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结构Structure:Four stanzas of five lines\\Rhyme scheme: ABAAB\\Four stressed syllables each line, varying on iambic tetrameter base(Iambic tetrameter is a meter in poetry. It refers to a line consisting of four iambic feet. The word tetramater simply means that there are four feet in the line. Iambic tetremeter is a line comprising four iambs.)\\\Symbolism 象征手法:For example, “road” on one hand refers to natural road; on the other hand, it refers to the road of life.\\\\Conclusion:The Road Not Taken is full of philosophical overtones（暗示、弦外之音）.This poem should be read as a warning. Man should consider a lot before making choices and reflect over the choices he has made to discover “all the differences”.\\ The poem tries to achieve a universal understanding. In other words, there is no judgment, no specificity, no moral. It allows all readers from all different experiences to relate to the poem. \\The Road Not Taken tells about life choice. Man’s life is metaphorically related to a journey filled with twists and turns. One has to consider a lot before making a wise choice. Though the diverged roads seem identical, they actually lead to different directions, which symbolize different fates.\\第一段;Two roads diverged in a yellow wood,\\And sorry I could not travel both\\And be one traveler, long I stood\\And looked down one as far as I could\\To where it bent in the undergrowth--\\\\分析：“road”is a symbolic use. From the surface meaning,it means the natural road as he can see;from the deep meaning, it means the road of life penetrated in human beings.\\“sorry” expresses the strong feeling of regret. He could only travel one road, and in return to give up the other, which is similar to human choice.\\“long” and the last two lines indicate the poet’s hesitation to which road to take;whereas he still couldn’t make a decision.\\\\Summary: In the first stanza, the speaker describes his position--the conflict between the common easy path and the exceptional challenging one.here are two roads he would like to try out both, but doubts he could do that. \\\\第二段：Then took the other, as just as fair,\\And having perhaps the better claim,\\Because it was grassy and wanted wear;\\Though as for that the passing there\\Had worn them really about the same, \\ 分析：Why it is the “better claim” may be that “it was grassland wanted wear”, which means the path appears to be kept naturally.\\The fact that Frost took this path over the more popular, secure one indicates the type of personality he has, one that does not want to necessarily follow the crowd but do more of what has never been done, what is new and different.\\The path Frost took appears to be different from the other one, but as he thinks about it, he realizes that the two roads have the same characteristics.\\Summary:Frost reports that he decided to take the other path, because it seemed to have less traffic than the first.