《论苔丝悲剧的成因》On Causes of Tess’sTragedy摘要：《德伯家的的苔丝》被认为是哈代的悲剧剧作品的代表作，这也是他的的最著名的悲剧小说。
这部部以副标题为“一个纯洁的女女人”的长篇小说于18999年出版，对于这部小说读者者的反应不一。
这部小说讲的的是一个乡村女孩苔丝的爱情情故事，她是怎样由一个单纯纯的女孩变成一个杀人犯。
爱爱情在苔丝的生活之中扮演十十分重要的角色，虽然爱情使使她幸福但同时也给她带来灾灾难。
一系列的不幸构成了苔苔丝的生活且慢慢地毁灭了她她的人性。
苔丝家的马的死去去是她的首先的不幸，这意味味着苔丝命运的转变。
丧失了了家庭的依靠苔丝非常自责，，苔丝对她的家庭的强烈的责责任意识是这部小说的最重要要的部分。
自始至终苔丝都是是受害者，她的悲剧是由内外外因素造成的。
她被动，屈服服，单纯，缺少怀疑的精神，，所以最容易成为环境，社会会和男性唯心主义的俘虏。
尽尽管她一生都在苦苦挣扎与命命运较量，但最终她还是被她她的负罪的自我毁灭意识，对对生命的否定意识和两个残忍忍的男人所击垮。
关键词：：哈代苔丝爱情悲剧纯洁贫穷资本主义社会会Abstrac t: Tess of the D‟Urber v v illes is ge n n erally rega r ded as Hard y y‟s tragic m a a sterpiece, a a nd certainl y y it is his m m ost ambitio u u s tragic no v v el. This no v v el, subtitl e e d …A Pure W o o man‟ was fi r st publishe d d in 1891to a mixed rec e e ption. For H H ardy himsel f, the haunt i ng and trag i c figure of Tess was th e e character w w ho meant th e e most to hi m m. This nove l is basical l y the story of a countr y y girl, Tess whose fate i s tragic an d d in the end she becomes a …tragic h e e roine‟. The book reveal s s Tess‟s lif e e, how the f i rst-present e e d innocent g g irl turns i n n to a tragic heroine. Lo v v e plays an i mportant ro l e in Tess‟s life becaus e e love does n n ot mean hap p p iness to he r but it cau s s es her trag e e dy. Her lif e e is a serie s s of misfort u u nes which s l owly destro y y s her perso n n ality. The f irst misfor t une is of T e e ss‟s family when their h h orse dies i n n a fatal ac c c ident. The d d eath of the horse can b e e interprete d d as the sym b b ol of …chan g g e‟, her lif e e changes in t o a series o o f tragedy. T T ess blames h h erself for l oosing the f amily‟s mea n n s of liveli h h ood. Tess‟s sense of re s s ponsibility for her fam i ly is one o f the book‟s most import a a nt elements.Tess Durbey f ield is a v i ctim of ext e e rnal and un c c omprehended forces. Pas s s ive and yie l ding, unsus p p icious and f undamentall y y pure, she s s uffers a w e e akness of w i ll and reas o o n, struggli n n g against a fate that i s s too strong for her. Te s s s is the ea s s iest victim of circumst a a nce, societ y y and male i d d ealism, who fights the h h ardest figh t yet is des t royed by he r ravaging s e e lf-destruct i ve sense of guilt, life denial and t he cruelty o o f two men.Key Words:Hardy Te s s s Love T T ragedy pu r e poor c c apitalist s o o cietyC O O NTENTSI.I n n troduction (1)II. Anal y y sis of the C C auses of Te s s s‟s Tragedy (2)2.1Capita l istSociety (2)2.1.1EconomicPov e e rty (2)2.11.2 The Unju s s t Law Syste m m (2)2.1.3 The Hyp o o critical Re l igion and S u u perstition (33)2.1.4 The H H ypocritical Morality (3)2.1.5 The C C apitalist E x x ploitation (3)2.2 The P P oor Family (3)2.2.1 The D i sintegratio n n of Peasant r y (3)2.2.2 Th e e Old Wessex......................................................... .. (44)2.3 Tess Hers e e lf (4)2.3.1 Te s s s‟s Beauty (4)2.3.2 Tess‟s s Purity (4)2.3.3 Tess‟s Ch a a racter (5)2.3.44Tess‟s Opi n n ion on Love (6)2.44Other Pers o o n (7)2.4.1 A l ec D‟Urberv i lle (77)2.4.2 Ange l Clare (8)2.5 Coincidents (99)III.Con c c lusion (10)《论苔苔丝悲剧的成因》On C C auses of Te s s s‟s TragedyI Introduc t ionThomas H H ardy(1840-19928)the repr e e sentative o f critical r e e alism was b o o rn and brou g g ht up in Do r set, an agr i cultural di s s trict in th e e south ofE n n gland. Son o o f an archit e e ct, he star t ed out to f o o llow his fa t her‟s profe s s sion. After studying in Dorset and t hen in Lond o o n, he retur n n ed to settl e e down in hi s s native pla c c e. Architec t ure did not really inte r est him so h h e turned to literature.When Tess o o f the d‟Urb e e rvilles app e e ared in 18911, Thomas