Alkan_-_Op._35,_Etude_No_09_-_Contrapunctus

Traduzione delle istruzioni originali 1Marcatura EXTab. 1 2Documentazione di riferimento validaIn altri documenti, i dati tecnici relativi al prodotto possono presentare valori di­versi rispetto al presente documento. Per l'esercizio del prodotto in atmosfera esplosiva si deve fare riferimento in primo luogo ai dati tecnici del presente docu­mento.Tutti i documenti disponibili sul prodotto si trovano sul sito è/pk.3Prodotti certificatiTipoTipoDFM­12­...­B DFM­32­...­B DFM­16­...­B DFM­40­...­B DFM­20­...­B DFM­50­...­B DFM­25­...­BDFM­63­...­BTab. 24FunzionamentoAlimentando le camere del cilindro il giogo si muove avanti ed indietro. La tra­smissione di forze avviene mediante il movimento della piastra a giogo.5Sicurezza 5.1Avvertenze di sicurezza–Alle condizioni di esercizio indicate, l'unità può essere impiegata nelle zone 1e 2 a rischio di esplosione per la presenza di atmosfere gassose.–Eseguire tutti i lavori al di fuori delle zone a rischio di esplosione.–Mettere in funzione l'unità utilizzando esclusivamente un fluido di servizioadeguato è Dati tecnici.–L'impiego di altri liquidi esula dalle modalità di uso consentite.5.2Impiego ammessoL'unità viene utilizzata per il trasporto di masse e per la trasmissione di forze.6Montaggio A causa di un'installazione errata, possono verificarsi temperature elevate sulle bronzine. Le superfici calde possono creare una atmosfera esplosiva.•Provvedere ad avere una superficie di montaggio piana.•Installare l'unità in modo adeguato.•Evitare il danneggiamento delle aste di guida.7Messa in servizio La scarica di cariche elettrostatiche presenti su alcuni componenti può dare origi­ne a scintille infiammabili.•Evitare la carica elettrostatica mediante opportune misure di installazione epulizia.•Includere l’apparecchio nella compensazione equipotenziale dell’impianto.Aspirare l'aria compressa fuori da atmosfere a rischio di esplosioni. Aerosol nell'aria compressa possono generare cariche elettrostatiche.Metodo di protezione contro l'accensione: c (sicurezza costruttiva)–Considerare l'etichetta dei dati identificativi del prodotto.8Manutenzione e cura–Verificare regolarmente la funzionalità dell'unità. Intervallo: 2 milioni di cicli di movimento o al più tardi dopo 6 mesi.In caso di impiego dell'unità in ambiente inquinato o umido, la durata utile delle guide è minore.–Verificare la funzionalità delle aste di guida e del supporto a intervalli più rav­vicinati secondo le condizioni ambientali.9Eliminazione dei guastiAnomalia di funzionamentoRimedioDanni esterni rilevati durante l'ispezione visi­vaSostituire l'unitàPerdita udibileSostituire l'unitàNessuna sede fissa di fissaggioSerrare le viti di fissaggio Il giogo si sposta violentemente nella posi­zione terminaleRispettare i valori limite /Sostituire l'unitàResidui di lubrificante asciutti e saldamente attaccati sullo steloPulire lo stelo con una spugna morbida /Sostituire l'unitàComportamento di marcia irregolareRegolare l'aria di scarico con i regolatori di portata unidirezionale /Sostituire l'unitàGraffi longitudinali sullo steloSostituire l'unitàDeterioramento della qualità delle guide do­vuto all'elevato gioco del supporto sul giogo Sostituire l'unitàRumorosità aumentataSostituire l'unitàTab. 3La sostituzione dei pezzi di usura e delle parti di ricambio è possibile in singoli ca­si. Le riparazioni di questo tipo possono essere eseguite solo da personale spe­cializzato formato e autorizzato.–Contattare il consulente specializzato Festo.10Dati tecniciCondizioni d’esercizioTemperatura ambiente [°C]–20 £ T a £ +70Temperatura del fluido [°C]–20 £ T a £ +70Pressione d'esercizio [bar]10Fluido di lavoro Aria compressa a norma ISO 8573­1:2010 [5:­:­]Posizione di montaggio qualsiasiVelocità max.Carico di coppia max.Energia di impatto nelle posi­zioni terminali max. ammissi­bileCarico utile max.è/catalogueLe leghe di alluminio utilizzate contengono meno del 7,5 % di magnesio (Mg).Tab. 48099854DFM-…-B-…-EX3-…Cilindro guidato80998542018­11a [8099859]Festo SE & Co. KG Ruiter Straße 82 73734 Esslingen Germania+49 711 347­。

PEDAL DE EXPRESIÓN/VOLUMEN EV-1GUÍA DEL PRODUCTOEl pedal de Expresión/Volumen EV-1 de Fractal Audio Systems ofrece una robusta carcasa de metal fundido, una superficie de pisado de goma cómoda y no resbaladiza, tensión de pedal ajustable, potenciómetro dual de expresión/volumen, y un recorrido largo y suave con maquinaria Planetary. El EV-1 está disponible en Plata o Negro.EL EV-1 COMO PEDAL DE EXPRESIÓNEl EV-1 es perfecto para su uso como PEDAL DE EXPRESIÓN con todoslos productos de Fractal Audio Systems y muchos dispositivos de otrosfabricantes. Su potenciómetro de 100K y su maquinaria Planetaryofrecen una respuesta genuinamente lineal. Conecta el jackEXPRESSION del EV-1 al jack PEDAL o de expresión del otro dispositivoutilizando un cable 1/4” TRS-a-TRS (punta-anillo-camisa, es decir,“estéreo”) de alta calidad. Los cables de guitarra normales nofuncionarán. NOTA: los productos de Fractal Audio Systems como elAxe-Fx o el FX8 necesitan que CALIBRES el pedal una vez conectado.Lee el manual para más detalles.EL EV-1 COMO PEDAL DE VOLUMENANALÓGICOEl EV-1 tiene una doble función como PEDAL DE VOLUMENANALÓGICO con un potenciómetro de audio de 500K. Cuandoutilices el EV-1 como PEDAL DE VOLUMEN conéctalo entre elinstrumento o dispositivos de nivel de línea utilizando los jacksIN y OUT del EV-1 con cables estándar no balanceados parainstrumentos (punta-camisa,”TS”o “mono”). NO uses lasfunciones de Expresión y Volumen al mismo tiempo o podríanproducirse bucles de masa.AJUST DE LA TENSIÓN DEL PEDALEl EV-1 ofrece la opción de un ajuste de la tensión del pedal de fácil acceso.Utiliza un destornillador de estrella para realizar el ajuste como se muestra.Gira en el sentido del reloj para aumentar la tensión.Si necesitaras ayuda con tu EV-1, por favor visítanos en www.g66.eu。

钢琴曲谱：莫扎特作品集莫扎特作品之交响曲：第1交响曲，降E大调，K.16（伯姆指挥柏林爱乐）第2交响乐，（疑作）（Naxos,沃德指挥北方室内管弦乐团）第4交响曲，D大调，K.19（伯姆指挥柏林爱乐）第5交响曲，降B大调，K.22（伯姆指挥柏林爱乐）第25交响曲，g小调，K.（伯恩斯坦指挥维也纳爱乐）第35交响曲（哈夫纳），D大调，K385第二乐章（哈农库特指挥皇家音乐厅管弦乐团）第36交响曲（林茨），C大调，K425第一乐章（哈农库特指挥皇家音乐厅管弦乐团）全曲（克莱伯版）第38交响曲“布拉格”，D大调，K504全曲（克伦贝勒指挥柏林战时广播交响乐团）第39交响曲，降E大调，K543第三乐章（演奏者不详）第三乐章(朱里尼/柏林爱乐)全曲（伯姆指挥柏林爱乐）第40交响曲，g小调，K550第一乐章(旺德指挥北德广播交响乐团)第一乐章（伯姆指挥柏林爱乐）第二乐章（伯姆指挥柏林爱乐）第三乐章（伯姆指挥柏林爱乐）第四乐章（伯姆指挥柏林爱乐）全曲（伯姆指挥柏林爱乐）四合一版（富特文革勒＋瓦尔特＋卡拉扬＋老克莱伯）（维也纳爱乐＋哥伦比亚交响＋柏林爱乐＋伦敦爱乐）第41号交响曲（朱庇特），C大调，K551第一乐章（伯姆指挥柏林爱乐）第一乐章（伯恩斯坦指挥维也纳爱乐）全曲（伯恩斯坦指挥纽约爱乐乐团）全曲（史科瓦泽夫斯基指挥日本读卖交响乐团）莫扎特作品之其他管弦乐作品：遣兴曲 K63，第五乐章（NAXOS，内拉特指挥萨尔茨堡室内乐团）遣兴曲 K99 第7乐章（NAXOS，内拉特指挥萨尔茨堡室内乐团演奏）第2号嬉游曲之2，D大调，K136（山度·威格指挥萨尔兹堡莫扎特管弦乐团演奏）第2号嬉游曲之3，降B大调，K137（山度·威格指挥萨尔兹堡莫扎特管弦乐团演奏）第2号嬉游曲之4，F大调，K138 第3乐章（库普曼指挥阿姆斯特丹巴洛克乐团）第11号嬉游曲 K251，第三乐章，稍快的快板（圣马丁室内合奏团）第12号嬉游曲 K252，第三乐章，波兰舞曲（霍利格尔管乐合奏团）第14号嬉游曲 K270，第二乐章，小行板（霍利格尔管乐合奏团）第15号嬉游曲 K287，第四乐章（圣马丁室内合奏团）第16号嬉游曲 K289，第一乐章（荷兰管乐合奏团）第17嬉游曲K334，第三乐章，小步舞曲（圣马丁室内合奏团）第17嬉游曲K334，第三乐章，小步舞曲（演奏者不详）第1号小夜曲，D大调，K100，第六乐章（博斯科夫斯基指挥维也纳莫扎特合奏团演奏）第3号小夜曲，D大调，K185，第二乐章（NAXOS，内拉特指挥萨尔茨堡室内乐团）第4号小夜曲，D大调，K203，第八乐章（NAXOS，内拉特指挥萨尔茨堡室内乐团）D大调进行曲K215和第5号小夜曲，D大调，K204第一乐章（马里纳指挥圣马丁乐团）第6号小夜曲，D大调，K239，（月下小夜曲）"Serenata Notturna"第一乐章：进行曲（伯姆指挥柏林爱乐）全曲（SandorVegh指挥萨尔茨堡莫扎特音乐学院乐团）第7号小夜曲，D大调，K250，（哈夫纳小夜曲）第四乐章：回旋曲（伯姆指挥柏林爱乐乐团演奏）第9号小夜曲，D大调，K320全曲（伯姆指挥柏林爱乐乐团演奏）第六乐章，小步舞曲（伯姆指挥柏林爱乐乐团演奏）第10号小夜曲，降B大调，K361第三乐章（NAXOS，德国管乐家重奏团）第七乐章（NAXOS，德国管乐家重奏团）全曲（伯姆指挥柏林爱乐管乐团）全曲(富特文革勒指挥维也纳演奏家乐团)第11小夜曲，降E大调，K375（芝加哥交响乐团/ 莫斯科爱乐）第12小夜曲，C小调，K388（迈耶尔管乐合奏团）第13号小夜曲，《G大调弦乐小夜曲》，K525第一乐章（瓦尔特指挥哥伦比亚交响乐团，CBS报纸版）第一乐章(Traunfellner指挥维也纳室内爱乐乐队)第四乐章：（伯姆指挥维也纳爱乐乐团）全曲(马里纳指挥圣马丁乐团EMI-LD版)全曲（马里纳指挥圣马丁乐团PhlipsCD版）《音乐玩笑》，F大调，K522（菲拉德指挥菲拉德室内管弦乐团）《音乐玩笑》，F大调，K522（奥菲斯室内乐团）德国舞曲，K605，第3首“雪橇”（博斯科夫斯基指挥维也纳莫扎特合奏团）德国舞曲 K586 No.5(Johannes Wildner指挥Capella Istropolitana)NAXOS8.550412 《英雄科堡之胜利》K587（奥菲斯室内乐团）Promenade en Traineau (里德/慕尼黑艺术家管弦乐团)(马里纳指挥圣马丁室内乐团)莫扎特作品之芭蕾音乐：《小玩意》（Les petits riens）K.299B（马里纳指挥圣马丁室内乐团）协奏曲:小提琴协奏曲：第1小提琴协奏曲，降B大调，K207（小提琴：大卫·奥依斯特拉赫）第1小提琴协奏曲，降B大调，K207（小提琴：Simon Standage）第2小提琴协奏曲，D大调，K211全曲（小提琴：格鲁米欧）第2小提琴协奏曲，D大调，K211全曲（小提琴：林昭亮）第3小提琴协奏曲，G大调，K.216第一乐章：快板（小提琴：马泽尔）第一乐章：快板（小提琴：阿卡多）第一乐章：快板（小提琴：慕洛娃）第一乐章：快板（小提琴：大卫·奥依斯特拉赫）第三乐章：（小提琴：穆特）全曲（格鲁米欧）第4小提琴协奏曲，D大调，K218第一乐章：（小提琴：格罗米欧）第二乐章：（小提琴：格罗米欧）第三乐章：（小提琴：格罗米欧）全曲（小提琴：阿卡多）第5小提琴协奏曲，A大调，K219第一、二乐章（小提琴：蒂博）第三乐章（小提琴：海菲兹）第三乐章（小提琴：穆特；指挥：卡拉扬）全曲（小提琴：施奈德汉）全曲（小提琴：格鲁米欧）D大调小提琴协奏曲（K271i）（小提琴：格鲁米欧）（单声）第一乐章第二乐章第三乐章E大调柔板，K261（小提琴：格鲁米欧）C大调回旋曲，K373（Maria-Elisabeth Lott，12岁）C大调回旋曲, K373(格鲁米欧小提琴)降B大调回旋曲, K269(谢霖小提琴吉卜森指挥新爱乐乐团协奏)双小提琴协奏曲，C大调，K190（小提琴：帕尔曼、祖克曼）小提琴中提琴交响协奏曲，降E大调，K364第一乐章（小提琴：海菲兹；中提琴：普利姆罗斯）第一乐章（Thomas Brandis； Giusto Cappone；伯姆指挥柏林爱乐）第一乐章Naxos历史录音（小提琴：Albert Sammons；中提琴：Lionel Tertis）第二乐章（小提琴：美岛莉；中提琴：今井信子）第三乐章（小提琴：海菲兹；中提琴：普利姆罗斯）第三乐章（小提琴：海菲兹；中提琴：普利姆罗斯）第三乐章（小提琴：布朗；中提琴：伊迈）第三乐章（小提琴：Dumay；中提琴：Causse）第三乐章（小提琴：伊戈尔·奥伊斯特拉赫，中提琴：大卫·奥伊斯特拉赫）第一、二乐章（小提琴：伊戈尔·奥伊斯特拉赫，中提琴：大卫·奥伊斯特拉赫）全曲：（小提琴：格鲁米欧，中提琴：佩雷西亚）***全曲：（小提琴：（帕尔曼），中提琴：祖克曼）交响协奏曲，k297b（Thomas Brandis；Giusto Cappone；伯姆指挥柏林爱乐）第一乐章第二乐章第三乐章D大调小提琴与钢琴协奏曲（小提琴：美岛莉；钢琴：艾申巴赫）莫扎特作品钢琴协奏曲：第7号为三架钢琴而作的协奏曲，F大调，K242（古钢琴：Malcolm Bilson，Robert Levin，谭梅文）第一乐章第二乐章第三乐章第8号钢琴协奏曲，C大调，K246，(全曲)（肯普夫/莱特纳/柏林爱乐）第9钢琴协奏曲，降E大调，K271第一乐章（钢琴：杨多）第二乐章（钢琴：杨多）第三乐章：（钢琴：杨多）全曲（钢琴：布伦德尔，马克拉斯指挥苏格兰室内管弦乐团/）全曲（钢琴：拉罗查，戴维斯指挥英国室内乐团）第10号为双钢琴而作的协奏曲，E大调，K.365第一乐章（古钢琴：Malcolm Bilson；谭梅文）第二乐章（古钢琴：Malcolm Bilson；谭梅文）第三乐章（古钢琴：Malcolm Bilson；谭梅文）第三乐章（钢琴：吉列尔斯; Rakov Zak）全曲（德拉罗查与普列文合作）全曲（吉列尔斯父女三星带花的名版）第12号钢琴协奏曲，A大调，K414，（钢琴：基辛；斯皮瓦科夫指挥莫斯科名家合奏团）第13号钢琴协奏曲，C大调，K415 （钢琴：米凯兰杰里）第13钢琴协奏曲，C大调，K415，第二乐章（钢琴：杨多）第13钢琴协奏曲，C大调，K415，第三乐章（钢琴：杨多）第15号钢琴协奏曲，降B大调，K450第15钢琴协奏曲（维也纳爱乐乐团／伯恩斯坦乐团指挥并演奏钢琴）第一乐章; 第二乐章；第三乐章全曲（钢琴：布伦德尔）全曲（钢琴：米凯兰杰利）第16号钢琴协奏曲，D大调，K451，（全曲，钢琴：佩拉西亚）第16号钢琴协奏曲，K451，（全曲，钢琴：塞尔金）第17号钢琴协奏曲，K453，G大调（暂缺）第18号钢琴协奏曲，K456，（钢琴：赛尔金Serkin）第19钢琴协奏曲，F大调，K459第一乐章（钢琴：哈斯姬儿）第二、三乐章（钢琴：哈斯姬儿）第二乐章（钢琴：杨多）第三乐章（钢琴：杨多）第20钢琴协奏曲 D小调， K466, （钢琴：杨多）第一乐章第二乐章第三乐章第20钢琴协奏曲 D小调 K466, 第二乐章：（钢琴：顾尔达）第20钢琴协奏曲 D小调 K466, 全曲（钢琴：米凯兰杰里，现场录音）第20钢琴协奏曲 D小调 K466, 全曲（钢琴：勒费布，富特文革勒/柏林爱乐）第21钢琴协奏曲，C大调，K467第一乐章：（钢琴：杨多）第一乐章（钢琴：Daniele Dechenne ）第二乐章（钢琴：伊士东文）第二乐章(钢琴:安达Geza Anda)第二乐章（钢琴：施纳贝尔）第三乐章（钢琴：杨多）第三乐章（钢琴：Daniele Dechenne ）全曲（钢琴：布伦德尔）全曲（钢琴：伊斯托敏）全曲（钢琴：内田光子）第22号钢琴协奏曲，降E大调，K482第一乐章（佩拉西亚/英国室内乐团）第二乐章（演奏者不详）第三乐章（佩拉西亚/英国室内乐团）全曲（钢琴: 海布勒，戴维斯指挥伦敦交响）第23钢琴协奏曲，A大调，K488第一乐章（钢琴：杨多）第二乐章（演奏者不详）第二乐章(霍洛维茨/朱利尼)第二乐章（施纳贝尔）第三乐章(霍洛维茨/朱利尼)第三乐章（钢琴：杨多）第三乐章（钢琴：肯普夫1960）全曲（钢琴：布伦德尔）第24钢琴协奏曲，C小调，K491第一乐章（钢琴：杨多）第二乐章（钢琴：杨多）第三乐章（钢琴：杨多）全曲（钢琴：哈斯姬儿）第25钢琴协奏曲，K503，C大调（Malcolm Bilson 古钢琴；Gardiner指挥英国巴洛克独奏家乐团）第一乐章第二乐章第三乐章第26钢琴协奏曲（加冕），D大调，K.537,（钢琴：海布勒，洛维茨基指挥伦敦交响）第一乐章第二乐章第三乐章第27钢琴协奏曲，降B大调，K595第一乐章(布伦德尔/马连拿指挥圣·马田乐团)第一乐章（钢琴：杨多）第二乐章（钢琴：杨多）第三乐章（钢琴：卡仲CLIFFORD CURZON）全曲（钢琴：顾尔达）全曲（钢琴：巴克豪斯）全曲（钢琴：吉列尔斯）第27钢琴协奏曲（3合1版）（演奏：吉列尔斯＋佩拉希亚＋顾尔达）莫扎特作品为其他乐器所作的协奏曲：大管协奏曲，降B大调，K191全曲（大管：Zeman；伯姆指挥维也纳爱乐乐团）全曲（翁纽大管，Cuschlbauer指挥班贝格交响乐团）长笛与竖琴协奏曲，K299第三乐章（朗帕尔长笛；拉斯金竖琴；菲拉德指挥菲拉德室内管弦乐团）全曲（舒尔茨长笛，萨巴雷塔竖琴，伯姆指挥维也纳爱乐乐团协奏）第1长笛协奏曲，K313全曲（格拉费娜尤长笛；马里纳指挥圣马丁乐团协奏）第一乐章（Susan Palma长笛，Orpheus Chamber Orchestra）第2号长笛协奏曲，D大调 K.314（长笛：尼科莱；皇家音乐厅管弦乐团／津曼）C大调行板，K315（朗帕尔长笛；Cuschlbauer指挥维也纳交响乐团）C大调行板，K315（朗帕尔长笛）双簧管协奏曲，K314（霍利格尔双簧管；马里纳指挥圣马丁乐团协奏）双簧管协奏曲，K314, 第三乐章（皮埃罗双簧管，朗帕尔指挥英国室内乐团）单簧管协奏曲，K622第一乐章（巴塞特单簧管版本，W.梅耶单簧管；哈农库特指挥维也纳音乐社）第一乐章（兰斯洛特单簧管，菲拉德指挥菲拉德室内管弦乐团）第二乐章（布瑞默单簧管；马里纳指挥圣马丁乐团）第二乐章（莱斯特单簧管，马里纳指挥圣马丁乐团）第二乐章（普林茨单簧管，伯姆指挥维也纳爱乐）第三乐章（普林茨单簧管，伯姆指挥维也纳爱乐）第三乐章（Naxos: 奥腾萨默单簧管；约翰内斯·维尔德纳指挥维也纳莫扎特学会）全曲（奥腾萨默单簧管，科林·戴维斯指挥维也纳爱乐乐团）全曲（普林茨单簧管，慕兴格尔指挥维也纳爱乐乐团）全曲（查尔斯·尼德赫单簧管独奏，奥菲斯室内乐团协奏）第1圆号协奏曲，D大调，K412（演奏者不详）第1圆号协奏曲，D大调，K412, 第一乐章（圆号：丹尼斯·布莱恩）第1圆号协奏曲，D大调，K412,第一乐章（圆号：图克维尔/英国室内乐团）第2圆号协奏曲，降E大调，K417（鲍曼圆号；祖克曼指挥圣·保罗室内乐团）第2圆号协奏曲，降E大调，K417, 第一乐章（圆号：丹尼斯·布莱恩）第3圆号协奏曲，降E大调，K447（圆号：丹尼斯·布莱恩）第4圆号协奏曲，降E大调，K495（圆号：丹尼斯·布莱恩）第4圆号协奏曲，降E大调，K495（圆号：图克威尔，马格指挥伦敦交响乐团协奏）莫扎特作品奏鸣曲：小提琴奏鸣曲：小提琴奏鸣曲第10号，K15（大键琴：维莱特；小提琴：波莱特）小提琴奏鸣曲第16号，K31（大键琴：维莱特；小提琴：波莱特）小提琴奏鸣曲第17号，C大调，K296 （小提琴：谢霖，钢琴：海布勒）小提琴奏鸣曲第18号，K301 （小提琴：格鲁米欧，钢琴：克林）小提琴奏鸣曲第21号，K304 （小提琴：格鲁米欧，钢琴：克林）小提琴奏鸣曲第24号，F大调，K376（小提琴：格吕米奥；钢琴：哈斯姬儿）小提琴奏鸣曲第26号，降B大调，K378（小提琴：格吕米奥；钢琴：哈斯姬儿）小提琴奏鸣曲第26号，降B大调，K378（小提琴：谢霖；钢琴：海布勒）小提琴奏鸣曲第27号，G大调，K379（小提琴：谢霖；钢琴：海布勒）小提琴奏鸣曲第32号，降B大调, K454（小提琴：格吕米奥；钢琴：哈斯姬儿）小提琴奏鸣曲第33号，K481 （小提琴：格鲁米欧，钢琴：克林）小提琴奏鸣曲第35号，A大调，K526（小提琴：谢霖；钢琴：海布勒）小提琴奏鸣曲第35号，A大调，K526 （小提琴：格鲁米欧，钢琴：克林）小提琴奏鸣曲第36号，F大调，K547 （暂缺）变奏曲，K359（小提琴：谢霖；钢琴：海布勒）小提琴奏鸣曲》K481（小提琴：施纳德汉；钢琴：希曼）小步舞曲（小提琴：海菲兹）钢琴奏鸣曲及独奏作品：钢琴奏鸣曲，第1号，C大调，K279（钢琴：季雪金）钢琴奏鸣曲，第2号，F大调，K280（钢琴：海布勒）钢琴奏鸣曲，第2号，F大调，K280（钢琴：哈斯姬尔）钢琴奏鸣曲，第3号，降B大调，K281（钢琴：霍洛维兹）：第一乐章第二乐章第三乐章钢琴奏鸣曲，第3号，降B大调，K281（钢琴：吉列尔斯）钢琴奏鸣曲，第4号，降E大调，K282，（钢琴：吉塞金Gieseking）钢琴奏鸣曲，第5号，G大调，K283（钢琴：吉塞金Gieseking）钢琴奏鸣曲，第6号，D大调，K284（钢琴：海布勒）钢琴奏鸣曲，第7号，C大调，K309（钢琴：海布勒）钢琴奏鸣曲，第7号，C大调，K309（钢琴：拉罗查）钢琴奏鸣曲，第8号，A小调，K310（钢琴：拉罗查）钢琴奏鸣曲，第8号，A小调，K310（钢琴：李帕蒂）钢琴奏鸣曲，第8号，A小调，K310（钢琴：施纳贝尔）钢琴奏鸣曲，第9号，D大调，K311（钢琴：吉泽金）钢琴奏鸣曲，第10号，A大调，K330（钢琴：哈斯姬尔）钢琴奏鸣曲，第10号，A大调，K330（钢琴：霍洛维茨）钢琴奏鸣曲，第11号，A大调，K331（其中第三乐章为著名的土耳其进行曲）K331（钢琴：海布勒）K331（钢琴：吉塞金Gieseking）土耳其进行曲(波格莱里奇)钢琴奏鸣曲，第12号，F大调，K332（钢琴：舒拉.切尔卡斯基Shura Cherkassky）钢琴奏鸣曲，第13号，降B大调，K333（钢琴：拉罗查）钢琴奏鸣曲，第13号，降B大调，K333（钢琴：舒拉.切尔卡斯基)钢琴奏鸣曲，第13号，降B大调，K333（钢琴：霍洛维兹）钢琴奏鸣曲，第14号，c小调，K457（钢琴：阿劳）钢琴奏鸣曲，第15号，C大调，K545（钢琴：海布勒）钢琴奏鸣曲，第15号，C大调，K.545（钢琴：内田光子）钢琴奏鸣曲，第15号，C大调，K.545（钢琴：李赫特,布拉格现场）钢琴奏鸣曲，第16号，降B大调，K570（钢琴：弗雷德里齐·古尔达）钢琴奏鸣曲，第16号，降B大调，K570（钢琴：季雪金）钢琴奏鸣曲，第17号，D大调，K576, 第二乐章（钢琴：弗雷德里齐·古尔达）钢琴奏鸣曲，第17号，D大调，K576, 全曲（钢琴：Solomon）c小调钢琴《幻想曲》，K396（钢琴：查哈里亚斯Christian Zacharias）d小调钢琴《幻想曲》，K397（钢琴：吉列尔斯，现场录音）D大调钢琴《回旋曲》，K485（钢琴：查哈里亚斯Christian Zacharias）F大调钢琴《回旋曲》，K494(李赫特,布拉格现场)两架钢琴奏鸣曲，D大调，K448全曲（钢琴：罗夫·帕尔吉，沃尔夫冈·曼斯）全曲（钢琴：海布勒、霍夫曼）第二乐章（钢琴：鲁普、佩拉西亚）全曲(钢琴: Anna & Ines walachowski)钢琴变奏曲,K354（钢琴：海布勒）（根据博马舍《塞维利亚理发师》中的《我是多林》而作的12首变奏曲）迪波尔小步舞曲主题变奏曲9首，K573（钢琴：哈斯姬尔）迪波尔小步舞曲主题变奏曲，K573（钢琴：布伦德尔）根据“阿，妈妈，我要对你说”而作的12首变奏曲，K265（钢琴：海布勒）为两架钢琴而作的G大调慢板和变奏曲，K501（阿格丽姬，毕晓普-科瓦塞维奇）A小调回旋曲,K511(布伦德尔)6首德国舞曲,KV509(吉泽金)格伦·古尔德弹奏的(感觉异样的)莫扎特钢琴奏鸣曲:钢琴奏鸣曲 K279（格伦·古尔德）钢琴奏鸣曲 K283（格伦·古尔德）钢琴奏鸣曲 K330（格伦·古尔德）钢琴奏鸣曲K309（格伦·古尔德）钢琴奏鸣曲K310，第一乐章（格伦·古尔德）钢琴奏鸣曲K331，第三乐章, 土耳其进行曲（格伦·古尔德）室内乐：二重奏作品：G大调小中提琴二重奏,K423(Grumiaux&Pelliccia)降B大调小中提琴二重奏,K424(Grumiaux&Pelliccia)三重奏作品：第1号钢琴三重奏，降B大调，K254，（皮雷斯、杜梅、王建）第2号钢琴三重奏，G大调，K496（皮雷斯、杜梅、王建）第3号钢琴三重奏，降B大调，K502（美艺三重奏）第4号钢琴三重奏，E大调，K542（美艺三重奏）第5号钢琴三重奏，C大调，K548（暂无）第6号钢琴三重奏，G大调，K.564（美艺三重奏）第一乐章第二乐章第三乐章单簧管三重奏，降E大调，K498（莱文钢琴，莱斯特单簧管，科瑞斯特中提琴）为弦乐三重奏而作的《降E大调嬉游曲》，K563（格鲁米欧三重奏团）降B大调《嬉游曲》K254，第三乐章(皮尔斯/杜梅/王键) ——————————————————————————————————四重奏作品：第1号弦乐四重奏，G大调，K80/73f（意大利四重奏团）第2号弦乐四重奏，D大调，《米兰四重奏》之一，K155/134a（意大利四重奏团）第3号弦乐四重奏，G大调，《米兰四重奏》之二，KV156/134b（意大利四重奏团）第13号弦乐四重奏，D小调，《维也纳四重奏》第六首，K173 (阿玛迪乌斯四重奏团)第17号弦乐四重奏（狩猎），降B大调，K458（意大利四重奏组）第21号弦乐四重奏，D大调，K575（意大利四重奏组）第23号弦乐四重奏，K590，D大调《普鲁士四重奏》第三号(阿玛迪乌斯四重奏团)第1号钢琴四重奏，G小调，K478，全曲，（马友友，斯特恩，艾克斯，拉雷多）第2号钢琴四重奏，降E大调，K493，全曲，（马友友，斯特恩，艾克斯，拉雷多）第2号钢琴四重奏，降E大调，K493，全曲（PHILIPS：Haeble钢琴，Schwalbe小提琴，Cappone中提琴，Borwitzky大提琴）第1号长笛四重奏，D大调，K285, （贝奈特长笛；格鲁米欧三重奏团）第一乐章第二乐章第三乐章全曲第一乐章(高威与东京弦乐四重奏团)第2号长笛四重奏(全曲)（长笛：贝内特/格鲁米欧三重奏团）第3号长笛四重奏(全曲)（长笛：贝内特/格鲁米欧三重奏团）第4号长笛四重奏(全曲)（长笛：贝内特/格鲁米欧三重奏团）双簧管四重奏，K370（Kiss双簧管，科达伊四重奏团成员，NAXOS版）——————————————————————————————————五重奏作品：第3号弦乐五重奏，C大调，K515 （小提琴：Arthur Grumiaux，Arpad Gerecz；中提琴：Georges Janze r，Max Lesueur；大提琴：Eva Czako）第4号弦乐五重奏，G小调，K516, 第一乐章（演奏者同上）第5号弦乐五重奏，D大调，K593，（全曲,演奏者同上）第6弦乐五重奏 K614，降E大调，(格鲁米欧三重奏团/格莱茨/莱舒尔)单簧管五重奏，A大调，K581第一乐章（单簧管：Jozsef Balogh；Danubius 四重奏团）全曲（Schmidl巴塞特单簧管，维也纳八重奏团成员演奏）玻璃琴五重奏《C小调柔板与回旋曲》，K617（玻璃琴：Bruno Hoffmann；长笛：Aurele Nicolet；双簧管：Heinz Holliger；中提琴：Karl Schouten；大提琴：Jean Decroos）圆号五重奏，K407（Kevehazi圆号，科达伊四重奏团，NAXOS版）钢琴与管乐五重奏，降E大调，K452（布伦德尔钢琴，霍利格尔双簧管，布鲁纳单簧管，鲍曼圆号，图纳曼大管）钢琴与管乐五重奏，降E大调，K452(丹尼斯·布赖恩管乐合奏团)根据G大调弦乐小夜曲（K525）而改编的弦乐五重奏（埃克斯、瓜奈里四重奏团等）第一乐章第二乐章第三乐章第四乐章歌剧作品:《费加罗的婚礼》，K492序曲（梅塔指挥SONY 53286）序曲（莱茵斯多夫指挥维也纳爱乐）序曲（瓦尔特指挥哥伦比亚交响乐团）咏叹调：《蝴蝶不能再飞》（梅塔指挥SONY 53286）咏叹调：“Voi che sapete”（Danco演唱；克莱伯指挥维也纳爱乐乐团、维也纳歌剧院合唱团演出）二重唱：“Che soave zefiretto”（Casa & Gueden演唱，克莱伯指挥维也纳爱乐乐团、维也纳歌剧院合唱团）二重唱“Cinque...dieci...venti...trenta”(Siepi & Gueden演唱，E.克莱伯指挥维也纳爱乐乐团、维也纳歌剧院合唱团)“Porgi amor,qualche ristoro”(Casa演唱 E.克莱伯指挥维也纳爱乐乐团、维也纳歌剧院合唱团) “Porgi amor,qualche ristoro”(Kanawa演唱伯姆指挥维也纳爱乐乐团)“Dove sono”(演唱：施瓦兹科普夫;卡拉扬指挥维也纳爱乐)《魔笛》，K620序曲（伯姆指挥）序曲(瓦尔特指挥哥伦比亚交响)第二幕（索尔蒂指挥维也纳爱乐乐团，演唱：迪斯考等）二重唱“那些坠入爱河的男人”（索尔蒂指挥维也纳爱乐，演唱：普雷，罗莲嘉）“在神圣的殿堂里”（演唱：特尔维拉）“帕帕姬娜你在哪里”（伯姆指挥）二重唱:懂得爱情的男人，都有一颗仁慈的心（Ziesak&Kraus演唱;索尔蒂指挥维也纳爱乐）咏叹调：“如果有个女人爱我，多么幸福”（索尔蒂指挥维也纳爱乐乐团）“夜后”（演唱：格鲁布洛娃Edita Gruberova）二重唱：《pa pa pa》(演唱：夸斯托夫/卡巴列)二重唱：《pa pa pa》(演唱：普雷/霍尔姆, 索尔蒂/维也纳爱乐)美丽的画像(演唱：冯德里希)夜后"复仇的火焰"(演唱者：朵依特肯)《女人心》,K588序曲（伯姆指挥维也纳爱乐、维也纳歌剧院合唱乐团）第二幕（伯姆指挥维也纳爱乐、维也纳歌剧院合唱乐团）第2幕第4场(EMI伯姆指挥爱乐乐团与合唱团演出, Schwarzkopf、Ludwig、Kraus、Taddei等演唱) “Fra gli amplessi in pochi istanti”(EMI伯姆指挥爱乐乐团与合唱团演出, Schwarzkopf & Kraus演唱)《唐璜》,K527序曲（朱利尼指挥爱乐乐团）第一幕：（朱利尼指挥爱乐乐团，演唱：萨瑟兰、施瓦兹科普夫等）第二幕（索尔蒂指挥伦敦爱乐乐团、伦敦歌剧院合唱团）二重唱“让我们手拉手吧”（演唱：Sciutti & Wachter；朱利尼指挥爱乐乐团、合唱团）小夜曲“Deh vieni alla finestra”(Wachter演唱朱利尼指挥爱乐乐团、合唱团)《后宫诱逃》 K384咏叹调“Martern aller Arten”（Koth演唱，约胡姆指挥巴伐利亚歌剧院乐团与合唱团）咏叹调“Hier soll ich dich denn sehen”(Wunderlich演唱，约胡姆指挥巴伐利亚歌剧院乐团与合唱团)序曲(约胡姆指挥巴伐利亚歌剧院乐团与合唱团)序曲(NAXOS)《狄托的仁慈》，K621二重唱“Ah perdona al primo affetto”（von Stade & Popp演唱，科林·戴维斯指挥科文特花园皇家歌剧院乐团与合唱团）咏叹调“Ah,se fosse intorno al trono” (Burrows演唱科林·戴维斯指挥科文特花园皇家歌剧院乐团与合唱团)《阿斯卡尼奥在阿尔巴》K111,序曲(萨尔茨堡莫扎特管弦乐团／利奥波德·哈格)《巴斯蒂恩与巴斯蒂恩娜》K50,序曲《巴斯蒂安与巴斯蒂安娜》K50，全剧（Gruberova、Cole、Polgar演唱，Leppard指挥李斯特室内乐团）《装痴作傻》（一）施雷尔（P.Schreier）指挥C.P.E巴赫乐团《装痴作傻》（二）施雷尔（P.Schreier）指挥C.P.E巴赫乐团---------------------------------------------------------------------------------声乐作品:女高音咏叹调：“喜悦的心情”，K579（演唱：格鲁贝洛娃）咏叹调：“Vorrei Siegarvi,oh Dio”，K418《哈利路亚》(平诺克指挥英国协奏团, 演唱: Bonnry)《黄昏的感触》（Elly Ameling Dalton Baldwin with Netherlands Wind Ensemble）教堂音乐:忏悔者的庄严晚祷，K399C大调《加冕》弥撒曲，K317（哈农库特指挥）C小调大弥撒 K427 (柏林广播交响乐团/Fricsay)《圣礼赞》(排箫：赞非尔/管风琴：毕什)《C大调第十号弥撒曲》麻雀(库贝利克指挥巴戈里亚广播合唱团、乐团)安魂曲，D小调，K626伯姆指挥维也纳爱乐1971年版卡拉扬/柏林爱乐1976年版卡拉扬指挥维也纳歌唱家合唱团、伯林爱乐乐团巴伦博依姆1972年的版本克尔特兹(Kertesz)指挥维也纳爱乐乐团版库普曼指挥阿姆斯特丹巴洛克乐团等伯恩斯坦悼念亡妻版朱利尼/爱乐乐团和合唱团改编曲:第13号小夜曲《G大调弦乐小夜曲》,K525,第四乐章（长笛版）吉他: 《魔笛》主题及变奏（索尔改编，演奏：帕克宁）吉他: 《魔笛》主题及变奏（索尔改编，演奏：塞戈维亚）吉他: 《魔笛》主题及变奏（Pepe Romero 吉他独奏）《魔笛》中的幻想曲(萨拉萨蒂改编, 沙汉姆演奏)《费加罗婚礼》(管乐合奏)(LINOS-ENSEMBLE)《后宫诱逃》长笛与双簧管二重奏（Schulz长笛/Schellenberger双簧管）摇篮曲(改编曲)贝多芬《根据莫扎特歌剧〈唐璜〉中“La ci darem la mano”主题而作的变奏曲》但济《单簧管与乐队“La ci darem la mano”主题幻想曲》圆号协奏曲哼唱的《土尔其进行曲》木管五重奏《土尔其进行曲》Mozart 莫扎特作品目录编号K.时间地点作品名音高1 1761/2 Salzburg Minuet for Harpsichord (See K. 1e) G Major or 17641 1761/2? Salzburg Andante for Harpsichord C Major1b 1761/2? Salzburg Allegro for Harpsichord C Major1c 1761 Salzburg Allegro for Harpsichord F Major1d 1761 Salzburg Minuet for Harpsichord F Major1e 1761/2 Salzburg Minuet for Harpsichord (See K. 1) G Major or 17641f 1761/2 Salzburg Minuet for Harpsichord C Major or 17642 1762 Salzburg Minuet for Harpsichord F Major3 1762 Salzburg Allegro for Harpsichord B Flat Major4 1762 Salzburg Minuet for Harpsichord F Major5 1762 Salzburg Minuet for Harpsichord F Major5a 1763 Salzburg Allegro for Harpsichord (See K. 9a) C Major6 1764 Paris Sonata for Harpsichord & Violin C Major7 1764 Paris Sonata for Harpsichord & Violin D Major8 1764 Paris Sonata for Harpsichord & Violin B Flat Major9 1764 Paris Sonata for Harpsichord & Violin G Major9a 1763 Salzburg Allegro for Harpsichord (See K. 5a) C Major10 1764 London Sonata for Harpsichord，Violin (or B Flat Major Flute) & Cello11 1764 London Sonata for Harpsichord，Violin (or G Major Flute) & Cello12 1764 London Sonata for Harpsichord，Violin (or A Major Flute) & Cello13 1764 London Sonata for Harpsichord， Violin (or Flute) & Cello14 1764 London Sonata for Harpsichord， Violin (or Flute) & Cello。

