residential neighborhood.She throws her sponge at the car and it bounces off of the car's hood.SUSAN: Wow, that’s quite a pitching arm you've got there.LYNETTE: It pisses me off. I've got four kids, you know. I was up all night reading statistics online. One out of every four traffic accidents happens on residential streets. I hope whoever hit Juanita gets put away for life.BREE: don't you think that’s a little bit extreme?LYNETTE: An innocent woman gets hit by a car and the driver just takes off? I don't think it’s extreme.SCENE: Carlos and Gabrielle are in Mama Solis's hospital room. Carlos sits by the bed and Gabrielle checks her nails as she sits on the dresser.GABRIELLE: You should go home and get some rest, eat something. You have a ton of messages from work--Tanaka called; said it was urgent. Carlos, I can stay here with your mother.CARLOS: I need to be here if she wakes up.GABRIELLE: You can't go on like this. You have to take care of yourself.CARLOS: And what if she dies? People slip into comas all the time and never come out. GABRIELLE: Don't say that! We need to stay positive.The door opens and John sticks his head in.JOHN: Mr. and Mrs. Solis?GABRIELLE: John!JOHN: Is it okay if I come in?CARLOS: Of course.JOHN: Mr. Solis, I'm so sorry this happened.CARLOS: It means a lot that you came.They embrace.CARLOS: Look, I think I'm gonna to go down to the chapel and pray. You want to come? GABRIELLE: Um, no, I think I will stay here with mama.JOHN: Is it all right if I come?CARLOS: Of course, we need all the prayers we can get.John leaves the flowers he had brought for Mama Solis on the table by her bed, then leaves with Carlos. Gabrielle is annoyed. A nurse comes in with a bucket of water.NURSE: Mrs. Solis, it’s time for her sponge bath.GABRIELLE: Come again?NURSE: Sometimes family members prefer to administer sponge baths themselves. GABRIELLE: I think I'll pass.SCENE: Mrs. Huber is neatly packing luggage on the kitchen table when her front door opens and Edie comes in.EDIE: Martha. Where’s your purse?MARTHA: Over there, why?Edie walks over to the purse without saying a word and opens it.MARTHA: What are you doing?"EDIE: I am taking back the $40 that you stole out of my purse.MARTHA: Edie!EDIE: We both know you did it, now hand it over!MARTHA: I have taken nothing from your purse, and if you're missing money, I'd ask one of those strange men you parade through here at all hours.She grabs the purse from Edie and walks away.EDIE: I am not going to apologize for having a healthy sex life!MARTHA: Healthy? I'm going to have to burn every sheet you've touched.EDIE: I want my money.MARTHA: And I want those non-fat peach yogurts. They didn't just walk out of that fridge by themselves.EDIE: Well you can deduct it from the $40 that you're going to give me, now!MARTHA: You're my best friend, why would I steal from you?EDIE: It’s no secret that you've been having financial problems. I hear you bitching on the phone to your bank.MARTHA: That’s it! I can put up with your debauchery and your food theft, but I will not tolerate spying. I want you out.EDIE: You don't mean that.MARTHA: Yes I do. I'm leaving tomorrow to visit my sister for a few days. I want you gone by the time I get back.EDIE: I'll do one better. I will leave today.She takes her purse and leaves. Once she's gone, Mrs. Huber reaches into her blouse and removes some money, which she then puts into her purse.SCENE: Lynette is lying on a table while Dr. Chang, an acupuncturist, places needles intoher forehead.LYNETTE: I hope this works. My sleep cycle is totally out of whack. I'm up all night, I'm dozing off during the day.DR. CHANG: Trust me, this will do the trick. In fact, you should be feeling more relaxed already.LYNETTE: You know, you're right.Faintly, from outside of the room, calls and shouts from Lynette's kids can be heard. LYNETTE: Boys, I can hear you out there. Now be quiet. Just sit there and color.DR. CHANG: Now is not a good time to be moving.LYNETTE: Oh, yeah. Sorry.DR. CHANG: Just block everything out, and let it go. Imagine that you're in a forest. There’s a babbling brook nearby, and the wind is just coming through the trees...Parker comes through the door, dragging a plastic tree.PARKER: Mommy.LYNETTE: Parker! I don't know --ow!--what you think that you're doing, but put that back where it belongs!LYNETTE: I'm sorry. You were saying something about wind?DR. CHANG: I was just creating a soothing image.LYNETTE: Oh, for the love of God!She gets off the table and opens up the door to where her boys are waiting.LYNETTE: Knock it off, you little monsters.DR. CHANG: Mrs. Scavo, please lie down. we need to finish this.LYNETTE: Look, I'm on my last nerves, so I'm going to level with you. I've screwed up my entire system by taking my system by taking my kids’ ADD medication. Yeah, that’s right, you heard me. I plan to stop, but right now I need to sleep, and I need more than a few, crappy, needles, so whattya got?DR. CHANG: I'm not licensed to write prescriptions.LYNETTE: I know you're not.The acupuncturist goes to her cabinet and removes a small bag of herbs. She turns to Lynette.DR. CHANG: This will put you right to sleep. It’s a very powerful herbal remedy. Now promise me you're going to use it judiciously?LYNETTE: Sure. Whatever.SCENE: Susan knocks on Mike's screen door.SUSAN: Knock, knock!MIKE: Hey! Come on in!SUSAN: You're a mess.MIKE: Ah, yeah, I'm tearing out these leaky pipes in the upstairs bathroom. Wall to wall rotten wood.SUSAN: Sounds like a job. So, Julie said that you came by before?MIKE: Um.. Yeah. Uh... yeah, I was thinking about driving up to the Girmany vineyard tomorrow for this wine tasting, and, um..SUSAN: What time do you want me to be ready?MIKE: How about six?SUSAN: Six is good.MIKE: All right. I thought maybe afterwards, we could have a little dinner, maybe some dancing.SUSAN: Sounds great. Um, you do know that it’s like a two-hour drive up there. And isn't that kind of late to be coming back?MIKE: I thought if, you know, worse came to worse, we could grab a room...SUSAN: Oh? Like a hotel room?MIKE: Yeah, as a last resort.SUSAN: Of course, of course, yes. So, maybe we should make reservations, you know, just in case.MIKE: Yeah, I found some hotels online. Let me get a printout.She laughs and he goes upstairs. Bongo, who had been off in the corner, comes towards Susan.SUSAN: Hey, Bongo, come here. You want a treat? Hey Mike, where do you keep the dog biscuits?MIKE: I'm sorry, what?SUSAN: Oh, never mind! We'll just find them ourselves. We'll go find them ourselves.She opens up one of Mike's cabinets and, in plain view, are stacks of money and a gun. Susan takes out a couple of stacks of money and looks at them.Mike comes down the stairs.MIKE: I'm sorry Susan. I couldn't hear you. What did you say?SUSAN: Nothing. It’s not important.She quickly puts the money back and closes the cabinet. The phone rings.MIKE: It’s my tile guy. Here, see what looks good.He hands her the printout of hotels and answers the phone.MIKE: Hey Phil. Um, no. No. Tomorrow morning I'm making a lumber run. It’s no good. Uh, no, I'll be gone tomorrow night, too.SUSAN: I could let him in.MIKE: No, that’s okay.SUSAN: No, it’s fine, just give me the key. I'll be around all day.MIKE: All right. Thanks. Phil, I'll give the key to my neighbor. She'll be here to let you in.SCENE: A car drives down the street of an old, worn-out neighborhood.MARYALICE: Like every city, Fairview had a neighborhood that was less than desirable. It was an accepted fact: anyone who lingered there after midnight was usually up to no good. Rex and Bree Van de Kamp were no exception.The car stops and Bree gets out. In a nonchalant manner, she walks around the car and heads towards Rex, who's parked in his own car in a darkened alleyway, with a perfect view of the car Bree had driven.She gets into the car with Rex.REX: You really think this is gonna work?BREE: This is the most impoverished neighborhood in the city. Trust me, somebody will steal the car.REX: How can you be so sure?BREE: Because I have faith in the poor.SCENE: On the television is a home video of Mary Alice wearing a party hat. As the video plays, Paul watches it as he talks.PAUL: She’s so beautiful. I shot this last year on her birthday. How you going to do it?MR. SHAW: I made contact with her at a bar. She thinks I'm a real estate developer. PAUL: Is she going to suffer?MR. SHAW: No. Edie Britt will disappear, and you'll go back to your life.PAUL: Before you do it, do you think you should ask her why she sent this note to my wife? MR. SHAW: You can't think like that, Mr. Young. You can't give in to your curiosity. Curiosity leads to guilt. Guilt leads to talking. You still have questions?Paul sighs and shakes his head no.MR. SHAW: I want to be clear about something. When I walk away with this cash, it’s done. No refunds. No buyer's remorse.PAUL: I get it.MR. SHAW: We won't talk again so I'll ask one more time: are you sure you want this? PAUL: My wife is dead because of Edie Britt. I absolutely want this.He touches her face on the TV screen.SCENE: Rex and Bree sit relaxed in the car, watching the car Bree left behind.REX: You've been awfully quiet.BREE: I had just been...thinking about the kids. They sure grew up quickly, didn't they? REX: They sure did.BREE: I remember telling them when they were babies that they weren't allowed to get any bigger because they were so adorable. And we were so happy.REX: Yeah, well...BREE: They sure didn't turn out like we expected them to.REX: No, they didn't.BREE: We could have been better parents.REX: We weren't that bad.BREE: We still have so much to teach them. For starters, we need to get across to Andrew the enormity of what he’s done.REX: I don't - I suppose we could punish them.BREE: All right, then what’s the appropriate punishment for a child who drives over a woman?REX: I...I don't know.BREE: You know, no matter how the kids turn out, I still love them.REX: Of course, you do.BREE: But I'll never forgive them for growing up so quickly.REX: Hey, look.A man stands by the car on the street, looks around, then quickly gets into the car and drives away.SCENE: Susan packs as she talks with Julie.SUSAN: And then I opened the cabinet and there was all this money in it. I mean, there waswads of it.JULIE: That’s why you're freaking out? A few stacks of cash? Come on."SUSAN: Well what? Realistically, I've known this guy a few weeks. I mean, he could be a hit man for the mob!JULIE: If you really think that, why are going on a trip with him?SUSAN: I never get out of the house.JULIE: Mom, if you really need something to freak out about, just remember that you're going to spend the night with Mike in a hotel. No man has seen you naked in years, except your doctor.SUSAN: Yeah, and he retired. I try not to take that personally.She puts on a sweater.JULIE: You look old in that.SUSAN: Maybe I am being silly, but going to a hotel with a man is a big deal to me. What if Mike is hiding something?JULIE: Like what?SUSAN: I don't know.A horn honks outside.JULIE: That’s Dad. I gotta go. Now, listen to me. No more freaking out. I need this weekend to go well.SUSAN: Why do you care so much?JULIE: Because I'm gonna have a husband of my own someday, and I really don't want you living with us.SCENE: The four Van de Kamps are visiting Carlos and Gabrielle.BREE: Are the lady fingers okay?GABRIELLE: Oh, they're terrific. We just appreciate you all stopping by.BREE: We just want you to know how much we care.REX: So, have the police come up with any leads?GABRIELLE: Not really. They'll be able to determine the make and model of the car, but without any eye witnesses, no one seems very optimistic.BREE: Well, more importantly, is there any good news about Juanita?GABRIELLE: No change. All we can do is wait and hope for the best.DANIELLE: We put her on our prayer list at church.GABRIELLE: Oh, that’s very sweet, Danielle, thank you.CARLOS: It must really help during times like these--having kids.REX: Yeah, they're a blessing.CARLOS: Children make everything worthwhile. You guys are the future. Legacy. ANDREW: Thanks.CARLOS: After we're all dead, you'll be the only ones left to carry on. Gabrielle and I are about to start a family.REX: Oh, hey, that--that’s great.BREE: Well, when did you decide this?GABRIELLE: It’s a fairly recent development.She stares pointedly at Carlos, who bows his head in slight acknowledgement.BREE: I see.GABRIELLE: We'll talk about this later.CARLOS: Face it. We're shallow people. I mean, can our lives have any meaning if all we ever do is buy stuff?GABRIELLE: That depends on what we buy.CARLOS: I want a child.GABRIELLE: In case you've forgotten, before we got married, we made a deal. No kids. CARLOS: Yeah, well, deals were meant to be renegotiated.GABRIELLE: Well, we're not negotiating my uterus.BREE: We should probably be going.REX: Yeah.BREE: Thank you so much.The Van de Kamps leave the Solis's house and walk back to their house.DANIELLE: That was weird.BREE: I feel awful for Carlos. That talk about children was obviously coming from his grief. ANDREW: Whatever. I'm off the hook.He and Danielle touch fists and walk off. Bree stops walking and stares after him. SCENE: Lynette lies down on the couch and covers herself up with blankets when the doorbell rings.MARY ALICE: A weary Lynette drank her potent tea in hopes of finally finding the sleep that had eluded her. Unfortunately for Lynette, there would be no rest for the weary. LYNETTE: Go to hell.The doorbell rings several more times.LYNETTE: Go to hell. Go to hell. Go to hell. Go to hell. Go to hell.She stomps to the door and opens it. A stream of boy scouts with a scout mother rush inside. SCOUT MOTHER: Sorry we're late, Kenny Lipman couldn't find his handkerchief. Come on guys!LYNETTE: The scout meeting is today?The boys run all over the house, being noisy, as Lynette stares at them. Later, the boys are separate into groups, with the other scout mother monitoring the boys at the table and Lynette on the floor with her three boys and one other boy. They have books on rope tying in front of them. Lynette leans against the couch, sleeping sitting up.PARKER: Mommy!LYNETTE: What? Oh...right! Okay, boys. This knot is called the bowline. It is a remarkably useful knot. Now, pick up your ropes. Okay. First we cross this end over here, and then we make a loop, and then another loop, and then you sort of pull it through, I'm guessing, and then, ready? Yank it taut.She pulls her rope taut and it's a straight piece of rope.TWIN: Mommy, that doesn't look like the picture.LYNETTE: You're never going to be a sailor, what do you care? Okay everybody, let’s just take a break!She gets up.LYNETTE: Thanks!She walks away and the boys on the floor start hitting each other with the rope. Lynette goes to the bathroom and takes out some pills, which she swallows. She pauses, thenswallows some more.SCENE: Susan is getting a package from the door.PHIL: Okay, it’s all up there. Can I get a signature?SUSAN: Oh, of course.PHIL: Thank you very much.SUSAN: Here you go. Have a nice weekend.PHIL: You too, lady.She closes the door behind him, then heads for the kitchen, where she removes all of the money and the gun. Later, she sits on the living room couch, counting out the money. She hears a car door slam and when she looks out the window, see Phil getting out of his truck. Quickly, she gathers up all of the money and the gun and rushes up the stairs.PHIL: Hey ma'am, you still here? I forgot to give you a receipt! Ma'am?Susan heads into Mike's bathroom and dumps everything into the sink. She climbs on the toilet to look out the window and sees Phil driving away. She lets out a sigh of relief. She then jumps down, falling through the floor, where she stays there, trapped.SUSAN: Hello! I need help, I'm up here, I'm trapped in the floor, hello?!Bongo comes running in to stare at her.SUSAN: If you came in here to judge me, you can just leave!Bongo looks behind him to the door.SUSAN: Wait! Wait! No! Wait, don't, don't go! Wait, I have an idea. Here! Here! Here! Here, grab the towel, Bongo! Come on, grab the other end! Come on, boy! That’s it! Get the other end! Come on, Bongo! Pull the other end! Come on, Bongo! What are you doing? Bongo, over here!He goes over and starts drinking out of the toilet.SUSAN: Bongo? Oh, oh! don't do that! Bongo!She grimaces.SCENE: Gabrielle walks up the path to John's house, past John, himself, who's working on the yard.MARY ALICE: While Susan was hopelessly stuck, Gabrielle was moving to confront the issue of her young lover’s restless conscience.JOHN: Nobody’s home.GABRIELLE: I know, I've been watching. I came to talk to you.She turns slightly and sees that he's stopped working.MARY ALICE: Although she would need to be discrete.GABRIELLE: Keep working! What were you thinking, showing up at the hospital?JOHN: I had to see if she was okay.GABRIELLE: You need to keep a low profile right now.JOHN: Look, you and I are finished. From now on, I'm sticking with Danielle. GABRIELLE: Why would you say that?Gabrielle rings the doorbell again.JOHN: I hate myself for what we did! Okay? I can't sleep at night! I've got to make a clean break.GABRIELLE: We weren't driving the car. We didn't chase Juanita into the street!JOHN: Well, she wouldn't have been there if we weren't having an affair.Gabrielle turns away from the door to face John.GABRIELLE: Oh, for God’s sakes, between you and Carlos! Listen to me carefully, you didn't do anything wrong.She rings the doorbell again.JOHN: That’s not what Father Crowley thinks.GABRIELLE: What?JOHN: I went to confessionGabrielle turns around and walks over to him.GABRIELLE: Have you lost your mind? What did you tell him?She leans over to smell the rose.JOHN: Everything.GABRIELLE: Including in the alley? Behind the truck stop?JOHN: Everything.GABRIELLE: Damn you!She storms off.SCENE: Bongo comes into the bathroom again where Susan is still stuck.SUSAN: What is wrong with you? Lassie would have had a fire truck here by now! Stupid dog. Bongo turns and rushes off.SUSAN: Good boy, Bongo! Run, Bongo, run, go get help!Bongo returns and drops a dead crow in front of her.SUSAN: Ooooeeewwwoooohhh...SCENE: Bree and Andrew are both in the kitchen.BREE: Andrew, um, I know the last few days have been stressful, and, uh, you know, if you ever need to talk to anybody...ANDREW: I know, I know. You and Dad are here for me.BREE: Actually, I was thinking we could arrange for you to talk to a professional. ANDREW: A shrink? You think I'm crazy?BREE: Of course not. It’s just that the accident probably stirred up a lot of emotions, and it would be normal for you to be feeling confused or depressed or ashamed...ANDREW: I'm cool, mom. Really.BREE: Honey, you put a woman into a coma. Surely that arouses some kind of emotion! ANDREW: Yeah, well, it doesn't. Now if you'll excuse me...BREE: No, I won't, not until you tell me.ANDREW: Why do you care?BREE: Because I need to know that you're not a monster!ANDREW: You want to know how I feel?BREE: Yeah.ANDREW: Okay, here it goes. I feel bad that she got hurt. But I also feel bad that my car got dinged because somebody didn't have enough sense to look both ways before she crossed the street. And I also feel bad that now I'm gonna have to ride my bike to school.BREE: Andrew, you almost killed another human being.ANDREW: She’s an old lady. Okay? She’s lived her life. I have my whole life ahead of me, and now it might be screwed up! That’s what you should be worried about!BREE: What I'm worried about, Andrew, is that you don't seem to have a soul. Give me one good reason why I shouldn't call the police!ANDREW: Because I'm your son. That would make you the monster.He walks out.SCENE: Mike opens up the front door and Bongo comes rushing down the stairs to greet him. MIKE: Hey, buddy!He goes into the kitchen and sees the remains of the bathroom floor scattered on the kitchen. He looks up and sees Susan's legs dangling from the ceiling.MIKE: Susan, is that you?SUSAN: Mike? I'm upstairs. Sorta.MIKE: Hang on, I'll be right up.When he gets to the bathroom, he stops, and leans against the door frame.MIKE: What happened?SUSAN: Well, you see, this bird, um, flew in your bathroom window, and, I, tried to save it, but, uh, it died.MIKE: I don't think that’s what happened.SUSAN: I don't think so, either.MIKE: Come on...He lifts her out and puts her to the side.SUSAN: Thank you, oh, you have no idea what that was like...Mike looks in the sink and notices the money and gun Susan left there.MIKE: You went through my cabinets.SUSAN: What? Oh, I can explain.MIKE: Get out of my house.SUSAN: Mike...MIKE: Get out!She leaves.SCENE: Mr. Shaw gets out of his car and goes to the trunk. He opens it. Inside are shovels. He takes out a gun and hides it in the back of his paints, underneath his jacket. Edie pulls up in her car and gets out. Mr. Shaw closes the trunk.EDIE: Hello there!MR. SHAW: Good afternoon.EDIE: Ooh, well isn't this just as pretty as a picture book!MR. SHAW: Well, the plan is to put in a small condo.EDIE: You want to make some money, or you want to pussyfoot around?MR. SHAW: What do you suggest?EDIE: I'm thinking strip mall. I've run some numbers.She pulls out a sheet of the purple stationary with numbers written on it and hands it to him.MR. SHAW: Nice stationary.EDIE: Oh, it’s stolen.MR. SHAW: What do you mean?EDIE: After my house burned down, I was staying with this neighbor, Martha Huber. That is, until the old troll threw me out. Anyway, I'd steal her stuff, she'd steal mine. Circle of life.MR. SHAW: So this paper is hersEDIE: Oh, God, yes.SCENE: Parker plays with the radio, switching stations and turning it louder. The twins bang on pots, The house is a mess, with food and toys everywhere. Lynette comes into the kitchen, talking on the phone.LYNETTE: No, Tom, you can't do this to me. Because, I need you at home. Boys, stop it, I am on the phone. Well, yeah, I realize it’s not your fault that the meeting got postponed, but you promised you'd be back tonight. I, I, I gotta go. The kids are... Yeah, I know... you're sorry, just, will you try to get back as soon as you can? Okay, bye.She hangs up the phone.SCENE: The boys are listening to the radio whilst Lynette does not seem pleased with this at all.LYNETTE: Boys, would you please, please, stop it. Really, really, mommy’s got a headache. Okay? Just, uh...RADIO: ...and drowsy and ready to sleep, let the morning time drop all its petals on me... life I love you, all is groovy...LYNETTE: "Turn that damn thing off.Lynette starts screaming at the boys as everything happens in slow motion. She throws pans on the floor and throws a can through the window. Facing the window, she sees Mary Alice appear. Mary Alice smiles, looks down at her hands, and then hands Lynette a gun. Slowly, Lynette takes the gun, looks at it, and then holds it up to her own head. She closes her eyes.A loud crash wakes up Lynette, who had been sleeping with her head on the kitchen table. She looks at her boys, who are ignoring her, doing their own thing, and she sighs. SCENE: Susan rings Mike's doorbell. He answers the door, unfriendly.MIKE: What?SUSAN: I just came over to say I'm sorry, and I'll pay for all the damage.MIKE: don't worry about it.He starts to close the door.SUSAN: Well, so, in your mind, is the date off?MIKE: Well, you snooped around my house, and went through my stuff. Uh, yeah, in my book, that’s pretty much a deal breaker.Susan opens the screens and enters the house.SUSAN: Hold on a minute, now. I started snooping around because I found all that money by accident. And, and then, I found a gun. Are you a drug dealer or something?MIKE: Is that what you think?SUSAN: Well, I wouldn't know because you never let me in. You know, there’s this whole part of your life that you keep completely walled off.MIKE: I have a gun for protection, I keep cash for emergencies. I'm a good guy, Susan, and you should know that. I'm, I'm not obligated to share every little detail of my life with you. SUSAN: Well, every little detail is one thing. You know, weird creepy secrets, that’s another.MIKE: You know what, I don't want to be with someone who doesn't trust me.SUSAN: Well, maybe we shouldn't be dating.MIKE: Maybe we shouldn't.。

