喜剧电影艺术鉴赏(英文版)
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经典英文电影赏析分析(5篇)第一篇:经典英文电影赏析分析曾经和ing《经典英文电影赏析》由10个章节组成。
每一章节包括电影背景、故事简介、主要演员阵容及导演介绍、精彩部分节选、对影片的评论及注释五大部分。
相信许多读者会在观赏优美电影或阅读《经典英文电影赏析》的过程中重温自己过去的电影体验,获得新的感悟和理解。
英汉对照是《经典英文电影赏析》的一大特点。
《经典英文电影赏析》既有英文原文,也提供了中文翻译,有助于英语爱好者能更好地理解书中的内容。
同时,《经典英文电影赏析》还提供了注释,为读者的自学提供了参考。
·查看全部>>前言在“信息爆炸”的今天,随着国际文化交流的不断深入和推进,英语作为世界通行语的优势越来越显示出她的“英语帝国”风貌。
一方面中国正逐步地同世界接轨,日益频繁的国际交往,使国家和社会对大学生的英语综合应用能力尤其是听说技能提出了更高的要求。
另一方面,目前全国大学英语教学改革正在各高校尝试并推广,基于计算机/网络+课堂教学的教学模式日渐普遍。
教育部2007年颁布了《大学英语课程教学要求》。
为贯彻其原则和方针,遵循其提出的“加强听说能力,提倡自主型的个性化学习”要求,大学英语教学课时数在一定程度上进行了缩减,包括听力课课时。
而全国大学英语四、六级考试在这一改革的背景下进行了很大程度的调整,加强了应用能力的考查,听力所占的比例也由原来的20%提高到了35%。
大学英语教学也面临着新的挑战。
因此,如何在学时减少、对听说能力要求提高的情况下,加强对学生学习能力的训练,培养学生自主学习的新模式,也是大学教师应该探讨的新问题。
电影一直以来就是人类漫漫旅途中的精神伴侣。
在电影中,人们可以获得心灵的安慰,得到情感的滋润,寻求生活的力量,体验人生的快乐。
而英语电影不仅能把学习者带入到一个非常好的语境中培养语感,而且有利于学生熟悉国外的社会、文化、生活方式以及异国风情,为他们了解西方提供了一种影像解读的窗口。
一.引言被誉为“美国现实寓言”的喜剧片《阿甘正传》是当代电影中最受欢迎,同时也极具争议的影片之一。
故事讲述了具有神秘魅力的主人公阿甘,从智商只有75分而不得不进入特殊学校,到橄榄球健将,到越战英雄,到捕虾船船长,到跑遍美国……。
他在毫不知觉的情况下,懵懵懂懂地卷入了美国现代历史中诸多重要事件中,并以先天缺陷的身躯,达到了许多智力健全的人也许终其一生也难以企及的高度。
影片除了让观众深刻体味了阿甘传奇的人生之外,另一个看点就是电影幽默欢快的整体基调。
在喜剧框架中轻松搞笑地讲述普通人物的日常生活,结尾皆大欢喜,对待人生的态度也基本是积极的(参见Andrew Lynn, 2006:360-361,转译霍斯亮)。
阿甘这位可爱的愚者使得电影充满了趣味和幽默。
但是幽默是每个民族共有的,不同民族的幽默感差异却很大。
幽默往往与宗教信仰、意识形态、社会观念、政治制度、文化习俗等有密切的关系。
《阿甘正传》这部西方影片在中国深受欢迎,但是有些中国观众在不同的文化背景之下做为幽默的接受者,不能为影片中幽默的言语所感染,无法体会幽默所传递给我们的人生真谛。
在中国有许多学者运用言语行为、会话含义、礼貌原则和关联理论等语用学的基本理论来分析英语幽默话语。
但是对于《阿甘正传》这部影片中围绕愚者阿甘产生的幽默言语这些理论似乎失去了其强有力的阐释功能。
本文将借助传统的幽默理论和反讽对《阿甘正传》影片中的英语幽默进行透析,旨在帮助观众更好地欣赏《阿甘正传》这部伟大的影片以及其它喜剧影视片,深刻理解不同文化背景之下的幽默。
二.传统幽默理论和反讽1. 喜剧与幽默英语中幽默(humor)一词来自拉丁语,意思是“湿润”(moisture)。
《朗文当代高级英语词典》(新版)把“幽默”定义为“the qualityin something that makes it funny”,林语堂说,现在我们所说的幽默,是Humour的音译,“若必译其意,或可作‘风趣’、‘谐趣’、‘诙谐风格’,实多只是指一种作者或作品的风格(林语堂,1995)。
英语电影鉴赏About Movies▪What do you think “movie”is?▪ A movie is a ……(metophor)▪ A movie is a …(metophor)▪window--- it opens another horizon;▪mirror--- it reflects the society and the life;▪painting--- the author creates it freely;▪pen--- it records what goes on in the world;▪language--- it uses body language or feelings to express. However, it is not a language system;▪hammer--- it awakens people in the society;▪machine gun--- it can even bring about a revolution.Introducing Movies▪Movie classification▪Movie factors▪Casting▪Staff▪Academy AwardsMovie classification动作片文艺片惊悚片科幻片卡通片Movie classification▪action film动作片literacy film文艺片thriller惊悚片science fiction movies科幻片animated cartoons卡通片▪documentary film纪录片detective film侦探片feature film故事片ethical film伦理片horror film恐怖片silent film无声电影action picture动作片swordsmen film武侠片trailer预告片comedy喜剧tragedy悲剧blockbuster巨片Movie Factors▪original work原著▪theme music主题曲▪soundtrack声带▪subtitle字幕▪dub配音▪screenplay电影制作▪episode电视剧的一集▪break(电视电台节目插播广播的)间隙▪ a film crew电影摄制组▪premiere 首映式▪release 准予上映▪the film version of the novel由同名小说改编的电影版本▪casting演员挑选过程▪plot情节▪storyline故事情节▪sound track原声碟▪special effect特技效果▪acting演技▪opening scene序幕▪prelude序幕,前奏▪costume演出服▪set场景▪role角色high profile film高票房收入电影Casting▪cast 阵容▪film star, movie star 电影明星▪star, lead 主角▪double, stand-in 替身演员▪stunt man 特技替身演员▪extra, walker-on 临时演员▪character actor 性格演员▪regular player 基本演员▪extra 特别客串▪film star 电影明星▪film actor 男电影明星▪film actress 女电影明星▪support 配角▪util 跑龙套Staff▪adapter 改编▪scenarist, scriptwriter 脚本作者▪dialogue writer 对白作者▪production manager 制片人▪producer 制片主任▪film director 导演▪assistant director 副导演,助理导演▪cameraman, set photographer 摄影师▪assistant cameraman 摄影助理▪property manager, propsman 道具员▪art director 布景师(美作:set decorator) ▪stagehand 化装师▪lighting engineer 灯光师▪film cutter 剪辑师▪sound engineer, recording director 录音师▪script girl, continuity girl 场记员▪scenario writer, scenarist 剧作家▪ 1. ... Presents 出品▪ 2. ... Production, A Production of... 摄制▪ 3. A... Film 制片人▪ 4. Director, Directed by, A Film by 导演▪ 5. Screenplay by编剧▪ 6. Based on a Story by 原著▪7. Produced by 制片▪8. Executive Producer 执行制片▪9. Production Manager 制片主任▪10. Director of Photography 摄影▪11. Music by 音乐▪12. Sound Effect 音响效果▪13. Sound Mixer 声音合成▪14. 