This publication adds the Eight Channel RTD module to the Ovation I/O Reference Manual. It should be placed between Sections 19 and 20.Date: 04/03IPU No.243Ovation ® Interim Publication UpdatePUBLICATION TITLEOvation I/O Reference ManualPublication No. R3-1150Revision 3, March 2003Section 19A. Eight Channel RTDModule19A-1. DescriptionThe Eight (8) channel RTD module is used to convert inputs from Resistance Temperature Detectors (RTDs) to digital data. The digitized data is transmitted to the Controller.19A-2. Module Groups19A-2.1. Electronics ModulesThere is one Electronics module group for the 8 channel RTD Module:n5X00119G01 converts inputs for all ranges and is compatible only with Personality module 5X00121G01 (not applicable for CE Mark certified systems).19A-2.2. Personality ModulesThere is one Personality module groups for the 8 channel RTD Module:n5X00121G01 converts inputs for all ranges and is compatible only with Electronics module 5x00119G01 (not applicable for CE Mark certified systems).19A-2.3. Module Block Diagram and Field Connection WiringDiagramThe Ovation 8 Channel RTD module consists of two modules an electronics module contains a logic printed circuit board (LIA) and a printed circuit board (FTD). The electronics module is used in conjunction with a personalty module, which contains a single printed circuit board (PTD). The block diagram for the 8 channel RTD moduleis shown in Figure 19A-1.Table 19A-1. 8 Channel RTD Module Subsystem ChannelsElectronic Module Personality Module85X00119G015X00121G01Figure 19A-1. 8 Channel RTD Module Block Diagram and Field Connection Wiring Diagram19A-3. SpecificationsElectronics Module (5X00119)Personality Module (5X00121)Table 19A-2. 8 Channel RTD Module SpecificationsDescription ValueNumber of channels8Sampling rate50 HZ mode: 16.67/sec. normally. In 3 wire mode, leadresistance measurement occurs once every 6.45 sec.during which the rate drops to 3/sec.60 HZ mode: 20/sec. normally. In 3 wire mode, leadresistance measurement occurs once every 6.45 sec.during which the rate drops to 2/sec.Self Calibration Mode: Occurs on demand only. The ratedrops to 1/sec. once during each self calibration cycle.RTD ranges Refer to Table 19A-3.Resolution12 bitsGuaranteed accuracy (@25°C)0.10% ±[0.045 (Rcold/Rspan)]% ± [((Rcold + Rspan)/4096 OHM)]% ± [0.5 OHM/Rspan]% ±10 m V ± 1/2LSBwhere:Rcold and Rspan are in Ohms.Temperature coefficient 10ppm/°CDielectric isolation:Channel to channel Channel to logic 200V AC/DC 1000 V AC/DCInput impedance100 M OHM50 K OHM in power downModule power 3.6 W typical; 4.2 W maximumOperating temperature range0 to 60°C (32°F to 140°F)Storage temperature range-40°C to 85°C (-40°F to 185°F)Humidity (non-condensing)0 to 95%Self Calibration On Demand by Ovation ControllerCommon Mode Rejection120 dB @ DC and nominal power line frequency+/- 1/2%Normal Mode Rejection100 dB @ DC and nominal power line frequency+/- 1/2%Table 19A-3. 8 Channel RTD RangesScale #(HEX)Wires Type Tempo FTempo CRcold(ohm)Rhot(ohm)Excitationcurrent(ma)Accuracy± ±countsAccuracy± ±% ofSPAN1310OhmPL0 to1200–18 t o6496106.3 1.090.222310OhmCU 0 to302–18 t o1508.516.5 1.0 130.32D350OhmCU 32 to2840 to1405080 1.0110.2711350OhmCU 32 to2300 to1105378 1.0120.30193100Ohm PL –4 to334–16 t o16892163.671.0110.27223100Ohm PL 32 to5200 to269100200 1.0100.25233100Ohm PL 32 to10400 to561100301 1.0100.25253120Ohm NI –12 t o464–11 t o240109360 1.0100.25263120Ohm NI 32 to1500 to70120170 1.0130.32283120Ohm NI 32 to2780 to122120225 1.0110.27804100Ohm PL 32 to5440 to290100 208 1.0100.25814100Ohm PL 356 t o446180 t o230168 186 1.0300.74824200Ohm PL 32 to6980 to370200 473 1.0120.30834200Ohm PL 514 t o648268 t o342402452 1.0290.71844100Ohm PL 32 to1240 to51100120 1.0190.47854100Ohm PL 32 to2170 to103100 140 1.0130.3286 4100Ohm PL 32 to4120 to211100 180 1.0110.27874100Ohm PL 32 to7140 to379100 240 1.0100.25884120Ohm PL 511 t o662266 t o350200230 1.0240.5919A-4. 8 Channel RTD Terminal Block Wiring Information19A-4.1. Systems Using Personality Module 5X00121G01 Each Personality module has a simplified wiring diagram label on its side, which appears above the terminal block. This diagram indicates how the wiring from the field is to beconnected to the terminal block in the base unit. The following table lists and defines the abbreviations used in this diagram.Table 19A-4. Abbreviations Used in the DiagramAbbreviation Definition+IN, -IN Positive and negative sense input connectionEarth ground terminal. Used for landing shields when the shield is to begrounded at the module.PS+, PS-Auxiliary power supply terminals.RTN Return for current source connection.SH Shield connector. used for landing shields when the shield is to begrounded at the RTD.SRC Current source connection.Note:PS+ and PS- are not used by this module.19A-5. 8 Channel RTD Module Address Locations19A-5.1. Configuration and Status RegisterWord address 13 (D in Hex) is used for both module configuration and module status. The Module Status Register has both status and diagnostic information. The bit information contained within these words is shown in Table 19A-5.Definitions for the Configuration/Module Status Register bits:Bit 0:This bit configures the module (write) or indicates the configuration state of the module (read). A “1” indicates that the module is configured. Note that until the module is configured, reading from addresses #0 through #11 (B in Hex) will produce an attention status.Bit 1:This bit (write “1”) forces the module into the error state, resulting in the error LED being lit. The read of bit “1” indicates that there is an internal module error,or the controller has forced the module into the error state. The state of this bit is always reflected by the module’s Internal Error LED. Whenever this bit is set,an attention status is returned to the controller when address #0 through #11(B in Hex) are read.Table 19A-5. 8 Channel RTD Configuration/Status Register (Address 13 0xD in Hex)Bit Data Description -Configuration Register (Write)Data Description -Status Register (Read)0Configure Module Module Configured(1 = configured; 0 = unconfigured)1Force errorInternal or forced error(1 = forced error; 0 = no forced error)250/60 Hz select (0 = 60Hz, 1 = 50Hz)50/60 Hz System (1 = 50Hz) d(read back)3SELF_CAL (Initiates Self Calibration)Warming bit (set during power up or configuration)40050060Module Not Calibrated 708CH.1 _ 3/4 Wire.CH.1 _ 3/4 Wire - Configuration (read back)9CH.2 _ 3/4 Wire.CH.2 _ 3/4 Wire - Configuration (read back)10CH.3 _ 3/4 Wire.CH.3 _ 3/4 Wire - Configuration (read back)11CH.4 _ 3/4 Wire.CH.4 _ 3/4 Wire - Configuration (read back)12CH.5 _ 3/4 Wire.CH.5 _ 3/4 Wire - Configuration (read back)13CH.6 _ 3/4 Wire.CH.6 _ 3/4 Wire - Configuration (read back)14CH.7 _ 3/4 Wire.CH.7 _ 3/4 Wire - Configuration (read back)15CH.8 _ 3/4 Wire.CH.8 _ 3/4 Wire - Configuration (read back)Bit 2:The status of this bit (read) indicates the conversion rate of the module, write to this bit configures the conversion rate of A/D converters as shown below.see Table 19A-6.Bit3:Write: This bit is used to initiate self-calibration. Read: This bit indicates that the module is in the “Warming” state. this state exists after power up and ter-minates after 8.16 seconds. the module will be in the error condition during the warm up period.Bit4 & 5:These bits are not used and read as “0” under normal operation.Bit 6:This bit (read) is the result of a checksum test of the EEPROM. A failure of this test can indicate a bad EEPROM, but it typically indicates that the module has not been calibrated. A “0” indicates that there is no error condition. If an error is present, the internal error LED is lit and attention status will be returned for all address offsets 0-11 (0x0 - 0xB). The “1” state of this bit indicates an unre-coverable error condition in the field.Bit 7:This bits is not used and read as “0” under normal operation.Bit 8 - 15:These bits are used to configure channels 1 - 8 respectively for 3 or 4 wire op-eration. A “0” indicates 3 wire and a “1” indicates 4 wire operation, see Table 19A-7 and Table 19A-8).Word address 12 (0xC) is used to configure the appropriate scales for Channels 1 - 4 (refer to Table 19A-7 and Table 19A-8).Table 19A-6. Conversion Rate Conversion Rate (1/sec.)Bit 260 (for 60Hz systems)050 (for 50Hz systems)1Table 19A-7. Data Format for the Channel Scale Configuration Register(0xC)Bit Data Description Configuration (Write)Data Description Status (Read)0 Configure Channel #1scale - Bit 0Channel #1 scale configuration (read back) - Bit 01Configure Channel #1scale - Bit 1Channel #1 scale configuration (read back) - Bit 12Configure Channel #1scale - Bit 2Channel #1 scale configuration (read back) - Bit 23Configure Channel #1scale - Bit 3Channel #1 scale configuration (read back) - Bit 34Configure Channel #2 scale - Bit 0Channel #2 scale configuration (read back) - Bit 05Configure Channel #2 scale - Bit 1Channel #2 scale configuration (read back) - Bit 16Configure Channel #2 scale - Bit 2Channel #2 scale configuration (read back) - Bit 27Configure Channel #2 scale - Bit 3Channel #2 scale configuration (read back) - Bit 38Configure Channel #3 scale - Bit 0Channel #3 scale configuration (read back) - Bit 09Configure Channel #3 scale - Bit 1Channel #3 scale configuration (read back) - Bit 1Caution:Configuring any or all channel scales while the system is running will cause all channels to return attention status for up to two seconds following the reconfiguration.Caution:Configuring any or all channel scales while the system is running will cause all channels to return attention status for up to two seconds following the reconfiguration.10Configure Channel #3 scale - Bit 2Channel #3 scale configuration (read back) - Bit 211Configure Channel #3 scale - Bit 3Channel #3 scale configuration (read back) - Bit 312Configure Channel #4 scale - Bit 0Channel #4 scale configuration (read back) - Bit 013Configure Channel #4 scale - Bit 1Channel #4 scale configuration (read back) - Bit 114Configure Channel #4 scale - Bit 2Channel #4 scale configuration (read back) - Bit 215Configure Channel #4 scale - Bit 3Channel #4 scale configuration (read back) - Bit 3Table 19A-8. Data Format for the Channel Scale Configuration Register(0xE)Bit Data Description Configuration (Write)Data Description Status (Read)0 Configure Channel #5 scale - Bit 0Channel #5 scale configuration (read back) - Bit 01Configure Channel #5 scale - Bit 1Channel #5 scale configuration (read back) - Bit 12Configure Channel #5 scale - Bit 2Channel #5 scale configuration (read back) - Bit 23Configure Channel #5 scale - Bit 3Channel #5 scale configuration (read back) - Bit 34Configure Channel #6 scale - Bit 0Channel #6 scale configuration (read back) - Bit 05Configure Channel #6 scale - Bit 1Channel #6 scale configuration (read back) - Bit 16Configure Channel #6 scale - Bit 2Channel #6 scale configuration (read back) - Bit 27Configure Channel #6 scale - Bit 3Channel #6 scale configuration (read back) - Bit 38Configure Channel #7 scale - Bit 0Channel #7 scale configuration (read back) - Bit 09Configure Channel #7 scale - Bit 1Channel #7 scale configuration (read back) - Bit 110Configure Channel #7 scale - Bit 2Channel #7 scale configuration (read back) - Bit 211Configure Channel #7 scale - Bit 3Channel #7 scale configuration (read back) - Bit 312Configure Channel #8 scale - Bit 0Channel #8 scale configuration (read back) - Bit 013Configure Channel #8 scale - Bit 1Channel #8 scale configuration (read back) - Bit 114Configure Channel #8 scale - Bit 2Channel #8 scale configuration (read back) - Bit 215Configure Channel #8 scale - Bit 3Channel #8 scale configuration (read back) - Bit 3Table 19A-7. Data Format for the Channel Scale Configuration Register(0xC)19A-6. Diagnostic LEDsTable 19A-9. 8 Channel RTD Diagnostic LEDsLED DescriptionP (Green)Power OK LED. Lit when the +5V power is OK.C (Green)Communications OK LED. Lit when the Controller is communicatingwith the module.I (Red)Internal Fault LED. Lit whenever there is any type of error with themodule except to a loss of power. Possible causes are:n - Module initialization is in progress.n - I/O Bus time-out has occurred.n - Register, static RAM, or FLASH checksum error.n - Module resetn - Module is uncalibrated.n - Forced error has been received from the Controllern - Communication between the Field and Logic boards failedCH1 - CH 8 (Red)Channel error. Lit whenever there is an error associated with a channel or channels. Possible causes are:n - Positive overrangen - Negative overrangen Communication with the channel has failed。

中文名称：拉赫玛尼诺夫: 钢琴协奏曲1-4英文名称：Vladimir Ashkenazy - Rachmaninov: Piano Concertos 1-4 资源类型：APE版本：分轨2CD发行时间：1995年专辑歌手：Vladimir Ashkenazy 弗拉基米尔·阿什肯纳齐地区：英国简介：专辑名称：拉赫玛尼诺夫: 钢琴协奏曲1-4专辑歌手：弗拉基米尔·阿什肯纳发行日期：1995专辑语种：纯音乐专辑类型：古典音乐/协奏曲唱片公司：Decca唱片编号：444839-2 ADD 2CD压缩比率：APE专辑介绍：阿什肯纳齐的1997年出版的这套拉氏钢琴全集，被认为是所有版本中最出色的，英国权威《企鹅唱片指南》将这套唱片评为最高的―三星带花‖名片。

阿什肯纳齐的演奏极富诗意，音色明亮华丽，并且自然是充满了俄罗斯的气息。

普烈文指挥的伦敦交响乐团也被焕发出亮丽的色泽，既富气势又不喧宾夺主，与阿什肯纳齐的钢琴互为衬托。

特别是第二钢琴曲，听了几乎会让人落泪。

谢尔盖·瓦西里耶维奇·拉赫玛尼诺夫（Sergei Vassilievitch Rachmaninoff ，1873－1943），俄国著名作曲家、钢琴家和指挥家，晚期浪漫主义音乐代表之一。

出生于富贵家庭，曾就学于莫斯科音乐学院，二十岁就一举成名。

在音乐史上，像他这样顺利的音乐家是少见的。

但是，拉赫玛尼诺夫在政治上并不是守旧派，同当时的很多的俄罗斯知识分子一样，他对于十九世纪末到二十世纪初的俄国社会现实是不满的。

1905年，俄国爆发了资产阶级民主革命，虽然最终遭到失败，但其影响深远。

此后一直到1918年―二月革命‖，这一时期成为拉赫玛尼诺夫创作力最为旺盛的阶段。

他的创作深受柴科夫斯基影响，有深厚的民族音乐基础，旋律丰富，擅长史诗式状阔的音乐风格。

先后作有《钢琴协奏曲》四首、《帕格尼尼主题狂想曲》、二十四首《前奏曲》、《音画练习曲》、歌剧《阿莱科》、《利米尼的法兰契斯卡》和《第二交响曲》、管弦乐《死之岛》、《钟》以及浪漫曲等著名作品。

