下载文档原格式
贝多芬《欢乐颂》赏析Ode To Joy 来⾃忆乡⾳⾳乐时光 00:00 07:03Beethoven - Symphony No. 9 : Herbert von Karajan -- Berlin Philharmonic Orchestra 《欢乐颂》（德语为Ode an die Freude），是在1785年由德国诗⼈席勒所写的诗歌。
贝多芬（Ludwig van Beethoven， 1770年12⽉16⽇-1827年3⽉26⽇）为之谱曲，成为他的第九交响曲第四乐章的主要部分，包含四独⽴声部、合唱、乐团。
⽽这由贝多芬所谱曲的⾳乐（不包含⽂字）成为了现今欧洲联盟的盟歌、欧洲委员会会歌。
这是⼀部⽆论如何形容其伟⼤都不过分的作品，是贝多芬全部⾳乐创作⽣涯的最⾼峰和总结。
早在1795年贝多芬就草拟了这部交响曲最后乐章的主题，经过多年的探索，贝多芬决定破天荒地在交响中加⼊⼈声，⽤席勒的《欢乐颂》诗句，来表达他毕⽣的夙愿：歌颂英雄和美德，歌颂神的普世光耀。
这部交响乐思想深刻，结构⼴阔，它扩⼤了交响乐的规模和范围，超出了当时的体裁和规范。
加⼊了⼈声的合唱，谱写了齐唱、合唱、四重唱和独唱。
这些声乐曲和管弦乐交织在⼀起，形成⼀个庄严崇⾼、雄伟瑰丽的交响乐章，⼀部宏伟⽽充满哲理性的壮丽颂歌。
1792年，贝多芬22岁时就有把席勒的《欢乐颂》这⾸长诗全部加以谱曲的想法。
1793年1⽉，德国诗⼈席勒的朋友、波恩⼤学法学教授菲舍尼希写信给席勒夫⼈夏洛蒂说：有⼀位青年抱着伟⼤⽽崇⾼的志向，要把席勒的《欢乐颂》⼀节⼀节地谱成⾳乐，这个青年就是贝多芬。
在1798年和1812年，贝多芬曾多次为《欢乐颂》的⾳乐起过稿。
前后琢磨30年，作品最终于1824年春当他54岁才最后得以完成，同年五⽉七⽇晚⾸演于维也纳。
⾸演取得了惊⼈的成功。
当激动⼈⼼的⼤合唱结束时，听众沸腾了，不顾⼀切地⿎掌，欢呼、相互拥抱，不能⾃⼰, 许多⼈禁不住失声痛哭。
音乐之王贝多芬的狂想曲贝多芬（Ludwig van Beethoven）被公认为音乐史上最伟大的作曲家之一。
他的作品中，狂想曲尤为突出，展现了他真正的音乐天才和创作才华。
在音乐界，贝多芬的狂想曲是被广泛建议拥护之一。
本文将探索贝多芬的狂想曲的魅力及其对音乐世界的影响。
贝多芬的狂想曲属于一种自由而富有想像力的音乐形式。
狂想曲不受严格的形式限制，使得作曲家能够展现他们对音乐的个人理解和表现方式。
贝多芬以自己独特的风格创作了大量的狂想曲，这些作品富有激情、变化多端，展现了贝多芬卓越的技巧和对音乐的深入理解。
其中，贝多芬的“月光”狂想曲（Moonlight Sonata）是他最著名的作品之一。
这首狂想曲以柔和、抒情的旋律开头，随后转入悲怆、充满挑战性的乐章。
这种情感上的对比使得这首狂想曲成为贝多芬作品中最具代表性的之一。
它展示了贝多芬将音乐作为情感表达的能力，同时也凸显了他的技巧和创造力。
对于很多人来说，这首狂想曲代表了人生的起伏和坎坷，与贝多芬的生活经历有着紧密的联系。
除了“月光”狂想曲，贝多芬的“疾风”狂想曲（Appassionata）也是他创作的杰作之一。
这首狂想曲以高度激情和动感的钢琴演奏为特点，令人心潮澎湃。
它的技巧要求极高，对演奏者的技巧和表现力提出了巨大的挑战。
通过这首狂想曲，贝多芬展示了他无与伦比的创作能力，以及对音乐表达情感的渴望。
贝多芬的狂想曲不仅在音乐界产生了深远的影响，也对后来的作曲家产生了广泛的启发。
他以其创新的作曲手法和对音乐情感的深思熟虑，为音乐史上开创了新的篇章。
贝多芬的狂想曲为后来的音乐家们提供了无穷的创作灵感，使得这种表现形式得以延续和发展。
除了对音乐作品和音乐家的影响外，贝多芬的狂想曲也为广大听众带来了深远的影响。
它们充满激情，具有强烈的情感表达力，能够触动人心。
成千上万的人通过贝多芬的狂想曲寻找到内心深处的共鸣，体验到音乐的奇妙和力量。
总而言之，贝多芬的狂想曲是他伟大作品中最引人注目的一部分。
浅谈贝多芬的音乐精神贝多芬（Ludwig van Beethoven）是世界古典音乐史上最为杰出的作曲家之一，他的音乐充满了精神上的力量和情感活力，在古典与浪漫时期之间搭起了一座巨大的桥梁。
他的音乐越过了18世纪的古典音乐形式的界限，表现出更加深刻、更加复杂的思想、情感和人性。
贝多芬的音乐精神是一个庞大的概念，不仅仅指他的音乐风格，而是指他的音乐和他的生命、思想、信仰、艺术追求以及生活哲学等方面的精神内涵。
首先，贝多芬的音乐精神中富含了强烈的个性与自由主义思想。
他憧憬自由平等的社会，反对压迫与贫困，追求人类精神上的自由和尊重。
这种自由主义思想也反映在他的音乐中，他大胆创新，打破传统的音乐形式，表达出个性化的音乐思想与风格。
如“第五交响曲”中的著名主题，简洁而有力，彰显出贝多芬不屈不挠、奋勇向前的主题思想。
在他的音乐作品中，经常出现大规模的音形冲撞和音名的急剧变化，以及不断变化的音乐风格和节奏，这些元素都反映出他坚定的个性和反传统的精神。
其次，贝多芬的音乐精神中包含着强烈的人道主义与人格尊严的观念。
他相信人类的理性、创造力和社会责任感，他反对腐朽、假冒和骗局。
他的音乐追求恢弘、高尚、优美的风格，强调人类的精神质量和生命力，反映出他对人生的理解与奉献，同时期望引发人类的情感共振和思考。
作品如“第九交响曲”中结合了《欢乐颂》和舒伯特诗人南丁格尔的《欢乐颂》，展现出激辩人权与人道主义精神的特点。
同时，贝多芬的音乐精神还表现出对音乐创新和经典精华——连续性和变化的关系的兴趣。
他尝试通过对古典音乐形式、和弦结构的变化，构建出更加复杂多样的音乐风格。
如他在交响音乐的作品中，运用主题变形等手法创造出动态的变奏形式，“第七交响曲”中著名的飞扬的舞曲，即充满了创新性又保留了它的古典级别。
浅谈贝多芬钢琴奏鸣曲的音乐风格及艺术特征贝多芬（Ludwig van Beethoven）是浪漫主义时期最重要的作曲家之一，他的钢琴奏鸣曲作品堪称经典。
贝多芬的钢琴奏鸣曲音乐风格独特，作品充满了个性、激情和创新，展现了他作为作曲家的独特艺术特征。
贝多芬的钢琴奏鸣曲音乐风格以其独特的个性和丰富的情感表达而著称。
贝多芬常常在作品中表达他内心深处的情感和心境，带给听众一种强烈的感受。
他的作品不再追求简单的表面美感，而是追求真实、深刻的情感体验。
贝多芬的“月光奏鸣曲”（Piano Sonata No. 14 in C-sharp minor, op. 27, No. 2）被誉为他最著名的作品之一，这首奏鸣曲中的第一乐章以其梦幻般的旋律和独特的和声结构而闻名于世，充满了浪漫主义情感和内心痛苦的表达。
