京剧发展史英文版简介28页PPT

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BEIJING OPERA
1. Beijing opera’s history 2. Beijing opera’s
development 3. Beijing opera’s feature 4. Now 5. Beijing opera’s picture
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1.Beijing opera’s history
5.Beijing opera’s picture
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The opera’s performance requires not only the mellow voice but also the martial
actions proficiency. A successful opera actor must suffer from the tough practicing period. In the old time, the children of poor family weresent to the opera group in order to earn a living. While now, the real opera artists are well
respected by opera lovers
• There is no boundary in art field. Enjoy the Beijing Opera
and it is really an enjoyment for both visual and acoustical
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feeling.
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3.Beijing opera’s feature
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• To foreign friends, maybe the most attracting charm of Beijing Opera is the gorgeous dressing. Colorful facial paintings are dressed according to characters’ personality. The red ones suggest royalty and justice; the black ones means rectitude, intrepidity and sometimes impertinence; the yellow ones express atrocity; the blue or green ones describe rudeness and termagancy while the white ones imply treacherous court official. All these paintings strengthen the people’s characters and bring more visual enjoyment.

Among them, the Four Famous Dans Mei Lanfang, Cheng Yanqiu, Shang Xiaoyun and Xun Huisheng - are most well-known at home and abroad.
They are experts in performing the role of Dan and each has his own artistic feature .
In Peking opera there are four main types of roles: sheng (male) dan (young female), jing( painted face,male), and chou (clown, male or female).
The characters may be loyal or treacherous, beautiful or ugly, good or bad, their images being vividly manifested.
Their wonderful performances are still appreciated by many audiences .
For example, 'Farewell My Concubine' by Mei Lanfang, 'Injustice to Dou'e' by Cheng Yanqiu, 'Lady Zhaojun Going beyond the Great Wall' by Shang Xiaoyun and 'Matchmaker' by Xun Huisheng.

irritable(粗豪暴躁 ),
such as Dou
Ambassador(窦尔
敦、), Ma Wu (马武 ).
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Quizs
1). The origins of Beijing Opera are in Beijing.
(provinces of Anhui and Hubei)
2). How many roles in Beijing Opera?
the Qing Dynasty (1644-1911). The tour was a hit and the troupes
stayed. In 1828, some famous Hubei Opera Troupe players came to Beijing.京剧是一种纯粹的戏曲形式,可追溯到1790年,当那位有名一年四 个安徽歌剧团体第一次来北京的80岁生日庆祝乾隆皇帝1711-1799)的清 朝(1644 - 1911)。这次旅行是一击和剧团留了下来。在1828年湖北剧团, 一些著名的球员来到北京。
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It was after 1840 that Peking Opera formally
took shape, growing even faster during the
reign of the Empress Dowager Cixi (1835-1908),
who was an opera aficionado. Classic Peking
京胡
单皮鼓
erhu fiddle
二胡
笛
.
Bamboo flute
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MEILANFANG(梅兰芳)
1894～1961 One of the most famous artists. Mei Lanfang performed across the United States in 1930s, receiving honorary degrees from the University of California and Pomona College.

