Unit1 课内练习答案（P3Ex.1） P3Ex.3 1F2T3T4T5T6T P4Ex.1 1superb2aim3ridiculous4faith5evident 6conventional7gallery8abstract9technique10sculpture P4Ex.2 possess a great deal By coincidence adopt attempted On the other hand predict 详解： 翻译：《这些作品是凡高的真迹吗？》最受欢迎的艺术风格在西方国家就是印象派，许多人想拥有一幅印象派作品并且不惜花巨资去买一幅，巧合的事是，一些采用印象派画法的画家也可以画出不为人知的“杰作”，有一位画家，奥托?沃森，用凡高的风格作画并且迅速赚了很多钱，许多评论家都觉得它是凡高的真迹，一方面，一些评论家发现了，另一方面，一些评论家好奇是否有许多“杰作”被挂在画廊上，一位膜拜凡高作品的人说：“如果这种杰作的数量超过200，我也不会惊奇.”于是有人预言下一幅“杰作”在什么地方什么地点会被发现？ P5Ex.2 1W2F3W4F 5.If he had right to choose his holiday,he would go to Mexico. 6.If I were not allergic to shellfish,I would enjoy eating them. 7.If the marble statue were not big for her garden,the housewife would
8.If we knew more about the disease,we would be able to treat the patients very effectively. P5Ex.3 1were would make2were would be3were would be 4could would paint5were would help6could take 7knew would send8could9were would be 10would come could P7Ex.2
高中历史选修3 20世纪的战争与和平 第一单元第一次世界大战 ⒈第一次世界大战(1914- 1918)的背景原因及条件： ⑴资本主义发展的不平衡引起列强对世界市场和世界霸权争夺的矛盾; ⑵列强的三大矛盾（法德矛盾、俄奥矛盾、英德矛盾）最终形成了两大军事集团,它们的对峙导致了世界 大战的爆发; ⑶科技进步成果和巨大的生产力被应用于军事领域,使战争能在更大范围内进行,从而形成世界性大战； ⑷军国主义和极端民族主义的泛滥使两大军事集团相互仇视,推动了战争的爆发； ⑸导火线(直因):萨拉热窝事件促使两大军事集团主要成员国相继宣战,导致第一次世界大战全面爆发。（6）第一世界大战的标志：奥匈帝国1914年7月28日向塞尔维亚宣战。 两大阵营：三国同盟：德（核心）、奥、意（1882年）三国协约：英（核心）、法、俄（1907年）根本原因：资本主义经济政治发展不平衡加剧，导致帝国主义之间矛盾激化。 具体原因：两大军事团形成 客观原因：资本主义世界体系形成，科技进步成果运用与军事。 实质原因：瓜分世界，争夺霸权。 ⒉人类历史为什么发展到20世纪才会出现世界大战? ⑴客观条件：20世纪的世界已基本上形成为一个整体，各国联系日益加强，形成“牵一发而动全身”的局面。 ⑵可能条件（可能性）：科技进步成果和巨大的生产力被应用于军事领域,使战争能在更大范围内进行,从 而形成世界性大战; ⑶现实条件（必然性）：完成工业革命的主要列强，争夺殖民地的斗争或战争会影响到它们的殖民地或半 殖民地,进而影响整个世界。 3、欧陆均势政策:指英不同其他国家订立长期盟约，无需履行固定军事义务，束缚自己。 原因：（1）经济实力雄厚，军事实力强大，海上霸权。（2）地理位置岛国，为免受战争威胁，保证自己安全。（3）维持欧陆均势，便于自己插手于欧洲事务。 4、巴尔干地区为什么会成为欧洲的“火药桶”？ （1）地理位置重要（2）奥斯曼的衰落（3）民族关系复杂（4）列强争夺与插手（主要） 5、交战双方：同盟国：德、奥匈、奥斯曼、保加利亚共4国； 协约国：英、法、俄、意、日、比等，后美、中等加入，共27 6、第一次世界战争的特点----旷日持久 第一次世界大战为什么演变为一场持久战？（1）交战双方没有一方具有绝对优势（2）装备的限制，防守武器优越于进攻武器（3）军队机动能力差，后勤保障能力低（4）战略战术无法应对新武器的使用。 第一次世界大战发展成持久战局面，对交战双方来说，更有利于哪一方？为什么？ 持久战有利于协约国-（原因）---（1）协约国在面积、人口、资源均优于同盟国，还占有广阔海外殖民地，有利于长期作战。（2）同盟国则相对较弱。 战线地理范围作战双方 西线（主要战线）比利时、法国北部和德法边境法国军队-------德国军队 东线（主要战线）波罗的海南岸至罗马尼亚俄军------德、奥匈军队 南线巴尔干地区塞尔维亚军队-----奥匈军队 8? 第一阶段：
选修六 Unit 1 1.adj. 现实主义的；逼真的；现实的 2.adj. 抽象的；深奥的n. 摘要 3.n. 雕塑 4.n. 雕刻家；雕塑家 5.n. 美术陈列室；画廊 6.n. 信任；信心；信念 7.adv. 忠实地 8.adv. 所以；因而 9.n. 目标；目的vi. & vt. 瞄准；（向某方向）努力 10.adj. 常规的；传统的；因循守旧的 11.adj. 典型的；有代表性的 12.adj. 明显的；明白的 13.n. 新生；复兴；复活 14.vt. 采用；采纳；收养 15.adj. 人道主义的 16.vt. 拥有；具有；支配 17.n. （尤作复数）所有；财产 18.adj. 卓越的；杰出的；极好的 19.n. 透视画法；透视图；观点 20.n. 技术；方法；技能 21.n. 巧合（的事）；（事情、口味、故事等）相合 22.巧合地 23.n. 杰作；名著 24.n. 印象主义；印象派 25.adj. 印象派的 n.印象派艺术家 26.adj. 后印象派的n. 后印象派艺术家 27.大量28.n. 阴影；影子 29.adj. 荒谬的；可笑的 30.adj. 争论的；争议的 31.n. 努力；尝试；企图vt. 尝试；企图 32.（可是）另一方面 33.vt. 预言；预告；预测 34.n. 风景；景色 35.adj. 确切的；特定的 36.n. 画像；身材；数字 37.n. 黏土 38.n. 评论家；批评者 39.n. 青铜；青铜色；青铜制艺术品 40.n. 大理石 41.vt. 雕刻；刻记 42.adj. 脆弱的；容易生病的；精致的 43.n. 帆布；画布 44.n. 咖啡馆；小餐馆 45.adj. 过敏性的；对……过敏的 46.adv. 有效地 47.n. 展览；陈列；展览会 48.adj.敢做敢为的;侵略的；好斗的 49.n. 学者 50.n. 肉；肌肉；肉体 51.活着的；本人 52.n. 几何学 53.n. 束；串 54.n. 林荫道；道路；大街 55.n. 喜爱；偏爱
人教版英语选修六课 文原文
