The argument between the captain and Maria
C: Now, Fraulein. I want a truthful answer from you.
M: Yes, Captain?
C: Is it possible, or could I have just imagined it…...Have my children by any chance been climbing trees today?
M: Yes, captain.
C: I see. And where, may I ask, did they get these.. er.. these.. er...
M: Play clothes.
C: Oh, is that what you call them?
M: I made them. From the drapes that used to hang in my bedroom.
C: Drapes?
M: They still have plenty of them left. The children have been everywhere in them.
C: Do you mean to tell me that my children have been roaming about Salzburg dressed up in nothing but some old drapes?!
M: Hmm-mm, and having a marvelous time.
C: They have uniforms.
M: Straitjackets, if you'll forgive me.
C: I will not forgive you for that!
M: Children cannot do all the things they're supposed to if they have to worry about spoiling their precious clothes.
C: I haven 't heard a complaint yet!
M: Well, they wouldn't dare! They love you too much. They fear you too much.
C: I don't wish to discuss my children in this manner.
M: Oh, you've got to hear from someone! You're never home long enough to know them.
C: I said I don't want to hear any more from you about my children.
M: I know you don't, but you've got to! Now, take Liesl.
C: You will not say one word about Liesl, Fraulein.
M: She's not a child anymore. One of these days you're going to wake up and find she's a woman. You won't even know her. And Frederick. He's a boy but he wants to be a man, like you, and there's no one to show him how!
C: Don't you dare tell me about my son!
M: Bargitta could tell you, if you'd let her get close to you. She notices everything.
C: Fraulein...
M: And Kurt pretends he's tough not to show how hurt he is when you brush him aside.
C: That will do.
M: The way you do all of them. Louisa I don't know about……
C: I said that will do!
M: But someone has to find out about her, and the little ones just want to be loved! Oh, please, Captain. Love them. Love them all!
C: I don't care to hear anything further from you about my children!
M: I am not finished yet, Captain!
C: Oh, YES YOU ARE, Captain!...... Fraulein. Now, you will pack your things this minute and return to the abbey.
11.《我不是天使》 It’s not the men in your life that counts, it’s the life in your men. 你生命中有哪些男人不重要，重要的是你的男人有没有生命力。 12、《北非谍影》 "Louis, I think this is the beginning of a beautiful friendship." 路易斯，我想这是一段美好友谊的开始。 13、《毕业生》 "Mrs. Robinson, you're trying to seduce me, aren't you?" 罗宾森太太，你正在挑逗我吧？ 14、《卡萨布兰卡》 Of all the gin joints in all the towns in all the world，she walks into mine. “世界一切城市的一切酒店她都不去，偏偏要到我的店里来。”(亨弗莱?鲍嘉) 15、《西雅图夜未眠》 It's time to wrap it up. 节目的时间到了。