1X05 - COME IN STRANGEROriginal Airdate (ABC): 31-OCT-2004[INT -School-Day](Lynette and the boys' teacher are talking after they've painted a girl blue)Teacher: The boys are in my class because I'm the only teacher that can handle them.(shots of Lynette dragging one of the twins who is holding on to a table for dear life)Teacher: We may no longer be able to accommodate them.[INT-Young House-Living Room-Night](Zach is sat on the floor of the living room and he's spinning the barrel of a gun round. His dad watches him)Zach: Mom used this to kill herself. Why would you keep it?[EXT -Young House -Night](Zach answers the door. He's got the gun behind his back.)Bree: Are you okay?[INT-Scavo House-Kitchen -Day](The girls are sitting around drinking coffee.)Gabrielle: I think he's hiding something.[INT-Delfino House -Night](Shots of Mike on the phone and has a gun of his own)(Shots of diagrams of Wisteria Lane on Mike's wall, listing the houses, who lives where and the ages of the children.There are also photos of Gabrielle, Carlos, Julie and Susan)[INT-Solis House -Bedroom -Day](shot of Carlos discovering John's sock under the bed)[INT-Young House -Night](shot of the letter I know what you did.It makes me sick. I'm going to tell. The shot expands and we see the PI reading the note)PI: Exactly what is it you hired me to do?Paul:Someone sent that note to my wife and I need to know who.[INT -Supermarket -Day](Susan is at the checkout when Mike talks to her.)Mike: You like Alfred Hitchcock?(Susan looks up at Mike.)[INT -Mayer House -Kitchen-Night](Mrs Huber has dropped by to give Susan a pie and blackmail her. She takes out of her bag the charred measuring cup)Mrs Huber: I found it in the ruins of Edie's home.(Susan doesn't know what to say)[INT-Solis House-Stairs - Day](Carlos confronts Gabrielle with the discovered sock)Carlos: I found it under our bed. It's not mine.(Gabrielle shows Carlos the cleaning cupboard with the socks)[EXT -Wisteria Lane-Day](Shots of Julie riding her bike past an old woman)Mary Alice Voiceover: Every neighbourhood has a woman like Alberta Fome.(Mrs Fome goes out to collect her mail.)Mary Alice Voiceover: And every woman like Mrs Fome has a cat.(we see the cat through the window)[INT-Mrs Fome's House -Bedroom -Day](Shots of the cat walking over an open suitcase. It's packed with clothes.)Mary Alice Voiceover: When she travelled, Mrs Fome would arrange for friends to look after her beloved pet.(shots of Mrs Fome stoking the cat at the table. She is on the phone trying to arrange for a friend to look after the cat.)Mrs Fome: (on the phone) Thanks anyway.(She hangs up the phone and crosses another name off her list of people to ask. The last name on the list is Susan Mayer)Mary Alice Voiceover: This time, she was forced to ask her neighbour Susan Mayer.[EXT -Mayer House -Day](The doorbell rings and Susan answers it to Mrs Fome)Mary Alice Voiceover: Mrs Fome liked Susan. But it was common knowledge on Wisteria Lane that wherever Susan Mayer went, bad luck was sure to follow.(Underneath this Mrs Fome is asking Susanto look after her cat. She's nervous asking at first. And when Susan agrees she looks positively worried for her cat's well being)[EXT-Wisteria Lane-Outside Mayer House-Day](Shot of Susan backing the car out of the driveway. She hits her dustbin)Mary Alice Voiceover: Her misfortunes ranged from the common place-(Susan looks out of the window at the bin on its side)[EXT-Wedding Reception-Day]Mary Alice Voiceover: -To the unusual-(Susan is dressed in a gorgeous pink dress, she's flirting with a guy in a tux and goes to lean against a table. As she does, the table upends and she ends up on the floor with the contents of the table (including the wedding cake) all over her.)[EXT-Mayer House -Garden - Day]Mary Alice Voiceover: -To the truly bizarre.(Susan is on a stool filling her bird feeder. A bird flutters around her head and she waves her arms to shoo it away.It doesn't go and she ends up jumping off the stool trying to get away from the bird that is attacking her.)[EXT :Wisteria Lane -Outside Mrs Fome's House-Day](Mrs Fome is in a taxi, about to drive away, she seems nervous. She's looking back at Susan, who is holding her cat,waving its paw as its owner drives away)Mary Alice Voiceover: As she waved goodbye, she worried that Susan's streak of bad luck would continue. For that matter, so did her cat.(Susan walks away with the cat, and the scene changes to a shot of Mrs Fome's house in the dark.) [INT-Mrs Fome's House -Night](Susan and Julie enter Mrs Fome's house to feed the cat)Susan:(calls for the cat) Mr Whiskars.Julie: Here kitty.Susan:Dinner time. Here kitty, kitty, kitty!(Susan and Julie stop looking for the cat, when they enter the kitchen and see a lot of the drawers are open)Susan: Cats can open drawers, can they?Julie: Are you sure you didn't leave them open this morning?Susan: Noway.Julie: Wow.Do you think somebody broke in?(Susan's about to answer, when they see a large screwdriver on the kitchen table. Susan look worried) Susan: MR WHISKERS(Susan and Julie both start frantically calling for the cat and search through different rooms to find him) (The shot focuses on a door to a cupboard. We see the door open and we pan down to see the shoes of an intruder.The male intruder creeps to the door, and we see the cat follow and sneak out,with the intruder closing the door behind him)Mary Alice Voiceover: Though she didn't know it at the time Susan's luck-(we see the intruder open the door again,and put the cat back inside the house)Mary Alice Voiceover: had finally started to change.OPENING CREDITS[EXT -Wisteria Lane -Night](Shots of people all streaming towards the Scavo house)Mary Alice Voiceover: News that an intruder had breached the security of Wisteria Lane spread like wildfire.[INT-Scavo House ?Kitchen-Night](Shots of people milling around, helping themselves to coffee and cakes)Mary Alice Voiceover: At a neighbourhood watch meeting the next night, residents voiced their concerns over the increasing dangers their community faced.(we watch Mike make himself coffee, and then go to find a seat with all the others)(shot of an old woman talking to the gathered crowd)Mary Alice Voiceover: Mrs Eida Greenberg announced that someone was looking through her bathroom window whenever she took a shower.(shot of a geeky looking man talking to the gathered crowd)Mary Alice Voiceover: Bob Fisk warned those present that an unnamed government agency was listening in to their phone conversations.(shot of a large, motherly looking woman talking to the gathered crowd)Mary Alice Voiceover: Helen veil spoke of a ruthless local teenage gang that had egged her mini van. (the shot pans down to see a teenage boys quashed in between his parents on a sofa. He squirms, afraid of being caught out about the egging.)(Shot of a policeman giving a presentation to the assembled people, who are all watching attentively.) Policeman: There are three things that contribute to... (we can't hear what he says during the VO) Mary Alice Voiceover: The evening concluded with Officer Thompson offering safety tips and a plan of action.Policeman:So you can sign up for a situation you have control over.(He hands a clipboard to Lynette.) 签名同意参加Policeman:You can sign up for either daily or nightly patrols. I know that might seem a bit like overkill, but I assure you. 巡逻(Susan watches Lynette hand out the clipboard. She looks over her shoulder and smiles and waves at Mike. His halfhearted response makes her turn back, disappointed.)Policeman:That regular surveillance will deter even the most determined criminal. So are there any other questions? Alright then, let's be careful out there.(everyone claps.)(Susan gets up and talks to the policeman.)Susan: Actually I do have a question. Do you have a second?Policeman:Sure, how can I help?Susan: Well,I'm the one who discovered the break in and I think I found some evidence. Policeman:Evidence?(Susan pulls a screwdriver in a large clear plastic bag out of her purse and hands it to the policeman.) Susan: I think this is a screwdrivert left behind by the burglar. And I didn't touch it.Policeman: Why didn't you give this to the investigating officers?Susan: I tried! But they sort of laughed at me, because apparently nothing was taken from Mrs Fome's house.Policeman:Well, I apologise for that. It was totally unprofessional.Susan: Thank you! So do you think it should be dusted for prints?Policeman:Yes. And I'll make sure it gets done.(we see Mike watching the two of them.He doesn't look amused.)Susan:Great.(the cop smiles at Susan. Susan gives him a little smile, then leaves.)Susan: Bye.[INT-Scavo House -Living Room -Night](It's later on and the meeting is over.Bree is helping to pack up the folding chairs, Susan is collecting the paper cups. The others are helping to clear up, whilst the twins are jumping on the sofa, having a pillow fight.)Lynette:Boys! Stop it! Go to bed.(the boys don't stop.)Preston: But we're not tired.Lynette: Well,at least go upstairs..(She realises what she's holding, and holds out the half full bag of crisps to the boys. The boys see what she's holding and stop.)Preston: Gimme! Gimme!(Both boys reach for the crisps and Lynette backs away from them, towards the stairs. She throws the bag upstairs and the boys chase after them.)Lynette: GO!GO, GO!Preston: C' on.Porter: I'm right behind you.(Bree looks on disapprovingly at what she's just witnessed. When Lynette turns around and catches her look, she puts her hands up as if she's not going to say anything. Lynette looks pretty happy with the way she handled her kids though!!)[INT -Scavo House - Kitchen -Night](Gabrielle and Susan are continuing to clean.)Gabrielle:So why weren't you sitting with Mike tonight? I thought you two were becoming an item. 这里是解释一对的意思，GABY是问SUSAN为什么不和MIKE坐在一起，她以为他们早成一对了呢。

