【微音乐】别再做困兽了：《Hit the Lights》(Selena Gomez)

〖Snoop dogg简介〗西海岸说唱殿堂级人物！！Rap歌手[歌手简介]作为90年代gangsta rap的化身，Snoop Dogg将现实和虚幻的界限变得模糊。

Dr. Dre通过他的专辑“The Chronic”把Snoop Dogg介绍给世界。

很快，Snoop Dogg就成为了最著名的rap歌手。

部分因为他的演唱方式，简明押韵；也因为歌词含蓄、真实。

尤其是在他被控告之后。

控告无疑地加强了他的名气，这帮助了他的第一张专辑：1993's Doggystyle，成为他第一张赢得排行榜第一名的专辑。

但是最后，官司仍打击了他的事业。

Snoop在1994和1995年忙于官司，最终他被证实无罪，但这打击了他的动力。

他第二张专辑“The Doggfather”一直到1996年11月才发行，并且在那时pop和hip-hop had burned itself out on gangsta-rap。

“The Doggfather”只卖出了前作的一半，这意味着Snoop仍是一个明星，但是已经没有了两年以前的影响力。

爱称Snoop是妈妈取的，来源关于他的出生，Calvin Broadus在Long Beach, California长大，一个他经常惹出与法律有关麻烦的地方在他高中毕业之后不久，他因为藏有毒品被逮捕，在监狱呆了三年。

他用音乐来逃避有罪的生活。

Snoop Dogg和他的朋友Warren G开始用磁带录制歌曲。

Warren G碰巧是Dr. Dre的step-brother，于是给了他Snoop Dogg演唱的磁带。

Dr. Dre听过之后，对Snoop Dogg 的风格有了极深刻的印象，并且与他开始共同合作。

当Dr. Dre决定为电影Deep Cover演唱主题曲时，他邀请了Snoop Dogg与他合作。

“Deep Cover”是Snoop Dogg逐步成熟的一个信号，当Dr. Dre在1992年末由Death Row Records发行他的第一张专辑“The Chronic”时，Snoop Dogg 已经成熟了。

SelenaGomez《Wolves》中英文歌词《Wolves》是一首流行英语歌曲，它的演唱者有Selena Gomez 和Marshmello。

今天小编带来该曲的中英文歌词，因为是双语，大家也可以一边聆听《Wolves》，一边学习它的歌词哦。

或者你更喜欢《Wolves》里面对于狼的描写?● Selena Gomez《Wolves》中英文歌词歌曲原唱：Selena Gomez，MarshmelloIn your eyes, there's a heavy blue你有着一双深蓝色的眼眸One to love, and one to lose左眼蕴藏爱意右眼闪烁黯然Sweet divine, a heavy truth从甜蜜中我察觉到那沉重的事实Water or wine, don't make me choose千万别让我喝什么离别酒I wanna feel the way that we did that summer night, night我只想重温我们曾一起共度的仲夏之夜Drunk on a feeling, alone with the stars in the sky独自在醉意朦胧间仰望繁星点点I've been running through the jungle我在丛林中不断奔跑I've been running with the wolves我和狼群一同前行To get to you, to get to you只为追寻你前往你身旁I've been down the darkest alleys我一路沿着墨色浓重的小径前行Saw the dark side of the moon抬头遥望月球的背面To get to you, to get to you只为追寻你前往你身旁I've looked for love in every stranger我在每个过客的心中搜索爱的踪迹Took too much to ease the anger喝下太多的酒才稍稍缓解心头之愤All for you, yeah, all for you都是为了你都是因为你I've been running through the jungle我在丛林中不断奔跑I've been crying with the wolves我和狼群一起嗥鸣To get to you, to get to you, to get to you只为追寻你前往你身旁将你找寻To get to you只为追寻你To get to you只为追寻你Your fingertips trace my skin你的指尖摩挲着我的肌肤To places I have never been带我去领略从未踏足之境Blindly, I am following我就这样不假思索地盲从Break down these walls and come on in越过这垒垒高墙一窥其中奥妙I wanna feel the way that we did that summer night, night 我只想重温我们曾一起共度的仲夏之夜Drunk on a feeling, alone with the stars in the sky独自在醉意朦胧间仰望繁星点点I've been running through the jungle我在丛林中不断奔跑I've been running with the wolves我和狼群一同前行To get to you, to get to you只为追寻你前往你身旁I've been down the darkest alleys我一路沿着墨色浓重的小径前行Saw the dark side of the moon抬头遥望月球的背面To get to you, to get to you只为追寻你前往你身旁I've looked for love in every stranger我在每个过客的心中搜索爱的踪迹Took too much to ease the anger喝下太多酒才稍稍缓解心头之愤All for you, yeah, all for you都是为了你都是因为你I've been running through the jungle我在丛林中不断奔跑I've been crying with the wolves我和狼群一起嗥鸣To get to you, to get to you, to get to you 只为追寻你前往你身旁将你找寻To get to you只为追寻你To get to you只为追寻你I've been running through the jungle我在丛林中不断奔跑I've been running with the wolves我和狼群一同前行To get to you, to get to you只为追寻你前往你身旁I've been down the darkest alleys我一路沿着墨色浓重的小径前行Saw the dark side of the moon抬头遥望月球的背面To get to you, to get to you只为追寻你前往你身旁I've looked for love in every stranger我在每个过客的心中搜索爱的踪迹Took too much to ease the anger喝下太多酒才稍稍缓解心头之愤All for you, yeah, all for you都是为了你都是因为你I've been running through the jungle我在丛林中不断奔跑I've been crying with the wolves我和狼群一起嗥鸣To get to you, to get to you, to get to you只为追寻你前往你身旁将你找寻● SelenaGomez《Wolves》简介《Wolves》是由美国电音制作人棉花糖(Marshmello)与美国当红女歌手赛琳娜·戈麦斯合作单曲，由赛琳娜·戈麦斯演唱。

mc喊麦开场白词【篇一：mc麦词开场】mc开场麦词1.在这个穿越时尚魅力的快乐都市让我的音乐点缀魅力的极致，感受今晚dj浩南的音乐.. 让你疲惫一天的心有所归宿..... 完美的开始,完美的快乐，做好你的准备，现在我的音乐带你飞...........let`s go.! 快乐的主旋律，你我共同拥有的音乐. 哈喽哈尼....要dj baby 哈.哈.用心感受，感受这种点亮夜色的音乐..... 点亮激情的夜色激情时刻从现在开始享受.... 用心接受你的旋律用心感受你的空气因为您现在听到的一确属于你. 属于今天晚上所有等爱的天使...2.每当夜幕降临的时候, 总有那么一群喜爱音乐的人到了夜晚他们却带着白天工作的疲劳, 一起寻找着属于都市人的夜生活 ,欢迎您在这个时间走进xxx,来自dj六月mc小冷今天晚上将为您携手打造首场轻松的热舞派对3.在这个与梦相拌的日子, 让今晚的音乐成为你的天使, 在和爱相连的时间, 用舞蹈拉进你我间的距离那么夜幕降临之即, 让我们一同去分享原自月色的美丽, 欢腾的炫耀过程流行的生活气息让你在这里! 在音乐中找到全新的自己.4.乏灯柱上,夜色人生, 用心为你放纵音乐, 用心加入到这样另类时尚的大舞台, 开心的过程音乐的祝福, 连成一片,连住你我的身体,连在你我的心间欢迎你在这流光异彩的夜晚准时加入到xxx,享受音乐无极限的精彩.5.来到梦与梦相连的国度, 享受一份流行音乐的祝福, 欢迎现场所有的好朋友再次走进xxx, 希望在今天晚上您的灵魂将有所感触, 来自djxxmc浩南为您亲情打造本年度最流行时尚的音乐空间,lets go.5.用心去飞飞到属于你自己的舞台, 用心遨游遨游只有你的世界, 那是一个快乐的天堂, 漫无边际, 有你有我有音乐.6.尽情的跟上潮流的音乐, 跟上这里时尚的气息, 跟上快乐的节拍, 让您在今天晚上感受到一种阳光般的温暖, 在这第一时间我恭候您的尖叫声来一点,谢谢!7.夜幕降临的时候, 让我们和这大自然的音乐融合在一起，让我们忘掉生活的烦恼，忘掉爱情的痛苦，忘掉工作的不愉快，全身心的投入到我们的音乐世界中，来吧宝贝，闭上你的眼睛，感觉一下午夜最为烂漫的音乐港湾，享受我性感音乐的陪伴关于心空我们并不了解太多，只有在这跳动的音符当中，才能真正的找到您想要跳舞的欲望。