【当影片结尾父子两人离开帝国大厦，而安妮面对着寂静而空无一人的顶层时，观众无一不被感动。】 16、《兄弟连》 I remember my grandson asked me the other day, he said: "Grandpa, were you a hero in the great war?" "No," I replied, "But I served in a company of heroes." 有一天我的小孙子问我“爷爷，你是大战中的英雄吗？我回答：不……但我与英雄们一同服役。 17、《甜心先生》 Show me the money! 给我钱！ 18、My best friend's wedding 《我最好朋友的婚礼》 Michael, I love you. I've loved you for nine years; I've just been too arrogant and scared to realize it. Oh… Now I'm just scared. I… I realize this comes at a very inopportune time, but I really have this gigantic favor to ask of you. Choose me. Marry me. Let me make you happy. Michael，我爱你。九年来，我一直在心底深爱着你。我只是太傲慢、太害怕去承认我对你的感情。现在的我也是非常的害怕。Michael，我知道现在说这话也许不是时候，但是我还是要请你答应我的请求。选择我，让我做你的新娘，让我带给你幸福吧！
壹 Actors: Reverend['rev?r?nd] n. 教士adj. 教士的；可尊敬Mother(院長嬤嬤) Sister Bernice[b?:'nis（伯尼斯修女） Sister A、B、CDEF Maria The butler(Franz[fra:nts] n. 弗朗茨)(maid) Captain V on[v?n]Trapp[tr?p] Frau[frau] n. （德）夫人Schmidt施密特 Seven children(Liesl丽莎;Frederick['fredrik]弗里德里克.Louisa[lu:'i:z?]露易莎.Kurt[k?:t]. 库特Bargitta布姬塔;Marta玛塔; Gretl格里塔) Baroness['b?r?nis] n. 男爵夫人 Uncle Max[m?ks], Scene I (The story starts in an abbey of Salzburg, Austria, in the last Golden Days of the Thirties.) Halleluyah! Bernice: Reverend Mother... Reverend Mother: Sister Bernice. Bernice: I simply cannot find her. Reverend Mother: Maria? Bernice: She's missing from the abbey['?bi]again. Sister A: Perhaps we should have put a cowbell around her neck. Sister B: Have you tried the barn? You know how much she adores[?'d?:] vt. 崇拜；爱慕；喜爱；极喜欢the animals. Bernice: I have looked everywhere, in all of the usual places. Revernd Mother: Sister Bernice, considering that is Maria, I suggest you look in some place unusual. (Later, Maria gets back and comes to see Reverend Mother.) Reverend Mother: I'm here, my child. Now sit down. Maria (short for M): Oh, Reverend Mother, I'm so sorry. I just couldn't help myself. The gates were open and the hills were beckoning['bek?ni?] adj. 引诱人的；令人心动的and before... Reverend Mother: I know! I have not summoned传唤；召集you here for apologies. M: Oh, please Mother, do let me ask for forgiveness. Reverend Mother: If it will make you feel better. (After a while) Reverend Mother: Maria,I have a task for you,and it seems to be the will of God that yo u leave us. 壹
《音乐之声》音乐赏析 据玛丽亚?冯?特拉普的自传：《冯?特拉普家的歌手们》改写而成的《音乐之声》，被誉为有电影以来最成功的一部音乐歌舞片。影片里美妙的音乐至今仍被全世界传唱。 《音乐之声》讲述了热情活泼的修女玛丽亚到奥地利退役军官特拉普海军上校家当7个孩子的家庭教师的故事。上校的妻子几年前去世，上校心灰意冷，用管理水兵的方法来管教孩子。孩子们的生活就像钟摆一样循规蹈矩，毫无生气。玛丽亚来到上校家后，顺应孩子们天性活泼的特点，教他们唱歌跳舞，带他们去野餐、郊游、爬树和划船，使家中充满欢乐。她的热情、爱心赢得了孩子们的信任和喜爱，最终也赢得了上校的爱慕，后来成了孩子们的母亲。纳粹德国占领奥地利后，爱国的上校不愿意效力于纳粹海军，于是，在一次民谣节上，上校带领全家成功地逃出了魔掌，翻越群山奔向自由。 优美的音乐是电影的灵魂，电影《音乐之声》最令人兴奋和过后难忘的，正是其中几首韵调轻扬、词句烂漫的歌曲。《音乐之声》的题材来自生活，却又将之升华从而使之高于生活，它以音乐抒发人类最淳朴的感情，以感情动人，整部音乐剧充满了诗性的美和浪漫，像一朵清新而独特的百合，散发出满室的清香。其中流传最广的几首经典音乐，如表达玛利亚对大自然热爱的主题曲“the sound of music”，轻快跳跃的“The Lonely Goatherd”，欢快活跃的“Do-Re-Mi”，“Sixteen Going On Seventeen”以雨中歌舞传情的形式，表现了大女儿Rolfe 和邮递员liesl美妙的初恋情怀及依依不舍之情,在雷雨交加的夜晚，自然流畅的“My Favorite Things”驱除了孩子们的恐惧,特拉普上校演唱的一派深情的“Edelweiss”，以及可爱的孩子们演唱的可爱俏皮的“Good night，Good bye”等等，都广为流传。 它的音乐贯穿全程，音乐既推动了故事情节的发展，也成为整部影片最动人的部分。现在，我们着重讨论一下接下来这三首歌曲。 歌曲“the sound of music”，是剧中的点睛之笔，点题之作。由玛利亚在山顶独唱，演员以磁性的声音，纯熟的演唱技巧，将这首脍炙人口的歌曲演唱的淋漓尽致。优美的音乐配之以优美的景色，流畅的画面，给观众带来一场视觉和听觉的盛宴。充分地抒发主人公玛利亚对故乡、对大自然、对音乐的无比热爱。上校赴维也纳期间，玛利亚把这首歌教给了7个孩子，并且让他们在男爵夫人到来时为她演唱，深深地打动了上校禁锢已久的心，使他忽然变成了一个和蔼可亲
