What does each tempo marking mean Write the correct

专业英语八级听力模拟题31SECTION A MINI-LECTUREIn this section you will hear a mini-lecture. You will hear the lecture ONCE ONLY. While listening, take notes on the important points. Your notes will not be marked, but you will need them to complete a gap-filling task after the mini-lecture. When the lecture is over, you will be given two minutes to check your notes, and another ten minutes to complete the gap-filing task on ANSWER SHEET ONE, using no more than three words in each gap. Make sure the word (s) you fill in is (are) both grammatically and semantically acceptable . You may refer to your notes while completing the task. Use the blank sheet for note-taking. Now, listen to the mini-lecture. The Difference between Spoken and Written EnglishI . Definition of speech and writingtwo different ] methods of communication—speech: the oral medium of transmission of language—writing: marking a surface with wordsII.Necessity of knowing the difference—acquire language skills 2 and completely—learner aspires to grip and commandIII.Differences between spoken and written English—physical difference—3 substance: medium used in speech—graphic substance: hand creating marks on a surface—difference in the use of grammar and vocabulary—degree of formality: spoken English is less formal—no 4—no role of spelling—5 the rules of grammar—speakers make efforts to learn correct pronunciation—features of speech: 6 , active and not last long—no time lag between production and reception—no time for planning—contain loudness z tempo, rhythm, intonations and pauses—aided by 7 and gestures—difficulty in learning: written English is easier—do not come with an accent—take better advantage of 8 than of accent—reasonably simple to masterIV.Tips for language learner—pay heed to both forms 9—respect the language—10 all the important aspectsSECTION B INTERVIEWIn this section you will hear everything ONCE ONLY. Listen carefully and then answer the questions that follow. Mark the best answer to each question on ANSWER SHEET TWO.11> Researches found all the following functions about working out EXCEPTA.boosting your brainpowerB.fighting against AlzheimerC.fighting against breast cancerD.helping with severe cognitive repairment12、Interconnections of the nerve cells in the brain are primarily beneficial for our .A.executive functionB. memorizing functionC. problem solving functionD. name recognition function13> Which of the following people are NOT mentioned as to the brain power boosting?A.People in their childhood.B. People in their 20s.C. People in their 30s.D. People in their 40s and 50s.14、The studies made by Nurse's Health Study and California Teacher Study are most different inA.time range of the studyB. the number of women followedC. the result of the studyD. decrease rate of disease15、For the diagnosis of breast cancer, the thing put to top priority isA.having excise at onceB. going to see the doctorC. having a good working teamD. going for your familySECTION C NEWS BROADCASTIn this section you will hear everything ONCE ONLY. Listen carefully and then answer the questions that follow. Mark the best answer to each question on ANSWER SHEET TWO.16、The percentage of purchases on credit cards this year drops by since 2007.A. 31%B. 42%C. 45%D. 56%17> The reasons why purchases on credit cards drop include all of the following EXCEPT that .A.many people prefer paying by cashB.the recession makes people spend lessC.people prefer debit cards than credit cardsD.it is more difficult for young people to get credit cards18、What is the main idea of the news item?A.News International apologized for the phone hacking scandal.B.Several people were jailed because of the phone hacking scandal.C.The compensation for the phone hacking scandal cost ten million dollars .D.News International's phone hacking scandal involved many celebrities.19、Which of the following is CORRECT according to the news item?A.The compensation payments may be about tens of thousands.B.Former Culture Minister Tessa Jowell is one of the victims.C.Senior editors of the newspaper will take the responsibility.D.An editor at News of the World was put into jail in 2007.20、Which of the following statements is CORRECT?A.The investment is not profitable tor Whiting.B.The investment is not environmentally friendly.C.BP is increasing more crude oil from American tar sands.D.BP began to run the Whiting plant in 1889.答案：SECTION A MINI-LECTURE 1> independent［听力原文］The Difference between Spoken and Written EnglishGood morning everyone, today's lecture is about the differences between spoken and written English. Speech and writing are two independent methods of communication. （口语和写作是两种独立的交流方式，故填independento ） Speech is "the oral medium of transmission of language, i . e. the spoken language" . Writing involves marking a surface with words that convey one ' s thoughts and ideas and as Crystal remarks "written English has provided the standard that society values, and its relative permanence and worldwide circulation have given it a very special place with the life of the community."Every language learner aspires to have good grip and command over both spoken and written language . Failure in expressing either of them will render him ineffective and incomplete when it comes to acquiring language skills in true sense of word.（如果没有良好的口语及书面表达能力，从实质上讲，学习者就不能有效、完整地掌握语言技能。

