London--William Blake鉴赏
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探析威廉·布莱克笔下的《伦敦》
诗集之一 主要诉说人生的苦难 是严酷现实的写照 而 伦敦
则是该诗集中最 著名的短诗
英国诗人中 以伦敦为题的作者不乏其人 如 J o h n s o n ,
Wor dswor t h 等 他们中有的是怀才不遇的学者, 穷愁潦倒 发发牢
骚 有的则是歌颂英国的伟大 伦敦的壮丽 而对残酷的社会现
实却漠然视之 布莱克的贫穷生活使他接近劳动人民 认识了当
酷 扫烟囱的孩子的哀号( chi mney- s weepe r ' s cr y) 教士们的虚伪和
恐慌( chur ch appal ls) 被士兵鲜血染红的宫墙( bl ood runs down Pal ace
wal l s) 在最后一个诗节里 诗人表达了他对这个黑暗社会的严厉
谴责 最不忍心听到的是街头年轻妓女的诅咒( yout hf ul Ha r l ot ' s
婴 孩, 正 在遭 受的 厄运 诗人 在第 二节 中又 重复 使用了 4 个
e ve r y , 而且用了一系列的平行结构 造成了很强的气势 I n
ever ycryof ever yman/ Ineveryi nf ant' s cr yof fear/ Ineveryvoi ce, inevery
学术论坛
探析威廉 布莱克笔下的 伦敦
王秀 艳 包头师范学院 包头 014030
摘 要 伦敦 是 19 世纪英国浪漫主义诗人布莱克的著名短诗之一 的深 恶痛绝 关键词 主题 意象 社会罪恶
诗人揭露了英国社会的种种腐败和罪恶
表达了其对专制暴政
威廉 布莱克是英国十八世纪末十九世纪初的著名诗人 英
国前浪漫主义文学的重要代表 他的诗蕴蓄着巨大力量 充满着
从英诗的美学角度鉴赏《London》
从英诗的美学角度鉴赏《London》作者：张玉姣来源：《青年文学家》2019年第18期[中图分类号]：I106; [文献标识码]：A[文章编号]：1002-2139（2019）-18--011.作者简介威廉·布莱克（William Blake），英国文学史上伟大浪漫主义诗人之一。
主要诗作有诗集《纯真之歌》、《经验之歌》等。
其早期作品简洁明快，中后期作品趋向玄妙深沉，充满神秘色彩。
他一生中与妻子相依为命，以绘画和雕版的劳酬过着简单平静的创作生活。
后来诗人叶芝等人重编了他的诗集，人们才惊讶于他的虔诚与深刻。
接着是他的书信和笔记的陆续发表，他的神启式的伟大画作也逐渐被世人所认知，于是诗人与画家布莱克在艺术界的崇高地位从此确立无疑。
布莱克的诗摆脱了18世纪古典主义教条的束缚，以清新的歌谣体和奔放的无韵体抒写理想和生活，有热情，重想象，开创了浪漫主义诗歌的先河。
他的浪漫主义气息远比其后的浪漫主义诗人，如华兹华斯、济慈、雪莱等更加深刻。
布莱克写作风格独特，被20世纪的学者们誉为英国文学史上最重要的伟大诗人之一。
《伦敦》主要写了当诗人走在伦敦街头时看到的悲惨景象。
在被占领的伦敦街道上，行人面容哀伤，婴儿们害怕地哭泣，禁令在不断地传达出来。
从教堂传出来的是扫烟囱的孩子的凄厉的哭声，士兵不断地倒在鲜血中，而在深夜，路边的妓女不停的诅咒声压过了新生婴儿的哭声，喜宴变成了丧葬仪式。
诗中诗人描写的就是这样一幅悲惨的景象。
2.《伦敦》的美学特征2.1音乐美诵读一首好诗，就像聆听一首优美的歌曲。
诗歌最早是和音乐一起诞生，在我国古代，合乐者为诗，不合乐者为歌。
而英诗中语言也具有很强的音乐性，雪莱在《诗辩》中说：“诗人的语言总是会有某种划一而和谐的声音之重现。
凡是诗情充溢的语言，都遵守和谐重现的规律，同时还注意这种规律与音乐美的关系”。
埃德加·艾伦·坡也认为“诗是与愉悦的思想结合在一起的音乐”。
在《伦敦》这首诗中，全诗由四个诗节组成，以五音步抑扬格的形式写成。
从英诗的美学角度鉴赏《london》
从英诗的美学角度鉴赏《london》
《London》是英国诗人William Blake于1794年创作的一首诗歌，它描绘了伦敦的景象，表达了作者对伦敦的热爱和深深的思念。
从美学角度来看，《London》是一首充满着悲伤和深情的诗歌，它把作者的心情和思绪表达得淋漓尽致。
诗中描绘的伦敦景象，令人感受到作者对伦敦的热爱和思念，他用悲伤的语调描绘了伦敦的街道、桥梁、建筑物等，以及伦敦人民的悲惨遭遇，表达了作者对伦敦的深深思念。
此外，诗中还描绘了伦敦的悲惨景象，比如“悲伤的婴儿哭泣着”，“悲惨的母亲把孩子抱在怀里”，“悲惨的母亲把孩子抱在怀里”，这些描绘出了伦敦人民的悲惨遭遇，令人感到悲伤。
总之，《London》是一首充满悲伤和深情的诗歌，它把作者对伦敦的热爱和思念表达得淋漓尽致，令人感受到作者对伦敦的深深思念。
它不仅描绘了伦敦的景象，还把伦敦人民的
悲惨遭遇表达得淋漓尽致，令人感到悲伤。
london诗歌鉴赏
london诗歌鉴赏
《伦敦》一诗同样出自《经验之歌》，理解这首诗歌，必须理解当时伦敦的社会背景。
1769年是英国历史上的一个重要标志，瓦特改良的蒸汽机获得专利，引领了英国伟大的工业革命;到本诗创作的1794年，英国正处于飞速上升阶段，伦敦异常繁荣，同时污染也相当厉害。
煤烟熏黑了街道，工业化加剧了阶级压迫。
同时，1789年的法国大革命使英国统治者坐立不安，相继发布法令，封锁言论自由，加强专制统治。
经济繁荣与精神压抑并存，威廉布莱克以诗歌描述出伦敦的死气沉沉。
布莱克的伦敦诗歌鉴赏
布莱克（William Blake）是18世纪末19世纪初的英国浪漫主义诗人和艺术家，他的伦敦诗歌是他作品中的重要组成部分。
以下是对布莱克的伦敦诗歌进行的简要鉴赏：布莱克的伦敦诗歌以揭示城市现实中人们的苦难和压抑为主题，通过诗人独特而激起共鸣的方式表达了他对社会不公和人类困境的关注。
他运用生动的形象、深邃的意象和强烈的表达力，使诗歌具有强烈的感染力。
其中最著名的伦敦诗歌包括《伦敦》和《经验之歌》。