音乐之声 The sound of music The hills are alive 大地新象 With the sound of music 只因这天籁之声 With songs they have sung 清歌传唱 For a thousand years 千年万年 The hills fill my heart 云岭送翠 With the sound of music 只为这天籁之声 My heart wants to sing Every song it hears 我心雀跃不已只因它拾得片音短曲 My heart wants to beat like the wings Of the birds that rise 我心澎湃狂喜宛如鸟生新羽展翅飞去 From the lake to the trees 自湖滨遥向枝头高栖 My heart wants to sigh Like a chime that flies 我心呢喃低语仿佛钟铃 From a church on a breeze 自教堂乘风徐徐而来 To laugh like a brook When it trips and falls 欢笑一如小溪清清蜿蜒宛转 Over stones on its way 川流石头间 To sing through the night 彻夜高歌 Like a lark who is learning to pray 就像云雀习祷，喜悦轻盈 I go to the hills 我总会来这山巅 When my heart is lonely 每当我心抑郁 I know I will hear 我知道定能听见 What I've heard before 昔日歌声 My heart will be blessed 我心将被赐福 With the sound of music 只因这天籁之音 And I'll sing 我也愿 Once more 再次高歌 Hallelujah, hallelujah 哈利路亚，哈利路亚 Hallelujah, hallelujah 哈利路亚，哈利路亚 -Reverend Mother. -Sister Bernice. -院长-柏尼丝修女 -I simply cannot find her. -Maria? -我找不到她-玛丽亚 She's missing again. 她又不见了 We should've put a cowbell around her neck. 也许我们该在她脖子上挂个牛铃 Have you tried the barn? You know how much she adores the animals. 你找过杂仓了吗？她很喜欢动物 I have looked everywhere. In all of the usual places. 我到处都找过了 Sister, considering it's Maria... 我建议你 ...I suggest you look in someplace unusual. 找不寻常的地方 Well, Reverend Mother... 院长 ...I hope this new infraction ends whatever doubts... 我希望这次违规 ...you may still have about Maria's future here. 会结束你对她在这里会有未来的疑虑 I always try to keep faith in my doubts, Sister Berthe. 我对疑虑仍常保持信心 After all, the wool of a black sheep is just as warm. 毕竟黑羊的毛也是会温暖 We are not talking about sheep, black or white, Sister Margaretta. 我们不是争论绵羊颜色 Of all the candidates for the novitiate, Maria is the least-- 所有修女的候选人中她最糟
31、《魂断蓝桥》 Oh Roy, you're alive! 战争终于过去，活下来的Roy满心欢喜地回到家乡，在火车站遇到了已沦入风尘的恋人Mara。男的是喜出望外、讲起话来喋喋不休；女的却只重复着那一句话“你还活着”： 32、《狮子王》 Yes, the past can hurt. But I think you can either run from it or learn from it. 对，过去是痛楚的，但我认为你要么可以逃避，要么可以向它学习。 33、《落跑的新娘》 "I guarantee that we'll have tough times. I guarantee that at some point one or both of us will want to get out. But I also guarantee that if I don't ask you to be mine, I'll regret it for the rest of my life. Because I know in my heart -- you're the only one for me." “我肯定我们会分开；我肯定我们一方离另一方而去，在一个人死后。但更我肯定，我现在若不求你留下来陪我，我会后悔一辈子。” 34、Roman Holiday《罗马假日》 J: Which of the cities that you visited did your Highness enjoy the most? A: Each in its own way was unforgettable. It would be difficult to ...Rome. By all means, Rome. I will cherish my visit here in memory, as long as I live!