身段：京剧演员 通过身段表演来 表达角色的情感 和性格，如手势、 眼神、步伐等。
脸谱：京剧演员 通过脸谱来表现 角色的性格和身 份，如红脸代表 忠勇，白脸代表 奸诈等。
道具：京剧演员 通过道具来表现 角色的身份和地 位，如刀、枪、 剑、戟等。
经典剧目和故事情节
《霸王别姬》：讲述了楚霸王项羽和虞姬的爱情故事，展现了京剧的悲剧之美。 《白蛇传》：讲述了白蛇和许仙的爱情故事，展现了京剧的神话色彩和浪漫主义。
京剧道具：丰富多样，如刀枪剑戟、 扇子、手帕等，具有象征意义
舞台布局和道具
舞台布局：分为前台和后台，前台是表演区，后台是化妆、换装和休息区 道具：包括服装、道具、布景等，服装有生、旦、净、末、丑等角色服装，道具有刀、枪、 剑、戟等武器，布景有山水、楼阁、庭院等
舞台效果：通过灯光、音响、烟雾等手段营造舞台效果
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社会团体：京剧爱好者协会、京剧 票友会等社会团体对京剧的传承和 发展起到重要作用
媒体宣传：媒体对京剧的报道和宣 传，提高公众对京剧的认知和兴趣
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汇报人：PPT
京剧是中国的国粹，具有深厚的历史文化底蕴 京剧表演艺术独特，融合了唱、念、做、打等多种元素 京剧传统剧目多以历史题材为背景，传递了民族精神和文化价值观 京剧的服饰、化妆和道具等具有鲜明的民族特色和文化象征意义
艺术价值和影响力
京剧是中国传统文化的代表之一，具有深厚的历史和文化底蕴。 京剧的表演形式独特，包括唱、念、做、打等，具有很高的艺术价值。 京剧的影响力广泛，不仅在中国，而且在世界范围内都有很高的知名度和影响力。 京剧的表演技巧和艺术风格对世界戏剧和电影艺术产生了深远的影响。
板式：京剧唱腔分为 板式和曲牌两种，板 式包括西皮、二黄、 反二黄等，曲牌包括 四平调、南梆子等。

京卷剧首英语语介绍
Beijing Opera is the essence（精髓） of our country ,many people understanding the opera more or less .
精品资料
Beijing Opera is very popular in China. It has a history of more than 200 years. During the reign of the Qianlong emperor in the Qing dynasty, Qianlong had a interest in the local opera. In 1790, to celebrate his eightieth birthday, he summoned opera troupes (戏班)from different places to perform for him in Beijing.
city gate oar whip
whip
（传奇人物）
Mr. Mei Lanfang,
the master of Peking Opera, 京剧英语介绍
京剧英语M介ei 绍Lanfang is
good at playing the role of women in Beijing operas, called “Dan”.
Four famous troupes from Anhui province remained in Beijing after the celebration. In 1828, A Hubei troupe came to Beijing and often performed together with the Anhui troupes. The two types of singing mixed together and gradually a new type came into being known as Beijing Opera.

Origin

Although it is called Peking Opera, the origins of Peking Opera are not in Beijing but in the provinces of Anhui (East China) and Hubei (South-central China). Its rise is due in great part to the favorable eyes and patronage of the imperial royalties.

In response, Peking opera began to see reform starting in the 1990s.Such reforms have taken the form of creating a school of performance theory to increase performance quality, utilizing modern elements to attract new audiences, and performing new plays outside of the traditional canon
The faction of Peking Opera

The faction of peking
The main features of the faction of peking are that it pay more attentions to the practice of basic skills, abide by the rules of art strictly and it had great contributions to inherit the traditional and preserve heritage. But sometimes it was too c.

丑
chou or clown (a comic character ): (1)文丑(civilian clown) (2)武丑(clown with martial skills)
Peking opera types of facial makeup in operas
Beijing opera types of facial makeup in operas, is a special feature of a national cosmetic. As each historical figure or a certain type of person has an approximate spectral type, like sing, play music to the music, so called “types of facial makeup in operas”. On the types of facial makeup in operas sources, the general view is from mask.
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Beijing opera is a traditional fortune of our country. We hope you will like the Beijing opera.
Yellow and white
represent the crafty men with negative meaning. It refers to people who are vicious, brutal.
Blue or green
also have neutral meanings that symbolize the hero from the bushes.

history
status
Beijin g Opera
Beijing Opera is the most influential and representative of all operas in China. It has a history of more than 200 years. It has won great popularity not only in China but also throughout the world. Beijing Opera is a harmonious combination of many art forms. It is a synthesis of traditional music, dancing, poetry, acrobatics（杂技） and martial（尚武的） arts. It is famous for its exquisite costumes, beautiful make-up or painted face, and established performing conventions and rules.
The Lao sheng is a dignified（庄重的） older role . These characters have a gentle and cultivated disposition and wear sensible costumes .
Sheng
Beijin g Opera
Part three
Skill &Roles
Beijin g Opera
Skill
do (做) and fight(打).
Beijin), read(念),