The information in this document is subject to change without notice and does not represent a commitment on the part of Native Instruments GmbH. The software described by this docu-ment is subject to a License Agreement and may not be copied to other media. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by Native Instruments GmbH, hereinafter referred to as Native Instruments.“Native Instruments”, “NI” and associated logos are (registered) trademarks of Native Instru-ments GmbH.ASIO, VST, HALion and Cubase are registered trademarks of Steinberg Media Technologies GmbH.All other product and company names are trademarks™ or registered® trademarks of their re-spective holders. Use of them does not imply any affiliation with or endorsement by them.Document authored by: David Gover and Nico Sidi.Software version: 2.8 (02/2019)Hardware version: MASCHINE MK3Special thanks to the Beta Test Team, who were invaluable not just in tracking down bugs, but in making this a better product.NATIVE INSTRUMENTS GmbH Schlesische Str. 29-30D-10997 Berlin Germanywww.native-instruments.de NATIVE INSTRUMENTS North America, Inc. 6725 Sunset Boulevard5th FloorLos Angeles, CA 90028USANATIVE INSTRUMENTS K.K.YO Building 3FJingumae 6-7-15, Shibuya-ku, Tokyo 150-0001Japanwww.native-instruments.co.jp NATIVE INSTRUMENTS UK Limited 18 Phipp StreetLondon EC2A 4NUUKNATIVE INSTRUMENTS FRANCE SARL 113 Rue Saint-Maur75011 ParisFrance SHENZHEN NATIVE INSTRUMENTS COMPANY Limited 5F, Shenzhen Zimao Center111 Taizi Road, Nanshan District, Shenzhen, GuangdongChina© NATIVE INSTRUMENTS GmbH, 2019. All rights reserved.Table of Contents1Welcome to MASCHINE (25)1.1MASCHINE Documentation (26)1.2Document Conventions (27)1.3New Features in MASCHINE 2.8 (29)1.4New Features in MASCHINE 2.7.10 (31)1.5New Features in MASCHINE 2.7.8 (31)1.6New Features in MASCHINE 2.7.7 (32)1.7New Features in MASCHINE 2.7.4 (33)1.8New Features in MASCHINE 2.7.3 (36)2Quick Reference (38)2.1Using Your Controller (38)2.1.1Controller Modes and Mode Pinning (38)2.1.2Controlling the Software Views from Your Controller (40)2.2MASCHINE Project Overview (43)2.2.1Sound Content (44)2.2.2Arrangement (45)2.3MASCHINE Hardware Overview (48)2.3.1MASCHINE Hardware Overview (48)2.3.1.1Control Section (50)2.3.1.2Edit Section (53)2.3.1.3Performance Section (54)2.3.1.4Group Section (56)2.3.1.5Transport Section (56)2.3.1.6Pad Section (58)2.3.1.7Rear Panel (63)2.4MASCHINE Software Overview (65)2.4.1Header (66)2.4.2Browser (68)2.4.3Arranger (70)2.4.4Control Area (73)2.4.5Pattern Editor (74)3Basic Concepts (76)3.1Important Names and Concepts (76)3.2Adjusting the MASCHINE User Interface (79)3.2.1Adjusting the Size of the Interface (79)3.2.2Switching between Ideas View and Song View (80)3.2.3Showing/Hiding the Browser (81)3.2.4Showing/Hiding the Control Lane (81)3.3Common Operations (82)3.3.1Using the 4-Directional Push Encoder (82)3.3.2Pinning a Mode on the Controller (83)3.3.3Adjusting Volume, Swing, and Tempo (84)3.3.4Undo/Redo (87)3.3.5List Overlay for Selectors (89)3.3.6Zoom and Scroll Overlays (90)3.3.7Focusing on a Group or a Sound (91)3.3.8Switching Between the Master, Group, and Sound Level (96)3.3.9Navigating Channel Properties, Plug-ins, and Parameter Pages in the Control Area.973.3.9.1Extended Navigate Mode on Your Controller (102)3.3.10Navigating the Software Using the Controller (105)3.3.11Using Two or More Hardware Controllers (106)3.3.12Touch Auto-Write Option (108)3.4Native Kontrol Standard (110)3.5Stand-Alone and Plug-in Mode (111)3.5.1Differences between Stand-Alone and Plug-in Mode (112)3.5.2Switching Instances (113)3.5.3Controlling Various Instances with Different Controllers (114)3.6Host Integration (114)3.6.1Setting up Host Integration (115)3.6.1.1Setting up Ableton Live (macOS) (115)3.6.1.2Setting up Ableton Live (Windows) (116)3.6.1.3Setting up Apple Logic Pro X (116)3.6.2Integration with Ableton Live (117)3.6.3Integration with Apple Logic Pro X (119)3.7Preferences (120)3.7.1Preferences – General Page (121)3.7.2Preferences – Audio Page (126)3.7.3Preferences – MIDI Page (130)3.7.4Preferences – Default Page (133)3.7.5Preferences – Library Page (137)3.7.6Preferences – Plug-ins Page (145)3.7.7Preferences – Hardware Page (150)3.7.8Preferences – Colors Page (154)3.8Integrating MASCHINE into a MIDI Setup (156)3.8.1Connecting External MIDI Equipment (156)3.8.2Sync to External MIDI Clock (157)3.8.3Send MIDI Clock (158)3.9Syncing MASCHINE using Ableton Link (159)3.9.1Connecting to a Network (159)3.9.2Joining and Leaving a Link Session (159)3.10Using a Pedal with the MASCHINE Controller (160)3.11File Management on the MASCHINE Controller (161)4Browser (163)4.1Browser Basics (163)4.1.1The MASCHINE Library (163)4.1.2Browsing the Library vs. Browsing Your Hard Disks (164)4.2Searching and Loading Files from the Library (165)4.2.1Overview of the Library Pane (165)4.2.2Selecting or Loading a Product and Selecting a Bank from the Browser (170)4.2.2.1[MK3] Browsing by Product Category Using the Controller (174)4.2.2.2[MK3] Browsing by Product Vendor Using the Controller (174)4.2.3Selecting a Product Category, a Product, a Bank, and a Sub-Bank (175)4.2.3.1Selecting a Product Category, a Product, a Bank, and a Sub-Bank on theController (179)4.2.4Selecting a File Type (180)4.2.5Choosing Between Factory and User Content (181)4.2.6Selecting Type and Character Tags (182)4.2.7List and Tag Overlays in the Browser (186)4.2.8Performing a Text Search (188)4.2.9Loading a File from the Result List (188)4.3Additional Browsing Tools (193)4.3.1Loading the Selected Files Automatically (193)4.3.2Auditioning Instrument Presets (195)4.3.3Auditioning Samples (196)4.3.4Loading Groups with Patterns (197)4.3.5Loading Groups with Routing (198)4.3.6Displaying File Information (198)4.4Using Favorites in the Browser (199)4.5Editing the Files’ Tags and Properties (203)4.5.1Attribute Editor Basics (203)4.5.2The Bank Page (205)4.5.3The Types and Characters Pages (205)4.5.4The Properties Page (208)4.6Loading and Importing Files from Your File System (209)4.6.1Overview of the FILES Pane (209)4.6.2Using Favorites (211)4.6.3Using the Location Bar (212)4.6.4Navigating to Recent Locations (213)4.6.5Using the Result List (214)4.6.6Importing Files to the MASCHINE Library (217)4.7Locating Missing Samples (219)4.8Using Quick Browse (221)5Managing Sounds, Groups, and Your Project (225)5.1Overview of the Sounds, Groups, and Master (225)5.1.1The Sound, Group, and Master Channels (226)5.1.2Similarities and Differences in Handling Sounds and Groups (227)5.1.3Selecting Multiple Sounds or Groups (228)5.2Managing Sounds (233)5.2.1Loading Sounds (235)5.2.2Pre-listening to Sounds (236)5.2.3Renaming Sound Slots (237)5.2.4Changing the Sound’s Color (237)5.2.5Saving Sounds (239)5.2.6Copying and Pasting Sounds (241)5.2.7Moving Sounds (244)5.2.8Resetting Sound Slots (245)5.3Managing Groups (247)5.3.1Creating Groups (248)5.3.2Loading Groups (249)5.3.3Renaming Groups (251)5.3.4Changing the Group’s Color (251)5.3.5Saving Groups (253)5.3.6Copying and Pasting Groups (255)5.3.7Reordering Groups (258)5.3.8Deleting Groups (259)5.4Exporting MASCHINE Objects and Audio (260)5.4.1Saving a Group with its Samples (261)5.4.2Saving a Project with its Samples (262)5.4.3Exporting Audio (264)5.5Importing Third-Party File Formats (270)5.5.1Loading REX Files into Sound Slots (270)5.5.2Importing MPC Programs to Groups (271)6Playing on the Controller (275)6.1Adjusting the Pads (275)6.1.1The Pad View in the Software (275)6.1.2Choosing a Pad Input Mode (277)6.1.3Adjusting the Base Key (280)6.1.4Using Choke Groups (282)6.1.5Using Link Groups (284)6.2Adjusting the Key, Choke, and Link Parameters for Multiple Sounds (286)6.3Playing Tools (287)6.3.1Mute and Solo (288)6.3.2Choke All Notes (292)6.3.3Groove (293)6.3.4Level, Tempo, Tune, and Groove Shortcuts on Your Controller (295)6.3.5Tap Tempo (299)6.4Performance Features (300)6.4.1Overview of the Perform Features (300)6.4.2Selecting a Scale and Creating Chords (303)6.4.3Scale and Chord Parameters (303)6.4.4Creating Arpeggios and Repeated Notes (316)6.4.5Swing on Note Repeat / Arp Output (321)6.5Using Lock Snapshots (322)6.5.1Creating a Lock Snapshot (322)6.5.2Using Extended Lock (323)6.5.3Updating a Lock Snapshot (323)6.5.4Recalling a Lock Snapshot (324)6.5.5Morphing Between Lock Snapshots (324)6.5.6Deleting a Lock Snapshot (325)6.5.7Triggering Lock Snapshots via MIDI (326)6.6Using the Smart Strip (327)6.6.1Pitch Mode (328)6.6.2Modulation Mode (328)6.6.3Perform Mode (328)6.6.4Notes Mode (329)7Working with Plug-ins (330)7.1Plug-in Overview (330)7.1.1Plug-in Basics (330)7.1.2First Plug-in Slot of Sounds: Choosing the Sound’s Role (334)7.1.3Loading, Removing, and Replacing a Plug-in (335)7.1.3.1Browser Plug-in Slot Selection (341)7.1.4Adjusting the Plug-in Parameters (344)7.1.5Bypassing Plug-in Slots (344)7.1.6Using Side-Chain (346)7.1.7Moving Plug-ins (346)7.1.8Alternative: the Plug-in Strip (348)7.1.9Saving and Recalling Plug-in Presets (348)7.1.9.1Saving Plug-in Presets (349)7.1.9.2Recalling Plug-in Presets (350)7.1.9.3Removing a Default Plug-in Preset (351)7.2The Sampler Plug-in (352)7.2.1Page 1: Voice Settings / Engine (354)7.2.2Page 2: Pitch / Envelope (356)7.2.3Page 3: FX / Filter (359)7.2.4Page 4: Modulation (361)7.2.5Page 5: LFO (363)7.2.6Page 6: Velocity / Modwheel (365)7.3Using Native Instruments and External Plug-ins (367)7.3.1Opening/Closing Plug-in Windows (367)7.3.2Using the VST/AU Plug-in Parameters (370)7.3.3Setting Up Your Own Parameter Pages (371)7.3.4Using VST/AU Plug-in Presets (376)7.3.5Multiple-Output Plug-ins and Multitimbral Plug-ins (378)8Using the Audio Plug-in (380)8.1Loading a Loop into the Audio Plug-in (384)8.2Editing Audio in the Audio Plug-in (385)8.3Using Loop Mode (386)8.4Using Gate Mode (388)9Using the Drumsynths (390)9.1Drumsynths – General Handling (391)9.1.1Engines: Many Different Drums per Drumsynth (391)9.1.2Common Parameter Organization (391)9.1.3Shared Parameters (394)9.1.4Various Velocity Responses (394)9.1.5Pitch Range, Tuning, and MIDI Notes (394)9.2The Kicks (395)9.2.1Kick – Sub (397)9.2.2Kick – Tronic (399)9.2.3Kick – Dusty (402)9.2.4Kick – Grit (403)9.2.5Kick – Rasper (406)9.2.6Kick – Snappy (407)9.2.7Kick – Bold (409)9.2.8Kick – Maple (411)9.2.9Kick – Push (412)9.3The Snares (414)9.3.1Snare – Volt (416)9.3.2Snare – Bit (418)9.3.3Snare – Pow (420)9.3.4Snare – Sharp (421)9.3.5Snare – Airy (423)9.3.6Snare – Vintage (425)9.3.7Snare – Chrome (427)9.3.8Snare – Iron (429)9.3.9Snare – Clap (431)9.3.10Snare – Breaker (433)9.4The Hi-hats (435)9.4.1Hi-hat – Silver (436)9.4.2Hi-hat – Circuit (438)9.4.3Hi-hat – Memory (440)9.4.4Hi-hat – Hybrid (442)9.4.5Creating a Pattern with Closed and Open Hi-hats (444)9.5The Toms (445)9.5.1Tom – Tronic (447)9.5.2Tom – Fractal (449)9.5.3Tom – Floor (453)9.5.4Tom – High (455)9.6The Percussions (456)9.6.1Percussion – Fractal (458)9.6.2Percussion – Kettle (461)9.6.3Percussion – Shaker (463)9.7The Cymbals (467)9.7.1Cymbal – Crash (469)9.7.2Cymbal – Ride (471)10Using the Bass Synth (474)10.1Bass Synth – General Handling (475)10.1.1Parameter Organization (475)10.1.2Bass Synth Parameters (477)11Working with Patterns (479)11.1Pattern Basics (479)11.1.1Pattern Editor Overview (480)11.1.2Navigating the Event Area (486)11.1.3Following the Playback Position in the Pattern (488)11.1.4Jumping to Another Playback Position in the Pattern (489)11.1.5Group View and Keyboard View (491)11.1.6Adjusting the Arrange Grid and the Pattern Length (493)11.1.7Adjusting the Step Grid and the Nudge Grid (497)11.2Recording Patterns in Real Time (501)11.2.1Recording Your Patterns Live (501)11.2.2The Record Prepare Mode (504)11.2.3Using the Metronome (505)11.2.4Recording with Count-in (506)11.2.5Quantizing while Recording (508)11.3Recording Patterns with the Step Sequencer (508)11.3.1Step Mode Basics (508)11.3.2Editing Events in Step Mode (511)11.3.3Recording Modulation in Step Mode (513)11.4Editing Events (514)11.4.1Editing Events with the Mouse: an Overview (514)11.4.2Creating Events/Notes (517)11.4.3Selecting Events/Notes (518)11.4.4Editing Selected Events/Notes (526)11.4.5Deleting Events/Notes (532)11.4.6Cut, Copy, and Paste Events/Notes (535)11.4.7Quantizing Events/Notes (538)11.4.8Quantization While Playing (540)11.4.9Doubling a Pattern (541)11.4.10Adding Variation to Patterns (541)11.5Recording and Editing Modulation (546)11.5.1Which Parameters Are Modulatable? (547)11.5.2Recording Modulation (548)11.5.3Creating and Editing Modulation in the Control Lane (550)11.6Creating MIDI Tracks from Scratch in MASCHINE (555)11.7Managing Patterns (557)11.7.1The Pattern Manager and Pattern Mode (558)11.7.2Selecting Patterns and Pattern Banks (560)11.7.3Creating Patterns (563)11.7.4Deleting Patterns (565)11.7.5Creating and Deleting Pattern Banks (566)11.7.6Naming Patterns (568)11.7.7Changing the Pattern’s Color (570)11.7.8Duplicating, Copying, and Pasting Patterns (571)11.7.9Moving Patterns (574)11.7.10Adjusting Pattern Length in Fine Increments (575)11.8Importing/Exporting Audio and MIDI to/from Patterns (576)11.8.1Exporting Audio from Patterns (576)11.8.2Exporting MIDI from Patterns (577)11.8.3Importing MIDI to Patterns (580)12Audio Routing, Remote Control, and Macro Controls (589)12.1Audio Routing in MASCHINE (590)12.1.1Sending External Audio to Sounds (591)12.1.2Configuring the Main Output of Sounds and Groups (596)12.1.3Setting Up Auxiliary Outputs for Sounds