洛阳民间
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浅谈洛阳民间‚十万乐‛
摘要
本文以洛阳“十万乐”为研究对象。
首先，笔者将结合着关于“十万乐”来源的不同说法对其渊源进行考辩；第二，笔者将通过谱例对“十万乐”的音乐艺术特色进行分析；最后，将借鉴国家对其他非物质文化遗产保护的理念和措施，就“十万乐”现状的思考以及对“十万乐”传承与保护提出自己的观点。
本文共分为三个部分：
一、关于洛阳“十万乐”的历史渊源。
目前学界存在两种主要的说法:第一、“唐武皇十万宫廷乐舞”之说；第二、“宗教音乐遗存”之说。
二、对该乐种的艺术特色进行分析，从“十万乐”的乐队构成、乐器配置、音乐特点等几个方面进行探讨。
三、通过现在国家对非物质文化遗产的保护措施，思考对“十万乐”的现状、传承与保护。
通过调查研究可知，“武皇十万宫廷乐”这一说法，并未得到充分的历史文献的证实，旅游宣传方面有关武则天的曲目，也并不是“十万乐”所演奏的。
从“十万乐”的音乐本体特征可以看出，其音乐所用的曲调均来自民间的乐曲或者明清时期流传下来的曲调，演奏风格沉稳缓慢。
无论是历史文献，还是音乐的本体特征，都未能充分证实“十万乐”就是“武皇十万宫廷乐”。
反而，大量的依据指向了“明清宗教音乐遗存”之说。
关键词：“十万乐”，“唐武皇十万宫廷乐舞”，“宗教音乐遗存之说”，艺术特色，传承与保护
Discussion on the ‘hundreds of music’
of Luoyang folk music
ABSTRACT
In this paper ,the luoyang “hundreds of music” as the research object, on the origin of different versions with different views and discriminate, and "hundreds of music" artistic features were analyzed by countries to other intangible cultural heritage protection, triggering a status of" hundreds of music" thinking and inheritance and protection. The author through a large number of collection search, master the full information. This paper is divided into three parts:
One, for Luoyang "hundredsof music" the historical origin. There are mainly two kinds of argument: "Tang Wuhuang hundredsof palace music and dance" and "religious music that remains".
Two, the art features of the music, from the band, musical instruments, music, and other aspects of a brief analysis.
Three, through the current state of the protection of intangible cultural heritage, the cause of the " hundredsof music" status quo thinking and inheritance and protection. Through investigation and study, we can see, "Wu Huang hundreds of court music" this statement, has not been fully confirmed in the historical literature, tourism publicity related to Wu Zetian's repertoire, is not " hundredsof music". From the " hundreds of music" music ontology features can be seen that the music used by the tunes are from the folk music or the song and Qing Dynasties spread down the tunes, playing style calm slow. Whether it is the history of literature, or the music of the ontological characteristics, have failed to fully confirm the " hundreds of music" is "Wu Huang hundredsof musiccourt". Instead, a large number of basis points to the "Ming and Qing Dynasties religious music remains" said.
KEY WORDS：“H undreds of music”, “Tang Wuhuang hundred sof palace music and dance ”, “R eligious music remains”，Artistic characteristics, Inheritance and protection。