\\But then he goes on to say that they actually were very similarly worn. \\This stanza reflects our human’s choice. At first you seem to be confused by two perspective facets, finally you realize that whatever choices you make, the results are the same.第三段：And both that morning equally lay\\In leaves no step had trodden black.\\Oh, I kept the first for another day!\\Yet knowing how way leads on to way,\\I doubted if I should ever come back.\\Summary of Stanza 3：The third stanza continues with the cogitation（仔细思考）about the possible differences between the two roads.He claims that maybe he would come back and also walk the first one sometime, but he doubted he would be able to, because in life one thing leads to another and time is short.分析：Frost realizes that the decision is not just a temporary one and he ("doubtedif I should ever come back." )\\This is his common sense speaking and acknowledging that what he chooses now will affect every other choice he makes afterward. Once you have performed an act or spoken a word that crystallizes（具体化，计划成型）who you are, there is no turning back and it cannot be undone.\\ “I” not only refers to Frost himself, but also has a universally symbolic meaning. Each time when a person comes to the point where he has to make a choice, it is new to him, somewhere he has never been and he tends to feel as though no one else had ever been there either.第四段：I shall be telling this with a sigh\\Somewhere ages and ages hence:\\Two roads diverged in a wood, and I—\\I took the one less traveled by,\\And that has made all the difference.\\\分析：“sigh” has two references:a sigh of regret and a sigh of relief.\\“difference”:If it is the relief sigh, then the difference means Frost was glad he took the road he did; if it is the regret sigh, then the difference would not be good, and he would be sighing in regret.\\ The last two lines are ironic:the choice made little or no difference at all, the speaker's protestations to the contrary. \\\Summary of Stanza 4:At the end of the poem the regret hangs over the poem. \\Frost realizes that at the end of his life, "somewhere ages and ages hence", he will have regrets about having never gone back and traveling down the roads he did not take. \\To this man, what was most important, what really made the difference, is that he did what he wanted, even if it meant taking the road less traveled. If he hadn't, he wouldn't be the same man he is now.\\\。
robert frost 关于爱情的诗歌
罗伯特·弗罗斯特（Robert Frost）是美国诗人，他的诗歌充满了自然和人生哲理的主题。
虽然他的诗歌没有专门以爱情为主题，但有一些诗歌涉及了爱情的情感和体验。
以下是一些关于爱情的罗伯特·弗罗斯特的著名诗歌：
1.《火与冰》（Fire and Ice）：这首诗探讨了爱情和恨意之间的对立，尽管没有明确提及爱情，但这首诗表达了人类情感的强烈力量和对自我毁灭的倾向。
2.《两条小路》（The Road Not Taken）：这首诗描述了主角在一片有两条小路分岔的森林中，选择了罕见被人选择的那条小路。
虽然这首诗的主题不是爱情，但有些人解读这首诗为描述一个人在恋爱中做出艰难的选择。
3.《一些距离》（Some Distance From The Sun）：这首诗描绘了一个人对爱情的怀疑和对关系中的距离感的思考。
它探讨了爱情与时间和地理距离之间的关系。
这些诗歌都是罗伯特·弗罗斯特作品的一部分，并没有专门以爱情为主题的诗歌。
这些诗歌通过自然的比喻和深入的思考来探索人类情感和人生的复杂性。
（4）弗罗斯特（Robert Frost）诗选弗罗斯特（1874-1963），主要诗集有《孩子的意愿》、《波士顿以北》、《新罕布什尔》．《西去的溪流》、《理智的假面具》、《慈悲的假面具》、《林间中地》等。
《出生地》和那远处的山坡相比这儿似乎没有过任何的希望，父亲建造小屋，拢起了泉水，用围墙般的锁链围住所有东西。
周围的地面不只长荒草，还维持了我们各自的生命。
我们有十二个女孩和男孩。