贝多芬的钢琴奏鸣曲具有强大的创新精神和技巧上的挑战性。
贝多芬在他的钢琴奏鸣曲中不断突破传统形式的束缚，创造出了独特而复杂的结构。
他引入了自由奏鸣曲式（free sonata form），在曲式结构上进行了创新。
他还通过大胆的和声和技巧上的挑战来展示他对钢琴音乐的独到见解。
他的钢琴奏鸣曲《热情》（Piano Sonata No. 23 in F minor, Op. 57）中的第三乐章以其复杂的技巧和充满激情的音乐表达而闻名。
贝多芬的钢琴奏鸣曲的音乐语言非常丰富多样。
他的作品中融合了古典和浪漫主义的元素，展现了他对音乐语言的独特理解。
它们的旋律线索清晰，变化多样，表达力强烈。
贝多芬还常常使用对位法和和声振奋人心的对位法和和声技巧。
他还利用丰富的音色和细腻的音乐品味来创造出令人难以忘怀的钢琴音乐。
贝多芬的钢琴奏鸣曲展现了他对人类情感和命运的关注。
贝多芬的音乐常常表达对人类命运的思考和对人性的关怀，他的作品中常常融入力量和希望的主题。
他在音乐中通过独特的和声、旋律和节奏表达出我们共同的人类经验和情感，使得他的音乐具有普遍性。
贝多芬的音乐创作与浪漫主义时期贝多芬（Ludwig van Beethoven）是19世纪初期最杰出的音乐大师之一，他的作品不仅深刻地影响了当时的音乐界，也为后世的音乐发展奠定了基石。
虽然贝多芬的音乐创作涵盖了多个时期，但他的作品在浪漫主义时期尤为显著。
本文将探讨贝多芬的音乐创作与浪漫主义时期的关系。
一、贝多芬对浪漫主义音乐的影响贝多芬的音乐创作在形式与情感上都呈现了浪漫主义的特点。
他打破了古典音乐固定的结构和规则，广泛运用自由的作曲技巧，注重表达内心的情感与思想。
这与浪漫主义时期强调个人情感、追求自由的思潮相契合。
其次，贝多芬的音乐作品充满了激情与戏剧性，抒发了内心的冲突和矛盾。
他的交响乐作品如第三交响曲《英雄》和第九交响曲《合唱》，以及钢琴奏鸣曲《悲怆》等，都追求着激烈的情感表达。
这种情感的张力与浪漫主义时期的追寻独特的表现手法是相契合的。
二、贝多芬的音乐创作特点贝多芬的音乐作品具有以下几个特点，这些特点不仅代表了他作为作曲家的个性，也与浪漫主义音乐的理念相吻合。
首先，贝多芬注重对旋律的创新与发展。
他的旋律优美而丰富，具有很强的表现力。
尤其是他的主题变奏曲，充分展示了他对旋律的巧妙运用，使旋律的变化在不同乐章中都能够得到体现。
其次，贝多芬在音乐结构上进行了深入的探索。
他以自由的形式，创造了一种新的音乐语言。
他的作品中常常出现复杂而巧妙的对位技巧，同时融入了大量的音乐转变和前进的动力，这为浪漫主义时期的音乐发展开辟了道路。
再次，贝多芬注重音乐的表现力和情感的丰富性。
他用音乐语言来诠释各种情绪和想法，使人们能够通过音乐共鸣并产生强烈的感受。
他的音乐既有庄重、庄严的气魄，也有悲伤、狂热的情感，这种对情感的表达更加契合了浪漫主义时期人们对内心感受的追求。
三、贝多芬对后世的影响贝多芬的音乐创作对后世的音乐发展产生了深远的影响。
他的创新思想和音乐表现方式为后来的作曲家提供了重要的参考和启示。
首先，贝多芬的创作风格为浪漫主义音乐开辟了道路。
第十四篇Ludwig Van Beethoven路德维格·冯·贝多芬Ludwig Van Beethoven, a major composer of the nineteenth century, overcame many personalproblems to achieve artistic greatness.19世纪重要的作曲家——路德维格·冯·贝多芬——克服了许多个人困难而取得伟大的艺术成就。
Born in Bonn, Germany, in 1770, he first studied music with the court organist, Gilles vander Eeden. His father was excessively strict and given to heavy drinking'. _(1 D When his mother died, Beethoven, then a young man, was named guardian of his two youngerbrothers.) _Appointed deputy court organist to Christian Gottlob Neefe at a surprisingly early age in 1782,Beethoven also played the harpsichord and the viola. In 1792 he was sent to Vienna by his patron,Count Ferdinand Waldstein, to study music under Haydn.路德维格·冯·贝多芬于1770年出生于德国的波恩河畔，他最先和宫廷风琴手吉尔斯·万·德·伊登学音乐。
贝多芬简介：路德维希·凡·贝多芬（德语：Ludwig van Beethoven，1770—1827）德国著名的作曲家和音乐家，维也纳古典乐派代表人物之一,是“集古典主义之大成，开浪漫主义之先河”的伟大音乐家。
他创作的作品对音乐发展有着深远的影响，由此被尊称为乐圣。
祖父自从二十岁来到波恩就做了那里的乐长。
父亲是高音的歌唱家，母亲出身低微，是一个厨子和女佣生的女儿。
Beethoven: Ludwig van Beethoven (German: Ludwig van Beethoven, 1770 - 1827) of composers and musicians famous German classical music in Vienna, one of the representatives, is a "set of classicism in the first opening," romanticism the great musician. Have a profound effect on the development of music in his works, which is known as the saint. Grandfather since the age of twenty came to Bonn made where Le long. Father is a soprano singer, mother of humble origin, is a cook and maid's daughter.贝多芬的苦难：1、贫穷的出生2、不幸的童年3、失聪的双耳4、破灭的爱情5、重病的身体6、困窘的生活7、无情义的侄子The sufferings of Beethoven: 1, poor born 2, unhappy childhood3, deaf ears, 4 broken love5, sick body 6, hard life 7, no friendship nephew.贝多芬的名言：1、痛苦能够毁灭人，受苦的人也能把痛苦毁灭。
