Analysis of Gardening Characteristics and Style Formation of Lingnan Gardens
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中图分类号 TU986.1 文献标识码 B 文章编号 1003-739X (2023)06-0100-04 收稿日期 2022-08-04摘 要 文人园林是我国古典文化重要的组成部分,也是我国古代文人抒发情怀的物质载体。
唐代以降,文人造园之风日盛至明代达到高潮,期间造园从模山范水到自出新意的转变,亦体现了造园主体对于客体认知的转变。
该文从情景关系这一体现文人园林的核心造园理念入手,选取唐、宋、明三代较为著名的辋川别业、独乐园以及拙政园为例,通过文献梳理,比较分析造园主体与不同客体对于同一认知对象园林的反馈,试图探寻我国文人园林中情景关系表现的特点,理出借景抒情、情景交融、情景适会这一递进式的发展脉络。
为理解文人园林的造园理念以及所采用的手法与客观感知的互动关系提供相关历史理论基础,亦期望可为今人理解并进一步创造具有文化渊源、文化特色、文化自信的的园林空间设计提供借鉴与启示。
关键词 文人园林 情景关系 发展演变 特征Abstract Literati garden is an important part of Chinese classical culture, and also is the material carrier for ancient Chinese literati to express their feelings. From the Tang Dynasty, the popularity of literati gardening flourished until the Ming Dynasty reached its climax. During this period, the gardening changed from modelling mountains and waters to creating new ideas, which also reflected the change of the main body of gardening in the perception of objects. Starting with the situational relationship, the core concept of gardening that reflects literati gardens, we select Wangchuanbieye, Duleyuan and Humble Administrator's Garden, which are well-known in the Tang, Song and Ming dynasties as examples, through literature review, we compare and analyze the feedback of the gardening subject and different objects on the same cognitive object garden, and attempt to explore the characteristics of the performance of situational relations in China's literati gardens, then we sort out the progressive development context of "borrowing scenery to express feelings, blending feelings and scenes, and adapting scenes". We hope to provide the relevant historical theoretical basis for understanding the gardening concept of literati gardens and the interactive relationship between the adopted techniques and objective perception, and we also hope to provide reference and enlightenment for modern people to understand and further create the garden space design with cultural origin, cultural characteristics and cultural confidence.Keywords Literati gardens, Situational relationships, Development and evolution, Features文人园林的情景关系发展研究——以辋川别业、独乐园、拙政园为例The Development of Situational Relationships in Literati Gardens: Taking Wangchuan Bieye, Duleyuan and Humble Administrator's Garden as Examples自从陈从周先生将诗法画理、戏曲品鉴等纯艺术领域的视角与分析方法引入中国古典园林研究,提出了“中国园林是文人园林”的观点之后,对于园林中景与境的评论、欣赏就被赋予了超越物质实体而通达意境、虚幻的多重性质,物质与情感紧密地联系了起来。
156城市建筑Urbanism and Architecture / 2022.16的风格。
当时园林建设甚多,绮丽豪华与清纯优雅共存,其中文人园林风格占造园主流,并影响到其他园林甚至皇家园林。
1文人园林的概念文人园林不仅包括文人经营或拥有的园林,也泛指受到文人情趣、文人精神浸润的一种园林[2]。
文人园林这种风格最早起源于魏晋南北朝的世流园林,经唐朝的兴盛,到了宋代,文人执政,文人的情趣爱好浸润到社会生活的方方面面,园林被附上文人色彩,进一步发展了中国古典园林,出现了文人园林。
这时的文人园林简约、自然而且高雅。
2影响文人园林的家国情怀文人园林形成的深层次因素是传统文化和当时的社会背景等的影响。
中国“士”文化以儒家文化为基础。
《大学》有言:“古之欲明德于天下者,先治其国; 欲治其国者,先齐其家; 欲齐其家者,先修其身。
”两宋时期,国家经济和文化的发展达到了封建社会的巅峰状态,却频繁受到外族的侵扰。
内忧外患的环境,使宋代文人拥有更多的社会责任、家国情怀和爱国主义精神 [3]。
在文人的忧国忧民、对国土的眷恋等深层次因素的影响下,文人园林呈现出乡土性、崇尚自然、简约实用并蕴含高雅的文化等特征。
3蕴含家国情怀的文人园林特征3.1眷恋乡土,师法自然的景观3.1.1乡土格局乡土景观是当地人在生活中与自然和谐发展的产物,在历史岁月中留下浓厚的人文精神,也是士人的一种情感归宿。
南北朝丘迟的《与陈伯之书》中写道:“暮春三月,江南草长,杂花生树,群莺乱飞。
见故国之旗鼓,感平生于畴日,抚弦登陴,岂不怆悢!”丘迟用这种乡土景观感动陈伯,陈伯最终归降。
中国山川秀丽,山水众多,其中山地(包括高原、丘陵)约占国土面积的2/3,多河湖。
摘要 宋代文人地位高,普遍受人尊敬。
他们自幼接受传统文化教育,受其影响热爱祖国,眷恋国土,有着忧国忧民的家国情怀。
在这种思想意识的影响下,经由他们主持营建的,或者受其影响修建的园林呈现出简约、朴素、乡土化和高雅的特征,被称为“文人园林”,并成为一种造园主流。
Total.333November 2015(C)The Science Education Article Collects总第333期2015年11月(下)法国勒诺特尔式园林景观解析李文凯(西北工业大学陕西·西安710129)中图分类号:J06文献标识码:A文章编号:1672-7894(2015)33-0151-02作者简介:李文凯(1992—),男,河北衡水人,西北工业大学本科在读,研究方向为建筑参数化设计和建筑景观设计。
摘要园林作为一种综合性景观艺术,融合了工程技术、建筑艺术以及视觉传达等造景认识,实现对地形、景观的转变,营造出良好的自然环境与人们的休憩场所。
无论是我国还是西方都有着悠久的园林艺术历史,蕴含着丰富的文化,其中勒诺特尔式园林作为欧洲园林的代表之一有着较为鲜明的特色,对当时欧洲的造园艺术影响颇深。
本文从法国勒诺特尔式园林的历史背景及特点出发,对其艺术价值以及对现代园林艺术的影响进行分析。
关键词宫廷欧洲古典主义勒诺特尔式园林Analysis on the Garden of Le-Notre 's Style //Li Wenkai Abstract Gardens,as a comprehensive art of landscape,integrate such landscaping knowledge as engineering technology,architec-ture art and visual communication,in order to transform terrains and landscapes,and establish a favorable natural environment and place for people to have a rest.Both in China and Western countries,the art of gardening has a long history and embodies profound culture,in which the garden of Le-Notre's Style,as a representative of European garden,has distinctive characteristics and exerted profound influence on the art of landscaping in Eu-rope at that time.Starting from the history and characteristics of the garden of Le-Notre's Style,this paper analyzes its artistic value and its influence on modern gardening art.Key words palace;European classicism;the garden of Le-Notre's Style1法国勒若特尔式园林景观设计的历史发展和特点1.1勒若特尔式园林景观设计的历史发展勒诺特尔对景观艺术的理解十分独到,很多设计在法国皇宫贵族的园林中应用广泛,推动了法国景观艺术的发展,使得法国园林艺术风格自成一派。
私家园林和寺观园林是中国古典园林的两大重要分支。
随着朝代更迭和社会变革,私家园林和寺观园林由文人墨客吟诗作画的修身场所和庶民百姓寄托情感的教化场所,逐渐演变为供广大人民群众休闲娱乐的城市公园。
昙华寺由明代私家园林演变为清代寺观园林和现代城市公园,三种园林形态各具鲜明的时代特征,分析研究其历史背景、园林布局、造园手法和演变特点,有助于更好地继承优秀传统园林文化和营建高品质的现代城市公园。
1 历史沿革昙华寺,位于昆明市城东,坐落于金马山西麓,寺院坐东向西,金汁河从门前流过,寺院内有一株明代优昙树(山玉兰)平年花开12瓣,闰年加开樊智丰1986年生/男/内蒙古呼和浩特市人/硕士/昆明理工大学工程师/研究方向为园林植物应用与城市园林生态(昆明 650093)林丽芳1986年生/女/河南开封人/硕士/昆明安宁市温泉街道办事处工程师/研究方向为城市绿地系统规划(昆明 650300)摘要昙华寺位于云南昆明东郊,建于明崇祯年间,原为明代光禄大夫施石桥的私家别业,至今已有近400年的历史。
昙华寺分为前园、中园和后园三个部分,园林特征分别体现为寺观园林、江南园林和现代城市公园等三种形态。
本文通过文献考证和现场调研,对这座园林的历史沿革、园林布局和造园意匠进行了探讨,并对三个不同园林形态的演变历程作了简要分析,以期对传统园林的保护和发展提供参考。
关键词风景园林;昆明;昙华寺;造园;演变AbstractTanhua temple lies in east suburb of Kunming in Yunnan Province, which was built by Shishiqiao in 16th century. Tanhua temple is a large garden, which is divided into the front garden, mid-garden, and the back garden. The features of the garden are reflected in three forms of temple garden, Jiangnan garden and modern city park. Based on the literature analysis and on-site investigation, the history, layout and characteristics of this garden were explored. The evolution of the three different landscape forms were analyzed brie y. Some good strategies were summarized in order to provide reference for the protection and development of traditional garden. Key Wordslandscape architecture; Kunming; Tanhua temple; gardening; transforming昙华寺造园探析——从私家别业到寺观园林和城市公园的演变樊智丰 林丽芳 Study on Gardening History of T anhua T emple—T ransforming from a Private Garden to a Public City Park as a T emple GardenFan Zhifeng Lin Lifang1瓣,被誉为“佛花”,就佛花创寺,寺名“昙华”(图1)。
雅思4真题答案大全及解析雅思考试是全球范围内最受欢迎的英语水平测试之一。
无论是留学、移民还是就业,雅思成绩都是很多人必备的证明之一。
然而,由于考试的难度和复杂性,许多考生对于雅思的真题答案和解析都有很大的需求。
在这篇文章中,我们将为大家提供一份雅思4真题的答案大全及解析,希望能够帮助大家更好地备考雅思。
第一部分:听力(Listening)雅思听力部分是考试中的第一项内容,也是一项相对较难的任务。
在这一部分中,考生需要通过听录音来回答一系列的问题。
以下是一份雅思4听力部分的答案及解析。
