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贝多芬的英文简介贝多芬的英文简介贝多芬，德国杰出的音乐家，维也纳古典乐派代表人物之一，世界音乐史上最伟大的作曲家之一。
被尊称为“乐圣”和“交响乐之王”。
下面是店铺给大家整理的贝多芬的英文简介，供大家参阅!贝多芬简介Ludwig van Beethoven (Ludwig van Beethoven) December 16, 1770 - March 26, 1827, at the age of 57 years, Germany's outstanding musicians, Vienna, one of the representatives of classical music, the history of world music One of the greatest composers. His works on the development of world music has a very far-reaching impact, so be known as "music" and "the king of the symphony."Beethoven's main works take the top nine symphonies. The fifth symphony "Fate", the sixth symphony in F major, "Pastoral", the seventh symphony of A major, the ninth symphony of d minor " Chorus "(" Ode to the Song "the main melody), Overture" Love Gormon "," Leonora ", rose c minor fourteenth piano sonata" moonlight ", F major fifth Violin sonata" spring ", F major The second romantic song.His nine symphonies play a decisive role in the development of world music, and his late works are romantic. His "moonlight" in the form of legends appeared in the textbooks of the sixth grade of the primary school language (on "26. Moonlight").Beethoven's position in the history of music is extremely prominent, he is not only a master of classical style, but also a pioneer of romantic style. As a master of music, Beethoven is also a considerable degree of attention to the art of music, he is a pioneer in the creation of German art songs, life has pianoaccompaniment of more than sixty songs, his artistic songs with a very rich expression of the way and form To show, express the feelings of all mankind. In the field of art songs made remarkable achievements. From 1896 began to feel the increasingly weak hearing, 1813 - 1817 Beethoven's creation is also a temporary decline; 1818 - 1827 Beethoven left ear deafness, health deterioration, forty-six Beethoven hearing has been completely lost.贝多芬个人经历Childhood experienceDecember 16, 1770, Beethoven was born in Bonn, Germany, poor families. The father is the mediocre choir of the house choir of the tenor, the mother is a much tortured palace chef's daughter. His grandfather was the chief of the Bonn Palace Orchestra. In his father's strict training, Beethoven revealed the music of talent, but Beethoven is often beaten by his father.Beethoven 4 years old will play the harpsichord, and get the reputation of the music prodigy; at the age of 5 suffering from otitis media; 8 years old began to perform on stage; 10 years old, he was the most famous music education in Prussia Beethoven's 11-year-old first "Piano Variations" at the age of 12; 12 years old by Nie Fei's recommendation, to Walterstein's palace band as organist assistant, then Beethoven's "music servant" The career began. 13-year-old Beethoven participated in the court band as an organist and an old pianist.Study experienceIn 1781 Beethoven followed the band conductor Kristian Gott Roberto Nefer learning piano and composer, Beethoven also with Franz Anton Reese learn violin, under the guidance of the new teacher makes Beethoven began to form their ownunique style of.In 1787 to Vienna, began to follow Mozart, Haydn and others to learn composition, at the beginning, Mozart wanted to see his ability to let him play music, Mozart heard his playing after the prediction of one day Beethoven will shake the world The Beethoven arrived in Vienna shortly after the death of his mother, he had to immediately back to Bonn. As a result of the family's drag, until the fall of 1792 his father died, he came to Vienna for the second time, but then Mozart is no longer alive.Beethoven also followed Schenck, Albrecht Borg and Salieri and others to learn. He was in Bonn through contacts with the intellectuals of Browning, access to many well-known professors, writers and musicians, and from them, by the "hurricane" trend of influence. His democratic ideology had matured in the years before the French Revolution, but grew rapidly in the revolutionary era. Beethoven during this period to create "prelude to F", two preludes and so on.Painful experienceBeethoven began to write the first symphony at the age of thirty, from 1796 began to feel the hearing is weakening, his love of life and the pursuit of art to overcome