What_Does_a_Designer_Do

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What Does a Designer Do5 What Does a Designer Do?What exactly does a designer do? No two designers will answer this question in the same way because each designer does so many different things. As a rule, designers work for a wholesale apparel house or manufacturer, and their duties include a range of interrelated jobs。

Usually the designer is directly responsible to the head of the company or the division。

The head of the company directs the overall operations that allow the company to function. He or she is in charge of all office and sales personnel as well as the functions considered the business side of the operation。

In addition, depending on the size of the company, the head may work closely with the designer in choosing fabrics and finalizing the styles selected for the line。

The average apparel firm is divided into three major departments: design, production, and sales departments. The designer is actually a participant in all three departments. The best way to present a picture of the designer at work is to trace the creation of a line. The line begins as a series of ideas in the designer's mind, ideas that are made concrete in the design process, then sold to the retailer, and finally sold to the customer. Let us trace the process.Researching Colors and FabricsThe first step in creating a new line is to research fashion and consumer trends. The numerous excellent sources of fashion information will explore fabricating a line and sources of inspiration. Generally, the designer will begin by investigating color trends. Information on color trends for the coming season usually comes from fiber companies and professional color services like Pat Tunskey。

On the basis of these general predictions, the designer selects the colors he or she feels will make the line unique and salable. Once the color story is set, the designer begins to review textile lines。

Often someone from management, perhaps the head of the company, the merchandise person (head of sales), or the stylist, will assist the designer in selecting fabrics and colors. Those people participating in the selection will exchange information on new fibers and processes while trying to incorporate new fabric trends appropriate to the firm's of inspiration, and the excitement it generates often starts the chain of creation。

Frequently a style is carried over from one season to the next because it sold well. Manufacturers tend to run (continue) with a hot number as long as the style will sell, but only when a style has proved itself by continuous reorders. The designer must know which styles have become hot items. He or she will then refabricate the style to make it more attractive to buyers. Many times a designer is asked to incorporate parts of a good body into a similarly style garment or version of the original.Creating StylesOnce fabrics have been selected, the designer begins to create styles forthe line。

The refabrications and versions of good bodies from the last season may provide the basic styles or staples of the new line。

Then the designer begins styling the new garments。

Most designers work within the narrow constraints of the category that has been assigned to the manufacturer by the stores to which that firm has successfully sold. For example, a missy, moderate dress manufacturer may be further defined by retailers as specializing in print dresses made in easy-care fabrics. Usually it is very difficult to change this reputation drastically, because customers come to a manufacturer expecting to find a special kind of merchandise. Often buyers will allocate money to the specific category of merchandise and the manufacturer who has a reputation for producing it well. This can be a dangerous trap for a manufacturer. Overspecialization is disastrous if the category of merchandise sold goes out of fashion. To avoid over -specialization, the manufacturer should diversify the product line so that it is current with trends in the fashion market.The designer must think of the customer who will want the particular category of merchandise。

Visits to retailers who sell the merchandise well will help in the creative process, because the designer will have a concrete idea of what the customer wants and what the customer's figure problems are. Some designers visualize an "idea customer," a person who wears the garments well. Good designers never lose sight of the individual who will ultimately have to find the garment attractive enough to purchase it, no matter how large the manufacturer or the stores who sell the merchandise. In addition, the following specific requirements for a good style must guide a designer as he or she sketches or drapes the actual garments.Aesthetic AppealThe garment should be attractive to the specific customer for whom it was created. Customers' aesthetic requirements differ with every size, price, and age range, but everyone is looking for a stylish garment. Therefore, the fabric in every garment should be attractive and fashionable in print and color. Most customers touch a garment immediately after being visually attracted to it, so the hand (feel) of the fabric is as important as its appearance.Hanger appeal is very important in the customer's first evaluation of a garment. Clothes that do not present themselves well on a hanger (a halter dress, for example) benefit from being displayed on a mannequin. A garment that looks attractive on a hanger has a much better chance of selling than a garment that does not.■The designer should create each garment for a specific kind of occasion. For example, a showy garment is fun to look at and display, but where would it be worn? 1.Accessorizing a garment is important too, 2.and the designer can help the customer pick accessories by adding a belt or trim that suggests a color for shoes and bag。