Unit 1A SHORT HISTORY OF WESTERN PAINTING Art is influenced by the customs and faith of a people. Styles in Western art have changed many times. As there are so many different styles of Western art, it would be impossible to describe all of them in such a short text. Consequently, this text will describe only the most important ones. Starting from the sixth century AD. The Middle Ages(5th to the 15th century AD) During the Middle Ages, the main aim of painters was to represent religious themes. A conventional artistof this period was not interested in showing nature and people as they really were. A typical picture at this time was full of religious symbols, which created a feeling of respect and love for God. But it was evident that ideas were changing in the 13th century when painters like Giotto di Bondone began to paint religious scenes in a more realistic way. The Renaissance(15th to 16th century) During the Renaissance, new ideas and values gradually replaced those held in the Middle Ages. People began to concentrate less on religious themes and adopt a more humanistic attitude to life.At the same time painters returned to classical Roman and Greek ideas about art. They tried to paint people and nature as they really were. Rich people wanted to possess their own paintings, so they coule decorate their superb palaces and great houses. They paid famous artists to paint pictures of themselves, their houses and possessions as well as their activities and achievements. One of the most important discoveries during this period was how to draw things in perspective. This technique was first used by Masaccio in 1428. When people first saw his paintings, they were convinced that they were looking through a hole in a wall at a real scene. If the rules of perspective had not been discovered, no one would have been able to paint such realistic pictures. By coincidence,oil paints were also developed at this time, which made the colours used in paintings look richer and deeper. Without the new paints and the new technique, we would not be able to see the many great masterpieces for which this period is famous. Impressionism(late 19h to early 20th century) In the late 19th century, Europe changed a great deal,from a mostly agricultural society to a mostly industrial one. Many people moved from the countryside to the new cities. There were many new inventions and social changes also led to new painting styles. Among the painters who broke away from the traditional style of painting were the Impressionists, who lived and worke in Paris. The Impressionists were the first painters to work outdoors. They were eager to show how light and shadow fell on objects at different times of day. However, because natural light changes so quickly, the Impressionists had to paint quickly. Their paintings were not as detailed as those of earlier painters. At first, many people disliked this style of painting and became very angry about it. They said that the painters were careless and their paintings were ridiculous. Modern Art(29th century to today) At the time they were created, the Impressionist paintings were controversial, but today they are accepeted as the beginning of what we call "modern art". This is