his personal pain and despair, suffering into He created the source of strength, he strangled the fate of the throat.He still painstakingly created "hero symphony"; "Hero Symphony" marks the Beethoven's state of mind turn, but also marks his creation of "heroic age" began.Beethoven's later stage in Vienna, as Europe is experiencing a period of severe political reaction, that is, Mettner's reactionary rule is particularly rampant.1818 - 1817 Beethoven's creation is also temporarily showinga decline; 1818 to 1827 Beethoven in the ears deaf, the deterioration of health, the spirit of torture, still with the giant perseverance created the "Ninth Symphony" Summed up his glorious, epic life, and show the good wishes of mankind.In 1823, Beethoven completed his last masterpiece in his life - the Ninth Symphony.In his later yearsForty-six-year-old Beethoven heard completely lost, still adhere to the music creation. In his later years, Beethoven created the last few string quartets.In 1826, Beethoven was unable to complete due to serious illness.In December 1826, Beethoven suffered from severe colds leading to pulmonary edema.March 26, 1827, Beethoven died in Vienna.On the day of his burial, all the schools were closed for mourning, twenty thousand people attended the funeral of Beethoven, and his tombstone was engraved with the inscription of the Austrian poet Greer Barty: "... when you stand in front of his coffin , Is not shy, but a kind of lofty feelings; we only have such a talent for him can say: he completed the great cause ... ... "贝多芬创作风格Beethoven's works are known for their heroic, dramatic and thoughtfulness. As he himself said: "music should make the human spirit burst out of the spark." For example, his most famous "fifth" fate "Symphony" in the "fate movement" describes the brutal fate of the struggle, and ultimately win The faith.He created a total of nine symphonies, one of the most well-known for the "third" hero "symphony", "fifth" fate "symphony","sixth" pastoral "symphony" and "ninth" chorus "symphony".His piano music works are known for his passion for boldness and contrast. Piano sonata plays an important role in his work, not only reflects the evolution of his personal music creation style, but also indicates the piano music from classicalism into the romantic process.Starting from the third movement of his second sonata, Beethoven replaced the small steps with Haydn and Mozart with a scherzo. Since then the structure of the sonata is: the first movement, the drama of conflict; the second movement, lyrical or contemplative adaption, used to express the complex inner emotional ups and downs; third movement, small step, Beethoven replaced with scherzo ; The fourth movement, rondo, warm, festive characteristics.The most famous of the sonata works is "warm", "sad", "moonlight", "dawn" and "storm" five.In Beethoven's later years, he also wrote six string quartets, which represent the "quartet of the B-Major". In the creation of vocal works, there are vocal divertimento "to the distant lover", Cantata "solemn mass" and other important works. One of his most important operas is "Ferdinand".Beethoven's work by the eighteenth century Enlightenment and the German Hurricane sudden movement of the impact of distinct personality, than the predecessors have made great progress. In music performance, he almost involved all the music genre at that time; greatly improved the performance of the piano, so that the symphonic drama effect; also make the symphony become a direct reflection of social change in the form of important music.Beethoven set the culmination of classical music, whileopening up the romantic music of the road, the development of world music has a pivotal role, known as the "music Saint".Beethoven's creative idea is broad, magnificent image, deep feelings, contrast, which makes him emphasis on the use and expansion of the sonata style; at the same time because of the rich and varied image, the use of the works in the sonata and have their own characteristics.Beethoven's other orchestral works include "Violin Concerto", five piano concertoes, two preludes, piano bands, chorus fantasy, two violin tunes and band romance.His music, from that full of sunshine and youthful vitality behind the joy, often