1st Assistant Director 首席助理导演▪15. Casting by 选派演员▪16. Cast of Characters 演员表▪17. Starring 主演▪18. Costumer Designer 服装设计▪19. Art Director 美术▪20. Editor 剪辑▪21. Set Designer 布景设计▪22. Property Master道具▪23. Gaffer 灯光▪24. Key Grip 首席场务▪25. Dolly Grip 轮架场务▪26. Best Boy 场务助理▪27. Make Up 化妆▪28. Hairdresser 发型▪29. Stunt Coordinator 特技协调▪30. Visual Effects 视觉效果▪31. Title 字幕▪32. Set Decorator布景▪33. Script Supervisor 剧本指导Academy Awards1. Costume Design 服装设计▪ 2. Actor in a Supporting Role 男配角▪ 3. Make up 化妆▪ 4. Art Direction 艺术指导▪ 5. Live Action Short Film 纪实短片▪Animated Short Film 动画短片▪ 6. Sound Effects Editing 音响效果剪辑▪7. Sound 音响▪8. Actress in a Supporting Role 女配角▪9. Cinematography 摄影▪10. Film Editing 剪辑▪11. Visual Effects 视觉效果▪12. Documentary Short Subject 记录短片▪Documentary Feature 记录长片▪13. Foreign Language Film 外语片▪14. Lifetime Achievement 终身成就▪15. Original Musical or Comedy Score 音乐(喜剧)▪Original Dramatic Score 音乐(戏剧)▪16. Original Screenplay 原著剧本▪Screenplay Adaptation 剧本改编▪17. Original Song 歌曲▪18. Director 导演▪19. Actress in a leading Role 最佳女主角▪20. Actor in a leading Role 最佳男主角▪21. Picture 影片。
英语电影赏析英语电影赏析The analysis of film—The Truman Show The Truman Show is a comedy film. It is a film within a film. The following is the cinematic analysis in three aspects: character, narrative and critical perspective.1.Characters and performanceCast Design in The Truman ShowCharacterization in films is sometimes novelistic, in the sense that novels typically seek to convey depth and intricacy of characters. In The Truman Show, Truman Burbank is the protagonist who is a happily married insurance salesman living in a normal life in a small town named Seahaven Island. But Truman still pursues his first love—Sylvia. It is in conflict between the two situations. Conflict is that which causes problems for the character in the pursuit of his goal.In essence, the engine driving character development and the “transformational arc” come from the change that occurs within a character when his intentions are confronted with an obstacle and he must adapt to deal effectively with it. The outer motivation (what the character wants to achieve) plus the outer conflict (conflict against external forces), develop the new abilities of protagonist in the face of challenge. Many different factors block Truman to go to Fiji to find Sylvia, on the contrary, Truman has stronger desire to get out off Seahaven Island and find the truth of obstacle. He lives up to his name Truman (true), at the end of the film, he risks his neck to conquer the storm which is mad e up and then, go out. Truman often says “In case I don’t see you, good afternoon, good evening, and goodnight.”This hints Truman is a man breaks the normal procedure, so the outcome doesn’t come as a surprise—Truman breaks away from the Christof’s contro lling.Meryl, Truman’s wife, seems virtuous. Everyday she goes to hospital for her work—nursing. When she comes back, she always brings new products back, and then she introduces them with a way for the promotion of the product. Meryl is a professional actress but not a good wife. Shedoesn’t love Truman but married with Truman. In the wedding, she crosses her fingers for luck. Because the actress does not present herself but instead represents the character she is play, so the style that downplays the reality of the actress has been called the “representational style”. She repeats all words from memory, not the true words from her heart. Meryl successfully reveals her motivation—through “character-in-action”.Sylvia, Truman’s first love, is an unusual lady.The first appearance on the scene, she was named as Lauren (her performing name). Sylvia sympathizes with Truman and makes an attempt to tell Truman that everyone knows about him, everyone is pretending, everything is faked for him. Her motivation is exposing the deception for rescuing Truman. She criticizes Christof is a liar and a manipulator. What he has done to Truman is sick. Her performance style that emphasizes the reality of the actress has been called the “presentational style”because Sylvia presents herself to the audience as herself in the show. It conversely