选修6 Unit 1 Art-Reading A SHORT HISTORY OF WESTERN PAINTING Art is influenced by the customs and faith of a people. Styles in Western art have changed many times. As there are so many different styles of Western art, it would be impossible to describe all of them in such a short text. Consequently, this text will describe only the most important ones, starting from the sixth century AD. The Middle Ages (5th to the 15th century AD) During the Middle Ages, the main aim of painters was to represent religious themes. A conventional artist of this period was not interested in showing nature and people as they really were. A typical picture at this time was full of religious symbols, which created feeling of respect and love for God. But it was evident that ideas were changing in the 13th century when painters like Giotto di Bondone began to paint religious scenes in a more realistic way. The Renaissance (15th to 16th century) During the Renaissance, new ideas and values graduallv replaced those held in the Middle Ages.People began to concentrate less on religious themes and adopt a more humanistic attitude to life. At the same time painters returned to classical Roman and Greek ideas about art. They tried to paint people and nature as they really were. Rich people wanted to possess t heir own paintings, so they could decorate their superb palaces and great houses. They paid famous artists to paint pictures of themselves, their houses and possessions as well as their activities and achievements. One of the most important discoveries during this period was how to draw things in perspective. This technique was first used by Masaccio in 1428. When people first saw his paintings, they were convinced that they were looking through a hole in a wall at a real scene. If the roles of perspective had not been discovered, no one would have been able to paint such realistic pictures. By coincidence, oil paints were also developed at this time, which made the colours used in paintings look richer and deeper. Without the new paints and the new technique, we would not be able to see the many great masterpieces for which this period is famous. Impressionism (late 19th to early 20th century) In the late 19th century, Europe changed a great deal. from a mostly agricultural society to a mostly industrial one. Many people moved from the countryside to the new cities. There were many new inventions and social changes. Naturally, these changes also led to new painting styles. Among the painters who broke away from the traditional style of painting were the Impressionists, who lived and worked in Paris.
2015年高中历史 5.9《清新典雅的皖南古村落》教案新人教版选修 6 教学目标 （一）知识与能力 1、了解绚丽多彩的皖南古民居。 2、探讨文化与自然、人与环境之间的关系。 （二）过程与方法 1、通过对图片、录像、文字材料的分析，培养学生的分析、比较、归纳、概括能力，使学生学会透过现象看本质。 2、培养学生的探究学习能力：通过让学生自觉参与学习过程的各个环节，充分发挥其探寻未知事物的主动性，激发学生发现问题、解决问题的欲望，从而真正实现学生的发展。 3、突出三个结合：体验学习与探究学习的结合；个体学习与合作学习的结合；思想性与时代性的结合。 （三）情感、态度与价值观 1、感悟皖南古村落作为世界文化遗产的价值所在。 2、学习和借鉴世界文化遗产的文明成果。 3、引导学生提出保护世界文化遗产的建议和措施。重视历史学科作为人文学科的特有功能，关注学生情感教育，强调人文精神的培养。 教学重点与难点 （一）教学重点 西递、宏村村落水系的特点；徽派建筑艺术的文化内涵。 （二）教学难点 西递、宏村是如何体现文化与自然、人与环境的完美结合的；徽派建筑所体现的深厚的文化内涵 教学方法 主要采用情境讨论式教学法、启发式谈话法。由浅入深，由表及里，多角度多层面地开拓学生的思维，师生共同构建完整的知识体系。教师通过创设情境，提出问题，激发学生学习和探究的兴趣；学生通过独立思考、分组讨论、合作探究、体验交流等方式自主参与学习过程；注重师生互动，共同享受学习成果；在不断解决问题的过程中发展智力，培养能力，提高综合素质 教学设计思路 立足课标，根据学情，整合教材，打破教材原有的结构体系，按照游览的时空顺序，由远及近，由表及里，由浅入深，从远眺、近看、纵观、透视四个角度，全面、具体、深入、细致地了解、欣赏、感受、品味西递、宏村。在每一个视角中，又分为了解、体验和探究、感悟两个层次。这样，纵横交错，经纬结合，形成系统的网状知识结构。
