我和我的祖国经典电影观后感【三篇】
【篇一】
我们的祖国古老而伟大，我们的祖国壮丽而永生!祖国，我在圆明园认识了你的屈辱，你的悲愤，我在八达岭认识了你的磅礴，你的巍峨，我在大漠草原认识了的宽广，你的辽阔，我在驿道古渡认识了你的悠久，你的坎坷。
历史的车轮将祖国载入了新的纪元----祖国不再只有原始的火药，腾空的飞船将中华儿女的飞天梦想载上寰宇;祖国不再只有万里长城，“高峡平湖”的三峡水库令世界瞩目;祖国不再贫穷落后，中华民族已实现温饱，迈向小康，屹立于世界民族之林。这一切，早已融入我心中挚爱的情节，早已铭刻我永恒的信念。
我爱我的祖国，你傲然屹立于世界东方，不论身边风云如何变化，始终延着真理的方向永往直前。我灵魂的纤绳将永系你风帆的桅杆;我手中的画卷将永远书写你与时俱进的风采。
我爱我的祖国，源于我对祖国的忠诚和热爱。每当五星红旗在蓝天漂荡，每当国歌在天空中回荡，民族自尊的血液
就会在亿万个炎黄子孙的血液中沸腾，振兴中华的号角就会在亿万个中华儿女的耳边震撼。随着“中国人民从此站起来”的一声东方巨人的呐喊，中华儿女用自己的灵魂之火温暖了祖国一度冰冷的身躯，用自己的热血点燃了曾经暗淡的希望之火，用自己饱满的激情构筑了中国特色社会主义的宏图大业。
我爱我的祖国，是因为我的祖国迈过了千秋坎坷，洗净了百年耻辱，用百折不挠的毅力挺起了钢铁般的脊梁。这个东方巨人正带着民族的希望，带着与时俱进的信念，稳步的走向世界，坚定的走向未来!中华民族进入了一个飞速发展，日渐强盛的崭新时代!
我爱我的祖国，语言无法表述我对你的情怀，激情无法回报你的挚爱，诗歌无法书写对你的赞美。我要适应时代的需要，正确认识祖国的历史和现实。把爱国的情感和兴国的责任，融化在血液中，把爱国的志向和报国的实践，落实在行动上。
我爱我的祖国，是因为我的信念是坚定的，我们的奋斗是坚实的，我们的誓言是坚决的。为了明天，我们将用毕生的精力，我们将用豪迈的激情，冲向胜利与理想的彼岸。
国家兴衰，匹夫有责。我们没有理由推卸历史的责任。
回首昨天，我们的祖国在曲折中走过了光辉的历程，展望未来，我们的祖国正以让世人瞩目的姿态跻身于世界民族之林。而今天，我们每一个中华儿女更应为“中华崛起”而拼搏，用实际行动践行“中华民族之伟大复兴”。
振兴中华，建设有中国特色社会主义，是前无古人的拼博奋斗。我们要把握今天，憧憬明天，发奋图强，报效祖国，用我们的热血谱写出前不负古人，后无愧千秋万代的历史新篇章。特别是这三十年来，祖国的变化是翻天覆地的，综合国力不断增强，进一步缩小了与发达国家的差距;五星红旗一次次飘扬在世界各地，一次次震撼奥运赛场，一次次到达南极、北极，直至宇宙太空，在世界金融危机中，祖国以“中国速度”、“中国经济”昂首挺胸，显示了勃勃生机和活力，在汶川地震，玉树地震、舟曲特大泥石流等特大自然灾害中，经过艰苦卓绝的努力，中华民族依然用自己的脊梁挺起了祖国古老长城，在世界对发展问题哀叹时，上海世博会展示了祖国与时俱进的伟大成就和坚定的理想信念。龙的传人再一次向世界昭示，我们伟大的祖国正在不断走向强大!正是这种不屈不挠的民族精神，激励了我们灵魂的自豪，使我们更加自信、自尊、自强。
吴玉章说“能够勇于献身于自己祖国的事业，为实现理想而斗争，这是最光荣不过的事情”我们要立足岗位，尽职尽责，把自身的工作与建设有中国特色社会主义的伟大事业
结合起来。我们要坚定信念，奉献社会，把有限的生命投入到无限的为祖国的强大而努力奋斗的工作之中，我们要敬业爱岗，崇尚理想，把爱岗位，爱事业、爱人民、爱党和爱祖国融为一体，践行我们的诺言，践行我们的信念，在平凡的岗位上，做出不平凡的贡献，以对祖国的真诚，追求国富民强。