音乐术语的读音“tempo”是借用了意大利语的“时间”，源于拉丁语的“tempus”。

现代音乐通常以“拍每分钟”（beats per minute，简写为bpm）作为速度的单位。

Allegretto 拍速每分钟108拍英[ælɪ'gretəʊ] 美[ælə'gretoʊ]n.小快板 adj./adv.稍快而活泼（的）Allegro 拍速每分钟132拍英 [əˈleɡrəʊ] 美 [əˈleɡroʊ]n.快板乐曲 adv.〔意大利语〕【音乐】轻快地；急速地adj.〔音〕快板的；快速的Andantino 拍速每分钟80拍英[əndæn'ti:nəʊ]n.<意>小行板，微急的节拍或曲子adj./adv.<意>微急的【地】Andante拍速每分钟72拍英[ænˈdænteɪ]n./adv.行板(速度稍缓)adj.缓慢的Moderato拍速每分钟96拍英 [ˌmɒdəˈrɑːtəʊ]adv./adj.中板地(的)adagio英 [əˈdɑːdʒiəʊ]美 [əˈdɑːdʒioʊ]拍速每分钟60拍n.柔板乐章;柔板（慢板）adv.【乐】缓慢地adj.【乐】缓慢的Prestissimo －最急板（178 - 500 bpm）Vivacissimo -非常快的快板(141-150bpm)Allegrissimo -极快的快板(151-167bpm)Presto －急板（168 -177bpm）Vivace －活泼的快板（133-140 bpm）Allegro －快板（110-132bpm）Allegro Moderato －适度、愉快的急速Allegretto －稍快板（98-109bpm）（比 Allegro 较少见）Moderato －中板（86 - 97 bpm）Andantino －稍快的行板（78-83bpm）Andante －行板（73 - 77 bpm）Adagietto －颇慢（66-69bpm）Adagio －柔板 / 慢板（56-65 bpm）Andante moderato -中慢板（70-72bpm）Grave －沉重的、严肃的（20-40bpm）Larghetto －甚缓板（51-55bpm）Lento －缓板（41-45 bpm）Largo －最缓板（现代）或广板（46-50bpm）Larghissimo －极端地缓慢（10-19bpm）Marcia moderato - 行进中（84-85bpm）。

五线谱的标记规则内容:在我们用五线谱记录音乐的时候，并不是把所有的音符、标记堆积在谱面上就可以了，而是要遵循一些标记规则的。

正确地掌握这些规则，可以使谱面清晰明了，从而能够准确地反映乐思，并且有助于相互的交流。

前面我们讲过音符最多可以由三个部分组成——符头、符干、符尾，其中，音符的符头可以记在五线谱的任意线或间上。

符头在五线谱上的位置越高，则它所代表的音就越高。

反之则越低。

在记录单声部音乐的时候，因为单声部音乐在同一个位置上的音符时值是相同的，即此位置上的音符可以共用一条符干。

所以我们采用单符干方式记谱。

用单符干记谱时，当符头在第三线以上时，符干朝下，写在符头的左边；当符头在第三线以下时，符干朝上，写在符头的右边；符头在第三线上时，符干朝上或朝下均可，此时要看邻近音符的符干方向而定。