compares with Meryl. But Sylvia’s power is too tiny to rouse Truman to believe her words. Due to the appearance of Sylvia, the whole film seems more illuminating.Christof, the producer of this show, a very important man inthe film, regard himself as the god. Everything around is under his controlling and monitoring. He controls Truman in his sphere of influence for 30 years which attribute to “We accept the reality of the world with which w e are presented”. Christof seems to be the creator of Truman, nevertheless, without Truman, Christof is nothing. Christof model himself as Truman’s father, a father would not let his child in a sick world. He deems it there’s no more truth out there then there is in the world he created for Truman.2. Narrative:MomentumFrom the beginning of the film, Truman wants to leave for Fiji to find a girl named Sylvia. Why does he look for this girl? That leaves us suspense. The suspense is that the audience will experience suspense if they are uncertain of the outcome of an event. To produce this uncertainty, scriptwriters and directors will commonly present a character with a strong intention and then lay significant difficulties in his way, which will lead to uncertainty concerning the outcome. Also, suspense is one of devices scriptwriters and directors employ to generate momentum in the films.Momentum is the forward movement necessary for the audience to maintain its interest in the narrative—put simply, momentum is what keeps us watching.Furthermore, there always has a camera aim at Truman, which would puzzle audiences very much and arouses me to maintain interest in the overall process, not let go out off any details. In that way they would become fully involved in the drama. Especially when Truman sails to escape, but Christof would not let him go. So many produced storms stop Truman,the audiences tense their nerve as Truman’s, as if themselves sink into the danger. Their momentum is that they want to know the ending of Truman and eagerly to know whether Truman could get rid of the island. Consequently, the box office revenue grows. More and more audiences pay their attention to the show. All the audiences doubt if Truman could escape from it, their eyes staring at Truman. This is what scriptwriters and directors expect plot to progress.3. Critical PerspectivesPsychoanalysis and the spectatorPsychoanalysis is the theory of personality developed by Sigmund Freud that focuses on the dynamic interaction of different forces (conscious and unconscious) of the psyche. It is based on the concepts of the unconscious, repression, and the division of the psyche into the id, ego, and superego.In the most primitive form, psychoanalytic interpretations of art attempt to analyze the psyche of the director. Christof calls himself as the Creator. Even his name sounds like Christ. He arranges Truman’s life in a fictional way other than he considers it as the normal life. Christof keeps watch on Truman even wants to contro l Truman’s life. Not until he sees Truman immobilize on the boat does Christof stop the storm. Maybe, it’s people’s desire for control. It’s psychological desire. Christof’s egoism brings up the non-freedom of Truman. He treats Truman’s life as a game, a mockery. The show of director—Christof, his venal psychology makes him use up all means to keep Truman in Seahaven Island.The people in the island, who are the most apathetic and insensitive spectator, pay close attention to Truman’s matters around the clock in order to satisfy their deep desire to peer. Theshow’s popularity is its straightforward voyeurism. This kind of psychology—just like Sylvia’criticism on the show—is sick. A group of psychopathic people are immersed in the sick world.。
