英美文学名词解释

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Allegory: a tale in verse or prose in which characters, actions or settings represent abstract ideas or moral

qualities. Thus, an allegory is a story with two meanings, a literal meaning and a symbolic meaning. The most

famous allegory in English literature is John Bunyan’s The Pilgrim’s Progress.

Heroic couplet: a pair of successive lines in iambic pentameter (regularly 5 feet, or 10 syllables)

Ballad stanza: is a type a four-line stanza (quatrain) rhyming abcb. The first and third lines have four stressed

words or syllables; the second and fourth lines have three stresses. Ballad meter is usually iambic. The number

of unstressed syllables in each line may vary. The second and fourth lines rhyme.

Alliteration is the repetition of a speech sound in a sequence of nearby words. The term is usually applied only

to consonants, and only when the recurrent sound begins a word or a stressed syllable within a word.

Epic: a long narrative poem telling about the deeds of a great hero and reflecting the values of the society from

which it originated. Many epics were drawn from an oral tradition and were transmitted by song and recitation

before they were written down.

Kenning: a kenning is a metaphor usually composed of two words, which becomes the formula for a special

object.

Ballad is also known as the folk ballad or tradition ballad. It is a song, transmitted orally, which tells a story.

Ballads are thus the narrative species of folk songs, which originate, and are communicated orally, among

illiterate or only partly literate people.

Spenserian stanza: It is a longer form devised by Edmund spenser for the Faerie Queene---nine lines, in which

the first eight lines are iambic pentameter and the last iambic hexameter, rhyming ababbcbcc

Soliloquy is the act of talking to oneself, whether silently or aloud. In drama it denotes the convention by which

a character, alone on the stage, utters his or her thoughts aloud.

blank verse: Verse without rhymes. It is typically in iambic pentameter, the dominant verse form of English

dramatic and narrative poetry since the mid-16th century. The first practitioner of English dramatic blank verse

is Christopher Marlowe.

Romances: is the prevailing form of literature in the Middle Ages. It is a long composition, sometimes in verse,

sometimes in prose, describing the life and adventures of knights.

Myth: a myth is an anonymous traditional story with its roots in culture and folk belief that relies on the

supernatural to explain the mystery of the world.

Legend: a legend is also a traditional story handed down from generation to generation. But unlike a myth, a

legend is believed to be based on historical truth. Usually a legend celebrates the heroic qualities of a national

leader, eg. Arthurian legend.

Meter is the recurrence, in regular units, of a prominent feature in the sequence of speech-sounds of a

language.

Imagism: It’s a poetic movement of England and the U.S. flourished from 1909 to 1917. the movement insists

on the creation of images in poetry by “the direct treatment of the thing” and the economy of wording. The

leaders of this movement were Ezra Pound and Amy Lowell.

Sonnet: a lyric poem consisting of a single stanza of fourteen iambic pentameter lines linked by an intricate

rhyme scheme. There are two major patterns of rhyme in sonnets written the English language:(1)the Italian of

Petrarchan sonnets (named after the fourteenth century Italian poet Petrarch) falls into two main parts: an

octave( eight lines) rhyming abbaabba followed by a sestet (six lines) rhyming cdecde or some variant, such as

cdccdc.(2) the Earl of Surrey and other English experimenters in the 16th century also developed a stanza form

called the English sonnet, or the Shakespearean sonnet. This sonnet falls into three quatrains and a concluding

couplet: ababcdcdefefgg. There was one notable variant, the Spenserian sonnet, in which Spenser linked each

quatrain to the next by a continuing rhyme:abab bcbc cdcd ee

Imagism in Poetry: Imagism is the name given to a movement in poetry, originating in 1912 and represented

by Ezra Pound, Amy Lowell, and others, aiming at clarity of expression through the use of precise visual

images. (when speaking of images in poetry we generally mean a word or sequence of words that refers to any

sensory experience. Often this experience is a sight, but it may be a sound or a touch. It may be an odor or a

state or perhaps bodily sensation such as pain, or the perception of something cold.