符尾永远写在符干的右边并且弯曲指向符头。

如果同一时刻有多个音符同时发声，则各个音符纵向对齐记录，此一列音符共用一条符干，符干的方向以距离第三线最远的符头为准。

如果不同时刻、相互连续的几个（列）音符都有符尾，这时可用共同的符尾（符杠）相连。

如果符杠在两条以上，则相互之间要平行。

单声部音乐永远用单符干记谱，多声部音乐只有在节奏相同（同一时刻每个声部中的音符时值相同）时才可以用单符干方式记谱。

如，下面的音符：也可以记成：节奏不同时，要用双符干或多符干记谱。

在用多符干记录二声部乐谱时，高音声部的音符，符干朝上，低声部的符干朝下。

声部交错时（即高声部最低的音有时会低过低声部的音。

），其原则不变。

符干的高度一般保持八度音的距离，假如符干连着许多符头时，符干的长度应是符头间的距离加上八度音程的距离。

如果符头在上加三线以上，符干必须延伸到五线谱的第三线或者第四线。

如果符头在下加三线以下，符干必须延伸到五线谱的第三线或者第二线。

音符如果带有符尾，则符尾形状不变。

当许多音符以共用符尾连结在一起时，会出现符干长度长短不一的情况。

这时要使符杠（共用符尾）与最近的符头之间的距离保持在八度左右。

User’s GuideVTX200SThree-Channel Guitar Amplifier with Stereo Digital SignalProcessingTABLE OF CONTENTS:Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3The T op Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4,5The Bottom Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6The DSP Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7Storing Your Own Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8Restoring the Factory Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8More About The Save/T ap Button . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8Using the Footswitch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9DSP Factory Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10,11Suggested Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12,13DSP“Fill in the Blanks” (for User Presets) . . . . . . . . . . . . . . . . . . . . .14System Block Diagram . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15T echnical Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . .back coverThis equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequen-cy energy and, if not installed and used in accordance with the instructions, may cause harmful interfer-ence to radio communications. However, there is no guarantee that interference will not occur in a par-ticular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:• Reorient or relocate the receiving antenna.• Increase the separation between the equipment and the receiver.• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.• Consult the dealer or an experienced radio/TV technician for help.Changes or modifications to this device not expressly approved by SLM Electronics could void the user’s authority to operate the equipment under FCC rules.Declaration of ConformityManufacturer’s Name:SLM ElectronicsCorporate Headquarters:1901 Congressional Drive, St. Louis, Missouri 63146 Primary Production Facility:700 Hwy 202 W, Yellville, Arkansas, 72687Product Type:Audio AmplifierProducts meet the regulations for compliance marking under:ETL standards UL6500, UL60065, or UL813CSA standards E60065 or C22.2 No.1-M90CE safety standard EN60065CE EMC standards EN55103 or EN55013 and EN61000C-tick designation Level 2, ABN #56748810738, ARBN# N222KETI standard K60065 (limited model approval)Compliance Support Contact: SLM Electronics, Attn: R&D Compliance Engineer1901 Congressional Drive, St Louis, Missouri, 63146 • Tel.: 314-569-0141, Fax: 314-569-01753The Top Panel:121: INPUT:Use this jack to connect your guitar to the amplifier by means of a shielded instrument cable. CHANNEL1 - Featuring a low gain FlexWave circuit for clean sounds or sounds with mild dis-tortion:2:LOW:Use this control to adjust the low frequency level of Channel 1.3: GAIN:Use this control to adjust the amount of distortion produced by Channel 1.4:MID:Use this control to adjust the midrange frequency level of Channel 1.5:LEVEL:Use this control to adjust the output level of Channel 1.6:HIGH:Use this control to adjust the high frequency level of Channel 1.7: CHANNEL1 SELECT:This switch, when depressed, selects Channel 1 as the active channel. The adjacent LED illuminates when Channel 1 is active.CHANNEL2 - Featuring a medium gain FlexWave circuit for moderate distortion and crunch:8:LOW:Use this control to adjust the low frequency level of Channel 2.9: GAIN:Use this control to adjust the amount of distortion produced by Channel 2.10:MID:Use this control to adjust the midrange frequency level of Channel 2.11:LEVEL:Use this control to adjust the output level of Channel 2.12:HIGH:Use this control to adjust the high frequency level of Channel 2.13: CHANNEL2 SELECT:This switch, when depressed, selects