音乐之声音乐赏析 TYYGROUP system office room 【TYYUA16H-TYY-TYYYUA8Q8-
《音乐之声》音乐赏析 据玛丽亚冯特拉普的自传：《冯特拉普家的歌手们》改写而成的《音乐之声》，被誉为有电影以来最成功的一部音乐歌舞片。影片里美妙的音乐至今仍被全世界传唱。 《音乐之声》讲述了热情活泼的修女玛丽亚到奥地利退役军官特拉普海军上校家当7个孩子的家庭教师的故事。上校的妻子几年前去世，上校心灰意冷，用管理水兵的方法来管教孩子。孩子们的生活就像钟摆一样循规蹈矩，毫无生气。玛丽亚来到上校家后，顺应孩子们天性活泼的特点，教他们唱歌跳舞，带他们去野餐、郊游、爬树和划船，使家中充满欢乐。她的热情、爱心赢得了孩子们的信任和喜爱，最终也赢得了上校的爱慕，后来成了孩子们的母亲。纳粹德国占领奥地利后，爱国的上校不愿意效力于纳粹海军，于是，在一次民谣节上，上校带领全家成功地逃出了魔掌，翻越群山奔向自由。 优美的音乐是电影的灵魂，电影《音乐之声》最令人兴奋和过后难忘的，正是其中几首韵调轻扬、词句烂漫的歌曲。《音乐之声》的题材来自生活，却又将之升华从而使之高于生活，它以音乐抒发人类最淳朴的感情，以感情动人，整部音乐剧充满了诗性的美和浪漫，像一朵清新而独特的百合，散发出满室的清香。其中流传最广的几首经典音乐，如表达玛利亚对大自然热爱的主题曲“the sound of music”，轻快跳跃的“The Lonely Goatherd”，欢快活跃的“Do-Re-Mi”，“Sixteen Going On Seventeen”以雨中歌舞传情的形式，表现了大女儿Rolfe和邮递员liesl美妙的初恋情怀及依依不舍之情,在雷雨交加的夜晚，自然流畅的“My Favorite Things”驱除了孩子们的恐惧,特拉普上校演唱的一派深情的“Edelweiss”，以及可爱的孩子们演唱的可爱俏皮的“Good night，Good bye”等等，都广为流传。 它的音乐贯穿全程，音乐既推动了故事情节的发展，也成为整部影片最动人的部分。现在，我们着重讨论一下接下来这三首歌曲。 歌曲“the sound of music”，是剧中的点睛之笔，点题之作。由玛利亚在山顶独唱，演员以磁性的声音，纯熟的演唱技巧，将这首脍炙人口的歌曲演唱的淋漓尽致。优美的音乐配之以优美的景色，流畅的画面，给观众带来一场视觉和听觉的盛宴。充分地抒发主人公玛利亚对故乡、对大自然、对音乐的无
对于中国音乐剧发展的思考 摘要：音乐剧的风靡不仅仅是一种时尚，更是时代发展的必然产物，它是时代的精神表现，上至老人下至几岁的孩童无不为音乐剧所痴迷。外国形成了多元化的音乐剧，值得我们在传承、发展音乐剧的领域上学习和借鉴。而中国正要学习它们的艺术生产机制以及它们对艺术的创新和改革的信心，站在世界的角度去看去学习，探索音乐剧在中国的道路。 关键词：外国音乐剧，发展史，中国音乐剧，借鉴和发展。 正如老师所说的那样，欧美音乐剧发展史是精心制作后给后人的一份礼物，正是她让我对欧美音乐剧有了进一步的了解，无论是她的历史，她的发展还是她独特的美，都令我深深地爱上了她。 在课上老师的带领下我欣赏了几部可以说在音乐剧发展过程中不朽的经典作品：《猫》、《音乐之声》、《西区故事》、《悲惨世界》、《歌剧魅影》、《巴黎圣母院》等等。每部剧都以其独特的魅力为人们所津津乐道。 音乐剧，早期译称为歌舞剧，是一种舞台艺术形式，结合了歌唱、对白、表演、舞蹈。通过歌曲、台词、音乐、肢体动作等的紧密结合，把故事情节以及其中所蕴含的情感表现出来。虽然音乐剧和歌剧、舞剧、话剧等舞台表演形式有相似之处，但它的独特之处在于：它对歌曲、对白、肢体动作、表演等等因素给予同样的重视。 音乐剧是20世纪出现的一门新兴的综合舞台艺术，集歌、舞、剧为一体，广泛地采用了高科技的舞美技术，不断追求视觉效果和听觉效果的完美结合。同时，西方的音乐剧在百年多的商业表演经验中总结出了一套成功的市场运作手段，并且创作出一系列老少皆宜的优秀剧目，使这一艺术形式突破年龄、阶层等客观因素的局限，广受观众的喜爱。一些著名的音乐剧包括：《西区故事》、《西贡小姐》《悲惨世界》、《猫》、《歌剧魅影》、《奥克拉荷马》、《音乐之声》、《Q大道》等等。 音乐剧在全世界地都有上演，但演出最频密的地方是美国纽约市的百老汇和英国的伦敦西区。因此百老汇音乐剧这个称谓可以指在百老汇地区上演的音乐剧，又往往可是泛指所有近似百老汇风格的音乐剧。音乐剧界最重要的奖项为美
欧美电影中的经典台词 1.《卡萨布兰卡》 “of all the gin joints in all the towns in all the world，she walks into mine.” －humphrey bogart，“casablanca”译文：“世界上有那么多的城镇，城镇中有那么多的酒馆，她却走进了我的。”亨普瑞-鲍格特，《卡萨布兰卡》，1942 2.《阿甘正传》 death is just a part of life, something we’re all destined to do.(死亡是生命 的一部分，是我们注定要做的一件事) don’t know if we each have a destiny, or if we’re all just floating around accidental—like on a breeze.(我不懂我们是否有着各自的命运，还是只是到处随风飘荡) 3.