新世纪的曙光已经浴满祖国大地，人类文明跨入一个崭新时代，我们都是炎黄子孙，我们都是龙的传人，中华民族五千年的文明要继承下去，这就需要我们以最灿烂的文章填充祖国宏伟壮丽的篇章，让我们在畅想祖国辉煌的今天，用我们为之不懈的奋斗，让东方巨龙腾飞在世界之巅。
【篇二】
小时候，妈妈曾指着地球仪对我说：“在世界的东方，有一个神奇而美丽、古老而年轻的国家，名叫中国。我们就是中国人。”
我的祖国伴我成长。上学了，我光荣地成为了一名少先队员，戴上了鲜艳的红领巾，这是多么的自豪!长大了，我知道我们的祖国是一个有五千年历史的文明古国。造纸、印刷术、火药、指南针四大发明对世界文明做出了巨大贡献。她还是个礼仪之帮。我在幼儿园时，已学会背诵《三字经》。
上了小学，会背诵《弟子规》和《论语》。“学而时习之不亦乐乎”，每个新中国的孩子都在快乐地学习和成长。
今天，我们的祖国70华诞，举国上下普天同庆。我弹奏一曲《龙的传人》，大声唱起《歌唱祖国》。早上，我们全家人都目不转睛地收看“阅兵仪式”，我还用相机录下了这激动人心的时刻。晚上，我和同学兴奋地来到琶洲看国庆烟花汇演。珠江的夜空，已被渲染得五彩缤纷，火树银花的烟火照耀着欢呼的人群，每个人的脸庞都绽开了幸福的笑容。没有*，就没有新中国。祖国给我们带来了无比幸福的生活。
在我家的车房，有我外公的一辆60年代的凤凰牌自行车，那可是他的宝贝。后来，爸爸买了摩托车。现在，又买了一部小轿车。听爸爸说，他小时候电风扇和电视机是很少有的。而现在，许许多多的家庭不单有了电视机、冰箱、洗衣机，还有了空调机。人们的生活真是一天比一天过得好了。不仅咱们农村有了翻天覆地的变化，城市也一年比一年变得现代而美丽。我家原住黄石路，我出生那时还是偏远郊区，现在已是白云新城，车水马龙，旺得很了......
当今，嫦娥赶月，神七飞天，我们的祖国令全世界刮目相看。祖国是我们的母亲，我爱我的祖国!
【篇三】
时光记载着久远，历史印证了变迁，我们伟大的祖国，正在飞速地向前发展。日新月异改变着祖国的面貌，突飞猛进是”历害了我的国”的真实体现。
科技,国防,都取得了辉煌成果，我们己经走到了世界的前面!”人造卫星”环绕着宇宙，”胶龙一号”完成了深水测验，”天眼”瞭望，寻视着太空，”可燃冰”的开采，把深海地下热能点燃。深海大桥画出了一条条彩虹，”天堑变通途”，展现出了更多的美景奇观。灵巧的机器人，发挥出智慧的才能，无人驾驶的飞机，也遨翔在无垠的蓝天。如此众多的成就，我感到骄傲和自豪，我更要为伟大的祖国高歌点赞!
山乡巨变，昔日偏僻的小山村，如今也有了很大的转变，再也见不到低矮的茅草屋，路也变得宽敞平坦。湾湾的小河边上砌好了护坡石，河畔路边也都加上围墙拦杆。琉璃瓦的房屋错落有序，明亮的路灯也换成了太阳能光复板。村屯卫生大有改善，清除垃圾，防治汚染，太阳能热水器入住农家，卫生间也都像城里一样安上了坐便。社会主义的新农村，一切都向现代化迈进，小康的路上大步向前!
农民从原始的刀耕火种，延续到如今的灯火炊烟，祖祖辈辈的劳动人民，都是面朝黄土背朝天。滚一身泥巴淌一身
血汗。为了一年的收成，每天都是起早贪晚。年年都是耕田的老手，却只能挣扎在温饱的边缘。如今的新型农民，真正地挺起了腰杆，学的是新型农业，搞的是科学种田。掌握了新的农业技术，丢掉了旧的传统观念。不用了种地的木犁，抛弃了铲地的锄板，种地收割都是机械化，再也不用苦干实干。领悟了科学道理，思想意思超前，先进的技术促进了农业现代化，辛勤耕耘创建了新的家园。只因为有了绿水青山，才能有致富的金山银山!