Channel 2 as the active channel. The adjacent LED illuminates when Channel 2 is active.CHANNEL3 - Featuring a high gain FlexWave circuit for extreme distortion and sustain:14:LOW:Use this control to adjust the low frequency level of Channel 3.15: GAIN:Use this control to adjust the amount of distortion produced by Channel 3.16:MID:Use this control to adjust the midrange frequency level of Channel 3.17:LEVEL:Use this control to adjust the output level of Channel 3.18:HIGH:Use this control to adjust the high frequency level of Channel 3.19: CHANNEL3 SELECT:This switch, when depressed, selects Channel 3 as the active channel. The adjacent LED illuminates when Channel 3 is active.4520: MUTE:This switch, when depressed, mutes the output signal at the speaker jacks and the effects loops, allowing you to silently tune or switch instruments. The adjacent LED illuminates when the Mute function is active.21: TUNER:The electronic tuner is active whenever the amplifier is turned on, providing constant,“real time” tuning. The bottom row of LEDs indicate which note (string) is being tuned. The top row of LEDs provides directional queues to facilitate quick and precise tuning of your instrument. The indicated note (string) is properly tuned when only the center LED is illuminated.22. EFFECTS:Use this control to select one of the fifteen digital effects. Complete information about the DSP effects is on page 7.23. DELAY:Use this control to select one of the fifteen digital delay effects. Complete information about the DSP effects is on page 7.24: SAVE/TAP:Use this pushbutton to set the tempo of many of the effects by tapping the button repeatedly in time with the desired tempo. The Save/Tap button is also used to save DSP presets and to restore the factory default DSP settings. Additional information about the Save/Tap button is on pages 7 and 8.25: SAVE/TAP LED:This LED flashes in time with the tempo set by the Save/Tap button (#4) and serves as a status indicator for certain DSP activities (see page 8).26:REVERB:Use this control to adjust the amount of the digital reverb effect. In its fully counter clockwise position the signal is “dry” (without any reverb). As you rotate the control clockwise the amount of reverb increases. The Reverb setting may be saved as a channel preset - see page 8.SAVE / TAPO P H A W C S F LAN G E P H A SE R EC GG I ALMUTE3The Bottom Panel:27: POWER (not shown):Use this switch to turn the amplifier on (top of the switch depressed) and off (bottom) of the switch depressed. The switch illuminates when the power is on.28: AC LINE CORD (not shown):This grounded power cord is to be plugged into a grounded power outlet, wired to current electrical codes and compatible with the voltage, power, and frequency requirements stated on the bot-tom panel. Do not attempt to defeat the safety ground connection.29: SPEAKER OUTPUTS: Use these jacks to connect the amplifier to the speakers. The VTX200S is shipped from the factory with a cable from each channel connected to the speakers within the cabinet. Additional speakers may be connected providing the four ohm minimum load rating for these jacks is observed. When using the stereo Chorus effect the right channel is dry and the left channel is detuned (wet). Each channel will provide 70 watts RMS into an eight ohm load and 100 watts RMS into a four ohm load. 30:STEREO EFFECTS LOOP RETURN:When using a stereo external effects processor, connect this jack to the output jack of the effect by means of a shielded three conductor signal cable terminated with a stereo (R/T/S) 1/4”connector.31:STEREO EFFECTS LOOP SEND:When using a stereo external effects processor, connect this jack to the input jack of the effect by means of a shielded three conductor signal cable terminated with a stereo (R/T/S) 1/4”connector.32:MONO EFFECTS LOOP RETURN:When using a mono external effects processor, connect this jack to the output jack of the effect by means of a shielded signal cable.33:MONO EFFECTS LOOP SEND:When using a mono external effects processor, connect this jack to the input jack of the effect by means of a shielded signal cable.34:FOOTSWITCH:Use this jack to connect the footswitch cable (5-conductor midi