《伦敦》描绘了城市的黑暗和不公，通过对街头、河流和教堂等场景的描写，表达了人们心灵的枷锁和社会的束缚。
《经验之歌》则通过“经验小男孩”的视角，展现了人们欲望和受压抑的内心世界。
这些诗歌中流露出对社会制度和道德观念的质疑，以及对人类灵魂自由和解放的渴望。
布莱克的伦敦诗歌还强调了个体的价值和尊严。
他谴责了社会的剥削和压迫，并提倡个体的自由和真实性。
通过对工人和儿童等弱势群体的关注，他揭示了人类的困境和不平等，并呼唤悲悯、同情和社会变革。
总体而言，布莱克的伦敦诗歌以其深邃而独特的艺术表达和对社会问题的关切而被广泛赞赏。
他通过诗歌唤起读者对人类境遇的思考，同时也以其对个体自由和人性尊严的探索，成为浪漫主义文学中的杰出代表。
英语诗歌london解析
英语诗歌london解析【最新版】目录一、引言1.介绍英语诗歌的重要性2.提及伦敦在英语诗歌中的地位二、伦敦在英语诗歌中的描绘1.伦敦的历史与文化背景2.伦敦的景观与地标三、英语诗歌中伦敦的主题1.伦敦的繁华与喧嚣2.伦敦的生活与情感四、著名英语诗人对伦敦的描绘1.威廉·布莱克的《伦敦》2.约翰·济慈的《秋天的颂歌》五、伦敦在英语诗歌中的影响1.对伦敦城市形象的塑造2.对后世诗人的启发和影响六、结论1.总结伦敦在英语诗歌中的重要性2.强调英语诗歌对伦敦文化传承的意义正文一、引言英语诗歌作为英语文学的重要组成部分，不仅展现了英语语言的魅力，还反映了英国的历史、文化和社会风貌。
在众多的英语诗歌中，伦敦这一国际大都市占据了举足轻重的地位。
本文将对英语诗歌中的伦敦进行解析，以期从中领略伦敦的魅力与独特之处。
二、伦敦在英语诗歌中的描绘1.伦敦的历史与文化背景伦敦作为英国的首都，拥有悠久的历史和丰富的文化底蕴。
在英语诗歌中，许多诗人都以伦敦为背景，描绘了这座城市的历史变迁和文化特色。
例如，约翰·斯坦贝克·克拉克在《伦敦》一诗中，通过描述伦敦的街道、建筑和博物馆，展现了伦敦深厚的历史积淀和丰富的文化资源。
2.伦敦的景观与地标伦敦拥有许多著名的景观和地标，如大本钟、伦敦塔桥、泰晤士河等。
这些独特的景观在英语诗歌中得到了广泛的描绘。
例如，威廉·布莱克在《伦敦》一诗中写道：“我站在查令十字街，/望着大本钟沉重的脚步。
”这里，诗人以大本钟为代表，展现了伦敦城市的繁忙与喧嚣。
三、英语诗歌中伦敦的主题1.伦敦的繁华与喧嚣伦敦作为一座国际大都市，以其繁华的街景、忙碌的人群和喧嚣的氛围而著称。
在英语诗歌中，许多诗人都以伦敦的繁华与喧嚣为主题，表达了对这座城市的独特情感。
例如，托马斯·沙德威尔在《伦敦》一诗中，描绘了伦敦夜晚的霓虹灯和车水马龙，展现了这座城市的不夜之美。
黑暗中的呐喊_布莱克_伦敦_之意象解读
!"#$%&’(()!"!*+%,$$-.((/0(.12名作欣赏黑暗中的呐喊———布莱克《伦敦》之意象解读"李海云!河北师范大学外国语学院讲师"文学硕士#布莱克3.)*)0.1’)4生前文名寂寞，死后才被重新发现，并被称为“第一位英国浪漫主义诗人”。
作为英国浪漫主义的先驱，布莱克当之无愧。
他崇尚自然，反对十八世纪的理性主义，强烈要求个性解放。
他强调想象，反对当时文坛上流行的新古典派的所谓“模仿自然”的理论。
诗歌创作上，他大胆实践，努力创新，这一切使得他与众不同，成为英国文学史上一位独特的诗人。
布莱克的作品深刻而丰富，富有创造力。
借用他的“灵感”和“幻景”，布莱克既有对未来世界的描绘，又有对现实世界的描写。
他的长诗从内容到形式都自成体系，具有独创性；就内容的尖锐性与表现手法上的独特性来说，布莱克的短诗也堪称绝品。
《伦敦》是诗人抒情短诗的代表作之一，虽是早期作品，但其独特的艺术魅力使之被公认为英诗中的精品。
飞腾的想象力是布莱克诗歌创作的源泉，并使其能够熟练驾驭各种技术，将他的情绪、感觉和思想洗炼、蒸馏、集中于诗句当中。
只有细细探究，才能在他近乎朴素的的诗歌里体味到其艺术魅力。
本文欲从意象的角度来欣赏这一佳作。
不同于《天真之歌》里要着力创造的和谐美好的大同世界，《伦敦》选自《经验之歌》，在布莱克的经验世界里，他要无情地揭露黑暗的社会现实，批判十八世纪工业革命下英国社会的种种罪恶，而伦敦正是当时英国丑恶社会生活的缩影，所以诗人是要借这短短十六行诗句将其对这座飘满铜臭、腐败不堪的城市乃至整个社会的失望与厌倦宣泄出来。
意象是诗人表情达意最主要的艺术方式之一，而本诗中出现的所有意象几乎都是阴暗的，这与全诗的主题相契合，可谓意与象的完美结合。
布莱克正是凭借意象的出色使用，使《伦敦》这首诗简约而不简单，朴素而不普通。
我走过每条独占的街道，徘徊在独占的泰晤士河边，我看见每个过往的行人，有一张衰弱、痛苦的脸。
从英诗的美学角度鉴赏《London》
文学评论·外国文学从英诗的美学角度鉴赏《London》张玉姣 西北大学[中图分类号]：I106 [文献标识码]：A[文章编号]：1002-2139(2019)-18-121-01１．作者简介威廉•布莱克（William Blake），英国文学史上伟大浪漫主义诗人之一。
主要诗作有诗集《纯真之歌》、《经验之歌》等。
其早期作品简洁明快，中后期作品趋向玄妙深沉，充满神秘色彩。
他一生中与妻子相依为命，以绘画和雕版的劳酬过着简单平静的创作生活。
后来诗人叶芝等人重编了他的诗集，人们才惊讶于他的虔诚与深刻。
接着是他的书信和笔记的陆续发表，他的神启式的伟大画作也逐渐被世人所认知，于是诗人与画家布莱克在艺术界的崇高地位从此确立无疑。
布莱克的诗摆脱了18世纪古典主义教条的束缚，以清新的歌谣体和奔放的无韵 体抒写理想和生活，有热情，重想象，开创了浪漫主义诗歌的先河。
他的浪漫主义气息远比其后的浪漫主义诗人，如华兹华斯、济慈、雪莱等更加深刻。
布莱克写作风格独特，被20世纪的学者们誉为英国文学史上最重要的伟大诗人之一。
《伦敦》主要写了当诗人走在伦敦街头时看到的悲惨景象。
在被占领的伦敦街道上，行人面容哀伤，婴儿们害怕地哭泣，禁令在不断地传达出来。
从教堂传出来的是扫烟囱的孩子的凄厉的哭声，士兵不断地倒在鲜血中，而在深夜，路边的妓女不停的诅咒声压过了新生婴儿的哭声，喜宴变成了丧葬仪式。
诗中诗人描写的就是这样一幅悲惨的景象。