《红色经典读后感》 红色经典读后感（一）： 《红色之旅》读后感 《红色之旅》再次把我带回到上个世纪那腥风血雨的年代：硝烟弥漫于整个大地，国家四 分五裂，国恨家仇那是一段屈辱史！然而，无数仁人志士怀着一颗赤忱的爱国心，为解救人民 为解救民族而艰苦探索在此危难时刻，中国共产党应运而生，登上历史的舞台，带领中国人民 艰苦创业，从此，中国的面貌涣然一新！ 在这段跨越时空的旅行中，我看到，从中国共产党成立到中华人民共和国建立二十八年间，党克服重重困难，在逆境中谋求发展，由五十三人的小党派一跃成为推动中国革命胜利的中坚 力量，创造出万里长征等无数震惊万世的奇迹，成为指引中国人民和中华民族的政治、经济、 文化的忠实代表，无数惊天地、泣鬼神的感人故事闪耀出璀璨的光芒。 一幕幕；一幅幅；一个个；一处处；一件件 至此，我似乎已经明白《红色之旅》为何如此振奋人心，我能不被先烈们磐石无转移的赤 诚之心为之震撼和感动吗？ 当我驻足于刘胡兰纪念馆时，刘胡兰气宇轩昂、正气凛然的雕像和生的伟大，死的光荣又 一次使我们想起这位正值妙龄的少女悲惨而悲壮的命运。时年不足十五岁的共产党员在敌人的 威逼利诱面前不为所动，毅然选取死亡，坦然躺在刀坐上，迎接死亡的到来，但刘胡兰永远活 在我们心中！ 我个人比较喜欢红色经典的小说，没事的时候也会经常看一些这样的书籍还有电影，因为 我总觉得这是我们国家诞生的标记，没有这些书籍、影音制品，我们怎样样看到我们国家一步 一步的富强？所以红色经典是十足的珍贵的。 红色经典读后感（二）： 在这个国庆长假里，我怀着崇敬的情绪读完了《党在我心中》这本书。这是一本爱国主义 教育用书，里面描述众多革命的英雄人物：爱国主义者李大钊在临死前坚贞不屈，视死如归、 民族赤子俞秀松，他舍己为人，默默无闻的把生命奉献给祖国、还有巾帼不让须眉人女英雄赵 一曼，她受尽酷刑，从不畏惧，把自我的生死置之度外，昂首挺胸的和敌人对抗到底也不屈服 在这本书中，让我最钦佩的还是舍身堵枪眼的黄继光。当他得知所在营美军为首的联合国 军和南朝鲜军激战４昼夜后，又奉命夺取上甘岭西侧５９７。９高地。黄继光挺身而出，请求 担负爆破任务。在弹药用尽的状况下，他顽强地向火力点爬去，靠近地堡射孔时，奋力扑上去，用自我的胸膛，死死地堵住了敌人正在喷射火舌的枪眼，壮烈捐躯。在黄继光英雄壮举的激励下，部队迅速攻占零号阵地，全歼守敌两个营。 我几乎是留着眼泪看完他的光辉事迹，他的大无畏英雄气概让我佩服。他的钢铁英雄形象 在我心里挥之不去。黄继光舍身堵枪眼的英雄壮举，激励和教育了几代人，虽然他己经离我们 远去了，但他永远活在我们的心中。成了我们后代人的榜样。 应对这些钦佩的同志，他们从没有什么豪言壮语，也没有向组织要求过什么，总以自我真 诚的心履行为党奉献了一生的承诺，以自我无私奉献的精神，将自我的命运同党伟大的理想绑
Journey to the Center of the Earth（地心游记）2008 There is a part of me that will always have affection for a movie like "Journey to the Center of the Earth." It is a small part and steadily shrinking, but once I put on the 3-D glasses and settled in my seat, it started perking up. This is a fairly bad movie, and yet at the same time maybe about as good as it could be. There may not be an 8-year-old alive who would not love it. If I had seen it when I was 8, I would have remembered it with deep affection for all these years, until I saw it again and realized how little I really knew at that age. You are already familiar with the premise, that there is another land inside of our globe. You are familiar because the Jules Verne novel has inspired more than a dozen movies and countless TV productions, including a series, and has been ripped off by such as Edgar Rice Burroughs, who called it Pellucidar, and imagined that the Earth was hollow and there was another world on the inside surface. (You didn't ask, but yes, I own a copy of Tarzan at the Earth's Core with the original dust jacket.) In this version, Brendan Fraser stars as a geologist named Trevor, who defends the memory of his late brother, Max, who believed the center of the Earth could be reached through "volcanic tubes." Max disappeared on a mysterious expedition, which, if it involved volcanic tubes, should have been no surprise to him. Now Trevor has been asked to spend some time with his nephew, Max's son, who is named Sean (Josh Hutcherson). What with one thing and another, wouldn't you know they find themselves in Iceland, and peering down a volcanic tube. They are joined in this enterprise by Hannah (Anita Briem), who they find living in Max's former research headquarters near the volcano he was investigating. Now begins a series of adventures, in which the operative principle is: No matter how frequently or how far they fall, they will land without injury. They fall very frequently, and very far. The first drop lands them at the bottom of a deep cave, from which they cannot