Ha r dy was one o o f England‟s leading men of letters.He had alre a a dy authored several wel l known nove l s, includin g g The Return of the Nati v v e, Jude the Obscure, Un d d er the Gree n n wood Tree, T T he Mayor of Casterbridg e e, The Woodl a a nders and n u u merous shor t stories.D e e spite this s s uccess, the novel was o n n e of Hardy‟s s last. Tess brought him notoriety, i t was consi d d ered quite s s candalous. H H e was deepl y y wounded by some of the particularl y y personal a t tacks he re c c eived from r eviewers of the book. I n n 1892, he w r ote in one o o f his noteb o o oks, quoted in The Late r Y ears of T h h omas Hardy,1892-1928, c c ompiled by F F lorence Emi l y Hardy, “W e e ll, if this sort of thi n n g continues no more nov e e l-writing f o o r me. A man must be a f o o ol to delib e e rately stan d d up to be s h h ot at.”In s s pite of his reputation,Hardy had d i fficulty fi n n ding a peri o o dical willi n n g to publis h h the book w h h en he offer e e d it for se r ialization t o London‟s l eading revi e e ws. The sub j ect matters a milkmaid T T ess, who is seduced by A A lec Clare, m m arried and r ejected by A A ngel Clare a a nd eventual l y murdered t he first on e e. It was co n n sidered unf i t for publi c c ationswhic h h young peop l e might rea d d. To appeas e e potential p p ublishers, H H ardy took t h h e novel apa r t, re-wrote some scenes and added o t hers. In du e e course, a p p ublisher wa s s secured. W h h en it came t ime to publ i sh the nove l in book fo r m, Hardy re a a ssembled it as it was o r iginally co n n ceived.Har d d y is a Vict o o rian writer,and while t he evils of the Industr i al Revoluti o o n surround h h im, so do t h h e wonders o f science an d d progress s u u ch as the s t eam engine.Rather than hide from E n n gland‟s new industrial s s ociety, the Victorians,and Hardy, b b elieved tha t the ills o f society co u u ld be fixed if, instead of running a a way, we fac e e d the probl e e ms head on.Such as his description s s of the Tal b b othay‟s Dai r y, it encom p p asses a rou n n der perspec t ive. Hardy does not ta l k about a r e e turn to chi l dhood innoc e e nce; he tal k k s about a g i rl getting p p regnant out of wedlock w w ith a baby w w ho dies sho r tly after b e e ing born. H a a rdy‟s Natur e e is idyllic in that it i s free from social conv e e ntion, but i t is filled with life a n n d death. Ha r dy‟s Nature is more pra c c tical and u s s eful. Hardy does not ru n n away to Na t ure to esca p p e; he sets u u p his Natur e e as a model to explore t he idea tha t middle cla s s s Victorian values caus e e many of th e e ills of so c c iety.Tess o o f th e d‟Urb e e rvilles dea l s with seve r al signific a a nt contempo r ary subject s s for Hardy,including t h h e struggles of religiou s s belief tha t occurred d u u ring Hardy‟s s lifetime. H H ardy was la r gely influe n n ced by the O O xford movem e e nt, a spiri t ual movemen t involving e e xtremely de v v outthinkin g g and action s s. Hardy‟s f a a mily member s s were prima r ily orthodo x x Christians and Hardy h i mself consi d d ered enteri n n g the clerg y y, as did ma n n y of his re l atives. Y et Hardy event u u ally abando n n ed his devo u u t faith in G G od based on the scienti f ic advances of his cont e e mporaries, i ncluding mo s s t prominent l y Darwin‟s O O n the Origi n n of Species.Hardy‟s ow n n religious e e xperiences c c an thus be s s een in the c c haracter of Angel Clare, who resist s s the conser v v ative relig i ous beliefs of his pare n n ts to take a a more relig i ous and sec u u lar view of philosophy.The novel a a lso reflect s s Hardy‟s pr e e occupation w w ith