２．《伦敦》的美学特征2.1音乐美诵读一首好诗，就像聆听一首优美的歌曲。
诗歌最早是和音乐一起诞生，在我国古代，合乐者为诗，不合乐者为歌。
而英诗中语言也具有很强的音乐性，雪莱在《诗辩》中说：“诗人的语言总是会有某种划一而和谐的声音之重现。
凡是诗情充溢的语言，都遵守和谐重现的规律，同时还注意这种规律与音乐美的关系”。
埃德加•艾伦•坡也认为“诗是与愉悦的思想结合在一起的音乐”。
在《伦敦》这首诗中，全诗由四个诗节组成，以五音步抑扬格的形式写成。
London鉴赏_翻译
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About the poet William Blake was born on 28 November 1757, and died on 12 August 1827. He spent his life largely in London, save for the years 1800 to 1803, when he lived in a cottage at Felpham, near the seaside town of Bognor, in Sussex. In 1767 he began to attend Henry Pars's drawing school in the Strand. At the age of fifteen, Blake was apprenticed to an engraver, making plates from which pictures for books were printed. He later went to the Royal Academy, and at 22, he was employed as an engraver to a bookseller and publisher. When he was nearly 25, Blake married Catherine Bouchier. They had no children but were happily married for almost 45 years. In 1784, a year after he published his first volume of poems, Blake set up his own engraving business. Many of Blake's best poems are found in two collections: Songs of Innocence (1789) to which was added, in 1794, the Songs of Experience (unlike the earlier work, never published on its own). The complete 1794 collection was called Songs of Innocence and Experience Two Contrary States of the Human Soul. Broadly speaking the collections look at human nature and society in optimistic and pessimistic terms, respectively - and Blake thinks that you need both sides to see the whole truth. London This is a poem which makes sense to the modern reader, as it exposes the gulf between those in power and the misery of poor people. The picture of the city as a place of nightmare is common in the 20th century, but is perhaps surprising to find in such an early text as this. We have to wait for the novels of Dickens and James Thomson's Victorian poem The City of Dreadful Night, before we find such a grim view of the city reappearing. Although there are several details which we need to note, we should begin with the central metaphor of this poem, the "mind-forg'd manacles" of the second stanza. Once more a vivid symbol explains a deep human truth. The image of the forge appears in The Tyger (stanza 4). Here Blake imagines the mind as a forge where "manacles" are made. "Manacles" (for the hands French les mains) and shackles for the legs, would be seen on convicts, perhaps passing along the streets on their way to prison or, commonly in London in Blake's time, on their way to ships, for transportation