《肖申克的救赎》 you know some birds are not meant to be caged, their feathers are just too bright. 你知道，有些鸟儿是注定不会被关在牢笼里的，它们的每一片羽毛都闪耀着自由的光辉。 there is something inside ,that they cant get to , that they cant touch. thats yours. 那是一种内在的东西, 他们到达不了,也无法触及的,那是你的。 .it takes a strong man to save himself, and a great man to save another. (坚 强的人只能救赎自己，伟大的人才能拯救他人。) remember, hope is a good thing, maybe the best of things and no good thing ever dies!(记着，希望是件好东西，没准儿是件最好的东西，而且从没有一样好东西会消逝！) get busy living, or get busy dying. (忙活，或者等死。) 4.《the lion king狮子王》 im only brave when i have to be. being brave doesnt mean you go looking for trouble. 我只是在必要的时候才会勇敢，勇敢并不代表你要到处闯祸。 when the world turns its back on you, you turn your back on the world. 如果这 个世界对你不理不睬，你也可以这样对待它。 5.《sleepless in seattle西雅图不眠夜》 work hard! work will save you. work is the only thing that will see you through this. 努力工作吧!工作能拯救你.埋头苦干可令你忘记痛楚. you make millions of decisions that mean nothing and then one day your order takes out and it changes your life. 你每天都在做很多看起来毫无意义的决定,但某天你的某个决定就能改变你的一生. when youre attracted to someone it just means that your subconscious is attracted to their subconscious, subconsciously. so what we think of as fate, is just two neuroses knowing theyre a perfect match. 当你被某个人吸引时,那只是意味着你俩在潜意识里相互吸引.因此,所谓命运,就只不过 是两个疯子认为他们自己是天造一对,地设一双. destiny takes a hand.命中注定. 6.《garfield加菲猫》 money is not everything. theres mastercard. 钞票不是万能的, 有时还需要信用卡。 one should love animals. they are so tasty.
The Sound of Music（音乐之声） 剧情简介： 玛丽亚是个活泼好动的修女，修女院的院长觉得她这样的性格不适合僧侣生活，就让她去上校家作看护。玛丽亚到达上校家，发现他是一个有七个孩子的鳏夫，长期的海军生活和丧妻的悲痛使他对待孩子像管教士兵一样严格。 上校要求玛丽亚也像他一样严格，但是玛丽亚没有听从，而是用她天生的温柔和善良赢得了孩子们的友好。趁上校不在的时候，她带孩子们出去游玩，还教他们唱歌。孩子们原有的拘禁和忧郁渐渐地被音乐和笑声代替了。 上校回家后，看到孩子们疯玩很生气，和玛利亚大吵一架，并让她离开。但他听到孩子们的歌声后很受感染，有点后悔赶玛利亚走，但爱面子的他说不出口。最后在孩子们的恳求下，他终于妥协了。孩子们很开心，所有的人一起唱起了动听的歌。 第一幕： Maria: (sing) I have confidence to myself... (唱得气喘吁吁，敲门) 我对我自己很有信心…… （Max开门）Hello! I’m the new governess, Captain. 你好，上校，我是新来的看护。 Max: And I’m the butler. （我不是上校），我是管家。 Maria: Oh, well, How do you do? （边说边很粗鲁地和Max握手） 噢，好吧，你好。 Max: You will wait here, please. I will call the Captain. (下) 请在这儿等一下,我去叫上校。 （Maria四处打量时，Captain上。） Captain：Why do you stare at me that way? 你为什么用那样的眼光看着我？ Maria: You don’t like a captain. 你看起来不像个上校。 Captain：I’m afraid you don’t look like a governess! Well, madam… 你恐怕也不太像个看护！恩，小姐…… Maria: Maria.