cable) to the four-button footswitch (supplied). This allows you to remotely switch between the channels, set tap tempos, save new presets, and access a second set of DSP presets. (See page 9 for additional information.)67SAVE / TAPO W U SANA E EC GG I ALEFFECTS:NAME DESCRIPTIONSAVE/TAP BUTTON CONTROLS:Chorus 1stereo chorus w/low depthspeed: 1 cycle/tap - period: .05 - 1 second Chorus 2stereo chorus w/medium low depth speed: 1 cycle/tap - period: .05 - 1 second Chorus 3stereo chorus w/medium high depth speed: 1 cycle/tap - period: .05 - 1 second Chorus 4stereo chorus w/high depth speed: 1 cycle/tap - period: .05 - 1 second Flange 1flanger w/low depthspeed: 4 cycles/tap - period: .05 - 1 second Flange 2flanger w/medium low depth speed: 4 cycles/tap - period: .05 - 1 second Flange 3flanger w/medium high depth speed: 4 cycles/tap - period: .05 - 1 second Flange 4flanger w/high depthspeed: 4 cycles/tap - period: .05 - 1 second Phaser 1phase shift w/low feedbackspeed: 2 cycles/tap - period: .05 - 1 second Phaser 2phase shift w/medium low feedback speed: 2 cycles/tap - period: .05 - 1 second Phaser 3phase shift w/medium high feedback speed: 2 cycles/tap - period: .05 - 1 second Phaser 4phase shift w/high feedbackspeed: 2 cycles/tap - period: .05 - 1 second Oct-adds signal one octave below original n/a Phase Wah medium phase w/touch sensitive wah n/a Wahtouch sensitive wah wahn/a bypass (dry signal - no effect)n/aDELAY:NAME DESCRIPTIONSAVE/TAP BUTTON CONTROLS:Single 1single delay w/low level delay time: .05 - 1 sec Single 2 single delay w/medium level delay time: .05 - 1 sec Single 3 single delay w/high leveldelay time: .05 - 1 sec Single 4 single delay w/maximum level delay time: .05 - 1 sec Echo 1 echo delay w/low level delay time: .05 - 1 sec Echo 2 echo delay w/medium level delay time: .05 - 1 sec Echo 3 echo delay w/high leveldelay time: .05 - 1 sec Echo 4echo delay w/maximum level delay time: .05 - 1 sec Ping Pong 1 stereo panning delay w/low level delay time: .05 - 1 sec Ping Pong 2 stereo panning delay w/medium level delay time: .05 - 1 sec Ping Pong 3 stereo panning delay w/high leveldelay time: .05 - 1 sec Ping Pong 4 stereo panning delay w/maximum level delay time: .05 - 1 sec Special 1 low echo delay w/effect on echo only delay time: .05 - 1 sec Special 2 medium echo delay w/effect on echo only delay time: .05 - 1 sec Special 3high echo delay w/effect on echo only delay time: .05 - 1 sec bypass (dry signal - no effect)n/aSIGNAL PATH FOR SPECIAL DELAY EFFECTS:DELAYSIGNAL PATH FOR ALL OTHER EFFECTS:EFFECTSEFFECTSDELAY8Storing Your Own Presets:Each channel of the VTX200S has two factory assigned DSP presets, as shown on pages 10 and 11. No matter what the settings of the DSP controls, the preset is recalled when a channel is selected. You may change the DSP settings by rotating the DSP con-trols - these changes will remain active until a different channel is selected, but will not be there for later use unless they are saved. To save a new DSP preset to a channel,first make the desired DSP changes. Then press and hold the Save/Tap button for about three seconds. The Save/Tap LED will flash through three quick sequences, indicating the preset was saved. The new preset is stored for that channel and will remain in mem-ory until a new preset is stored for that channel or the factory presets are restored.We recommend making copies of page 14 of this guide for the purpose of writing down your own presets.Restoring the Factory Presets:The factory assigned DSP presets may be restored, erasing any changes you have made. Turn the amplifier off. Press and hold the Save/Tap button as you turn the amplifi-er on. The Save/Tap LED will flash through two quick sequences, indicating the factory presets have been restored.More About the Save/Tap Button:The Save/Tap button is used to set the tempo of an effect by pressing it twice within a one second time frame. The time between the two taps sets the timing of the effect. If the Save/Tap button is pressed an odd number of times (once, three times, etc.), the tim-ing will default to the maximum one second time period.The Effects and the Delays may each have a different tap speed. The default “target”for the