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新世纪研究生公共英语答案完型

新世纪研究生公共英语答案完型
新世纪研究生公共英语答案完型

When Professor Quentin Bell, now 68, was a boy, he saw a vanishing lady. A conjuror raised a woman covered with a white sheet high above his head. After lying there for a moment supported by his hands, she disappeared. Many years later, the image still fascinates him—as we can see in his sculpture.

For Professor Bell is not only the biographer of his aunt, Virginia Woolf. He is an art historian, an academic and all his life has been an artist, too. He learnt to make pots in Staffordshire; he also studied sculpture at the Central School and painting in Paris. Until the 1950s he was a professional potter, but when university teaching began to take up most of his time, he started to concentrate on sculpture. Now that he no longer teaches, he spends most of the day in his studio.

―Quentin is in his shed,‖ said his wife Oliver, when we arrived at Cobbe Place, their old house near Lewes in Sussex. Quentin Bell, wearing jeans and smiling rather reticently, was at work on a study for a large female figure destined for the University of Leeds, where he was Professor of Fine Arts in the 1960s. She will be another of his ―levitating ladies‖, who are designed to look as though they are floating in space. There is one in the garden who seems to lie in mid-air above a flowerbed. She looks as if she’s made of stone, yet she is only supported by her long hair. Bell enjoys mystifying the locals. ―How ever do you keep her up, Mr. Bell?‖ His secret is glass fiber. Pantomime, the traditional Christmas entertainment for children in Britain, has never, as far as I know, become popular abroad, although the comic techniques employed in it owe a great deal to a clown of Italian origin, Joseph Grimaldi, whose performances in the early nineteenth century made him the best-loved man in the British theatre. Unfortunately, pantomime is almost as difficult to explain to anyone who has never seen it as the game of cricket. I once spent half an hour talking about cricket to a foreigner. At last, he could not help interrupting me. I had just said that the ball sometimes traveled at 100 km an hour and by this time he was sure I was making fun of him. He thought I had been talking about croquet. Pantomime, then, is the theatrical representation of a fairy story, like Cinderella, but its attraction lies in a number of stage conventions that have developed over the years. These conventions, while they seem quite normal to children who are used to them, are rather more complicated than you might expect. To begin with, the hero (such as the Prince in Cinderella ) is played by a girl. So is the heroine, in case you are wondering how far sex changes can go! But Cinderella’s sisters are played by men, and so on.

What is most surprising is that pantomime not only survives in 1980s but that it is as popular as ever. The main reason for this is that children are given the chance to to participate. They must warn the hero if the villain is coming and some of them go on to the stage to meet the comedian.

―How old are you?‖asks the

comedian.

―I’m twelve.‖

―That’s funny. When I was your age I

was thirteen.‖ Children love it.

The appeal of the world of work

is first its freedom. The child is

compelled to go to school; he is under

the thumb of authority. Even what he

wears to school may be decided for him.

As he grows up, he sees what it is to be

free of school and to be able to choose

job and change it if he doesn’t like it, to

have money in his pocket and freedom to

come and go as he wishes in the world.

The boys and girls, a year or two older

than he is, whom he has long observed,

revisit school utterly transformed and

apparently mature. Suddenly masters and

mistresses seem as out of date as his

parents and the authority of school a

ridiculous thing. At the moment the adult

world may appear so much more real

than the school world that the hunger to

enter it cannot be appeased by exercises

in school books, or talk of the

occupations. This may not be the wisest

of attitudes but it is a necessary part of

growing up, for every man and woman

must come sooner or later to the point of

saying ―Really, I’ve had enough of being

taught; I must do a proper job.‖Some

young people, maturing rapidly because

of out side influences, come to this

decision sooner than they ought. Yet in a

way this is not a bad frame of mind to be

in on leaving school. At work, the young

man makes one of the first great

acceptances of life—he accepts the

discipline of the material or the process

he is working with. ―The job must be

done‖in accord with some inexorable

process he cannot alter. He sees the point

of it and in doing so comes to terms with

life. The work process constitutes a

reality in some sense superior to that of

school, and this is why he so often longs

to get to grips with it. Nothing done in

school imposes its will in quite the same

way; if its wet games can be cancelled; if

the maths master is ill one can get on

with something else. But even the boy

delivering papers, like the driver taking

out his bus, discovers that one cannot put

it off because there is snow on the

ground, or the foreman is irritable, or he

himself is in a bad mood that morning.