音乐之声 多少年过去了，我们总能为这青春而朝气蓬勃的音乐和歌声所打动，如纯洁的晴空，如浪漫的花野，如悠闲的白云。“音乐之声”总能在我们心里激起欢乐的涟渏、生命的活力、对未来的希望。 电影《音乐之声》由同名音乐剧改编，在1965年影片推出当时，立即造成万人空巷的鼎盛卖座场面，并一举荣获第38届奥斯卡金像奖最佳影片、最佳导演、最佳改编音乐剧、 最佳音响、最佳剪辑五项大奖，写下了好莱坞影坛历史性的一页。剧中天性自由，不受繁文缛节约束的美丽修女玛利亚，迷人的阿尔卑斯山、清澈的湖泊、明媚的气候，雅致的别墅，七个活泼可爱的孩子，以及反纳粹，追求自由的勇气，深深打动了世界各地人们的心。而由音乐剧大师罗杰斯和汉默斯坦制作的《音乐之声》电影原声带，更成为冠军专辑在排行榜上驻留达233周之久，片中多首歌曲：如表达玛利亚对大自然热爱的主题曲《音乐之声》、轻松愉快的《孤独的牧羊人》、特来普演唱的深情无限的《雪绒花》、欢乐有趣的《哆来咪》，以及可爱的孩子们在比赛和客厅里演唱的《晚安，再见！》等等，也都成了我们记忆中最值得细细回味的旋律。 BMG唱片为和全球影乐迷一同庆祝电影《音乐之声》35周年纪念，特别重新企划制作此2张1套的纪念专辑：第一张是将原始的CD专辑经母带重新处理，用当今唱片制作技术最水平的HDCD加以完善，声音较以往更为清晰甜美；第二张则收录了当时未能收进原声带专辑的少数曲目，以及当年录音时未选用的录音版本，从而将我们所怀念的《音乐之声》更完整而精致的再次呈现。 l百老汇音乐史上最成功最杰出的拍档罗杰斯与汉默斯担纲制作 l史无前例的冠军专辑驻留排行榜长达233周 lBMG唱片以当今唱片制作技术最高水平重新进行原始母带处理 l荣获第38届奥斯卡金像奖最佳影片、最佳导演、最佳改编音乐剧、最佳音响、最佳剪辑5项大奖 “音乐之声”曲目 Disc 1 1. Prelude And The Sound Of Music Maria 2:44 序曲和音乐之声玛利亚 2. Overture And Preludium (Dixit Dominus) Orchestra and Nuns Chorus 3:14 序曲(赞颂我主) 管弦乐队与修女合唱团 3. Morning Hymn And Alleluia Nuns Chorus 2:01 晨祷和哈利路亚修女合唱团 4. Maria Nuns Chorus 3:16
(The story starts in an abbey of Salzburg, Austria, in the last Golden Days of the Thirties. Halleluyah! Bernice: Reverend Mother... Reverend Mother: Sister Bernice. Bernice: I simply cannot find her. Reverend Mother: Marisa? Bernice: She's missing from the abbey again. Sister A: Perhaps we should have put a cowbell around her neck. Sister B: Have you tried the barn? You know how much she adores the animals. Bernice: I have looked everywhere, in all of the usual places. Revernd Mother: Sister Bernice, considering that is Maria, I suggest you look in some place unusual. (Later, Maria gets back and comes to see Reverend Mother.) Reverend Mother: I'm here, my child. Now sit down. Maria (short for M): Oh, Reverend Mother, I'm so sorry. I just couldn't help myself. The gates were open and the hills were beckoning and before... Reverend Mother: I know! I have not summoned you here for apologies. M: Oh, please Mother, do let me ask for forgiveness. Reverend Mother: If it will make you feel better. M: Yes. Well you see, the sky was so blue today and everything was so green and fragrant. I just had to be a part of it! And you know those birds kept meeting me higher and higher as though it wanted me to go right through the clouds with it. Reverend Mother: Child, suppose darkness had come and you were lost? M: Oh, Mother, I could never be lost up there. That's my mountain, I was brought up on it. It was the mountain that led me to you. Reverend Mother: Oh? M: When I was a child, I would come down the mountain and climb a tree and look over into your garden. I'd see the sisters at work and I would hear them sing on their way to Vespers, which brings me to another transgression, Reverend Mother. I was singing out there today without permission. Reverend other: Maria, it is only here in the abbey that we have rules about postulant singing. M: I can't seem to stop singing wherever I am. And what's worse, I can't seem to stop saying things. Everything and anything I think and feel. Reverend Mother: Some people would call that honesty. M: No, but it's terrible, Reverend Mother. You know how Sister Beth always makes me kiss the floor after we had a disagreement? Well lately I've taken to kissing the floor when I see her coming just to save time. Reverend Mother: Maria, when you saw us over the abbey wall and longed to be one of us, that didn't necessarily mean that you were prepared for the way we live here, did it? M: No, Mother. But I pray and I try and I am learning. I really am. Reverend Mother: What is the most important lesson you have learned here, my child? M: To find out what is the will of God and to do it whole-heartedly. Reverend Mother: Maria, it seems to be the will of God that you leave us. M: Leave you?