social c c lass that c o o ntinues thr o o ugh his nov e e ls. Hardy h a a d connectio n n s to both t h h e working a n n d the upper class, but f elt that he belonged to neither. Th i s is reflec t ed in the p e e ssimism con t ained in Te s s s of the d‟U U rbervilles t oward the c h h ances for T e e ss to ascen d d in society and Angel‟s precarious p p osition as n n either a me m m ber of the u u pper class n n or a workin g g person equ i valent to h i s fellow mi l kmen at Tal b b othays. Aga i n, like Ang e e l Clare, Th o o mas Hardy f o o und himself torn betwee n n different s s ocial spher e e s with whic h h he could n o o t fully ali g g n himself. T T ess of the d d‟Urber ville s s reflects t h h at The fac t that Tess‟s s fate moves the readers so directly and profoun d d ly somehow o o bscures the beauty of t h h e book, its aesthetic d e e pth and sub t lety. Donal d d Davidson o n n ce wrote, “A A ction, not d d escription,is always f o o remost; the event domin a a tes, rather than motive, or psychol o o gy, or comm e e nt.” But th e e descriptio n n and psycho l ogy are ver y y important i nthe novel; from these we could kn o o w what caus e e s Tess‟s tr a a gedy.As En s s tice points out, “two o p p posing elem e e nts struggl e e for domina n n ce with Tes s s: the law o f nature and the law of V V ictorian mo r ality”. Har d d y asserts i n n the subtit l e that Tess is a faithf u u lly present e e d pure woma n n instead of a morally l o o ose woman a s s many Victo r ian critics believed. T h h ough Tess l o o oses her ch a a stity she i s s pathetic. W W e should kn o o w Tess‟s tr a a gedy is cau s s ed by socie t y, family, t wo men, her s s elf. Among t hese societ y y is the sou r ce of her t r agedy; Hard y y criticized the bourgeo i s society r e e lentlessly.From this t h h esis we wil l get some k n n owledge abo u u t the cause s s of Tess‟s t ragedy, esp e e cially the c c apitalist s o o ciety in Vi c c torian time s s.II Anal y y sis of the C C auses of Te s s s‟s Tragedy2.1 Capita l ist SocietyIt is obviou s s that Hardy tried to sh o o w how all t h h e supposedl y y criminal o r immoral ac t ions commit t ed by Tess----from her i mproper rel a a tions once a a nd again wi t h Alec to h e e r final act of murder----are the co n n sequences o f economic c o o nditions as well as the legal, mora l and the re l igious stan d d ards of bou r geois socie t y, for only the utter p o o verty of Te s s s‟s family,the double m m oral standa r d for man a n n d woman and the religio u u s concept o f sin made i t inevitable for her to g g o to work o n n the farms a a nd to fall i nto the tra p p s of Alec a n n d the accus a a tions of An g g el untilhe r remorse an d d her bitter n n ess over he r fate led u p p to the mur d d er. She is a a victim of e e conomic opp r ession and s s ocial injus t ice. Though much of the story has t o o do with lo v v e and marri a a ge, the rea l theme of t h h e novel has a much wide r significan c c e, it is th e e social tra g g edy of Tess from the la b b ouring mass placed agai s s t the moral and religio u u s prejudice s s as well as the legal a n n d education a a l systems o f a class so c c iety. To Ha r dy the conf l ict seems t o o be one bet w w een an indi v v idual and t h h e society, a a ctually it i s the confl i ct between a a n individua l of the opp r essed and t h h e society o f bourgeois o o ppression. H H ardy‟s defi a a nce against the status q q uo of Victo r ian England is both fie r ce and unre l enting and t hat is why t he novel me t with terri f ic accusati o o ns from the bourgeois a u u thorities a n n d the criti c c s.2.1.1 E E conomic Pov e e rty本科毕业论文，Q Q Q583301131。