Ludwig van Beethoven was one of the greatest composers of all time. Much of his music was filled with great joy. Unfortunately, Beethoven's life wasn't filled with joy or happiness.Ludwig van Beethoven was born in 1770 in Bonn, Germany. He had a difficult andto give Ludwig piano lessons before he was four years old. Ludwig was so small that he had to stand on the piano seat to reach the piano. When Johann saw how quicklyhe made a mistake and often woke him up in the middle of the night to make him play for friends. Ludwig continued to study, and, in 1782, he became theAround this time, Beethoven began composing and publishing music. He used the money that he earned to help take care of his family. His father had a lot of problems and could not support them. When Beethoven was about sixteen, he went to Viennaimportant people, including the famous composer Wolfgang Amadeus Mozart. When Mozart heard him, he told his friends，"Keep your eyes on him. Someday he will give the world something to talk about. "Soon after Beethoven arrived in Vienna, his mother died. He loved her very muchand he was very upset by the news. In fact, he was devastated. Beethoven moved back to Bonn to help care for his younger brothers and sister. He made money by performing and giving music lessons. In 1790, Beethoven returned to Vienna.older man and did not have the patience to teach the independent, young Beethoven.compose music.Most of the well-known composers of that time worked for wealthy families.for himself. He was the first great composer to do this. His love of independence also showed in his music. Unfortunately, when Beethoven was in his late twenties, a terrible thing happened to him. He began to lose his hearing. Eventually, he would be completely deaf. Beethoven was very angry and upset by this. Sometimes he broke the strings on his piano because he hit the keys so hard to hear the notes.Music was the most important thing in Beethoven's life and his loss of hearing tortured him. But inside his head, the music continued to play. He continued to compose music, but it was difficult for him to perform in public. His last public performance was very emotional. When Beethoven was finishedturned him toward the audience. Now he could see how much they loved his music. He started to cry.Beethoven was a brilliant composer, but a difficult man. He was selfish and he treated people badly. His music was so beautiful that some people cried when theyhe would walk away if people talked while he was playing. If he did not like an audience, he