Episode 01.23 - One Wonderful Day--------------------------------------------------------------------------------Mary Alice Voiceoverreviously on Desperate Housewives:Mary Alice Voiceover:There is a motive to every mystery-Dr. Craig:Your body isn't responding to the medication the way it should.Rex:I think I'm having a heart attack.Mary Alice Voiceover:-evidence of every crime-Gabrielle: They're charging you with a hate crime?Carlos:I thought you were cheating with him.Gabrielle: With our gay cable guy?Carlos:I didn't know he was gay.I didn't know Justin was either.Mary Alice Voiceover:-and an answer to every question.Susan:Gabby, the woman killed herself.Something must have been going on.Mary Alice Voiceover:All you have to do is take a closer look...Policeman #1:... a woman in it.Zach:Woman?Policeman #1:She was all chopped up.Mary Alice Voiceover:...and eventually, every secret...Mikeo you know where Paul Young is?Felicia:I know where he will be on Thursday night.Mary Alice Voiceover:...will be revealed.(Sorry,I can't figure out who says)Mary Alice was being blackmailed?Susan:Oh, Mary Alice, what did you do?--------------------------------------------------------------------------------[Mary Alice's House](On a table is a picture of Mary Alice, Bree, Susan, Gabrielle and Lynette hugging and smiling.) Mary Alice Voiceover:"My name is Mary Alice Young, and before I died, my life was filled with love, laughter, friendship, and, sadly, secrets."(Cut to Mary Alice exiting her front door, taking out the trash.)Mary Alice Voiceover:"The secrets had begun fifteen years earlier when my name was Angela Forrest, and I was living a life of quiet desperation."(Cut to Mary Alice serving breakfast to Paul, who is pouring orange juice while sitting at the dining room table.)Mary Alice Voiceover:"I'd feel it every morning as I made breakfast for my husband."Paul: "If you could stop by the market today, that would be great. I'm out of shaving cream." (Cut to Mary Alice in the supermarket parking lot.)Mary Alice Voiceover:"And during the errands I ran in the afternoons."(With a supermarket apron on, a bag boy loads groceries into Mary Alice's car. She hands a tip to him.)Bag Boy: "So Friday's double coupon day. You'll save a bunch if you come on Fridays."Mary Alice Voiceover:"Even at my work every evening."(Cut to Mary Alice at the hospital. She approaches the nurse's station with a file folder. A younger Felicia Tilman is talking to a nurse who is looking at a calendar at the desk.)Nurse: "What a lovely calendar. Was this taken around here?"Felicia: "Oh, no. That's way out in Fairview. I have family there. Isn't it idyllic?"(Mary Alice begins putting files away. Felicia hands her another file.)Felicia: "Here, Angela. You can file this."Mary Alice: "Oh."Mary Alice Voiceover:"To me, each day was gray and meaningless. And then one night, suddenly..."(Cut to Mary Alice taking out the trash. A young woman approaches in the dark, carrying a baby.)Deirdre: "Hey, Angela."Mary Alice Voiceover:"There was color."Mary Alice: "Deirdre. What are you doing here?"Deirdre: "I need some money."(Later, Deirdre looks around Paul and Mary Alice's living room, holding her baby. Paul stands off to the side and Mary Alice brings a glass of water to Deirdre.)Mary Alice: "Deirdre, here."(The baby begins whimpering. Deirdre drinks the water quickly and hands the glass back to Mary Alice. She keeps her reddened eyes averted.)Mary Alice: "You're using again, aren't you?"Deirdre: "No, I just, um, I just got to get some food for my baby and some other stuff."Mary Alice: "Well, if the baby's hungry, we can go to the market and I'll buy food."Deirdre: "I-I can shop for my own baby, okay?"(The baby begins to fret.)Deirdre: "Quiet! I can't think. See this watch? It's worth a lot. I'll give it to you for fifty bucks." Paul: "She's not giving you money."Deirdre: "Do you mind? Angela, you're the only one at rehab who treated me like a person. Okay, please, please don't stop now."Mary Alice: "I'm sorry."(Mary Alice walks to the front door and opens it.)Deirdre: "I'll sell you my baby!"Mary Alice: "What?"Deirdre: "I heard you talking and I know you can't have your own. It's been killing you."Paul: "It's time that you left."Deirdre: "No, I, I'm thinking about Dana. You'll give him a good home. Okay? He'll be better off. Okay? Shh. Quiet. Quiet!"Paul: "Honey!"(Mary Alice holds up her hand to silence Paul.)Deirdre: "How much money do you keep in the house? "(The baby continues to cry. Mary Alice slowly closes the front door.)--------------------------------------------------------------------------------[Clinic](Paramedics roll in a gurney carrying an unconscious Deirdre.)Felicia: "She has a ten-month-old baby. Where the hell is it?"Policeman: "I don't know. If we'd seen a kid, we certainly wouldn't have left it sitting in the middle of a crack house."Felicia: "If anything happens to that child, I will have your badge."(Mary Alice stands close by, listening to the conversation.)Policeman: "Just let me do my job, huh? We'll post an Officer at the junkie's bedside. If she wakes up, we'll let her tell us where she left her kid."(Deirdre's gurney is rolled out the room. Mary Alice's eyes focus on the calendar hanging at the nurse's station. She looks at the picture of a group of houses in the town of Fairview.)--------------------------------------------------------------------------------[Mary Alice's House](A realtor comes out of the house, greeting Paul, Mary Alice, and young Dana.)Realtor: "I really do hope you folks will be happy here in Fairview."Paul: "Thank you."Mary Alice Voiceover:"And we were."Mary Alice: "Wave bye, Zach. Wave bye-bye."Mary Alice Voiceover:"We were as happy as any family could be."(Mary Alice and Paul smile at each other, then enter their new home.)Mary Alice Voiceover:"Until one night three years later..."(Hard knocking on the door late at night.)Mary Alice Voiceover:"When there was a knock at our door and I was desperate once again." (Mary Alice opens the front door. Deirdre is standing there.)--------------------------------------------------------------------------------CREDITS--------------------------------------------------------------------------------[Wisteria Lane, Nighttime]Mary Alice Voiceover:"It was five o'clock in the morning on Wisteria Lane when the phone calls started."--------------------------------------------------------------------------------[Susan's House](The telephone rings. Susan rolls over in bed to pick up the phone.)Mary Alice Voiceover:"Of course, each of them knew something was wrong from that first ring." Susan: "Hello?"--------------------------------------------------------------------------------[Lynette's House](The telephone rings.)Mary Alice Voiceover:"After all, it's one of the unwritten rules of suburbia..."(Lynette wakes and grabs the phone.)Lynette: "Hello?"--------------------------------------------------------------------------------[Gabrielle's House](The telephone rings.)Mary Alice Voiceover:"...don't call the neighbors in the middle of the night..."(Telephone ringing. Gabrielle grabs the phone. )Mary Alice Voiceover:"...unless the news is bad."Gabrielle: "Hello?"--------------------------------------------------------------------------------[Hospital]Mary Alice Voiceover:"And so they came with their uncombed hair and their unmade faces. They came because after all these years..."(Susan, Lynette and Gabrielle exit the hospital elevator, walking quickly. They come to a waiting room where Bree is sitting there alone.)Susan: "Bree."Mary Alice Voiceover:"They were no longer just neighbors."(Susan, Lynette ,and Gabrielle go Bree and sit with her.)Bree: "Hi. What are you doing here?"Susan: "We heard Rex had a heart attack. How is he?"Bree: "Um, he's stable, but, um, they have to put in a pacemaker, so they're gonna need to operate. How did you guys know?"Gabrielle: "Danielle called."Lynette: "So how are you doing?"Bree: "We were having a fight when he had the heart attack, and I'm just feeling really guilty, because I should have gotten him here sooner and - "Gabrielle: "Honey, the doctors here are great!"Lynette: "Yeah, and he's so young, he's gonna bounce right back."Susan: "I'm sure you have nothing to worry about."Bree: "You know what? I am so happy that you guys came here, I really am, but I am trying really hard to be strong, so if you keep comforting me..."Lynette: "You're gonna lose it?"Bree: "Mm-hmm."Gabrielle: "Then we won't comfort."Bree: "Thank you."Gabrielle: "We're just gonna talk about non-crisis things."Susan: "Oh, I know. Uh, I found Mrs. Huber's journal in some of Mike's stuff, and I think she knew Mary Alice's secret and was blackmailing her."(Bree, Gabrielle and Lynette look at her.)Lynette: "Yep, that'll do it."--------------------------------------------------------------------------------[Outside Felicia's House](Zach walks quickly out the front door, Felicia right behind him.)Felicia: "Zachary! Come back here, please."(Zach goes to his own house, slams the door and runs up the stairs. He is carrying a suitcase and heads up the stairs. Felicia enters after him.)Felicia: "Your father told you he would be gone for a while. He said you should let me look after you."Zach: "I will be fine by myself. I am not a child."(Zach continues upstairs, goes to his room, and lays down on his bed. Felicia enters.)Felicia: "I know you're not a child, but I think we should discuss this."(Felicia sits on the bed next to Zach.)Zach: "I'm fine, really."Felicia: "Why should you fend for yourself when you can just come home with me? Let meshoulder the burden. It would really be my pleasure-"(Felicia reaches to brush Zach's hair back. Zach pushes her away and jumps up from the bed. Felicia jumps back.)Zach: "Stop! What kind of freak are you? Just leave me alone, all right? You are not my mother! I told you that I am fine. Now stop acting like my mother and go home."Felicia: "I wish it were that easy, Zachary, for your sake, but it's not. Your father's not coming back."Zach: "He said that he was."Felicia: "He lied. I wanted to spare you this, but your father and I discussed it, and he decided that he shouldn't come back. Now, get your bag and let's go home. I'm gonna make you some pudding."(Felicia walks out of the room. She starts down the stairs and as she reaches the bottom, Zach runs after her, holding a hockey stick.)Zach: "What did you do to my dad?"(He swings the hockey stick at her.)--------------------------------------------------------------------------------[Outside Paul's House](From the Young's front lawn, the sounds of someone being struck over and over can be heard.) Zach: "Tell me!"--------------------------------------------------------------------------------[Mrs. Applewhite's House](The new neighbor, Mrs. Applewhite, comes out onto the porch carrying a sewing basket. Edie approaches.)Edie: "Mrs. Applewhite?"Mrs. Applewhite: "Yes?"Edie: "Hi. I'm Edie Britt. The realtor that helped you buy this house?"Mrs. Applewhite: "Oh, of course. Hi."Edie: "Hi. I've been so curious to meet you."Mrs. Applewhite: "Really? Why?"Edie: "It's just that I've never sold a house over the phone before."(A young man comes out the front door and closes the door behind him.)Edie: "You were awfully brave, buying the place sight unseen."Mrs. Applewhite: "Not really. We could tell from the advertisement it was just what we were looking for. This is my son Matthew."(Matthew approaches and reaches to shake Edie's hand.)Matthew: "It's nice to meet you, ma'am."Edie: " Please. Call me Edie. Ma'am's for middle-aged women."(Edie looks over a bush and points to Susan across the way who's putting trash in her trash can.) Edie: "...like her. You can call her ma'am anytime you want. So are you two finding everything okay? Because we didn't do our realtor's walk-through."Mrs. Applewhite: "Everything is fine."Edie: "Oh, honey. Escrow's closed. Now I can show you where to put the buckets when the rain comes."Mrs. Applewhite: "Edie. The house is fine. But how lovely of you to stop by."Edie: "Okay. Here is my card. Call anytime you want. Bye."(Matthew and his mother watch Edie walk to her car.)Matthew: "eople are very friendly in this neighborhood."Mrs. Applewhite: "Yes. Yes, they are."--------------------------------------------------------------------------------[Susan's House](Susan paces while on the phone. She is holding Mrs. Huber's journal.)Susan: "Mike, Hi, sweetie. I hope the job's going well. Um, so I hope you're not mad, but I found Mrs. Huber's journal in your truck, and, well, I couldn't exactly not read it, so I did, and, um, I know all about the blackmail, so call me. We'll talk. Love you. Bye."(Later, Susan is on the phone again.)Susan: "I haven't heard back, and I was getting a little concerned. The girls and I were talking, and, we think that maybe Paul Young killed Mrs. Huber, and if he did, then maybe he killed your old girlfriend, too, so we should really talk about this, so call me. I love you. Bye."(Later, Susan is on the phone again.)Susan: "I thought the whole point of having a cell phone was so someone could reach you when they needed to talk. How can we move forward as a couple if you won't communicate with me? Mike, I need you to call me back! I mean it! Love you. Bye."(Later, Susan is on the phone again.)Susan: "I am so sorry for that last phone call. Um, let's just say it was the worry talking. I just really need to talk to you, and-"(There's a small chirping sound coming from the phone.)Susan: "Can you hang on? I got another call. Hello?"Mike: "Hey, it's me."Susan: "Oh, my God. Where have you been?"Mike: "Uh, the reception's pretty lousy up here, but I got your messages."Susan: "Well, I'm really sorry for that last message. I was just, uh..."Mike: "Stressed out?"Susan: "Yes. Let's call it stressed out. Uh, so how did you get Martha Huber's journal?Mike: "Oh, um, her sister, Mrs. Tilman, gave it to me. She was helping me with my search." Susan: "I just really think we need to give it to the police."Mike: "Uh, yeah. Yeah, absolutely."Susan: "Really?"Mike: "Sure. Yeah. As soon as I get through with this job, we'll make an appointment with that detective, what's his name, uh, Copeland."Susan: "Great. That's great."Mike: "All right, so I'll, uh, see you in a few hours."Susan: "Okay. Hurry, though. I just have a feeling that Paul Young is in the middle of all of this." Mike: "Well, let's not rush to judgment."(Mike hangs up. He's in his truck and turns to look at the back seat, where Paul Young is tied up with tape over his mouth. Mike drives off into the mountains.)--------------------------------------------------------------------------------[Courtroom Waiting Room](Carlos is sitting in a chair wearing an orange jump suit with handcuffs on. Gabrielle enterscarrying a suit.)Carlos: "What are you doing here?"Gabrielle: "I'm here to testify for you, Carlos. Can you take those off?"Policeman (unlocks Carlos' handcuffs): "Yes, ma'am."Gabrielle: "There's no way I'm dressing him."Carlos: "Gabby, thank god you're doing this. Beating up a second gay guy? It looks bad." Gabrielle: "Yes, well, Carlos, in some circles, beating people up at all is frowned upon." Carlos: "So why'd you change your mind?"Gabrielle: "Well, I'm about to be the mother of your child, which means a lot of responsibility and little time for myself. So if I'm gonna get you out of this mess, you have to reciprocate." Carlos: "Okay."Gabrielle: "When the baby cries in the middle of the night, you're gonna get up without saying one word. Doctors' appointments: you're driving. I'm not putting a car seat in my Maserati. And you will also be on bottle duty. That means washing, sterilizing, and filling. That way I'll have some semblance of a life, and then maybe I won't hate you so much."(Gabrielle tightens Carlos' tie. He winces. She fixes his collar.)Gabrielle: "All right, there we go. So we're good? See you in court."(Gabrielle begins walking out.)Carlos: "Hey, Gabby? Aren't we breast feeding?"Gabrielle: "Oh, honey, if you can swing that one, more power to you."(Gabrielle leaves the room.)--------------------------------------------------------------------------------[Pizza Place](Inside a children's Pizza Parlor. Lynette and Parker enter, with Lynette pushing the stroller.) Parker: "Can I buy my own pizza?"Lynette: "Uh, you can, honey, If you can pay for it."(Lynette hears cheering and yelling. She looks over to the game area and sees Tom playing air hockey with a bunch of kids.)Tom: "Yeah, that is nineteen, nineteen, nineteen-zip. Bring it."Lynette: "Just stay here with Penny for a second, okay?"(Lynette walks into the game room and approaches Tom.)Lynette: "Tom?"Tom: "Yes! In your face! That is twenty-zip game, out!"Lynette: "Tom, what are you doing?"Tom: "I'm playing air hockey. What's it look like? Kevin, you're up."Lynette: "Well, it's the middle of the day, and shouldn't you be at work?"Tom: "Mm, no. I quit."Lynette: "You did not."Tom: "Yes. Yesterday. I told Peterson he could stick it. Boom! You're not bringing it, Kevin! Bring it!"Lynette: "Could you talk to me for a second? I don't understand."Tom: "What? You asked Peterson's wife to make sure he wouldn't promote me. So he gives a huge promotion to Annabel, so I quit. What don't you understand?"Lynette: "Okay. Okay. Could we go home and talk about this, please?"Tom: "No, we can't. Serve it up, meat."Lynette: "You're just gonna stay here and play games all day?"Tom: "No, I'm gonna go and get some ice cream, and then I'm gonna go up to the lake, maybe rent a boat, do whatever it is I feel like -- God!"Boy: "Gotcha!"Lynette: "Tom."Tom: "Go home, Lynette. Go home before I say something I regret. Go home."(Lynette walks away.)Tom: "All right, you. You score this next point, you get your bike back."--------------------------------------------------------------------------------[Hospital Room](Bree is sitting beside Rex who is attached to various monitors. Rex opens his eyes and looks over at Bree.)Rex: "What are you thinking about?"Bree: "Oh, I was just, um, thinking that I need to start, uh, spring cleaning."Rex: "You haven't done that yet?"Bree: "No, and I need to clean out our rain gutters, and, uh, beneath the refrigerator, and I can't tell you how long it's been since I've replaced the shelf liner, so..."Rex: "Then you'll finish off with our wedding silver."Bree: "How did you know that?"Rex: "See, all those years, you didn't think I was paying attention. But I was."Bree: "And do you know why I save it for last?"Rex: "No."Bree: "Because it makes me think of my Aunt Fern. On the day we got married, I told her how happy I was, and she told me that even during bad times to always remember that the best was yet to come. And so as I polish it, I think about you and the kids and our life and how right she was."Rex: "They're gonna operate on me."Bree: "I know."Rex: "I wanna say some stuff just in case."Bree: "Rex, you don't have to say anything."Rex: "I'm sorry for everything I did. The moving out, the infidelity, the sex stuff..."Bree: "It doesn't matter. From here on in, can we just say that we're even?"(Rex reaches for Bree's hand. Bree clasps his hand.)Rex: "Okay."Bree: "Thanks."(Bree sits on the bed next to Rex and tenderly touches his face.)Bree: "And for the record, you are gonna come through this operation just fine."Rex: "How can you be so sure?"Bree: "Because I told you: the best is yet to come."(Bree kisses Rex. She places her head on his chest and Rex puts his arm around her.)--------------------------------------------------------------------------------[Outside Susan's House](Susan, Julie, and Karl come out. Karl is holding Julie's suitcase.)Julie: "So I'll see you Sunday. Don't forget to feed Bongo."Susan: "Oh, thanks. I'll go do that now."Karl: "Go on in the car, sweetie. I have to talk to your mom real quick."(Julie gets into her father's car.)Karl: "So you're gonna go live in sin with the plumber slash ex-con?"Susan: "It's funny you should mention sin. I think adultery still falls in that category."Karl: "I, I don't like the idea of this guy being around Julie twenty-four seven."Susan: "He's a good person."Julie: "Mike's cool, dad. He cares about us a lot, and I like having him around. So don't mess this up."Susan: "You heard the girl."Karl: "He's still a plumber."(Karl get into his car and drives away. Julie waves goodbye. Susan goes across the street to Mike's house.)--------------------------------------------------------------------------------[Mike's House](She enters the darkened house with a key. Bongo begins barking and growling.)Susan: "Now, you be a good boy, Bongo, or you're gonna go to bed hungry."(Susan goes into the kitchen. Zach comes out from behind a wall. Susan turns and sees Zach. He has a gun in his hand.)Zach: "Hi, Ms. Mayer. Can you sit down, please?"(Susan is sitting at the dining room table. Zach is sitting across from her with the gun on the arm of the chair. Susan looks into the kitchen and sees a block with knives on the counter. She looks around the room. She sees a tall vase and part of a moose horn. She begins standing up.) Susan: "I'm just gonna go get some water."Zach: "I'd rather you didn't."(Susan slowly sits back down as Zach keeps his gun trained on her. Edie walks up Mike's porch. She knocks.)Zach: "Don't answer it.(Zach gets behind the door where it's dark and peeks out. Edie looks through the window and sees Susan quietly sitting there.)Edie: "I know you're in there, Susan. I can see you. If you don't want to talk to me, fine. At least have the courtesy to hide."(Edie begins to knock louder. Susan looks at Zach as though saying, "what should I do?") Zach: "All right, but don't let her in."(Susan gets up and opens the door a crack. Zach is standing behind the door holding the gun on her.)Susan: "Edie, what a pleasant surprise."Edie: "Right. Is Mike home?"Susan: "Uh, no, he's on a big plumbing job. What's up?"Edie: "Can I come in?"Susan: "Why?"Edie: "I'm warning all the neighbors. Felicia Tilman was attacked."Susan: "She was?"Edie: "At the Young house. They just took her away an ambulance. I'm totally freaked out. My guys haven't shown up at the job site yet. I'm over there all alone, so do you think maybe I could just come in and hang out for a while?"(Susan mouths "Zach is sticking a gun at me" to Edie, but Edie misunderstands.)Edie: "Stick it up my what?"Susan: "Just get the hell out of here."Edie: "God, you are such a bitch."(Susan slams the door on Edie. She faces Zach who continues holding the gun on her.) Susan: "Why?"Zach: "I asked Mrs. Tilman to tell me the truth about my father. She did."Susan: "What'd she say?"Zach: "Mr. Delfino took my dad away to kill him. Now I'm gonna kill Mr. Delfino."--------------------------------------------------------------------------------[Courtroom](Gabrielle is on the stand.)Gabrielle: "Your Honor, this whole mess is just a result of my loneliness. My marriage is a bit strained, and after Carlos was convicted-"Judge: "No one's been convicted yet, Mrs. Solis. This is just a Grand Jury hearing." Gabrielle: "Oh, no, no, I'm talking about his other crime."Judge: "Oh, right. Go ahead."Gabrielle: "Anyway, he was placed under house arrest, and he being the jealous man that he is, got a little crazy every time I left the house."(The courtroom is filled. Justin, with a bruised face, is sitting in the back. Also in the courtroom is the cable guy Carlos previously attacked.)Gabrielle: "He knows how men look at me, and, well, I, I didn't exactly ease his mind. I falsely led him to believe I was having an affair. And, and before Carlos's house arrest, he was always working, and he was never with me. And I thought that maybe if he believed I was having an affair, he would realize he loved me. And I know it sounds stupid, I do. I just-"Prosecution Attorney: "Is there a point to this?"Gabrielle: "My point is that Carlos is an angry, jealous Neanderthal. But he's not a gay-basher." Judge: "All right. I've heard enough. Counsel, approach."(Holding his hand over the microphone, the judge speaks with the attorneys.)Judge: "I've got to be honest, I don't think we have a hate crime here."(Gabrielle, listening intently, turns to Carlos and nods encouragingly at him. Just then, John enters the courtroom. As the judge and attorneys continue talking, John approaches Carlos from behind. Gabrielle watches in horror as John leans to whisper into Carlos' ear.)John: "Just so you know, you beat up the wrong guy. Didn't you think it was strange that you had the only lawn on Wisteria Lane that needed to be mowed three times a week?"(He claps Carlos on the back and gives Gabrielle a brief fierce stare before walking off.) (Carlos slowly turns his head to look at Gabrielle. Her eyes widen and Carlos turns his body to look at where John is standing directly behind Justin.)Carlos: "You are so dead! You are so dead. You are dead!"(Carlos jumps over the barrier and runs toward John. Judge pounds the gavel.)。