Unit 1A SHORT HISTORY OF WESTERN PAINTING Art is influenced by the customs and faith of a people. Styles in Western art have changed many times. As there are so many different styles of Western art, it would be impossible to describe all of them in such a short text. Consequently, this text will describe only the most important ones. Starting from the sixth century AD. The Middle Ages(5th to the 15th century AD) During the Middle Ages, the main aim of painters was to represent religious themes. A conventional artistof this period was not interested in showing nature and people as they really were. A typical picture at this time was full of religious symbols, which created a feeling of respect and love for God. But it was evident that ideas were changing in the 13th century when painters like Giotto di Bondone began to paint religious scenes in a more realistic way. The Renaissance(15th to 16th century) During the Renaissance, new ideas and values gradually replaced those held in the Middle Ages. People began to concentrate less on religious themes and adopt a more humanistic attitude to life.At the same time painters returned to classical Roman and Greek ideas about art. They tried to paint people and nature as they really were. Rich people wanted to possess their own paintings, so they coule decorate their superb palaces and great houses. They paid famous artists to paint pictures of themselves, their houses and possessions as well as their activities and achievements. One of the most important discoveries during this period was how to draw things in perspective. This technique was first used by Masaccio in 1428. When people first saw his paintings, they were convinced that they were looking through a hole in a wall at a real scene. If the rules of perspective had not been discovered, no one would have been able to paint such realistic pictures. By coincidence,oil paints were also developed at this time, which made the colours used in paintings look richer and deeper. Without the new paints and the new technique, we would not be able to see the many great masterpieces for which this period is famous. Impressionism(late 19h to early 20th century) In the late 19th century, Europe changed a great deal,from a mostly agricultural society to a mostly industrial one. Many people moved from the countryside to the new cities. There were many new inventions and social changes also led to new painting styles. Among the painters who broke away from the traditional style of painting were the Impressionists, who lived and worke in Paris. The Impressionists were the first painters to work outdoors. They were eager to show how light and shadow fell on objects at different times of day. However, because natural light changes so quickly, the Impressionists had to paint quickly. Their paintings were not as detailed as those of earlier painters. At first, many people disliked this style of painting and became very angry about it. They said that the painters were careless and their paintings were ridiculous. Modern Art(29th century to today) At the time they were created, the Impressionist paintings were controversial, but today they are accepeted as the beginning of what we call "modern art". This is because the Impressionists encouraged artists to look at their environment in new ways. There are scores of modern art styles,but without the Impressionists, many of these painting styles might not exsist. On the one hand, some modern art is abstract; that is, the painter does not attempt to paint objects as we see them with our eyes, but instead concentrates n certain qualities of the object,