still can feel a pain, depression and sadness. Only Beethoven, he is not only angry against the feudal system of autocracy, and with his music called for people to fight for freedom and happiness.Beethoven in addition to absorb the traditional classical sonata structure reasonable ingredients, but also in their own creation to be greater innovation:The use of the primerRead the works of classical masters, from Haydn, Mozart to Crowe, Klemen Mentor, etc., their works are often straight to the point, straightforward meaning, the introductory part is often omitted. Only Beethoven, he gives the primer a new meaning, just like a concert prelude or opera prelude, the primer is often as a preface or a relatively independent part of the music content is briefly summarized, and implied, inspired, transition, description and so on. Such as "warm" third movement 1-19 section of the introduction, "Sorrow" the first movement of the 1-10 section of the introduction, the rise of the fourth anniversary of the V verse Sonata piano sonatas 1-4 section of theintroduction and so on.The presentation department is not repeatedWe know that in the analysis of classical sonata presentation department, often will find the first repeated mark, the first repeated before the mark for all the presentation. But in the "warm", Beethoven has this repeated mark omitted, it can not be said that Beethoven's "classical frame" betrayal and innovation. Of course, the presentation of the song is not repeated mainly music content development results.The part of the connection, the expansion and the end of the full independenceBeethoven's work, "start" is only relatively unfolded, often "symbolic", and "connection" and "end" is a mere identity in the work, there is no independence Meaning, is transferred from the tone or tone, to "bridge" in the identity of the work of the secondary position; some simply put the expansion of the Department. Beethoven has given the expansion, the connection and the end of the new meaning, in space and art height, is predecessors can not. There is 71 steps (65-135) in the first movement of the "passion", the connection is 20 (16-35) and the end is 15 (51-65). While the third movement of the expansion of the Department has 94 knots as much as (118-211), the connection is accounted for 40 sections of the giant (36-75); and in this section to give the connection part of a certain degree of independence and more Strong melodic tendency.The endThe unprecedented development of the end is not only in the length of the elongation, and more valuable is that Beethoven still give the end of the relative independence of the meaning. "Passion" of the first movement ending 59 (that is 204-262), the third movement ending 54 (that is, 308-361). He often refers to the main part of the vice part of the music material, the tail for the mixed development, and to the end of the more specific Ad Ha. ("Warmth" the first part of the first part of the movement section 239), presto "passion" the third part of the third part of the movement section 308), as well as other terms such as piuallegro speed or intensity, so that the end becomes a relatively complete four-phrase structure of independence paragraph.。
贝多芬：不朽的音乐巨匠Ludwig van Beethoven, a German composer and pianist, revolutionized classical music. His symphonies, piano concertos, and chamber music exhibit profound emotional depth and technical virtuosity. Despite personal struggles, Beethoven's works reflect his unwavering dedication to creativity and expression. His legacy lives on, inspiring generations of musicians and listeners alike.Ludwig van Beethoven, a German composer and pianist, stands tall as a revolutionary figure in the realm of classical music. His exceptional musical genius and profound understanding of the art form allowed him to create works that not only elevated the standards of his time but also transcended generations, resonating with audiences across the globe.Beethoven's oeuvre is vast and diverse, ranging from symphonies and piano concertos to chamber music and songs. Each piece is a testament to his boundless creativity and technical virtuosity. His symphonies, particularly the nine numbered ones, are considered landmarks in the history of music, exhibiting