to Australia. For Blake and his readers, the image is a very striking and contemporary one: they will have seen "manacles" and will view them with horror. The image is also an allusion (reference, loose quotation) to an even more famous statement. In 1762, some thirty years before Blake wrote London, the Swiss philosopher Jean-Jacques Rousseau wrote in The Social Contract: "Man is born free, but everywhere he is in chains". Blake agrees with Rousseau that man's lack of freedom, his "manacles" are "mind-forg'd" - they come from the ideas and outlook imposed on us by external authority. Summary The speaker wanders through the streets of London and comments on his observations. He sees despair in the faces of the people he meets and hears fear and repression in their voices. The woeful cry of the chimney-sweeper stands as a chastisement to the Church, and the blood of a soldier stains the outer walls of the monarch's residence. The nighttime holds nothing more promising: the cursing of prostitutes corrupts the newborn infant and sullies the "Marriage hearse." Form The poem has four quatrains, with alternate lines rhyming. Repetition is the most striking formal feature of the poem, and it serves to emphasize the prevalence of the horrors the speaker describes.
doc文档可能在WAP端浏览体验不佳。建议您优先选择TXT，或下载源文件到本机查看。
About the poet William Blake was born on 28 November 1757, and died on 12 August 1827. He spent his life largely in London, save for the years 1800 to 1803, when he lived in a cottage at Felpham, near the seaside town of Bognor, in Sussex. In 1767 he began to attend Henry Pars's drawing school in the Strand. At the age of fifteen, Blake was apprenticed to an engraver, making plates from which pictures for books were printed. He later went to the Royal Academy, and at 22, he was employed as an engraver to a bookseller and publisher. When he was nearly 25, Blake married Catherine Bouchier. They had no children but were happily married for almost 45 years. In 1784, a year after he published his first volume of poems, Blake set up his own engraving business. Many of Blake's best poems are found in two collections: Songs of Innocence (1789) to which was added, in 1794, the Songs of Experience (unlike the earlier work, never published on its own). The complete 1794 collection was called Songs of Innocence and Experience Two Contrary States of the Human Soul. Broadly speaking the collections look at human nature and society in optimistic and pessimistic terms, respectively - and Blake thinks that you need both sides to see the whole truth. London