Save/Tap button is the Delay control. To select the Effects control as the tap but-ton’s target, rotate the Effects control. The Save/Tap tempo function will automatically revert back to the Delay control 16 seconds after the Effects control is rotated, or when the tap speed was last changed for the Effects control.NOTE: In most cases, it is usually more pleasing to the ear to set a slower tap speed for the HI effects and a faster tap speed for the LO effects.SAVE / TAPSAVE / TAPSAVE / TAP9Using the Footswitch:The special Crate four-button footswitch supplied with the VTX200S performs a variety of functions. The footswitch allows remote channel selection, remote Tap/Save for each channel, and allows access to an additional DSP preset for each channel of the amplifier. Use only the supplied Crate four-button momentary footswitch with the VTX200S. A standard 5-wire midi cable (supplied) may be used to connect the footswitch to the amplifier.(See page 8.)the LED channel - “DSP NOTE: DSP Bank “B” pre-sets are only accessible when the footswitch is connected, only DSP “A”is accessible.SWITCH #1:CH. 1 SELECT;TAP/SAVE FOR CH. 1FOOTSWITCHSWITCH #2:CH. 2 SELECT;TAP/SAVE FOR CH. 2SWITCH #4:LED on: DSP BANK A LED off: DSP BANK B421SWITCH #3:CH. 3 SELECT;TAP/SAVE FOR CH. 3310DSP Factory Presets:O P H AGG LO P H AGG LO P H AGG LFactory Preset 1: Clean w/Chorus, Delay, ReverbFactory Preset 2: Rhythm w/Slapback DelayFactory Preset 3: Solo w/Flange, Delay, ReverbThe VTX200S Factory Presets for the DSP section are as follows:11DSP Factory Presets:OP H AGG LO P H AGG LO P H AGG LFactory Preset 4: Clean w/ReverbFactory Preset 5: Rhythm w/ReverbFactory Preset 6: Solo w/ReverbThe VTX200S Factory Presets for the DSP section are as follows:INPUT12 INPUT12 INPUT12 INPUT12 INPUT12INPUT 12"Oceanic"Clean withVibrato, Delay,& Reverb"Super Funk"Clean withWah, Delay,& Reverb"Arena"Rhythm withReverb& Delay"Haze Faze"Rhythm withPhase& Reverb"Solo Wah"Solo withWah, Delay& Reverb"Octanator"Solo withOctave& Reverb1213SAVE / TAPO C T -C H OF L AN GE S I NEG A LMUTE3SAVE / TAPO C T -C H OF L AN GE S I NEN G A LMUTE3SAVE / TAPO C T -C H OF L AN GE S I NEN G A LMUTE3SAVE / TAPO CT -C H OF L AN GE S I N EN G A LMUTE3SAVE / TAPO C T -C H OF L AN GE S I N EG A LMUTE3SAVE / TAPO C T -C H OF L AN GE S I N EG A LMUTE3EFFECTS TAP Tempo: MEDIUMDELAY TAP Tempo: MEDIUMEFFECTS TAP Tempo: N/ADELAY TAP Tempo: FASTEFFECTS TAP Tempo: N/ADELAY TAP Tempo: MEDIUMEFFECTS TAP Tempo: MEDIUMDELAY TAP Tempo: N/AEFFECTS TAP Tempo: N/ADELAY TAP Tempo: N/AEFFECTS TAP Tempo: N/ADELAY TAP Tempo: N/ADSP “Fill in the Blanks”(User Settings): Copy this page to fill in your own DSP Presets!User Preset:GLUser Preset:GLUser Preset:GL 1415System Block Diagram:INPUTCHANNEL 1BUFFERFLEX WAVE (LOW CHANNEL 2FLEX WAVE (MEDIUM CHANNEL 3FLEX WAVE (HIGH SWITCH CONTROLLERDSPA/B FOOTSWITCH 1 2 3 4TUNERA BC D EF GPOWER AMP 1OUTPUTS RETURN SEND SEND RETURNDAMPINGPOWER AMP 2OUTPUTS DAMPINGVTX200S TECHNICAL SPECIFICATIONS:Output Power Rating70W per channel @5% THD, 8 ohm load100W per channel @5% THD, 4 ohm load Speaker Size and Rating(2) Celestion Seventy 80W 12” 8 ohmInput Impedance470kΩTotal System Gain Ch 174dB, all controls @10Ch 288dB, all controls @10Ch 3103dB, all controls @10Maximum Input Signal Accepted 5 volts peak-to-peakChannel 1Low Control26dB range @ 70HzMid Control10dB range @ 900HzHigh Control20dB range @ 10kHzChannel 2Low Control26dB range @ 70HzMid Control10dB range @ 900HzHigh Control20dB range @ 10kHzChannel 3Low Control17dB range @ 100HzMid Control16dB range @ 1kHzHigh Control12dB range @ 7kHzPower Requirements120 VAC, 60Hz, 95VA100/115VAC, 50/60Hz, 95VA;230VAC, 50/60Hz, 95VASize and Weight21” H 27-3/4” W x 11-1/4”D, 45 lbs.The VTX200S is covered with a durable Tolex material: wipe it clean with a lint-free cloth.Never spray cleaning agents onto the cabinet. Avoid abrasive cleansers which would damage the finish.Crate continually develops new products, as well as improves existing ones. For this reason, the specificationsand information in this manual are subject to change without notice.@2004 SLM Electronics, a division of St. Louis Music, Inc • 1400 Ferguson Avenue • St. Louis, MO 6313347-387-01 • 082004。