and Groups (601)12.1.4Configuring the Master and Cue Outputs of MASCHINE (605)12.1.5Mono Audio Inputs (610)12.1.5.1Configuring External Inputs for Sounds in Mix View (611)12.2Using MIDI Control and Host Automation (614)12.2.1Triggering Sounds via MIDI Notes (615)12.2.2Triggering Scenes via MIDI (622)12.2.3Controlling Parameters via MIDI and Host Automation (623)12.2.4Selecting VST/AU Plug-in Presets via MIDI Program Change (631)12.2.5Sending MIDI from Sounds (632)12.3Creating Custom Sets of Parameters with the Macro Controls (636)12.3.1Macro Control Overview (637)12.3.2Assigning Macro Controls Using the Software (638)12.3.3Assigning Macro Controls Using the Controller (644)13Controlling Your Mix (646)13.1Mix View Basics (646)13.1.1Switching between Arrange View and Mix View (646)13.1.2Mix View Elements (647)13.2The Mixer (649)13.2.1Displaying Groups vs. Displaying Sounds (650)13.2.2Adjusting the Mixer Layout (652)13.2.3Selecting Channel Strips (653)13.2.4Managing Your Channels in the Mixer (654)13.2.5Adjusting Settings in the Channel Strips (656)13.2.6Using the Cue Bus (660)13.3The Plug-in Chain (662)13.4The Plug-in Strip (663)13.4.1The Plug-in Header (665)13.4.2Panels for Drumsynths and Internal Effects (667)13.4.3Panel for the Sampler (668)13.4.4Custom Panels for Native Instruments Plug-ins (671)13.4.5Undocking a Plug-in Panel (Native Instruments and External Plug-ins Only) (675)13.5Controlling Your Mix from the Controller (677)13.5.1Navigating Your Channels in Mix Mode (678)13.5.2Adjusting the Level and Pan in Mix Mode (679)13.5.3Mute and Solo in Mix Mode (680)13.5.4Plug-in Icons in Mix Mode (680)14Using Effects (681)14.1Applying Effects to a Sound, a Group or the Master (681)14.1.1Adding an Effect (681)14.1.2Other Operations on Effects (690)14.1.3Using the Side-Chain Input (692)14.2Applying Effects to External Audio (695)14.2.1Step 1: Configure MASCHINE Audio Inputs (695)14.2.2Step 2: Set up a Sound to Receive the External Input (698)14.2.3Step 3: Load an Effect to Process an Input (700)14.3Creating a Send Effect (701)14.3.1Step 1: Set Up a Sound or Group as Send Effect (702)14.3.2Step 2: Route Audio to the Send Effect (706)14.3.3 A Few Notes on Send Effects (708)14.4Creating Multi-Effects (709)15Effect Reference (712)15.1Dynamics (713)15.1.1Compressor (713)15.1.2Gate (717)15.1.3Transient Master (721)15.1.4Limiter (723)15.1.5Maximizer (727)15.2Filtering Effects (730)15.2.1EQ (730)15.2.2Filter (733)15.2.3Cabinet (737)15.3Modulation Effects (738)15.3.1Chorus (738)15.3.2Flanger (740)15.3.3FM (742)15.3.4Freq Shifter (743)15.3.5Phaser (745)15.4Spatial and Reverb Effects (747)15.4.1Ice (747)15.4.2Metaverb (749)15.4.3Reflex (750)15.4.4Reverb (Legacy) (752)15.4.5Reverb (754)15.4.5.1Reverb Room (754)15.4.5.2Reverb Hall (757)15.4.5.3Plate Reverb (760)15.5Delays (762)15.5.1Beat Delay (762)15.5.2Grain Delay (765)15.5.3Grain Stretch (767)15.5.4Resochord (769)15.6Distortion Effects (771)15.6.1Distortion (771)15.6.2Lofi (774)15.6.3Saturator (775)15.7Perform FX (779)15.7.1Filter (780)15.7.2Flanger (782)15.7.3Burst Echo (785)15.7.4Reso Echo (787)15.7.5Ring (790)15.7.6Stutter (792)15.7.7Tremolo (795)15.7.8Scratcher (798)16Working with the Arranger (801)16.1Arranger Basics (801)16.1.1Navigating Song View (804)16.1.2Following the Playback Position in Your Project (806)16.1.3Performing with Scenes and Sections using the Pads (807)16.2Using Ideas View (811)16.2.1Scene Overview (811)16.2.2Creating Scenes (813)16.2.3Assigning and Removing Patterns (813)16.2.4Selecting Scenes (817)16.2.5Deleting Scenes (818)16.2.6Creating and Deleting Scene Banks (820)16.2.7Clearing Scenes (820)16.2.8Duplicating Scenes (821)16.2.9Reordering Scenes (822)16.2.10Making Scenes Unique (824)16.2.11Appending Scenes to Arrangement (825)16.2.12Naming Scenes (826)16.2.13Changing the Color of a Scene (827)16.3Using Song View (828)16.3.1Section Management Overview (828)16.3.2Creating Sections (833)16.3.3Assigning a Scene to a Section (834)16.3.4Selecting Sections and Section Banks (835)16.3.5Reorganizing Sections (839)16.3.6Adjusting the Length of a Section (840)16.3.6.1Adjusting the Length of a Section Using the Software (841)16.3.6.2Adjusting the Length of a Section Using the Controller (843)16.3.7Clearing a Pattern in Song View (843)16.3.8Duplicating Sections (844)16.3.8.1Making Sections Unique (845)16.3.9Removing Sections (846)16.3.10Renaming Scenes (848)16.3.11Clearing Sections (849)16.3.12Creating and Deleting Section Banks (850)16.3.13Working with Patterns in Song view (850)16.3.13.1Creating a Pattern in Song View (850)16.3.13.2Selecting a Pattern in Song View (850)16.3.13.3Clearing a Pattern in Song View (851)16.3.13.4Renaming a Pattern in Song View (851)16.3.13.5Coloring a Pattern in Song View (851)16.3.13.6Removing a Pattern in Song View (852)16.3.13.7Duplicating a Pattern in Song View (852)16.3.14Enabling Auto Length (852)16.3.15Looping (853)16.3.15.1Setting the Loop Range in the Software (854)16.4Playing with Sections (855)16.4.1Jumping to another Playback Position in Your Project (855)16.5Triggering Sections or Scenes via MIDI (856)16.6The Arrange Grid (858)16.7Quick Grid (860)17Sampling and Sample Mapping (862)17.1Opening the Sample Editor (862)17.2Recording Audio (863)17.2.1Opening the Record Page (863)17.2.2Selecting the Source and the Recording Mode (865)17.2.3Arming, Starting, and Stopping the Recording (868)17.2.5Using the Footswitch for Recording Audio (871)17.2.6Checking Your Recordings (872)17.2.7Location and Name of Your Recorded Samples (876)17.3Editing a Sample (876)17.3.1Using the Edit Page (877)17.3.2Audio Editing Functions (882)17.4Slicing a Sample (890)17.4.1Opening the Slice Page (891)17.4.2Adjusting the Slicing Settings (893)17.4.3Live Slicing (898)17.4.3.1Live Slicing Using the Controller (898)17.4.3.2Delete All Slices (899)17.4.4Manually Adjusting Your Slices (899)17.4.5Applying the Slicing (906)17.5Mapping Samples to Zones (912)17.5.1Opening the Zone Page (912)17.5.2Zone Page Overview (913)17.5.3Selecting and Managing Zones in the Zone List (915)17.5.4Selecting and Editing Zones in the Map View (920)17.5.5Editing Zones in the Sample View (924)17.5.6Adjusting the Zone Settings (927)17.5.7Adding Samples to the Sample Map (934)18Appendix: Tips for Playing Live (937)18.1Preparations (937)18.1.1Focus on the Hardware (937)18.1.2Customize the Pads of the Hardware (937)18.1.3Check Your CPU Power Before Playing (937)18.1.4Name and Color Your Groups, Patterns, Sounds and Scenes (938)18.1.5Consider Using a Limiter on Your Master (938)18.1.6Hook Up Your Other Gear and Sync It with MIDI Clock (938)18.1.7Improvise (938)18.2Basic Techniques (938)18.2.1Use Mute and Solo (938)18.2.2Use Scene Mode and Tweak the Loop Range (939)18.2.3Create Variations of Your Drum Patterns in the Step Sequencer (939)18.2.4Use Note Repeat (939)18.2.5Set Up Your Own Multi-effect Groups and Automate Them (939)18.3Special Tricks (940)18.3.1Changing Pattern Length for Variation (940)18.3.2Using Loops to Cycle Through Samples (940)18.3.3Using Loops to Cycle Through Samples (940)18.3.4Load Long Audio Files and Play with the Start Point (940)19Troubleshooting (941)19.1Knowledge Base (941)19.2Technical Support (941)19.3Registration Support (942)19.4User Forum (942)20Glossary (943)Index (951)1Welcome to MASCHINEThank you for buying MASCHINE!MASCHINE is a groove production studio that implements the familiar working style of classi-cal groove boxes along with the advantages of a computer based system. MASCHINE is ideal for making music live, as well as in the studio. It’s the hands-on aspect of a dedicated instru-ment, the MASCHINE hardware controller, united with the advanced editing features of the MASCHINE software.Creating beats is often not very intuitive with a computer, but using the MASCHINE hardware controller to do it makes it easy and fun. You can tap in freely with the pads or use Note Re-peat to jam along. Alternatively, build your beats using the step sequencer just as in classic drum machines.Patterns can be intuitively combined and rearranged on the fly to form larger ideas. You can try out several different versions of a song without ever having to stop the music.Since you can integrate it into any sequencer that supports VST, AU, or AAX plug-ins, you can reap the benefits in almost any software setup, or use it as a stand-alone application. You can sample your own material, slice loops and rearrange them easily.However, MASCHINE is a lot more than an ordinary groovebox or sampler: it comes with an inspiring 7-gigabyte library, and a sophisticated, yet easy to use tag-based Browser to give you instant access to the sounds you are looking for.What’s more, MASCHINE provides lots of options for manipulating your sounds via internal ef-fects and other sound-shaping possibilities. You can also control external MIDI hardware and 3rd-party software with the MASCHINE hardware controller, while customizing the functions of the pads, knobs and buttons according to your needs utilizing the included Controller Editor application. We hope you enjoy this fantastic instrument as much as we do. Now let’s get go-ing!—The MASCHINE team at Native Instruments.MASCHINE Documentation1.1MASCHINE DocumentationNative Instruments provide many information sources regarding MASCHINE. The main docu-ments should be read in the following sequence:1.MASCHINE Getting Started: This document provides a practical approach to MASCHINE viaa set of tutorials covering easy and more advanced tasks in order to help you familiarizeyourself with MASCHINE.2.MASCHINE Manual (this document): The MASCHINE Manual provides you with a compre-hensive description of all MASCHINE software and hardware features.Additional documentation sources provide you with details on more specific topics:▪Controller Editor Manual: Besides using your MASCHINE hardware controller together withits dedicated MASCHINE software, you can also use it as a powerful and highly versatileMIDI controller to pilot any other MIDI-capable application or device. This is made possibleby the Controller Editor software, an application that allows you to precisely define all MIDIassignments for your MASCHINE controller. The Controller Editor was installed during theMASCHINE installation procedure. For more information on this, please refer to the Con-troller Editor Manual available as a PDF file via the Help menu of Controller Editor.▪Online Support Videos: You can find a number of support videos on The Official Native In-struments Support Channel under the following URL: https:///NIsupport-EN. We recommend that you follow along with these instructions while the respective ap-plication is running on your computer.Other Online Resources:If you are experiencing problems related to your Native Instruments product that the supplied documentation does not cover, there are several ways of getting help:▪Knowledge Base▪User Forum▪Technical Support▪Registration SupportYou will find more information on these subjects in the chapter Troubleshooting.1.2Document ConventionsThis section introduces you to the signage and text highlighting used in this manual. This man-ual uses particular formatting to point out special facts and to warn you of potential issues. The icons introducing these notes let you see what kind of information is to be expected:This document uses particular formatting to point out special facts and to warn you of poten-tial issues. The icons introducing the following notes let you see what kind of information can be expected:Furthermore, the following formatting is used:▪Text appearing in (drop-down) menus (such as Open…, Save as… etc.) in the software and paths to locations on your hard disk or other storage devices is printed in italics.▪Text appearing elsewhere (labels of buttons, controls, text next to checkboxes etc.) in the software is printed in blue. Whenever you see this formatting applied, you will find the same text appearing somewhere on the screen.▪Text appearing on the displays of the controller is printed in light grey. Whenever you see this formatting applied, you will find the same text on a controller display.▪Text appearing on labels of the hardware controller is printed in orange. Whenever you see this formatting applied, you will find the same text on the controller.▪Important names and concepts are printed in bold.▪References to keys on your computer’s keyboard you’ll find put in square brackets (e.g.,“Press [Shift] + [Enter]”).►Single instructions are introduced by this play button type arrow.→Results of actions are introduced by this smaller arrow.Naming ConventionThroughout the documentation we will refer to MASCHINE controller (or just controller) as the hardware controller and MASCHINE software as the software installed on your computer.The term “effect” will sometimes be abbreviated as “FX” when referring to elements in the MA-SCHINE software and hardware. These terms have the same meaning.Button Combinations and Shortcuts on Your ControllerMost instructions will use the “+” sign to indicate buttons (or buttons and pads) that must be pressed simultaneously, starting with the button indicated first. E.g., an instruction such as:“Press SHIFT + PLAY”means:1.Press and hold SHIFT.2.While holding SHIFT, press PLAY and release it.3.Release SHIFT.Unlabeled Buttons on the ControllerThe buttons and knobs above and below the displays on your MASCHINE controller do not have labels.。