人教版高中历史选修一《历史上重大改革回眸》 第一单元梭伦改革 课标内容要求： （1）了解梭伦改革前雅典的社会状况，认识梭伦改革的必要性。 （2）简述梭伦改革的主要措施，指出改革的基本特点。 （3）分析梭伦改革对雅典民主政治建设的影响。 知识要点： 一、梭伦改革的背景： 1、政治： 雅典城邦国家产生（公元前9～前8世纪）——设立中央议事会和行政机构贵族制国家确立（公元前8～前6世纪）——贵族专权而平民无权 2、经济发展 农工商业以及贸易得到发展 3、阶级变化： 工商业奴隶主形成，公民内部斗争激烈：“山地派”、“平原派”、“海岸派” 4、梭伦当选为首席执政官：雅典贵族与平民长期斗争的结果 二、梭伦改革： 1、内容：“颁布解负令” 确立财产等级制度、恢复公民大会权力、建立“四百人会议” 设立公民陪审法庭、鼓励发展农工商业 2、特点：奠定民主政治基础、促进工商业发展 三、梭伦改革的评价 1、历史意义：改革为雅典的民主政治奠定基础 克里斯梯尼改革促进雅典民主政治的形成 伯利克里改革使雅典民主政治得以最终确立 2、历史局限：贵族在国家政权中占据绝对优势，下层平民未享有充分的权利氏族制度残余及贵族拥有世袭占有土地的特权 贵族和平民的矛盾未得以从根本上解决，社会政局动荡不安 第二单元商鞅变法 课标内容要求： （1）知道春秋战国时期各国改革的基本史实，认识春秋战国时期的时代特征。 （2）了解商鞅变法的具体措施和内容，认识其特点。 （3）探讨商鞅变法的历史作用。 知识要点： 一、背景：春秋战国时期的社会大变革 1、根本原因：社会生产力的发展——铁器、牛耕的使用 2、经济基础：生产关系的变化——私田增多出现新的封建剥削方式井田制瓦解封建土地私有制确立 3、阶级基础：阶级关系的变化——新的阶级形成新兴地主阶级要求变革 4、社会条件：春秋战国时期的战争频繁、思想繁荣、各国竞相改革变法 齐国管仲改革、鲁国“初税亩”、魏国李悝变法、楚国吴起变法 二、商鞅变法内容： 1、以农求富的经济改革：废井田、开阡陌；重农抑商、奖励耕织；统一度量衡
选修六知识点 -----高二英语备课组 Unit 1 Art 1.achieve one’s aim 实现某人的目标without one’s aim 漫无目标的 with the aim of 意在…，以…为目标aim at doing sth /aim to do sth 意欲，力求做某事 be aimed at (doing) sth.目的在于…，旨在… 2.be typical of……是特有的，是典型的… E.g. It’s typical of him to forget. 3.be possessed of sth. 具有（某种品质或特征）be possessed with/by 被…控制 take the possession of sth 占有某物，拿到某物 in possession of /in the possession of 归…所有（用法与in charge of & in the charge of相同） 4.a great deal 大量（a great deal of 修饰不可数名词） 5.make an attempt to do/at doing sth 尝试做…at one’s first attempt 第一次尝试 in an attempt to do sth 试图做某事attempt to do/ at doing sth 尝试做某事 6. on the one hand…on the other hand （般指两个相反或相对的方面）一方面…另一方面 for one thing ..for another thing…常陈述情况一致的两个方面，用于解释原因，表列举 7.be worth doing = be worthy of being done = be worthy to be done 值得做… be well worth doing sth.（主动表被动）It’s worthwhile to do/doing sth. 值得做… 8.have/lose faith in 对某人信任/失去对某人的信任 9.keep one’s figure 保持身材have a good figure 身材苗条figure out 算出，解决，理解 10. would rather do ..than…= would do …rather than… I would rather go on foot than take a bus.= I would go on foot rather than take a bus. 11. in preference to 优先于have a preference for 更喜欢… 12.appeal to (对某人)有吸引力；（使某人）感兴趣appeal for 恳求/呼吁… 13 win/earn reputation 赢得名声have a reputation for 以…而闻名. establish reputation 建立名誉 a good /bad reputation 好/坏名声 live up to one’s reputation 名不虚传…不负盛名… 14.动词不定式作后置定语： 1.用在序数词、形容词最高级后. E.g. He is the first to come here. 2.用在被序数词、形容词最高级、next、last、only等修饰的名词后. Eg. The best way to solve the problem is to make a plan. 15.more than + 数词表示“多于，超过”I have taught English more than 15 years. more than + 名词表示“不仅仅”The museum displays more than the visual delights of art. more than + 动词/形容词/副词表示“非常”I’m more than pleased to help you . more than + 句子表示“超过…的能力范围”The beauty is more than I can describe. 16. 句型what is known to us all is that…= it is known to us all that …= As is known to us all, … 17. 短语：It was evident that…很显然…It is predicted that …据预测…concentrate..on 集中，全神贯注于in perspective 用透视画法by coincidence 巧合地break away from 挣脱，脱离scores of 许多.in the flesh 活着的，亲自，本人 every two years= every second year = every other year 每2年be allergic to 对…过敏 be well worth a visit 很值得参观to be specific 具体地说be specific to 特有的；独特的attitude to/towards 对…的态度convince sb of sth /that…使某人相信… Unit 2 Poems 1．convey sth to sb 向某人表达/传递某物convey sb/sth from A to B把…从A地运送到B地2.take one’s time 不急，慢慢来take sth seriously 认真对待某事 take sth for granted 认为…理所应当 3.run out of 用完了…表示主动意义，run out …用完了，主语通常为时间、食物、金钱等We are running out of the money. = The money is running out. (钱快要用完了) 4.be made up of=be composed of =consist of由……组成