To suggest that a creative writer,

in a time of conflict, must split his life

into two compartments, may seem

defeatist or frivolous; yet in practice do

not see what else he can do. To lock

yourself up in the ivory tower is

impossible and undesirable. To yield

subjectively, not merely to a party

machine, but even to a group ideology, is

to destroy yourself as a writer. We feel

this dilemma to be a painful one, because

we see the need to engage in politics

while also seeing what a dirty degrading

business it is. And most of us still have a

lingering belief that if a thing is

necessary it is also right. We should, I

think, get rid of this belief, which

belongs to the nursery. In politics one

can never do more than decide by acting

lesser of two evils, and there are some

situations from which one can only

escape by acting like a devil or a lunatic.

War, for example, may be necessary, but

it is certainly not right. Even a general

election is not exactly a pleasant or

edifying spectacle. If you have to take

part in such things –and I think you do

have to –then you also have to keep part

of yourself inviolate. For most people

the problem does not arise in the same

form, because their lives are split already.

They are truly alive only in their leisure

hours, and there is no emotional

connection between their work and their

political activities. Nor are they

generally asked, in the name of political

loyalty to debase themselves as workers.

The artist, and especially the writer, is

asked just that –in fact, it is the only

thing that politicians ever ask of him. If

he refuses, that does not mean that he is

condemned to inactivity. One half of him,

which in a sense is the whole of him, can

act as resolutely, even as violently if

need be, as anyone else. But his writings,

in so far as they have any value, will

always be the products of the saner self

that stands aside, records the things that

are done and admits their necessity, but

refuses to be deceived as to their true

nature.

The readers of the more popular

press are clearly not only working-class

people, though working-class people

must form the majority if only because

they are a majority of the total

population. No doubt these journals

realize that the biggest single group they

can aim at is that comprising the large

proportion of the population who leave

school for good at the age of sixteen. The

scholarship system introduced after the

Second World War may have had an

effect on the working classes. It is of

course important not to confuse the

intellectual minority with the earnest

minority: a sense of social purpose need

not accompany the possession of brains.

Nor do all those who enjoy advanced

education abandon their social class

emotionally or physically. Nevertheless

the intellectual minority used to stay

within the working class more than it

does nowadays. Its members were able

to improve the status of all working-class

people because they were among the few

who could meet the managers in other

classes on their own ground, that of the

intellect. The scholarship system meant

that many working-class children left

their social class by a process of

education. The home background of

middle-class children may have made it

easier for them to win scholarships; and

a few working-class children still could

not take them up, or had to leave school

early because of financial pressure. But

most of them went to grammar schools

and a substantial proportion of them left

their social class. Few people regretted

that clever children in the

working-classes had a greater chance of

obtaining posts appropriate to their

abilities. But even if the term

―working-classes‖is not used, there

exists a great body of people who have

to perform the more mechanical jobs. We

must therefore take into account the fact

that they are now likely to include a

smaller proportion of the

critically-minded than before. And this is

happening at a time when those who

seek the money and favor of working-people know how to attract them and have sophisticated market research at hand to help them. We must be on our guard against developing a new kind of class system, one based on literacy but at least as firm as the old.

第八单元完形填空

Visions of the future in modern fiction are seldom optimistic. What is it that makes them so depressing? Are most creative artists pessimists at heart or is it simply that they see little to approve of in technical progress? I would be inclined to favor the second alternative if it were not for the fact that earlier writers like Jules Verne and H. G. Wells do not seem to have shared their misgivings. The best-known books of this kind in English are Aldous Huxley’s Brave New World and 1984, by George Orwell. Although there are superficial resemblances between them, they are not really very much alike. Huxley’s Britain in 2500 is a well-organized sensual paradise but it offers very little scope to the individual. Human beings are conditioned from their artificial birth to fulfil a social role. Only on an Indian reservation in New Mexico dose life remain unchanged. It was not thought worth taking the trouble to educate the Indians in the new methods.

Orwell’s book carries the message that once the world becomes divided between dictatorships, human beings can be made to do whatever they are told to. Children are instructed to spy on their parents. Adults like the hero, Winston Smith, are employed to rewrite history so that it will always show that the dictatorship was right. There is no escape. Any attempt to express oneself as an individual is discovered and the person is brainwashed. At the time when Orwell wrote 1984, it was fashionable for intellectuals to admire Stalinist Russia. They thought of it as the opposite of Nazi Germany. Not long before his death, Orwell published this warning in the hope that people would realize that all dictatorships are basically the same. The world of 1984 is one where the greatest crime is to think for oneself, instead of accepting what one is told by the state.