2023年we own it 中文歌词歌曲歌词2 ChainzTauheed Epps(2 Chainz)(生于1977年9月12日)，他的艺名为2 Chainz(原艺名Tity Boi)，是美国嘻哈艺术家。

他第一次被人了解是作南岸嘻哈二人组Playaz Circle的一员,另一员是与他长期的朋友和同伴说唱歌手Dolla Boy (Earl Conyers)。

他们出名于的签约Ludacris的唱片公司Disturbing tha Peace 以及他们的首张单曲《Duffle Bag Boy》。

在2月，Tauheed Epps签约Def Jam 唱片公司，出于环球音乐集团(Universal Music Group)。

当年8月，他发布了个人首张专辑《Based on a T.R.U. Story》。

专辑催生三个成功的单曲：《No Lie》《Birthday Song》《Im Different》。

这三首歌全部进入公告牌前50名。

《速度与激情6》片头曲《We Own It》获得了很大的成功，与片中的激情与金属元素非常吻合。

Wiz KhalifaWiz Khalifa原名卡梅伦·吉布里尔·托马斯(Cameron Jibril Thomaz)，生于1987年9月8日，以其艺名维兹·卡利法(Wiz Khalifa)出名，是美国宾夕法尼亚州匹兹堡出身的说唱歌手。

卡梅伦·吉布里尔·托马斯(Cameron Jibril Thomaz于发行了自己的首张专辑《Show and Prove》，并于签约华纳兄弟唱片公司。

，他欧陆舞曲风格单曲“Say Yeah”，获得城市电台(英语：urban radio)的播放并登上Rhythmic四十佳和热门说唱歌曲榜。

卡利法与华纳兄弟分道扬镳，并于11月发行了自己的第二张专辑《Deal or No Deal》。

他的混音带《Kush and Orange Juice》于4月问世，并提供免费下载;接着，他和大西洋唱片公司签约。

2024 年萧敬腾僵尸全明星歌词《僵尸全明星》是台湾男歌手萧敬腾演唱的歌曲，歌曲的歌词活泼生动，趣味十足，是一首很好听的歌曲。

下面学习啦我给大家带来萧敬腾《僵尸全明星》歌词的介绍，希望大家喜爱!萧敬腾歌曲《僵尸全明星》歌词There is a zombie on your lawnThere is a zombie on your lawnThere is a zombie on your lawnI am the zombie on your lawn我高大威猛不会死人们口口相传闻出我的故事对我就是你们胆怯的僵尸NO小葵说我是个坏蛋吃大脑还拿植物搅拌是你的阳光让我节奏变乱球场由我做主我头顶路障柱身有栅门防护我们是不死族There is a zombie on your lawnThere is a zombie on your lawnThere is a zombie on your lawnI am the zombie on your lawn小葵给我做了评估她说歌神有粉丝不愁珍宝胆固醇吃多会不舒适感谢关切我很华蜜纵横生死忙劳碌碌消化系统稳固已不在乎我是机车大叔头顶黄油赶路盐烤大脑酥脆我们是不死族There is a zombie on your lawnThere is a zombie on your lawnThere is a zombie on your lawnI am the zombie on your lawn萧敬腾《僵尸全明星》歌词歌曲创作背景这首主题曲萧敬腾亲自操刀，依据原版《Zombieson your Lawn》改编而成。