《音乐之声》电影音乐赏析 ——音乐触摸灵魂、记录人生 我是在高中英语课中第一次观赏《音乐之声》这部影片，影片的音乐就好像是一场洗礼, 当时就被它的音乐深深的感染！而学习过电影音乐赏析之后，以一种相对专业的眼光去审度、重温这部影片，感觉是完全不同的，此时才真正了解到音乐之于电影的真正魅力……它不仅仅再是一部简单的音乐剧，而是我们对生活的遐思与热爱…… 《音乐之声》（The Sound Of Music）取材于玛丽亚?冯?特拉普的自传----《冯?特拉普家的歌手们》，根据美国百老汇的同名音乐剧改编而成。这是美国著名导演罗伯特?怀斯和美国著名剧作家恩斯特?莱赫曼继《西区故事》（West Side Story）后再度携手的经典之作 作为一部音乐电影，不得不说的便是影片音乐的安排，两位大师的集合尤其善于在复杂的节奏中寻求一种惊人的和谐，旋律自然、流畅而简洁，但简洁中又显示出高度的技巧。片中的作曲就是这种创作风格的代表作，其中不乏许多经典歌曲。此时两位大师均处于事业巅峰时刻，开创了其雄霸百老汇近二十年的音乐剧黄金时期，他们合作的代表作还包括《南太平洋》、《国王与我》、《俄克拉荷马！》等 该影片1966年获得第38届奥斯卡最佳影片、最佳导演、最佳剪辑、最佳音效（两座小金人）和最佳配乐六项大奖以及十项奥斯卡提名；同年获得金球奖最佳电影（喜剧/音乐类）和最佳女演员(喜剧/音乐类)两项大奖以及两项金球奖提名；2001年获得美国国家电影保护局颁发的国家影片登记奖。这是好莱坞音乐电影史上不可逾越的经典，其影响力至今未减。 《音乐之声》是一部以音乐、家庭和爱情为主题的电影，故事结构紧凑，风格轻松温馨，音画一流。影片讲述了天性自由、活泼善良的实习修女Maria到萨尔茨堡当前奥地利帝国海军退役军官Captain Georg Von Trapp家当7个孩子的家庭教师的故事。在上校离家去维也纳期间，Maria用窗帘布给孩子们做了游戏服，带他们去野餐、郊游，教他们唱歌、跳舞，给这个呆板、冰冷的家庭带去了歌声和笑声。当上校带着准备与他结婚的男爵夫人回来时，看到这个家庭又重新充满了欢乐温馨的气氛，而他的“水兵们”也已被训练成了一支有素养的家庭合唱队，这激起了上校对生活的热爱，也唤起了他对Maria的爱情。在男爵夫人的介绍舞会中一支奥地利的民间舞蹈（Laendler）是彼此了解到对方的心意，关系迅速升温，而这一切都被男爵夫人看在了眼里，舞会中途退场劝Maria回修道院，玛丽亚恐怕自己对上校的感情会越陷越深，于是，她悄悄地离开了，后经心灵导师Mother Abbess 院长的开导，Maria终于再次鼓起勇气，最终找到了属于自己的真爱，之后，德国纳粹占领了奥地利。当他们晚上离开别墅的时候，被早就躲在门外监视他们的纳粹所拦，而Max的出现则为故事的结局做了完美铺垫----上校一家借着参加民谣节的机会，在朋友和修女们的帮助下，全家逃出了纳粹的魔掌。影片最后的镜头是特拉普一家爬上阿尔卑斯山，离开多难的祖国到达瑞士，曙光象征着他们新生活的开始。 《音乐之声》的剧情并不复杂，也没有所谓的宏大和壮观，但却更能走进人们的心灵。在现场聆听观赏，我深深地感到自己被许许多多的爱所包围。 片头主题音乐《The Sound Of Music》（由Maria于群山之间平原上上演唱），它洗涤着心灵，表达着她对生活的憧憬和热爱，为本部影片奠定了情感基调；而由院长和修女们演唱幽默诙谐的一曲《Maria》使观众进一步了解到女主角Maria的性格特征，起到了描绘作用，同时推动了故事情节的发展，为Maria离开教堂到军官家当孩子的家庭教师埋下伏笔；而前往军官家时的《I Have Confidence》是Maria 抛去顾虑和担心，重新获得勇气的
16《音乐之声(节选)》 【教学目标】 1、知识与技能：积累词语，掌握“峥嵘、嬷嬷”等词的读音，理解“鳞次栉比、顶礼膜拜”等词的词义，并学会运用。了解影视剧本的特点，了解《音乐之声》的剧情。 2、过程与方法：把握主要人物形象玛丽亚的性格特点，感受其形象美。结合影视剧本的特点，赏析其画面美，培养学生阅读影视剧本的兴趣。 3、情感态度与价值观：引导学生在真善美的音乐艺术世界里受到高尚情操的陶冶，在潜移默化中培养对一切美好事物的挚爱之情，进而养成对生活的积极乐观态度和对美好未来的向往与追求。 【教学重难点】 重点：揣摩文中的两个场景，感知主要人物形象玛丽亚，体会课文是如何运用正面描写和侧面描写来刻画玛丽亚的形象的。 难点：揣摩语言，发挥联想和想象，感受课文的画面感以及其中人物唱词所体现的音乐故事片的底色。 【教学安排】1课时 【教学过程】 ， 一、导入 戏剧按艺术形式和表现手法可分为话剧、歌剧、舞剧、戏曲、影视剧等。今天我们一起欣赏大型的音乐故事片《音乐之声》。 二、资料 影视剧本的特点 电影文学剧本 专供拍摄影片而创作的剧本，是电影艺术的重要组成部分，也称电影文学。 电影文学剧本跟小说、戏剧一样需要塑造人物、交代情节，其容量也像戏剧一样受到时间的限制(摄制完成的电影一般放映两小时左右)。但电影文学剧本又不同于小说和戏剧。戏剧中人物对白繁多，侧重于听觉表现；“电影语言”则是连续不断的银幕画面，侧重于视觉表现，不以人物对话为主。在电影中，人物性格的刻画，场景背景的交代．情节的发展，一切都须化为画面和动作，很少以叙述人的“画外音”(或字幕)表述。 电影文学剧本的结构也有别于小说和戏剧，是以“镜头”为单位，用“蒙太奇”手法按情节的发展以及观众的注意力和关心的程序，有节奏地、合乎逻辑地衔接成整体。 实际拍摄用的脚本大多由导演根据原剧本按拍摄要求改写，称为“分镜头剧本”。 三、明确学习目标 【 学习本文。应实现以下目标： 1．了解影视剧本的特点。体会其画面感。 2．把握人物形象玛丽亚的性格特点。学习刻画人物的技巧。 3．感知音乐故事片的艺术特色。 1．播放《音乐之声》音像资料片断，学生体会影视剧本的特点。 2．学生朗读课文，感知文意。 学生交流初读课文的感受。 提问，本文写了哪些画面 五、欣赏晶味，引读提高