List of compositions by Ludwig van BeethovenContent1. List of works by genreo 1.1 Orchestral music▪ 1.1.1 Symphonies▪ 1.1.2 Concerti▪ 1.1.3 Other works for soloist and orchestra▪ 1.1.4 Overtures and occasional musico 1.2 Chamber music▪ 1.2.1 Trios▪ 1.2.1.1 Piano trios▪ 1.2.1.2 Piano quartets▪ 1.2.1.3 String trios▪ 1.2.2 String quartets▪ 1.2.3 String quintets▪ 1.2.4 Chamber music with winds▪ 1.2.5 Sonatas for solo instrument and piano▪ 1.2.5.1 Violin sonatas▪ 1.2.5.2 Cello sonatas▪ 1.2.5.3 Horn sonataso 1.3 Solo piano music▪ 1.3.1 Piano sonatas▪ 1.3.2 V ariations▪ 1.3.3 Bagatelles▪ 1.3.4 Other workso 1.4 V ocal music▪ 1.4.1 Opera▪ 1.4.2 Choral▪ 1.4.3 Songo 1.5 Music for Wind Band2. List of works by numbero 2.1 Works with opus numberso 2.2 Works without opus numbers▪ 2.2.1 Works with WoO numbers▪ 2.2.1.1 Instrumental works: WoO 1–86▪ 2.2.1.2 V ocal works: WoO 87–205▪ 2.2.2 Works with Anhang (Anh) numbers▪ 2.2.3 Selected works with Hess (H) numbers▪ 2.2.4 Works with Biamonti Numbers1.List of works by genre1.1 Orchestral music1.1.1 Symphonies∙Opus 21: Symphony No. 1 in C major (composed 1799–1800, premièred 1800)∙Opus 36: Symphony No. 2 in D major (composed 1801–02, premièred 1803)∙Opus 55: Symphony No. 3 in E-flat major ("Eroica") (composed 1803-04, premièred 1804)∙Opus 60: Symphony No. 4 in B-flat major (composed 1806, premièred 1807)∙Opus 67: Symphony No. 5 in C minor (composed 1804–08, premièred 1808)∙Opus 68: Symphony No. 6 in F major ("Pastoral") (composed 1804–08, premièred 1808)∙Opus 92: Symphony No. 7 in A major (composed 1811–12, premièred 1813)∙Opus 93: Symphony No. 8 in F major (composed 1812, premièred 1814)∙Opus 125: Symphony No. 9 in D minor ("Choral") (composed 1817–24, premièred 1824)1.1.2 Concerti∙WoO 4: Piano Concerto No. 0 in E-flat major (1784)∙Opus 15: Piano Concerto No. 1 in C major (composed 1796-97)∙Opus 19: Piano Concerto No. 2 in B-flat major (first two movements composed 1787-1789, finale composed in 1795) ∙Opus 37: Piano Concerto No. 3 in C minor (composed 1800-01)∙Opus 56: Triple Concerto for violin, cello, and piano in C major (1805)∙Opus 58: Piano Concerto No. 4 in G major (composed 1805-06)∙Opus 61: Violin Concerto in D major (1806)∙Opus 61a: Beethoven's arrangement of Opus 61 for piano∙Opus 73: Piano Concerto No. 5 in E-flat major ("Emperor") (composed 1809-10)∙Hess 15: Piano Concerto No. 6 in D major (unfinished – performing version completed by Nicholas Cook) (1815)[3]1.1.3 Other works for soloist and orchestra∙WoO 6: Rondo for Piano and Orchestra in B-flat major (1793)∙Opus 40: Romance for Violin and Orchestra No. 1 in G major (1802)∙Opus 50: Romance for Violin and Orchestra No. 2 in F major (1798)∙Opus 80: "Choral Fantasy" (Fantasia in C minor for piano, chorus, and orchestra) (1808)1.1.4 Overtures and occasional music∙Opus 43: The Creatures of Prometheus, overture and ballet music (1801)∙Opus 62: Coriolan Overture (1807)∙Overtures composed for Beethoven's opera Fidelio, Op. 72:o Opus 72: Fidelio Overture (1814)o Opus 72a: Leonore Overture "No. 2" (1805)o Opus 72b: Leonore Overture "No. 3" (1806)o Opus 138: Leonore Overture "No. 1" (1807)∙Opus 84: Egmont, overture and incidental music (1810)∙Opus 91: Wellington's Victory ("Battle Symphony") (1813)∙Opus 113: The Ruins of Athens (Die Ruinen von Athen), overture and incidental music (1811)∙Opus 117: King Stephen (König Stephan), overture and incidental music (1811)∙Opus 115: Zur Namensfeier (Feastday) Overture (1815)∙Opus 124: Consecration of the House (Die Weihe des Hauses), overture (1822)1.2 Chamber music1.2.1 Trios1.2.1.1 Piano trios∙Opus 1: Three Piano Trios (1795)o No. 1: Piano Trio No. 1 in E-flat majoro No. 2: Piano Trio No. 2 in G majoro No. 3: Piano Trio No. 3 in C minor∙Opus 11: Piano Trio No. 4 in B-flat major ("Gassenhauer") (1797) (version with violin)∙Opus 70: Two Piano Trios (1808)o No. 1: Piano Trio No. 5 in D major, "Ghost"o No. 2: Piano Trio No. 6 in E-flat major∙Opus 97: Piano Trio No.7 in B-flat Major ("Archduke") (1811)1.2.1.2 Piano quartets∙Opus 16/b: Piano Quartet in E flat (1797) (arrangement of Quintet for Piano and Winds, Op. 16)1.2.1.3 String trios∙Opus 3: String Trio No. 1 in E-flat major (1794)∙Opus 8: String Trio No. 2 ("Serenade") in D major (1797)∙Opus 9: Three String Trios (1798)o No. 1: String Trio No. 3 in G majoro No. 2: String Trio No. 4 in D majoro No. 3: String Trio No. 5 in C minor1.2.2 String quartets∙Opus 18: Six String Quartetso No. 1: String Quartet No. 1 in F major (1799)o No. 2: String Quartet No. 2 in G major (1799)o No. 3: String Quartet No. 3 in D major (1798/99)o No. 4: String Quartet No. 4 in C minor (1799)o No. 5: String Quartet No. 5 in A major (1799)o No. 6: String Quartet No. 6 in B-flat major (1800)∙Opus 59: Three String Quartets ("Rasumovsky") (1806)o No. 1: String Quartet No. 7 in F majoro No. 2: String Quartet No. 8 in E minoro No. 3: String Quartet No. 9 in C major∙Opus 74: String Quartet No. 10 in E-flat major ("Harp") (1809)∙Opus 95: String Quartet No. 11 in F minor ("Serioso") (1810)∙Opus 127: String Quartet No. 12 in E-flat major (1823/24)∙Opus 130: String Quartet No. 13 in B-flat major (1825)∙Opus 131: String Quartet No. 14 in C-sharp minor (1826)∙Opus 132: String Quartet No. 15 in A minor (1825)∙Opus 133: Große Fuge in B-flat major – originally finale of Opus 130 (1826) (Also arranged by Beethoven for piano duet (four-hands) Opus 134) (1826) ∙Opus 135: String Quartet No. 16 in F major (1826)1.2.3 String quintets∙Opus 4: String Quintet in E-flat major (1795)∙Opus 29: String Quintet in C major (1801)∙Opus 104: String Quintet in C minor (1817)∙Opus 137: Fugue for String Quintet in D major (1817)1.2.4 Chamber music with winds∙Opus 11: Trio for Piano, Clarinet, and Cello in B-flat major ("Gassenhauer") (Version with Violin instead of Clarinet is considered Piano Trio No. 4) (1797) ∙Opus 16: Quintet for piano and winds in E-flat major (1796) (later arranged for piano quartet)∙Opus 20: Septet for clarinet, horn, bassoon, violin, viola, cello and contrabass in E-flat major (1799)∙Opus 38: Trio for Piano, Clarinet (or Violin), and Cello in E-flat major (1803) (reduction of the Op. 20 Septet)∙Opus 71: Sextet for clarinets, horns, and bassoons in E-flat major (1796)∙Opus 81b: Sextet for Horns and String Quartet∙Opus 87: Trio for two oboes and English horn in C major (1795)∙Opus 103: Octet for oboes, clarinets, horns, and bassoons in E-flat major (1792)∙Opus 105: Six sets of variations for piano and flute (1819)∙Opus 107: Ten sets of variations for piano and flute (1820)1.2.5 Sonatas for solo instrument and piano1.2.5.1 Violin sonatas∙Opus 12: Three Violin Sonatas (1798)o No. 1: Violin Sonata No. 1 in D majoro No. 2: Violin Sonata No. 2 in A majoro No. 3: Violin Sonata No. 3 in E-flat major∙Opus 23: Violin Sonata No. 4 in A minor (1801)∙Opus 24: Violin Sonata No. 5 in F major ("Spring") (1801)∙Opus 30: Three Violin Sonatas (1803)o No. 1: Violin Sonata No. 6 in A majoro No. 2: Violin Sonata No. 7 in C minoro No. 3: Violin Sonata No. 8 in G major∙Opus 47: Violin Sonata No. 9 in A major ("Kreutzer") (1803)∙Opus 96: Violin Sonata No. 10 in G major ("The Cockrow") (1812)1.2.5.2 Cello sonatas∙Opus 5: Two Cello Sonatas (1796)o No. 1: Cello Sonata No. 1 in F majoro No. 2: Cello Sonata No. 2 in G minor∙Opus 69: Cello Sonata No. 3 in A major (1808)∙Opus 102: Two Cello Sonatas (1815)o No. 1: Cello Sonata No. 4 in C majoro No. 2: Cello Sonata No. 5 in D major1.2.5.3 Horn sonatas∙Opus 17: Horn Sonata in F major (1800)1.3 Solo piano music1.3.1 Piano sonatas∙Opus 2: Three Piano Sonatas (1795)o No. 1: Piano Sonata No. 1 in F minoro No. 2: Piano Sonata No. 2 in A majoro No. 3: Piano Sonata No. 3 in C major∙Opus 7: Piano Sonata No. 4 in E-flat major (1797)∙Opus 10: Three Piano Sonatas (1798)o No. 1: Piano Sonata No. 5 in C minoro No. 2: Piano Sonata No. 6 in F majoro No. 3: Piano Sonata No. 7 in D major∙Opus 13: Piano Sonata No. 8 in C minor ("Pathétique") (1798)∙Opus 14: Two Piano Sonatas (1799)o No. 1: Piano Sonata No. 9 in E major (Also arranged by the composer for String Quartet in F Major (H 34) in 1801)o No. 2: Piano Sonata No. 10 in G major∙Opus 22: Piano Sonata No. 11 in B-flat major (1800)∙Opus 26: Piano Sonata No. 12 in A-flat major ("Funeral March") (1801)∙Opus 27: Two Piano Sonatas (1801)o No. 1: Piano Sonata No. 13 in E-flat major 'Sonata quasi una fantasia'o No. 2: Piano Sonata No. 14 in C-sharp minor 'Sonata quasi una fantasia' ("Moonlight")∙Opus 28: Piano Sonata No. 15 in D major ("Pastoral") (1801)∙Opus 31: Three Piano Sonatas (1802)o No. 1: Piano Sonata No. 16 in G majoro No. 2: Piano Sonata No. 17 in D minor ("Tempest")o No. 3: Piano Sonata No. 18 in E-flat major ("The Hunt")∙Opus 49: Two Piano Sonatas (1792)o No. 1: Piano Sonata No. 19 in G minoro No. 2: Piano Sonata No. 20 in G major∙Opus 53: Piano Sonata No. 21 in C major ("Waldstein") (1803)o WoO 57: Andante Favori — Original middle movement of the "Waldstein" sonata (1804)∙Opus 54: Piano Sonata No. 22 in F major (1804)∙Opus 57: Piano Sonata No. 23 in F minor ("Appassionata") (1805)∙Opus 78: Piano Sonata No. 24 in F-sharp major ("A Thérèse") (1809)∙Opus 79: Piano Sonata No. 25 in G major (1809)∙Opus 81a: Piano Sonata No. 26 in E-flat major ("Les adieux/Lebewohl") (1810)∙Opus 90: Piano Sonata No. 27 in E minor (1814)∙Opus 101: Piano Sonata No. 28 in A major (1816)∙Opus 106: Piano Sonata No. 29 in B-flat major ("Hammerklavier") (1819)∙Opus 109: Piano Sonata No. 30 in E major (1820)∙Opus 110: Piano Sonata No. 31 in A-flat major (1821)∙Opus 111: Piano Sonata No. 32 in C minor (1822)1.3.2 Variations∙Opus 34: Six variations on an theme in F major (1802)∙Opus 35: Fifteen variations and a fugue on an original theme in E-flat major ("Eroica Variations") (1802)∙Opus 76: Six variations on an original theme in D major (1809)∙Opus 120: Thirty-three variations on a waltz by Diabelli in C major ("Diabelli Variations") (1823)∙WoO 63: Nine variations for piano on a march by Ernst Christoph Dressler∙WoO 64: Six Variations on a Swiss song for piano or harp∙WoO 65: Twenty-four variations for piano on Vincenzio Righini's aria "Venni Amore"∙WoO 66: Thirteen variations for piano on the aria "Es war einmal ein alter Mann" from Carl Ditters von Dittersdorf's opera Das rote Käppchen ∙WoO 67: Eight variations for piano four hands on a theme by Count Waldstein∙WoO 68: Twelve variations for piano on the "Menuet a la Vigano" from Jakob Haibel's ballet La nozza disturbate∙WoO 69: Nine variations for piano on "Quant'e piu bello" from Giovanni Paisiello's opera La Molinara∙WoO 70: Six variations for piano on "Nel cor piu non mi sento" from Giovanni Paisiello's opera La Molinara∙WoO 71: Twelve variations for piano on the Russian dance from Paul Wranitzky's ballet Das Waldmädchen∙WoO 72: Eight variations for piano on "Une Fièvre Brûlante" from André Ernest Modeste Grétry's opera Richard Coeur-de-lion∙WoO 73: Ten variations for piano on "La stessa, la stessissima" from Antonio Salieri's opera Falstaff∙WoO 74: "Ich denke dein" — song with six variations for piano four hands∙WoO 75: Seven variations for piano on "Kind, willst du ruhig schlafen" from Peter Winter's opera Das unterbrochene Opferfest∙WoO 76: Eight variations for piano on "Tandeln und scherzen" from Franz Xaver Süssmayr's opera Soliman II∙WoO 77: Six easy variations on an original theme for piano∙WoO 78: Seven variations for piano on "God Save the King"∙WoO 79: Five variations for piano on "Rule Britannia"∙WoO 80: Thirty-two variations on an original theme in C minor (1806)1.3.3 Bagatelles∙Opus 33: Seven Bagatelles (1802)∙Opus 119: Eleven new Bagatelles (1822)∙Opus 126: Six Bagatelles (1823)∙WoO 52: Presto (Bagatelle) for piano in C minor (1795, rev. 1798 and 1822)[4]∙WoO 53: Allegretto (Bagatelle) for piano in C minor (1796–97)[4]∙WoO 54: Lustig-Traurig (Bagatelle) for piano in C major (1802)[4]∙WoO 56: Allegretto (Bagatelle) for piano in C major (1803, rev. 1822)[4]∙WoO 59: Poco moto (Bagatelle) in A minor, "Für Elise" (c. 1810)[4]∙WoO 60: Ziemlich lebhaft (Bagatelle) for piano in B-flat major (1818)[4]1.3.4 Other works∙Opus 39: Two Preludes through all twelve major keys for piano (1789)∙Opus 51: Two Rondos for Piano (1797)o No. 1: Rondo in C majoro No. 2: Rondo in G major∙Opus 77: Piano Fantasia in G minor (1809)∙Opus 89: Polonaise in C major (1814)∙Opus 129: Rondo à Capriccio for piano in G major ("Rage over a lost penny") (1795)1.4 Vocal music1.4.1 Opera∙Opus 72: Leonore (1805) The first version in three acts∙Opus 72: Leonore (1806) The second version in two acts∙Opus 72: Fidelio (1814) The final version in two acts1.4.2 Choral∙Opus 80: Choral Fantasy for solo piano, chorus, and orchestra (1808)∙Opus 85: Christus am Ölberge (Christ on the Mount of Olives) – oratorio (1803)∙Opus 86: Mass in C major (1807)∙Opus 112: Meeresstille und glückliche Fahrt (Calm Sea and Prosperous V oyage), for chorus and orchestra (1815)∙Opus 123: Missa Solemnis in D major (1822)1.4.3 Song∙Opus 46: "Adelaide" – song (1794–1795)∙Opus 48: "Gellert Songs" – song set (1802)∙Opus 98: An die ferne Geliebte– song cycle (1816)∙Opus 108: Twenty-five Scottish Songs1.4.4 Music for Wind Band∙WoO 18: March No. 1 in F major for Military Band (1808)∙WoO 19: March No. 2 in F major for Military Band (1808)2. List of works by number2.1 Works with opus numbers∙Opus 1: Three Piano Trios (1795)o No. 1: Piano Trio No. 1 in E-flat majoro No. 2: Piano Trio No. 2 in G majoro No. 3: Piano Trio No. 3 in C minor∙Opus 2: Three Piano Sonatas (1796)o No. 1: Piano Sonata No. 1 in F minoro No. 2: Piano Sonata No. 2 in A majoro No. 3: Piano Sonata No. 3 in C major.∙Opus 3: String Trio No. 1 in E-flat major (1794)∙Opus 4: String Quintet (Reworking of Wind Octet (Op. 103), 1795)∙Opus 5: Two Cello Sonatas (1796)o No. 1: Cello Sonata No. 1 in F majoro No. 2: Cello Sonata No. 2 in G minor.∙Opus 6: Sonata for Piano, Four Hands in D major (1797)∙Opus 7: Piano Sonata No. 4 in E-flat major (1797)∙Opus 8: String Trio No. 2 (Serenade) in D major (1797)∙Opus 9: Three String Trios (1798)o No. 1: String Trio No. 3 in G majoro No. 2: String Trio No. 4 in D majoro No. 3: String Trio No. 5 in C minor.∙Opus 10: Three Piano Sonatas (1798)o No. 1: Piano Sonata No. 5 in C minoro No. 2: Piano Sonata No. 6 in F majoro No. 3: Piano Sonata No. 7 in D major∙Opus 11: Piano Trio No. 4 in B-flat major ("Gassenhauer") (1797) (*for clarinet (or violin), cello (sometimes bassoon), and piano) ∙Opus 12: Three Violin Sonatas (1798)o No. 1: Violin Sonata No. 1 in D majoro No. 2: Violin Sonata No. 2 in A majoro No. 3: Violin Sonata No. 3 in E-flat major∙Opus 13: Piano Sonata No. 8 in C minor ("Pathetique") (1799)∙Opus 14: Two Piano Sonatas (1799)o No. 1: Piano Sonata No. 9 in E major (Arranged for String Quartet by the composer in F Major (H 34) in 1801).o No. 2: Piano Sonata No. 10 in G major.∙Opus 15: Piano Concerto No. 1 in C major.∙Opus 16: Quintet for Piano and Winds (1796) (later arranged for piano quartet)∙Opus 17: Horn Sonata in F major (1800)∙Opus 18: Six String Quartets (1800)o No. 1: String Quartet No. 1 in F majoro No. 2: String Quartet No. 2 in G majoro No. 3: String Quartet No. 3 in D majoro No. 4: String Quartet No. 4 in C minoro No. 5: String Quartet No. 5 in A majoro No. 6: String Quartet No. 6 in B-flat major∙Opus 19: Piano Concerto No. 2 in B-flat major (1795)∙Opus 20: Septet in E-flat major (1799)∙Opus 21: Symphony No. 1 in C major (1800)∙Opus 22: Piano Sonata No. 11 in B-flat major (1800)∙Opus 23: Violin Sonata No. 4 in A minor (1801)∙Opus 24: Violin Sonata No. 5 in F major, "Spring" (1801)∙Opus 25: Serenade for Flute, Violin and Viola in D major (1801)∙Opus 26: Piano Sonata No. 12 in A-flat major (1801)∙Opus 27: Two Piano Sonatas (1801)o No. 1: Piano Sonata No. 13 in E-flat majoro No. 2: Piano Sonata No. 14 in C-sharp minor ("Moonlight")∙Opus 28: Piano Sonata No. 15 in D major (1801)∙Opus 29: String Quintet in C major (1801)∙Opus 30: Three Violin Sonatas (1803)o No. 1: Violin Sonata No. 6 in A majoro No. 2: Violin Sonata No. 7 in C minoro No. 3: Violin Sonata No. 8 in G major∙Opus 31: Three Piano Sonatas (1802)o No. 1: Piano Sonata No. 16 in G majoro No. 2: Piano Sonata No. 17 in D minor ("Tempest")o No. 3: Piano Sonata No. 18 in E-flat major ("Hunt")∙Opus 32: Song - An die Hoffnung (1805)∙Opus 33: Seven Bagatelles for piano (1802)∙Opus 34: Six variations on an original theme for piano in F major (1802)∙Opus 35: Fifteen variations and a fugue for piano on an original theme in E-flat major ("Eroica Variations") (1802) ∙Opus 36: Symphony No. 2 in D major (1803)∙Opus 37: Piano Concerto No. 3 in C minor (1803)∙Opus 38: Piano Trio in E-flat major (Arrangement of the Septet, Opus 20) (1803)∙Opus 39: Two Preludes through all twelve major keys for piano (1789)∙Opus 40: Romance for Violin and Orchestra No. 1 in G major (1802)∙Opus 41: Serenade for Piano and Flute or Violin in D major (1803)∙Opus 42: Notturno for Viola and Piano in D major (1803)∙Opus 43: The Creatures of Prometheus, overture and ballet music (1801)∙Opus 44: Piano Trio No. 10 (Variations on an original theme in E-flat major) (1792)∙Opus 45: Three Marches for Piano, 4 hands (1803)∙Opus 46: Song – Adelaide (1795)∙Opus 47: Violin Sonata No. 9 in A major ("Kreutzer") (1802)∙Opus 48: Six Songs (1802)o No. 1: "Bitten"o No. 2: "Die Liebe des Nächsten"o No. 3: "Vom Tode"o No. 4: "Die Ehre Gottes aus der Natur"o No. 5: "Gottes Macht und V orsehung"o No. 6: "Bußlied"∙Opus 49: Two Piano Sonatas (1792)o No. 1: Piano Sonata No. 19 in G minoro No. 2: Piano Sonata No. 20 in G major.∙Opus 50: Romance for Violin and Orchestra No. 2 in F major (1798)∙Opus 51: Two Rondos for Piano (1797)o No. 1: Rondo in C majoro No. 2: Rondo in G major∙Opus 52: Eight Songs (1804–1805)o No. 1: "Urians Reise um die Welt"o No. 2: "Feuerfab"o No. 3: "Das Liedchen von der Ruhe"o No. 4: "Maigesang"o No. 5: "Mollys Abschied"o No. 6: "Die Liebe"o No. 7: "Marmotte"o No. 8: "Das Blümchen Wunderhold"∙Opus 53: Piano Sonata No. 21 in C major ("Waldstein") (1803)∙Opus 54: Piano Sonata No. 22 in F major (1804)∙Opus 55: Symphony No. 3 in E-flat major ("Eroica") (1805)∙Opus 56: Triple Concerto for violin, cello, and piano in C major (1804–1805)∙Opus 57: Piano Sonata No. 23 in F minor ("Appassionata") (1805–1806)∙Opus 58: Piano Concerto No. 4 in G major (1805–1806)∙Opus 59: Three String Quartets ("Rasumovsky") (1806)o No. 1: String Quartet No. 7 in F majoro No. 2: String Quartet No. 8 in E minoro No. 3: String Quartet No. 9 in C major,∙Opus 60: Symphony No. 4 in B-flat major (1806)∙Opus 61: Violin Concerto in D major (1806)∙Opus 61a: Piano Transcription of Violin Concerto Opus 61∙Opus 62: Coriolan Overture (1807)∙Opus 63: Arrangement of String Quintet (Opus 4) for Piano Trio (1806)∙Opus 64: Arrangement of String Trio (Opus 3) for Piano and Cello (1807)∙Opus 65: Aria: "Ah perfido!" (1796)∙Opus 66: 12 Variations for cello & piano in F major on Mozart's "Ein Mädchen oder Weibchen," Op. 66 (1796) ∙Opus 67: Symphony No. 5 in C minor (1807–1808)∙Opus 68: Symphony No. 6 in F major ("Pastoral") (1807–1808)∙Opus 69: Cello Sonata No. 3 in A major (1808)∙Opus 70: Two Piano Trios (1808)o No. 1: Piano Trio No. 5 in D major ("Ghost")o No. 2: Piano Trio No. 6 in E-flat major∙Opus 71: Wind sextet in E-flat (1796)∙Opus 72: Fidelio, opera (c. 1803–05; Fidelio Overture composed 1814)∙Opus 72a: Leonore (earlier version of Fidelio, with Leonore Overture No. 2) (1805)∙Opus 72b: Leonore (earlier version of Fidelio, with Leonore Overture No. 3) (1806)∙Opus 73: Piano Concerto No. 5 in E-flat major ("Emperor") (1809)∙Opus 74: String Quartet No. 10 in E-flat major ("Harp") (1809)∙Opus 75: Six Songs (1809)o No. 1: "Mignon"o No. 2: "Neue Liebe neues Leben"o No. 3: "Es war einmal ein König" from Goethe's Fausto No. 4: "Gretels Warnung"o No. 5: "An die fernen Geliebten"o No. 6: "Der Zufriedene"∙Opus 76: Six variations on an original theme for piano in D major (1809)∙Opus 77: Piano Fantasia in G minor (1809)∙Opus 78: Piano Sonata No. 24 in F-sharp major (1809)∙Opus 79: Piano Sonata No. 25 in G major (1809)∙Opus 80: "Choral Fantasy" (Fantasia in C minor for piano, chorus, and orchestra) (1808)∙Opus 81a: Piano Sonata No. 26 in E-flat major ("Les Adieux") (1809)∙Opus 81b: Sextet in E-flat major (1795)∙Opus 82: Four Ariettas and a Duet (1809)o No. 1: "Dimmi, ben mio, che m'ami"o No. 2: "T'intendo si, mio cor"o No. 3: "L'amante impaziente" (first version)o No. 4: "L'amante impatiente" (second version)o No. 5: Duet: "Odi 'laura che dolce sospira"∙Opus 83: Three Songs (1810)o No. 1: "Wonne der Wehmut"o No. 2: "Sehnsucht"o No. 3: "Mit einem gemalten Band"∙Opus 84: Egmont, overture and incidental music (1810)∙Opus 85: Oratorio: Christus am Ölberge (Christ on the Mount of Olives) (1803)∙Opus 86: Mass in C major (1807)∙Opus 87: Trio for two Oboes and English Horn in C major (1795)∙Opus 88: Song: "Das Gluck der Freundschaft" (1803)∙Opus 89: Polonaise in C major (1814)∙Opus 90: Piano Sonata No. 27 in E minor (1814)∙Opus 91: Wellington's Victory ("Battle Symphony") (1813)∙Opus 92: Symphony No. 7 in A major (1811)∙Opus 93: Symphony No. 8 in F major (1812)∙Opus 94: Song: "An die Hoffnung" (1814)∙Opus 95: String Quartet No. 11 in F minor ("Serioso") (1810)∙Opus 96: Violin Sonata No. 10 in G major (1812)∙Opus 97: Piano Trio No. 7 in B-flat major ("Archduke") (1811)∙Opus 98: An die ferne Geliebte, song cycle (1816)∙Opus 99: Song: "Der Mann von Wort" (1816)∙Opus 100: Song: "Merkenstein" (1814)∙Opus 101: Piano Sonata No. 28 in A major (1816)∙Opus 102: Two Cello Sonatas (1815)o No. 1: Cello Sonata No. 4 in C majoro No. 2: Cello Sonata No. 5 in D major.∙Opus 103: Wind octet in E-flat (1792)∙Opus 104: String Quintet (arrangement of Piano Trio No. 3, 1817)∙Opus 105: Six sets of variations for Piano and Flute (1819)∙Opus 106: Piano Sonata No. 29 in B-flat major ("Hammerklavier") (1818)∙Opus 107: Ten sets of variations for Piano and Flute (1820)∙Opus 108: Twenty-Five Scottish Songs (1818)∙Opus 109: Piano Sonata No. 30 in E major (1822)∙Opus 110: Piano Sonata No. 31 in A-flat major (1822).∙Opus 111: Piano Sonata No. 32 in C minor (1822)∙Opus 112: Meeresstille und glückliche Fahrt (Calm Sea and Prosperous V oyage), for chorus and orchestra (1815)∙Opus 113: Die Ruinen von Athen (The ruins of Athens), overture and incidental music (1811)∙Opus 114: Die Ruinen von Athen (The ruins of Athens), March and Chorus (1822).∙Opus 115: Zur Namensfeier (Feastday), overture (1815)∙Opus 116: "Tremate, empi tremate", vocal trio with orchestra (1802)∙Opus 117: König Stephan (King Stephen), overture and incidental music (1811)∙Opus 118: "Elegischer Gesang" for four voices and string quartet (1814)∙Opus 119: Eleven new Bagatelles for piano (1822)∙Opus 120: Thirty-three variations on a waltz by Diabelli for piano in C major ("Diabelli Variations") (1823)∙Opus 121: Piano Trio No. 11 (V ariations on "Ich bin der Schneider Kakadu") (1803)∙Opus 121b: "Opferlied" for soprano, chorus and orchestra (1822)∙Opus 122: "Bundeslied" for voices, chorus and wind instruments (1824)∙Opus 123: Missa Solemnis in D Major (1823)∙Opus 124: Die Weihe des Hauses (Consecration of the House), overture (1822)∙Opus 125: Symphony No. 9 in D minor ("Choral") (1824)∙Opus 126: Six Bagatelles for piano (1824)∙Opus 127: String Quartet No. 12 in E-flat major (1825)∙Opus 128: Song: "Der Kuss" (1822)∙Opus 129: Rondo à Capriccio for piano in G major ("Rage over a lost penny") (1795)∙Opus 130: String Quartet No. 13 in B-flat major (1825)∙Opus 131: String Quartet No. 14 in C-sharp minor (1826)∙Opus 132: String Quartet No. 15 in A minor (1825)∙Opus 133: Große Fuge in B-flat major for string quartet (originally finale of Opus 130) (1826)∙Opus 134: Piano arrangement (4 hands) of the Große Fuge, Opus 133 (1826)∙Opus 135: String Quartet No. 16 in F major (1826)∙Opus 136: Cantata: Der glorreiche Augenblick (1814)∙Opus 137: Fugue for String Quintet in D major (1817)∙Opus 138: Leonore, opera (earlier version of Fidelio, with Leonore Overture No. 1) (1807)2.2 Works without opus numbers2.2.1 Works with WoO numbersThe numbers and categories used below are from the Kinsky catalog of 1955. WoO is an abbreviation of "Werke ohne Opuszahl", German for "Works without Opus number".2.2.1.1 Instrumental works: WoO 1–86Orchestral worksOrchestra alone∙WoO 1: Musik zu einem Ritterballett (Music for a ballet on horseback) – eight movements∙WoO 2a: Triumphal March for orchestra for Christoph Kuffner's tragedy Tarpeja∙WoO 2b: Prelude to Act II of Tarpeja∙WoO 3: "Gratulations-Menuett", minuet for orchestraConcertante∙WoO 4: Piano Concerto in E-flat major (solo part only with indications of orchestration), occasionally referred to as Beethoven's Piano Concerto No. 0 ∙WoO 5: Violin Concerto movement in C major, fragment∙WoO 6: Rondo in B-flat major for piano and orchestra, fragment, possibly part of initial version of the Piano Concerto No. 2Dances∙WoO 7: Twelve minuets for orchestra∙WoO 8: Twelve German Dances for orchestra (later arranged for piano)∙WoO 9: Six minuets for two violins and cello∙WoO 10: Six minuets for orchestra (original version lost, only an arrangement for piano is extant)∙WoO 11: Seven Ländler for two violins and cello (original version lost, only an arrangement for piano is extant)。