关于绝望主妇第一季各集经典旁白Season 1 第1集Life was suddenly full of possibilities.Not to mention a few unexpected surprises.生命突然充满了无限的可能，更有一些意料之外的惊喜。

An odd thing happens when we die. Taste,touch, smell, and sound become a distant memory,but our sight --ah, our sight expands,and we can suddenly see the world we've left behind so clearly.Of course, most of what's visible to the dead could also be seen by the living,if they'd only take the time to look.人死后会有奇怪的事发生。

味觉、触觉、嗅觉和听觉都成为遥远的回忆，但视觉却变开阔了，突然能把这个身后的世界看得如此清楚。

当然，大多数死人能看见的世界，活着的人也能看清楚，只要他们愿意花时间去看。

Season 1 第2集As I look back at the world I left behind, it's all so clear to me:the beauty that waits to be unveiled,the mysteries that long to be uncovered.But people so rarely stop to take a look,they just keep moving.It’s a shame really, there’s so much to see.当我回头看这个身后的世界，它如此清晰。

绝望主妇第一季中英文剧本对白- MARY ALICE:: My name is Mary Alice Young.我是Mary Alice Young。

When you read this morning's paper, you may come across an article about the unusual day I had last week.当你浏览今天的晨报,可能会读到一篇文章关于上个星期我所渡过的不平常的一天。

Normally, there's never anything newsworthy about my life.通常,我的生活里是没有什么有新闻报道价值的。

That all changed last Thursday.但是上个星期四一切都改变了。

Of course everything seemed as normal at first.一切看起来都很平常。

I made my breakfast for my family.我给一家人做好早餐。

-MARY ALICE: Here we are. Waffles.华夫饼来了。

- MARY ALICE: I performed my chores.我做好了做家务。

I completed my projects.完成我的手工作品。

I ran my errands.完成我的使命。

In truth, I spent the day as I spend every other day quietly polishing the routine of my life until it gleamed with perfection.事实上, 和平时没什么不同——一切都和往常一样,直到一件不寻常的事情的发生。

That's why it was so astonishing这就是为什么一切令人震惊when I decided to go to my hallway closet to retrieve a revolver that had never been used. decide to当我决定走向走廊的壁橱,拿起一把从没用过的左轮手枪。

