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unit2（unit2） 2 Charlie Chaplin He was born in a poor part

of the south of london. His socks were clipped from his

mother’s red stockings. His mother was once diagnosed with

mental disorder. Dickens might have created Charlie?

Chaplin’s childhood. But only Charlie? Chaplin could have

created the great comic character of the Tramp, the little man

makes his creator permanent fame shabby in dress. As far as

Chaplin is concerned, other countries, such as France, Italy,

Spain, and even Japan, have given him more applause (and more

income) than his birthplace. In 1913, Chaplin left England

permanently and started off with some of the actors in the

United States for stage comedy performances. There, he

recruited him to the king of Hollywood comedy Mike Sennett’s

work?. Unfortunately, many Britons in the two and twentieth

Century 30s thought Chaplin’s tramp was somewhat vulgar. The

middle class certainly thinks so. The working class but are more

likely to cheer for such a resistance to the powerful role: he

clapped to obstruct to wicked little cane, or boot heel

alignment pow kick. Still, Chaplin’s funny beggar looks less

like the British, not even the working class. British tramps don’t wear beards or wear baggy pants or tails: European

leaders and Italy waiters wear them. What’s more, the tramp

looks so pretty in the eyes of a pretty girl that is not

considered decent by the British audience - only foreign talent,

isn’t it? In most of Chaplin’s screen career, he was silent

on the screen, and there was no way to prove he was british.

In fact, when Chaplin could no longer resist a sound movie and

had to find the right voice for his Tramp, he did have a headache.

He tried to postpone the day as much as possible: in the modern

age of 1936, he sang and sang in the film for the first time.

In the film, he acts as a waiter, full of gibberish, and does

not sound like the language of any country. Later, he said, his

imaginary tramp was a college educated but declining gentleman.

But if he had an educated accent in the early short comedy films,

it would be hard to say whether he would be famous around the

world, and the British would surely think it was weird. No one

knew whether Chaplin was doing it on purpose, but it made him

a great success. He was a man of extraordinary talent, and his

determination was so great that it was rare even among Hollywood

stars. His great fame brought him freedom and, more importantly,

wealth, he was thus master of himself. At the beginning of his

career, he felt an urge to discover and expand his talents. When ---------------------------------------------------------------最新资料推荐------------------------------------------------------

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he first saw himself on the screen as a Tramp, he said, it can’t

be me.. Is that possible? Look, what a strange character it is!

The shock awakened his imagination. Chaplin did not write his

jokes in advance. He is the comedian who creates art by acting

while feeling. Inanimate objects especially helped Chaplin

develop his artistic talents. He imagines these objects as

something else. Therefore, in the pawnbroker, a broken alarm

clock into a sick patient undergoing surgery; in the gold rush,

boots were boiled in boots, eaten with salt and pepper, like

fish (the nails being removed like fish bones). This

transformation of things, and the skills he has made again and

again, are the mysteries of Chaplin’s great comedy. He too

deeply wanted to be loved, and afraid of being betrayed. The

two are difficult to combine, and sometimes this conflict leads

to disaster, just as he did in his early marriages. Yet even

this self-knowledge, which was paid for at a price, was shown

in his comedies. The tramp never loses faith in the flower girl

that she was waiting to walk into the sunset with him; while

the other side of Chaplin makes his Mr. Verdu, a French wife

killed, has become a symbol of hatred for women. It was a

relief that life finally gave him the stability and happiness that Chaplin had not previously achieved. He found the Werner?

O’neal? Chaplin is a companion. Her poise and affection

spanned the 37 year old gap between them. Their age difference

is too large, so that when they get married in 1942 when the

bride announced the date of their wedding, ask the beautiful

17 year old girl as they go through the formalities of officials:

where is the young man? Chaplin, 54, was waiting outside

cautiously. Since Wana herself was born into a troubled family,