第一单元《全人类共同的宝贵财富——世界文化遗产》单元测试题 一、选择题(每小题只有一个正确答案) 1.世界遗产委员会有责任对各国的世界遗产进行监测，问题严重的遗产项目将被( ) A．列入《世界遗产名录》 B．列入《世界遗产公约》 C．列入《濒危世界遗产名录》 D．直接取消世界遗产资格 2.保护文化环境和自然环境是人类面前的一个重大课题。世界遗产面临的威胁有( ) ①工业化浪潮②自然灾害③城市化④战争 A．①②③④ B．②③④ C．①②④ D．①③④ 3.根据《世界遗产公约》，缔约国应该( ) A．就本国的世界遗产的保护状况提交定期的报告 B．就本国的文化遗产的保护状况提交定期的报告 C．就本国的自然遗产的保护状况提交定期的报告 D．就本国的所有遗产的保护状况提交定期的报告 4.关于《世界遗产公约》，以下说法错误的是( ) A．是联合国教科文化组织倡议签署的 B．各缔约国负有保护本国文化和自然遗产的责任 C．《世界遗产名录》中的遗产，作为全人类的共同财富 D．为保证《世界遗产公约》的实施，成立世界遗产中心 5.列入《世界遗产名录》的文化或自然遗产应具备的必要条件是( ) A．具有突出的普遍价值 B．属于濒危的文化或自然遗产 C．广为人知的文化或自然遗产 D．见证了人类历史发展的古迹 6.中国拥有辉煌灿烂的文化成就和丰富多样的自然景观，中国宝贵遗产的保护情况和成果有 ( ) ①1985年成为《世界遗产公约》的缔约国 ②是独一无二的拥有世界遗产类型最齐全的国家 ③是拥有文化和自然双重遗产数量最多的国家 ④北京是世界上拥有世界遗产最多的城市 ⑤是名副其实的世界遗产大国 A．①②③④ B．②③④⑤ C．①②③④⑤ D．①②④⑤ 7.完整性是登录《世界遗产名录》的基本条件和保护原则之一。下列对文化遗产完整性的理解，
高中英语选修6 Unit 1 A SHORT HISTORY OF WESTERN PAINTING Art is influenced by the customs and faith of a people. Styles in Western art have changed many times. As there are so many different styles of Western art, it would be impossible to describe all of them in such a short text. Consequently, this text will describe only the most important ones. Starting from the sixth century AD. The Middle Ages(5th to the 15th century AD) During the Middle Ages, the main aim of painters was to represent religious themes. A conventional artistof this period was not interested in showing nature and people as they really were. A typical picture at this time was full of religious symbols, which created a feeling of respect and love for God. But it was evident that ideas were changing in the 13th century when painters like Giotto di Bondone began to paint religious scenes in a more realistic way. The Renaissance(15th to 16th century) During the Renaissance, new ideas and values gradually replaced those held in the Middle Ages. People began to concentrate less on religious themes and adopt a more humanistic attitude to life.At the same time painters returned to classical Roman and Greek ideas about art. They tried to paint people and nature as they really were. Rich people wanted to possess their own paintings, so they coule decorate their superb palaces and great houses. They paid famous artists to paint pictures of themselves, their houses and possessions as well as their activities and achievements. One of the most important discoveries during this period was how to draw things in perspective. This technique was first used by Masaccio in 1428. When people first saw his paintings, they were convinced that they were looking through a hole in a wall at a real scene. If the rules of perspective had not been discovered, no one would have been able to paint such realistic pictures. By coincidence,oil paints were also developed at this time, which made the colours used in paintings look richer and deeper. Without the new