2020英语专八阅读(YBJ)
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2020英语专八阅读(YBJ)15minPassage oneA hit TV drama in China asks hard questions about right and wrongIts moral code is messyIn theory “The Bad Kids”, this summer’s most talked-about Chinese television drama, is a thriller about a teacher turned mass killer, matching wits with three plucky children in a quiet coastal town. In practice, like all really successful horror stories, the 12-part series is also a window onto things that frighten people in their everyday lives. A case can be made that the drama—despite its impressive body-count and inventive murder locations (a seafood buffet will never look the same again)—is really a meditation about how hard it is to be a good parent, or a good person, in a society that is as competitive, stressful and unequal as modern China.In an era when entertainers are under ever-stricter orders to promote “positive energy”and the joys of Communist Party rule, that is quite a subversive theme. As a result, “The Bad Kids”offers a case-study about how clever film-makers must operate in the China of 2020. A sensitive, complex examination of the human condition, it is sprinkled with upbeat, censor-friendly details, some of them jarringly at odds with the rest of the plot. The trade-offs have worked. Official news outlets have praised the series. The Chinese public, for their part, have also given it an exceptionally high score of 8.9 out of 10 on Douban, a big online rating site.The drama is adapted from a novel by Zijin Chen, a dark study of evil, both adult and juvenile. The screen version, made by iQiyi, a Netflix-like streaming video company, depicts its three young heroes as mostly well-intentioned rebels, one of whom is tempted by evil. The other two speak with a moral clarity that eludes many adults in the show. Repeatedly, the murderous teacher plays on the power of education to change lives in China. He distracts a suspicious policeman with advice about his daughter’s maths grades, and offers free tutoring to the children who have rumbled him. His youngest tormentor, a sweet-natured girl known as Pupu, sternly replies: “Is school where you learned to kill people?”In the book, the children are angry victims of adult betrayal, ranging from sexual abuse to being disowned by a divorced father. Two youths in the novel are the children of murderers, executed by the state. The television drama offers a nuanced view of parenthood. Viewers see the flaws of a mother whom society might call a model parent, pushing her clever son to study until his bedroom is filled with academic trophies. He will have time for friends once he has a good job, the mother snaps at a teacher concerned by her son’s loneliness. Yet that mother is scared, not wicked. Divorced from a cheating husband, she sees education as a way to armour her son against a harsh world. “Promise you will be safe,”she tells her child. They are the most loving words she utters.One question comes up time and again: what does it mean to be good? Scenes of supposed hospitality—banquets at which the young are handed cash in red envelopes, or junior family members are bullied to drink alcohol—are exposed as cold and empty. “A man without ambition isn’t a man,”the maths teacher is told at a dinner, as in-laws dissect his career prospects. The drama challenges the idea that respectability and virtue are earned by fulfilling the family, social and professional obligations that cost ordinary Chinese so much time and agony.Even the law offers little help in defining virtue. “Whether your dad is a good or a bad person is decided by a judge, not by you or me,”a gruff policeman tells Yan Liang, a prisoner’s child. He is proved wrong when Yan Liang’s father, a gangster sent to a mental hospital with drug-induced brain damage, redeems himself with a fleeting, almost miraculous proof of love for his son.Several characters gain moral authority through such private yet sincere acts of affection. Viewers mostly respect a police captain because they see his sweet, bantering-yet-supportive relationship with his daughter, not because he has stars on his epaulettes. Yan Liang, a ragged teenage runaway, steals a blanket for Pupu and agonises aloud about following his father into criminality. When put to a life-and-death test, though, he does the right thing. “I didn’t become a bad person,”he gasps with relief to the gruff policeman who has become a mentor. It is a moving moment. The censors’hand can be felt soon afterwards, when Yan Liang abruptly declares an ambition to join the police as an adult.Truth is a slippery concept in “The Bad Kids”. Many lies are told, sometimes for selfish reasons, but also for fear of losing something precious. Truth-telling is at its most admirable when offered as an act of love, for instance by a child who cannot bear the loneliness of deceiving a parent for ever. This is a messy moral code, far from the tidy, flag-waving pieties favoured by party chiefs. The show’s popularity is cheering. In a China that rings with the din of patronising, bossy propaganda, viewers crave a bit of messiness.1.What can we know about the passage?A.“The bad kids”is the most prevalent TV series this summer.B.“The bad kids”is a bantering TV series.C.“The bad kids”is too long but it is worth watching.D.“The bad kids”reflects a lot of society problems.2.What does the word “subversive”mean in para.4(第四段)?A.破坏性的B 隐秘的C 积极的D 黑暗的3.How did the killer make the policeman unfocused?A.He distracts with advice about his students.B.He makes it with advice about his daughter's maths grades.C.He plays on the power of education to change lives in China.D.He offers free tutoring to the children.4.What can we learn from the“Mother”in para.6?(第六段)A.She is worried about his son's loneliness.B.She attaches much important to education.C.She considers her son as the best studentD.She regards education as the most precious.5.Which can be the best title of this passage?A.Truth----A slippery conceptB.Wit -----Three plucky children.C.Reflextions -----The bad kidsD.Truthtelling-----A moral codeKey DABBC。