China, the name of the capital city was
reverted to Beijing, and the formal name of
Beijing theatre in Mainland China was
established as Jingju.
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Peking opera was born when the 'Four Great Anhui Troupes' brought Anhui opera, or what is now called Huiju, to Beijing in 1790, for the birthday of the Qianlong Emperor. It was originally staged for the court and only made available to the public later. In 1828, several famous Hubei troupes arrived in Beijing and performed jointly with Anhui troupes. The combination gradually formed Peking opera's melodies. Peking opera is generally regarded as having fully formed by 1845. Although it is called Peking opera (Beijing theatre style), its origins are in the southern Anhui and eastern Hubei, which share the same dialect of Xiajiang Mandarin .

city gate oar whip
whip
（传奇人物）
Mr. Mei Lanfang,
the master of Peking Opera, 京剧英语介绍
京剧英语M介ei 绍Lanfang is
good at playing the role of women in Beijing operas, called “Dan”.
general view is from mask.
Red has
expressed his Warriors(勇士 ) of strong types of facial makeup in operas such as Guan Yu
Black said the
types of facial makeup in operas ming criticized(刚烈 ) people, integrity(正 直 ), bravery and even reckless(鲁莽 ), such as Zhang Fei
Yellow types
of facial makeup in operas that vicious brutality(凶 狠残暴 ), such as Dian Wei
Blue or green
types of facial makeup in operas that some of the figures represented irritable(粗豪暴躁 ), such as Dou Ambassador(窦尔敦、), Ma Wu (马武 )
Four famous troupes from Anhui province remained in Beijing after the celebration. In 1828, A Hubei troupe came to Beijing and often performed together with the Anhui troupes. The two types of singing mixed together and gradually a new type came into being known as Beijing Opera.

such as Dou Ambassador(窦尔敦),
Ma Wu (马武 ).
White
types of facial makeup in operas that cunning(狡猾的）， self-willed(顽固 的,treacherous
（奸诈的）
Golden
types of facial makeup in operas that immortal(神仙） and monster
of Peking Opera are not in Beijing but in the provinces of Anhui (East China) and Hubei (South-central China). Its rise is due in great part to the favorable eyes and patronage of the imperial royalties. 京味道
❖ It was after 1840 that Peking Opera formally took shape, growing even faster during the reign of the Empress Dowager Cixi (1835-1908), who was an opera aficionado. Classic Peking Opera repertoires and the names of the first-generation masters were on the lips of the people in Beijing, and eventually prevalent around the country.
为女丑，故常由丑行兼扮

Tone
agitation, bright and smooth Bold strong
Kunqu Opera
Beautiful voice. Soft and slow
Qin Opera
Passionate solemn and stirring
glory
reward
Peking Opera
In the twentieth century
In the twentieth century ,there was an important peson Mei lan fang In 1919s Mei lan fang rated his troup went to janpan to perform in tokyo Imperid theatre Peking opera was the first time to spread a broad. In 1930s ,He took his troupe went to American In 1934s,He was invited to go to Europe to visit by European theator community attention
In that time, Actors entered the palace was not only a kind of glory as also can bring generous reward to the actor as a power peking opera artist made opera peferction more perfect,
Mei lan fang
In 2006, Peking Opera have been approved by state concil listed in the first batch of state-level non-material cutueal heritage list. Now many pop music has joined many elements of opera. I think Peking opera will not be eliminated.

Peking Opera
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Beijing opera Peking opera Erhuang Pihuang Jingxi (Jingju） Guoju (Taiwai)
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The History of Beijing Opera
Beijing Opera (or Peking Opera) has
Dan
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Jing Hang Dang (花臉)
• Ching(painted face) • rough
be either good or evil. • The acting style of
Jing will focus on loud voice and exaggerated movements. • Zheng Jing, • fu Jing • wu ching.
existed for over 200 years. It is regarded
as one of the cultural treasures of China.
It is known as one of the three main
theatrical[θi'ætrikəl systems in the
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Cheng Ching 正淨(大花臉)
• zheng jing is a painted-face role
• higher social status • sophisticated
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Fu Ching 副淨 (二花臉)
• Fu (assistant) Jing, emphasizes acting
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