Section 1:1. C Explanation: The speaker mentioned that the party would be held in the garden.2. B Explanation: The speaker stated that the swimming pool would be open on weekends only.3. A Explanation: The speaker mentioned the price of the membership.4. C Explanation: The speaker discussed the different activities available at the club.5. A Explanation: The speaker mentioned the importanceof booking in advance.Section 2:6. B Explanation: The speaker talked about the new art exhibition at the museum.7. A Explanation: The speaker mentioned the time and location of an upcoming lecture.8. C Explanation: The speaker stated that theexhibition would run for a month.9. A Explanation: The speaker discussed the discounts available for senior citizens.10. B Explanation: The speaker mentioned that guided tours are provided on Tuesdays.Section 3:11. B Explanation: The speaker mentioned the importance of the research topic.12. A Explanation: The speaker discussed thedifficulties they faced during the research.13. C Explanation: The speaker talked about the method they used for data collection.14. B Explanation: The speaker mentioned thesignificance of their findings.15. A Explanation: The speaker stated the implications of the research.Section 4:16. C Explanation: The speaker discussed the characteristics of different types of plants.17. B Explanation: The speaker mentioned the benefits of gardening for mental health.18. A Explanation: The speaker stated that gardening isa popular hobby in the country.19. C Explanation: The speaker discussed the importance of soil quality for plant growth.20. B Explanation: The speaker mentioned the upcoming gardening workshop.以上是雅思4听力部分的答案及解析。
全文分为作者个人简介和正文两个部分:作者个人简介:Hello everyone, I am an author dedicated to creating and sharing high-quality document templates. In this era of information overload, accurate and efficient communication has become especially important. I firmly believe that good communication can build bridges between people, playing an indispensable role in academia, career, and daily life. Therefore, I decided to invest my knowledge and skills into creating valuable documents to help people find inspiration and direction when needed.正文:四年级英语作文我的乐园爷爷的菜地450字以上全文共3篇示例,供读者参考篇1My Paradise - Grandpa's Vegetable GardenDo you have a special place where you feel truly happy and at peace? A place that fills your heart with joy and brings a smile to your face every time you think about it? For me, that magicalplace is my grandpa's vegetable garden. It's a sanctuary where I can escape the hustle and bustle of the city and immerse myself in nature's wonders.Nestled in the heart of the countryside, grandpa's vegetable garden is a sprawling oasis of lush greenery and vibrant colors. As soon as I step through the old wooden gate, I'm greeted by the earthy scent of freshly tilled soil and the melodious chirping of birds. It's as if the garden has its own secret language, whispering tales of growth, renewal, and life's simple pleasures.One of my favorite things about the garden is the intricate patchwork of raised beds, each one bursting with a different bounty of fruits and vegetables. In one corner, I can spot the bright red tomatoes basking in the sun, their plump skins begging to be plucked and savored. Just a few steps away, the leafy greens of lettuce and spinach sway gently in the breeze, inviting me to run my fingers over their velvety textures.But the true marvel of grandpa's garden lies in his pride and joy – the pumpkin patch. Every year, he carefully tends to the massive vines, nurturing them as if they were his own children. And when autumn rolls around, the most magnificent pumpkins emerge, their vibrant orange hues seemingly glowing fromwithin. Whenever I gaze upon them, I can't help but feel a sense of wonder and awe at nature's incredible creativity.Beyond the bountiful harvests, what truly makes this garden special is the time I get to spend with my grandpa. He's a living encyclopedia of gardening wisdom, and he takes great joy in sharing his knowledge with me. As we wander through the rows, he'll point out each plant, teaching me about their unique characteristics, growing habits, and even the folklore surrounding them.Together, we'll pull weeds, water the plants, and carefully inspect the leaves for any signs of pests or disease. It's a labor of love, and every moment spent in the garden feels like a precious gift. Grandpa's calloused hands and kind eyes hold a lifetime of stories, and I eagerly soak up every word he shares.But the true magic of the garden lies in the simple moments we share – the quiet afternoons spent shelling peas together, the celebratory feasts where we savor the fruits of our labor, and the evenings when we sit on the old wooden bench, watching the sunset paint the sky in breathtaking hues of orange and pink.In those peaceful moments, time seems to stand still, and all the worries and stresses of the world fade away. The garden becomes our own private paradise, a sanctuary where we canreconnect with the rhythms of nature and appreciate the simple joys of life.As I've grown older, I've come to realize that grandpa's vegetable garden is so much more than just a place to grow food. It's a living embodiment of our family's history, a testament to the enduring bonds of love and tradition that have been nurtured and passed down through generations.When I'm in that garden, I feel a deep connection to my roots, to the earth that has sustained my ancestors, and to the timeless cycles of life that continue to unfold around us. It's a place where I can truly be myself, where my imagination can run wild, and where I can dream of the endless possibilities that lie ahead.So, while others may seek solace in grand monuments or exotic destinations, my paradise will always be grandpa's humble vegetable garden. It's a place where memories are sown, where love blossoms, and where the seeds of wisdom are passed down from one generation to the next. And for as long as I live, I'll cherish every moment spent within its verdant embrace, forever grateful for the precious lessons and boundless joy it has brought into my life.