Examples of Poetry

  • 格式:doc
  • 大小:45.00 KB
  • 文档页数:9

1. Ballad ROBIN HOOD'S PROGRESS TO NOTTINGHAM No. 139

1 Robin Hood hee was and a tall young man, Derry derry down And fifteen winters old, And Robin Hood he was a proper young man, Of courage stout and bold. Hey down derry derry down.

2 Robin Hood he would and to fair Nottingham, With the general for to dine; There was he ware of fifteen forresters, And a drinking bear, ale, and wine.

3 'What news? What news?' said bold Robin Hood; 'What news, fain wouldest thou know? 'Our king hath provided a shooting-match:' 'And I'm ready with my bow.' 4 'We hold it in scorn,' then said the forresters, That ever a boy so young Should bear a bow before our king, That's not able to draw one string.'

5 'I'le hold you twenty marks,' said bold Robin Hood, 'By the leave of Our Lady, That I'le hit a mark a hundred rod, And I'le cause a hart to dye.'

6 'We'l hold you twenty mark,' then said the forresters, 'By the leave of Our Lady, Thou hitst not the marke a hundred rod, Nor causest a hart to dye.'

7 Robin Hood he bent up a noble bow, And a broad arrow he let flye, He hit the mark a hundred rod, And he causest a hart to dye.' 2. Lyric Poetry

Lyric Poetry is a form of poetry that does not attempt to tell a story, as do epic poetry and dramatic poetry, but is of a more personal nature instead. Rather than portraying characters and actions, the lyric poet addresses the reader directly, portraying his or her own feelings, states of mind, and perceptions. Most lyric poetry is made in a singable and rhymable way, although some lyric poems can be excepted. Lyrical poetry is often used in songs.

Themes: Although lyric poetry has an association with love, and European lyric poetry in the vernacular arose with the courtly love tradition, it is not exclusively love poetry. Many of the courtly love poets also wrote lyric poems about war and peace, nature and nostalgia, grief and loss. Spiritual themes are also prominent in lyric poetry. Some of the best medieval poets wrote exclusively religious poetry. Prominent among these are such poets as St. John of the Cross and Teresa of Avila. Note that it is sometimes hard to distinguish love poetry and religious poetry, since God and especially the Virgin Mary are often addressed in much the same terms as an earthly lover, and particularly like the noble lady in the courtly love tradition. Nature is also a common theme of lyrical poetry, often being portrayed as a reflection of (or contrast to) the poet's state of mind.

Forms Although arguably the most popular form of lyric poetry in the Western tradition is the 14-line sonnet, either in its Petrarchan or its Shakespearean form, lyric poetry appears in a variety of forms. Ancient Hebrew poetry relied on repetition and chiasmus for many of its effects. In some cases, the form and theme are wed, as in the courtly love song or dawn song in which lovers are forced to part after a night of love, often with the watchman's refrain telling them it is time to go. A common feature of lyric forms is the refrain, whether just one line or several, that ends or follows each strophe. The refrain is repeated throughout the poem, either exactly or with slight variation. Sigh No More, Ladies from Much Ado About Nothing William Shakespeare (1564-1616)

Sigh no more, ladies, sigh nor more;

Men were deceivers ever; One foot in sea and one on shore, To one thing constant never; Then sigh not so, But let them go, And be you blithe and bonny; Converting all your sounds of woe Into. Hey nonny, nonny.

4. Narrative Poem 5. Epic 6. Sonnet:

Shall I Compare Thee To A Summer's Day?

by William Shakespeare (1564-1616)

Shall I compare thee to a summer's day? Thou art more lovely and more temperate. Rough winds do shake the darling buds of May, And summer's lease hath all too short a date. Sometime too hot the eye of heaven shines, And often is his gold complexion dimm'd; And every fair from fair sometime declines, By chance or nature's changing course untrimm'd; But thy eternal summer shall not fade Nor lose possession of that fair thou ow'st; Nor shall Death brag thou wander'st in his shade, When in eternal lines to time thou grow'st: So long as men can breathe or eyes can see, So long lives this, and this gives life to thee.

7. Ode Ode to a Nightingale

共有VIII Stanzas MY heart aches, and a drowsy numbness pains (being insensitive, indifference) My sense, as though of hemlock I had drunk, (poison ) Or emptied some dull opiate to the drains One minute past, and Lethe-wards had sunk: (忘河:The river of forgetfulness,) ’Tis not through envy of thy happy lot, But being too happy in thine happiness,- That thou, light-winged Dryad of the trees, (goddess of forest) In some melodious plot