萧敬腾《僵尸全明星》歌词演唱者简介萧敬腾(Jam Hsiao)，1987 年 3 月 30 日诞生于台北市，祖籍福建泉港，华语流行男歌手、音乐创作人、演员。

15 岁学习爵士鼓，17 岁担当爵士鼓老师，并帮助辅导小区青少年学习鼓艺，连续两届获颁台北市政府善心人士奖。

1. 曲名：Susan 说歌手：陶喆专辑：太平盛世Yeah 苏三说Susan 在那命运月台前面再上车春天开始落叶转接间话断了线离台北南京是多么远Oh~那诺言还会不会兑现Yeah~不在乎爱情里伤痛在所难免一个人却一个世界Oh~你是否也像我动摇过几遍爱只是个错觉Oh yeah苏三说思念常常思念不常见面她怀疑Sam是虚拟的脸但爱情还在上演那是谁在放古老唱片那片段像对未来留言不在乎爱情里伤痛在所难免一个人却一个世界Oh~你是否也像我动摇过几遍爱会不会实现Oh~「苏三离开了洪桐县将身来在大街前未曾开口心惨淡国王的君子听我言」（RAP）苏三离了洪桐县挂了个牌子在那大街前被那凶恶群众包围稍微等一下过往的君子请你听我言哪一位去我南京转与我那三郎把信转就说苏三把命断来生变一只狗一只马我当报还Come On 不在乎爱情里伤痛在所难免一个人却一个世界Oh~我怀疑你像我动摇过几遍是否爱本来擅变Oh~苏三说我的苏三说苏三说我的苏三说苏三说我的苏三说苏三说我的苏三说Angel - 陶喆镜子中看见一张陌生的脸那眼神如此黯淡笑一笑只牵动苦涩的嘴角我的寂寞谁知道像条船在海上飘北斗星也看不到谁能够扬起了帆远远离开这黑潮angel angel 盼望你在我身边angel angel 请你紧紧抓住我的手有时候我想不会有人了解心里面藏著的痛我害怕用真心面对这世界只好越来越沉默一个人在人海漂说话的人找不到谁给我温柔(拥抱我)拥抱当我感觉心快要碎了angel angel 盼望你在我身边angel angel 是否听见我在呼唤你能不能告诉孤单疲惫的我你永远为我守候angel angel 请你留在我的身边angel angel 请你不要放开我的手Catherine曲：丁世光词：陶喆& 娃娃木吉他：Dean Parks你有一种变态功力让我失去理性我像机器被你游戏扭曲着情绪也许你从来不了解你的爱会让我窒息我想你最爱的是自己Catherine我不属于你Catherine我要我自己抓得越紧越抓不住早就破裂的感情你不明白这个道理你也不可能反省只希望你能够了解为什么我离你远去我要找回被夺走的信心Catherine不能没有你Catherine也不能在一起Catherine或许我的爱真的不够了不起都没有好好爱你过去相依如今分离都是命运而已有一点痛有点遗憾更多的叹息Catherine我要离开你Catherine虽然还爱你词:陶喆，娃娃曲:陶喆刚刚看完六点半的新闻那悲剧又重演有个妈妈拿着儿子的相片期盼他会出现看不下那画面我转过头却开始流泪是惩罚是考验还要有多少的心碎爱爱在这个世界上爱已被忘记谁都不相信谁都不相信相信爱哎哎真理和公平都变成了笑话我不愿意住在这样的城市里话题都围绕在腥色暴力有八卦没想法计算逃避人人都在玩游戏没有钱没人理你我心里很愤怒只能冷酷让自己麻木拿生命做赌注这些疯狂还要多久爱爱在这个世界上有没有意义没有人在乎没有人在乎没有爱哎哎我真的很想要开口骂脏话不是我的错不是我的错别怪我Dear God为什么你闭上眼不想想办法装做看不见装做看不见告诉我哎哎告诉我把爱找回来的方法因为我无法离开这个鬼地方(我没有办法离开no no) 这个鬼地方(这个鬼地方)它还是我的家刚刚看完远方传来的消息像恶梦在继续给点力量让自己能活下去Dear God你在哪里Na na na....wo wo wo...yeah yeah yeah...陶喆I'm okSorry我不在请beep声后留言我正在寂寞的超级市场找着生力面你永远不会回来我的日记变空白希望有一天我会ok不要忘了留姓名电话和其它事情不要说得太快免得我没留下你大名或许你不再打来我却等到头发白希望有一天你会打来希望电话那一天会ok你call进来可是电话忙线说不出来痛苦藏在里面耐心等待可是还是忙线没有讯号联络不到现在你给我的爱我收不到看到答录机上面有着十几通流言可是发现每一个都只是挂断的声音我没回答的机会或许你等得好累多少电话线也找你不回还有很多事我还想对你说要用什么方法能跟你联络请你留一个号码让我拨听了你得声音我才ok最近我的心情很不ok曲,词: 陶吉吉katrina i cant stop looking in your eyes .but my words dont come out straight .i dont know what to say .no . onmonday i tell myself u gotta wait dave ,dont rush it . dont anticipate . take it slowly , it's ok . it's ok .i just want a chance to know you to know the woman deep inside ,yeah yeah(and)i dont wannalook back on life to see this missed opportunity .yeah yeaheven at the risk of looking like a fool to you, on wednesday i casually walk on by to find that you're not there ,i act like i dont care .but on friday i catch a glimpse of you i tell myself dont hesitateyou just walk up and say hello ! say hello !i just want a chance to know you to know the woman deep inside.yeah yeah (and)i dont wanna look back on life to see this missed pooprtunity.yeah yeah (to get to know you)even at the rick of looking like a fool to you .i just want a chance to know you to know the love you have inside ,yeah yeah (and)i dont wanna look back on life to see this missed opportunity .yeah yeaheven at the risk of looking like a fool to you . katrina will i ever know your heart ?歌名：Melody歌手：陶喆时间标签整理:新娃QQ:287369614终于明白你已变成回忆没有言语能够说明当别人问起谱了一段旋律没有句点也无法再继续像埋伏在街头的某种气息无意间经过把往日笑与泪勾起忽然心痛的无法再压抑原来从未忘记Melody脑海中的旋律转个不停爱过你有太多话忘了要告诉你Melody无数动人音符在我生命爱过你失去你我才知道要珍惜当时无法为你写的那首歌都是我永远的遗憾当爱逝去如果所有的错重来一次能否改变结局终于落下休止符的那首歌我听着每一个音符流过的回忆为什么在那么多年以后还不能说再见Melody脑海中的旋律如此熟悉爱过你我的心里只能轻轻叹息Melody无数动人音符在我生命爱过你失去你我才知道要珍惜Melody Oh Melody我永远不能忘记你是多么的美丽让这音乐一直不停响起Melody Oh Melody我舍不得去忘记我们快乐的过去请别让我从这梦境清醒Melody Oh Melody我永远不能忘记你是多么的美丽让这音乐一直不停响起Melody Oh Melody我舍不得去忘记我们快乐的过去请别让我从这梦境清醒Melody脑海中的旋律如此熟悉爱过你求你听我唱完这一段旋律请不要离去Melody你是在我脑海不停的旋律爱过你我的心里只能无言叹息Melody无数动人音符在我生命爱过你失去后我才知道要珍惜你陶喆- My Anata作词：陶喆/娃娃作曲：陶喆专辑：黑色柳丁三更半夜Savish的我只听见Ojisan骑着单车卖着馒头Yohji Han Desu 你究竟在哪里难道你又是在Kurabu喝着Nakashi呦oh 不知道你还爱不爱我我哪里做错请你快告诉我我打不还手我骂不还口只要你说一声"AiShitTeru"别说SayonaraHitori De 孤苦伶仃的我苦等着Anata两年三个月没有消息快要发疯我听到门铃声Sumimasen宅急便说他要找的在隔壁oh 我怀疑你已经不爱我想要离开我我求你不要走我为你减肥我为你喝醉请不要说你已不爱我亲爱的Anata我要你知道我永远爱你如果失去你我就活不下去我们最Match 我不会怪你因为有一天你会看见我爬出电视机Olia-陶喆喆服:无颖无踪碎石子路长青苔指针把时间再烧开马戏团逗乐的小丑还在旧舞台黑马车没停下来消失前你回过头来多少人到现在还不明白还等待一直走一直走一直不停的走也许那个路口一瞬间一瞬间可能这个瞬间那命运就会改变Olia请不要走是否我做得还是不够Olia请不要走为什么永久不会永久停留dadadadadada.....钟声把夕阳晕开18岁又换了一代机会是否划一次的火柴不重来一直走一直走一直不停的走能不能再重头一辈子一辈子就算用一辈子也没有办法挽回Olia请不要走是否我做得还是不够Olia请不要走为什么永久不会永久不停留Olia请不要走是否我让你等得太久Olia你早已走为什么失去才想保佑不放手不放手HAHAHAHAHA...Runaway陶喆Ultrasound乐之路1997-2003无名的怒火有说不出的无力想敲打我自己太阳快要下山了,什么都不做,只拿着遥控器,一直不停的换台麻木的神经感觉自己像个机器快不能呼吸打开冰箱,看看里面的东西,处了酱瓜什么也没有,算了吧,去外面吃吧火辣的太阳永远在前方无尽的公路无尽的追求我想要runaway runaway不想再怀疑自己对不对甩开一切无所谓runaway runaway像困在雾里焦躁的想从茫然的现实中逃避你想得太简单了吧,你觉得你想做的都可以做得到吗淡掉的感情还坚持下去又有什么样的意义喂,你拿着车钥匙要去哪里啊,你别忘了明天还要上班的,别在外面鬼混了风吹乱头发黑夜星空下无尽的公路无尽的自由不想再怀疑自己对不对甩开一切无所谓就快点去runaway我可以runaway runaway不想再怀疑自己对不对是为自己不为谁不在乎的runaway yeah yeah(rap)很多人再说,不断的一直说,必须这个样子做,不能够那样做,却又没有办法在自己的生命中突破oh yeah,如果再不走,就永远不会走,别让自己在回头,没挣扎怎能够有自由快走现在就runaway runaway不想再怀疑自己对不对甩开一切无所谓runaway runaway快点去runaway runaway不想再怀疑自己对不对是为自己不为谁不在乎的runaway现在要runaway runaway今天要runaway runaway现在要runaway runaway今天要runaway runawayWalk On陶喆歌词编辑：signal瞳QQ93744909既然我们生了两只脚别不舍得迈开步自由自在到哪里都好不用别人的地图你知道你要往前面奔跑不需要说明自己就是流行你知道你要到未来寻找没有人拦得住你跳跃放肆的想象跟随你的感觉别怀疑Just walk on就是这种感觉你坚持就决定记着记着你的音乐跟旋律去追寻就是这种感觉最真实的开心选择多得让人受不了就凭直觉去带路世界到处都是排行榜感动不能变模糊你知道你要往前面奔跑不需要说明自己就是流行你知道你要到未来寻找没有人拦得住你跳跃放肆的想象跟随你的感觉别怀疑Just walk on 就是这种感觉你坚持就决定记着记着你的音乐跟旋律去追寻就是这种感觉最真实的开心你知道你要往前面奔跑不需要说明自己就是流行你知道你要到未来寻找没有人拦得住你跳跃放肆的想象记着记着你的音乐跟旋律去追寻就是这种感觉最真实的开心爱很简单忘了是怎么开始也许就是对你有一种感觉忽然间发现自己已深深爱上你真的很简单爱得地暗天黑都已无所谓是是非非无法决择没有后悔为爱日夜去跟随那个疯狂的人是我喔......I LOVE YOU无法不爱着你说你也爱我I LOVE YOU永远不愿意BABY失去你不可能更快乐只要能在一起做什么都可以虽然世界变个不停用最真诚的心让爱变得简单爱得地暗天黑都已无所谓是是非非无法决择没有后悔为爱日夜去跟随那个疯狂的人是我喔......I LOVE YOU我一直在这里一直在爱你I LOVE YOU永远都不放弃这爱你的权利如果你还有一些困惑请贴着我的心倾听听我说着爱你YES I DOI LOVE YOU陶喆- 暗恋作词: 陶喆/ 娃娃作曲: 陶喆紫.