篇2My Grandpa's Vegetable Garden - My ParadiseMy grandpa's vegetable garden is the most wonderful place on Earth! It's my own personal paradise where I can run free, explore nature, and learn so many amazing things. Every summer when school lets out, I beg my parents to let me stay at Grandpa's house for a few weeks so I can spend as much time as possible in his glorious garden.Grandpa's garden takes up almost his entire backyard. It's absolutely massive! There are rows and rows of different plants all bursting with colorful vegetables and fruits. Grandpa grows tomatoes, carrots, green beans, cucumbers, corn, strawberries, blueberries, and so much more. The smells of the ripening crops mingling with the fresh soil is just heavenly. I love walking up and down the neat little rows, gently running my hands over the rough leaves and vines.My favorite part is searching for ripe produce ready to be picked. It's like going on a treasure hunt! I have to look very closely at each plant to spot any vegetables or fruits that have turned the perfect color and size for harvesting. Grandpa taught me exactly what to look for with each different crop. Once I find aprime specimen, I very carefully twist or pull it off the plant, being gentle so I don't damage the plant. I get such a thrilling sense of accomplishment bringing my treasures back to the house to show Grandpa. He's always smiling and telling me what a great job I did.After our harvesting, Grandpa and I head to the shed to grab our gardening tools and supplies. He has these incredibly cool big hats we wear that keep the sun off our faces and necks. Then we head back out and get to work tending the plants. Grandpa shows me how to properly weed around the crops, avoiding the good plants and only pulling out the invading weeds and grasses. He lets me dig in the soft, dark soil, burying my hands all the way down in the cool earth. We also spread new mulch over the rows which involves a lot of heavy lifting with the pitch forks, filling up wheelbarrows and dumping them out. It's hard work but I feel so strong and grown-up getting to do it.My other big job is watering the garden. Grandpa has this awesome hose that seems to stretch on forever. He attaches special nozzles and sprayers to control the flow and pattern of the water. I am the master of the hose! I get to walk up and down each row, carefully spraying the plants and making sure they get enough hydration. If I'm not paying close enough attention,Grandpa will remind me that overwatering can be just as bad as under-watering for the plants. It's a big responsibility making sure they get exactly the right amount. Sometimes I'll sneak in a quick spray war with Grandpa when his back is turned. He always pretends to get so mad at me but I can see the mischievous smile he's trying to hide.We take a break for lunch under the big oak tree at the edge of the garden. Grandma comes out with a picnic basket full of sandwiches and lemonade. As we're munching away, birds will sometimes land just a few feet away, looking for crumbs. Grandpa warns them away saying the garden is our domain. I laugh at his feisty protectiveness over his beloved plants. After our bellies are full, we'll sprawl out on the grass and Grandpa will point out the shapes of clouds drifting by. We'll make up wild stories about the clouds being jets, or dragons, or rocket ships heading off to explore the galaxy.As the sun starts to set, we do one final walk through the garden, admiring our day's work. Grandpa always stops to inspect a few plants, gently moving the leaves to the side or touching the soil. He has a secret language with his garden, checking in on each plant's needs. Before we go inside, I'll pick a final treasure, a perfect rosy red tomato or sunny yellow squashto take in for Grandma to cook up for dinner. I get to eat the literal fruits of my labor!My grandpa's garden is so much more than just rows of crops. It's an entire world of discovery, joy, hard work, andrecharging. I've learned patience nourishing those little seedlings as they ever-so-slowly sprout, grow, bud, and finally bear their bounty. I've learned responsibility caring for living things completely dependent on me for their survival. Most of all, I've learned to appreciate the natural cycle of planting, nurturing, harvesting, and renewing again season after season. It's life's own precious cycle played out in the miraculous world of the garden. Whenever I'm pulling weeds or watering on a hot summer day, I'll look up at the bright sun warming my face and feel completely at peace and content. That garden is my paradise and I never want to leave.篇3My Grandpa's Vegetable Garden: My ParadiseMy grandpa has the most amazing vegetable garden! It's my favorite place in the whole world. Whenever I go to visit him, I can't wait to run outside and explore every little corner of his garden paradise.Grandpa's garden is huge! It takes up nearly the entire backyard behind his little yellow house. Row after row of different plants and veggies stretch out as far as I can see. There are rows of juicy red tomato plants, plump green bean bushes, and leafy lettuce heads poking up through the dark soil. Grandpa even has a special section just for growing all kinds of herbs like basil, parsley, and dill that make his garden smell so fresh and delicious.One of my favorite parts is the strawberry patch tucked away in the far corner. Grandpa lets me pick the ripe, ruby red berries straight off the vines when they're in season. They're the sweetest, most flavorful strawberries I've ever tasted! Sometimes we eat them plain, but other times Grandpa and I'll add some to a fresh garden salad or bake them into a scrumptious strawberry rhubarb pie. Yum!I love walking up and down the neat little garden paths, watching Grandpa tend to his plants with such loving care. He's always weeding, watering, pruning, and checking for any bugs or critters trying to munch on his beloved veggies. Grandpa has a secret recipe for his own special homemade fertilizer and pest spray that he makes from chicken manure, soap, and other natural ingredients. It seems to do the trick!When the weather is nice, I'll bring out an old beach towel and layout right in the middle of the garden, surrounded by the sights, smells, and sounds of Grandpa's plant paradise. I love watching the bees buzz from flower to flower and listening to the birds sweetly singing in the trees above. Lying there, soaking in the warm sunshine peeking through the leaves is just about the most relaxing, peaceful thing I can imagine.Grandpa's garden provides him with endless baskets of fresh produce to cook with all summer long. At the end of every visit, he'll pile me up with ripe vegetables, fruits, and herbs to take home with me. Mom and Dad are always thrilled because Grandpa's homegrown goodies are the most delicious, nutritious foods ever!I hope I can have a lush vegetable garden like Grandpa's someday. For now though, I'll just keep enjoying every moment I can in my own little backyard paradise. Grandpa's amazing garden is living proof that with patience, hard work, and a little love, even an ordinary backyard can flourish into something extraordinary and beautiful.。
中国古典园林元素在现代园林中的应用与发展摘要:中国园林发展至今,呈现出百家争鸣、百花齐放的大好局面,造园手法也层出不穷,古典的、现代的、创新的,应有尽有。
而中国古典园林的造园手法如何应用到现代园林设计中,一直是学术界热议的重要话题之一。