This is a poem which makes sense to the modern reader, as it exposes the gulf between those in power and the misery of poor people. The picture of the city as a place of nightmare is common in the 20th century, but is perhaps surprising to find in such an early text as this. We have to wait for the novels of Dickens and James Thomson's Victorian poem The City of Dreadful Night, before we find such a grim view of the city reappearing. Although there are several details which we need to note, we should begin with the central metaphor of this poem, the "mind-forg'd manacles" of the second stanza. Once more a vivid symbol explains a deep human truth. The image of the forge appears in The Tyger (stanza 4). Here Blake imagines the mind as a forge where "manacles" are made. "Manacles" (for the hands French les mains) and shackles for the legs, would be seen on convicts, perhaps passing along the streets on their way to prison or, commonly in London in Blake's time, on their way to ships, for transportation to Australia. For Blake and his readers, the image is a very striking and contemporary one: they will have seen "manacles" and will view them with horror. The image is also an allusion (reference, loose quotation) to an even more famous statement. In 1762, some thirty years before Blake wrote London, the Swiss philosopher Jean-Jacques Rousseau wrote in The Social Contract: "Man is born free, but everywhere he is in chains". Blake agrees with Rousseau that man's lack of freedom, his "manacles" are "mind-forg'd" - they come from the ideas and outlook imposed on us by external authority. Summary The speaker wanders through the streets of London and comments on his observations. He sees despair in the faces of the people he meets and hears fear and repression in their voices. The woeful cry of the chimney-sweeper stands as a chastisement to the Church, and the blood of a soldier stains the outer walls of the monarch's residence. The nighttime holds nothing more promising: the cursing of prostitutes corrupts the newborn infant and sullies the "Marriage hearse." Form The poem has four quatrains, with alternate lines rhyming. Repetition is the most striking formal feature of the poem, and it serves to emphasize the prevalence of the horrors the speaker describes.
威廉布莱克London的历史批评赏析
/topics/french-revolution
PART.02
The Analysis of the poem
London ——William Blake 伦敦 ——威廉布莱克 I wandered through each chartered street, Near where the chartered Thames does flow, A mark in every face I meet, Marks of weakness, marks of woe.