a depth of emotion and complexity thathad never been seen before. His piano concertos, likewise, are masterpieces of the genre, displaying a mastery of the instrument and a profound understanding of its capabilities. Despite personal struggles and the gradual decline ofhis hearing, Beethoven's dedication to his art remained unwavering. His works, often filled with emotionalintensity and a sense of struggle, reflect his personal journey and his unyielding spirit. His music is not just a collection of notes and melodies but a powerful expressionof human emotion and experience.Beethoven's legacy is not just confined to the realm of music. His works have influenced and inspired generationsof musicians, composers, and listeners alike. Hisinnovative approach to composition and his unwavering commitment to personal expression have made him a rolemodel for countless artists. His music continues to touch hearts and minds, reminding us of the transformative powerof art and creativity.In conclusion, Ludwig van Beethoven is not just a composer or a pianist but a cultural icon and a symbol of musical excellence. His works, which continue to inspireand captivate, are a testament to his genius and his enduring contribution to the world of music. Beethoven's music will forever remain a part of our cultural heritage,a reminder of the boundless possibilities of humancreativity and expression.**贝多芬：不朽的音乐巨匠**路德维希·范·贝多芬，德国作曲家和钢琴家，是古典音乐的革新者。
英语故事Wolfgang Amadeus Mozart享誉世界的音乐天才、“音乐神童”莫扎特简介Wolfgang Amadeus MozartIntroductionBorn Salzburg, 27 January 1756; died Vienna, 5 December 1791. Son of Leopold Mozart.He showed musical gifts at a very early age, composing when he was five and when he was six playing before the Bavarian elector and the Austrian empress. Leopold felt that it was proper, and might also be profitable, to exhibit his children’s God-given genius (Maria Anna, “Nannerl”, 1751–1829, was a gifted keyboard player): so in mid-1763 the family set out on a tour that took them to Paris and London, visiting numerous courts en route. Mozart astonished his audiences with his precocious skills; he played to the French and English royal families, had his first music published and wrote his earliest symphonies. The family arrived home late in 1766; nine months later they were off again, to Vienna, wherehopes of having an opera by Mozart performed were frustrated by intrigues.They spent 1769 in Salzburg; 1770–73 saw three visits to Italy, where Mozart wrote two operas (Mitridate, Lucio Silla) and a serenade for performance in Milan, and acquainted himself with Italian styles. Summer 1773 saw a further visit to Vienna, probably in the hope of securing a post; there Mozart wrote a set of string quartets and, on his return, wrote a group of symphonies including his two earliest, nos.25 in g Minor and 29 in A, in the regular repertory. Apart from a journey to Munich for the premiere of his opera La finta giardiniera early in 1775, the period from 1774 to mid-1777 was spent in Salzburg, where Mozart worked as Konzertmeister at the Prince-Archbishop’s court; his works of these years include masses, symphonies, all his violin concertos, six piano sonatas, several serenades and divertimentos and his first great piano concerto, K271.In 1777 the Mozarts, seeing limited opportunity in Salzburg for a composer so hugely gifted, resolved to seek a post elsewhere for Wolfgang. He was sent, with his mother, to Munich and to Mannheim, but was offered no position (though he stayed over four months at Mannheim, composing for pianoand flute and falling in love with Aloysia Weber). His father then dispatched him to Paris: there he had minor successes, notably with his Paris Symphony, no.31, deftly designed for the local taste. But prospects there were poor and Leopold ordered him home, where a superior post had been arranged at the court. He returned slowly and alone; his mother had died in Paris. The years 1779–80 were spent in Salzburg, playing in the cathedral and at court, composing sacred works, symphonies, concertos, serenades and dramatic music. But opera remained at the centre of his ambitions, and an opportunity came with a commission for a serious opera for Munich. He went there to compose it late in 1780; his correspondence with Leopold (through whom he communicated with the librettist, in Salzburg) is richly informative about his approach to musical drama. The work, Idomeneo, was a success. In it Mozart depicted serious, heroic emotion with a richness unparalleled elsewhere in his works, with vivid orchestral writing and an abundance of profoundly expressive orchestral recitative.Mozart was then summoned from Munich to Vienna, where the Salzburg court was in residence on the accession of a new emperor. Fresh from his success, he found himself placed between the valets and the cooks; his resentment towards hisemployer, exacerbated by the Prince-Archbishop’s refusal to let him perform at events the emperor was attending, soon led to conflict, and in May 1781 he resigned, or was kicked out of, his job. He wanted a post at the Imperial court in Vienna, but was content to do freelance work in a city that apparently offered golden opportunities. He made his living over the ensuing years by teaching, by publishing his music, by playing at patrons’ houses or in public, by composing to commission (particularly operas); in 1787 he obtained a minor court post as Kammermusicus, which gave him a reasonable salary and required nothing beyond the writing of dance music for court balls. He always earned, by musicians’ standards, a good income, and had a carriage and servants; through lavish spending and poor management he suffered times of financial difficulty and had to borrow. In 1782 he married Constanze Weber, Aloysia’s younger sister.In his early years in Vienna, Mozart built up his reputation by publishing (sonatas for piano, some with violin), by playing the piano and, in 1782, by having an opera performed: Die Entführung aus dem Serail, a German Singspiel which went far beyond the usual limits of the tradition with its long, elaborately written songs (hence Emperor Joseph II’s famousobservation, “Too many notes, my dear Mozart”). The work was successful and was taken into the repertories of many provincial companies (for which Mozart was not however paid). In these years, too, he wrote six string quartets which he dedicated to the master of the form, Haydn: they are marked not only by their variety of expression but by their complex textures, conceived as four-part discourse, with the musical ideas linked to this freshly integrated treatment of the medium. Haydn told Mozart’s father that Mozart was “the greatest composer known to me in person or by name; he has taste and, what is more, the greatest knowledge of composition”.In 1782 Mozart embarked on the composition of piano concertos, so that he could appear both as composer and soloist. He wrote 15 before the end of 1786, with early 1784 as the peak of activity. They represent one of his greatest achievements, with their formal mastery, their subtle relationships between piano and orchestra (the wind instruments especially) and their combination of brilliance, lyricism and symphonic growth. In 1786 he wrote the first of his three comic operas with Lorenzo da Ponte as librettist, Le nozze di Figaro: here and in Don Giovanni (given in Prague, 1787) Mozart treats the interplay of social and sexual tensions with keen insight intohuman character that—as again in the more artificial sexual comedy of Cosi fan tutte (1790)—transcends the comic framework, just as Die Zauberflote (1791) transcends, with its elements of ritual and allegory about human harmony and enlightenment, the world of the Viennese popular theatre from which it springs.Mozart lived in Vienna for the rest of his life. He undertook a number of journeys: to Salzburg in 1783, to introduce his wife to his family; to Prague three times, for concerts and operas; to Berlin in 1789, where he had hopes of a post; to Frankfurt in 1790, to play at coronation celebrations. The last Prague journey was for the premiere of La clemenza di Tito (1791), a traditional serious opera written for coronation celebrations, but composed with a finesse and economy characteristic of Mozart’s late music. Instrumental works of these years include some piano sonatas, three string quartets written for the King of Prussia, some string quintets, which include one of his most deeply felt works (K516 in g Minor) and one of his most nobly spacious (K515 in C), and his