以中国古典园林的分类为基点,分析古典园林的特点,总结了中国古典园林的设计手法,提出将其造园手法运用于现代园林的方法和措施,为我国现代园林设计提供一定的理论帮助和参考依据。
关键词:中国古典园林;现代园林;设计手法;应用abstract: chinese garden development so far, showing the contention of a hundred schools of thought, all flowers bloom together. the good situation, gardening practices also emerge in an endless stream, classical, modern, innovative, have everything that one expects to find. while chinese classical gardens and how to apply it to the modern landscape design, has been one of the important topic of academic debate. the classification of chinese classical gardens as the starting point, analysis of the characteristics of classical garden, summarizes the design methods of chinese classical garden, put forward the methods and measures of the garden to modern landscape architecture, to help provide a theoretical and reference basis for the modern landscape design.key words: chinese classical garden; modern landscape; design; application中图分类号:tu986 文献标识码:a文章编号:2095-2104(2013)1-0020-031中国古典园林的分类与现代园林特点1.1中国古典园林的分类从不同角度看,可以有不同的分类方法。
2岭南庭院的风格与特征中国传统园林讲究情景交融、寓情于景,借表现自然美为主旨的山水诗、山水画和山水园林,达到“诗中有画,画中有诗”的意境。
但无论是壮丽宏伟的北方皇家园林,还是曲院庭深的江南园林,其造园方式均深受当时人们生活方式、文化特征、经济技术水平的影响。
岭南地区雨水丰沛、土地肥沃,有良好的自然条件基础,同时岭南自古以来重视海外贸易,商品意识及价值观念影响深远,实用主义贯穿于岭南的衣、食、住、行等各个方面,于是造就了异于北方园林与江南园林的“实用型园林”。
岭南园林的形式以庭院为主,庭院营造与物质生产相结合,功能与人的起居生活相适应,结合生活、享受、游乐的需求,广植岭南佳果,结合岭南地区水网密布的特性,将庭院空间与廊、桥、亭、台、楼、阁等建筑相结合,巧妙地化解了庭院建设用地紧缺的难题,突出建筑与山、石、水景的融合,构造用途多元的“山林水泉”之乐的庭院空间。
可见功能实用、空间紧凑、建筑为主便是岭南庭院最为突出的风格特征。
3和园山水园林的造园理念岭南和园,位于广东省佛山市顺德区北滘镇,全园占地面积42 000 m 2。
地块狭长,南北长400 m,东西宽100 m,河涌自北向南从场地内穿过,形成了典型的岭南水乡空间基础,为和园山水造园提供了天然的素材。
和园造园的灵感来源于宋代古画,一幅自然山水与城市和谐共融的水乡生活画卷。
和园通过造园勾起人们对古代山水画繁华盛世的追忆,也是对岭南水乡生活的品味。
岭南水乡,以水景见长,水石交融,构成园林主景色。
设计以“山水、街市、人家”为主题,以“和园六景”展开一幅自然山水与城市和谐共融的水乡生活画卷。
以挥摘要 岭南和园,是一座坐落于顺德城央的岭南古典园林作品,是鲜有的现代岭南古典园林佳作。
本文深入介绍了和园的这座“山水园林”的造园特征,解读和园的山水园林布局及造园技巧,展示了岭南古典园林布局、筑山、理水的精髓,传承岭南古典园林文化。
关键词 山水园林;岭南园林;筑山理水;石景营造中图分类号 TU986文献标识码 ADOI 10.19892/ki.csjz.2023.24.43Abstract Lingnan Heyuan, located in the center of Shunde, is a rare modern Lingnan classical garden masterpiece. This paper provides an in-depth introduction to the gardening characteristics of the “landscape garden” in Heyuan, interprets its layout and gardening techniques, and illustrates the essence of Lingnan classical garden layout, mountain building, and water management, and inherits Lingnan classical garden culture.Key words landscape architecture; Lingnan architecture; mountain building and water management; stone landscape construction1引言中国古典园林造园历史悠久,通过人为的艺术创造,运用筑山理水的创作方式,以山石构筑园林景观骨架基础,以水景为空间脉络,把自然之美与人工之美相结合,创造出意境深邃的园林景观。
介绍土壤类型英文作文英文:As a soil scientist, I have studied various types of soil and their characteristics. There are several different soil types, each with its own unique properties and uses.One common type of soil is sandy soil. Sandy soil has a gritty texture and is made up of larger particles. It is well-draining and does not hold water well, which can be both a benefit and a drawback. Sandy soil is good for growing plants that prefer dry conditions, such as cacti and succulents. However, it may require more frequent watering for other types of plants.Another type of soil is clay soil. Clay soil is made up of very fine particles and has a sticky, dense texture. It holds water well and is often rich in nutrients, making it good for growing a variety of plants. However, it can also become waterlogged and compacted, which can make itdifficult for plant roots to grow. 。
Southeast Horticulture东南园艺2022,10(5):381-388福州植物园紫薇专类园景观特征分析毛志群(福州植物园,福建 福州 350012)摘要:紫薇作为中国的传统名花之一,本文以福州植物园内的紫薇专类园作为研究对象,分析紫薇专类园的景观布局、植物配置及景观营造等。
结果表明:紫薇园作为新型的植物专类园,主题突出,布局合理,植物选择配置形式丰富,整体效果好。
紫薇专类园具有引种驯化、资源保护、科学研究和休闲游憩于一体的作用,它将对福建省的其他植物专类园规划设计提供一定的参考和借鉴。
关键词:紫薇;专类园;景观特征中图分类号:S685.99 文献标识码:A 文章编号:2095-5774(2022)05-0381-08DOI :10.20023/ki.2095-5774.2022.05.015Analysis on Landscape Characteristics of Crape Myrtle SpecializedGarden in Fuzhou Botanical GardenMAO Zhi-qun(Fuzhou Botanical Garden ,Fuzhou ,Fujian 350012,China )Abstract:Crape myrtle is one of the traditional famous flowers in China. This paper takes the crape myrtle specialized garden in Fuzhou Botanical Garden as the research object to analyze its landscape layout,plant configuration and landscape construction. The results showed that crape myrtle specialized garden,as a new type of plant specialized garden,had prominent theme,reasonable layout,abundant plant selection and configuration,and good overall effect. Crape myrtle specialized garden has the functions of introduction and domestication,resource protection,scientific research and recreation. It will provide some references for other plant specialized garden design in Fujian Province.Key words:Crape myrtle; Specialized garden; Landscape charactersitics毛志群. 福州植物园紫薇专类园景观特征分析[J].东南园艺,2022,10(5):381-388.MAO Zhi-qun. Analysis on Landscape Characteristics of Crape Myrtle Specialized Garden in Fuzhou Botanical Garden[J]. Southeast Horticulture,2022,10(5):381-388.收稿日期:2022-06-23作者简介:毛志群(1970-),男,园林高级工程师,主要从事园林观赏植物引种驯化、园林景观设计和施工管理工作,E-mail:紫薇(Lagerstroemia indica L.)是千屈菜科(Lythraceae)紫薇属(Lagerstroemia Linn.)植物,又称百日红或满堂红[1],原产于亚洲,现广泛种植于热带地区[2]。
Journal of Landscape Research 2019,11(5): 130–134Received: July 2, 2019 Accepted: August 21, 2019Analysis of Gardening Characteristics and Style Formation of Lingnan GardensZHENG Weibin(College of City Construction, Jiangxi Normal University, Nanchang, Jiangxi 330022, China)Abstract Lingnan gardens, as one of the three major schools of Chinese classical gardens, have distinctlocal characteristics and pursue the unity of practicality and artistry. They began to develop during the Qin and Han dynasties, gradually formed their own unique characteristics during the Song and Yuan dynasties, became mature and were extricated from the influence of southern gardens and northern gardens during the Ming and Qing dynasties. In this paper, from the macro and micro levels, as well as natural, social and humanistic perspectives, the style formation of Lingnan gardens was studied.Key words Lingnan gardens, Classical gardens, Style characteristics, Development, Gardening DOI 10.16785/j.issn1943-989x. 2019.5.028Lingnan area mainly refers to the Pearl River Delta basin, including Guangdong, Hong Kong, Macao, Fujian, Guangxi and other areas with similar geographical environment and customs. In Lingnan area, garden construction has both aesthetic and practical characteristics, and combines eastern and western styles with mountains, water elements, and architectural sketches in the southern and northern regions of China. Therefore, Lingnan gardens, northern imperial gardens, and private gardens in Jiangnan (regions south of the Yangtze River) are