List of compositions by Robert SchumannContents• 1 Piano works• 2 Vocal workso 2.1 Lieder and partsongso 2.2 Choral and dramatic works• 3 Orchestral workso 3.1 Works for solo instrument(s) with orchestra• 4 Chamber music1. Piano works•Op. 1, Variations on the name "Abegg" (1830)•Op. 2, Papillons, (1829–1831)•Op. 3, Etudes After Paganini Caprices (1832)•Op. 4, Intermezzi (1832)•Op. 5, Impromptus [on a Theme by Clara Wieck] (1833)•Op. 6, Davidsbündlertänze (1837)•Op. 7, Toccata (1832)•Op. 8, Allegro in B minor (1831)•Op. 9, Carnaval (1834–1835)•Op. 10, 6 Concert Studies on Caprices by Paganini (1833)•Op. 11, Grand Sonata No. 1 in F-sharp minor (1835)•Op. 12, Fantasiestücke ("Fantasy Pieces") (1837)•Op. 13, Études symphoniques ("Symphonic Studies") (1834)•Op. 14, Grand Sonata No. 3 in F minor, "Concerto Without Orchestra" (1835)•Op. 15, Kinderszenen ("Scenes From Childhood") (1838)•Op. 16, Kreisleriana (1838)•Op. 17, Fantasia in C (1836)•Op. 18, Arabeske in C (1839)•Op. 19, Blumenstück in D-flat ("Flower Piece") (1839)•Op. 20, Humoreske in B-flat (1839)•Op. 21, Novelletten ("Novelettes") (1838)•Op. 22, Sonata No. 2 in G minor (1833–1835)•Op. 23, Nachtstücke ("Night Pieces") (1839)•Op. 26, Faschingsschwank aus Wien ("Carnival Jest from Vienna") (1839)•Op. 28, Three Romances (1839)•Op. 32, 4 Klavierstücke (Scherzo, Gigue, Romance and Fughette) (1838–9)•Op. 56, Etuden in kanonischer Form für Orgel oder Pedalklavier ("Studies in the Form of Canons for Organ or Pedal Piano") (1845)•Op. 58, Skizzen für Orgel oder Pedalklavier ("Sketches for Organ or Pedal Piano") (1845)•Op. 60, 6 Fugues on B–A–C–H for organ or pedal piano (1845)•Op. 66, Bilder aus Osten ("Pictures from the East") (6 Impromptus for piano 4-hands) (1848)•Op. 68, Album für die Jugend ("Album for the Young") (1848)•Op. 72, Vier Fugen ("Four Fugues") (1845)•Op. 76, Vier Märsche ("Four Marches") (1849)•Op. 82, Waldszenen ("Forest Scenes") (1848–1849)•Op. 85, 12 Klavierstücke für kleine und große Kinder) ("12 Piano Pieces for Young and Older Children") (piano 4 hands) (1849)•Op. 99, Bunte Blätter (1836–1849)•Op. 109, Ball-Scenen ("Scenes from a Ball") (4 hands) (1851)•Op. 111, Three Fantasiestücke (1851)•Op. 118, Three Piano Sonatas for the Young (1853)•Op. 124, Albumblätter ("Album Leaves") (1832–1845) (includes one piece previously part of WoO 31)•Op. 126, Seven Piano Pieces in Fughetta Form (1853)•Op. 130, Kinderball ("Children's Ball") (four hands) (1853)•Op. 133, Gesänge der Frühe ("Songs of Youth") (1853)•WoO 24, Variationen in Es-dur über ein eigenes Thema "Geister-Variationen" ("Variations in E-flat on an Original Theme") (1854)•WoO 31, Etüden in Form freier Variationen über ein Beethoven'sches Thema ("Studies in the Form of Free Variations on a Theme by Beethoven") (1831–32)2. Vocal works2.1 Lieder and partsongs•Op. 24, Liederkreis (Heine), nine songs (1840)•Op. 25, Myrthen, twenty-six songs (4 books) (1840)•Op. 27, Lieder und Gesänge volume I (5 songs) (1840)•Op. 29, 3 Gedichte (1840)•Op. 30, 3 Gedichte (1840)•Op. 31, 3 Gesänge (1840)•Op. 33, 4 Lieder (part songs for men's voices with piano ad lib) (1840)•Op. 34, 4 Duets (soprano and tenor with piano) (1840)•Op. 35, 12 Gedichte (1840)•Op. 36, 6 Gedichte (1840)•Op. 37, Gedichte aus "Liebesfrühling" (12 songs, of which numbers 2, 4 and 11 are by Clara Schumann) (1840) •Op. 39, Liederkreis (Eichendorff), twelve songs (1840)•Op. 40, 5 Lieder (1840)•Op. 42, Frauenliebe und -leben (Chamisso), eight songs (1840)•Op. 43, 3 Duets (1840)•Op. 45, Romanzen & Balladen volume I (3 songs) (1840)•Op. 48, Song cycle, Dichterliebe, sixteen songs from Heine's Buch der Lieder (1840)•Op. 49, Romanzen & Balladen volume II (3 songs) (1840)•Op. 51, Lieder und Gesänge volume II (5 songs) (1842)•Op. 53, Romanzen & Balladen volume III (3 songs) (1840)•Op. 55, 5 Lieder (partsongs) (1846)•Op. 57, Belsatzar, ballad (Heine) (1840)•Op. 59, 4 Gesänge (partsongs) (1846)•Op. 62, 3 Gesänge (partsongs with piano ad lib) (1847)•Op. 64, Romanzen & Balladen volume IV (3 songs) (1841–47)•Op. 65, Ritornelle in canonischen Weisen (7 canonic part songs) (1847)•Op. 67, Romanzen & Balladen volume I (5 partsongs) (1849)•Op. 69, Romanzen volume I (6 partsongs for women's voices) (1849)•Op. 74, Spanisches Liederspiel (3 songs, 5 duets, 2 quartets) (1849)•Op. 75, Romanzen & Balladen volume II (5 partsongs) (1849)•Op. 77, Lieder und Gesänge volume III (5 songs) (1841–50)•Op. 78, 4 duets (soprano and tenor) (1849)•Op. 79, Liederalbum für die Jugend (29 songs) (1849)•Op. 83, 3 Gesänge (1850)•Op. 87, Ballad, "Der Handschuh" (Schiller) (1850)•Op. 89, 6 Gesänge (1850)•Op. 90, 6 Gedichte (1850)•Op. 91, Romanzen volume II (6 partsongs for women's voices) (1849)•Op. 95, 3 Gesänge (1849)•Op. 96, Lieder und Gesänge volume IV (1850)•Op. 101, Minnespiel (4 songs, 2 duets, 2 quartets) (1849)•Op. 103, Mädchenlieder (2 women's voices and piano) (1851)•Op. 104, 7 Lieder (1851)•Op. 106, Declamation with piano, "Schön Hedwig" (1849)•Op. 107, 6 Gesänge (1851–52)•Op. 114, 3 Lieder für 3 Frauenstimmen (1853)•Op. 117, 4 Husarenlieder (1851)•Op. 119, 3 Gedichte (1851)•Op. 122, Declamation with piano: "Ballade vom Heideknaben" and "Die Flüchlinge" (1852)•Op. 125, 5 heitere Gesänge (1851)•Op. 127, 5 Lieder und Gesänge (1850–51)•Op. 135, Gedichte der Königin Maria Stuart (1852)•Op. 137, Jagdlieder (5 partsongs for men's voices with 4 horns ad lib) [1849]•Op. 138, Spanische Liebeslieder (1849)•Op. 142, 4 Gesänge (1852)•Op. 145, Romanzen & Balladen Vol. III (5 partsongs) (1849–51)•Op. 146, Romanzen & Balladen Vol. IV (5 partsongs) (1849)2.2 Choral and dramatic works•Op. 50, Das Paradies und die Peri, oratorio (1841–43)•Op. 71, Adventlied for soprano, chorus and orchestra (1848)•Op. 81, Genoveva, opera (1848)•Op. 84, Beim Abschied zu singen for chorus & winds (1848)•Op. 93, Motet, "Verzweifle nicht im Schmerzenstal" for double chorus and organ ad lib (1849, orchestrated 1852) •Op. 98a, Songs from Wilhelm Meister•Op. 98b, Requiem for Mignon for solo voices, chorus and orchestra (1849)•Op. 108, Nachtlied for chorus and orchestra (1849)•Op. 112, Der Rose Pilgerfahrt oratorio (1851)•Op. 115, Overture and incidental music, Manfred (1848–49)•Op. 116, Der Königssohn (Uhland), for solos, chorus and orchestra (1851)•Op. 123, Festival overture on the Rheinweinlied for orchestra and chorus (1853)•Op. 139, "Des Sängers Fluch" (Uhland) for solo voice, chorus and orchestra (1852)•Op. 140, "Vom Pagen und der Königstochter" for solo voice, chorus, and orchestra (1852)•Op. 141, 4 doppelchörige gesänge (partsongs) (1849)•Op. 143, "Das Glück von Edenhall" (Uhland) for solo voice, chorus, and orchestra (1853)[1]•Op. 144, "Neujahrslied" for chorus and orchestra (1849–50)•Op. 147, Mass (1852)•Op. 148, Requiem (1852)•WoO 3, Scenes from Goethe's Faust, oratorio (1844–1853)[1]3.Orchestral works•Op. 38, Symphony No. 1 in B flat, Spring (1841)•Op. 52, Overture, Scherzo & Finale in E (1841)•Op. 61, Symphony No. 2 in C (1845–46)•Op. 97, Symphony No. 3 in E flat, Rhenish (1850)•Op. 100, Bride of Messina overture (1850–51)•Op. 120, Symphony No. 4 in D minor (1841; revised in 1851)•Op. 128, Julius Caesar overture (1851)•Op. 136, Hermann und Dorothea overture (1851)•WoO 29, Symphony in G minor ("Zwickau")(incomplete)4. Works for solo instrument(s) with orchestra•Op. 54, Piano Concerto in A minor (1841–45)•Op. 86, Konzertstück for Four Horns and Orchestra (1849)•Op. 92, Introduction and Allegro Appassionato for Piano and Orchestra (1849)•Op. 129, Cello Concerto in A minor (1850)•Op. 131, Fantasy in C for violin and orchestra (1853)•Op. 134, Introduction and Allegro for Piano and Orchestra (1853)•WoO 23, Violin Concerto in D minor (1853)[1][edit] Chamber music•Op. 41, Three string quartets in A minor, F and A (1842)•Op. 44, Piano quintet in E flat (1842)•Op. 46, Andante and variations for two pianos (1843) (there is an original version for two pianos, 2 cellos and horn) •Op. 47, Piano quartet in E flat (1842)•Op. 63, Piano Trio No. 1 in D minor (1847)•Op. 70, Adagio and Allegro for Horn and Piano (1849)•Op. 73, Fantasy Pieces for Clarinet and Piano (1849)•Op. 80, Piano Trio No. 2 in F (1847)•Op. 88, Fantasiestücke for piano trio (1842)•Op. 94, Three Romances for oboe and piano (1849)•Op. 102, Five Stücke im Volkston for piano and cello (1849)•Op. 105, Violin Sonata No. 1 in A minor (1851)•Op. 110, Piano Trio No. 3 in G minor (1851)•Op. 113, Märchenbilder for piano and viola (1851)•Op. 121, Violin Sonata No. 2 in D minor (1851)•Op. 132, Märchenerzählungen, four pieces for clarinet, viola and pianoforte (probably 1853)•WoO 32, Piano quartet in C minor (1829)[1]•WoO 27, Violin Sonata No. 3 in A minor (1853)。

2019-04文艺生活LITERATURE LIFE肖邦的三首钢琴奏鸣曲探析李金玉（大庆师范学院音乐与舞蹈学院，黑龙江大庆163000）摘要:肖邦共作有钢琴奏鸣曲三首，其中第1首写于18岁，属于练习曲性质，c小调，作品第4号，曲中没有显示出肖邦的个性，到现在尚无演奏家演奏过它。

其它两首为肖邦成熟期的作品，可以说是肖邦作品中的杰作。

这就是著名的降b小调，作品35，附有进行曲的奏鸣曲，脍炙人口；另一首是b小调，作品58，这两首作品的作曲时间相隔了5年，是他在女作家乔志·桑的住宅里得到她许多安慰的恋爱生活中的作品。

关键词:肖邦；钢琴；奏鸣曲中图分类号：J614.1文献标识码：Ａ文章编号：1005-5312（2019）12-0079-01肖邦的三首钢琴奏鸣曲尽管由于作品里那毫无目的的愤怒而使之无法成为一部催人向上、激励人的思想情操的作品，然而，这部创作里却的确蕴涵着一股巨人般的，强烈震撼人心的力量。

一、降b小调第2钢琴奏鸣曲Op.35降b小调第2钢琴奏鸣曲是肖邦较为大型的创作里最为强而有力的一部作品。

第一乐章：极缓板，快一倍，降b小调，2/2拍，奏鸣曲式。

最先由四个低沉的音节引入了一声饱含哀痛的呻吟；接着，带着一种令人难以喘息的急促和不安，作曲家将自己的情绪不断地推进，推进，一直到了宁静而又迷人的降D大调的第二主题这个主题不断成长并逐渐充满了热情，终于在第一部分的最后完全超越了适度的限制，变成了一些令人难以忍受的不谐和音。

从第一部分结尾的重复过渡到第二部分所使用的降A和降D延留六度的属七和弦，显得非常引人注目。

而风格奇特的第二片段—在此处，第一主题已经耗尽—给人的感觉则更象是一种即兴创作，而不是经由深思熟虑之后写成的作品。

此后，一些6/4拍的音节从最初的狂野切入到逐渐消失，将乐曲引向第二主题的降B大调的复奏部分—在原作里，第一主题在这里已经不再出现。

和第一部分（6/4）相应的片段一样，结束之处增加了一个介绍第一主题的典型的结尾（2/2）。

ST 32Aircraft Signal ConditionerInstallation ManualSANDIA aerospace3700 Osuna Rd NE, Ste 711Albuquerque, NM 87109www.sandia.aero305952-00-IMThis document and the information contained herein is the proprietary data of SANDIA aerospace . No part of this document may be transmitted, reproduced, or copied in any form or by any means without the prior written consent of SANDIA aerospace. Due to SANDIA aerospace’s continued product and quality improvement pro-grams, information contained in this document is subject to change without prior notice.Copyright 2013 SANDIA aerospace . All rights reserved. Printed in USA.no i s ive R e t a D n o i t p i r c s e D l a v o r p p A A 01201102563N R D n o s i r r a H h a e L B 713011020973N C E n o s i r r a H h a e L C 604011024973N C E n o s i r r a H h a e L 1C 512111021683N C E n o s i r r a H h a e L D227031021993N C E no s i r r a H h a e L Record of RevisionsiSANDIA aerospaceAlbuquerque, New Mexico www.sandia.aeroTable Of ContentsiiRecord of Revision..........................................................................................................................i Table of Contents ..........................................................................................................................ii List of Illustrations .........................................................................................................................ii Section 1 General Description.. (1)1.1Introduction...................................................................................................................11.2Product Description.........................................................................................................11.2.1Product V ariations ...........................................................................................................11.3Technical Characteristics..................................................................................................11.3.1Physical Characteristics..........................................................................................11.3.2Operational Characteristics.....................................................................................11.3.3 Approved Equipment (1)1.3.31 Tach Input Requirements...................................................................................11.3.3.2Approved Tachometers.....................................................................................11.3.3.3 Torque Input Requirements.................................................................................21.3.3.4Approved Torque Converters .............................................................................21.3.3.5ST 32 Output ....................................................................................................21.3.4Certification ............................................................................................................5Section 2Installation Considerations. (6)2.1Introduction ..................................................................................................................62.2Mounting Considerations .............................................................................................62.3Cooling.........................................................................................................................62.4Electrical Considerations..............................................................................................6Section 3 Installation Procedures (7)3.1General .........................................................................................................................73.2Equipment Required.....................................................................................................73.2.1Equipment Supplied................................................................................................73.2.2Equipment Required but not Supplied....................................................................73.3.3Optional Equipment 3.3Mounting ......................................................................................................................73.4Electrical.......................................................................................................................93.5Operating Instructions..................................................................................................93.6Calibration....................................................................................................................93.7Continued Airworthiness. (9)Figure 1-1DO 160F Environmental Test Chart ...........................................................................3Figure 3-1ST 32 Dimensional Drawing.......................................................................................7Figure 3-2Optional Tray Dimensional Drawing..........................................................................8Figure 3-3Interconnect Diagram (9)List Of IllustrationsST 32Aircraft Signal ConditionerSECTION 1GENERAL DESCRIPTIONSANDIA aerospaceAlbuquerque, New Mexico www.sandia.aero1.1I NTRODUCTIONThis sheet describes the installation of the ST 32 Aircraft Signal Conditioner. It is intended for use by FAA certified repair stations and original equipment manufacturers (OEM’s) to install the ST 32 and includes both mechanical and electrical installation information. The installer should insure that the ST 32 is operating accord-ing to its intended function.1.2P RODUCT D ESCRIPTIONThe ST 32 is dual function signal conditioner. It converts four channels of the sinusoidal output of Tach Genera-tors and one channel of analog strain gauge pressure to a digital signal that can be used by aircraft display and/or control systems.1.2.1P RODUCT V ARIATIONSThe -00 is original VariationThe -01 in a minor change to the input Power Pins. Both Oinbs 1 and 20 have sseperate revese portection diodes to allow the ST 32 to be powered form independent power buses.1.3T ECHNICAL C HARACTERISTICS 1.3.1P HYSICAL C HARACTERISTICS Width 4.80”Height 1.00”Depth 4.80”Weight0.62 lb1.3.2O PERATIONAL C HARACTERISTICS Operating V oltage 18-32.2Vdc Current Less Than 1A (Heater On)Less Than 100mA (Heater Off)Operating Temp -55o C to +70o C Max Operating Altitude 55,000 Feet1.3.3Approved Equipment1.3.3.1 Tach Input RequirementsThe ST 32 requires the following input from the on-board Tach Generator.Signal:Sinusoidal 3 Phase or MonopoleSignal Frequency Range, Sinusoidal 3 Phase:1-30,000Hz Signal Frequency Range Monopole: 50-30,000Hz Signal Amplitude Range: 0.4Vpp-150Vpp 1.3.3.2Approved Tachometers include:Globe 22A703AAE 32005-007Electro-Mech EM-8001MS28054-1 Two Pole, Three Phase Tach Generators MIL-G-26611 Two Pole, Three Phase Tach Generators11.3.3.3Tach Input RequirementsThe ST 32 requires the following input from the on-board strain gauge pressure transducer: Exitation V oltage: 9.0 Vdc-10.5VdcSignal V oltage:Common Mode: 2Vdc to Aircraft V oltage -2VdcDifferential Mode: 0mVdc - 100mVdc1.3.3.4Approved strain gauge pressure transducers are:Kulite APT-20-1000 or Equivalent1.3.3.5The ST 32 digital output signal is:Totem Pole outputs to Aircraft PowerRise time: 5 usecFall time: 5 usecLow voltage: < 1.9 VdcHigh V oltage: Aircraft PowerV oltage to Frequency ConversionsSignal Conversion:Input Output Accuracy0 mVdc20KHz0.1% Full Scale100mVdc100KHz0.1% Full ScaleExcitation Conversion:Input Output Accuracy9.0 Vdc20KHz0.1% Full Scale10.5Vdc100KHz0.2% Full Scale2NOMENCLATURE: TACH- AND PRESSURE ADAPTER TYPE/MODEL/PART NO:ST 32/305952-[XX]Tray/306057-[XX]MANUFACTURER’S SPECIFICATION AND/OR OTHER APPLICABLE SPECIFICATION: 305952-[XX]MANUFACTURER:SANDIA AEROSPACE ADDRESS:3700 OSUNA RD. NE, SUITE 711ALBUQUERQUE, NM 87109REVISION & CHANGE NUMBER OF DO-160: REV FDATE OF TEST: 201101 - 201103. Additional testing Dec 2012 and March 2013Figure 1-1DO-160F Enviromental Test Chart3SN O I T ID NOCN OITC E S DE T C U D N O C S T S E TF O N O I T P I R C S E D e d u t i t l A d n a e r u t a r e p m e T 0.4]2F 2A [y r o g e t a C o t d e t s e T e r u t a r e p m e T w o L 1.5.42.5.455-C o 55-/d n u o rG o t r o h S C 55-o gn i t a r e p O C e r u t a r e p m e T h g i H 3.5.44.5.458+o 07+/d n u o r G C o t r o h S C 07+o g n i t a r e p O C g n i l o o C f o s s o L 5.5.4e l b a c i l p p A t o N ed u t i t l A n o i s se r p m o c e D e r u s s e r p r e v O 1.6.42.6.43.6.4'000,55'000,55'000,51-n o i t a t i r a V e r u t a r p m e T 0.5511S y r o g e t a C o t d e t s e T o n i m /C yt i d i m u H 0.6B y r o g e t a C o t d e t s e T y e t f a S h s a r C d n a k c o h S l a n o i t a r e p O y e t f a S h s a r C d e n i a t s u S 0.72.3.7By r o g e t a C o t d e t s e T n o i t a r b i i V 0.8y a r T h t i w M d n a B s e v r u c ,S y r o g e t a C o t d e t s e T y a r T t u o h t i w G e v r u c U y r o g e t a C o t d e t s e T n o i s o l p x E 0.9H y r o g e t a C s a d e i f i n e d n i t n e m p i u q E s s e m f o o r p r e t a W 0.01Wy r o g e t a C s a d e i f i t n e d n i t n e m p i u q E y t i l i b i t p e s u S s d i u l F 0.11d e m r o f r e p t s e t o n ,X y r o g e t a C s a d e i f i t n e d n i t n e m p i u q E t s u D d n a d n a S 0.21d e m r o f r e p t s e t o n ,X y r o e g t a C s a d e i f i t n e d i t n e m p i u q E s u g n u F 0.31d e m r o f r e p t s e t o n ,X y r o g e t a C s a d e i f i t n e d i t n e m p i u q E y a r p S t l a S 0.41d e m r o f r e p t s e t o n ,X y r o g e t a C s a d e i f i t n e d i t n e m p i u q E t c e f f E c i t e n g a M 0.51n o i t c e l f e d 3.0n a h t s s e L ,Z y r o g e t a C o t d e t s e T t u p n I r e w o P 0.611e t o N ,A y r o g e t a C o t d e t s e T ek i p S e g a t l o V 0.71A y r o g e t a C o t d e t s e T y t i l i b i t p e c s u S y c n e u q e r F o i d u A 0.81Z y r o g e t a C o t d e t s e T y t i l i b i t p e c s u S l a n g i S d e c u d n I 0.91]C Z [y r o g e t a C o t d e t s e T y t i l i b i t p e c s u S y c n e u q e r F o i d a R 0.02]R R [y r o g e t a C o t d e t s e T sn o i s s i m m E y c n e u q e r F o i d a R 0.12My r o g e t a C o t d e t s e T y t i l i b i t p e c s u S t n e i s n a r T d e c u d n I g n i n t h g i L 0.222e t o N ,]33J Z A [y r o g e t a C o t d e t s e T s t c ef f E t c e r i Dg n i n th gi L 0.32d e m r o f r e p t s e t o n ,X y r o g e t a C s a d e i f i t n e d n i t n e m p i u q E gn i c I 0.42d e m r o f r e p t s e t o n ,X y r o g e t a C s a d e i f i t n e d n i t n e m p i u q E e g r a h c s i D c i t a t s o r t c e l E 0.52Ay r o g e t a C s a d e i f i t n e d i t n e m p i u q E yt i l i b a m m a l F ,e r i F 0.62de m r of r e p t s e t o n ,X y r og e t a C s a d e i f i t n e d n i t n e m p i u q E SANDIA aerospaceAlbuquerque, New Mexico www.sandia.aeroNote 1: Tested to Category Z with the exception that for momentary power interruption the system meets Category A requirements of 200mS interruptions.Note 2: Initial pin injection performed without series inpedance. Input series was impedance added to the following pins and waveforms during the pin injection tests. Allother pins meet pin injection without and resistance placed in series with the generator.e c n a d e pWAm I m r o f e v aO(d e d dhp u o r Gn i P t i u c r i C)s mh c a T57353,23,92,62s t u p t uOh c a T K14O53,23,92,62s t u p t uV573C FO12,3s t u p t uV K14C FO12,3s t u p t uOe t e r c s i D57322t u p t ue t e r c s i D K14O22t u p t u4SANDIA aerospaceAlbuquerque, New Mexico www.sandia.aeroST 32Aircraft Signal Conditioner1.3.4C ERTIFICATIONTSO C49b (Incomplete System)TSO C47a (Incomplete System)DO 160F“The conditions and test required for TSO approval of this article are mini-mum performance standards. It is the responsibility of those desiring toinstall the article either on or within a specific type or class of aircraft to demonstrate that the aircraft installation conditions are within the TSO stan-dards. The article may be installed only if installation of the article is ap-proved by the Administrator”5SECTION 2INSTALLATION CONSIDERATIONS2.1I NTRODUCTIONThe ST 32 has been designed to covert four channels of sinusoidal and monopole outputs of approved Tach Generators and one channel of strain gauge pressure to a digital output that can be used by onboard navigation systems. .2.2M OUNTINGThe ST 32 can be mounted in any axis either inside or outside the pressure vessel. To ensure protection against lightning strikes, the case should be grounded to airframe ground. This can be most easily accomplished by mounting the case on a grounded surface. An option mounting tray, Sandia part number 305057-00 is available as an option. Bonding of the case to airframe ground shall be less than 2.5 mohms2.3C OOLINGThe ST 32 does not require external Cooling2.4E LECTRICALThe ST 32 operates on 18-32.2 Vdc. Power to the ST 32 should be protected by a 1.5 Amp breaker or circuitprotection can be shared with the interfaced display unit using the appropriate breaker size (refer to the installa-tion manual of the system being interfaced). The ST 32 can be wired to use from one to four channels depending upon system interface requirements. All twisted pairs are #22 AWG. Power and ground are single wires andshould be #22 AWG or larger.6SECTION 3INSTALLATION PROCEDURES3.1G ENERALThe ST 32 is supplied with a mounting connector and twenty-five crimp contacts. The ST 32 can be hard mounted using four (4) number 6 or 8 screws or with an optional mounting tray. If the optional mounting tray options selected it is mounted using four (4) number 6 or 8 screws.3.2E QUIPMENT R EQUIRED 3.2.1SuppliedST 32P/N 305952-00(Garmin Model GSC 46, P/N 013-00337-00)or P/N 305952-01(Garming Model GSC46, P/N 013-00337-10)Elecrtrical Installation Kit P/N 306031-01Connector DSUB, 37 POS, w/crimp pins P/N 306033Connector Clamp P/N 3060533.2.2R EQUIRED B UT N OT S UPPLIEDFour (4) Number 6-32, 8-32 or equivalent mounting screws3.2.3OptionalMounting Tray, Sandia Aerospace Part Number 306057-00, Garmin P/N 011-02599-013.3M OUNTING The ST 32 mounts with four (4) number 6-32 or 8-32 or equivalent machine screws.Figure 3-1ST 32 Dimensional Drawing7DCBA 3230'0.0050.010.1.X±TOLERANCESAFTER FINISH INCHES AND APPLYDIMENSIONS ARE IN SPECIFIEDUNLESS OTHERWISE±ANG ENGINEERCHECKER DRAFTER BDWCAGE CODE .XXX±.XX±SIZEDO NOT SCALE DRAWINGREVDESCRIPTIONREVISIO1ENGINEERING RELEASEUse Design File: 901046-DNOUTLINE DR ADAPTERSCALE: NONEu 4.5SANDIA aerospaceAlbuquerque, New Mexico www.sandia.aeroFigure 3-2Optional Mounting Tray Dimensions83.5O PERATING I NSTRUCTIONS AND L IMITATIONSRefer to the display unit(s) being interfaced for operation and limitations.3.6C ALIBRATIONNo field calibration is required.3.7C ONTINUED A IRWORTHINESSMaintenance of the ST 32 is on condition only. No scheduled maintenance is required.Figure 3-3Interconnect Diagram93.4E LECTRICALThe ST 32 operates on 18-32.2Vdc. Power to ST 32 should be protected by a 1.5 amp breaker or circuit protec-tion can be shared with the display unit being interfaced (see installation manual of unit being interfaced). All twisted pairs are #22 AWG .. Power and ground are single wires and should be #22 AWG or larger. Figure 2shows the interconnect of the ST 32 to the Garmin system.SANDIA aerospaceAlbuquerque, New Mexico www.sandia.aero3112342BDWG. NO.CAGE CODE SIZE 305952-XX-TSHEET 3SCALE: NONE。