ｓè整理QQ：253057646Still lonely still loney昨晚又再见到你你还是那么美丽我紧张到话都不会说就傻傻看着你渴望永远这距离就是和你在一起醒来发现这一切都只是我的梦境告诉自己要冷静却又无法不想你我的懦弱已经开始让我讨厌我自己是你对我有戒心还是我没有自信可是谁也不能阻止我我要暗恋你So lonelySo here I am, standing all alone.在某个街头有个我在这里只为你等候Here I am, waiting just for you.开放我所有希望你能了解你能够接受So lonely今晚渴望再见你虽然只是在梦里短暂的甜蜜也胜过了一辈子没有你就算没快乐结局就算从此死了心我要付出我所有诚意只要能感动你我愿意So here I am, standing all alone.在某个街头有个我在这里只为你等候Here I am, waiting just for you.开放我所有我要为你怎么做你才接受我（才接受我）我喜欢你（我喜欢你）我要你（我要你）我爱你So here I am, standing all alone（standing all alone）在某个街头有个我在这里只为你等候So here I am, waiting just for you.开放我所有希望你能了解你能够接受I'm lonely故事就说到这里就算你们再好奇我想说的都已说完了其余是秘密在那某一个街头会流传某个旋律那是我在轻轻唱着歌我多爱你Jenny不爱快阻止时间倒转当我们再次遇见这样的表情最适合隐瞒我依然爱你很深别再多看我一眼别试探我真的感觉我怕认不出又会重眷恋你连背影都温柔不爱就转身离开一个人把回忆推翻不爱FOR THE LOVE 未来你和我的信任我也不回来不容许陷害前伴误解了别离的悲不可能送来这遗憾的爱我们都真实对白不爱就这么离开一个人被寂寞煎伴不爱只守着被爱I LOVE YOU FOREVER 不能说出来不爱就转身离开一个人我学会忍耐不爱去那找被爱I LOVE YOU FOREVER 微笑着离开I LOVE YOU FOREVER 就这样不爱不一样从小在历史课就发现人与人不一样不同的国家不同的文化不同的宗教造成地球几千年不停的战争越变越陌生使得仇恨延伸虽然我们有了高科技的发达却还是每天人与人在吵吵打打这真的让我感到心里有点怕怕我真的不懂为什么人类那么阿达如果这世界没有这么多的变化可想见人生会无聊到不像话就像那孙悟空的七十二变他如果不会变就对那西游记说再见不管你是Chinese,Korean,Japanese,Malay, 乌拉圭西班牙还是缺了一颗牙只要你有那火热的心什么都摆的平去创造新的生命不一样就是不一样(想)怎么样?我就是不一样!就是不一样我就是不一样!不一样就是不一样so what!so what!我就是不一样!就是不一样come on我常常在街上听人家在八卦什么hot什么not最近什么最当家最近哪个牌子红哪个音乐ㄙㄨㄥ哪个牌子风谁的发型普通我一点都不在乎谁是现在的流行先锋因为我知道流行只是一种盲从吃肥油吃肥油他只会让你心灵的健康统统没有不管你是什么样的人什么样的文你绝对千万不能忘记这世界还有很多其他不同的人你需要打开胸怀绝不要立刻歧视你可能吃的是一碗白饭一个汉堡意大利面条一个寿司一条satay chotto matte只要你有那火热的心什么都摆的平去创造新的生命不一样就是不一样(想)怎么样?我就是不一样!就是不一样我就是不一样! 不一样就是不一样so what!so what!? 我就是不一样就是不一样甘地迪士尼老子孔夫子蓝侬卓别林Brando(白兰度)跟毕卡索爱因斯坦Freud(浮来得) 达赖喇嘛都是与众不同的伟人就是人类的heroes从这些一个的一个的特殊创始人的身上我们可以看到不一样的思路才能真的让这尘世有个美丽前途相应成趣就请那规律出去（get out)所以当你在下次看到有人刺tatoo或你有朋友觉得重金属的音乐真的才cool 不管他台湾人诸葛四郎或者他肥胖他还是跟你一样一样同样的爱心彼此彼此你要释放礼让忍让绝不希望我只会盼望你有火热的心什么都摆的平去创造新的生命不一样就是不一样就是不一样不一样就是不一样so what!so what!? 我就是不一样就是不一样词:陶喆，娃娃曲:陶喆春天是它最爱的季节当微风随意吹乱他的头发他并不在一身边世界的嘈杂只想着自己生命中的变化还有十五分钟才午休从早到晚没有想像中那么好过安定的日子不一定就是幸福忘不掉他在心里做过的梦他今年农历三月六号刚满二十二刚甩开课本要离开家看看这世界却发现许多烦恼要面对oh yeah他常会想望能回到那年他一十二只需要好好上学生活单纯没忧愁他就像一朵蓓蕾满怀希望秋天是忽然间就来临青春虽然有本钱可以洒脱一场恋爱二十二个月就结束才知道有些感情不值得赌九月天气还是有点热他想公车再不来就走一走路他开始明白等待未必有结果一个人也能走上梦的旅途他今年农历三月六号刚满二十二刚甩开课本要离开家看看这世界却发现许多烦恼要面对oh yeah他常会想望能回到那年他一十二只需要好好上学生活单纯没忧愁他一直满怀希望人生偶尔会走上一条陌路像是没有指标的地图别让它们说你该知足只有你知道什么是你的幸福他常会想望能回到那年他一十二只需要好好上学生活单纯没忧愁他笑着想过未来oh 它应该得到幸福如此的简单的梦有没有实现飞机场的10:30词：陶吉吉/娃娃曲：陶吉吉献给我所以身边的猪,猪年快乐.^_^......10:30的飞机快要到了机场还是那么的拥挤我喝来喝去可乐还是要剩一点剩一点给你oh yeh for my baby 一年前的我们过的那么快乐充满笑与泪的时光baby我以为走下去是一种默契你却说你需要离开需要一些空间呼吸baby baby baby baby baby baby 是不是拥有以后就会开始要失去我给你的越多你却要想要躲爱已无法回答所有的问题baby10:30的飞机已经到了可是你的影子没出现我想你可能在等待你的行李和你的红色和白色的披衣一年前的我们过的那么快乐充满笑与泪的时光baby我以为走下去是一种默契你却说你需要离开需要一些空间呼吸baby baby baby baby baby baby是不是拥有以后就会开始要失去我给你的越多你却要想要躲爱已无法回答所有的问题baby1:30的我在回家的路上旅客名单没你的名字我想你已经做了最后决定哦我已失去你baby baby baby baby baby baby是不是爱给的不够所以你要怀疑你还再想要吗你要不要回家人总是傻到失去才想要珍惜baby baby baby baby baby baby是不是拥有以后就会开始要失去我给你的越多你却要想要躲爱已无法回答所有的问题babybaby baby baby baby baby baby......词:陶喆，娃娃曲:陶喆我有一只小毛驴我从来也不骑有一天我心血来潮骑着去赶集再我计亿中从来没有这么热的夏天没可能今天只有38度一大早五点吃完烧饼油条就去耕田幸福就是规律过一天一天我爱这种简单的感觉快乐像一盘hot and spicy 宫保鸡丁选一块好鸡配一点干辣椒加上葱花大蒜花生别忘记我来到镇上市场带着我的大公鸡mimi 在热热闹闹买卖人群你就像天使出现在梦境里穿着碎花裙你的笑让我一见钟情我爱这种天真的感觉就算天塌下来也不是什么问题我只希望每天跟你在一起不用做什么在家里就可以我只要你做我的babyi dont care if 你发大小姐脾气或着你要跟我玩爱的游戏'cause ooh..you're my baby ooh....爱就像是宫保鸡丁躺在大草原我迷失在你眼中我的心像风筝断线飘零我真的拥有你我还不能相信我常会用力捏我自己看我是否清醒oh..baby i dont know为什么看上我没有钱去送你hello kitty可以我所有的一切通通都给你因为我爱你你亲爱daddy舍不得把它的甜心嫁给我我看它好像有点难过我没有宾士没有钻戒可是我愿意给你我的心爱大公鸡我只要每天跟你粘在一起不用做什么在家里就可以我只要你做我的baby(please be my little chickadee)i don‘t care if你发大小姐脾气或着你要跟我玩爱的游戏'cause ooh...you're my baby ,you're my baby girlHello Can you tell me where is the kingston mon?陶喆- 关于陶喆yeah kingston mon oh yeah1997那年LA回来的小胖做了一张专辑成为当红炸子鸡烫了凤梨头的R&B“音乐教父”他们把我的名字叫念成“陶吉吉”一转眼过了十年真是感受动因为我还可以站在这里为着音乐打拼当时一起出道的朋友你们现在还好吗忙些什么现在你们在哪里现在音乐是FREE 干嘛买专辑难道要我演偶像剧？NO...(不要吧)虽然我不帅也没那么年轻但还有做音乐的心就跟着Kingston mon一起唱Do do do do do Do do do, I wanna say thank youcome on come on come on come on 因为都有你oh babyDo do do do do, I just wanna say that I love youcome on come on come on come on 全部献给你oh baby有了房子有了跑车老爸老妈追着问我“儿子我们的孙子到底生到那里去？”你们以为我不急吗其实我喜欢的就是000 但是她对我不睬不理不要羡慕我跟那么多的辣妹拍拖其实我是真的那么傻傻被人家设计记得下次你喝瞎了回不了家可以打给我我会到警察局去救你就算现在不当一哥没关系没人帮我买第一名虽然我没有不能说的秘密这次真的要拍电影I’m gonna do it跟我Kingston mon 一起唱还可以把MACHI忘掉come on come on come on come on 全部献给你因为有你...那年我十七岁每天听QUEEN的歌梦想我成为摇滚Superstar抱着我的吉他年轻的我没有在怕我的未来真的伟大我要坚强不认输要勇敢向前冲谁都别来阻挡Superstar 你不是Superstar 你不是Superstar 你不是你不是Superstar我有一天我会做到Superstar 癞蛤蟆Superstar 癞蛤蟆你不过只是一个小小的青蛙我有一天要做到Yo DJ bring the beat backcome on come on come on come on 全部献给你come on come on come on come on 因为都有你come on come on come on come on 全都要献给你come on come on 全都献给你全都献给你全都...献给你桂冠英雄- 陶喆作词:娃娃作曲:陶喆天很高心砰砰的跳所有声音退去听不到抬起头自尊不让我退缩在决战的这一秒孤单和疲惫只有自己才会明了没有极限的追逐是唯一的目标我为爱而生我为爱而活为一个梦我压不扁也打不倒我为爱狂傲我为爱谦卑爱我的国我的家和我爱的人把桂冠给你把光荣给你我知道英雄走的路有多漫长我知道你要我知道我要新的世界迎着风旗猎猎的飘伟大时刻就快要来到一颗心千万万颗心一起欢呼叹息这一秒痛苦和压力不存在也不再重要融化每个人的心是感动和骄傲我为爱而生我为爱而活为一个梦我压不扁也打不倒我为爱狂傲我为爱谦卑爱我的国我的家和我爱的人把桂冠给你把光荣给你我知道英雄走的路有多漫长我知道你要我知道我要新的世界我为爱而生我为爱而活为一个梦我压不扁也打不倒我为爱狂傲我为爱谦卑爱我的国我的家和我爱的人把桂冠给你把光荣给你我要把一切献给你终于做到我要你的笑我要你拥抱以我为傲以我为傲陶吉吉寂寞的季節作詞：娃娃作曲：陶?風吹落最後一片葉我的心也飄著雪愛只能往回憶裡堆疊oh~給下個季節忽然間樹梢冒花蕊我怎麼會都沒有感覺oh~整條街都是戀愛的人我獨自走在暖風的夜多想要向過去告別當季節不停更迭oh~卻還是少一點堅決在這寂寞的季節艷陽高照在那海邊愛情盛開的世界遠遠看著熱鬧一切oh~記得那狂烈窗外是快枯黃的葉感傷在心中有一些oh~我瞭解那些愛過的人心是如何慢慢在凋謝多想要向過去告別當季節不停更迭oh~卻永遠少一點堅決在這寂寞的季節又走過風吹的冷冽最後一盞燈熄滅從回憶我慢慢穿越在這寂寞的季節還是寂寞的季節一樣寂寞的季節陶喆- 火鸟功作词：陶喆吴建恒作曲：陶喆紫.ｓè整理QQ：253057646快都不能呼吸电车上太拥挤我有闻到毒气是谁放了臭屁赶着像只蚂蚁没时间喝咖啡每天八个会议蹲在马桶透个气我和你都一样像傻瓜我要追我要飞超强火鸟功要出发From Zero to Hero 我向恶魔say no 我就是我自己的英雄你有意见是吗我不是你的煎蛋寿司我要追现在要飞我是superhero(海胆、鲔鱼)终于快下班了我头痛快爆炸可爱的上班族一起吃饭好吗Boss一声令下今晚又要喝挂约会只好取消啦不会又要睡路边吧我和你都一样像傻瓜我要追我要飞超强火鸟功要出发。