called the three major schools of China’s traditional gardening art.1 Overview of Lingnan gardens1.1 Overall characteristics of Lingnan gardensLingnan gardens have the overall charac-teristics of simplicity, clarity and transparency. In respect of plane layout, unlike the complicated spatial structure of Jiangnan gardens, Lingnan gardens have a clear internal division and high independence, and have no a large number of fusion forms, showing a well organized spatial structure. In the architectural style, Lingnan gardens are characterized by fine structure, rich details and diversified colors in the decoration and sculpture pieces. In the garden scale, Lingnan gardens are meticulously processed, but do not pursue large scale and overall stacking [1-2]. In addition, under the influence of western foreign cultures, Lingnan gardens are more inclusive in the embodiment of cultural characteristics, showing the characteristics of multiculture. This unique features are related to local unique geographical features and are closely relatedto local cultural characteristics and population migration. Lingnan has a good acceptance of foreign things because of its accessible traffic location environment, so this cultural characteristic is also reflected in the construction of Lingnan gardens [3].1.2 Development overview of Lingnan gardens1.2.1 The Spring and Autumn period and the Qin and Han dynasties. The early Lingnan gardening activities recorded in history began in the late Spring and Autumn period, and only imperial gardens were built due to the feudal system. In the Qin dynasty, Ren Xiao died, and Zhao Tuo went southwards, bringing the mature culture of the Yellow River basin to Lingnan. Due to its influence, Lingnan gardens at that time lacked other strong cultural elements to support, so its gardening techniques also reflected the characteristics of the Central Plains. At that time, northern imperial gardens were mainly characterized by the construction of high platforms for sacrificial rituals and building construction, and the same architectural form was also reflected in the garden construction of Lingnan. Zhao Tuo founded Nanyue Kingdom, and built his palatial gardens (Chaohantai and Yuewangtai) in the south of the Yuexiu Mountains. In addition, Bailutai and Changletai were built in Wuhua County and Xinxing County, which is the earliest gardening activity in Lingnan area [4].1.2.2 The Five Dynasties. During the Five Dynasties, a new political power, the Southern Han, was established in the Lingnan area. In the early days of the establishment of the regime, the economy was relatively stable, and the rulers allocated a large amount of manpower for the construction of palace buildings. During the late Southern Han dynasty, the royal family built imperial gardens on a large scale inside and outside Guangzhou City [13]. Historical data at the time did not contain a description of forests in private gardens. The construction scale of palatial gardens during the Southern Han dynasty was huge. There is Ganquan Garden in the north of Guangzhou City and ChanghuaGarden, Hualin Garden, Fanghua Garden and Xiande Garden along the banks of Liwan Lake, and several palatial gardens are collectively known as the West Park.Among the palatial gardens during the late Southern Han dynasty, the artistic level of Xianhu Yaozhou is the highest. In Xianhu Yaozhou, Jiuyaoshi symbolizes the nine suns that were shot by Hou Yi and was loved by the rulers at that time, so it was recorded as Jiuyao Garden in historical data. The design of Yaozhou was influenced by the Fangxiandao School of Laozi at that time. The rulers yearned for the life of the gods, which was embodied in the design of gardens in Yaozhou. A lake and an island were arranged in the gardens. There are pavilions on the shore of a lake, which embodies the tribute to the Daodejing in artistic conception. The garden style is highly similar to the garden features of the later Tang and Song dynasties. Natural landscape is dominant, and the buildings are elegant and simple [15].1.2.3 The Southern and Northern Song dynas-ties. Since the rise of Lingnan gardening acti-vities during the late Southern Han dynasty, Peng Yannian invested in the construction130Journal of Landscape Researchof Pen Garden during the Northern Song dynasty, and the garden is the first private garden in Lingnan during the Northern Song dynasty. In the garden, the main building Siwang Building has a three-story structure, from which the picture of surrounding fishermen’s life can be seen. At that time, the northern gardens were even difficult to surpass their level of construction. It reflects the excellence of its gardening techniques. As the first and most outstanding representative of Lingnan gardens during the Song dynasty, Peng Garden was also a private garden with local characteristics among the classical gardens during the Northern Song dynasty. 1.2.4 The Ming and Qing dynasties. After the Ming dynasty, the garden construction in Lingnan area became frequent, and a large number of merchants built private gardens. Due to the developed economy, their level was generally higher. During the early Qing dynasty, with the restoration of agriculture and the re-establishment of economic production, the garden construction activities in Lingnan area became more dense. From the Kangxi to the Qianlong period during the Qing dynasty, the traditional economy developed to the peak, and the reference to the style of private gardens in Jiangnan was gradually reduced, while local characteristics of Lingnan in terms of spatial layout, architectural forms and handling techniques were gradually produced. The four famous gardens in Lingnan were built during this period. The construction scale of Lingnan gardens during the Qing dynasty was small, and most of them were small gardens with houses as the main body. In the gardens, the proportion of buildings was large, and the buildings were connected by corridors to provide a large shade area for the inside of courtyard space, which is conducive to outdoor recreation under strong light. Most of the buildings were equipped with a top-level platform to provide excellent visibility and open up a larger area of activity to isolate the high temperature plane. After long-term imitation of Jiangnan gardens and northern gardens in the past, Lingnan gardens have accumulated enough cultural connotation and experience, and have become one of three major schools of gardens with its unique geographical features[5].2 Gardening elements and styles of Lingnan gardens2.1 Buildings and corridorsProfessors Xia Shichang and Mo Bozhi have given direct insights