In every cry of every man, In every infant's cry of fear, In every voice, in every ban, The mind-forged manacles I hear:
How the chimney-sweeper's cry Every blackening church appals, And the hapless soldier's sigh Runs in blood down palace-walls.
The food for the child labors are just a little bowl of porridge.
The luxury dinner for the vestryman.
The situation of workers at that time were rather tough,mainly manifested in the following aspects:
· Insufficient food at meals · Shabby in dress · Poor resident condition · Monotonous entertainment
PART.02
The Analysis of the poem
London ——William Blake 伦敦 ——威廉布莱克 I wandered through each chartered street, Near where the chartered Thames does flow, A mark in every face I meet, Marks of weakness, marks of woe.
In every cry of every man, In every infant's cry of fear, In every voice, in every ban, The mind-forged manacles I hear:
How the chimney-sweeper's cry Every blackening church appals, And the hapless soldier's sigh Runs in blood down palace-walls.
The food for the child labors are just a little bowl of porridge.
The luxury dinner for the vestryman.
The situation of workers at that time were rather tough,mainly manifested in the following aspects:
· Insufficient food at meals · Shabby in dress · Poor resident condition · Monotonous entertainment
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London deals with the dreadful（可怕的）scene in the industrialized London in the 18th century. In the first stanza（节）, Blake gives an overview of the city and successfully creates the gloomy, dark and suffocating（令人窒息的）atmosphere. Blake applies varied rhetorical devices（修辞手法）in the poem,of which the most striking and significant is repetition. For example, the word “chartered” is reiterated i n line 1 and line 2 to emphasize the fact that the streets and river are owned by the wealthy upper class. And the word “mark” occurs in “mark in every face I meet”(li ne 3) and “mark of weakness, mark of woe”(line 4). The transition of the word “mark” from verb to noun manifests the change of observation to noticeable signs. Every person Blake meets in London is desperate and feeble. What a horrible scene it is! Repeated appearance of the word “every “in the second stanza stresses the idea that everyone suffers from misery. Blake hears the cry of the grown-ups, and of the infants in fear. Blake perceives the destructive restrictions on people’s mind caused by law and rules. “Mindforged manacle” is a metaphor（象征）. Blake compares limitations with manacles. The expression that Blake hears “manacles” is synesthesia（牵联感）.