Na Na Na Na Na Na NaNa Na Na Na Na NaNa Na Na Na Na Na NaNa Na Na Na Na NaI guess i just lost my husband 我想我只是失去了丈夫I don't know where he went 不知道他去了哪里So i'm gonna drink my money 我会收回我的金钱I'm not gonna pay his rent (Nope) 不再支付他的租金I got a brand new attitude 我要全新的姿态And i'm gonna wear it tonight 就在今晚有我全新的姿态I wanna get in trouble 我想要麻烦I wanna start a fight 我想要决斗Na Na Na Na Na Na NaI wanna start a fight 我想要战斗Na Na Na Na Na Na NaI wanna start a fight 我想要战斗So so what? 那又如何I'm still a rock star 我仍是摇滚明星I got my rock moves 让我的摇滚感动And i don't need you 我不需要你And guess what 猜猜是什么I'm having more fun 我有更多的乐趣And now that we're done 现在，我们正在这样做I'm gonna show you tonight 今晚我要展示给你I'm alright, I'm just fine 我感觉很好And you're a tool 你只是工具So so what? 那又如何I am a rockstar 我是摇滚明星I got my rock moves 能让摇滚感动And i don't want you tonight 今晚我不想要你Uh, check my flow, uhThe waiter just checked my table服务员检查我的桌子And gave to Jessica Simp- Shit!（.....）I guess i'll go sit with drum boy我猜我会坐在鼓手男孩的身边At least he'll know how to hit 至少他知道如何敲击What if this song's on the radio若是这首歌都能登上电台Then somebody's gonna die 那么会有人去死了I'm gonna get in trouble 我想要麻烦My ex will start a fight 我会有一场战斗Na Na Na Na Na Na NaHe's gonna start a fight 他将要决斗Na Na Na Na Na Na NaWe're all gonna get in a fight! 我们之间有一场决斗So so what? 那又如何I'm still a rock star 我仍是摇滚明星I got my rock moves 让我的摇滚感动And i don't need you 我不需要你And guess what 猜猜是什么I'm having more fun 我有更多的乐趣And now that we're done 现在，我们正在这样做I'm gonna show you tonight 今晚我要展示给你I'm alright, I'm just fine 我感觉很好And you're a tool 你只是工具So so what? 那又如何I am a rockstar 我是摇滚明星I got my rock moves 能让摇滚感动And i don't want you tonight 今晚我不想要你You weren't there 你不在这里You never were 永远都不在You want it all 你想要一切But thats not fair 要不是没有公平I gave you life 我给你你的生活I gave my all 给你我的全部You weren't there 你却不在这里You let me fall 让我失望So so what? 那又如何I'm still a rock star 我仍是摇滚明星I got my rock moves 让我的摇滚感动And i don't need you 我不需要你And guess what 猜猜是什么I'm having more fun 我有更多的乐趣And now that we're done (we'redone) 现在，我们正在这样做I'm gonna show you tonight 今晚我要展示给你I'm alright(I'm alright),I'mjust fine (I'm just fine) 我感觉很好And you're a tool 你只是工具So so what? 那又如何I am a rock star 我是摇滚明星I got my rock moves 能让摇滚感动And i don't want you tonight 今晚我不想要你No No, No NoI Don't want you tonight 今晚我不需要你You weren't fair 你如此不公平I'm gonna show you tonight 今晚我要展示给你I'm alright, I'm just fine 我感觉很好And you're a tool 你只是工具So so what? 那又如何I am a rock star 我是摇滚明星I got my rock moves 能让摇滚感动And i don't want you tonight 今晚我不想要你Hey Jude, don''t make it bad.嘿 Jude 不要这样消沉Take a sad song and make it better.唱首伤感的歌曲会使你振作一些Remember to let her into your heart,记住要永远爱她Then you can start to make it better.开始新的生活Hey Jude, don''''t be afraid.嘿 Jude 不要担心You were made to go out and get her.去追她，留下她The minute you let her under your skin,拥抱她的时候Then you begin to make it better. 将开始新的生活And anytime you feel the pain, 无论何时，当你感到痛苦的时候hey Jude, refrain,嘿 Jude 放松一下自己Don''t carry the world upon your shoulders.不要去担负太多自己能力以外的事For well you know that it''''s a fool who plays it cool要知道扮酷是很愚蠢的By making his world a little colder.生活中总是会有不如意的时候Hey Jude, don''t let me down. Hey Jude 不要让我伤心You have found her, now go and get her.如果你找到你所爱的人，去爱她吧Remember to let her into your heart,记住要永远爱她Then you can start to make it better.生活会更美好So let it out and let it in, hey Jude, begin,嘿 Jude 时光如此飞逝不要耽搁You''re waiting for someone to perform with.不要总是期望依赖旁人And don''t you know that it''s just you, hey Jude, you''ll do, 你知道吗！你自己可以的，嘿Jude，去完成吧The movement you need is on your shoulder.明白自己要走自己的路Hey Jude, don''t make it bad. 嘿 Jude 不要这样消沉Take a sad song and make it better.唱首伤感的歌曲会使你振作一些Remember to let her under your skin,记住要永远爱她Then you''ll begin to make it 然后开始新的生活Better better better better better better, Oh.会更美好会更幸福Na na na, na na na na, na na na尊敬的领导：您好！感谢你能在百忙之中垂阅的我的个人求职自荐信！贵行的良好形象和员工素质吸引着我这位即将毕业的学生，我很愿意能为贵公司效一份微薄之力！我是来某学校的某专业应届毕业生。