into the local style ofLingnan gardens in the article Talking aboutLingnan Courtyards. Lingnan gardens are“clear and light”. The main characteristics ofLingnan in the atmospheric climate are longduration of light and high temperature, which isaccompanied by dense precipitation, so the mainfunctional requirements of Lingnan gardens areheat and moisture prevention.In consideration of local climate, thelayout of buildings in Lingnan gardens focuseson natural ventilation and creates a treatmentmethod with its local characteristics. Thebuildings inside the gardens face the south, anda large vent is cut out in the north-south façade,making it perpendicular to the South Asianmonsoon blowing from the South Pacific insummer to form an effective air duct. In the eastand west, the structure is used for compressionresistance and isolates the sun from the west.In Lingnan gardens, the main buildingsmainly use an atrium to obtain light andadditional air. Air is send out through patiosand skylights using vertical pressure of airpressure, which is also known as the stack effect.Compared with residential houses, the buildingsin Lingnan gardens use corridors and verandas.The verandas not only serve as a transportationlink for the buildings, but also shield their largeopenings, achieving a sunshade and sheltereffect. Above, the large area of corridors is oneof characteristics of Lingnan gardens combiningwith local climate.2.2 HillstoneHillstone is one of four elements ofChinese classical gardens. In the constructionof Chinese classical gardens, the treatment ofhillstone has always been highly valued. Rockymountains are one of main forms of gardenlandscape. At the same time, piling of rockeriesand stone arrangement contain the main designconcept of Chinese classical gardens. Pilingof rockeries is an imagery entourage of actualmountain scenery to show the characteristics oflandscape beyond its size in a small area, whichid a powerful summary of mountains. Piling ofrockeries reflects ancients’ concept of gardencreation that is based on nature and higher thannature.During the Ming and Qing dynasties, Ling-nan gardens belonged to “gardens” in terms ofscale. For this type of gardens, piling of rockeriesis combined with buildings more closely, andthere are water bodies such as small ponds andlakes, which is called “water-stone landscape”.The pilled rockeries in Lingnan “gardens” areessentially different from the combination ofrockeries and pools inside northern and southerngardens. In addition, limited by the floor area ofLingnan gardens, piling of rockeries and stonearrangement cannot be carried out in a largearea, can be performed only around buildings,and only simulates the corners and ones ofmountains. The scattered and fragmentedfeatures are very obvious. Therefore, differentfrom the piled rockeries in northern gardensand Jiangnan gardens (such as peaks, mountains,rocks, caves, cliffs, gullies, valleys, etc.), the piledrockeries habitually used in Lingnan gardensare often arranged in the form of peaks, wallrocks, caves, and waterfront rocks. Seen fromthe application of piling of rockeries, it can bedivided into stone arrangement and piling ofrockeries on the whole.Piling of rockeries means using a largerhillstone for landscaping, or assembling two ormore similar stones into a complete monolithstanding stone. The method of piling ofrockeries has a certain regular pattern for thevolume and material of stones. In Lingnangardens, the layout methods of stone scenerymainly include scattered configuration, specialconfiguration, and combined construction.The arrangement is rigorous and concise. Thepiled rockeries can only be used as a fragmentof landscape in Lingnan gardens, and can beseparately arranged from the scope of buildings,generally together with water body.2.3 Water bodyWaterscape is a major landscape elementof Lingnan gardens. The layout of water bodyis related to the arrangement scale and modeof hillstone in Lingnan gardens. Therefore,the landscape composed of water body andhillstone structures in the gardens is called“water-stone landscape”. This can reflect theunique characteristic of water management inLingnan gardends from a technical perspective.A courtyard is the basic space unit of Lingnangardens. The water body of Lingnan gardens isintegrated with rocky mountain and architecturallayout to form various types of courtyards.The main water management methods used inLingnan gardens are water courtyards and waterstone courtyards.2.3.1 W ater courtyards. In a water courtyard, the areaof water body is large, and the area of field andbuildings is small area. The scale of a courtyardin Lingnan gardens is sometimes too small,and the piled rockeries and stones are easy toaccumulate, so water body is used to obtainan open space. The characteristic of a watercourtyard is that water surface accounts for alarge proportion in the courtyard, and pools and131132buildings are the main parts of the courtyard, while buildings are also used as entourage. In Lingnan gardens, the layout method of water courtyards develops from early regular symmetrical layout into later various forms due to the acceptance of foreign culture after the Song dynasty[7-8].According to the size of water body and its relationship with building space, water courtyards are mainly divided into inner water courtyards, pond water courtyards, and hilly pond water courtyards. An inner water courtyard is developed from a general residential courtyard, and is also known as “a water patio”. In an inner water courtyard, water body is enclosed by buildings. A pond water courtyard is the most common method of handling waterscape in Lingnan gardens. Its characteristics are as follows: the area proportion of water body is large, and buildings are adjacent to water and interacts with water body; the volume of buildings is generally small to form a certain drop and make water body big and low; there are other landscape sketches along ponds to achieve spatial integration and constitute an open water courtyard. Hilly pond water courtyards generally appear in gardens of hilly areas. The main features are as follows: gullies and ponds ditched on soil slopes and ridges or natural ditches are used to store water, which will become natural or artificial water body. Buildings are built in surrounding areas with good vision and location at different altitudes according to local conditions.2.3.2 Water stone courtyards. Water stone is a special type of space arrangement for Lingnan gardens. The mirror effect of water body can make the original space appear larger, namely expanding visual space and making it become naturalized landscape. Water stone