During the midnight, the poet wonders through streets and hears the curse of prostitutes（妓女）.They are infected with venereal（性欲的） diseases which pass on to their newborn babies. In the eyes of Blake, in London, marriage and birth, the symbols used to be regarded as revival and vitality（持久性）, now forebode（正预示） death. The appalling scene combines with devastating（毁灭性的） horror and fear reveals the social condition in London.
How the chimney-sweeper's cry , Every blackening church appals, And the hapless soldier's sigh Runs in blood down palace-walls. But most, through midnight streets I hear How the youthful harlot's curse Blasts the new-born infant's tear, And blights with plagues the marriage-hearse.
I wandered through each chartered street, Near where the chartered Thames does flow, A mark in every face I meet, Marks of weakness, marks of woe.
London
每个人的每升呼喊， 每个婴孩害怕的号叫， 每句话，每条禁令， 都响着心灵铸成的镣铐。
多少扫烟囱孩子的喊叫 震惊了一座座熏黑的教堂， 不幸兵士的长叹 化成鲜血流下了宫墙。
最怕是深夜的街头 又听年轻妓女的诅咒！ 它骇注了初生儿的眼泪， 又用瘟疫摧残了婚礼丧车。
The poem London was written by the British poet and engraver(雕刻师) William Blake. It has 4 quatrains（四行诗） with alternative lines rhyming. Written in iambic pentameter（抑扬格五音步）, the poem is beautifully rhymed.
In the third stanza Blake satirizes the church and the monarchies（君主统 治）. The church walls are becoming black because of pollution; the sound of crying from the chimney sweepers combines with the sigh of soldiers arouses a feeling of fear and scare in me. On account of relentless warfare, soldier’s blood runs down from palace walls where. The thought of the color of scarlet contrasting with the pale walls makes me shivering.
伦敦 我走过每条独占的街道， 徘徊在独占的泰晤士河边， 我看见每个过往的行人 有一张衰弱、痛苦的脸。
In every cry of every man, In every infant's cry of fear, In every voice, in every ban, The min
During the midnight, the poet wonders through streets and hears the curse of prostitutes（妓女）.They are infected with venereal（性欲的） diseases which pass on to their newborn babies. In the eyes of Blake, in London, marriage and birth, the symbols used to be regarded as revival and vitality（持久性）, now forebode（正预示） death. The appalling scene combines with devastating（毁灭性的） horror and fear reveals the social condition in London.
How the chimney-sweeper's cry , Every blackening church appals, And the hapless soldier's sigh Runs in blood down palace-walls. But most, through midnight streets I hear How the youthful harlot's curse Blasts the new-born infant's tear, And blights with plagues the marriage-hearse.
I wandered through each chartered street, Near where the chartered Thames does flow, A mark in every face I meet, Marks of weakness, marks of woe.
London
每个人的每升呼喊， 每个婴孩害怕的号叫， 每句话，每条禁令， 都响着心灵铸成的镣铐。
多少扫烟囱孩子的喊叫 震惊了一座座熏黑的教堂， 不幸兵士的长叹 化成鲜血流下了宫墙。
最怕是深夜的街头 又听年轻妓女的诅咒！ 它骇注了初生儿的眼泪， 又用瘟疫摧残了婚礼丧车。
The poem London was written by the British poet and engraver(雕刻师) William Blake. It has 4 quatrains（四行诗） with alternative lines rhyming. Written in iambic pentameter（抑扬格五音步）, the poem is beautifully rhymed.
In the third stanza Blake satirizes the church and the monarchies（君主统 治）. The church walls are becoming black because of pollution; the sound of crying from the chimney sweepers combines with the sigh of soldiers arouses a feeling of fear and scare in me. On account of relentless warfare, soldier’s blood runs down from palace walls where. The thought of the color of scarlet contrasting with the pale walls makes me shivering.
伦敦 我走过每条独占的街道， 徘徊在独占的泰晤士河边， 我看见每个过往的行人 有一张衰弱、痛苦的脸。
In every cry of every man, In every infant's cry of fear, In every voice, in every ban, The min