last four symphonies—one (no.38 in D) composed for Prague in 1786, the others written in 1788 and forming, with the lyricism of no.39 in E-flat, the tragic suggestiveness of no.40 in g Minorand the grandeur of no. 41 in C, a climax to his orchestral music. His final works include the Clarinet Concerto and some pieces for masonic lodges (he had been a freemason since 1784; masonic teachings no doubt affected his thinking, and his compositions, in his last years). At his death from a feverish illness whose precise nature has given rise to much speculation (he was not poisoned), he left unfinished the Requiem, his first large-scale work for the church since the c Minor Mass of 1783; a completion by his pupil Süssmayr was long accepted as the standard one but there have been recent attempts to improve on it. Mozart was buried in a Vienna suburb, with little ceremony and in an unmarked grave, in accordance with prevailing custom.。
A taste of English humour课文原文及翻译A MASTER OF NONVERBAL HUMOURAs Victor Hugo once said, "Laughter is the sun that drives winter from the human face", and up to now nobody has been able to do this better than Charlie Chaplin. He brightened the lives of Americans and British through two world wars and the hard years in between. He made people laugh at a time when they felt depressed, so they could feel more content with their lives.Not that Charlies own life was easy! He was born in a poor family in 1889. His parents were both poor music hall performers. You may find it astonishing that Charlie was taught to sing as soon as he could speak and dance as soon as he could walk. Such training was common in acting families at this time, especially when the family income was often uncertain. Unfortunately his father died, leaving the family even worse off, so Charlie spent his childhood looking after his sick mother and his brother. By his teens, Charlie had, through his humour, become one of the most popular child actors in England. He could mime and act the fool doing ordinary everyday tasks. No one was ever bored watching him -his subtle acting made everything entertaining.As time went by, he began making films. He grew more and more popular as his charming character, the little tramp, became known throughout the world. The tramp, a poor, homeless man with a moustache, wore large trousers, worn-out shoes and a small round black hat. He walked around stilly carrying a walking stick. This character was a social failure but was loved for his optimism and determination to overcome all difficulties. He was the underdog who was kind even when others were unkind to him.How did the little tramp make a sad situation entertaining? Here is an example from one of his most famous films, The Gold Rush. It is the mid-nineteenth century and gold has just been discovered in California. Like so many others, the little tramp and his friend have rushed there in search of gold, but without success. Instead they are hiding in a small hut on the edge of a mountain during a snowstorm with nothing to eat. They are so hungry that they try boiling a pair of leather shoes for their dinner. Charlie first picks out the laces and eats them as if they were spaghetti. Then he cuts off the leather top of the shoe as if it were the finest steak. Finally he tries cutting and chewing the bottom of the shoe. He eats each mouthful with great enjoyment. The acting is so convincing that it makes you believe that it is one of the best meals he has ever tasted!Charlie Chaplin wrote, directed and produced the films he starred in. In 1972 he was given a special Oscar for his outstanding work in films. He lived in England and the USA but spent his last years in Switzerland, where he was buried in 1977. He is loved and remembered as a great actor who could inspire people with great confidence.无声的幽默的大师维克多o雨果曾经说过："笑容如阳光，驱走人们脸上的冬天。