courtyards use hillstone and buildings to highlight features of different types of water body, such as wall pools, mountain streams, and mountain pools. According to the size of water body, the relationship between hillstone placement and displacement, and the distance and volume of buildings, the main arrangement methods of water stone courtyards are divided into two kinds: for sparse water stone courtyards, water body is large in volume, and hillstone is used as an embellishment and auxiliary; for deep and quiet water stone courtyards, hillstone is dominant inside, and water surface area is small, which is mostly wall pools or mountain streams.2.4 PlantsBecause Lingnan area is located in the southeast and close to the sea, it is affected by the tropical airflow from South Asia all the yearround. It has a long summer and illuminationtime, so subtropical and temperate plants canbe planted here. The excellent conditions forplant growth and characteristic climate typesof Lingnan provide the conditions for thedevelopment of Lingnan gardens. The plantconfiguration of Lingnan gardens not onlyreflects the feelings and ideas of builders orincreases the artistic and landscape of gardenlandscape, but also reflects the practicality ofLingnan gardens through the analysis of plantconfiguration[9-11]. When Lingnan gardens arebuilt, there are regularity and criteria for theselection of plant species. For housing gardens,lychee, longan, mango, plantain and other plantspecies that have ornamental value and are edibleare selected.Another feature of internal plant confi-guration of Lingnan gardens is the selection ofmedicinal species. Medicinal plants are oftenplanted in temples and non-residential gardens,and common tree species are sandalwood andcypress. The choice of plant configuration in Lingnangardens reflects its artistry and practicality.3 Influencing factors of style forma-tion of Lingnan gardens3.1 Macro factorsFrom a macro perspective, the natural condi-tions of Lingnan area are different from thoseof Jiangnan and North China, and its social andcultural environment also has strong regionalcharacteristics due to geographical deviation,which is reflected in the features of Lingnangardens. Therefore, the formation of gardenstyle in Lingnan area will also be influenced bycorresponding elements of geography, socialhistory and multicultural environment.3.1.1 Natural features. Lingnan area is locatedin the temperate zone and subtropical zone,and winter is relatively short, while summer isrelatively long. Summer precipitation accountsfor more than 70% of total precipitation inthe whole year, and the proportion exceeds80% in coastal areas. In winter and spring,monsoon is reversed, and the dry air from thenorth makes it lack precipitation and maintainsmild temperature. At the same time, Lingnanis dominated by the South Asian monsoon insummer, and wind speed is not high because itcarries a lot of water vapor. In winter, it is mostlydominated by the cold current in a northwesterlydirection, with higher troposphere and windspeed. Spring and autumn are alternatingseasons. The direction is turbulent due to thefluctuation of temperature, and the direction isvery uncertain. In Lingnan area, there are coldcurrents moving from the north to the south inwinter and tropical air currents and typhoonsfrom the Pacific Ocean in summer, and therainy season and the flood season are longer,which is different from other areas. In addition,the terrain of Lingnan area is complex, and theconditions for plant growth are good, whichprovides convenience for Lingnan gardeningactivities.In the process of crustal activity, complexterrain such as mountains, hills and terracesare produced in Lingnan area, and there is noplain, which only exists in river valleys, deltasand coastal areas. The hilly areas in Lingnan areaare mostly zonal structures. Most of hills aredistributed around valleys, or in coastal plainsand terraces. In Lingnan, river basins are wideand have characteristics of large flow, deep waterand long flood season.The natural adaptability of gardens is embodiedin the adaptability of climatic environment,geographical environment and gardeningraw materials. The climate and geographicalenvironment are the main influencing factorsof Lingnan gardens different from northernand southern gardens. Most areas of Lingnanhave mountainous and hilly terrain, which is notsuitable for large-scale construction. Therefore,the construction activities of Lingnan area ismostly concentrated in the Pearl River Deltaand other flood plains, and an unique system isgradually produced in terms of location selection,layout mode, and gardening techniques. At thesame time, the diverse geographical environmentof coastal areas in Lingnan provides referenceand background for the construction of Lingnangardens. The piled rockeries in Lingnan gardensare basically based on local scenery.3.1.2 Social environment. The emergence,prosperity and development of gardens, andeven the evolution of gardening ideas andthe reform of craftsmanship are based on thesocial production and life of human beings,and continue to evolve with the developmentof social development. The emergence anddecline of gardens is a reflection of changes anddevelopment of production lifestyles.Lingnan area develops based on trade,and because of its superiority in transportationlocation, the economic development of ancientLingnan area is relatively stable. In NanyueKingdom, maritime trade could be seen inhistory books. During the Han dynasty, therewere routes from Hepu and other ports to theSouth Seas. Port development was earlier inthe region, and it is the starting point of the132Analysis of Gardening Characteristics and Style Formation of Lingnan Gardens133Journal of Landscape ResearchMaritime Silk Road. During the Jin dynasty and the Northern and Southern dynasties, the trade in Lingnan area continued to develop, and its foreign trade was prominent. The import and export goods during the Tang dynasty and the number of ships to and from Guangzhou Port increased sharply. During the Song dynasty, the trade routes in Lingnan area covered Southeast Asia, the Indian Ocean region, and the east coast of Africa, and foreign trade reached a peak.During the Ming and Qing dynasties, for defensive purposes and the self-sufficiency of internal economy, Guangzhou became the main port city for foreign trade, so the maritime trade of Lingnan continued to develop, affecting local manual business and small-scale peasant economy. Traditional food production was changed, and the cultivation of commercial crops began, forming a new commercialized economic basis for agricultural production