高山似乎喜欢这热闹，用很短的时间就了解了我们——它的微笑总像含着什么，也许到今天它还是不知道我们的名字。
（当然没有一个女孩保持着原样。
）高山使我们从它的怀里离开，而现在它的山坳满是树木。
《一个老人的冬天夜晚》外面所有一切都穿过那空房间薄雾朦胧的窗格玻璃，穿过几乎呈星形分开的凝霜窥看他，是那在手上朝眼睛倾斜的灯光使他没有反看回去。
是年龄使他不能再记起把自己带到那摇摇欲坠房间的原因。
他与围绕自己的桶站在一起——不知所措。
他用沉重的脚步吓唬脚底的地下室，又用脚步将它吓了一跳；——又惊吓外面那有着它声音的夜晚，那声音熟悉得如同树枝破裂，但更像击打盒子。
他其实是仅仅照着他自己的灯，那个现在坐着的，与他所了解有关的轻微灯光，甚至连灯都谈不上。
他委托月亮，虽然是像他那样那么晚起来，那么残缺不全的月亮，但要它让他的雪花在屋顶上，让冰柱围绕墙，任何时候它的这种保管的职责都比太阳强，这时他睡着了。
那炉子里的圆木移动了一下，似乎打扰了他，他也动了一下，放松了他那沉重的呼吸，但他依然沉睡。
一个年老的人——一个人——不能看守一间房子，一个农场，一个农村，或者即使他能够，也是因为他在一个冬天夜晚所能做的。
《妻子》孤独（她的话）一个人不该关心那么多如同你和我在鸟儿来到房子周围似乎说再见之时所关心的；或者当它们回来唱着我们不懂的歌那样关心；真理就是我们为一件事感到过于高兴而这里为另一件事而悲伤——鸟儿的胸怀所填满的就是彼此与它们自己以及它们那建造或离开的鸟巢。
论罗伯特·弗罗斯特诗歌特点罗伯特·弗罗斯特是美国著名的诗人和散文家，他的诗作多以简洁明了的语言和对自然的热爱和独特的审美视角著称。
本文将从主题、形式、语言和风格四个方面来分析他的诗歌特点。
一、主题罗伯特·弗罗斯特的诗歌主题以自然和人类生活为主，反映出他对大自然的热爱和对人类生活的关注。
他的诗作里无一例外地描写了美丽的自然风景或生动的人物形象，从而表达了他对于自然美的领悟和对于人类生活的理解和关注。
他以此向读者展示自然的美妙和人类生命的价值，并从中寻找自己对人生和世界的看法。
二、形式罗伯特·弗罗斯特的诗歌形式多种多样，包括自由诗、韵律诗和抒情散文等。
在他的创作中，他不拘泥于一定的形式，而是从事于让语言与意义自由地流动自如的实验中。
尤其是他的自由诗，极具高度的形式自由和思维自由。
不过，罗伯特·弗罗斯特的诗歌并不是故作姿态或“无病呻吟”，他对于语言的运用和形式的探索，都是为了更好地传达自己的思想和情感。
三、语言罗伯特·弗罗斯特的诗歌语言简洁明了，读起来很流畅。
他的用词也十分准确，能够很好地表达出他的主旨和情感。
他的语言里充满了诗意和哲思，崇尚自然、简朴和真实。
他善于捕捉现实生活中那些小而美的细节，这些细节都付诸于他的诗歌之中，也让他的诗歌散发出无穷的人情味。
四、风格罗伯特·弗罗斯特的诗歌风格可以说是巧妙地处理了意象、语言和结构。
在他的诗作里，意象生动、语言简练、结构独特，这样的特色让他的诗歌与众不同。
他往往运用具象、简练、富有感染力的语言，达到了言简意赅的效果。
除此之外，他的诗歌还体现了对于时间和空间的感性认知，把时间和空间纳入诗歌构思的轨道，这也使得他的诗歌更加具有想象力和创造力。
综上所述，罗伯特·弗罗斯特的诗歌风格以自然主题为主，形式上多样性强，诗歌语言简单而优雅，充满了诗意和哲思，结构独到，意象生动。
他的诗作折射出他不同于常人的独特审美视角和对生命的珍惜，让读者感到自然的美妙和人生的意义。
赏析弗洛斯特作品罗伯特·弗罗斯特（Robert Frost，1874年3月26日-1963年1月29日）是美国著名的诗人，他以其深刻的诗歌作品和对自然的热爱而闻名于世。
弗罗斯特的诗歌作品中融入了对人生、自然和社会的思考，他的作品不仅具有深刻的内涵，而且语言简洁、意境深远，给人以深刻的启迪和感悟。
本文将从弗罗斯特的诗歌作品中选取几首代表作，进行赏析和解读。
首先，我们来看一首著名的弗罗斯特诗歌《停驻的地方》（Stopping by Woods on a Snowy Evening）：Whose woods these are I think I know. 。
His house is in the village though; 。
He will not see me stopping here 。
To watch his woods fill up with snow. 。
My little horse must think it queer 。
To stop without a farmhouse near 。
Between the woods and frozen lake 。
The darkest evening of the year. 。
He gives his harness bells a shake 。
To ask if there is some mistake. 。
The only other sound’s the sweep 。
Of easy wind and downy flake. 。
The woods are lovely, dark and deep, 。
But I have promises to keep, 。
And miles to go before I sleep, 。
And miles to go before I sleep.这首诗歌以冬季的雪夜为背景，诗人在穿越乡村时停下来欣赏了一片美丽的树林。
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罗伯特·弗罗斯特诗歌意象特点及其解读
罗伯特·弗罗斯特出身于伦敦的贵族家庭，他的诗歌常常构思出丰富而复杂的意象来
表达其复杂的情感，深刻揭示了人类深层次的心理境界。
弗罗斯特诗歌的意象大多把现实中的元素抽象化，常常将可视的景況表达为一些实际
上不存在的东西，如洪流，轮回等，用超越客观事物，超越时间空间界限的景象贴切描述
人性和社会现实。
弗罗斯特所施展出来的意象特点体现在他的诗歌《叹息》中尤为明显。
全诗以“哀叹”为话题，弗罗斯特利用极其精妙的意象来描述他的忧伤：绵绵情思凝结成一把坚可伤，被
困在他的心中，像一阵伤感的叹息在回味；他也把不灭的伤痛比作“铁轨上的哭泣”，缓
缓流淌，贯穿时光。
诗人还把心中的思念比作“金蛇”不断蜿蜒攀爬，一路沉醉于回忆的
甘甜中｡
从意象的特点我们可以发现，弗罗斯特用以上的细腻的意象，把叹息作为一个抽象的词，用超凡的技巧把它比作一种实际的景象，以此表达自己的感受。
这种抽象化的手法让
人有更丰富的体会，他所用的方式暗示，叹息不管多长时间过去了，仍有个体内心深处一
股柔软而痛苦的情感在不变地哭泣和呢喃。
另一方面，弗罗斯特也善于运用象征意象表达他的心情。
他把悲伤和思念比作一条
“无尽的蔓藤”，缠绕住心，渗透至骨，让他难以忘怀。
他还将痛苦和失落比作一座高塔，上天延伸，彷佛从人间隔绝，他依然不得不眺望那塔，忧伤地唱哀曲。
总结起来，弗罗斯特的诗歌里的意象多以个人的心情为主轴，他善于将精妙的意象加
以透视和想象，揭示内心的感受，强调以人的感觉为共鸣，从中可以看出他对人的心理的
深刻的理解。