USP 35Official Monographs / Olanzapine 4105USP Fluoxetine Related Compound B RS r S = peak response from the Standard solution N -Methyl-3-phenylpropylamine.C S= concentration of USP Olanzapine RS in theC 10H 15N 149.23Standard solution (mg/mL)USP Olanzapine RSC U = concentration of olanzapine in the Sample10H -Thieno[2,3-b ][1,5]benzodiazepine, 2-methyl-4-(4-solution (mg/mL)methyl-1-piperazinyl.Acceptance criteria: 90.0%–110.0%C 17H 20N 4S 312.43PERFORMANCE TESTS USP Olanzapine Related Compound B RS•D ISSOLUTION 〈711〉2-Methyl-10H -thieno-[2,3-b ][1,5]benzodiazepin-4[5H ]-one.Medium: 0.1 N hydrochloric acid; 900 mL C 12H 10N 2OS 230.29Apparatus 2: 50 rpm Time: 30 minMobile phase: 10g/L of ammonium acetate in a mixture of methanol and water (2:3). Adjust with hydrochloric acid to a pH of 4.0.Olanzapine TabletsStandard solution: An amount, in mg, corresponding to the Tablet label claim, of USP Olanzapine RS in 1000 mL of DEFINITIONMedium . Transfer 5.0 mL of this solution to a tube, and add Olanzapine Tablets contain NLT 90.0% and NMT 110.0% of 2.0 mL of Mobile phase .the labeled amount of olanzapine (C 17H 20N 4S).Sample solution: Pass a portion of the solution under test through a suitable filter of 0.45-µm pore size. Transfer 5.0IDENTIFICATIONmL of the filtrate to a tube, and add 2.0 mL of Mobile phase .•I NFRARED A BSORPTION 〈197S 〉Chromatographic systemStandard solution: 1 mg/mL of USP Olanzapine RS in (See Chromatography 〈621〉, System Suitability .)chloroformMode: LCSample solution: Dissolve a quantity of powdered Tablets,Detector: UV 260 nmequivalent to 30 mg of olanzapine, in 30 mL of chloroform,Column: 4.6 mm × 15 cm; 5-µm packing L10and filter. Evaporate completely to dryness with the aid of a Flow rate: 1.5 mL/min current of air. Redissolve the residue in 1 mL of chloroform.Injection size: 50 µL ASSAYSystem suitability•P ROCEDURESample: Standard solution Buffer 1: 6.9 g/L of monobasic sodium phosphate. Adjust Suitability requirementswith phosphoric acid to a pH of 2.5.Relative standard deviation: NMT 2.0%Buffer 2: 12g/L of sodium dodecyl sulfate in Buffer 1AnalysisMobile phase: Acetonitrile and Buffer 2 (1:1)Calculate the percentage of olanzapine dissolved:System suitability solution: 0.1 mg/mL of USP Olanzapine Result = (r U /r S ) × (C S × V/L) × 100RS and 0.01 mg/mL of USP Olanzapine Related Compound A RS in Mobile phaser U = peak response from the Sample solution Standard solution: 0.1 mg/mL of USP Olanzapine RS in Mo-r S = peak response from the Standard solution bile phaseC S= concentration of USP Olanzapine RS in theSample solution: Transfer a known quantity of Tablets,Standard solution (mg/mL)equivalent to NLT 25 mg of olanzapine, to a suitable volu-V = volume of Medium , 900 mL metric flask. Dilute with Mobile phase to volume, mix, and L = label claim (mg/Tablet)sonicate for 10 min. Centrifuge a portion of this solution,Tolerances: NLT 80% (Q) of the labeled amount of and dilute the clear supernatant with Mobile phase to obtain olanzapine is dissolved.a solution containing about 0.1 mg/mL of olanzapine.•U NIFORMITY OF D OSAGE U NITS 〈905〉: Meet the requirements [N OTE —Agitation of the flask may be necessary before soni-cation to prevent Tablets from adhering to the flask, making IMPURITIESdisintegration and dissolution difficult.]Organic Impurities Chromatographic system•P ROCEDURE(See Chromatography 〈621〉, System Suitability .)Buffer 1: 3.3 mL/L of phosphoric acid. Adjust with 50%Mode: LCNaOH to a pH of 2.5.Detector: UV 260 nmBuffer 2: 8.7 g/L of sodium dodecyl sulfate in Buffer 1Column: 4.6-mm × 15-cm; 5-µm packing L7Buffer 3: 18.6 mg/L of edetate disodium (EDTA) in Buffer 2Flow rate: 1.5 mL/min Solution A: Acetonitrile and Buffer 2 (12:13)Injection size: 20 µL Solution B: Acetonitrile and Buffer 2 (7:3)System suitabilityDiluent: Acetonitrile and Buffer 3 (2:3)Samples: System suitability solution and Standard solution System suitability solution: 20 µg/mL of USP Olanzapine [N OTE —The relative retention times for olanzapine related RS, and 2 µg/mL each of USP Olanzapine Relatedcompound A and olanzapine are 0.89 and 1.0,Compound B RS and USP Olanzapine Related Compound respectively.]C RS in DiluentSuitability requirementsStandard solution: 2 µg/mL of USP Olanzapine RS in Resolution: NLT 2.0 between olanzapine and olanzapine Diluentrelated compound A, System suitability solution Sensitivity solution: 0.4 µg/mL of USP Olanzapine RS in Tailing factor: NMT 1.8, Standard solutionDiluent , from the Standard solutionRelative standard deviation: NMT 2.0%, Standard Sample solution: Transfer a known quantity of Tablets to a solution suitable volumetric flask, and dilute with Diluent to volume Analysisto obtain a solution containing either 375 or 500 µg/mL of Samples: Standard solution and Sample solutionolanzapine (based on the label claim). Centrifuge a portion Calculate the percentage of C 17H 20N 4S in the portion of of this solution, and use the supernatant. [N OTE —Tablets taken:Immediate agitation of the flask may be necessary to prevent Tablets from adhering to the flask, making Result = (r U /r S ) × (C S /C U ) × 100r U= peak response from the Sample solution4106Olanzapine / Official Monographs USP 35dissolution and disintegration difficult. [Caution—Do not Impurity Table 1 (Continued)sonicate.] The Sample solution is stable for 12 h at room Relative Relative Acceptance temperature and 48 h if refrigerated.]Retention Response Criteria, Mobile phase: See the gradient table Time Factor NMT (%)Olanzapine 1.0——Time Solution A Solution B Any individual— 1.00.20 (min)(%)(%)unspecified impurity01000a(Z)-4-(4-Methylpiperazin-1-yl)-3-(2-oxopropylidene)-1H-benzo[b][1,4] 101000diazepin-2(3H)-one.200100b2-Methyl-10H-thieno-[2,3-b][1,5] benzodiazepin-4[5H]-one.250100c(Z)-1-{4-(4-Methylpiperazin-1-yl)-2-thioxo-1H-benzo[b][1,4]diazepin-3(2H)-ylidene}propan-2-one.271000d2-Methyl-4-(4-methylpiperazin-1-yl)-10H-benzo[b]thieno[2,3-e][1,4] 351000diazepine 4’-N-oxide.Chromatographic system ADDITIONAL REQUIREMENTS(See Chromatography 〈621〉, System Suitability.)•PACKAGING AND S TORAGE: Preserve in tight, light resistant Mode: LC containers, and store at controlled room temperature.Detector: UV 220 nm•USP REFERENCE S TANDARDS〈11〉Column: 4.6-mm × 25-cm; 5-µm packing L7USP Olanzapine RSTemperature: 35°USP Olanzapine Related Compound A RSFlow rate: 1.5 mL/min5-Methyl-2-((2-nitrophenyl)amino)-3-thiophenecarbonitrile.Injection size: 20 µL USP Olanzapine Related Compound B RSSystem suitability2-Methyl-10H-thieno-[2,3-b][1,5]benzodiazepin-4[5H]-one.Samples:System suitability solution, Standard solution,USP Olanzapine Related Compound C RSand Sensitivity solution(2-Methyl-4-(4-methylpiperazin-1-yl)-10H-benzo[b]thieno Suitability requirements[2,3-e][1,4]diazepine 4′-N-oxide).Resolution: NLT 3.0 between olanzapine and C17H20N4OS328.43olanzapine related compound C, System suitabilitysolutionTailing factor: NMT 1.5 for the olanzapine peak, Systemsuitability solutionRelative standard deviation: NMT 2.0%, Standard Olopatadine HydrochloridesolutionSignal-to-noise ratio: NLT 10, Sensitivity solutionAnalysisSamples:Standard solution and Sample solutionCalculate the percentage of each impurity in the portionof Tablets taken:Result = (r U/r S) × (C S/C U) × (1/F) × 100r U= peak response of each impurity from the SamplesolutionC21H23NO3·HCl373.87 r S= peak response from the Standard solutionDibenz[b,e]oxepin-2-acetic acid, 11-[3-(dimethyl-C S= concentration of USP Olanzapine RS in theamino)propylidene]-6,11-dihydro-, hydrochloride, (Z)-;Standard solution (µg/mL)11-[(Z)-3-(Dimethylamino)propylidene]-6,11-dihydrodibenz[b,e]C U= concentration of olanzapine in the Sampleoxepin-2-acetic acid, hydrochloride [140462-76-6].solution (µg/mL)F= relative response factor for each impurity listed DEFINITIONin Impurity Table 1Olopatadine Hydrochloride contains NLT 98.0% and NMT Acceptance criteria102.0% of C21H23NO3·HCl, calculated on the dried basis.Individual impurities: See Impurity Table 1.Total impurities: NMT 1.5%IDENTIFICATION•A. I NFRARED A BSORPTION〈197K〉•B. The retention time of the major peak of the Sample solu-Impurity Table 1tion corresponds to that of the Standard solution, as obtained Relative Relative Acceptance in the Assay.Retention Response Criteria,•C. I DENTIFICATION T ESTS—G ENERAL, Chloride〈191〉: Meets the Name Time Factor NMT (%)requirementsOlanzapine lactam a0.26 1.00.50ASSAYOlanzapine related0.30 2.30.20•P ROCEDUREcompound B b[N OTE—Protect solutions from light.]Olanzapine thiolactam c0.34 1.00.50Buffer: Dissolve 13.6 g of monobasic potassium phosphate Olanzapine related0.83 1.00.50in 1 L of water, add 1 mL of triethylamine, and mix. Adjust compound C dwith phosphoric acid to a pH of 3.0.a(Z)-4-(4-Methylpiperazin-1-yl)-3-(2-oxopropylidene)-1H-benzo[b][1,4]Mobile phase: Acetonitrile and Buffer (7:18)diazepin-2(3H)-one.Standard solution: 0.1 mg/mL of USP Olopatadine Hydro-b2-Methyl-10H-thieno-[2,3-b][1,5] benzodiazepin-4[5H]-one.chloride RS in Mobile phasec(Z)-1-{4-(4-Methylpiperazin-1-yl)-2-thioxo-1H-benzo[b][1,4]diazepin-Sample solution: 0.1 mg/mL of Olopatadine Hydrochloride 3(2H)-ylidene}propan-2-one.in Mobile phased2-Methyl-4-(4-methylpiperazin-1-yl)-10H-benzo[b]thieno[2,3-e][1,4]diazepine 4’-N-oxide.。

List of concertos by Joseph Haydn Contents1. Concertos• 1.1 For violin• 1.2 For violoncello• 1.3 For violone (double bass)• 1.4 For horn• 1.5 For trumpet• 1.6 For flute• 1.7 For oboe• 1.8 For 2 lire organizzate• 1.9 For baryton• 1.10 For harpsichord, organ or piano2. Masses3. Operas• 3.1 Composed as a freelance musician• 3.2 Composed during Haydn's service for the Eszterházy family• 3.3 Composed for the first London journey4. Piano Trios• 4.1 Early trios• 4.2 Later trios5. Solo piano• 1 Piano Sonatas• 2 Piano pieces6. String quartets• 1 Opus 1• 2 Opus 2• 3 Opus 3 (spurious)• 4 Opus 9 (1771)• 5 Opus 17 (1771)• 6 Opus 20, the "Sun" quartets (1772)•7 Opus 33, the "Russian" quartets (1781)•8 Opus 42 (1785)•9 Opus 50, the "Prussian" quartets (1787)•10 Opus 51 (1787)•11 Opus 54, 55, the "Tost" quartets, sets I & II (1788)•12 Opus 64, the "Tost" quartets, set III (1790)•13 Opus 71, 74, the "Apponyi" quartets (1793)•14 Opus 76, the "Erdödy" quartets (1796-1797)•15 Opus 77, the "Lobkowitz" quartets (1799)•16 Opus 103 (1803)7. Symphonies1.Concertos1.1 For violin•Violin Concerto No. 1 in C major, Hob. VIIa/1 (ca. 1765)•Violin Concerto No. 2 in D major, Hob. VIIa/2 (lost)•Violin Concerto No. 3 in A major, Hob. VIIa/3 (ca. 1770)•Violin Concerto No. 4 in G major, Hob. VIIa/4 (ca. 1769)1.2 For violoncello•Cello Concerto No. 1 in C, Hob. VIIb/1 (1761-5)•Cello Concerto No. 2 in D, Hob. VIIb/2 (1783)•Cello Concerto No. 3 in C, Hob. VIIb/3 (lost)•Cello Concerto No. 4 in D, Hob. VIIb/4 (spurious)1.3 For violone (double bass)•Violone Concerto in D, Hob. VIIc/1 (lost)1.4 For horn•Concerto for Two Horns in E flat, Hob. VIId/2 (lost)•Horn Concerto No. 1 in D, Hob. VIId/3, 1762•Horn Concerto No. 2 in D, Hob. VIId/4 (doubtful), 1781•Concerto for Two Horns in E flat, Hob. VIId/6 (attrib.)3.3 Composed for the first London journey•1791: L'anima del filosofo, Hob. 28/13, dramma per musica in 4 acts (libretto by Carlo Francesco Badini). Haydn's own version of the Orpheus tale, the plot ofa great many operas. Haydn's only post-Esterházy opera, composed for his 1791 trip to London but never performed there, due to intrigues.4. Piano trios4.1 Early trios•No. 1 in F major, Hoboken 15/37•No. 2 in C major, Hoboken 15/C1•No. 3 in G major, Hoboken 14/6•No. 4 in F major, Hoboken 15/39•No. 5 in G minor, Hoboken 15/1•No. 6 in F major, Hoboken 15/40 (exists with a different slow movement as the piano concerto Hob. 18/7)•No. 7 in G major, Hoboken 15/41•No. 8 in D major, Hoboken 15/33 (lost)•No. 9 in D major, Hoboken 15/D1 (lost)•No. 10 in A major, Hoboken 15/35•No. 11 in E major, Hoboken 15/34•No. 12 in E flat major, Hoboken 15/36•No. 13 in B flat major, Hoboken 15/38•No. 14 in F minor, Hoboken 15/f1•No. 15 in D major, Hoboken 15/deest•No. 16 in C major, Hoboken 14/C1•No. 17 in F major, Hoboken 15/24.2 Later trios•No. 18 in G major, Hoboken 15/5 (1784)•No. 19 in F major, Hoboken 15/6 (1784)•No. 20 in D major, Hoboken 15/7 (1784)•No. 21 in B flat major, Hoboken 15/8 (1784)•No. 22 in A major, Hoboken 15/9 (1785)•No. 23 in E flat major, Hoboken 15/10 (1785)•No. 24 in E flat major, Hoboken 15/11 (1788)•No. 25 in E minor, Hoboken 15/12 (1788)•No. 26 in C minor, Hoboken 15/13 (1789)•No. 27 in A flat major, Hoboken 15/14 (1790)•No. 28 in D major, Hoboken 15/16 (1790)•No. 29 in G major, Hoboken 15/15 (1790)•No. 30 in F major, Hoboken 15/17 (1790)•No. 31 in G major, Hoboken 15/32 (1792)Three trios (H. 18-20) dedicated to Princess Maria Anna, wife of Prince Anton Esterházy:•No. 32 in A major, Hoboken 15/18 (1793)•No. 33 in G minor, Hoboken 15/19 (1793)•No. 34 in B flat major, Hoboken 15/20 (1794)Three trios (H. 21-23) dedicated to Princess Maria Josepha, wife of Prince Nicholas Esterházy:•No. 35 in C major, Hoboken 15/21 (1794)•No. 36 in E flat major, Hoboken 15/22 (1794)•No. 37 in D minor, Hoboken 15/23 (1794)Three trios (H. 24-26) dedicated to Rebecca Schroeter:•No. 38 in D major, Hoboken 15/24 (1795)•Quartet No. 18 in E major, Op. 17, No. 1, FHE No. 1, Hoboken No. III:25•Quartet No. 19 in C minor, Op. 17, No. 4, FHE No. 4, Hoboken No. III:28•Quartet No. 20 in D major, Op. 17, No. 6, FHE No. 6, Hoboken No. III:30•Quartet No. 21 In E♭major, Op. 17, No. 3, FHE No. 3, Hoboken No. III:27•Quartet No. 22 in G major, Op. 17, No. 5, FHE No. 5, Hoboken No. III:29Opus 20, the "Sun" quartets (1772)•Quartet No. 23 in F minor, Op. 20, No. 5, FHE No. 47, Hoboken No. III:35•Quartet No. 24 in A major, Op. 20, No. 6, FHE No. 48, Hoboken No. III:36•Quartet No. 25 in C major, Op. 20, No. 2, FHE No. 44, Hoboken No. III:32•Quartet No. 26 in G minor, Op. 20, No. 3, FHE No. 45, Hoboken No. III:33•Quartet No. 27 in D major, Op. 20, No. 4, FHE No. 46, Hoboken No. III:34•Quartet No. 28 in E♭major, Op. 20, No. 1, FHE No. 43, Hoboken No. III:31Opus 33, the "Russian" quartets (1781)•Quartet No. 29 in G major ("How Do You Do?"), Op. 33, No. 5, FHE No. 74, Hoboken No. III:41•Quartet No. 30 in E♭major ("The Joke"), Op. 33, No. 2, FHE No. 71, Hoboken No. III:38•Quartet No. 31 in B minor, Op. 33, No. 1, FHE No. 70, Hoboken No. III:37•Quartet No. 32 in C major ("The Bird"), Op. 33, No. 3, FHE No. 72, Hoboken No. III:39•Quartet No. 33 in D major, Op. 33, No. 6, FHE No. 75, Hoboken No. III:42•Quartet No. 34 in B♭major, Op. 33, No. 4, FHE No. 73, Hoboken No. III:40Opus 42 (1785)•Quartet No. 35 in D minor, Op. 42, FHE No. 15, Hoboken No. III:43Opus 50, the "Prussian" quartets (1787)•Quartet No. 36 in B♭major, Op. 50, No. 1, FHE No. 10, Hoboken No. III:44•Quartet No. 37 in C major, Op. 50, No. 2, FHE No. 11, Hoboken No. III:45•Quartet No. 38 in E♭major, Op. 50, No. 3, FHE No. 12, Hoboken No. III:46•Quartet No. 39 in F♯minor, Op. 50, No. 4, FHE No. 25, Hoboken No. III:47•Quartet No. 40 in F major ("Dream"), Op. 50, No. 5, FHE No. 26, Hoboken No. III:48•Quartet No. 41 in D major ("The Frog"), Op. 50, No. 6, FHE No. 27, Hoboken No. III:49Opus 51 (1787)•The Seven Last Words of Christ, Op. 51 (transcription of work originally written for orchestra), Hoboken No. III:50-56 Opus 54, 55, the "Tost" quartets, sets I & II (1788)•Quartet No. 42 in C major, Op. 54, No. 2, FHE No. 20, Hoboken No. III:57•Quartet No. 43 in G major, Op. 54, No. 1, FHE No. 19, Hoboken No. III:58•Quartet No. 44 in E major, Op. 54, No. 3, FHE No. 21, Hoboken No. III:59•Quartet No. 45 in A major, Op. 55, No. 1, FHE No. 22, Hoboken No. III:60•Quartet No. 46 in F minor ("Razor"), Op. 55, No. 2, FHE No. 23, Hoboken No. III:61•Quartet No. 47 in B♭major, Op. 55, No. 3, FHE No. 24, Hoboken No. III:62Opus 64, the "Tost" quartets, set III (1790)•Quartet No. 48 in C major, Op. 64, No. 1, FHE No. 31, Hoboken No. III:65•Quartet No. 49 in B minor, Op. 64, No. 2, FHE No. 32, Hoboken No. III:68•Quartet No. 50 in B♭major, Op. 64, No. 3, FHE No. 33, Hoboken No. III:67•Quartet No. 51 in G major, Op. 64, No. 4, FHE No. 34, Hoboken No. III:66•Quartet No. 52 in E♭major, Op. 64, No. 6, FHE No. 36, Hoboken No. III:64•Quartet No. 53 in D major ("The Lark"), Op. 64, No. 5, FHE No. 35, Hoboken No. III:63Opus 71, 74, the "Apponyi" quartets (1793)•Quartet No. 54 in B♭major, Op. 71, No. 1, FHE No. 37, Hoboken No. III:69•Quartet No. 55 in D major, Op. 71, No. 2, FHE No. 38, Hoboken No. III:70•Quartet No. 56 in E♭major, Op. 71, No. 3, FHE No. 39, Hoboken No. III:71•Quartet No. 57 in C major, Op. 74, No. 1, FHE No. 28, Hoboken No. III:72•Quartet No. 58 in F major, Op. 74, No. 2, FHE No. 29, Hoboken No. III:73•Quartet No. 59 in G minor ("Rider"), Op. 74, No. 3, FHE No. 30, Hoboken No. III:74Opus 76, the "Erdödy" quartets (1796-1797)•Quartet No. 60 in G major, Op. 76, No. 1, FHE No. 40, Hoboken No. III:75•Quartet No. 61 in D minor ("Quinten", "Fifths", "The Donkey"), Op. 76, No. 2, FHE No. 41, Hoboken No. III:76•Quartet No. 62 in C major ("Emperor" or "Kaiser"), Op. 76, No. 3, FHE No. 42, Hoboken No. III:77•Quartet No. 63 in B♭major ("Sunrise"), Op. 76, No. 4, FHE No. 49, Hoboken No. III:78•Quartet No. 64 in D major ("Largo"), Op. 76, No. 5, FHE No. 50, Hoboken No. III:79•Quartet No. 65 in E♭major, Op. 76, No. 6, FHE No. 51, Hoboken No. III:80Opus 77, the "Lobkowitz" quartets (1799)•Quartet No. 66 in G major, Op. 77, No. 1, FHE No. 13, Hoboken No. III:81•Quartet No. 67 in F major, Op. 77, No. 2, FHE No. 14, Hoboken No. III:82Opus 103 (1803)•Quartet No. 68 in D minor, Op. 103, Hoboken No. III:83 (incomplete)7. Symphonies •Symphony No. 1 in D major (composed by 1759)•Symphony No. 2 in C major (composed by 1764)•Symphony No. 3 in G major (composed by 1762)•Symphony No. 4 in D major (composed by 1762)•Symphony No. 5 in A major (composed by 1762)•Symphony No. 6 in D major, Le matin (1761?)•Symphony No. 7 in C major, Le midi (1761)•Symphony No. 8 in G major, Le soir (1761?)•Symphony No. 9 in C major (1762)•Symphony No. 10 in D major (composed by 1766)•Symphony No. 11 in E-flat major (composed by 1769)•Symphony No. 12 in E major (1763)•Symphony No. 13 in D major (1763)•Symphony No. 14 in A major (composed by 1764)•Symphony No. 15 in D major (composed by 1764)•Symphony No. 16 in B-flat major (composed by 1766)•Symphony No. 17 in F major (composed by 1765)•Symphony No. 18 in G major (composed by 1766)•Symphony No. 19 in D major (composed by 1766)•Symphony No. 20 in C major (composed by 1766)•Symphony No. 21 in A major (1764)•Symphony No. 22 in E-flat major, Philosopher (1764)•Symphony No. 23 in G major (1764)•Symphony No. 24 in D major (1764)•Symphony No. 25 in C major (1766)•Symphony No. 26 in D minor, Lamentatione (1770)•Symphony No. 27 in G major (composed by 1766)•Symphony No. 28 in A major (1765)•Symphony No. 29 in E major (1765)•Symphony No. 30 in C major, Alleluia (1765)•Symphony No. 31 in D major, Hornsignal (1765)•Symphony No. 32 in C major (composed by 1766)•Symphony No. 33 in C major (composed by 1767)•Symphony No. 34 in D minor (composed by 1767)•Symphony No. 35 in B-flat major (1767)•Symphony No. 36 in E-flat major (composed by 1769)•Symphony No. 37 in C major (composed by 1758)•Symphony No. 38 in C major, Echo (composed by 1769)•Symphony No. 39 in G minor (composed by 1768)•Symphony No. 40 in F major (1763)•Symphony No. 41 in C major (composed by 1770)•Symphony No. 42 in D major (1771)•Symphony No. 43 in E-flat major, Mercury (composed by 1772) •Symphony No. 44 in E minor, Trauer (composed by 1772)•Symphony No. 45 in F-sharp minor, Farewell (1772)•Symphony No. 46 in B major (1772)•Symphony No. 47 in G major, The Palindrome (1772)•Symphony No. 48 in C major, Maria Theresia (composed by 1769) •Symphony No. 49 in F minor, La passione (1768)•Symphony No. 50 in C major (1773)•Symphony No. 51 in B-flat major (composed by 1774)•Symphony No. 52 in C minor (composed by 1774)•Symphony No. 53 in D major, L'impériale (1778)/(1779)•Symphony No. 54 in G major (1774)•Symphony No. 55 in E-flat major, The Schoolmaster (1774) •Symphony No. 56 in C major (1774)•Symphony No. 57 in D major (1774)•Symphony No. 58 in F major (composed by 1774)•Symphony No. 59 in A major, Feuer (composed by 1769)•Symphony No. 60 in C major, Il distratto (composed by 1774) •Symphony No. 61 in D major (1776)•Symphony No. 62 in D major (composed by 1781)•Symphony No. 63 in C major, La Roxelane (composed by 1781)•Symphony No. 64 in A major, Tempora mutantur (composed by 1775)•Symphony No. 65 in A major (composed by 1778)•Symphony No. 66 in B-flat major (composed by 1779)•Symphony No. 67 in F major (composed by 1779)•Symphony No. 68 in B-flat major (composed by 1779)•Symphony No. 69 in C major, Laudon (composed by 1779)•Symphony No. 70 in D major (composed by 1779)•Symphony No. 71 in B-flat major (composed by 1780)•Symphony No. 72 in D major (composed between 1763–1765)•Symphony No. 73 in D major, La chasse (composed by 1782)•Symphony No. 74 in E-flat major (composed by 1781)•Symphony No. 75 in D major (composed by 1781)•Symphony No. 76 in E-flat major (1782?)•Symphony No. 77 in B-flat major (1782?)•Symphony No. 78 in C minor (|1782?)•Symphony No. 79 in F major (composed by 1784)•Symphony No. 80 in D minor (composed by 1784)•Symphony No. 81 in G major (composed by 1784)•The "Paris symphonies":o Symphony No. 82 in C major, The Bear (1786)o Symphony No. 83 in G minor, The Hen (1785)o Symphony No. 84 in E-flat major, In nomine Domini (1786)o Symphony No. 85 in B-flat major, La Reine ("The Queen") (1785?)o Symphony No. 86 in D major (1786)o Symphony No. 87 in A major (1785)•Symphony No. 88 in G major (1787?)•Symphony No. 89 in F major (1787)•Symphony No. 90 in C major (1788)•Symphony No. 91 in E-flat major (1788)•Symphony No. 92 in G major, Oxford (1789)•The "London symphonies":o Symphony No. 93 in D major (1791)o Symphony No. 94 in G major, The Surprise (1791)o Symphony No. 95 in C minor (1791)o Symphony No. 96 in D major, The Miracle (1791)o Symphony No. 97 in C major (1792)o Symphony No. 98 in B-flat major (1792)o Symphony No. 99 in E-flat major (1793)o Symphony No. 100 in G major, Military (1793)/(1794)o Symphony No. 101 in D major, The Clock (1793)/(1794)o Symphony No. 102 in B-flat major (1794)o Symphony No. 103 in E-flat major, Drumroll (1795)o Symphony No. 104 in D major, London (1795)7.1 Hoboken also includes four other works in his "Symphony" category (Hob. I):•Hob. I/105 in B-flat major, better known as the Sinfonia Concertante for violin, cello, oboe and bassoon (1792) •Hob. I/106, for which only one part has survived (1769?)•Hob. I/107 in B-flat major, often known not by a number but as Symphony A (composed by 1762)•Hob. I/108 in B-flat major, often known not by a number but as Symphony B (composed by 1765)。