100:00:00,200 --> 00:00:01,500 Previously on "desperate housewives"...200:00:02,300 --> 00:00:03,900I just want to move this place fast.300:00:03,900 --> 00:00:04,900I'll call you tomorrow.400:00:04,900 --> 00:00:05,800Edie, wait.500:00:05,800 --> 00:00:09,100It's so incomprehensible to me that Edie Britt would try to destroy us.600:00:09,100 --> 00:00:10,900For 5 grand, she's hurt.700:00:10,900 --> 00:00:11,90010 grand, she's gone.800:00:11,900 --> 00:00:13,700Some neighbors hired help...900:00:13,700 --> 00:00:16,500how am I supposed to pull offa formal dinner with no warning?1000:00:16,500 --> 00:00:17,200I don't know.1100:00:17,200 --> 00:00:19,500And some helped themselves.1200:00:19,500 --> 00:00:20,700I hate that she's always watching us.1300:00:20,700 --> 00:00:22,800Some just couldn't stop.1400:00:22,800 --> 00:00:24,400Smile, Gabrielle.1500:00:24,600 --> 00:00:26,300And one...1600:00:27,000 --> 00:00:29,500didn't stop in time.1700:00:29,600 --> 00:00:32,000Oh, Andrew, I need your help, honey.1800:00:32,000 --> 00:00:33,300Mama?1900:00:37,000 --> 00:00:41,100There is a widely read book that tellsus everyone is a sinner.2000:00:41,100 --> 00:00:46,200Of course, not everyone who reads this book feels guilt over the bad things they do,2100:00:46,200 --> 00:00:48,700but Bree Van De Kamp did.2200:00:48,800 --> 00:00:52,600In fact, Bree had spent most of her life feeling guilty.2300:00:53,600 --> 00:00:58,000As a child, she felt guilty about not getting straight A's.2400:00:58,800 --> 00:01:03,800As a teenager, she felt guilty aboutletting her boyfriend go to second base.2500:01:05,300 --> 00:01:11,000As a newlywed, she felt guilty about takingthree weeks to get out her thank-you cards.2600:01:11,000 --> 00:01:13,800But she knew the transgressions of her past2700:01:13,800 --> 00:01:17,300were nothing compared with the sin she was about to commit.2800:01:17,300 --> 00:01:20,100Can't we just go to the police and tell them it was an accident?2900:01:20,100 --> 00:01:22,600This wasn't some simple DUI.3000:01:22,900 --> 00:01:26,200Not only was your brother drinking,Andrew left the scene of the crime.3100:01:26,200 --> 00:01:28,200That makes it a hit-and-run.3200:01:28,300 --> 00:01:30,000Maybe I could go to Canada.3300:01:30,000 --> 00:01:32,000You know, until the statute of limitations is up.3400:01:32,000 --> 00:01:35,400You really think mom and dad are going to foot thebill while you go moose hunting for seven years?3500:01:35,400 --> 00:01:38,600If Carlos's mother dies, there is no statute of limitations.3600:01:38,600 --> 00:01:40,000Right, because then it's murder.3700:01:40,000 --> 00:01:40,500Shut up!3800:01:40,500 --> 00:01:41,900You shut up.3900:01:41,900 --> 00:01:44,400How could it be murder?It was an accident!4000:01:47,100 --> 00:01:49,500We have to get rid of the car.4100:01:56,500 --> 00:01:57,900But we can't sell it.4200:01:57,900 --> 00:02:00,200The police might find it, and there could be DNA.4300:02:00,200 --> 00:02:02,000We'll take the car to a bad part of town,4400:02:02,000 --> 00:02:05,000we'll leave the keys in the ignitionand the doors unlocked.4500:02:05,400 --> 00:02:09,000If the police don't find it, we'll getthe insurance money, and if they do,4600:02:10,400 --> 00:02:12,100it wasn't in our possession.4700:02:12,100 --> 00:02:14,700Anyone could have hit Mrs. Solis.4800:02:15,400 --> 00:02:16,800That sounds good.4900:02:18,300 --> 00:02:20,500Bree, are you sure?5000:02:20,500 --> 00:02:22,700Our son could spend the rest of his life in jail.5100:02:22,700 --> 00:02:24,300I won't allow that.5200:02:24,300 --> 00:02:27,500Bree knew what she was about to do was wrong,5300:02:27,500 --> 00:02:32,300but like most sinners, she wouldworry about her guilt tomorrow.5400:02:32,300 --> 00:02:35,000Well, everybody should go wash up.5500:02:35,900 --> 00:02:38,300We're having pancakes for breakfast.5600:03:16,800 --> 00:03:21,000<font color=F62B97>Episode 8 : Guilty5700:03:22,300 --> 00:03:27,900Not since my own suicide had violence intruded upon the serenity of life on Wisteria Lane5800:03:27,900 --> 00:03:30,700in such a conspicuous fashion.5900:03:30,700 --> 00:03:34,300Needless to say, my friends attackedthe problem head-on.6000:03:34,300 --> 00:03:36,200Lynette brought the broom,6100:03:36,200 --> 00:03:38,700Susan brought the trash bags,6200:03:38,700 --> 00:03:41,900and Bree brought the industrial-strength solvent.6300:03:41,900 --> 00:03:44,800Whoo. That stuff is strong.6400:03:44,800 --> 00:03:45,700It has to be.6500:03:45,700 --> 00:03:50,500I don't want Gabrielle and Carlos coming home to this ugly reminder in front of their house.6600:03:51,300 --> 00:03:53,100So has anyone been over there?6700:03:53,100 --> 00:03:55,300Julie and I went over this morning.6800:03:56,000 --> 00:03:57,200How's Juanita doing?6900:03:57,200 --> 00:03:59,900She's been in a coma ever sinceshe came out of the E.R.7000:03:59,900 --> 00:04:02,500Nobody knows when, or even if, she'll wake up.7100:04:02,500 --> 00:04:05,000This is awful. Carlos must be just devastated.7200:04:05,000 --> 00:04:09,000I hope she wakes up soon. Maybe she cantell us who was driving that car.7300:04:09,000 --> 00:04:10,600We can only hope.7400:04:11,600 --> 00:04:15,800Slow down, you jerk!This is a residential neighborhood!7500:04:17,500 --> 00:04:19,700Wow, that's quite a pitching arm you've got there.7600:04:19,700 --> 00:04:21,900It pisses me off.I've got four kids, you know?7700:04:21,900 --> 00:04:24,100I was up all night reading statistics on line.7800:04:24,100 --> 00:04:27,9001 out of every 4 traffic accidentshappens on residential streets.7900:04:27,900 --> 00:04:31,600I hope whoever hit Juanita gets put away for life.8000:04:32,700 --> 00:04:35,000Don't you think that's a little bit extreme?8100:04:35,000 --> 00:04:37,700An innocent woman gets hit by a carand the driver just takes off?8200:04:37,700 --> 00:04:39,300I don't think it's extreme.8300:04:46,300 --> 00:04:49,200You should go home and get some rest, eat something.8400:04:49,200 --> 00:04:52,900You have a ton of messages from work.Tanaka called, said it was urgent.8500:04:52,900 --> 00:04:54,600Carlos, I can stay here with your mother.8600:04:54,600 --> 00:04:56,600I need to be here if she wakes up.8700:04:56,600 --> 00:04:58,000You can't go on like this.8800:04:58,000 --> 00:04:59,000You have to take care of yourself.8900:04:59,000 --> 00:05:00,400What if she dies?9000:05:01,100 --> 00:05:03,400People slip into comas all the time and never come out.9100:05:03,400 --> 00:05:04,700Don't say that.9200:05:04,800 --> 00:05:06,500We need to stay positive.9300:05:07,700 --> 00:05:09,000Mr. and Mrs. Solis?9400:05:09,500 --> 00:05:10,700John.9500:05:12,400 --> 00:05:13,900Is it okay if I come in?9600:05:13,900 --> 00:05:14,800Of course.9700:05:23,000 --> 00:05:24,600Mr. Solis, uh...9800:05:25,100 --> 00:05:27,100I'm so sorry this happened.9900:05:27,600 --> 00:05:28,800It means a lot that you came.10000:05:40,400 --> 00:05:44,100 Look, I think I'm going to go down to the chapel and pray.10100:05:44,800 --> 00:05:45,900You want to come?10200:05:45,900 --> 00:05:48,000Um, no.10300:05:48,000 --> 00:05:50,300I think I will stay here with mama.10400:05:54,100 --> 00:05:55,800Is it all right if I come?10500:05:55,800 --> 00:05:57,200Of course.10600:05:57,700 --> 00:05:59,500We need all the prayers we can get.10700:06:11,301 --> 00:06:14,002Mrs. Solis, it's time for her sponge bath.10800:06:14,300 --> 00:06:15,300Come again?10900:06:15,400 --> 00:06:19,700Sometimes family members prefer to administer sponge baths themselves.11000:06:22,100 --> 00:06:23,900I think I'll pass.11100:06:29,500 --> 00:06:30,700Martha.11200:06:32,800 --> 00:06:33,900Where's your purse?11300:06:33,900 --> 00:06:36,100Over there. Why?11400:06:41,700 --> 00:06:42,900What are you doing?11500:06:42,900 --> 00:06:46,300I am taking back the $40 thatyou stole out of my purse.11600:06:46,300 --> 00:06:47,000Edie.11700:06:47,000 --> 00:06:49,500We both know you did it.Now hand it over!11800:06:49,700 --> 00:06:52,200I have taken nothing from your purse.11900:06:52,200 --> 00:06:57,200And if you're missing money, I'd ask one of thosestrange men you parade through here at all hours.12000:06:57,700 --> 00:07:01,300I am not going to apologize for having a healthy sex life.12100:07:01,300 --> 00:07:01,800Healthy?12200:07:01,800 --> 00:07:03,500I'm going to have to burn every sheet you've touched.12300:07:03,500 --> 00:07:05,100I want my money.12400:07:05,100 --> 00:07:07,900And I want those nonfat peach yogurts.12500:07:07,900 --> 00:07:10,500They didn't just walk out of that fridge by themselves. 12600:07:10,500 --> 00:07:14,200Well, you can deduct it from the $40that you're going to give me now.12700:07:14,200 --> 00:07:15,600You're my best friend.12800:07:15,600 --> 00:07:17,400Why would I steal from you?12900:07:17,400 --> 00:07:20,300It's no secret that you've beenhaving financial problems.13000:07:20,600 --> 00:07:22,600I hear you bitching on the phone to your bank.13100:07:22,600 --> 00:07:23,800That's it.13200:07:23,800 --> 00:07:29,000I can put up with your debauchery and your food theft, but I will not tolerate spying.13300:07:29,000 --> 00:07:29,900I want you out.13400:07:29,900 --> 00:07:30,800You don't mean that.13500:07:30,800 --> 00:07:32,300Oh, yes, I do.13600:07:32,300 --> 00:07:34,700I'm leaving tomorrow to visit my sister for a few days.13700:07:34,700 --> 00:07:36,900I want you gone by the time I get back.13800:07:36,900 --> 00:07:38,900I'll do you one better.13900:07:41,000 --> 00:07:42,500I will leave today.14000:07:54,400 --> 00:07:55,500I hope this works.14100:07:55,500 --> 00:07:57,900My sleep cycle is totally out of whack.14200:07:57,900 --> 00:08:01,400I'm up all night, and then dozing off during the day.14300:08:01,400 --> 00:08:03,400Trust me. This'll do the trick.14400:08:03,400 --> 00:08:07,300In fact, you should be feeling more relaxed already.14500:08:08,500 --> 00:08:10,200You know, you're right.14600:08:11,300 --> 00:08:13,700Boys, I can hear you out there. Now be quiet.14700:08:13,700 --> 00:08:15,900Just sit there and color.14800:08:15,900 --> 00:08:19,100Now is not a good time to be moving.14900:08:19,100 --> 00:08:19,800Right. Sorry.15000:08:19,800 --> 00:08:22,100Just block everything out15100:08:22,800 --> 00:08:25,000and let it go.15200:08:25,100 --> 00:08:27,900Imagine that you're in a forest.15300:08:27,900 --> 00:08:30,800There's a babbling brook nearby,15400:08:30,800 --> 00:08:34,800and the wind is just coming through the trees.15500:08:34,800 --> 00:08:35,800Mommy.15600:08:35,800 --> 00:08:37,000Parker.15700:08:37,400 --> 00:08:37,900I don't know --15800:08:37,900 --> 00:08:39,500ow -- what you think you're doing,15900:08:39,500 --> 00:08:41,900but put that back where it belongs.16000:08:44,000 --> 00:08:45,000Sorry.16100:08:46,100 --> 00:08:48,800You were saying something about wind.16200:08:49,100 --> 00:08:52,500I was just creating a soothing image.16300:08:54,300 --> 00:08:57,000Oh, for the love of god.16400:08:57,400 --> 00:09:00,700Knock it off, you little monsters.16500:09:03,200 --> 00:09:04,800Mrs. Scavo, please lie down.16600:09:04,800 --> 00:09:06,000We need to finish this.16700:09:06,000 --> 00:09:10,000Look, I'm on my last nerve, so I'm going to level with you here.16800:09:10,200 --> 00:09:14,900I've screwed up my entire system by taking my kids' A.D.D. medication.16900:09:15,600 --> 00:09:17,000Yeah, that's right. You heard me.17000:09:17,000 --> 00:09:19,500I plan to stop, but right now, I need to sleep,17100:09:19,500 --> 00:09:24,300and I need more than a few crappyneedles, so what do you got?17200:09:24,300 --> 00:09:26,500I'm not licensed to write prescriptions.17300:09:26,500 --> 00:09:28,300I know you're not.17400:09:37,500 --> 00:09:39,000This will put you right to sleep.17500:09:39,000 --> 00:09:41,200It's a very powerful herbal remedy.17600:09:41,200 --> 00:09:43,600Now, promise me you're going to use it judiciously.17700:09:43,600 --> 00:09:46,000Sure. Whatever.17800:09:48,000 --> 00:09:49,200Knock, knock.17900:09:50,100 --> 00:09:51,900Hey, come on in.18000:09:53,000 --> 00:09:53,900You're a mess.18100:09:53,900 --> 00:09:57,500I-I'm tearing out these leaky pipesin the upstairs bathroom.18200:09:58,300 --> 00:09:59,700Wall to wall rotten wood.18300:09:59,700 --> 00:10:01,800Hmm, sounds like a job.18400:10:02,600 --> 00:10:05,000So Julie said that you came by before?18500:10:05,000 --> 00:10:07,800Um, yeah. Uh...18600:10:07,800 --> 00:10:12,300I was thinking about driving up to the Germani Vineyard tomorrow for this wine tasting, and, uh...18700:10:12,300 --> 00:10:14,100What time do you want me to be ready?18800:10:14,100 --> 00:10:15,400About 6:00.18900:10:15,600 --> 00:10:17,1006:00 is good.19000:10:18,600 --> 00:10:20,000All right.19100:10:20,000 --> 00:10:24,300You know, I thought maybe afterwards, we could have a little dinner, maybe some dancing.19200:10:24,300 --> 00:10:26,100Sounds great.19300:10:26,900 --> 00:10:30,200Um, you do know that it's, like,a 2-hour drive up there,19400:10:30,200 --> 00:10:34,400and isn't that kind of late to be coming back?19500:10:34,400 --> 00:10:38,100I thought if, you know, worse came to worst, we could grab a room.19600:10:38,100 --> 00:10:39,100Oh?19700:10:39,100 --> 00:10:40,500Like a hotel room?19800:10:40,500 --> 00:10:42,500Yeah, as a last resort.19900:10:42,500 --> 00:10:44,400Of course. Of course, yes.20000:10:44,400 --> 00:10:47,900So maybe we should make reservations.You know, just in case.20100:10:47,900 --> 00:10:51,400Yeah, I found some hotels online.Let me get the printout.20200:10:53,500 --> 00:10:56,200Hey, Bongo. Come here.20300:10:56,200 --> 00:10:57,300You want a treat?20400:10:57,300 --> 00:10:59,500Hey, Mike, where do you keep the dog biscuits?20500:10:59,500 --> 00:11:00,500I'm sorry, what?20600:11:00,500 --> 00:11:02,200Oh, never mind.20700:11:02,200 --> 00:11:03,400We'll just find them ourselves, huh?20800:11:03,400 --> 00:11:05,500We're going to find them ourselves.20900:11:14,400 --> 00:11:16,800I'm sorry, Susan. I couldn't hear you. What'd you say?21000:11:19,000 --> 00:11:20,400Nothing.00:11:20,400 --> 00:11:22,500It's not important.21200:11:24,200 --> 00:11:26,800It's my tile guy. Here, see what looks good.21300:11:27,800 --> 00:11:29,500Hey, Phil.21400:11:29,900 --> 00:11:32,500Um, no, no, tomorrow morning I'm making a lumber run.21500:11:32,500 --> 00:11:33,900It's no good.21600:11:33,900 --> 00:11:36,600Uh, nope, I'm gone tomorrow night, too.21700:11:36,600 --> 00:11:38,400I could let him in.21800:11:39,100 --> 00:11:40,700No, that's okay. Thanks.21900:11:40,700 --> 00:11:41,800No, it's fine.22000:11:41,800 --> 00:11:42,800Just give me the key.22100:11:42,800 --> 00:11:44,800I'll be around all day.00:11:44,800 --> 00:11:47,400All right, um, thanks.22300:11:47,500 --> 00:11:50,000Phil, I'll give a key to my, uh, neighbor.22400:11:50,000 --> 00:11:51,600She'll be here to let you in.22500:11:58,600 --> 00:12:03,400Like every city, Fairview had a neighborhood that was less than desirable.22600:12:03,400 --> 00:12:10,000It was an accepted fact anyone who lingered there after midnight was usually up to no good.22700:12:13,200 --> 00:12:17,000Rex and Bree Van De Kamp were no exception.22800:12:28,300 --> 00:12:30,300You really think this is going to work?22900:12:30,300 --> 00:12:30,500& nbsp;23000:12:30,500 --> 00:12:33,100This is the most impoverishedneighborhood in the city.23100:12:33,100 --> 00:12:35,300Trust me, somebody will steal the car.23200:12:35,300 --> 00:12:37,000How can you be so sure?23300:12:37,000 --> 00:12:39,600Because I have faith in the poor.23400:12:42,000 --> 00:12:43,700She's so beautiful.23500:12:43,700 --> 00:12:46,500I shot this last year on her birthday.23600:12:49,800 --> 00:12:51,000How are you going to do it?23700:12:51,900 --> 00:12:54,200I made contact with her at a bar.23800:12:54,200 --> 00:12:56,600She thinks I'm a real estate developer.23900:12:56,600 --> 00:12:58,500Is she going to suffer?24000:12:58,500 --> 00:12:59,900No.24100:13:00,000 --> 00:13:03,200Edie Britt will disappear,and you'll go back to your life.24200:13:03,500 --> 00:13:05,300Before you do it,24300:13:05,800 --> 00:13:09,400do you think you could ask her whyshe sent this note to my wife?24400:13:09,400 --> 00:13:13,300You can't think like that, Mr. Young.You can't give in to your curiosity.24500:13:13,300 --> 00:13:15,500Curiosity leads to guilt.24600:13:15,500 --> 00:13:17,500Guilt leads to talking.24700:13:17,800 --> 00:13:19,900You still have questions?24800:13:21,300 --> 00:13:23,000I want to be clear about something --24900:13:23,000 --> 00:13:25,200I walk away with this cash, it's done.25000:13:25,200 --> 00:13:28,000No refunds, no buyer's remorse.25100:13:28,100 --> 00:13:29,500I get it.25200:13:30,300 --> 00:13:33,400We won't talk again, so I'll ask one more time.25300:13:33,400 --> 00:13:36,000Are you sure you want this?25400:13:36,400 --> 00:13:39,000My wife is dead because of Edie Britt.25500:13:39,400 --> 00:13:41,900I absolutely want this.25600:13:48,500 --> 00:13:50,200You've been awfully quiet.25700:13:53,600 --> 00:13:55,000I've just been...25800:13:55,800 --> 00:13:58,700thinking about the kids.25900:14:01,000 --> 00:14:03,600They sure grew up quickly, didn't they?26000:14:03,600 --> 00:14:05,700They sure did.26100:14:07,800 --> 00:14:11,300I remember telling them when they were babies that they weren't allowed to get any bigger26200:14:11,300 --> 00:14:13,600because they were so adorable,26300:14:14,900 --> 00:14:17,200and we were so happy.26400:14:17,600 --> 00:14:19,500Yeah, well...26500:14:19,500 --> 00:14:22,800they sure didn't turn out like we expected them to.26600:14:22,800 --> 00:14:24,500No.26700:14:24,500 --> 00:14:26,300They didn't.26800:14:26,600 --> 00:14:28,500We could have been better parents.26900:14:28,500 --> 00:14:30,100We weren't that bad.27000:14:30,100 --> 00:14:32,500We still have so much to teach them.27100:14:32,500 --> 00:14:35,800For starters, we need to get across toAndrew the enormity of what he's done.27200:14:35,800 --> 00:14:38,500I-I suppose we could punish him.27300:14:38,500 --> 00:14:42,500All right, well, what's the appropriate punishment for a child who drives over a woman?27400:14:42,500 --> 00:14:44,900I-I don't know.27500:14:46,900 --> 00:14:49,900You know no matter how the kids turn out,I still love them.27600:14:49,900 --> 00:14:51,700Of course you do.27700:14:52,300 --> 00:14:56,400But I'll never forgive them for growing up so quickly.27800:15:00,200 --> 00:15:02,600Hey. Look.27900:15:16,400 --> 00:15:19,500And then I opened the cabinet,and there was all this money in it.28000:15:19,500 --> 00:15:21,100I mean, there was wads of it.28100:15:21,100 --> 00:15:21,900That's why you're freaking out?28200:15:21,900 --> 00:15:24,000A few stacks of cash? Come on.28300:15:24,000 --> 00:15:26,900Well, what? Realistically, I'veknown this guy a few weeks.28400:15:26,900 --> 00:15:29,400I mean, he could be a hit man for the mob.00:15:29,400 --> 00:15:31,500If you really think that, why areyou going on a trip with him?28600:15:31,500 --> 00:15:33,100I never get out of the house.28700:15:33,100 --> 00:15:35,200Mom, if you really need something to freak out about,28800:15:35,200 --> 00:15:37,400just remember you're going to spendthe night with Mike in a hotel.28900:15:37,400 --> 00:15:40,500No man has seen you nakedin years except your doctor.29000:15:40,500 --> 00:15:43,900Yeah, and he retired. I trynot to take that personally.29100:15:43,900 --> 00:15:44,900You look old in that.29200:15:44,900 --> 00:15:46,000Oh.29300:15:46,000 --> 00:15:47,600Maybe I am being silly.29400:15:48,400 --> 00:15:51,800But going to a hotel with a man is a big deal to me.00:15:52,500 --> 00:15:54,400What if Mike is hiding something?29600:15:54,400 --> 00:15:55,900Like what?29700:15:56,700 --> 00:15:58,100I don't know.29800:15:58,500 --> 00:15:59,600That's dad.29900:15:59,600 --> 00:16:01,400I got to go.30000:16:01,400 --> 00:16:02,400Now, listen to me.30100:16:02,400 --> 00:16:05,000No more freaking out.I need this weekend to go well.30200:16:05,000 --> 00:16:06,800Why do you care so much?30300:16:06,800 --> 00:16:09,200Because I'm going to have ahusband of my own someday,30400:16:09,200 --> 00:16:11,500and I really don't want you living with us.30500:16:17,400 --> 00:16:19,000Are the lady fingers okay?30600:16:19,000 --> 00:16:20,300Oh, they're terrific.30700:16:20,300 --> 00:16:22,300We just appreciate y'all stopping by.30800:16:22,300 --> 00:16:24,900Well, we just wanted you to know how much we care.30900:16:25,200 --> 00:16:27,900So have the police come up with any leads?31000:16:28,700 --> 00:16:30,000Not really.31100:16:30,000 --> 00:16:32,300They'll be able to determine themake and model of the car,31200:16:32,300 --> 00:16:36,300but without any eyewitnesses,no one seems very optimistic.31300:16:36,300 --> 00:16:38,800Well, more importantly, is thereany good news about Juanita?31400:16:38,800 --> 00:16:39,900No change.31500:16:39,900 --> 00:16:42,600All we can do is wait and hope for the best.31600:16:43,100 --> 00:16:45,600We put her on our prayer list at church.31700:16:45,600 --> 00:16:47,800Oh, that's very sweet, Danielle. Thank you.31800:16:48,100 --> 00:16:51,500It must really help during times like these --31900:16:51,500 --> 00:16:52,500having kids.32000:16:52,500 --> 00:16:55,200Yeah, they're a blessing.32100:16:56,200 --> 00:16:59,200Children make everything worthwhile.32200:16:59,900 --> 00:17:02,000You guys are the future.32300:17:02,000 --> 00:17:04,000Legacy.32400:17:04,200 --> 00:17:05,200Thanks.32500:17:05,200 --> 00:17:08,500After we're all dead, you'll bethe only ones left to carry on.32600:17:09,700 --> 00:17:12,400Gabrielle and I are about to start a family.32700:17:13,200 --> 00:17:15,600Oh, hey, that-- that's great.32800:17:15,600 --> 00:17:17,100When did you decide this?32900:17:17,100 --> 00:17:19,400It's a fairly recent development.33000:17:22,400 --> 00:17:23,900I see.33100:17:23,900 --> 00:17:25,300We'll talk about this later.33200:17:25,300 --> 00:17:26,600Face it,33300:17:26,600 --> 00:17:28,000we're shallow people.33400:17:28,000 --> 00:17:31,100I mean, can our lives have any meaningif all we ever do is buy stuff?33500:17:31,100 --> 00:17:32,800That depends on what we buy.33600:17:32,800 --> 00:17:33,700I want a child.337。

绝望主妇第一季结束语Desperate Housewives Season 11-01Once some things are said...You can't take them back.The damage is already done.话一旦说了出去，你就没办法收回来。

因为后果已经产生了。

1-02Yes , As I look back the world I left behind, it all so clear to me, the beauty that wait to be unwilled , the mystery that long uncovered , but people so rarely stop to take a look, they just keep moving, it's the shame really , there are so much to seeing .是的, 当我回头看看身后这个世界时, 一切都如此的清晰. 等待被发现的美丽. 和等待被揭开的神秘. 但人们很少会停下来看上一眼. 他们只是不停地往前走. 这真的很遗憾, 有那么多值得一看的东西.1-03Yes I remember the world every detail , and what I remember most is how afraid I was , what a waste , you see , to live in fear, is not to live at all. I wish I could tell this who those I leave behind ,but it would do any good? Probably not, I understand know, there will be always who face their fears , and there always be those who run away。