The argument between the captain and Maria C: Now, Fraulein. I want a truthful answer from you. M: Yes, Captain? C: Is it possible, or could I have just imagined it…...Have my children by any chance been climbing trees today? M: Yes, captain. C: I see. And where, may I ask, did they get these.. er.. these.. er... M: Play clothes. C: Oh, is that what you call them? M: I made them. From the drapes that used to hang in my bedroom. C: Drapes? M: They still have plenty of them left. The children have been everywhere in them. C: Do you mean to tell me that my children have been roaming about Salzburg dressed up in nothing but some old drapes?! M: Hmm-mm, and having a marvelous time. C: They have uniforms. M: Straitjackets, if you'll forgive me. C: I will not forgive you for that! M: Children cannot do all the things they're supposed to if they have to worry about spoiling their precious clothes. C: I haven 't heard a complaint yet! M: Well, they wouldn't dare! They love you too much. They fear you too much. C: I don't wish to discuss my children in this manner. M: Oh, you've got to hear from someone! You're never home long enough to know them. C: I said I don't want to hear any more from you about my children. M: I know you don't, but you've got to! Now, take Liesl. C: You will not say one word about Liesl, Fraulein. M: She's not a child anymore. One of these days you're going to wake up and find she's a woman. You won't even know her. And Frederick. He's a boy but he wants to be a man, like you, and there's no one to show him how! C: Don't you dare tell me about my son! M: Bargitta could tell you, if you'd let her get close to you. She notices everything. C: Fraulein... M: And Kurt pretends he's tough not to show how hurt he is when you brush him aside. C: That will do. M: The way you do all of them. Louisa I don't know about…… C: I said that will do! M: But someone has to find out about her, and the little ones just want to be loved! Oh, please, Captain. Love them. Love them all! C: I don't care to hear anything further from you about my children! M: I am not finished yet, Captain! C: Oh, YES YOU ARE, Captain!...... Fraulein. Now, you will pack your things this minute and return to the abbey.