作品列表作品92号：托卡塔（Toccata）作品139号：简易练习100首作品151号：大的颤动练习Grand Exercice de Trilles Op.151 (Piano solo)作品161号：48首前奏与终止练习曲作品229号：为两架钢琴而用的快速练习曲40首作品239号：二重奏练习曲50首作品244号：大的半音阶练习作品245号：大的三度音阶与双音经过句练习作品261号：基本练习101首作品268号：练习曲式大奏鸣曲作品277号：初级练习10首作品299号：快速练习40首作品335号：连奏和断奏练习作品336号：24首练习作品337号：每日课程40首作品355号：装饰音练习作品359号：初级教程第一课作品365号：演奏家的高级练习曲作品380号：24个大调的三度练习曲作品388号：准备的简易练习曲作品399号：改善左手的1十首大练习曲作品400号：赋格的练习作品409号：50首特性练习曲作品428号：60首初级练习作品433号：准备过程的练习曲作品453号：初步简易练习150首作品481号：初步练习50首作品495号：42首四手练习曲作品499号：两首为少年钢琴家写的练习曲作品553号：6首八度练习曲作品584号：钢琴初级教程作品599号：实用初级练习100首作品613号：表情练习曲集作品632号：12首练习曲作品636号：灵活手指的预备练习作品684号：24首爱尔兰歌调练习作品692号：24首大型沙龙练习曲作品694号：少年练习曲作品699号：右手的艺术作品706号：24首新爱尔兰练习曲作品718号：24首左手简易练习曲作品727号：两架钢琴的12首练习曲作品735号：左手三度练习曲作品737号：40首天天练作品740号：灵活手指的华丽练习50首作品748号：小手用的练习25首作品749号：小手用的练习25首作品750号：基本练习30首作品751号：四手用的音阶练习作品753号：30首华丽练习曲作品755号：特性练习曲25首作品756号：25首大练习曲作品765号：库朗特练习曲作品767号：50首表情练习曲作品777号：五指练习24首作品779号：大的耐力和速度练习曲作品785号：25首大的特性练习曲作品792号：35首为达到钢琴精确技巧的练习曲作品793号：大的琶音练习作品802号：实用练指法作品807号：新的练习曲作品818号：50首手指练习作品819号：曲调和节奏练习曲集作品820号：50首天天练习作品821号：8或16小节的练习160首作品822号：通向颠峰的途径作品823号：初步练习作品824号：四手练习作品825号：儿童钢琴教程作品829号：华丽练习曲作品834号：演奏家练习曲作品835号：儿童的方法作品837号：现代钢琴篇章作品838号：和弦低音练习作品840号：50首旋律练习作品845号：12首轻快练习作品848号：小手新钢琴日课32首作品849号：流畅练习曲作品861号：左手练习曲Works Listed by Opus NumberFor Piano Unless Otherwise Noted1 - 99•Op.1 - Variations Concertantes on a Theme of Krumpholz for Violin & Piano•Op.2 - Brilliant Rondeau on the Cavatine de Carafa for Piano 4-Hands•Op.3 - Brilliant Fantasy and Variations on "Romance of Blangini" for Piano with String Accompaniment•Op.4 - Le Souvenir, Variations•Op.5 - Grand Rondeau No.1 in C Major•Op.6 - Waltz or Exercises•Op.7 - Piano Sonata No.1 in Ab Major•Op.8 - Amicitiae, Andantino with Variations•Op.9 - Variations Brillant & Facile on a Favorite Theme•Op.10 - Brillant Grand Sonata in C minor for Piano 4-Hands•Op.11 - Brilliant Divertissement for Piano 4-Hands•Op.12 - Variations on Schubert's Trauer-Walzer D.365 No.2 (Solo & Duet Versions)•Op.13 - Piano Sonata No.2 in A minor•Op.14 - Brilliant Variations on an Austrian Waltz•Op.15 - Recreation for the Carnival, Brilliant Choice of Waltz and easy: 2 Books•Op.16 - Introduction and Variations on "O cara memoria"•Op.17 - Brilliant Rondo on a favorite Menuet of C. Kreutzer (Alternate Title: Fantaisie deA. Delaseurie sur un Air Suisse)•Op.18 - Brilliant Grande Polonaise•Op.19 - Variations of a Barcarole Favorite•Op.20 - Introduction and Variations on a Marche favorite della Donna del Lago•Op.21 - Introductions and Variations on a Cav. Favorite "Sorte secondami"•Op.22 - Rondino No.1 on "Cara attendimi"•Op.23 - Brillant Rondo No.2 in G Major for Piano 4-Hands•Op.24 - Presto Caratteristico, Duet in A minor•Op.25 - Brilliant Variations on "Ah come nancondere" for Piano 4-Hands•Op.26 - Rondo quasi Capriccio in Eb Major•Op.27 - Fantasy in Bb Major•Op.28 - Piano Concerto in F Major•Op.29 - Rondino No.2 on a Theme de l'Opera Corradino•Op.30 - Rondino No.3 on a Theme de l'Opera Armida•Op.31 - 3 Fugues•Op.32 - New Year's Gifts, 24 Waltzes•Op.33 - La Ricordanza, Variazioni sopra un Tema di Rode•Op.34 - Duet after the 1st Trio of Mayseder for Piano 4-Hands•Op.35 - Waltz di Bravura•Op.36 - Impromptus ou variations brillantes•Op.37 - Fantasy followed by a Romance varied•Op.38 - 1st Grand Potpourri Concerto for 2 Pianos 6-Hands•Op.39 - Rondino No.4 on a Theme by Fesca•Op.40 - Brilliant Variations on Ballet La Danseuse d'Arthere for Piano 4-Hands•Op.41 - Rondino No.5 on a Theme by Beethoven•Op.42 - Rondino No.6 on an original Theme•Op.43 - Brilliant Divertissement No.2 on a Cav. "Aure felice" for Piano 4-Hands •Op.44 - Romance of Beethoven arranged as a Brilliant Rondo for Piano 4-Hands •Op.45 - Charms of Baden, Rondo Pastoral•Op.46 - Variations on a Bohemian Air•Op.47 - Grand Exercise in Bravura in the form of Brilliant Rondo•Op.48 - Die Schiffende, for V oice & Piano with words by Holtz•Op.49 - 2 Brillant Sonatinas•Op.50 - 2 Brillant Sonatinas for Piano 4-Hands•Op.51 - 2 Brilliant Sonatinas for Violin & Piano•Op.52 - Variations in an Easy Style on the Air from Die Fee aus Frankreich•Op.53 - Rondoletto Scherzando in C Major•Op.54 - Brilliant and Characteristic Overture for Piano 4-Hands•Op.55 - Charms of Friendship on a Theme of Beethoven•Op.56 - Introduction and Variations on the 1st Galoppe•Op.57 - Piano Sonata No.3 in F minor•Op.58 - Legerrazza e Bravura, Brilliant Rondo (with Quartet Accompaniment)•Op.59 - Introduction and Brilliant Variations on a Rondo and Marche favorite of Roland •Op.60 - Einleitung, Variations and Rondo on C. M. von Weber's Hunting Chorus from Euryanthe (with Orchestral Accompaniment)•Op.61 - Preludes, Cadences, and a Short Fantasia in a Brilliant Style•Op.62 - Caprice and Variations on "An Alexis" by Himmel•Op.63 - Brilliant and Easy Toccatine on Tarrantelle of the Ballet Die Fee und der Ritter •Op.64 - Fantasy in the Modern Style on Potpourri•Op.65 - Piano Sonata No.4 in G Major•Op.66 - Rondo and Waltz in C Major•Op.67 - Concert Variations followed by a Hunting Rondo on the walk of the Ballet, Barbe Bleu for Piano 4-Hands•Op.68 - Passionate Rondo•Op.69 - Allegretto grazioso on a Theme from the Ballet, Barbe Bleu•Op.70 - Romance in D Major•Op.71 - Brilliant Nocturne after "Das waren mir selige Tage, for Piano 4-Hands•Op.72 - 2 Nice Rondos•Op.73 - Variations on "Gott erhalte Franz den Kaiser" (with Quartet or Orchestral Accompaniment)•Op.74 - Brilliant Rondoletto in Eb Major•Op.75 - 3 Grand Allegros•Op.76 - Piano Sonata No.5 in E Major•Op.77 - Variations on "God Save the King"•Op.78 - Piano Concerto in C Major•Op.79 - 3 Grand Marches (Solo & Duet versions)•Op.80 - Introduction and 7 V ariations, Concerto for Piano & Flute (or Violin)•Op.81 - Variations on Marche Anglais•Op.82 - Grand Exercise in F Major•Op.83 - Romance from W. Scott's "Fraulein vorn See" for Voice & Piano•Op.84 - Grand Potpourri No.2 for 2 Pianos 6-Hands•Op.85 - 3 Polonaises•Op.86 - Variations sur l'hymne Bavarois•Op.87 - Introduction & Variations Faciles on a Waltz of Mr. le Comte de Gallenberg for Piano 4-Hands•Op.88 - Rondino No.7 on a Motif from the Opera "Elisa e Claudio" of Mercadante•Op.89 - Capriccio a la Fuga in E minor•Op.90 - 6 Rondeaux Mignons for Piano 4-Hands•Op.91 - German Air with Variations, "Es Ritten drei Rieter•Op.92 - Toccata or Exercise in C Major•Op.93 - Rondo Espressivo in E Major•Op.94 - 2 Grand Marches for Piano 4-Hands•Op.95 - Notturno Brillant for Piano, Violin, Viola, Cello, Flute, Clarinet, Horn, Bassoon, & Double Bass)•Op.96 - Rondino No.8 on an Original Theme (alla Polacca)•Op.97 - Rondino No.9, "La Chasse"•Op.98 - Rondino No.10 on a Theme of Mozart•Op.99 - Rondino No.11 on a Theme of Haydn100 - 199•Op.100 - Rondino No.12 on a Theme of Cherubini•Op.101 - Grand March composed for the Coronation of the Empress Caroline of Austria for Piano 4-Hands•Op.102 - Rondeau Brillante No.3 for Piano 4-Hands•Op.103 - Variations Brillante sur un Air Militaire Francaise•Op.104 - 3 Sonatines Faciles et Brillantes for Piano with Violin & Cello Accompaniment ad libitum•Op.105 - Piano Trio No.1 in Eb Major•Op.106 - Introduction & Variations on an Original Theme for Piano 4-Hands•Op.107 - Rondeau Brillante dans le Style Francaise in D minor•Op.108 - Caprice in E minor•Op.109 - 5 Unvergangliche Blumchen for V oice & Piano•Op.110 - 1st Decameron Musical, Recueil de Compositions Brillant et Faciles (10 Bks., Solo Piano Version)•Op.111 - 1st Decameron Musical, Recueil de Compositions Brillant et Faciles (10 Bks., Piano 4H Version)•Op.112 - Galoppe Varie No.2•Op.113 - Variations on an Original Theme•Op.114 - Valse Variée•Op.115 - Easy Variations on a Theme from the Farce, Staberl's Reise Abentheuer in Frankfort and Munchen•Op.116 - Impromptu Brillant for Piano 4-Hands•Op.117 - Tendress, Amitie, & Confiance, 3 Rondeaux•Op.118 - Grande Polonaise Brillante (with string quartet ad libitum)•Op.119 - Sonate Militaire et Brillante for Piano 4-Hands•Op.120 - Sonate Sentimentale for Piano 4-Hands•Op.121 - Sonate Pastorale for Piano 4-Hands•Op.122 - Grand Divertissement in the Form of a Rondo Brillante with Orchestral Accompaniment•Op.123 - Variations Brillante sur "Gott Erbalte Franz den Kaiser" for Piano 4-Hands •Op.124 - Piano Sonata No.6 in D minor•Op.125 - Variations Brillantes on a Theme from the Opera 'Il Crociato' for Piano 4-Hands •Op.126 - Grande Serenade Concertante for Clarinet, Horn, Cello, & Piano•Op.127 - Rondino No.13 on a Theme from Auber's Opera "Le maçon", for Piano Quintet •Op.128 - Rondeau Brillant in A Major•Op.129 - Duo concertant in G Major for Flute (or Violin) & Piano•Op.130 - Variations Brillantes on 2 Themes from the Opera 'L'Ultimo Giorno di Pompei' for Piano 4-Hands•Op.131 - Fantasie Elegante (or Potpourri Brillant) on Themes from the Opera 'La Dame Blanche'•Op.132 - Variations Brillantes sur "Depechons Travaillons" de l'Opera 'Le Macon' (Solo & Duet Versions)•Op.133 - Introduction & Variations on the Cavatine from the Opera 'L'Ultimo Giorno di Pompei'•Op.134 - Impromptu (or Variations) on a Theme from the Opera 'Oberon'•Op.135 - Variations on a Theme from teh Opera 'Oberon'•Op.136 - Hommage aux Dames, Repertoire des Nouvelles Compositions Brillantes (3 Bks.)•Op.137 - Allegro Affetuoso for Piano 4-Hands•Op.138 - Variations de Concert on "La Marche des Grecs" de l'opera 'Le Siege de Corinthe'•Op.139 - 100 Progressive Etudes•Op.140 - Introductions & Variations on a Favorite Air from 'Das Madchen aus der Feenwelt'•Op.141 - Variations on the Favorite Duet "Bruderlein Fein" for Piano 4-Hands•Op.142 - Overture for Orchestra in C minor•Op.143 - Piano Sonata No.7 (Grande Fantaisie en forme de Sonate)•Op.144 - Piano Sonata No.8 in Eb Major (Grande Fantaisie en forme de Sonate) •Op.145 - Piano Sonata No.9 (Grande Fantaisie en forme de Sonate)•Op.146 - Funeral March on the Death of Ludwig van Beethoven (Solo & Duet Versions) •Op.147 - Variations a Capriccio on 2 Themes from the Opera 'Oberon' for Piano 4-Hands •Op.148 - Piano Quartet No.1•Op.149 - Rondoletto Concertant in F Major•Op.150 - 3 Polonaises Sentimentales•Op.151 - Grand Exercise on the Shake•Op.152 - Grand Exercise in All the Keys, Major & Minor•Op.153 - Concerto in C Major for Piano 4-Hands & Orchestra•Op.154 - Graduale Pastorale in F Major, "Hodie Christus Natus Est", for 4 V oices, 2 Violins, Viola, 2 Clarinets, 2 Horns, Cello, Double Bass, & Organ•Op.155 - Exsulta filia Sion, Offertorium Pastorale•Op.156 - Belohnung der fleissigen Jugend, 3 Sonatinen for Piano Duet•Op.157 - Fantasia in A Major, Der Brand von Maria-Zell•Op.158 - 3 Rondeaux Faciles &3 Sonatines Faciles Instructives et Doigtees in 4 Bks.(Bk.1 - Rondeaux Piano Solo Version, Bk.2 Rondeaux Duet Version, Bk.3 SonatinesPiano Solo Version, Bk.4 Sonatines Duet V ersion)•Op.159 - Rondeau Brillant di Bravura in A Major with Orchestral Accompaniment•Op.160 - Introduction, Variations, & Polacca after a Theme from Bellini's "Il Pirata", for Piano & Orchestra•Op.161 - 48 Etudes in the Form of Preludes•Op.162 - Fantaisie Brillante on Diverse Themes Suisses & Tiroliens•Op.163 - 6 Easy Sonatinas•Op.164 - Rondino No.14 sur "Ma Quell Amabile" dans 'Il Pirata'•Op.165 - Grand Nocturne Brillant for Piano 4-Hands•Op.166 - Piano Trio No.2 in A Major•Op.167 - Sonatina in A Major•Op.168 - 2 Rondeaux•Op.169 - Rondino No.15 on a Theme of Paganini•Op.170 - Grandes Variations Brillantes on Paganini's "La Campanella"•Op.171 - Fantasia on 3 Themes of Haydn, Mozart, & Beethoven•Op.172 - Grand Capriccio in C minor•Op.173 - Piano Trio No.3 in E Major•Op.174 - Ecossaises Brillantes (or Exercises de Bravura)•Op.175 - Second Decameron Musical, Recueil de Compositions Amusantes (10 Bks., Piano Solo)•Op.176 - Second Decameron Musical, Recueil de Compositions Amusantes (10 Bks., Piano Duet)•Op.177 - Allegro Fugato in Quintetto for Strings•Op.178 - Grand Sonata in F minor for Piano 4-Hands•Op.179 - Introduction, Variations, & Polacca on 2 Favorite Airs from "Der Alpen Konig und der Menschenfried"•Op.180 - Introduction & Variations on a Favorite Air from "Der Alpen Konig und der Menschenfried" (Solo & Duet Versions)Opus Numbers 181-192 are collectively entitled "12 Grand Rondeaux Nationaux Brillants et Caracteristiques"•o Op.181 - Rondeau National Allemando Op.182 - Rondeau Anglais et Ecossaiso Op.183 - Rondeau Bohemeo Op.184 - Rondeau Espagnolo Op.185 - Rondeau Francaiso Op.186 - Rondeau Hongroiso Op.187 - Rondeau Italieno Op.188 - Rondeau Polonoiso Op.189 - Rondeau Russeo Op.190 - Rondeau Suedoiso Op.191 - Rondeau Suisseo Op.192 - Rondeau Turque•Op.193 - Galoppe Variee No.3•Op.194 - Introduction, Variations, & Rondo on 2 Favorite Styrian Alpine Airs (Solo & Duet Versions)•Op.195 - Rondino No.16 sur 'Ah come rapida'•Op.196 - Introduction, Variations, & Rondo on "Or Che Son Vicino a Te" (Solo & Duet Versions)•Op.197 - Fantasie Elegante No.3 sur 'La muette de Portici'•Op.198 - Rondino No.17 on the 2 Barcarolles from 'La Muette de Portici'•Op.199 - Variations sur "Ach! ich Stell" du Falsche Dir (Solo & Duet Versions)200 - 299•Op.200– The Art of Improvisation (or The School of Extemporaneous Performance) •Op.201 - 6 Rondeax d'Amusement•Op.202 - Introduction, Variation Brillantes, et Rondeau de Chasse•Op.203 - Valse Autrichienne•Op.204 - Divertissement de Concert for Piano & Orchestra (or Adagio, variations et rondeau)•Op.205 - Impromptu Brillant on a Theme of Rossini•Op.206 - Theme Russe, variee•Op.207 - Rondoletto sur le Theme Hollandis Favori, "Wien Neelands Bloed in de Aders Vloeit"•Op.208 - Introduction & Variations sur 'La muette de Portici' (Auber)•Op.209 - Divertissement Briallant & Facile•Op.210 - Concertino for Piano with Orchestral Accompaniment in C Major•Op.211 - 2 Trios Brillants for Piano, Violin, & Cello (C Major & A Major)•Op.212 - 6 Grands Potpourris Brillants & Concertants (Versions for Piano, Violin, & Cello or 2 Pianos)•Op.213 - Andante & Rondo with Orchestral Accompaniment in C Major•Op.214 - Piano Concerto No.1 in A minor•Op.215 - Rondoletto Brillant sur Plusiers Motifs tires des Romances Francais•Op.216 - Rondoletto Brillant on 2 Motifs from the Opera 'William Tell'•Op.217 - Rondeau de Chasse on "Quelle Savage Harmonie" from 'William Tell'•Op.218 - Potpourri Brillant on Motifs from the Opera 'Faust'•Op.219 - Introduction & Variations on the Pas de Trois from 'William Tell'•Op.220 - Variations Brillantes on the Tyrolienne from 'William Tell'•Op.221 - 2 Grandes Fantasies on Motifs from 'William Tell' (No.1 E minor, No.2 A Major)•Op.222 - Impromptu Brillant on a Pastorale from 'William Tell'•Op.223 - Variations Brillantes on "Das Wandern ist des Mullers Lust" of Schubert (Solo & Duet Versions)•Op.224 - 2 Piano Quartets Brillantes1. F Major2.G Major•Op.225 - Variations Brillantes on a Romance from Ivanhoe's Opera 'Templar & Judinn' for Piano 4-Hands•Op.226 - Fantasia in F minor for Piano 4-HandsOpus Numbers 227-229 & 295-297 are part of the Collection "Les Pianistes Associes, ou Compositions Brillant et Concertant•o Op.227 - Bk.1, Rondeau Brillant for Piano 6-Handso Op.228 - Bk.2Variations Brillante on a Tyrolien Theme from the Opera 'La Fiancee' for Piano 6-Handso Op.229 - Bk.3Divertissement Militaire for Piano 6-Hands•Op.230 - Concerto for 4 Pianos in C Major•Op.231 - 3 Rondeau Mignons Facile & Brillantes on Favorite Themes (Solo & Duet Versions)•Op.232 - Grand Variations di Bravura on 2 Motifs from the Opera 'Fra Diavolo' (Auber) •Op.233 - Rondo Brillant (For Piano Solo or with Orchestral Accompaniment)•Op.234 - Introduction & Variations Brillantes sur la Marche dans "Gli Arabi nelle Gallie"•Op.235 - Rondino No.18 on a Theme of Auber•Op.236 - Variations Brillantes on the Petit Tambour (For Solo Piano or with Orchestral Accompaniment)•Op.237 - Einzugs Marsch, Performed at the Opening of the Hungarian Diet, Sept. 13, 1830 (Solo & Duet Versions)•Op.238 - March Performed on the Occasion of the Coronation of His Imperial Majesty Ferdinand as King of Hungary, Sept. 28, 1830 (Solo & Duet Versions)•Op.239 - 50 Duett Studies•Op.240 - Fantasy Romantique No.1 on Sir Walter Scott's 'Roman Waverley' for Piano 4-Hands•Op.241 - Fantasy Romantique No.2 on Sir Walter Scott's 'Guy Mannering' for Piano 4-Hands•Op.242 - Fantasy Romantique No.3 on Sir Walter Scott's 'Rob Roy' for Piano 4-Hands •Op.243 - Fantasy Romantique No.4 on Sir Walter Scott's 'Ivanhoe' for Piano 4-Hands•Op.244 - Grand Exercice de la Gamme Chromatique avec toutes les Differentes Maruieres du Doigte•Op.245 - Grand Exercice des Gammes en Tierces & des Passages Doubles•Op.246 - Introduction, Variations, & Finale on a Choeur de l'Opera 'Fra Diavolo' •Op.247 - Souvenirs Teatral (ca.50 Fantasies each with solo & duet versions)•Op.248 - Introduction & Variations Concertant on a Tirolienne in F minor for Piano & Cello•Op.249 - Variations on the Favorite Charmant Waltz by Strauss•Op.250 - Festal March in A Major•Op.251 - 3rd Decameron Musical, 10 Bks. for Piano Solo•Op.252 - 3rd Decameron Musical, 10 Bks. for Piano 4-Hands•Op.253 - Le Golfe de Naples, Tableau Nocturne ou Fanasie Pittoresque•Op.254 - Grand Rondeau Briallant in F Major for Piano 4-Hands•Op.255 - Rondeau a la Barcarolle in A Major•Op.256 - Fantasy Concerto in G Major for Piano, Flute, & Cello•Op.257 - Grand Polonaise in C Major•Op.258 - 2 Themes Original Varies•Op.259 - Grand Rondeau Militaire & Brillante for Piano 4-Hands•Op.260 - Rondo•Op.261 - 101 Progressive Exercises•Op.262 - 3 Piano Quartets Brillantes & non Difficiles (C, EB, & F)•Op.263 - Variations Precede d'une Introduction sur un Motif de 'La Fiancee'•Op.264 - Introduction & Allegro Agitato in G minor for Piano Duet•Op.265 - Rondeau Precede d'une Introduction•Op.266 - Variations Brillantes & non difficiles on a Original Valse for Piano 4-Hands •Op.267 - Allegro & Galop in F Major•Op.268 - Piano Sonata No.10 (Grande Sonate d'Etude)•Op.269 - Introduction & Grand Polonaise Brillante for Piano 4-Hands•Op.270 - 3 Themes Originaux, Varies•Op.271 - La Joyeust et la Sentimentale, 2 Rondos•Op.272 - Rondo Polacca•Op.273 - Variations on a Theme of Paganini•Op.274 - Souvenir de Contemporains, 3 Rondeaux Brillante & Facile sur des Motifs Favoris de Notre Tems (Solo & Duet Versions)•Op.275 - 3 Themes Choisis from the Opera 'Robert le Diable'•Op.276 - Serenade Venetienne, Divertissement Concertant on a Barcarolle for 3 Voices - Accompanied by Variations Brillantes For Piano, Flute, Clarinet, & Cello in A Major •Op.277 - Le Chiron Musical (or Collection des Compositions Instructives) for Piano 4-Hands•Op.278 - Rondo en Bolero in D Major•Op.279 - Rondino No.19 on 2 Favorite Motifs from the Opera 'Zampa'•Op.280 - Variations Brillantes on an English March in E Major•Op.281 - Variations Brillantes on a Theme from the Opera 'Norma' in F Major•Op.282 - Le Cornet de Postillon, Variations on a Theme of Rossini•Op.283 - Grand Rondo Brillante in F Major•Op.284 - Rondino No.20 on Schubert's "Das Ständchen" in C Major•Op.285 - Grandes Variations Concertantes on a Theme from the Opera 'Montechi e Capuleti' in Bb Major for (2 Piano & Piano Solo Versions)•Op.286 - Grand Rondo Brillante in C Major•Op.287 - 3 Ariette Italienne for Tenor V oice & Piano•Op.288 - 6 Divertissements in the Form of a Rondo•Op.289 - Piano Trio No.4 in A minor•Op.290 - La Douceur, Rondo Elegant•Op.291 - Grand Rondo for Piano 4-Hands•Op.292 - Variations Brillantes on an Original Theme in F Major•Op.293 - La Rivalite, Rondo Brillante & Concertant for Piano 4-Hands•Op.294 - Grand Potpourri in A Major for Piano, Flute, Violin, Alto, & CelloOpus Numbers 227-229 & 295-297 are part of the Collection "Les Pianistes Associes, ou Compositions Brillant et Concertant•o Op.295 - Bk.4 - Variations Brillantes on a Theme from the Opera 'Montechi e Capuleti' for Piano 6-Handso Op.296 - Bk.5 - Polonaise for Piano 6-Handso Op.297 - Bk.6 Variations Brillantes on a Theme from the Opera 'Norma' for Piano 6-Hands•Op.298 - Grand Potpourri No.3 for 2 Pianos, 6-Hands•Op.299 - The School of Velocity, 30 Exercises300 - 399•Op.300 - L'Art de Preludier•Op.301 - Variations on a Waltz of Reissenger•Op.302 - Italian Theme & Variations•Op.303 - Introduction & Variations Brillantes on a Theme of Mr. Rudolphe de Vivenot •Op.304 - Variations on a Theme of Lafont in D Major for Violin & Piano•Op.305 - Variations on a Spanish Theme in A Major for Violin & Piano•Op.306 - Souvenir de Jeune Age, Rondo on the Romance from the Opera 'Le Pre aux Clercs' (Herold)•Op.307 - Variations Brillantes on a Theme from the Opera 'Le Serment' for Piano 4-Hands•Op.308 - Variations on an Original Theme•Op.309 - Introduction & Variations in G Major on a Theme from 'Le Pre aux Clercs' for Piano, Violin, & Cello (Herold)•Op.310 - Variations Brillantes on "Dans Cette Belle" from the Opera 'Le Serment'•Op.311 - 2 Rondeaux on Thems from the Opera 'Le Pre aux Clercs' (Herold)•Op.312 - Variations on "A la Fleur du Bel Age" from the Opera 'Le Pre aux Clercs' for Piano 4-Hands (Herold)•Op.313 - The Young Pianist, 2 Sonatines Faciles (C Major, & G Major)•Op.314 - Grand Polonaise Brillante in A Major for Piano & Violin•Op.315 - Cadenzas for Beethoven's Piano Concertos, 2 Bks.•Op.316 - 10 Petit Rondeaux•Op.317 - Variations on an Original Theme in A Major•Op.318 - 6 Graduals for Soprano, Alto, Tenor, & Bass with ad lib Accompaniment for Piano/Organ•Op.319 - Variations•Op.320 - Variations•Op.321 - Rondo in Bb Major for Piano 4-Hands•Op.322 - Rondo in Bb Major for Piano Solo•Op.323 - L'Allegresse, Rondo in Bb Major•Op.324 - Variations Brillantes on a Waltz of Lanner•Op.325 - 3 Fantasies on Themes from Donizetti's Opera 'L'Elisir d'Amore' (Solo & Duet Versions)•Op.326 - 3 Themes Favoris from the Opera 'Zampa'•Op.327 - 3 Fantasies on Donzietti's Opera 'Parisina' (Solo & Duet Versions)•Op.328 - 3 Fantasies on Donizetti's Opera 'Il Furioso all' Isola di St. Domingo' (Solo & Duet Versions)•Op.329 - Variations on a Theme from De Marschner's Opera 'Hans Heiling' for Piano 4-Hands•Op.330 - Tausend Tonblumen•Op.331 - Grande Sonata No.3 in Bb Major for Piano 4-Hands•Op.332 - Variations Brillante on a Theme from the Opera 'Robert le Diable'•Op.333 - Les Elegantes, Variations Brillantes (3 Bks.)o Bk.1 - Sur la Tyrolienne Favorite, Almaliedo Bk.2 - Sur la Sonnambulao Bk.3 - Sur un Valse Favorite•Op.334 - Souvenir de Peste, Variations sur un Valse: Erinnerung an Pest de J. Strauss •Op.335 - Legato & Staccato Exercises, 2 Bks.•Op.336 - Fantasie on Cherubini's Opera 'Ali Baba'•Op.337 - 40 tägliche Studien•Op.338 - Introduction & Variations on an Original Theme in D Major•Op.339 - 3 Brillant Fantasies on Themes of F. Schubert (Several Versions for Different Combinations of Instruments)•Op.340 - Variations of J. Strauss's 'Pfennig Waltz'•Op.341 - Variations Brillantes on a Theme from the Opera 'Hans Heiling'•Op.342 - 3 Fantasies on Bellini's Opera 'Beatrice di Tenda' (Solo & Duet Versions) •Op.343 - 3 Themes from the Opera 'Lestocq' (1.G, 2.F, 3.C)•Op.344 - 3 Rondinos from the Opera 'Lestocq' (1.C, 2.A, 3.B)•Op.345 - Die Ruinen von Neustadt, Fantasia in D minor•Op.346 - Fantasie on the Opera 'Lestocq'•Op.347 - Variations on a Theme from 'Lestocq' in A Major•Op.348 - Grande Exercise in the Form of a Fantasie Improvisee in E minor•Op.349 - 3 Instructive Sonatines•Op.350 - Le Dernier Soupir de Herold, Variations on a Theme of Herold•Op.351 - Neujahrsgeschenk, Fantasia•Op.352 - Souvenir de Boieldieu, Variations in Bb Major•Op.353 - Variations Brillantes on 'Conversations Walzer'•Op.354 - Amusement des Pianistes, Collection de Morceaux Agreables & Brillantes, 8 Bks.•Op.355 - Ecole des Ornamens (The School of Embellishments)•Op.356 - Variations Brillantes on the Theme 'Vien qua Dorina Bella'•Op.357 - 3 Themes Italiens, Variations for Piano 4-Hands•Op.358 - Duo Concertant in Bb Major for 2 Pianos•Op.359 - First Lessons for Beginners, 50 Exercises, Studies, & Preludes, 2 Bks. •Op.360 - Grande Fantasie on the Opera 'Gustave'•Op.361 - Introduction & Variations Brillantes on a Theme from the Opera 'La Medicine sans Medecin'•Op.362 - Rondo Brillante & non Difficile on a Theme from the Opera 'La Medicine sans Medecin'•Op.363 - Introduction & Variations on the Duo "Suoni la Tromba e Intrepido" from the Opera 'I Puritani'•Op.364 - Grand Exercise in A minor•Op.365 - The School of the Virtuoso, 60 Studies on Bravura Playing•Op.366 - Variations Brillantes on a Theme from Lobe's Opera 'La Princesse de Grenade' in C Major•Op.367 - Rondoletto Elegant on a Theme from Lobe's Opera 'La Princesse de Grenade' •Op.368 - 8 Nocturnes•Op.369 - Gran Capriccio di Bravura in F minor•Op.370 - Variations Brillantes on a Theme from the Opera 'I Puritani'•Op.371 - 2 Rondolettos Faciles on Themes from the Opera 'I Puritani' (D & C Major) •Op.372 - 6 Rondeau-Galopes•Op.373 - 10 Rondeaux for Piano 4-Hands•Op.374 - 3 Rondeaux for Piano & Flute•Op.375 - Introduction & Variations Brillantes on a Theme from the Opera 'I Puritani' •Op.376 - Fantasie & Variations on a Theme from the Opera 'I Puritani' for Piano 4-Hands •Op.377 - Fantasie & Variations Brillantes on a Theme of Madame Malibran•Op.378 - Valse Brillante in Ab Major•Op.379 - Flore Theatrale (or Fantasies Brillantes) on Modern Operas•Op.380 - Grand Exercise in 3rds in all the 24 Keys•Op.381 - 3 Serenades on Themes of Rossini•Op.382 - 2 Fantasies Brillantes on Themes from Carafa's Opera 'La Prison d'Edimburg' •Op.383 - 3 Fantaisies on Themes from Donizetti's Opera 'Lucia di Lammermoor' •Op.384 - Grandes Variations on an Air from the Opera 'Le Cheval de Bronze'•Op.385 - 12 Rondeaux Amusantes & Instructives on Favorite Themes。