第一集DESPERATE HOUSEWIVES1X01: PILOTOriginal Airdate on ABC: October 3, 2004Written by Katie FordDirected by Larry ShawOPEN ON: [EXT. WISTERIA LANE --- MORNING](A school bus drives up the road. Friendly "Good Morning" are exchanged between neighbours. A woman pushes a baby carriage along, while a car pulls out of a driveway and drives down the road. GABRIELLE jogs past a fence on the sidewalk.Pan to:(EXT.YOUNG HOUSE - FRONT YARD)(MARY ALICE comes out of her front door and down the porch steps, carrying a basket of flowers. She kneels in front of her flowerbed, and smells a flower, smiling faintly.)NARRATOR: My name is Mary Alice Young. When you read this morning's paper, you may come across an article about the unusual day I had last week. Normally, there's never anything newsworthy about my life. That all changed last Thursday. Of course everything seemed as normal at first. I made my breakfast for my family. (Cut to:MARY ALICE, carrying a plate of waffles to the breakfast table, where PAUL and ZACH are sitting. She passes the plate to PAUL.)MARY ALICE::Here we are. Waffles.NARRATOR: I performed my chores.(Cut to:MARY ALICE, flipping a switch on the washing machine, and then lifting a basket of clothing off the machine.NARRATOR: I completed my projects.(Cut to:MARY ALICE, stirring a paintbrush in a can of paint and painting a garden chair)NARRATOR: I ran my errands (Cut to:MARY ALICE picking up the dry-cleaning, then retrieving the mail from the mailbox.)NARRATOR: In truth, I spent the day as I spend every other day - quietly polishing the routine of my life until it gleamed with perfection.(Cut to:MARY ALICE, straightening a photo frame on top of the piano. She sighs with satisfaction, a contented smile on her face.)NARRATOR: That's why it was so astonishing when I decided to go to my hallway closet to retrieve a revolver that had never been used.(Cut to:MARY ALICE takes a box off a shelf in the closet. Looking worried and distraught, she shakily puts a revolver to her temple. We see a finger pulling the trigger, and a loud shot is heard. The camera stays on the YOUNG family picture, as the blurred reflection of MARY ALICE is shown in the frame of the picture falling to the ground.)(Cut to: MRS. HUBER'S HOUSE - KITCHEN)(MRS. HUBER's finger dips into a pool of red sauce (resembling blood). She licks the sauce on her finger, as she turns her head towards the YOUNG house, puzzled by the sound she's heard.)NARRATOR: My body was discovered by my neighbour, Mrs. Martha Huber, who had been startled by a strange popping sound. Her curiosity aroused, Mrs. Huber tried to think of a reason for dropping in on me unannounced. After some initial hesitation, she decided to return the blender she had borrowed from me 6 months before. (MRS. HUBER takes a blender labeled Property of MARY ALICE YOUNG off a shelf, and hurries next door to ring the doorbell. Hearing no answer, she hurries to the side of the house, where she peers inside the window and sees MARY ALICE's dead body lying on the ground, a pool of blood next to her. She screams. We see MRS. HUBER hurry back to her own house.)MRS HUBER: (on the phone) It's my neighbour. I think she's been shot, there's blood everywhere. Yes, you've got to send an ambulance. You've got to send one right now!(MRS. HUBER hangs up the phone. She stands in the kitchen, lips trembling, fighting tears.) NARRATOR: And for a moment, Mrs. Huber stood motionless in her kitchen, grief-stricken by this senseless tragedy. But, only for a moment.(MRS. HUBER turns her head sideways, noticing the blender sitting on the kitchen counter.She rips the label off the blender, and puts it back on her shelf.)NARRATOR: If there was one thing Mrs. Huber was known for, it was her ability to look on the bright side. (MRS. HUBER shuts the cupboard door.)OPENING CREDITsCUT TO: [EXT. WISTERIA LANE -- DAY](Residents wearing black clothing and bearing plates and baskets of food are walking towards the YOUNG household)NARRATOR: I was laid to rest on a Monday. After the funeral, all the residents of Wisteria Lane came to pay their respects. And as people do in this situation, they brought food.(Pan to:LYNETTE, holding a plate of fried chicken with one hand as she walks.)NARRATOR: Lynette Scavo brought fried chicken. Lynette had a great family recipe for fried chicken. (Flashback to: LYNETTE talking animatedly in a conference room as she points at a projected screen with charts and figures, a room full of corporate businesspeople taking notes or watching as she shows her presentation, smiling with confidence.)NARRATOR: Of course, she didn't cook much as she was moving up the corporate ladder. She didn't have the time.(Fade to: The doctor's office, where he performs a sonogram on LYNETTE's exposed belly, as LYNETTE lies in a chair watching the screen, laughing with excitement. Her husband, TOM, sits next to her as he watches with amazement at the sonogram, holding LYNETTE's hand.)NARRATOR: But when her doctor announced Lynette was pregnant, her husband Tom had an idea. Why not quit your job? Kids do much better with stay at home mums; it was so much less stressful.(We see TOM gesturing, talking animatedly as he proposes this idea to LYNETTE, who nods hesitantly in agreement as she looks at him.)NARRATOR: But this was not the case.(End of flashback. Resume to present.)(LYNETTE pushes a baby carriage with her free hand, looking weary. The SCAVO children, Twins PRESTON & PORTER, and the younger brother PARKER, jostles each other as they walk on the sidewalk in front of the carriage, bickering rowdily with each other.)NARRATOR: In fact, Lynette's life had become so hectic she was now forced to get her chicken from a fast food restaurant. Lynette would have appreciated the irony of it if she stopped to think about it, but she couldn't. She didn't have the time.(LYNETTE pushes in front of the 3 boys, trying to separate them.)LYNETTE: Hey, hey, hey, hey!(She kneels in front of them with a stern look on her face.)LYNETTE: Stop it, stop it, stop it. Stop it.PRESTON: But Mom!LYNETTE: No, you are going to behave today. I am not going to be humiliated in front of the entire neighbourhood. And, just so you know how serious I am... (reaches inside her top and pulls a folded piece of paper from her pocket)PRESTON: What's that?LYNETTE: Santa's cell-phone number.PORTER: How'd you get that?LYNETTE: I know someone, who knows someone, who knows an elf. And if anyone of you acts up, so help me, I will call Santa and tell him you want socks for Christmas. You willing to risk that?SCAVO kids: Uh-uh! (all shake their heads vehemently)LYNETTE: Okay.(She tucks the paper back in her pocket, and straightens.)LYNETTE: Let's get this over with.(The camera pans across the road.)(Pan to:EXT. SOLIS HOUSE - FRONT YARD)(CARLOS stands outside, hands in his pocket, turning his head to see GABRIELLE come out of the front door, holding a plate in one hand and a bag in the other. She wears a black halter neck dress, black high heels and an expensive diamond necklace. )NARRATOR: Gabrielle Solis, who lives down the block, brought a spicy paella.(Flashback to: GABRIELLE, strutting down a runway, wearing a pink dress as she models, the crowd is clapping and many cameras are flashing. The camera pans to CARLOS sitting in the audience.)NARRATOR: Since her modelling days in New York, Gabrielle had developed a taste for rich food and rich men. Carlos, who worked in mergers and acquisitions, proposed on their third date. Gabrielle was touched when tears welled up in his eyes.(Flash to: GABRIELLE and CARLOS, sitting in a restaurant. CARLOS holds out a ring as GABRIELLE gasps, excitedly hopping up and down in her chair as she agrees, smiling and laughing. We see the gleam of CARLOS'tears of happiness as he smiles at her.)NARRATOR: But she soon discovered this happened every time Carlos closed a big deal.(End of flashback. Resume to present.)(GABRIELLE walks down the pathway to where CARLOS is waiting, and hands him the plate.They start walking together towards the YOUNG house.)NARRATOR: Gabrielle liked her paella piping hot. However, her relationship with her husband was considerably cooler.CARLOS: If you talk to Al Mason at this thing, I want you to casually mention how much I paid for your necklace. GABRIELLE: Why don't I just pin the receipt to my chest?CARLOS: He let me know how much he paid for his wife's new convertible. Look, just work it into the conversation.GABRIELLE: There's no way I can just work that in, Carlos.CARLOS: Why not? At the Donohue party, everyone was talking about mutual funds. And you found a way to mention you slept with half the Yankee outfield.GABRIELLE: I'm telling you, it came up in the context of the conversation.CARLOS: Hey, people are starting to stare. Can you keep your voice down please?GABRIELLE: (sigh) Absolutely. Wouldn't want them to think we're not happy.CUT TO: [EXT. YOUNG HOUSE - PORCH].(The door opens to BREE's serenely smiling face. We see REX, her husband, behind her, an expression of exasperation on his face.)NARRATOR: Bree Van De Kamp, who lives next door, brought baskets of muffins she baked from scratch. Bree was known for her cooking.(Flashback to: BREE, sitting at a sewing machine, making clothes.)NARRATOR: And for making her own clothes.(Cut to:BREE, garbed in work-wear, planting a tree.)NARRATOR: And for doing her own gardening.(Cut to:BREE, using a hand knife to slice open the cover of a stuffed chair.)NARRATOR: And for reupholstering her own furniture.(End of flashback. Resume to present.)NARRATOR: Yes, Bree's many talents were known throughout the neighbourhood. And everyone on Wisteria Lane thought of Bree as the perfect wife and mother. Everyone, that is, except her own family.(We see an exasperated REX, and her children - an annoyed ANDREW and a frazzled-looking DANIELLE - behind BREE, the very image of perfection. She carries a basket of baked goods in each hand as she walks up to PAUL and ZACH, looking sympathetic.)BREE: Paul, Zachary.ZACH: Hello Mrs. Van De Kamp.PAUL: Bree, you shouldn't have gone to all this trouble.(PAUL extends his hands to take the baskets from BREE, who moves the baskets out of his reach as he tries to take them from her.)BREE: It was no trouble at all. Now the basket with the red ribbon (holds up the basket) is filled with desserts for your guests. But the one with the blue ribbon (holds up the other basket) is just for you and Zachary. It's got rolls, muffins, breakfast type things.PAUL: Thank you.BREE: Well, the least I could do is make sure you boys had a decent meal to look forward to in the morning. I know you're out of your minds with grief.(REX, ANDREW and DANIELLE exchange long-suffering glances and mental eyeballing.)PAUL: Yes, we are.BREE: (beat) Of course, I will need the baskets back once you're done. (smiling serenely)(REX looks with disbelief at his wife.)PAUL: (taken back) Of course.(BREE walks off with the baskets, leaving the rest of them stunned. REX is literally open-mouthed with disbelief.) (Cut to:EXT. MEYER HOUSE - PORCH --- DAY)(SUSAN and her daughter JULIE comes out of their front door. SUSAN holds a flat, rectangular dish covered in tin foil. The wind blows the foil off, SUSAN snatches it back and recovers the dish as she and JULIE walk down the pathway.NARRATOR: Susan Meyer, who lives across the street, brought macaroni and cheese. Her husband Carl always teased her about her macaroni, saying it was the only thing she knew how to cook, and she rarely made it well. It was too salty the night she and Carl moved into their new house.(Flashback to: SUSAN and CARL sitting at their kitchen table, laughing and smiling. JULIE, as a baby, is sitting between them.)NARRATOR: It was too watery the night she found lipstick on Carl's shirt.(Cut to:SUSAN throws a towel at CARL, who catches it and throws it on the ground, as they yell at each other. JULIE, as a toddler, sits there watching her parents argue.)NARRATOR: She burned it the night Carl told her he was leaving her for his secretary.(Cut to:SUSAN and JULIE at about 13, sits at the table, the macaroni and cheese in the middle, untouched. CARL comes down the stairs carrying suitcases, and leaves via the kitchen door. SUSAN starts crying, as JULIE rubs her arm.)(End of flashback. Resume to present.)NARRATOR: A year had passed since the divorce. Susan was starting to think how nice it would be to have a man in her life, even one who would make fun of her cooking.JULIE: Mom, why would someone kill themselves?SUSAN: Well, sometimes people are so unhappy they think it's the only way they can solve their problems. JULIE: But Mrs. Young always seemed happy.SUSAN: Yeah, sometimes people pretend to be one way on the outside and they're totally different on the inside.JULIE: Oh you mean how Dad's girlfriend is always smiling and says nice things but deep down you just know she's a bitch.SUSAN: I don't like that word, Julie. But yeah, that's a great example.(Cut to: YOUNG HOUSE - LIVING ROOM -- WAKE --- DAY SUSAN and JULIE walk in the front door. SUSAN puts the dish down on the table and takes the tin foil off. JULIE joins the teenage group standing next to the table.) JULIE: Hey, what's going on?(Cut to:YOUNG HOUSE - KITCHEN -- WAKE --- DAY SUSAN walks in, dumping the tin foil in the bin. BREE, GABRIELLE and LYNETTE are sitting around at the kitchen table. LYNETTE is holding the baby.)SUSAN: Sorry I'm late.GABRIELLE: Hi Susan.LYNETTE: (smiles at SUSAN) Hey.(BREE looks up at SUSAN, looking upset. SUSAN takes her place at the table, and looks at the one empty chair in the table, where MARY ALICE used to sit. She picks up the coffee pot, and starts pouring coffee into a mug. We follow the stream of coffee into the mug.)(Flashback to: The same stream of coffee being poured into a mug. SUSAN looks up at MARY ALICE, who is pouring coffee into SUSAN'S mug. MARY ALICE sits back down in her seat and puts down the coffee jug.) MARY ALICE:(to SUSAN) So? What did Carl say when you confronted him?SUSAN: You'll love this, he said it doesn't mean anything, it was just sex.(They all groan.)BREE: Oh yes, page one of the philanderer's handbook.SUSAN: Yeah, and then he got this Zen look on his face, and he said, you know Susan, most men live lives of quiet desperation.LYNETTE: Please tell me you punched him.SUSAN: No, I said, really? And what do most women lead, lives of noisy fulfillment?GABRIELLE: (raises her eyebrows) Hmm.MARY ALICE: Good for you.SUSAN: I mean, of all people, did he have to bang his secretary? I had that woman over for brunch. GABRIELLE: It's like my grandmother always said, an erect penis doesn't have a conscience.LYNETTE: Even the limp ones aren't that ethical.BREE: This is half the reason I joined the NRA. (SUSAN looks at her.) Well, when Rex started going to those medical conferences, I wanted at the back of his mind that he had a loving wife at home, with a loaded Smith and Wesson.MARY ALICE: Lynnie? Tom's always away on business. Do you ever worry he might..?LYNETTE: Oh, please, the man's gotten me pregnant three times in four years. I wish he was having sex with someone else. (smiles)BREE: So Susan, is he going to stop seeing that woman?SUSAN: I don't know. (smiles, tearing up) I'm sorry you guys, I just... I just don't know how I'm going to survive this.MARY ALICE: Listen to me. (puts her hand on SUSAN's hand) We all have moments of desperation. But if we can face them head on, that's how we find out just how strong we really are.(SUSAN puts her other hand on top of MARY ALICE's hand, smiling at her.)(End of flashback. Resume to present.)BREE: Susan? Susan. (SUSAN withdraws her hand from the same position from the flashback.) I was just saying Paul wants us to go over on Friday. He needs us to go through Mary Alice's closet, and help pack up her things. He says he can't face doing it by himself.SUSAN: Sure, that's fine.BREE: Are you OK?SUSAN: Yeah. I'm just so angry. If Mary Alice was having problems, she should have come to us; she should have let us help her.GABRIELLE: What kind of problems could she have had? She was healthy, had a great home, a nice family. Her life was?-LYNETTE: -our life.GABRIELLE: No, if Mary Alice was having some sort of crisis, we'd have known. She lives 50 feet away, for god's sakes.SUSAN: Gabby, the woman killed herself. Something must've been going on.(They all look down and consider this point, as PAUL, unseen, leans against the living room doorway, eavesdropping on their conversation. He sips his drink, looking very shifty and suspicious, like he knows more than he's letting on.)(Cut to:YOUNG HOUSE - DINING ROOM -- WAKE --- DAY)(Food is set out on the table buffet-style. SUSAN walks into the room, where MIKE is spooning some of SUSAN's macaroni and cheese onto his plate)SUSAN: Oh, I wouldn't eat that if I were you.MIKE: Why?SUSAN: I made it, trust me. (MIKE prepares to take a bite) Hey, hey, do you have a death wish?MIKE: No, I just refuse to believe that anybody can screw up macaroni and cheese.(MIKE takes a bites of the macaroni, as SUSAN gestures apologetically, smiling.)MIKE: Oh my god. (makes a face) How did you?it tastes like it's burnt and undercooked.SUSAN: Yeah, I get that a lot. Here you go.(SUSAN gets a tissue and gives it to him, as he spits his mouthful of macaroni and cheese into the tissue.) MIKE: Thanks. I'm Mike Delfino, I just rented out the Sim's house next door.SUSAN: Susan Meyer, I live across the street.MIKE: Oh yeah, Mrs. Huber told me about you, said you illustrate children's booksSUSAN: Yeah I'm very big with the under 5 set. (MIKE laughs) What do you do?MIKE: Plumber. So if you ever have a clog. Or something.SUSAN: (laughs) Now that everybody's seen that I've brought something, I should probably just throw this out.(JULIE looks over to see SUSAN and MIKE flirting with each other, smiles. SUSAN takes the dish of macaroni and walks off. MIKE watches her as she leaves. She stops and looks back at MIKE. She smiles, then continues walking to the next room.)(Cut to:INT. YOUNG HOUSE - BACK ROOM WINDOW SEAT -- WAKE --- DAY LYNETTE struggles with the baby, covering it in a blanket. MRS. HUBER hurries up the path, sees LYNETTE through the window and comes in.) LYNETTE: (to baby) Ow! Ease up, you little vampire.MRS. HUBER: Lynette! I've been looking all over for you.LYNETTE: Oh. (smiles, distracted by the baby)MRS. HUBER:Are you aware of what your sons are doing?(LYNETTE's smile drops instantly)(Cut to:EXT. YOUNG HOUSE - POOL SIDE --- DAY The SCAVO kids are swimming in the pool, splashing, generally making lots of noise. Their nice shoes and clothes are discarded at the poolside.)SCAVO kids: Stop. Arrrggggh. Hah!(LYNETTE hurries down the path to the poolside holding the baby. She stops at the poolside, appalled at what she sees.)LYNETTE: What are you doing!? We are at a wake!PRESTON: When we got here, you said we could go in the pool.LYNETTE: (crouches down) I said you could go by the pool. Do you have your swimsuits on??PORTER: Yeah, we put them on under our clothes just before we left.LYNETTE: You three planned this?? Alright, that's it. Get out!PORTER: No!LYNETTE: No? I am your mother. You have to do what I say. Come on.PRESTON: We wanna swim and you can't stop us.(LYNETTE looks around at the whole neighbourhood watching, helpless. The SCAVO kids all float in the water, their arms crossed in defiance. Seeing this, LYNETTE raises her eyebrow and sets her face with angry resolve.) LYNETTE: (gives the baby to a man standing nearby) Here.(LYNETTE steps into the pool, holding her skirt as she walks down the pool steps towards the boys. The boys' mouths drop open in surprise.)LYNETTE: Get out. Or I will get in this pool and just grab you, get out! Get over here. Get over here. Get back or I'll kill you.((LYNETTE struggles in the pool with the boys, splashing around as the boys try to swim away from her.) LYNETTE: That's right, get over here. Go, go, go, ugh. Move it. Out. Get out.(PAUL and ZACH walk out by the pool, watching in amazement. SUSAN puts her hands over her mouth withembarrassment, as REX, ANDREW and DANIELLE, laughing in amazement, come out to watch. The water flies everywhere as LYNETTE struggles to catch hold of her kids. PAUL looks down at his jacket as water splashes onto his suit. LYNETTE manages to grab onto PRESTON's foot, dragging him towards the edge of the pool, as she catches hold of PARKER's foot as well. She manages to pull them up the steps and out of the pool, herself soaking wet. She glares at PORTER floating in the water, who gets out of the pool in a hurry.LYNETTE takes the baby from the man, then goes up to PAUL, flustered, as the boys gather their clothes.) LYNETTE: Paul. We have to leave now. Once again, I am so sorry for your loss. (to kids) Go!(LYNETTE hurries the boys along the path as PAUL watches them leave. He turns, and looks into the pool. The camera moves into the pool, looking up at PAUL as he stares menacingly into the watery depths.) NARRATOR: Lynette shouldn't have been so concerned about my husband. He had other things on his mind. Things below the surface.CUT TO: [EXT. WISTERIA LANE --- DAWN](A newspaper boy on a bike rides along the road, throwing newspapers at each home as he rides by.) NARRATOR: The morning after my funeral, my friends and neighbours quietly went back to their busy, busy lives. Some did their cooking.(Cut to:INT. SCAVO HOUSE - KITCHEN --- DAY LYNETTE struggles with her kids in her home, as the boys throw cereal around.)NARRATOR: And some did their cleaning.(Cut to:INT. VAN DE KAMP HOUSE - BATHROOM --- DAY BREE kneels next to the toilet, holding a scrubber, scrubbing the toilet ferociously.)NARRATOR: And some did their yoga.(Cut to:INT. SOLIS HOUSE - FOYER --- DAY We look out at GABRIELLE, who strikes a yoga stance on a mat in front of her open door.)NARRATOR: Others did their homework.(Cut to:EXT. WISTERIA LANE --- DAY A soccer ball is kicked high in the air towards a house.)(Cut to:INT. DELFINO HOUSE - FOYER --- DAY The sound of a doorbell ringing. The door opens, and MIKE looks out at JULIE, who smiles apologetically.)JULIE: Hi.(MIKE's dog barks, and MIKE puts a hand on the dog's neck to calm it down. He looks at JULIE.)JULIE: I'm Julie, I kicked my soccer ball into your backyard.MIKE: Oh, OK. Well, let's go round and get it. (to dog) Stay.(Cut to:INT. MEYER HOUSE - SUSAN- WORK STUDIO --- DAY JULIE paces the floor walking back and forth, throwing the soccer ball up and down as she talks. SUSAN is working on her illustrations.)JULIE: (to SUSAN) His wife died a year ago, he wanted to stay in LA but there were too many memories. He's renting for tax purposes, but he's hoping to buy a place real soon.SUSAN: I can't believe you went over there.JULIE: Hey, I saw you both flirting at the wake. You're obviously into each other. Now that you know he's single, you can ask him out.SUSAN: Julie, I like Mr. Delfino, I do. It's just, I don't know if I'm ready to start dating yet.JULIE: Ugh, you need to get back out there. Come on. How long has it been since you're had sex? (SUSAN's pen halts stroke. She turns to look at JULIE, open-mouthed.) Are you mad that I asked you that?SUSAN: No, I'm just trying to remember. (JULIE tilts her head to one side, smiling at SUSAN, who turns back to her drawing.) I don't wanna talk to you about my love life anymore, it weirds me out.JULIE: I wouldn't have said anything it's just?SUSAN: (turns around to look at JULIE) What?JULIE: I heard Dad's girlfriend asking if you'd dated anyone since the divorce, and Dad said he doubted it. (SUSAN looks down at her lap.) And then they both laughed. (SUSAN turns to look at JULIE, mouth open in indignation. That does it.)(Cut to:EXT. WISTERIA LANE --- DAY SUSAN, holding a pot-plant, hurries along the road and walks up the steps to MIKE's house to ring his doorbell. We hear the dog bark as MIKE opens the door.)MIKE: Hey, Susan.SUSAN: Hi Mike. (smiles) I brought you a little housewarming gift. I probably should've brought something by earlier, but...MIKE: Actually, you're the first in the neighbourhood to stop by.SUSAN: Really? (She laughs)NARRATOR: Susan knew she was lucky. An eligible bachelor had moved onto Wisteria Lane, and she was the first to find out. But she also knew that good news travels quickly.EDIE: (waving as she walks, holding a dish) Hello there!NARRATOR: (slow motion shot of Edie jogging towards MIKE and SUSAN) Edie Britt was the most predatory divorcee in a 5 block radius. Her conquests were numerous.(Flashback to: EDIE and a workman in her living room. She grabs him, as his toolbox drops on the ground with a crash.)NARRATOR: Varied?(Cut to:a tennis coach standing behind EDIE in her living room, helping her swing a tennis racquet with her right hand. She turns and kisses him, pushing him onto her couch.)NARRATOR: And legendary.(Cut to:EDIE, sitting on her couch. She looks up at a priest, and pulls him down on top of her. He yells, his Bible dropping onto the ground.)(End of flashback. Resume to present.)(EDIE walks up to the porch, pushing her sunglasses onto her head.)EDIE: Hi Susan, I hope I'm not interrupting. You must be Mike Delfino. Hi, I'm Edie. Britt. I live over there (points). Welcome to Wisteria Lane. (SUSAN shifts uncomfortably.)NARRATOR: Susan had met the enemy, and she was a slut.MIKE: Thank you, what's this?EDIE: Sausage Puttenesca. It's just something I threw together. (SUSAN looks at her disbelievingly.) MIKE: Thanks, Edie. (laughs) That's great. Uh, I'd invite you both in, but I was sorta in the middle of something. SUSAN: (overlapping EDIE) Oh, I'm late for an appointment anyway.EDIE: (overlapping SUSAN) Oh, no problem, I just wanted to say hi.MIKE: Well, thanks.(SUSAN and EDIE walk down the steps of the porch, and down the walkway.)NARRATOR: And just like that, the race for Mike Delfino had begun. For a moment, Susan wondered if her rivalry with Edie would remain friendly.EDIE: (turns suddenly) Oh, Mike. I heard you're a plumber?MIKE: Yeah.EDIE: Do you think you could stop by later tonight and take a look at my pipes?NARRATOR: But she was reminded that when it came to men? Women don't fight fair.MIKE: Sure.EDIE: Thanks. (EDIE smiles, following SUSAN down the path.) Bye Susan. (SUSAN waves halfheartedly as she walks in the opposite direction towards her home.)CUT TO: [INT. SOLIS HOUSE -- DINING ROOM --- DAY]GABRIELLE: [OS] You can't order me around like I'm a child!(GABRIELLE paces the floor, hands on her waist as CARLOS packs his suitcase for work)CARLOS: Gabrielle...GABRIELLE: No. No, no, no, I'm not going.CARLOS: It's business, Tanaka expects everyone to bring their wives.GABRIELLE: Every time I'm around that man, he tries to grab my ass.CARLOS: (puts his hand on GABRIELLE's shoulder) I made over $200,000 doing business with him last year. If he wants to grab your ass, you let him.(CARLOS walks out of the front door and down the porch steps. He stops at the bottom of the steps, and looks sideways to where JOHN is cutting a bush with a pair of gardening shears.)CARLOS: John!JOHN: (pricks his finger on a rose thorn) Ow. (turns around to look at CARLOS) Mr. Solis. You scared me. CARLOS: Why is that bush still there? I told you to dig it up last week.JOHN: I didn't have time last week.CARLOS: I don't wanna hear your excuses, just take care of it.(GABRIELLE walks out the front door and walks down the porch steps, putting her arms on her waist.) GABRIELLE: (to CARLOS) I really hate the way you talk to me.CARLOS: (walks up to her) And I really hate that I spent $15,000 on your diamond necklace that you couldn't live without. But I'm learning to deal with it. (JOHN sucks his finger, watching the argument) So. Can I tell Tanaka we'll be there tomorrow night?GABRIELLE: (turns sideways to look at JOHN) John. We have bandages top shelf in the kitchen.JOHN: Thanks, Mrs. Solis. (walks between CARLOS and GABRIELLE, up the porch steps and into the house.) GABRIELLE: (looks at CARLOS coolly) Fine. I'll go. But I'm keeping my back pressed against the wall the entire time.CARLOS: (smiles as he walks backwards) See? Now this is what a marriage is all about - compromise. (turns around and walks towards his car)(Cut to:INT. SOLIS HOUSE - KITCHEN/DINING ROOM --- DAY JOHN is putting a bandage on his finger.。

