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Talking about the symbols in the environment

of the use of Art and Design

Abstract:

The inheritance and innovation over the years the relationship between art and

design environment has been the focus of attention. This article hopes for the design

of symbols used to explore the culture, about the mysteries of inheritance and

innovation of the trace of sentiment.

Keywords:

deformation grammar separatist symbols constitute

Inheritance and innovation over the years the relationship between art and design

environment has been the focus of attention. In fact, from the linguistic point of view,

this contradiction is the language of stability and variation between the contradiction.

As a designer in the form of design successes and failures of the success or failure

depends on the master, "the term" the rich and the use of "grammar" of proficiency.

Designers to make their works by others can truly understand, we must choose the

appropriate "word" and must comply with the "grammar." This does not mean that

designers can only follow the beaten track, no personal contribution. Designers

skillfully use the new individual symbols, or a conscious change in inter-symbol

combination of a number of conventional relations, create new works of moving,

which is design innovation.

Composition has a "specific" component approach, that seems to be very plain in

the composition of the sudden appearance of a "heterogeneous" elements, making the

program itself is very plain to achieve unexpected results, with a sense of innovation

of new symbols like this "heterogeneous." In people's accustomed to things difficult to

arouse enough attention and interest in case, some common symbols deformation,

splitting, or the preparation of the code to change the order, you can play a compelling,

thought-provoking, the strengthening of environmental messaging language role.

United States renowned architect Charles Moore designed the city of Orleans,

"Italian Piazza" is bold in design elements taken from a variety of classical symbols,

and symbolic means to reproduce them. The entire square to a circular plane Baroque

for the composition to the gradual proliferation of black-and-white concentric circles

and to the surrounding pavement surface to extend out until the three sides of the

street entrance. Classical Roman column, after a face-lift to the face of new shows,

such as the Corinthian column is used in stainless steel column, canopies wall carved

with the Latin of "this fountain for the public to all the people who offer the gifts" of

the message; Doric column on the Flowing Down gurgle, round coupon on the molar

smiling portrait, water is constantly spit from his mouth ... here is not only full of

bright rich atmosphere of a modern commercial, but also a strong attachment to local

feelings. Maps and Italian Apennine Peninsula, Sicily and Sardinia's plan; ancient 文档来源为:从网络收集整理.word版本可编辑.欢迎下载支持.

Rome, the five-column, the deformation Motif combinations and the Arc de Triomphe;

circular portico Wai Kwong Hop. In fact, you are immediately aware that it is a

mockery of classical Marxism. This is a joyous, almost classical tradition are

hysterical embrace pleased.

Today, a variety of side box-style building was considered aloof in the historic

and local above only has the technology and a small number of functional semantic

semantics, there is no room for thinking aftertaste, the environment has led to apathy

and boring criticism. This use of information theory to explain the principle that

effective environmental information contained in the symbol system too. In view of

this, post-modern architects Venturi loudly called for: "building a rich content, while

building to include other aspects of the multi-dimensional art, even including the

language, so that it is no longer a mere tool for the space." It advocates environmental

complexity and contradictory nature of modernism promoted by substitute simplicity;

to semantic ambiguity and tension in place of straightforward; to the multiplicity of

semantic opposition to one or the other of opportunism; should be mixed at a glance

rather than unity. Stern designed the "best" product showroom are a typical example,

it adopted legislation faces many of the traditional symbols and constitute a form, like

the ancient Greek pantheon of elevation, thus suggesting he was trying to convey

theme purposive: that is, the building as a "temple of consumerism," the

commercialization of society reflect the values of people and commercial activities of

daily life today, the importance of. But the way metaphors are complex, multiple,