莫扎特交响曲全集曲目01. Symphony No.1 in E flat, K.1601. Symphony No.1 in E flat, K.16 - 1. Molto allegro02. Symphony No.1 in E flat, K.16 - 2. Andante03. Symphony No.1 in E flat, K.16 - 3. Presto02. Symphony No.4 in D, K.1904. Symphony No.4 in D, K.19 - 1. Allegro05. Symphony No.4 in D, K.19 - 2. Andante06. Symphony No.4 in D, K.19 - 3. Presto03. Symphony in F, K.App.22307. Symphony in F, K.App.223 - 1. Allegro assai08. Symphony in F, K.App.223 - 2. Andante09. Symphony in F, K.App.223 - 3. Presto04. Symphony No.5 in B flat, K.2210. Symphony No.5 in B flat, K.22 - 1. Allegro11. Symphony No.5 in B flat, K.22 - 2. Andante12. Symphony No.5 in B flat, K.22 - 3. Molto allegro05. Symphony No.6 in F, K.4313. Symphony No.6 in F, K.43 - 1. Allegro14. Symphony No.6 in F, K.43 - 2. Andante15. Symphony No.6 in F, K.43 - 3. Menuetto16. Symphony No.6 in F, K.43 - 4. Allegro06. Symphony No.7 in D, K.4517. Symphony No.7 in D, K.45 - 1. Overture18. Symphony No.7 in D, K.45 - 2. Andante19. Symphony No.7 in D, K.45 - 3. Menuetto20. Symphony No.7 in D, K.45 - 4. Molto allegro07. Symphony No.7a in G, K.App. 221, "Alte Lambacher"21. Symphony No.7a in G, K.App. 221, "Alte Lambacher" - 1. Allegro maestoso22. Symphony No.7a in G, K.App. 221, "Alte Lambacher" - 2. Andante23. Symphony No.7a in G, K.App. 221, "Alte Lambacher" - 3. Presto08. Symphony No.8 in D, K.4824. Symphony No.8 in D, K.48 - 1. (Allegro)25. Symphony No.8 in D, K.48 - 2. Andante26. Symphony No.8 in D, K.48 - 3. Menuetto27. Symphony No.8 in D, K.48 - 4. Molto allegro28. Symphony No.9 in C, K.73 - 1. Allegro29. Symphony No.9 in C, K.73 - 2. Andante30. Symphony No.9 in C, K.73 - 3. Menuetto31. Symphony No.9 in C, K.73 - 4. Molto allegro10. Symphony No.10 in G, K.7432. Symphony No.10 in G, K.74 - 1. (Allegro)33. Symphony No.10 in G, K.74 - 2. (Andante)34. Symphony No.10 in G, K.74 - 3. (Allegro)11. Symphony No.11 in D, K.8435. Symphony No.11 in D, K.84 - 1. Allegro36. Symphony No.11 in D, K.84 - 2. Andante37. Symphony No.11 in D, K.84 - 3. Allegro12. Symphony No.12 in G, K.11038. Symphony No.12 in G, K.110 - 1. Allegro39. Symphony No.12 in G, K.110 - 2. Andante40. Symphony No.12 in G, K.110 - 3. Menuetto41. Symphony No.12 in G, K.110 - 4. Allegro13. Symphony No.13 in F, K.11242. Symphony No.13 in F, K.112 - 1. Allegro43. Symphony No.13 in F, K.112 - 2. Andante44. Symphony No.13 in F, K.112 - 3. Menuetto45. Symphony No.13 in F, K.112 - 4. Molto allegro14. Symphony No.14 in A, K.11446. Symphony No.14 in A, K.114 - 1. Allegro moderato47. Symphony No.14 in A, K.114 - 2. Andante48. Symphony No.14 in A, K.114 - 3. Menuetto49. Symphony No.14 in A, K.114 - 4. Allegro molto15. Symphony No.15 in G, K.12450. Symphony No.15 in G, K.124 - 1. Allegro51. Symphony No.15 in G, K.124 - 2. Andante52. Symphony No.15 in G, K.124 - 3. Menuetto53. Symphony No.15 in G, K.124 - 4. Presto16. Symphony No.16 in C, K.12854. Symphony No.16 in C, K.128 - 1. Allegro maestoso55. Symphony No.16 in C, K.128 - 2. Andante grazioso56. Symphony No.16 in C, K.128 - 3. Allegro57. Symphony No.17 in G, K.129 - 1. Allegro58. Symphony No.17 in G, K.129 - 2. Andante59. Symphony No.17 in G, K.129 - 3. Allegro18. Symphony No.18 in F, K.13060. Symphony No.18 in F, K.130 - 1. Allegro61. Symphony No.18 in F, K.130 - 2. Andante grazioso62. Symphony No.18 in F, K.130 - 3. Menuetto63. Symphony No.18 in F, K.130 - 4. Allegro molto19. Symphony No.19 in E flat, K.13264. Symphony No.19 in E flat, K.132 - 1. Allegro65. Symphony No.19 in E flat, K.132 - 2. Andante66. Symphony No.19 in E flat, K.132 - 3. Menuetto67. Symphony No.19 in E flat, K.132 - 4. Allegro20. Symphony No.20 in D, K.13368. Symphony No.20 in D, K.133 - 1. Allegro69. Symphony No.20 in D, K.133 - 2. Andante70. Symphony No.20 in D, K.133 - 3. Menuetto71. Symphony No.20 in D, K.133 - 4. Allegro21. Symphony No.21 in A, K.13472. Symphony No.21 in A, K.134 - 1. Allegro73. Symphony No.21 in A, K.134 - 2. Andante74. Symphony No.21 in A, K.134 - 3. Menuetto75. Symphony No.21 in A, K.134 - 4. Allegro22. Symphony No.22 in C, K.16276. Symphony No.22 in C, K.162 - 1. Allegro assai77. Symphony No.22 in C, K.162 - 2. Andantino grazioso78. Symphony No.22 in C, K.162 - 3. Presto assai23. Symphony No.23 in D, K.18179. Symphony No.23 in D, K.181 - 1. Allegro spirituoso80. Symphony No.23 in D, K.181 - 2. Andantino81. Symphony No.23 in D, K.181 - 3. Presto assai24. Symphony No.24 in B flat, K.18282. Symphony No.24 in B flat, K.182 - 1. Allegro spiritoso83. Symphony No.24 in B flat, K.182 - 2. Andantino grazioso84. Symphony No.24 in B flat, K.182 - 3. Allegro85. Symphony No.25 in G minor, K.183 - 1. Allegro con brio86. Symphony No.25 in G minor, K.183 - 2. Andante87. Symphony No.25 in G minor, K.183 - 3. Menuetto88. Symphony No.25 in G minor, K.183 - 4. Allegro26. Symphony No.26 in E flat, K.18489. Symphony No.26 in E flat, K.184 - 1. Molto Presto90. Symphony No.26 in E flat, K.184 - 2. Andante91. Symphony No.26 in E flat, K.184 - 3. Allegro27. Symphony No.27 in G, K.19992. Symphony No.27 in G, K.199 - 1. Allegro93. Symphony No.27 in G, K.199 - 2. Andantino grazioso94. Symphony No.27 in G, K.199 - 3. Presto28. Symphony No.28 in C, K.20095. Symphony No.28 in C, K.200 - 1. Allegro spiritoso96. Symphony No.28 in C, K.200 - 2. Andante97. Symphony No.28 in C, K.200 - 3. Menuetto (allegretto)98. Symphony No.28 in C, K.200 - 4. Presto29. Symphony No.29 in A, K.20199. Symphony No.29 in A, K.201 - 1. Allegro moderato100. Symphony No.29 in A, K.201 - 2. Andante101. Symphony No.29 in A, K.201 - 3. Menuetto102. Symphony No.29 in A, K.201 - 4. Allegro con spirito30. Symphony No.30 in D, K.202103. Symphony No.30 in D, K.202 - 1. Molto allegro104. Symphony No.30 in D, K.202 - 2. Andantino con moto105. Symphony No.30 in D, K.202 - 3. Menuetto - Trio106. Symphony No.30 in D, K.202 - 4. Presto31. Symphony No.31 in D, K.297 - "Paris"107. Symphony No.31 in D, K.297 - "Paris" - 1. Allegro assai108. Symphony No.31 in D, K.297 - "Paris" - 2. Andante109. Symphony No.31 in D, K.297 - "Paris" - 3. Allegro32. Symphony No.32 in G, K.318 (Overture in G)110. Symphony No.32 in G, K.318 (Overture in G) - 1. Allegro spiritoso - 111. Symphony No.32 in G, K.318 (Overture in G) - 2. Andante112. Symphony No.32 in G, K.318 (Overture in G) - 3. Primo Tempo113. Symphony No.33 in B flat, K.319 - 1. Allegro assai114. Symphony No.33 in B flat, K.319 - 2. Andante moderato115. Symphony No.33 in B flat, K.319 - 3. Menuetto116. Symphony No.33 in B flat, K.319 - 4. Finale (Allegro assai)34. Symphony No.34 in C, K.338117. Symphony No.34 in C, K.338 - 1. Allegro vivace118. Symphony No.34 in C, K.338 - 2. Andante di molto più tosto Allegretto 119. Symphony No.34 in C, K.338 - 3. Allegro vivace35. Symphony No.35 in D, K.385 "Haffner"120. Symphony No.35 in D, K.385 "Haffner" - 1. Allegro con spirito121. Symphony No.35 in D, K.385 "Haffner" - 2. Andante122. Symphony No.35 in D, K.385 "Haffner" - 3. Menuetto123. Symphony No.35 in D, K.385 "Haffner" - 4. Finale (Presto)36. Symphony No.36 in C, K.425 - "Linz"124. Symphony No.36 in C, K.425 - "Linz" - 1. Adagio - Allegro spiritoso 125. Symphony No.36 in C, K.425 - "Linz" - 2. Andante126. Symphony No.36 in C, K.425 - "Linz" - 3. Menuetto127. Symphony No.36 in C, K.425 - "Linz" - 4. Finale (Presto)37. Symphony No.38 in D, K.504 "Prague"128. Symphony No.38 in D, K.504 "Prague" - 1. Adagio - Allegro129. Symphony No.38 in D, K.504 "Prague" - 2. Andante130. Symphony No.38 in D, K.504 "Prague" - 3. Finale (Presto)38. Symphony No.39 in E flat, K.543131. Symphony No.39 in E flat, K.543 - 1. Adagio - Allegro132. Symphony No.39 in E flat, K.543 - 2. Andante con moto133. Symphony No.39 in E flat, K.543 - 3. Menuetto (Allegretto)134. Symphony No.39 in E flat, K.543 - 4. Finale (Allegro)39. Symphony No.40 in G minor, K.550135. Symphony No.40 in G minor, K.550 - 1. Molto allegro136. Symphony No.40 in G minor, K.550 - 2. Andante137. Symphony No.40 in G minor, K.550 - 3. Menuetto (Allegretto) - Trio 138. Symphony No.40 in G minor, K.550 - 4. Finale (Allegro assai)40. Symphony No.41 in C, K.551 - "Jupiter"139. Symphony No.41 in C, K.551 - "Jupiter" - 1. Allegro vivace140. Symphony No.41 in C, K.551 - "Jupiter" - 2. Andante cantabile。