Desperate HousewivesEpisode 01.17 - There Won't Be Trumpets--------------------------------------------------------------------------------Mary Alice Voiceover previously on "Desperate Housewives":Susan: The police showed me your rap sheet! You killed the man!Mike: You don't know if it happened or not.Susan: It doesn't matter, because I will never believe anything you say,ever again.Mary Alice Voiceover: Sometimes unexpected visitors...Juanita: Do you think she is cheating on you?Carlos: Think so.Juanita: I'll take care of it.Carlos: Thank you, Mam.Mary Alice Voiceover:...lead to unexpected consequences.Bree:Andrew, you almost killed another human being!Andrew:She's lived her life!I have my whole life ahead of me,and now it might be screwed up! --------------------------------------------------------------------------------[Sacred Heart Hospital - Nighttime]Mary Alice Voiceover:"In the Coma Ward at Sacred Heart Hospital, the dreams begin just after midnight. The pitch black of night gives way to vivid images that comfort the dreamer until the morning."(A janitor stops cleaning the floor and stretches.)Mary Alice Voiceover:"Gus, the custodian, dreams of someday winning the lottery and quitting his thankless job."(He removes a piece of paper from his shirt pocket, kisses it, picks up his thermos, and walks off.)A security guard, sitting in a chair, pulls out a neck pillow to place on his neck.Mary Alice Voiceover:"Howard, the security guard, envisions a luxurious retirement in the tropics."(He kicks off his shoes and closes his eyes.)(A night nurse sits at a desk, looking bored. She spins something on the desk and watches it.) Mary Alice Voiceover:"Ruth Ann, the night nurse, fantasizes about leaving her husband."(As it spins, she checks her watch, picks up a pack of cigarettes and stands up to leave, leaving her wedding ring spinning on the desk.)Mary Alice Voiceover:"But the most vivid dreams of all belong to the patient in Room 312." (Inside room 312, Juanita Solis lies still in her hospital bed.)Mary Alice Voiceover:"Yes, Juanita Solis had been dreaming steadily for five months. Sometimes of the shocking secret she had uncovered."(Flashback to her taking a picture of Gabrielle and John caught in bed.)Mary Alice Voiceover:"Other times, she dreamt of the accident that had put her in the hospital." (Flashback to her running out of the Solis house and getting hit by a car.)Mary Alice Voiceover:"But her most common dream was the one in which she finally told her son the truth."(Carlos sits next to Juanita's bedside holding her hands. Juanita leans over and begins whispering to Carlos.)Juanita: "Carlos. Gabrielle..."Mary Alice Voiceover:"And then one night...Juanita Solis decided it was time to wake up." (Juanita's eyes open suddenly and she sits up in bed.)(A few minutes later, Juanita leaves her hospital room, holding onto her pole with IV fluids. She looks up and down the empty hallway.)Juanita: "Hello? Is anybody here?"(Juanita goes down the hallway, looking back and forth.)Juanita: "Hello!"(Juanita reaches the empty nurse's station and bangs on the counter.)Juanita: "I have to call my son!"(Juanita continues to run down the hallway in her stocking feet. She runs past the hallway and doesn't see the sleeping guard. She continues running and see a phone on the wall at the end of a hallway. She pulls out the intravenous tube and runs down the hallway toward the phone.) (As she heads towards it, she slips on the wet floor left by the janitor. She slides straight into a stairwell, where she falls down the stairs, right near the feet of the nurse taking her cigarette break. Ruth Ann, turns, shocked.)Mary Alice Voiceover:"Even though she knew she was about to die, Juanita didn't care. The truth was finally going to come out."(Ruth Ann puts out her cigarette and runs toward Juanita. Ruth Ann kneels down and holds Juanita's head.)Juanita: "Tell my son his wife is cheating on him."Ruth Ann: "Oh my God!"(Juanita dies.)Mary Alice Voiceover:"Sadly for Juanita, this was one dream that would never come true." (Ruth Ann pulls earphones from her ears. Music is blasting from the earphones.)--------------------------------------------------------------------------------Credits--------------------------------------------------------------------------------[Susan's House](At Susan's kitchen table, there are illustrated drawings knights and dragons.)Mary Alice Voiceover:"We all honor heroes for different reasons. Sometimes for their bravery, sometimes for their daring, sometimes for their goodness, but mostly we honor heroes because at one point or another we all dream of being rescued."(Susan goes to the coffeemaker by the sink and pours herself a cup. She looks through the kitchen window and sees Mike walking up to the door.)(He knocks on the door.)Mike: "Susan, I know you're in there. We have to talk."(Susan opens door and faces Mike.)Mike: "This is crazy."Susan: "I know."(Mike grabs Susan and they kiss.)(Cut to Susan standing at the kitchen window again, daydreaming.)(Susan again opens the door and faces Mike.)Mike: "Everything the cop said to you is true. I did kill someone. But there's one thing theydidn't tell you. I killed for you, Susan."(Susan grabs Mike and kisses him.)(Cut to Susan standing at the kitchen window again, daydreaming.)(Susan opens the door and faces Mike. He pulls out a gun and aims at her.)Mike: "Susan, if I can't have you, no one else can."(Susan knocks the gun out of Mike's hand.)Susan: "Shut up."(Susan grabs Mike and kisses him. The coffee cup she is holding falls and breaks.)(Cut to Susan standing at the kitchen window again, daydreaming. She looks down at the unbroken cup in her hand. She sees Mike walking toward the door, and then he knocks.) (Susan drops to the floor and crawls to the door.)Mike: "Susan, are you home? Susan, your car is here. I know you're in there. I was hoping we could talk for a minute."(Susan whimpers and leans against the door. Mike slides a letter under the door. Susan pulls it in.)Mike: "Susan, maybe you should have waited until I left to do that. All right, look, I know you don't want to see me right now, but I owe you an explanation and it's all in there, all of it. Everything you ever wanted to know about my past, about my reasons for doing what I did. It's all there."(Susan stands up and looks out the door in time to watch Mike walk away.)--------------------------------------------------------------------------------[School Parking Lot](A car sits in the parking lot. Its interior is filled with smoke. A school security guard knocks on window. A window rolls down and smoke pours out.)Andrew: "Hey!"Security Guard: "Guys come on. What are you doing?"Andrew: "Ah, you know, just bonding. Discussing current events."Security Guard: "Hey, seriously, listen, if you guys would have just parked across the street I could have let you go."Andrew: "Why don't you pretend like we did?"(Andrew's friends laugh.)Security Guard: "Get out of the car."(Instead, Andrew starts pulling away.)Security Guard: "Hey, hey, hey! Stop the car!"(He holds onto the window and as the car speeds up, he trips and rolls on the ground as the car leaves.)--------------------------------------------------------------------------------[Bree's House]Rex: "I can't believe it. Two months from graduation and he gets expelled."Bree: "You know we are just lucky that that security guard did not press charges."Rex: "So what are we gonna do?"Bree: "Well, glad that you asked."(Bree pulls out some pamphlets from a drawer and lays them out.)Rex: "What are these?"Bree: "They're brochures for youth detention centers."Rex: "How long have you had these?"Bree: "They've been in the drawer for a few months. I had a feeling we might be needing them." Rex: "Bree, I don't know."Bree: "We have to admit that we need help. If we can't get through to Andrew then we have to find someone who can."Rex: "You really want to send our son away to some prison camp?"Bree: "Oh come on, don't be so dramatic. Some of these places actually look fun. Look. Camp Hennessey." (reading) "Camp Hennessey teaches kids respect for authority and boundaries in a summer camp-like atmosphere."(Bree holds up the brochure for Rex to see. Rex grabs the brochure.)Rex: "The perimeter is surrounded by an electrified fence."Bree: "Well, you have to admit that's an efficient way to teach respect for boundaries. Okay, how about this one. It's perfect for Andrew. It's a ranch in Montana. It has lots of fresh air and plenty of open spaces and daily classes in anger management."Rex: "I'm, I'm not comfortable with this."Bree: "All right, what about this one. It's in the desert and it's very reasonable. Barracks are a little bit bleak, but that recidivism rate is to die for!"Rex: "Bree, I'm not doing it. I'm not sending my son away."Bree: "It's easy for you, isn't it? You're not the one he's openly rude to. You're not the one he challenges every day. You're not the one he hates."Rex: "I'll talk to him, all right? I'll sit him down for a little old-fashioned heart to heart."Bree: "You talk to him all you want. I'm gonna check out the place with the electrified fence."--------------------------------------------------------------------------------[Barcliff Academy](Five children, including Porter and Preston, dressed in colonial costume, stand on a small stage, reciting lines.)Twin: "Listen, my children and you shall hear of the midnight ride of Paul Revere."(Lynette proudly smiles as she watches her sons recite. She turns to see, in the audience, a mother and young daughter signing to each other.)Twin: "In the lantern is turned off in the belfry arch of the North church tower. One if by land, two if by sea, and I on the opposite shore will be."(The parents applaud. Lynette smiles proudly as she applauds.)(Lynette, pushing a stroller, approaches the little girl and woman who had been signing.) Lynette: "Um, hi. I, I wanted to introduce myself to your Mom. I'm Lynette Scavo."Alisa Stevens: "Have we met? I'm Alisa Stevens."Lynette: "Oh, I'm sorry! I thought..."Alisa: "I read lips."Lynette: "Oh."(Alisa starts signing and her daughter begins translating for her.)Lily (translating): "But a lot of the time, signing is much easier. I don't like to misunderstand or be misunderstood."(Lily turns toward Lynette and offers her hand.)Lily: "And I'm Lily."Lynette: "Oh hi. Nice to meet you, Lily."(A young boy in a horse costume runs by.)Matt: "Hi, mom."Alisa: "That's my son, Matt."Lynette: "My twins talk about Matt all the time. We should set up a play date."Alisa: "That sounds great. Let's have dinner, too."Lynette: "I'd love to."(Lynette turns toward her boys as she hears them yelling. They are holding Matt's horse's tail, whipping it and yelling. Matt is trying to run away.)Twins: "The British are coming! The British are coming. Giddy up! Giddy up! Giddy up." Matt:"No, no, no."(Lynette turns back toward Alisa.)Lynette: "Even better, let's just keep it adults."--------------------------------------------------------------------------------[Gabrielle's House].(Gabrielle is sitting on the couch reading the paper. Carlos comes in the front door.)Carlos: "Babe, they blinked! We got 'em by the short hairs!"(Carlos grabs Gabrielle's hand and pulls her up.)Gabrielle: "Who? Who blinked?"(Carlos picks Gabrielle up and she shrieks.)Carlos: "I just spoke to the lawyers. They offered a plea bargain."Gabrielle: "And that's - good?"Carlos: "It means they know they got a weak case. They don't think they can win. It's over." Gabrielle: "Oh my god! Honey, that means we can keep the house!"Carlos: "No. We still have to sell the house. I gotta pay the lawyers."Gabrielle: "But I thought you said they offered a plea bargain."Carlos: "Yeah, but we're not gonna take that."Gabrielle: "ut me down."(Carlos puts Gabrielle down.)Carlos: "Honey, it would mean me going to jail for eight months."Gabrielle: "I think that's pretty reasonable considering you're guilty as sin!"Carlos: "You said that you were fine with selling the house."Gabrielle: "That was before I knew we could trade a couple months in prison to keep it!"(The phone rings. Gabrielle goes over to answer it.)Gabrielle: "What? No, this is her daughter-in-law."Carlos: "Is it the hospital? Is it Mama?"(Gabrielle turns away from Carlos.)Gabrielle: "Ah, thank you, yes."(She hangs up.)Carlos: "Gabby?"Gabrielle: "I'm sorry, Carlos."(She puts her arms around him and hugs him close. As she holds him, she smiles.)--------------------------------------------------------------------------------[Gabrielle's House](Pamphlets for crypts, caskets, and flowers are spread all over the coffee table.)Mary Alice Voiceover:"Some believe people are judged by the way they live life, and others by the way they leave it."Carlos: "I like the Lexington mahogany with gold leaf. It comes with a pink velvet interior and drapes. Plus it's hand-engraved so in case of a flood or earthquake, they'll at least be able to know which one is hers."Gabrielle: "Don't you think that's a little over the top?"Carlos: "I want the best for Mama."Gabrielle: "No, honey, these funeral homes make a fortune trying to convince people to overspend."Carlos: "What are you saying?"Gabrielle: "Well, I'm saying your mother was a sensible woman. She wouldn't be comfortable with all these bells and whistles. Maybe this one. Wood veneer!"(Carlos closes his eyes and shakes his head.)Gabrielle: "What?"Carlos: "You never liked Mama."Gabrielle: "Well, it's awfully hard to like someone who actively hates your guts. She always thought you married beneath you and she let me know it."Carlos: "She loved you."Gabrielle: "She treated me like trash!" (crosses herself) "God rest her soul."Carlos: "I'm putting my mother in the grave. Now is not the time to pinch pennies." Gabrielle: "Carlos, we're not exactly flush with cash right now. Let her be true to her roots. She was born humble and barefoot."Carlos: "She was a queen."(He walks away.)--------------------------------------------------------------------------------[Susan's House - Outside](Susan holds the sealed letter marked "Susan" that Mike had put under her door. Sitting around her are Lynette, Edie, and Bree.)Lynette: "So what did Mike say when he gave you the letter?"Susan: "That it explains everything."Bree: "Well, does it?"Susan: "I haven't read it."Edie: "Well, why the hell not?"Susan: "I just can't."Lynette: "You're a better woman than me. I would have ripped that open with my teeth. Aren't you dying to know what he wrote?"Susan: "Yes. What if it just a bunch of far-fetched stories."Bree: "Well, you should assume that it is."Lynette: "Why?"Bree: "Well, think about how good men are at lying on the spot. I mean, God forbid, you should give them time and a pen!"(Lynette and Edie laugh.)(A car drives up on the street behind them and honks. The sign on the door of the car reads"General Contractors." A handsome man calls out to Edie.)Bill: "Hey Edie, you mind stopping by the site later? I have blueprints of the master bath." Edie: "Oh. I'll see you in a few, Bill."(Susan turns and looks at Bill. Bill nods and smiles at Susan as he drives away.)Edie: "That's my new contractor. We're sort of dating."Lynette: "Didn't you once say you never mix business with pleasure?"Edie: "No, I said never mix pleasure with commitment."Lynette (laughing): "Right."Bree: "So, Susan, what are you gonna do with the letter?"Edie: "And for pete's sake, would you open it up already?"(Susan begins to open the letter, then stops.)Susan: "No, no, I won't. I don't trust Mike anymore. And without trust...no, no. I'm just gonna go in and rip it up and throw it in the trash."(Susan begins walking toward her house. Lynette grabs the letter and acts like she's going to rip it up.)Lynette: "Why wait, why don't we just rip it up now."(Susan grabs the letter back.)Susan: "No, no no. That's okay, I don't wanna, you know, litter."(She runs inside her house. The other women watch her go.)Lynette: "She is so opening that letter."--------------------------------------------------------------------------------[Sacred Heart Hospital](Gabrielle walks down the hallway.)Mary Alice Voiceover:"While Carlos was making arrangements to bury his mother, Gabrielle was making sure she'd be taking her secret to the grave."(Gabrielle reaches the nurse's station. As she looks at the nurse behind the counter, a man in a business suit walks up to a room behind Gabrielle, and enters it, but makes sure to keep the door cracked open so he can eavesdrop.)Gabrielle: "Hi, I'm Gabrielle Solis. You're Nurse Heissel?"Nurse Ruth Ann Heissel: "Yes, Hi. Um, when you called and said you were coming down I collected all the personal things that your husband brought in during Juanita's stay with us." (Nurse Heissel puts a cardboard box on the counter.)Nurse Heissel: "I assume that that's why you were stopping by."Gabrielle: "Oh, that's so thoughtful of you, but actually no."Nurse Heissel: "No?"(The man behind the door continues to watch.)Gabrielle: "No, you see my husband and I still don't have a clear account as to how Juanita passed."Nurse Heissel: "How?"Gabrielle: "Yes, did she die quietly in her sleep?"(Nurse Heissel and the man in the doorway nod as if agreeing with what Gabrielle is saying.) Nurse Heissel: "Oh yeah, that's usually how it happens. I mean, I'm pretty sure that that's how it happened."Gabrielle: "retty sure?"Nurse Heissel: "I mean, I don't know exactly cause I wasn't with her at that time." Gabrielle: "Uh huh. Was anyone with her? An orderly, candy striper, anyone?"(The man still watches them.)Nurse Heissel: "No. She was alone."(The man closes his eyes and bows his head.)Gabrielle: "Thank you so much. That's all I needed to hear."(Gabrielle walks away. As she passes by the room the man is in, he quickly closes the door. Nurse Heissel picks up the cardboard box.)Nurse Heissel: "Mrs. Solis!"Gabrielle: "Oh, you can just toss that!"--------------------------------------------------------------------------------[Susan's House - Outside](Susan comes out with purse and keys. She looks at her car and sees that she has a flat tire.) Susan: "Great, just great!"(She stoops down to look at the tire and pulls out a long nail. She hears construction work going on at Edie's house and looks that way.)(Susan walks over to the construction lot. She sees the man, Bill, who had been in the general contractors truck and walks up to him, nail in hand.)Susan: "I think this is yours."(She hands Bill the nail.)Bill: "Yeah. Yeah, I've been looking for this one. Thanks."Susan: "I don't suppose you have any idea where I found it?"Bill: "Well, these little suckers are drawn to bare feet and car tires and since you're not limping or bleeding..."(They smile at each other.)(At Susan's car, Bill has a compressor filling Susan's tire.)Bill: "This is only temporary. You're going to need to take this tire in to get it fixed."Susan: "Thanks, I will."Bill: "Seriously. It's not safe. You're probably only going to get 20, 30 miles out of it."Susan: "All right, I promise."Bill: "Hey listen, I'm about to break for lunch. How would you like to join me?"Susan: "Lunch?"Bill: "Yeah. Lunch."Susan: "Are you asking me out on a date?"Bill: "That sounds kind of formal for a burrito and a can of soda but, yeah, I guess I am." Susan: "Aren't you dating Edie?"Bill: "We went out on a date, we're not dating."Susan: "Oh."Bill: "So how about it? I'm buying."Susan: "Yeah. I just got out of this relationship with this guy, Mike, and it's kind of complicated. Anyway, I'm just not even sure where I am right now emotionally, I'm just all jumbled up and I don't think I could leap right into something new, relationship wise, you know, at the moment." Bill: "Again. Just a burrito."Susan: "Sorry."Bill: "Okay, I understand. Sounds like you need a little time to reflect and heal."Susan: "I do. I really do."Bill: "Okay. I'll check back with you again tomorrow."--------------------------------------------------------------------------------[Lynette's House](Tom, Lynette, Alisa and her husband, Dennis, are having dinner. Alisa is signing and her husband it translating.)Dennis (translating Alisa's signing): "This is so delicious. I don't know how you find the time with four kids."Lynette: "Only for first time guests. Normally you'd be having, um, chicken fingers and cartoon shaped macaroni."Tom: "If that."Lynette: "Hey. Shut up."Alisa: "Tom, you're in advertising, right?"Tom: "Uh hm."Alisa: "I worked five years at Simon and Scott."Tom: "Well, I started at Simon and Scott. I hated those guys."(Everyone laughs.)Alisa: "But we have to talk."Tom: "Yes. Who do you know? Do you know who's there now?"(Tom scoots his chair closer to Alisa's and Dennis turns to Lynette.)Dennis: "Well, it's all over now. They'll be talking shop for the rest of the night. Alisa loves talking about Alisa."Lynette: "Well, Lynette loves talking about Lynette, too."Dennis: "Oh I don't believe that for a second. You and your husband seem pretty solid."(Tom and Alisa can be seen and heard talking in the background.)Dennis: "We're going through some tough stuff. We're in counseling."Tom (in the background): "They're nice people."Lynette (uncomfortably): "Oh really? More steak?"Dennis: "It was her idea. It's not the most pleasant way to spend an hour. Basically, I look at the clock and she blames me for everything."Lynette: "I don't think we should be talking about Alisa with her, so..."(She gestures over at Alisa.)Dennis: "It's okay, it's not like she can hear. Maybe I'll have some more of that potato stuff." (A shocked Lynette stares at Dennis.)(Later, Tom and Lynette clear the dishes.)Tom: "He actually said those things with her just sitting right there?"Lynette: "It was really nasty and he wouldn't shut up either."Tom (disgusted): "Ahhh."Lynette: "I can't believe you said we'd play tennis with them."Tom: "Honey, that was before I knew that he was a jerk. She was great. Look what she taught me."Tom (signs) : "I Love You."Tom: "Means I love you."Lynette: "Yeah, that's great. What am I gonna do?"Tom: "What do you mean?"Lynette: "Well, obviously she needs to be told."Tom: "Wha-no, no, no, she doesn't. This is between Dennis and Alisa."Lynette: "How can I ignore this? And I quote, 'It's not like she can hear.'"Tom: "Lynette, you're starting to ring up into that whole meddling thing that you do." Lynette: "Excuse me!"Tom: "Let me just handle it. Let's avoid a big thing."Lynette: "Are you saying I can't be tactful?"Tom: "No. If he says something when we play tennis, I will take him aside man to man and say that's not cool."Lynette: "Are you saying I'm not tactful?"(Tom looks as though he does not know what to say so instead he signs "I love you" to Lynette. She grabs his finger and pushes him back.)Tom: "Ow, ow, ow, owww."--------------------------------------------------------------------------------[Bree's House](Andrew lies on his bed watching TV. Bree walks in with a laundry basket.)Bree: "Andrew, I need you to take out the trash."Andrew: "Sure."Bree: "Now, not five hours from now."(With a long-suffering sigh, he sits up.)Andrew: "I'm going, I'm going. God! Um, I'm meeting Justin at the mall tonight so I'm gonna need forty bucks."Bree: "No!"Andrew: "What?"Bree: "You no longer get an allowance."Andrew: "Fine. I'm not taking out the trash."Bree (exasperated): "Andrew."Andrew: "What are you gonna do, torture me? Go ahead, I can take it."(Bree approaches Andrew who is sitting on the bed.)Bree: "What I want, what I have always wanted is for you to be happy. And you're not. And I have no idea how to help you."(Rex walking by the room, stops in the doorway.)Andrew: "Well, you can start by getting out of the way."Bree: "I will not. We're gonna talk about this now."Andrew: "I said get out of the way!"(He kicks at her, pushing her with his leg. Bree stumbles, almost falling. Rex runs into the room and grabs Andrew by the arms and pulls him up and slams him against the wall.)Rex: "The next time you touch your mother like that, I'm gonna throw you through this wall! You understand me?"(Andrew has a frightened look on his face. Rex leaves the room glancing at Bree to make sure she is okay. Bree grabs the laundry basket and walks to the door. She turns to look at Andrew。