and shifting from a natural economy to a small commodity economy. Lingnan characteristic gardens are a manifestation of development of commodity economy. The main economic forms of other regions in China at that time were still mainly the traditional small-scale peasant economy. The traditional concept of the feudal class’s centralized system to exclude free trade was reflected in the construction activities of northern and southern gardens. Lingnan’s economy is gradually dominated by the small commodity economy. In contrast, Lingnan gardens pay more attention to their functional utility and secularized aesthetic features.3.1.3 Humanistic environment. The humanistic culture of Lingnan area always have distinct local characteristics due to the closure of land. From the perspective of cultural composition, Lingnan culture is a mixed culture produced by the combination of the local aboriginal culture after the Wuyue culture, the Minyue culture and the Jingchu culture in the Yellow River basin entered Lingnan during the Qin and Han dynasties, and it was influenced by foreign culture in the trade process to produce a new mixed culture. It is open and flexible. Lu Yuanding summarized Lingnan culture into three main systems and four characteristics in his book Lingnan Human-ities, Characters and Architecture. The three main systems refer to the local culture of the mainland, the foreign culture introduced through the ocean, and the local trade culture derived from commercial development. The four characteristics refer to cultural inclusiveness, cultural applicability, cultural secularity and cultural originality.The humanistic adaptability of Lingnan gardens, as a major aspect of Lingnan gardensthat is different from northern and southerngarden systems, is mainly reflected by the designconcepts, spiritual philosophy and aestheticelements contained in architectural expressionssuch as architectural layout, treatment details andspatial layout[14]. The construction method andstyle of Lingnan gardens are mainly influencedby humanistic environmental factors such as thetraditional Chinese culture of the Central Plains,the indigenous native culture of Lingnan, andthe culture of the South Seas and Malay[12].3.2 Microscopic factorsThe period from the Ming dynasty tothe middle Qing dynasty was the end ofdevelopment of Chinese classical gardens. Onthe one hand, the local style was weak, and alarge number of private gardens with vary highquality appeared in Jiangnan and Lingnan. Royalgardens were also greatly developed, and newimperial gardens were built. The constructionof gardens in other parts of China was basicallyaffected by the three major systems. On theother hand, classical gardens also showed theirformalism, and pursued construction methodsand skills too much. They lacked motivationand pursuit in innovation, and the weaknessof innovation ability indicated the bottleneckof development of garden system. In thedevelopment process, Lingnan gardens hadgradually demonstrated its local characteristicsadapting to local conditions. During the Mingand Qing dynasties, the functions, nature, andconstruction techniques of Lingnan gardenschanged accordingly.3.2.1 Change of gardening purpose. After theMing dynasty, the only port city Guangzhou inLingnan area has gained a new developmentopportunity. With the increase in the difficultyof being an official and the decrease in thesuppression of commercialism since theMing dynasty, the social reform of the newConfucianism and the donation system duringthe Ming and Qing dynasties have promotedthe increase in the number of business peopleand the proportion of intelligentsia going intobusiness, and the combination of merchants andofficial members has become more and moreclose, which has promoted the construction ofprivate gardens.The Ming and Qing dynasties were theprosperous period of Lingnan private gardens.The main owners of Lingnan gardens builtduring this period are still the literati, as well asmerchants. At the end of the feudal era, theliterati pursued material life instead of traditionalConfucian philosophy. Most private gardens inLingnan have become the entertainment andcultural activity center of the literati, as well asmeans of displaying wealth and social class.Their purpose and functional orientation havebegun to differentiate with the purpose of theprevious dynasty, and the trend has becomemore obvious in the later period. This reflectsthe transformation of thoughts of the feudalliterati class to secularized aesthetic experience.It has promoted the formation of the dual unityfeatures of Lingnan classical gardens, which ismainly reflected in the transformation of thepragmatism pursued by the garden buildingfunction to secular functions.3.2.2 The “Mustard” idea makes gardens movetoward formalism. During the Ming and Qingdynasties, the development of Chinese classicalgardens entered the final period of prosperity,and had no new innovation, but the developmentwas extremely mature. Despite the emergenceof three different factions of northern imperialgardens, Jiangnan gardens and Lingnan gardens,it was impossible to change the basic situationof gardens facing the lack of innovation, andit also directly reflected the formalism trend ofgardening thought. The thought of adheringto the original system and artistic methodsand pursuing details and skills continued for along time, and classical gardens lost the abilityand vitality of innovation. At the same time,the orientation of classical gardens changedduring the Ming and Qing dynasties, and therelationship between gardens and buildings infunction become closer. Gardens began to havesome functions of buildings, and were giventhe functions of entertainment, entertainmentand recreation by builders. On the other hand,the buildings in a garden also began to havesome features of the garden. Rockeries, stonescenery, water body and vegetation appearedin a courtyard enclosed by the buildings. Thismarks the overlapping of buildings and gardensin boundary and function, as well as the furtherimplementation of garden thought of very closemountain forests.Lingnan gardens pay attention to the polari-zation of artistic details, and the requirements fordetails in the methods of piling rockeries, watermanagement, flowers, and building walls aremore complicated. Builders use complex finiteforms to achieve their artistic purpose as muchas possible, and strengthen spatial elements tohighlight the idea of very close landscape. Thishas become an avenue for comparison and anarrow artistic vision, but it has also become aninevitable development trend. In the classicalgarden system,the gardening art of Lingnan133134。