德意志留声机公司历史典藏(Deutsche Grammophon Collection)专辑曲目:CD 001 - Sinfonia Nº9 de Beethoven (Karl Böhm e Filarmônica de Viena) : 贝多芬第九交响曲(维也纳爱乐乐团, 伯姆指挥)01. Allegro ma non troppo, un poco maestoso.02. Molto vivace.03. Adagio molto e cantabile.04. Presto.05. 'O Freunde, nicht diese Töne' - Allegro assai.CD 001(Bis) - Sherazade de Korsakov, Dansas Polovtsianas de Borodin e Bolero de Ravel (Karajan e Filarmônica de Berlim)里姆斯基-柯萨科夫天方夜谭, 鲍罗丁波罗维茨舞曲, 拉威尔波莱罗舞曲(米歇尔·施瓦尔贝(小提琴), 柏林爱乐乐团, 卡拉扬指挥)01. Rimsky - Korsakov - Scheherezade02. Rimsky - Korsakov - Scheherezade03. Rimsky - Korsakov - Scheherezade04. Rimsky - Korsakov – Scheherezade05. Borodin - Polovtsian Dances (from 'Prince Igor').06. Ravel - Bolero.CD 002 - Sinfonia nº25,nº35 e 40 de Mozart (Filarmônica de Viena e Bernstein)莫扎特第25,35,40交响曲(维也纳爱乐乐团, 伯恩斯坦指挥)01. Symphony No. 25 in G minor - Allegro con brio.02. Symphony No. 25 in G minor - Andante.03. Symphony No. 25 in G minor - Menuetto e Trio.04. Symphony No. 25 in G minor - Allegro.05. Symphony No. 35 in D major - Allegro con spirito.06. Symphony No. 35 in D major - Andante.07. Symphony No. 35 in D major - Menuetto - Trio.08. Symphony No. 35 in D major - Finale - Presto.09. Symphony No. 40 in G minor - Molto allegro.10. Symphony No. 40 in G minor - Andante.11. Symphony No. 40 in G minor - Menuetto - Allegretto - Trio.12. Symphony No. 40 in G minor - Allegro assai.CD 003 - Concerto nº1 de Tchaikovsky, 5 prelúdios de Rach, Sonata nº5 de Scriabin (com Sviatoslav Richter e Karajan)柴可夫斯基第一钢琴协奏曲, 拉赫玛尼诺夫五首前奏曲, 斯克里亚宾第五钢琴奏鸣曲(里赫特(钢琴), 维也纳交响乐团, 卡拉扬指挥)01. Allegro non troppo e molto maestroso - Allegro con spirito.02. Andantino semplice - Prestissimo - Tempo 1.03. Allegro con fuoco.04. Prélude Nº 12 in C major op. 32 Nº 1 - Allegro vivace.05. Prélude Nº 13 in B flat minor op. 32 Nº2 - Allegretto.06. Prélude Nº 3 in B flat major op. 23 Nº 2 - Maestoso.07. Prélude Nº 6 in G minor op. 23 Nº 5 - Alla marcia.08. Prélude Nº 8 in C minor op. 23 Nº 7 - Allegro.09. Allegro - Presto con Allegrezza - Meno vivo - PrestissimoCD 004 - 6 Aberturas de Rossini, Macabeth Um Ballo in Maschera e Aida(Prelúdios) também de Rossini (Abbado e Orquestra La Scala de Milão e Sinfônica de Londres) : 罗西尼六首序曲, 威尔第三首前奏曲(伦敦交响乐团等, 阿巴多指挥)01. Il Barbiere di Siviglia.02. La Cenerentola.03. La gazza ladra.04. L'Italiana in Algeri.05. Signor Bruschino.06. L'Assedio di Corinto.07. MacBeth.08. Un Ballo in Maschera.09. Aida.CD 005 - Sinfonia Espanhola de Lalo, Concerto para violino nº3 de Saint Saëns e Rêverie et Caprice de Berlioz (Itzhak Perelman com a Orquestra de Paris e Daniel Barenboim) : 拉罗(1823-1892) 西班牙交响曲, 圣桑(1835-1921) 第三小提琴协奏曲, 柏辽兹(1803-1869) 沉思和随想(帕尔曼(小提琴), 巴黎管弦乐团, 巴伦博伊姆指挥)01. Èdouard Lalo (1823 - 1892) - Allegro non tropo.02. Èdouard Lalo (1823 - 1892) - Scherzando- Allegro molto.03. Èdouard Lalo (1823 - 1892) - Inermezzo- Allegretto non tropo.04. Èdouard Lalo (1823 - 1892) - Andante.05. Èdouard Lalo (1823 - 1892) - Rondo- Allegro.06. Camille Saint-Saëns (1835 - 1921) - Allegro non tropo.07. Camille Saint-Saëns (1835 - 1921) - Andantino quasi allegretto.08. Camille Saint-Saëns (1835 - 1921) - Molto mderato e maestoso - Allegro non09. Hector Berlioz (1803 - 1869) - Rêverie et Caprice op. 8.CD 006 - Sinfonia nº6 de Beethoven e Sinfonia nº4 de Schubert (Giulini e a Filarmônica de Los Angeles)贝多芬第六交响曲“田园”, 舒伯特第四交响曲“悲剧”(洛杉矶爱乐乐团, 芝加哥交响乐团, 朱利尼指挥)01. No.6 - Allegro Ma Non Troppo.02. No.6 - Andante Molto Mosso.03. No.6 - Allegro.04. No.6 - Allegro.05. No.6 - Allegretto.06. No.4 - Adagio molto.++07. No.4 - Andante.08. No.4 - Menuetto.09. No.4 - Allegro.CD 007 - Réquiem (Karajan e a Filarmônica de Berlim) de Mozart. Exultate, Jubilate de Mozart ( Bernahard Klee e Staatskapelle de Dresde) : 莫扎特安魂曲& 赞美诗《喜悦欢腾》(柏林爱乐乐团, 卡拉扬指挥& 德国德累斯顿洲管弦乐团, 克莱指挥)01. Requiem.02. Kyrie.03. Dies irae.04. Tuba Mirum.05. Rex tremendae.06. Recordare.07. Confutaris.08. Lacrimosa.09. Domine Jesu.10. Hostias.11. Sanctus.12. Benedictus.13. Agnus Dei.14. Lux aeterna.15. Allegro.CD 008 - 7 Concertos de Vivaldi (Camerata de Berna com Thomas Füri)维瓦尔第七首协奏曲(Camerata Bern室内乐团, Thomas Furi指挥)01. In F Major RV 442-1.02. In F Major RV 442-2.03. In F Major RV 442-3.04. In C Major RV 443-1.05. In C Major RV 443-2.06. In C Major RV 443-3.07. In C Minor RV 441-1.08. In C Minor RV 441-2.09. In C Minor RV 441-3.10. Trio For Violin, Lute and Basso continuo en G Minor RV 85-1.11. Trio For Violin, Lute and Basso continuo en G Minor RV 85-2.12. Trio For Violin, Lute and Basso continuo en G Minor RV 85-3.13. Concerto for Lute, Violins and Basso continuo em D Major RV 93-1.14. Concerto for Lute, Violins and Basso continuo em D Major RV 93-2.15. Concerto for Lute, Violins and Basso continuo em D Major RV 93-3.16. Concerto for 2 Cellos, Strings and Basso continuo in G Minor RV 531-1.17. Concerto for 2 Cellos, Strings and Basso continuo in G Minor RV 531-2.18. Concerto for 2 Cellos, Strings and Basso continuo in G Minor RV 531-3.19. Concerto for 2 Mandolins and Basso continuo in G Major RV 532-1.20. Concerto for 2 Mandolins and Basso continuo in G Major RV 532-2.21. Concerto for 2 Mandolins and Basso continuo in G Major RV 532-3.CD 009 - Abertura 1812, Capricho Italiano, Romeu e Julieta, Francesca de Rimini de Tchaikovsky (Sinfônica de Chicago e Barenboim)柴可夫斯基罗密欧与朱丽叶, “雷米尼的法兰契斯卡”交响幻想曲, 意大利随想曲, 1812序曲(芝加哥交响乐团, 巴伦博伊姆指挥)01. Romeo and Juliet.02. Francesca da Rimini op. 32.03. Capriccio italien op. 45.04. Ouverture solennelle ««1812»» op. 49.CD 010 - Magnificat. Cantata 140 de Bach (Karl Richter e o Coro Orquestra Bach de Munique)巴赫康塔塔& 圣母颂歌(慕尼黑巴赫合唱团/ 慕尼黑巴赫管弦乐团, 李希特指挥)01. 'Wachet auf, ruft uns die Stimme', Cantata BWV 140 - Chor;02. Rezitativ (Tenor);, er kommt, der Bräutigam komm.03. Duett (Sopran, Bass); Wann kommst du, mein Heil - Ich komme ein Teil.04. Choral (Tenor); Zion hört die Wächter singen.05. Rezitativ (Bass); So geh herein zu mir.06. Duett (Sopran, Bass); Mein Freund ist mein - Und ich bin dein.07. Choral; Gloria sei dir gesungen.08. Magnificat BWV 243 - Chor;.09. Arie (Alt); Et exsultavit spiritus meus.10. Arie (Sopran); Quia respexit humilitatem, Chor; Omnes generones.11. Arie (Bass); Quia fecit mihi magna.12. Duett (Alt, Tenor); Et misericordia.13. Chor; Fecit potentiam.14. Arie (Tenor); Deposuit potentes.15. Arie (Alt); Esurientes implevit bonis.16. Chor (Sopran I-II, Alt); Suscepit Israel.17. Chor; Sicut locutus est.18. Chor; Gloria Patri.CD 011 - Sinfonia nº8 de Dvorak e Quadros de uma Exposição de Mussorgsky transcrição de Ravel (Giulini e Sinfônica de Chicago)德沃夏克第八交响曲& 穆索尔斯基(拉威尔改编) 图画展览会(芝加哥交响乐团, 朱利尼指挥)01. Dvorák - Symphony No.8 in G major - Allegro con brio.02. Dvorák - Symphony No.8 in G major - Adagio.03. Dvorák - Symphony No.8 in G major - Allegretto grazioso - Molto vivace.04. Dvorák - Symphony No.8 in G major - Allegro ma non troppo.05. Promenade. Allegro giuto, nel modo russico; senza allegrezza, ma poco sostenuto.06. Gnomus. Vivo.07. Promenade. Moderato comodo e ocn delicatezza.08. Il vecchio castelllo. Andante.09. Promenade. Moderato no tanto, pesante.10. Tuilleries. Allegretto non troppo, capriccioso.11. Bydlo. Sempre moderato, pesante.12. Promenade. Tranquilo.13. Ballet de Petites Poussins dan leur Coques. Scherzino- vivo leggiero.14. Samuel Goldenberg und Schmuyle. Andante.15. Limoges- Le Marche. Allegretto vivo, sempre scherzando.16. Catacombae- Sepulchrum Romanum. Largo.17. Cum mortuis in lingua morta. Andante non troppo, con lamento.18. La Cabane de Baba-Yaga sur les Pattes de Poule. Allegro con brio, feroce - Anda.19. La Grande Porte de Kiev. Allegro alla breve. Con grandezza.CD 012 - Concerto de Aranjuez, Concerto Madrigal para duas guitarras de Rodrigo (Philharmonia de Londres e Garcia Navarro) Concertino para Guitarra de Bacarisse (Sinfônica de RTVE e Odón Alonso) ambas com Narciso Yepes no Violão. : 罗德里戈阿兰胡埃斯协奏曲, 双吉他协奏曲《牧歌》& 巴卡里塞A小调吉他小协奏曲(纳西索·耶佩斯(吉他), 西班牙RTVE交响乐团, 阿隆索指挥& 伦敦爱乐乐团, 纳瓦罗指挥)01. Rodrigo, Concierta de Aranjuez; allegro con spirito.02. Adagio.03. Allegro gentile.04. Bacarisse, Concertino op.72; Allegro.05. Romanza. Andante.06. Scherzo. Allegretto.07. Rondo. Allegro ben misurato.08. Rodrigo, Concierto madrigal; Fanfarre. Allegro marziale.09. Madrigal. Andante nostalgico.10. Entrada. Allegro vivace.11. Pastorcico, tu que vienes, pastorcico, tu que vas. Allegro vivace.12. Giradilla. Presto.13. Pastoral. Allegro.14. Fandango.15. Arieta. Andante nostalgico.16. Zapateado. Allegro vivace.17. Caccia a la espanalo. Allegro vivace-andante nostalgico.CD 013 - Sinfonia nº5 de Mahler (Bernstein) : 马勒第五交响曲(维也纳爱乐乐团, 伯恩斯坦指挥)01. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt.02. Stürmisch bewegt, Mit größter Vehemenz.03. Scherzo. Kräftig, nicht zu schnell.04. Adagietto. Sehr langsam.05. Rondo-Finale. Allegro - Allegro giocoso. Frisch.CD 014 - Haydn, Vivaldi, Teleman, Händel,...Concertos para Trombeta (Vários) : 海顿、维瓦尔第、泰勒曼、亨德尔等的小号协奏曲(莫里斯·安德烈(小号), 慕尼黑室内乐团, 斯塔德迈尔指挥, 慕尼黑巴赫乐团, 李希特指挥& 英国室内乐团, 马克拉斯爵士指挥)01. J.Haydn; Concerto for Trompete & Orchester, Es-Dur, Hob. VIIe;1, Allegro.02. J.Haydn; Konzert f¿ Trompete + Orchester, Es-Dur, Hob. VIIe;1, Andante.03. J.Haydn; Konzert f¿ Trompete + Orchester, Es-Dur, Hob. VIIe;1, Allegro.04. G.F.H¿del; Konzert Nr. 10 g-Moll - Grave.05. G.F.H¿del; Konzert Nr. 10 g-Moll - Allegro.06. G.F.H¿del; Konzert Nr. 10 g-Moll - Sarabande, Largo.07. G.F.H¿del; Konzert Nr. 10 g-Moll - Allegro.08. A.Vivaldi; Konz.f 2 Trompeten, Str,Cemb, C-Dur, RV 537, Allegro.09. A.Vivaldi; Konz.f 2 Trompeten, Str,Cemb, C-Dur, RV 537, Largo.10. A.Vivaldi; Konz.f 2 Trompeten, Str,Cemb, C-Dur, RV 537, (Allegro).11. G.B.Viviani; Sonata f. Trompete u. Orgel, C-Dur, Andante.12. G.B.Viviani; Sonata f. Trompete u. Orgel, C-Dur, Allegro.13. G.B.Viviani; Sonata f. Trompete u. Orgel, C-Dur, Presto.14. G.B.Viviani; Sonata f. Trompete u. Orgel, C-Dur, Allegro.15. G.B.Viviani; Sonata f. Trompete u. Orgel, C-Dur, Adagio.16. G.F. H¿del; Konzert Nr. 8, B-Dur - Adagio.17. G.F. H¿del; Konzert Nr. 8, B-Dur - Allegro.18. G.F. H¿del; Konzert Nr. 8, B-Dur - Siciliana, Largo.19. G.F. H¿del; Konzert Nr. 8, B-Dur - Vivace.20. M.Haydn; Konz.f. Trompete, Streicher u. Cembalo, D-Dur, Adagio.21. M.Haydn; Konz.f. Trompete, Streicher u. Cembalo, Allegro.22. G.P.Telemann; K-Sonate f.. Trompete,Str, C., D-Dur, Moderato e grazioso.23. G.P.Telemann; Konzert-Sonate f. Trompete, Str, Cembolo, D-Dur, Largo.24. G.P.Telemann; Konzert-Sonate f. Trompete, Str, Cembalo, D-Dur, Vivace.CD 015 - Idílio de Sigfido Tristão e Isolda etc,...de Wagner (Filarmonica de Berlim e Kubelik) : 瓦格纳《齐格弗里德牧歌》, 《纽伦堡的名歌手》(第一幕)序曲, 《罗恩格林》(第一幕)序曲& 《特里斯坦和伊索尔德》(第一幕)序曲, 伊索尔德之死(维也纳爱乐乐团, 库贝利克指挥)01. The Mastersingers of Nuremberg; Prelude.02. Prelude to Act 1.03. Idylle de Siegfried.04. Tristan and Isolde; Prelude to Act 1.05. Mort d'Isolde.CD 016 - Sonata op 65 e Polaca op3 de Chopin, Cenas Infantis de Schumann (Rostropovich e Argerich) : 肖邦G小调大提琴奏鸣曲(作品第65号), C大调辉煌的波罗乃兹舞曲(作品第3号)& 舒曼降A大调柔板和快板(作品第70号), 童年情景(作品第15号) (罗斯特罗波01. Allegro Moderato.02. Scherzo, Allegro Con Brio.03. Largo.04. Finale, Allegro.05. Polonaise Intro.06. Adagio for cello and piano- lagslam, mit innigen ausdruck.07. Scenes from Childhood; About foreign lands and peoples.08. Scenes from Childhood; Curious story.09. Scenes from Childhood; catch me if you can.10. Scenes from Childhood; Pleading child.11. Scenes from Childhood; Happiness.12. Scenes from Childhood; Important Event.13. Scenes from Childhood; Dreaming.14. Scenes from Childhood; At the fireside.15. Scenes from Childhood; knight of the hobby-horse.16. Scenes from Childhood; Almost too serious.17. Scenes from Childhood; Frightening.18. Scenes from Childhood; Child falling sleep.19. Scenes from Childhood; The poet speaksCD 017 - Música Aquática, etc de Händel (Pinnock) : 亨德尔水上音乐& 皇家烟火音乐(英国协奏团, 平诺克指挥)01. - Water Music - Suite in F major, HWV 348 -. Ouverture (Largo - Al.legro).02. Water Music - Suite in F major, HWV 348 -. Adagio e staccato.03. Water Music - Suite in F major, HWV 348 -. (Allegro) - Andante04. Water Music - Suite in F major, HWV 348 -. (Menuet).05. Water Music - Suite in F major, HWV 348 -. Air.06. Water Music - Suite in F major, HWV 348 – 6.Menuet.07. Water Music - Suite in F major, HWV 348 -. Bourrée.08. Water Music - Suite in F major, HWV 348 - Hornpipe.09. Water Music - Suite in F major, HWV 348 -. (Andante).10. Water Music - Suite in D G major, HWV 349 350 -. (Ouverture).11. Water Music - Suite in D G major, HWV 349 350 -. Alla Hornpipe.12. Water Music - Suite in D G major, HWV 349 350 -. (Menuet).13. Water Music - Suite in D G major, HWV 349 350 -. Rigaudon.14. Water Music - Suite in D G major, HWV 349 350 - Lentement.15. Water Music - Suite in D G major, HWV 349 350 -. Bourrée.16. Water Music - Suite in D G major, HWV 349 350 -. Menuet.17. Water Music - Suite in D G major, HWV 349 350 -. (andante).18. Water Music - Suite in D G major, HWV 349 350 -. (Country Dance I II).19. Water Music - Suite in D G major, HWV 349 350 - 19. Menuet.20. Music for the Royal Fireworks, HWV 351 - Ouverture (Largo - Adagio) -21. Music for the Royal Fireworks, HWV 351 - Bourrée.22. Music for the Royal Fireworks, HWV 351 - La Paix.23. Music for the Royal Fireworks, HWV 351 - La Réjouissance.24. Music for the Royal Fireworks, HWV 351 - Menuet I - Menuet II.CD 018 - Concerto para Piano nº5(Karl Böhm) e Fantasia Coral (Abbado) ambos com Pollini贝多芬第五钢琴协奏曲"皇帝"(作品第73号) & 合唱幻想曲(作品第80号) (波利尼(钢琴), 维也纳爱乐乐团, 伯姆指挥& 阿巴多指挥)01. Klavierkonzert Nr.5 Es-dur Op. 73 'Emperor' - 1.Allegro.02. Klavierkonzert Nr.5 Es-dur Op. 73 'Emperor' - 2.Adagio un poco mosso. attaca;.03. Klavierkonzert Nr.5 Es-dur Op. 73 'Emperor' - 3.Rondo. Allegro.04. Fantasie für Klavier, Chor und Orchesterc-moll Op. 80 - 1.Adagio.05. Fantasie für Klavier, Chor und Orchesterc-moll Op. 80 - 2.Finale. Allegro.06. Fantasie für Klavier, Chor und Orchesterc-moll Op. 80 - 3.Adagio, ma non troppo.07. Fantasie für Klavier, Chor und Orchesterc-moll Op. 80 - 4.Marcia, assai vivace.08. Fantasie für Klavier, Chor und Orchesterc-moll Op. 80 - 5.Allegretto, ma non troppo.09. Fantasie für Klavier, Chor und Orchesterc-moll Op. 80 - 6.Presto.CD 019 - Missa da Coroação de Mozart (Com Kathleen Battle, Ferrucio Furlanetto, etc) Te Deum de Bruckner (agrupamento Coral de Viena) ambos com a Filarmônica de Viena e Karajan : 莫扎特C大调加冕弥撒(作品编号KV317) & 布鲁克纳感恩赞(巴陶(女高音), 舒密特(女低音), 弗鲁拉内托(男低音)等, 维也纳爱乐乐团, 卡拉扬指挥)01. Kyrie - Wolfgang Amadeus Mozart.02. Gloria - Wolfgang Amadeus Mozart.03. Credo - Wolfgang Amadeus Mozart.04. Sanctus - Wolfgang Amadeus Mozart.05. Benedictus - Wolfgang Amadeus Mozart.06. Agnus Dei - Wolfgang Amadeus Mozart.07. Te Deum - Anton Bruckner.08. Te ergo - Anton Bruckner.09. Aeterna fac - Anton Bruckner.10. Salvum fac - Anton Bruckner.11. In te, Domine, speravi - Anton Bruckner.CD 020 - 8 Valsas famosas de J. Strauss (c/ Maazel e a Filarmônica de Viena)约翰·施特劳斯和约瑟夫·施特劳斯七首著名圆舞曲(维也纳爱乐乐团, 马泽尔指挥)01. Johann Strauss - Emperor Waltz, op. 437.02. Johann Strauss - Roses From The South, op 388.03. Johann Strauss - Vienna Blood, op. 354.04. Johann Strauss - The Blue Danube, op. 314.05. Johann Strauss - Viennese Bonbons, op. 307.06. Josef Strauss - Delirium Waltz, op. 212.07. Johann Strauss - Tales From The Vienna Woods, op.325.CD 021 - Sinfonia nº9 “Novo Mundo“ de Dvorak e Sinfonia nº91 de Haydn (Karl Böhm eFilarmônica de Viena)德沃夏克第九交响曲"新世界" & 海顿第91交响曲(维也纳爱乐乐团, 伯姆指挥)01. Dvorak, Sinfonía del Nuevo Mundo-Adagio, allegro molto.02. Dvorak, Sinfonía del Nuevo Mundo-Largo.03. Dvorak, Sinfonía del Nuevo Mundo-Adagio, Molto vivace.04. Dvorak, Sinfonía del Nuevo Mundo-Allegro con fuoco.05. Haydn, Sinfonía nº 91, Largo-allegro.06. Haydn, Sinfonía nº 91, Andante.07. Haydn, Sinfonía nº 91, Minuetto. Un poco allegro-Trio -Minuetto.08. Haydn, Sinfonía nº 91, Finale. Vivace.CD 022 - Concerto para Piano nº1 e etc de Chopin (Krystian Zimerman) (Concertgebouw com K iril Kondrashin) : 肖邦第一钢琴协奏曲(作品第11号), 平稳的行板与辉煌的大波兰舞曲(作品第22号), 华丽大圆舞曲(作品第18号) (齐玛曼(钢琴), 阿姆斯特丹管弦乐团, 康德拉辛指挥)01. I.Allegro maestoso.02. rghetto.03. III.Rondo.Vivace.04. Andante spianato.Tranquillo Polonaise.Allegro molto.05. Vivo.CD 023 - Canções Espanholas de Falla, Garcia Lorca, Turina e Montsalvage (Teresa Berganza, Félix Lavilla,...)法雅, 洛尔迦, 图里纳, 蒙特塞维奇的西班牙歌曲(贝尔甘莎(次女高音)), 耶佩斯(吉他), 拉维拉(钢琴))01. Manuel De Falla - Siete canciones populares españolas - 1. El paño moruno.02. Manuel De Falla - Siete canciones populares españolas - 2. Seguidilla murciana.03. Manuel De Falla - Siete canciones populares españolas - 3. Asturiana.04. Manuel De Falla - Siete canciones populares españolas - 4. Jota.05. Manuel De Falla - Siete canciones populares españolas - 5. Nana.06. Manuel De Falla - Siete canciones populares españolas - 6. Canción.07. Manuel De Falla - Siete canciones populares españolas - 7. Polo.08. Federico García Lorca - Trece canciones españolas antiguas - 1. Anda, jaleo.09. Federico García Lorca - Trece canciones españolas antiguas - 2. Los cuatro muleros.10. Federico García Lorca - Trece canciones españolas antiguas - 3. Las tres hojas.11. Federico García Lorca - Trece canciones españolas antiguas - 4. Los mozos de Monleón.12. Federico García Lorca - Trece canciones españolas antiguas - 5. Las morillas de Jaén.13. Federico García Lorca - Trece canciones españolas antiguas - 6. Sevillanas del siglo XVIII.14. Federico García Lorca - Trece canciones españolas antiguas - 7. El café de Chinitas.15. Federico García Lorca - Trece canciones españolas antiguas - 8. Nana de Sevilla.16. Federico García Lorca - Trece canciones españolas antiguas - 9. Los pelegrinitos.17. Federico García Lorca - Trece canciones españolas antiguas - 10. Zorongo.18. Federico García Lorca - Trece canciones españolas antiguas - 11. Romance de Don Boyso.19. Federico García Lorca - Trece canciones españolas antiguas - 12. Los reyes de la baraja.20. Federico García Lorca - Trece canciones españolas antiguas - 13. La Tarara.21. Joaquín Turina - Saeta en forma de Salve a la Virgen de la Esperanza.22. Joaquín Turina - Canto a Sevilla - 5. El fantasma.23. Joaquín Turina - Poema en forma de canciones - 3. Cantares.24. Xavier Montsalvatge - Canciones negra - Cuba dentro de un piano.25. Xavier Montsalvatge - Canciones negra - Punto e Habanera.26. Xavier Montsalvatge - Canciones negra - Chévere.27. Xavier Montsalvatge - Canciones negra - Canción de cuna para dormir a un negrito.28. Xavier Montsalvatge - Canciones negra - Canto negro.CD 024 - Sonatas para violino e piano nºs 5 e 9 (Menuhin e Kempff)贝多芬第五小提琴奏鸣曲"春"(作品第24号) & 第九小提琴奏鸣曲"克罗采"(作品第47号)(梅纽因(小提琴), 肯普夫(钢琴))01. Beethoven 'Spring Sonata'; Allegro.02. Beethoven 'Spring Sonata'; Adagio molto espressivo.03. Beethoven 'Spring Sonata'; Scherzo. Allegro molto.04. Beethoven 'Spring Sonata'; Rondo. Allegro ma non troppo.05. Beethoven 'Kreutzer Sonata'; Adagio sostenuto - Presto - Adagio - Tempo I.06. Beethoven 'Kreutzer Sonata'; Andante con Variazioni I-IV.07. Beethoven 'Kreutzer Sonata'; Finale. Presto.CD 025 - Rapsódias Húngaras nº2 e nº4, etc de Liszt (Filarmônica de Berlim e Karajan)李斯特交响诗<玛捷帕>, 第二与第四匈牙利狂想曲, 交响诗<塔索> (柏林爱乐乐团, 卡拉扬指挥)01. Mazeppa.02. Hungarian Rhapsody no. 2.03. Tasso. Lamento e Trionfo.04. Hungarian Rhapsody no. 4.CD 026 - Stabat Mater de Rossini (Philharmonia Chorus e Orquestra de Londres com Giulini)罗西尼圣母悼歌(伦敦交响乐团及合唱团, 朱利尼指挥)01. Introduzione. Andantino moderato. 'Stabat mater dolorosa'.02. Aria (Tenore). Allegretto maestoso. 'Cujus animam gementem'.03. Duetto (Soprano I-II). Largo. 'Quis est homo'.04. Aria (Basso). Allegretto maestoso. 'Pro peccatis sue gentis'.05. Coro (a capella) e Recitativo (Basso). Andante mosso. 'Eja mater, fons amoris'.06. Quartetto (Soli). Allegretto moderato. 'Sancta mater, istud agas'.07. Cavatina (Soprano I-II). Andante grazioso. 'Fac, ut portem Christi mortem'.08. Aria (Soprano I) e Coro. Andante maestoso. 'Inflammatus et accencus'.09. Quartetto (Coro a capella). Andante. 'Quando corpus morietur'.10. Finale. Allegro - Andantino moderato. 'Amen. In sempiterna saecula'.CD 027 - Benvenuto Cellini de Berlioz, Sinfonia nº3 de Saint Saëns, O Aprendiz de Feiticeiro de Dukas (Levine e a Filarmônica de Berlim) : 柏辽兹<本韦努托·切利尼(又名<金匠切利尼>)>序曲, 圣桑第三交响曲, 杜卡斯交响诗<魔法师的弟子> (柏林爱乐乐团, 列文指挥)01. Berlioz - Benvenuto Cellini op. 23 - 1. Overture.02. Saint-Saens - Symph N.3 - 1. Adagio - Allegro Moderato.03. Saint-Saens - Symph N.3 - 2. Poco Adagio.04. Saint-Saens - Symph N.3 - 3. Allegro Moderato - Presto - Allegro Moderato.05. Saint-Saens - Symph N.3 - 4. Maestoso Allegro - Molto Alegro - Pesante.06. Dukas - The Sorcerer's Apprendice - Scherzo.CD 028 - Concerto para Violino de Beethoven (Sinfônica de Chicago c/ Barenboim) e Sinfonia Concertante de Haydn (Filarmônica de Los Angeles c/ Pinchas Zukerman) : 贝多芬小提琴协奏曲(作品第61号) & 海顿降B大调协奏交响曲(洛杉矶爱乐管弦乐团, 祖克曼小提琴兼指挥& 芝加哥交响乐团, 巴伦博伊姆指挥)01. Beethoven - Concerto for Violin and Orchestra in D major, Op.61 Mov.1.02. Beethoven - Concerto for Violin and Orchestra in D major, Op.61 Mov.2.03. Beethoven - Concerto for Violin and Orchestra in D major, Op.61 Mov.3.04. Haydn - Sinfonia Concertante in B Flat major, Hob.1 Nº105 Mov.1.05. Haydn - Sinfonia Concertante in B Flat major, Hob.1 Nº105 Mov.2.06. Haydn - Sinfonia Concertante in B Flat major, Hob.1 Nº105 Mov.3.CD 029 - Lieder Famosos de Schubert (Vários) : 舒伯特22首著名艺术歌曲(菲舍尔-迪斯考(男中音) & 摩尔(钢琴伴奏))01. Auf Dem Wasser Zu Singen.02. Lachen Und Weinen.03. Du Bist Die Ruh'.04. Der Wanderer.05. Ständchen.06. Der Einsame.07. Im Abendrot.08. An Silvia.09. Ständchen (Horch, Horch, Die Lerch').10. Sei Mir Gegrüsst.11. Seligkeit.12. Der Lindenbaum.13. Die Forelle.14. Rastlose Liebe.15. Heidenröslein.16. An Schwager Kronos.17. Wandrers Nachtlied I (Der du von dem Himmel bist).18. Erlkönig.19. Der König In Thule.20. Jägers Abendlied.21. Der Musensohn.22. Wandrers Nachtlied II (Über allen Gipfeln).CD 030 - Sinfonia nº3 e etc de Brahms (Bernstein e a Filarmônica de Viena)勃拉姆斯第三交响曲, 海顿主题变奏曲, 学院节庆序曲(维也纳爱乐乐团, 伯恩斯坦指挥)01. Symphony No. 3 in F major, op. 90 - Allegro con brio.02. Andante.03. Poco Allegretto.04. Allegro.05. Variations on a Theme by Joseph Haydn, op. 56a.06. Academic Festival Overture, op. 80.CD 031 - Concerto para piano nº27 Concerto para 2 pianos de Mozart. Fantasia em Fá menor de Schubert (Filarmônica de Viena e Karl Böhm)莫扎特第27钢琴协奏曲, 双钢琴协奏曲& 舒伯特F小调幻想曲(埃米尔·吉列尔斯与叶琳娜·吉列尔斯(父女)(钢琴), 维也纳爱乐乐团, 伯姆指挥)01. Concerto for Piano and Orchestra No. 27 in B flat major, K 595 1. Allegro.02. Concerto for Piano and Orchestra No. 27 in B flat major, K 595 2. Larghetto.03. Concerto for Piano and Orchestra No. 27 in B flat major, K 595 3. Allegro.04. Concerto for Two Pianos and Orchestra in E flat major, K365 (316a), 1. Allegro.05. Concerto for Two Pianos and Orchestra in E flat major, K365 (316a), 2. Andante.06. Concerto for Two Pianos and Orchestra in E flat major, K365 (316a), 3 Rondeaux; Allegro.07. Fantasia in F minor for Piano duet, D940. Allegro molto moderato - Largo - Allegro vivace Tempo I.CD 032 - Wesendock Lieder de Wagner (Staatskapelle de Dresde com Giuseppe Sinopoli) e Don Juan, Cuatro Últimas Canções e etc de Strauss (Filarmônica de Berlim c/ Karajan)瓦格纳魏森冬克之歌& 理查·施特劳斯唐璜, 蒂尔恶作剧, 最后的四首歌(德累斯顿国立乐团(又：德累斯顿国家(管弦)乐团), 辛诺波里指挥& 柏林爱乐乐团, 卡拉扬指挥)01. Der Engel.02. Stehe Still.03. Im Treibhaus.04. Schmerzen.05. Träume.06. Don Juan, op.20.07. Till Eulenspiegel's Marry Pranks, op.28.08. Frühling (Hermann Hesse).09. September (Hermann Hesse).10. Beim Schlafengehen (Hermann Hesse).11. Im Abendrot (Joseph von Eichendorff).CD 033 - Sinfonias nº2 e 4 de Tchaikovsky (c/ Abbado e Philharmonia Orchestra de Londres)柴可夫斯基第二与第四交响曲(维也纳爱乐乐团, 伦敦新爱乐乐团, 阿巴多指挥)01. Symphony 4 in F minor; 1 Andante sostenuto.02. Symphony 4 in F minor; 2 Andantino in modo di canzone.03. Symphony 4 in F minor; 3 Scherzo. Pizzicato ostinato - Allegro.04. Symphony 4 in F minor; 4 Finale. Allegro con fuoco.05. Symphony 2 in C minor; 1 Andante sostenuto - Allegro vivo.06. Symphony 2 in C minor; 2 Andantino marziale, quasi moderato.07. Symphony 2 in C minor; 3 Scherzo - Trio.08. Symphony 2 - Moderato assai - Allegro vivo - Presto.CD 034 - Concerto para Violino nº1 de Bruch e Concerto para Violinode Dvorak (Sinfonica de Chicago c/ Abbado e Filarmônica de Berlim com Levine)德沃夏克小提琴协奏曲(作品第53号) & 布鲁赫第一小提琴协奏曲(作品第26号) (明兹(小提琴), 柏林爱乐乐团, 列文指挥& 芝加哥交响乐团, 阿巴多指挥)01. Dvorak - Violinkonzert 1. Allegro ma non troppo.02. Dvorak - - Violinkonzert 2. Adagio ma non troppo.03. Dvorak - - Violinkonzert 3. Finale.04. Bruch - Violinkonzert 1. Vorspiel.05. Bruch - Violinkonzert 2. Adagio.06. Bruch - iolinkonzert 3. Finale.CD 035 - Sonata para piano em si menor de Liszt e Fantasia op. 17 de Schumann (Daniel Barenboim)李斯特B小调钢琴奏鸣曲, 但丁奏鸣曲& 舒曼幻想曲(作品第17号) (巴伦博伊姆(钢琴))01. Sonata for Piano in B minor Lento assai - Allegro energico.02. Sonata for Piano in B minor Lento assai - Andante sostenuto.03. Sonata for Piano in B minor Lento assai - Andante energico.04. Dante Sonata.05. Fantasia in C major I.06. Fantasia in C major II.07. Fantasia in C major III.CD 036 - O Chapéu de Três Picos de De Falla e Os Pinheiros de Roma de Respighi (Com Ozawa)法雅三角帽& 雷庇斯基罗马松树(泰蕾莎·贝尔冈萨(次女高音), 波士顿交响乐团, 小泽征尔指挥)01. Intro.02. Afternoon.03. Fandango.04. Grapes.05. Seguidillas.06. Farruca.07. danza del corrigidor.08. Jota.Respighi09. Vivace.10. Lento.11. Lento.12. Tempo di Marcia.CD 037 - Coros e Musica de Ballet de Verdi (Coro e Orquestra de La Scala de Milão e Abbado)。

AF-SZoom-Nikkor17-35mmf2.8DIF-ED（2.1x）AF-S Zoom-Nikkor 17-35mm f/2.8D IF-ED (2.1x)Click to enlarge Click to view lens specs A high-performance, ultra-wideangle zoom lens with SWM1999 Release•Sample ImageMain Features•Fast, ultra-wideangle zoom lens with Silent Wave Motor•Features two types of aspherical lens (two molded-glass lenses and one hybrid) and two ED glass elements for higher optical performance•0.28m closest focusing throughout zoom range•M/A mode for quick switching between autofocus and manual focus operation•Nine-blade rounded diaphragm achieves a natural blur for out-of-focus elementsSpecificationsLens construction 13 elements in 10 groups (2 ED glass elementsand 3 aspherical lenses; two molded-glass andone hybrid)Picture angle 104° - 62° [79° - 44° with Nikon digitalcameras (Nikon DX format)]Focal-length scale 17, 20, 24, 28, 35mmNumber of diaphragm9 (rounded)bladesMinimum f/stop 220.28m (through the entire focal range) Closest focusingdistanceMaximum reproduction1/4.6ratioZoom control Manual, via separate zoom ringMacro focusing N/AFocus-limit switch: N/AM/A mode AvailableFocus lock button N/AWeight (approx.): 745gDimensions (approx.) 82.5×106 mm(from the camera’slens mounting flange)Lens cap Snap-onLens hood HB-23 (supplied) Lens case CL-76 (supplied) Tripod collar N/AExternal front filterattachment frameDoes not rotate External front filter 77mmSlip-on filter N/ABuilt-in/rear filter N/ACircular polarizing filter Usable, but vignetting may occur at wide or macro settingCircular polarizingfilter IIUsable, even with dedicated Lens Hood HB-23 TC-201S Usable, but autofocusing is not possibleTC-301S N/ATC-14AS Usable, but autofocusing is not possibleTC-14BS N/ATC-20E/20E II N/ATC-17E II N/ATC-14E/14E II N/AAF-3 Usable, but vignetting may occur at ∞(infinity), or macro at wideangle setting.(0)AF-4 Usable. (0): ( ) Indicates maximum number ofusable hoods (HN-36 for AF-3/HN-37 for AF-4). Infrared N/Acompensation scaleSupplied accessories 77mm snap-on front lens cap, Rear lens capLF-1, Bayonet Hood HB-23, Hard Case CL-76 Aperture ring Does haveDistance scale Does haveMetalMaterial of bayonetringNote:MTF ChartWide TeleSpatial Frequencies S: Sagittal M: Meridional10 lines/mm30 lines/mmHow to read the MTF chartLens Construction: Aspherical lens elements: SuperEDglasselements: ED glass elements。