无望的主妇中英文台词比较-NARRATOR: My name is Mary Alice Young.我是 Mary Alice Young。

When you read this morning's paper, you may come across an article about theunusual day I had last week.come across:有时碰到article:文章unusual:不平时的当你今日的晨, 可能会到一篇文章对于上个礼拜我所渡的不平时的一天。

Normally, there's never anything newsworthy about my life.normally ：平时 newsworthy:有新价的平时 , 我的生活里是没有什么有新道价的。

That all changed last Thursday. change:改.可是上个礼拜四全部都改了。

Of course everything seemed as normal at first.of course:自然seem:仿佛，忧如normal:平时as normal:照旧at first:最先，开始自然,开初,全部看起来都很平时。

I made my breakfast for my family.我一家人做好早饭。

-MARY ALICE: Here we are. Waffles.Waffles:夫干夫来了。

-NARRATOR: I performed my chores. perform:达成chore: (家庭或庄的) ，活我做好了做家。

-NARRATOR: I completed my projects. complete:达成project:【里指美化家居】达成我的手工作品。

--NARRATOR: I ran my errands. ran:有步地行errand:差使,差事run errand:跑腿达成我的使命。

绝望主妇第一季中英文剧本对白绝望主妇第一季中英文剧本对白- MARY ALICE:: My name is Mary Alice Young.我是Mary Alice Young。

When you read this morning's paper, you may come across an article about the unusual day I had last week.当你浏览今天的晨报,可能会读到一篇文章关于上个星期我所渡过的不平常的一天。

Normally, there's never anything newsworthy about my life.通常,我的生活里是没有什么有新闻报道价值的。

That all changed last Thursday.但是上个星期四一切都改变了。

Of course everything seemed as normal at first.一切看起来都很平常。

I made my breakfast for my family.我给一家人做好早餐。

-MARY ALICE: Here we are. Waffles.华夫饼来了。

- MARY ALICE: I performed my chores.我做好了做家务。

I completed my projects.完成我的手工作品。

I ran my errands.完成我的使命。

In truth, I spent the day as I spend every other day quietly polishing the routine of my life until it gleamed with perfection.事实上, 和平时没什么不同——一切都和往常一样,直到一件不寻常的事情的发生。

That's why it was so astonishing这就是为什么一切令人震惊when I decided to go to my hallway closet to retrieve a revolver that had never been used. decide to当我决定走向走廊的壁橱,拿起一把从没用过的左轮手枪。