第九单元完形填空

Huxley and Orwell are not the only modern writers to have looked into the future and seen disaster. But neither in Brave New World nor in 1984 was the atomic bomb responsible. It plays a major part, however, in The Planet of the Apes and its sequel (at least as far as the film versions taken from Pierre Boulle’s original book are concerned). In Boulle’s story there was a planet where apes and men had changed places in society. In the films, however, this theme was linked to that of nuclear war, making them more topical. The astronauts eventually realized that they have returned to Earth two thousand years later. If men have resigned themselves to becoming the slaves of apes it is because of a nuclear catastrophe.

A more subtle treatment of the same theme occurs in John Wyndam’s novel, The Chrysalids. The hero is a boy growing up in a strict puritanical community rather like a pioneering

settlement in the American West. Only as

the novel develops do we begin to

understand that the strange laws of the

community, one of which is that babies

born with any physical abnormality are

immediately killed, are hardly explicable

in terms of the past.

What Wyndham is describing is a

community in northern Canada some

hundreds of years after an atomic war.

Here the effects have been comparatively

light but the boy’s uncle, who has been a

sailor, tells him of voyages south where

nothing can be seen but blackened ashes.

Wyndham, in spite of what may seem to

you like total pessimism, has a message

of hope, too. The boy, together with his

cousin, the girl he loves, and a few

friends, has exceptional telepathic gifts.

Their ability to read each other’s

thoughts saves them from his father’s

anger and they make mental contact with

some people in a place called Seeland,

which has also escaped the worst effects

of the holocaust. When the children

appeal for help, the Seelanders rescue

them. Seeland, it turns out, is what we

call New Zealand.

第十一单元完形填空

On the second day of air traffic

controllers’work to rule at Heathrow

airport the situation was plainly going

from bad to worse. On arriving at the

airport yesterday afternoon, I found

thousands of holiday-makers queuing at

check-in points, seeking some

information about their flights. The

breakdown in talks between the union

and the management led to an immediate

go-slow on Friday night, which has since

escalated into the threat of total strike

next weekend.

A British Airports Authority

spokesman, commenting on the news,

said, ―We thought this would happen.

The reason for it is that the Government

refuses to authorize the 20 percent salary

increase we agreed with the union last

month. We were aware that the rise was

not in line with Government pay policy,

but we wanted to avoid people being

inconvenienced.‖The go-slow, which

coincides with the busiest holiday

weekend of the year, has already caused

many flights to be canceled.

Holiday-makers faced a long wait

before eventually reaching their

destinations. June Kenny, of Manchester,

was a typical case, ―We were going to fly

to London on our way to Ibiza, but when

we got to the airport in Manchester, they

told us to catch a train. There were no

airport buses in London so we took a taxi.

It cost us fifteen pounds. We’ve been

waiting here all day but we still don’t

know when our plane will take off.‖

The General Secretary of the Union

regretted having caused the public

inconvenience and blamed the

Government for taking no action. But he

added that he was sure the public would

sympathize with his members’ attitude.

第十三单元完形填空

Sharing even such a big thing

as a marquee with 50 monkeys was an

exhausting experience, for these lively

animals can create an awful lot of

trouble when they give their minds to it.

Of all the monkeys we had, there are

three that I remember best. These were

Footle, the moustached monkey, Weekes,

the red-headed mangabey, and, last but

not least, Cholmondeley, the

chimpanzee.

Footle, when he arrived in the camp,

was the smallest monkey I had ever seen,

for with exception of his long tail, he

would have fitted very comfortably into

a teacup, and then left a certain amount

of room to spare. His fur was a peculiar

shade of green, and his chest was like a

nice white shirt front; his head, like that

of most baby monkeys, liked much too

big for his body. But the most

astonishing thing about him was the

broad curved band of white fur across

his upper lip, which made him look as

though he had a big moustache. I had

never seen anything quite so ridiculous

as this tiny monkey wearing this

enormous Santa-Clause-like decoration

on his face. For the first few days Footle

lived in a basket by my bed and had to

be fed with milk from a feeding bottle.

The bottle was about twice his size and

he used to fling himself on it with cries

of joy when it take it away before he had

finished. He would not even let me hold

the bottle for him, presumably in case I

stole any of the contents, and so he

would roll about on the bed with it in his

arms, looking just as if he were wrestling

with an airship. Sometimes he would be

on top, sometimes the bottle, but whether

he was on top or underneath, Footle

would still suck away at the milk.

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