摘要
随着时代的进步及科技的发展，电影业的发展犹如巨龙般腾空而起，发展到现在，电影艺术还在不断完善和开拓创新，不少前辈及学者在影像风格上的研究也有不少佳作，而当下关于姜文电影中影像风格的研究，国外几乎没有涉及这方面的内容，而从国内来看，不少学者都是针对姜文具体某一部电影的影像风格研究，或者是对姜文电影其他叙事风格、艺术特点等方面的研究。本论文在立足于前人研究的基础上，另辟蹊径,首次通过综合影像叙事的“魔幻性”、影像表达的“陌生化”以及独特主题的影像化呈现，对姜文及姜文电影的影像风格进行全面分析解读。然后从内核和形式两方面总结姜文电影的“独特影像风格”，试图找出影像中折射的现实意义，通过比较具体的分析，以此对电影艺术的研究有一个重要的补充作用。最后总结姜文电影的影像风格赋予我们的实际，指导我们更好的去理解电影艺术。
关键词：影像风格；影像表达；独特主题；姜文
ABSTRACT
With the progress of era and the development of science and technology, the development of film industry like the dragon taking off, development to the present, film art continues to improve and expand innovation, many predecessors and scholars research on image style also has a lot of good, and the research about Jiang Wen film image style, almost no foreign involved in this aspect of the content, and domestically, many scholars are for Jiang Wen specific film image style of study, or other Jiang Wen film narrative style and artistic characteristics. In this paper based on the predecessors' research, on the basis of a different approach, for the first time through the comprehensive images of narrative "Magic", image to express the image of "Defamiliarization" as well as the unique theme of the show, image style of Jiang Wen and Jiang Wen film to conduct a comprehensive analysis and interpretation. And then summarized from two aspects of the kernel and form Jiang Wen film "the unique style of image", trying to find out the practical significance of the refraction in the image, through the analysis of more specific, in the study of film art has an important supplementary role. The final summary of Jiang Wen film gives us the actual image style, guide us better to understand the film art.
Keywords: Image style; Image expression; Unique theme; Jiang wen
湖南涉外经济学院本科毕业论文（设计）
目录
摘要......................................................................................................I Abstract...................................................................................................II 目录......................................................................................................III 第一章绪论 (1)
1.1 选题的时代背景 (1)
1.2 姜文电影及姜文简单介绍 (1)
1.3 选题的目的和意义 (2)
1.4 主要内容和研究方法 (3)
1.5 创新之处 (3)
第二章影像叙事的“魔幻性” (4)
2.1 影像空间的隐喻性 (4)
2.2 影像细节的暗示性 (6)
2.3 影像人物的模糊性 (7)
第三章影像表达的“陌生化” (10)
3.1 叙事结构反叛传统 (10)
3.2 色彩运用独具魅力 (12)
3.3 音乐制造叙事张力 (13)
第四章独特主题的影像化呈现 (15)
4.1 蓬勃画面中的青春冲动—以《阳光灿烂的日子》为例 (15)
4.2 镜头隐喻中的民族性格—以《鬼子来了》为例 (16)
4.3 绚烂镜头中的身体欲望—以《太阳照常升起》为例 (17)
4.4 热烈图景中的英雄情结—以《让子弹飞》为例 (18)
结论 (20)
参考文献 (21)
致谢 (22)