05-A. The New Music新音乐The new music was built out of materials already in existence: blues, rock'n'roll, folk music. But although the forms remained, something completely new and original was made out of these older elements -- more original, perhaps, than even the new musicians themselves yet realize. The transformation took place in 1966--1967. Up to that time, the blues had been an essentially black medium. Rock'n'roll, a blues derivative, was rhythmic dance music. Folk music, old and modern, was popular among college students. The three forms remained musically and culturally distinct, and even as late as 1965, none of them were expressing any radically new states of consciousness. Blues expressed black soul; rock was the beat of youthful energy; and folk music expressed anti-war sentiments as well as love and hope.新音乐是根据已有的音乐素材创立的，这些音乐素材包括布鲁斯音乐、摇滚乐、美国民间音乐。
跟Janice学英文｜我在美国艺术商店，做了一只栩栩如生的“蝴蝶”！Janice Sigrist老师是一妍的老师，也是忘年交。
她在上海从事国际教育21年。
今年7月回到美国定居。
一妍邀请她每周给第1整理术读者分享一个小故事，希望可以把她阳光、积极、温暖的生活态度，传递给每一位听者。
文丨Janice Sigrist编辑｜第1整理术编辑部这是Janice的第15个故事。
搬家到新小镇的Janice在朋友开设的艺术商店里，制作了一只彩色玻璃蝴蝶。
在这个故事，她从如何切割一块玻璃开始，讲述了她的第一只彩色玻璃装饰品的制作全过程。
本次课程的教学与材料费用是35美元(约225元人民币）。
由于制作过程非常长有趣，作品又可以长久保存，所以Janice决定，未来成为这家艺术商店的常客......本专栏适合人群：1）所有英文学习爱好者。
2）希望接受更多沉浸式英语教学体验的成年人和小朋友。
3）对美式生活感兴趣，希望更多了解更多美式文化的朋友。
第一个故事：跟Janice学英文｜我在美国和哥哥一起种黄瓜第二个故事：跟Janice学英文｜云游览我家的美式花园吧！第三个故事：跟Janice学英文｜上周末，我拜访一个只有10000人的美国小镇第四个故事：跟Janice学英文｜逛逛美国小镇的蔬果市集，神清气爽！第五个故事：跟Janice学英文｜我在美国做牛排！第六个故事：跟Janice学英文｜我家向日葵，竟有4.2米高！第七个故事：跟Janice学英文｜我做了一件46年都没做的事！第八个故事：跟Janice 学英文｜Janice的微笑有魔力！第九个故事：跟Janice学英文｜运动小白在美国体验高尔夫，性价比超过！第十个故事：跟Janice学英文｜我家12岁行动不便的大型犬如何看兽医？第11个故事：跟Janice学英文｜50年多前的一场万圣节派对，让我种下中国梦第12个故事：跟Janice学英文｜100个纸箱，2周拆包，一个温暖的美国搬家故事第13个故事：跟Janice学英文｜一群美国高中生，拯救了我曾曾曾祖父的桌子！第14个故事：跟Janice学英文｜美国式秋风扫落叶，过于生猛！入群方式：1 转发一个Janice的故事到朋友圈。
SAT写作经典例子之“贝多芬”贝多芬的经历是非常曲折坎坷的，在SAT写作例子中非常具有代表性。
Beethoven，German composer. He is universallyrecognized as one of the greatest composers of theWestern European music tradition. Beethoven's workcrowned the classical period and also effectivelyinitiated the romantic era in music. He is one of thefew artists who genuinely may be consideredrevolutionary.LifeBorn in Bonn, Beethoven showed remarkable talent at an early age. His father, a courtmusician, subjected him to a brutal regimen, hoping to exploit him as a child prodigy. Whilethis plan did not succeed, young Beethoven's gifts were recognized and nurtured by histeachers and by members of the local aristocracy. In 1787 Beethoven first visited Vienna, atthat time the center of the music world. There he performed for Mozart, whom he greatlyimpressed.In 1792 Haydn invited him to become his student, and Beethoven returned to Vienna,where he was to remain permanently. However, Beethoven's unorthodox musical ideasoffended the old master, and the lessons were terminated. Beethoven studied with severalother eminent teachers, including Antonio Salieri, but was developing according to his ownsingular genius and could no longer profit greatly from instruction.Both his breathtaking piano virtuosity and his remarkable compositions won Beethovenfavor among the enlightened aristocracy congregated at Vienna, and he enjoyed theirgenerous support throughout his life. They were tolerant, too, of his notoriously boorishmanners, careless appearance, and towering rages. His work itself was widely accepted, ifcontroversial, and from the end of the 1790s Beethoven was not dependent on patronagefor his income.The year 1801 marked the onset of Beethoven's tragic affliction, his deafness, whichbecame progressively worse and, by 1817, total. Public performance eventually becameimpossible; but his creative work was not restricted. Beethoven never married; however, hewas stormily in and out of love all his life, always with women unattainable because of marriageor station. His personal life was further complicated when he was made the guardian of hisnephew Karl, who caused him much anxiety and grief but towhom he nevertheless remainedfondly attached.Beethoven died, after a long illness, in the midst of a fierce thunderstorm, and legend hasit that the dying man shook his fist in defiance of the heavens.CompositionsBy the 19th cent., Beethoven's work could already be divided into three fairly distinctperiods. The works of the first period include the First (1800) and Second (1802) Symphonies;the first three piano concertos (1795?800); the first group of string quartets (1800); and anumber of piano sonatas, among them the Pathique (1798) and the Moonlight Sonata (1801).Although the compositions of the first period have Beethoven's unmistakable breadth andvitality, they are dominated by the tradition of Haydn and Mozart.Beginning about 