电影赏析英文作文模板英文:When it comes to analyzing a movie, there are several aspects to consider. Firstly, the plot, which is the storyline of the movie, should be analyzed. This includes the main conflict, the climax, and the resolution. Secondly, the characters should be examined. This includes the protagonist, antagonist, and supporting characters. Thirdly, the setting and cinematography should be evaluated,including the use of lighting, camera angles, and special effects.In terms of the plot, a well-constructed plot should have a clear beginning, middle, and end. The main conflict should be introduced early on and the climax should be a pivotal moment in the story. The resolution should provide closure to the conflict and tie up any loose ends.When analyzing characters, it is important to considertheir motivations, personalities, and relationships with other characters. A well-developed character should have a clear arc and be relatable to the audience.Lastly, the setting and cinematography can greatly enhance the mood and tone of the movie. The use of lighting and camera angles can create a sense of tension or suspense, while special effects can bring fantastical elements tolife.Overall, a good movie should have a well-structured plot, well-developed characters, and effective use ofsetting and cinematography.中文:谈到分析一部电影,有几个方面需要考虑。
介绍喜剧电影的英语作文模板Title: Introduction to Comedy Movies。
Comedy movies have been a popular genre in the film industry for many years. They are known for their ability to make audiences laugh and provide light-hearted entertainment. In this article, we will explore the characteristics of comedy movies, their appeal to audiences, and some classic examples of this genre.First and foremost, comedy movies are known for their humorous and light-hearted content. They often feature witty dialogue, funny situations, and exaggerated characters that aim to entertain and amuse the audience. The humor in comedy movies can be derived from a variety of sources, such as slapstick, satire, parody, and wordplay. This diversity in comedic styles allows for a wide range of comedic experiences for audiences.One of the main appeals of comedy movies is their ability to provide a sense of escapism and joy. In a world filled with stress and challenges, comedy movies offer a much-needed break from reality and allow audiences to laugh and have fun. The lighthearted nature of comedy movies makes them a popular choice for a night out at the movies or a cozy evening at home.Furthermore, comedy movies often explore universal themes and experiences that resonate with audiences. Whether it's the trials and tribulations of romance, the hilarity of everyday life, or the absurdity of certain situations, comedy movies have the power to connect with people on a personal level. This ability to tap into the shared human experience is what makes comedy movies so relatable and beloved by audiences around the world.In addition, comedy movies have the potential to deliver powerful social commentary in a non-threatening and entertaining manner. Through humor and satire, comedy movies can address important issues and challenge societal norms. This unique ability to blend entertainment with thought-provoking content is what sets comedy movies apart from other genres and makes them a valuable form of artistic expression.When it comes to classic examples of comedy movies, there are countless films that have left a lasting impression on audiences. From the slapstick antics of Charlie Chaplin in "The Gold Rush" to the witty banter of Katharine Hepburn and Cary Grant in "Bringing Up Baby," comedy movies have a rich history filled with iconic performances and timeless humor. More recent examples include the clever wordplay of "The Grand Budapest Hotel" and the outrageous antics of "Bridesmaids," which have continued to captivate audiences with their comedic brilliance.In conclusion, comedy movies have a special place in the hearts of audiences worldwide. Their ability to entertain, uplift, and connect with people on a personal level makes them a beloved and enduring genre in the film industry. Whether it's through clever wordplay, slapstick humor, or insightful social commentary, comedy movies continue to bring joy and laughter to audiences of all ages. As the saying goes, "Laughter is the best medicine," and comedy movies certainly deliver on that promise.。