didn't perform at all. He could also be quite insulting. He wrote a song called "Praise to the Fat One, " for a violinist who was overweight. Beethoven was not very attractive himself. He was short and he let his hair grow long and wild. But he knew it, and made jokes about it.Beethoven was also a wild and bad-tempered person, especially in restaurants. Oncehe laughed loudly, as he always did. Sometimes he wrote music on the bill and then left without paying. Beethoven probably went to a lot of restaurants because he was a terrible cook. He loved macaroni and cheese, a soup made of bread and eggs, and red herring, which is a type of fish. He liked to make strong coffee and counted exactly 60 beans to the cup.Beethoven usually worked early in the morning. But sometimes he stayed up allnight and worked without eating or sleeping. He poured water over his head to help him stay awake, but he never cleaned it up. His room was a mess. There were dirty clothes, old pens, plates of food, and papers everywhere. His room was so dirty that all his landlords made him move. Beethoven himself was not very clean either. He wore the same clothes until they were so dirty that his friends had to throw them out. They usually did this while Beethoven was sleeping. They left new clothes in place of the old ones, but he never noticed. He was too busy writing music.Naturally Beethoven never got married. Who would want him? He fell in love many times, however, and asked several women to marry him. Most of the women were engaged or already married. He never had children of his own, but he helped to raise his brother's son after his brother died.People do not think about all these things when they hear the name Beethoven.beauty of his music. They also remember that hedied in Vienna in 1827 when he was 57. Over 20,000 people came to his funeral. Thewhen he died, he wanted to be buried in Vienna, next to Beethoven. Sadly, Schubert died a year later, at the age of 32. He was buried next to Beethoven.生词表:performer [pə´fɔ:mə] n.执行者；表演者organist [´ɔ:gənist] n.风琴手vienna [vi´enə] n.维也纳rebellious [ri´beljəs] a.造反的；反叛的eventually [i´ventʃuəli] ad.最后，终于applaud [ə´plɔ:d] v.鼓掌赞成；称赞waiter [´weitə] n.侍者，服务员herring [´heriŋ] n.鲱鱼；青鱼classical [´klæsikəl] a.经典的；传统的Questions1. When and where was Beethoven born?2. What would his father do when Beethoven made a mistake?3 .why did Beethoven decide to live in Vienna ?4.what was Beethoven’s attitude to his hearing lose？5. when Beethoven saw how much the audience loved his music, what did he do?6. What kind of man was Beethoven ? (at least five words to describe him)7. What did Beethoven do to keep himself stay awake?8. Why he never noticed his clothes are new?9. How many children did Beethoven have?10. When and where did Beethoven die?。