1802, Beethoven's work took on new dimensions. The premiere in 1805 ofthe massive Third Symphony, known as the Eroica (composed 1803?), was a landmark incultural history. It signaled a definitive break with the past and the birth of a new era. Thelength, structure, harmonies, and orchestration of the Eroica all broke the formal conventionsof classical music; unprecedented too was its intention to celebrate human freedom andnobility. The symphony was originally dedicated to Napoleon, who at first symbolized toBeethoven the spirit of the French Revolution and the liberation of mankind; however, whenNapoleon proclaimed himself emperor, the disillusioned composer renamed his work the"Heroic Symphony to celebrate the memory of a great man."The works of Beethoven's middle period, his most productive, include the Piano ConcertosNo. 4 (1806) and No. 5 (Emperor Concerto, 1809); the Razumovsky Quartets (1806); his NinthSonata for violin, the Kreutzer Sonata (1803), and his one Violin Concerto (1806); the Fourththrough Eighth Symphonies (1806?2); a number of piano sonatas, among them the Waldsteinand the Appassionata (both 1804). His sole opera, Fidelio, was produced in its first version in1805 and in its final form in 1814. Beethoven wrote four overtures for the opera, three ofthem known as the Leonore Overture. He also composed overtures to Collin's Coriolan (1807)and to Goethe's Egmont (1810). From about 1813 to 1820 there was some slackening inBeethoven's productivity, probably due in part to difficulties concerning his nephew.Beethoven's final period dates from about 1816 and is characterized by works of greaterdepth and complexity. They include the demanding, nearly symphonic Hammerklavier sonata(1818) and the other late piano sonatas; the monumental Ninthcomposed in his last years, areconsidered by many music lovers to be Beethoven's supreme creations, and by some the mostsublime music ever composed.An extraordinarily prolific composer, Beethoven produced, in addition to the worksmentioned, sonatas for violin and piano and for cello and piano; string and piano trios; musicfor wind instruments; miscellaneous piano works, including the popular bagatelle Elise (1810);over 200 songs; a number of shorter orchestral works; and several choral pieces.Beethoven's influence on subsequent composers has been immeasurable. Aside from hisarchitectonic innovations and expansion of the classical sonata and symphony, he brought tomusic a new depth and intensity of emotion that was emulated by later romanticcomposersbut probably never surpassed.以上就是关于贝多芬的SAT写作经典例子的全部内容，非常详细的介绍了他的生活以及作曲的过程。
19世纪70年代中期，法国艺术家弗里德里克?奥古斯特?巴托尔迪正在设计一个大项目，名为“自由照耀世界”。
这是一座庆祝美国独立和美法联盟的纪念碑。
与此同时，他爱上了一位他在加拿大认识的女子。
他母亲不赞成自己的儿子和一个她没有见过的女子恋爱，然而巴托尔迪不为所动，和心中所爱于1876年结为伉俪。
同年，巴托尔迪组装完雕像的右臂和火炬，并将它们陈列在费城。
据说，他用了妻子的手臂为模本，但觉得她的脸太漂亮，不适合做雕像模本。
他需要这样一个女人：面容沧桑却不失坚定，庄重多于美丽。
他选择了自己的母亲。
1886年，自由女神像在纽约湾北部落成。
雕像综合了他母亲的脸和他妻子的身材，不过巴托尔迪称之为“我的女儿，自由之神”。
芭比娃娃在现今销售的各式各样的芭比娃娃之前，原本部门只有一种芭比娃娃。
实际上，她的名字叫芭芭拉。
芭芭拉*汉德勒是马特尔玩具公司的联合创始人艾略特和鲁思?汉德勒夫妇的女儿。
鲁思是在见到女儿玩纸娃娃之后才想到做芭比娃娃的。
芭比娃娃的三维模特是一个德国洋娃娃，一个哄成年人开心的礼物，被描绘成具有“风尘女子”的模样。
马特尔公司将这个娃娃做了一番改造，变成了体面而地道的美国版本，尽管胸围有些夸张。
它以当时10多岁的少女芭芭拉的名字命名。
自从1959年面世，芭比娃娃就成了全球公认的“娃娃女王”。
马特尔公司说，一般的美国女孩拥有10个芭比娃娃，全球每秒钟就有两个芭比娃娃售出。
如今芭芭拉已有60多岁了，她拒绝接受采访，但据说她非常喜欢芭比娃娃。
她可能是当今世上最著名的不为人知的人物了。
1961年，芭比娃娃的男朋友面世，按芭芭拉的弟弟肯的名字命名。
真正的肯于1994年去世。
他对令自己全家名扬天下的娃娃极为厌恶。
他在1993年说：“我可不想让我的孩子玩这洋娃娃。
”《美国哥特人》1930年，格兰特?伍德因其画作《美国哥特人》一举成名。
此画体现了美国农民庄严的自豪，常常被人复制。
画面展示了一位神色严肃的男子和一位女子站立在农舍之前。
Unit1名气之尾Para1 An artist who seeks fame is like a dog chasing his own tail who, when he captures it, does not know what else to do but to continue chasing it.The cruelty of success is that it often leads those who seek such success to participate in their own destruction.艺术家追求成名，如同狗自逐其尾，一旦追到手，除了继续追逐不知还能做些什么。
成功之残酷正在于它常常让那些追逐成功者自寻毁灭。
Para2 "Don't quit your day job!" is advice frequently given by understandably pessimistic family members and friends to a budding artist who is trying hard to succeed.The conquest of fame is difficult at best, and many end up emotionally if not financially bankrupt.Still, impure motives such as the desire for worshipping fans and praise from peers may spur the artist on.The lure of drowning in fame's imperial glory is not easily resisted.对一名正努力追求成功并刚刚崭露头角的艺术家，其亲朋常常会建议“正经的饭碗不能丢！”他们的担心不无道理。