不用结婚
陈文媛-不用结婚
曲:EricKwok词:林夕编:EricKwok
氢气球升到天空再也没有
不强求跟我走一里当利诱
宏愿是拖一拖手亲切过挚友给予我被痛爱感受
期待著听朝先走今晚去看秀别怕我别当我凶猛野兽
不用结婚但觉得拖手都吸引拖在你手锁在我心
不用敏感别觉得玩乐是责任不用贴身舒服要紧
我心愿不是结婚但觉得手指很相衬
不用结婚但觉得手指很相衬
不用戒指方便脱身
不用试身若觉得现在像爱人
不用太狠都可亲吻
请我来给你家清洁过便够
请你来给我温暖过便够
宏愿是边恋边走不太爱至有
这美满但免费享受遗憾是一拖得久
总会变老友就爱你别爱到打了折扣
以上就是关于不用结婚的歌词，感谢您的阅读！。

"Ladies and Gentlemen, we interrupt our program of Dance Music, To bring you a special bulletin from the intercontinental radio news.Our very own Pop Princess -now Queen of Pop,Has a special announcement she will like to make.."You re in...I think I m ready for my close up..YeahYou don t like meI don t like you, It don t matter (Who?)Only differenceYou still listen, I don t have to (Who?)In one ear andOut the other, I don t need you (Who?)Your words don t stickI ain t perfect, but you ain t either (Who?)If your feeling froggy leap (Oh)I ain t even lose no sleep (Oh)Theres more to me than what you see (Oh)You wouldn t like me when I m angry..Mr. PhotographerI think I m ready for my close-up (Tonight)Make sure you catch me from my good side (Pick one!) These other (HA) just wanna be meIs that money in your pocket?Or you happy to see me?Kill the Lights!(Take em out, turn em off, break em down)Kill the Lights!(Don t be scared, make a move, see me now?)Kill the Lights!(I ve seen you, watching me, watching you)Kill the Lights!You can t handle the truthWhat happened to you?I KILL(The Lights) Pure (The Lights) Satis (The Lights) FactionI KILL(The Lights) Lights (The Lights) Camera (The Lights) Action I KILL(The Lights) Pure (The Lights) Satis (The Lights) FactionI KILL(The Lights) Lights (The Lights) Camera (The Lights) ActionAll the flashin , tryin to cash-inHurts my eyesAll the poses, out of focusI despiseEff me over, your exposureNot the bestYou want me bad, I want you outRelease this stress..Mr. Photographer (Yeaaaaaah..)I think I m ready for my close-up (Tonight) (Yeaaaaaah..)Make sure you catch me from my good side (Pick one!) (Yeaaaaaah..) These other (HA) just wanna be meIs that money in your pocket? (Yeah)Or you happy to see me?Kill the Lights!(Take em out, turn em off, break em down)Kill the Lights!(Don t be scared, make a move, see me now?)Kill the Lights!(I ve seen you, watching me, watching you)You can t handle the truthWhat happened to you?I KILL (Hey!)(The Lights) Pure (Hey!) (The Lights) Satis (The Lights) FactionI KILL (Hey!)(The Lights) Lights (Hey!) (The Lights) Camera (The Lights) Action I KILL (C mon)(The Lights) Pure (Hey!) (The Lights) Satis (The Lights) FactionI KILL (Hey!)(The Lights) Lights (Hey!) (The Lights) Camera (The Lights) ActionYou re the star now, welcome to the big leagueThey all want a pic, they all wanna see, see, seeWhat you re made of... what you re gonna doIs life gonna get the best of you?Kill the Lights!(Take em out, turn em off, break em down)Kill the Lights!(Don t be scared, make a move, see me now?)Kill the Lights!(I ve seen you, watching me, watching you)You can t handle the truth What。