possibly climb, but they remain remarkably optimistic: "There must be a way out of here!" Sure enough, they find an abandoned mine shaft and climb aboard three cars of its miniature railway for a scene that will make you swear the filmmakers must have seen "Indiana Jones and the Temple of Doom." Just like in that movie, they hurtle down the tracks at breakneck speeds; they're in three cars, on three more or less parallel tracks, leading you to wonder why three parallel tracks were constructed at great expense and bother, but just when such questions are forming, they have to (1) leap a chasm, (2) jump from one car to another, and (3) crash. It's a funny thing about that little railway: After all these years, it still has lamps hanging over the rails, and the electricity is still on. The problem of lighting an unlit world is solved in the next cave they enter, which is inhabited by cute little birds that glow in the dark. One of them makes friends with Sean, and leads them on to the big attraction -- a world bounded by a great interior sea. This world must be a terrible place to inhabit; it has man-eating and man-strangling plants, its waters harbor giant-fanged fish and fearsome sea snakes that eat them, and on the further shore is a Tyrannosaurus rex. So do the characters despair? Would you despair, if you were trapped miles below the surface in a cave and being chased by its hungry inhabitants? Of course not. There isn't a moment in the movie when anyone seems frightened, not even during a fall straight down for thousands of feet, during which they link hands like sky-divers and carry on a conversation. Trevor gets the ball rolling: "We're still falling!" I mentioned 3-D glasses earlier in the review. Yes, the movie is available in 3-D in "selected theaters." Select those theaters to avoid. With a few exceptions (such as the authentic IMAX process), 3-D remains underwhelming to me -- a distraction, a disappointment and more often than not offering a dingy picture. I guess setting your story inside the Earth is one way to explain why it always seems to need more lighting. The movie is being shown in 2-D in most theaters, and that's how I wish I had seen it. Since there's that part of me with a certain weakness for movies like this, it's possible I would have liked it more. It would have looked brighter and clearer, and the photography wouldn't have been cluttered up with all the leaping and gnashing of teeth. Then I could have appreciated the work of the plucky actors, who do a lot of things right in this movie, of which the most heroic is keeping a straight face. 1
[红色经典电影观后感]爱国电影观后感（精选三篇） 【--手抄报内容】 我看了《小兵张嘎》这部电影后，我受益匪浅。我被电影中的主人公张嘎不屈不挠，热爱祖国，机智勇敢的精神深深感动。 这个电影的故事内容大约是：在1934年，有个名叫嘎子的小朋友，亲眼看见自己的奶奶为掩护八路军被日本鬼子杀害，他怀着为奶奶报仇的愿望，跟游击队一起生活，一起战斗，配合游击队打败敌人。 嘎子小时生活很苦，少年时就参加了红军，他给红军带来了快乐，多次完艰巨的任务。有一次，他屁股上中了敌人一枪，但他仍不顾伤痛毅然追上去，聪明的小脑袋用一只假枪就把敌人的首领捉了回去，为红军立了大功，当时我不仅很佩服嘎子，他人小胆大。还有一次，为了打探敌情，嘎子和罗金保叔叔装扮成卖西瓜的小贩，捉了胖翻译，并缴了他的枪，为了不让队长把枪收回去，他竟然把它藏到了鸟窝里，因而受到了批评并关了禁闭，经过队长的教育，终于认识了错误。在一次战斗中，嘎子受了伤在老乡家里休养，可他知道有任务，就偷偷地跑回参战，不幸被捕了，可他面对敌人，刚强不屈，并配合部队，是战斗取得了胜利，终于成了一名出色的小侦察员。
我要多多学习张嘎不怕敌人、热爱祖国的精神。将来，如果我们国家发生了战争，我也要向张嘎一样，与敌人奋勇斗争，将敌人赶出我们的国土。 暑假期间，我观看了《地道战》这部电影，这部影片中的人物都很聪明，日本军总以为很聪明能够打败八路军，却总是聪明反被聪明误，被八路军打得落花流水。 还没有挖地道时，日本军来攻打这里，人们都躲到井旁边的密道里，日本军就把没有一个人的村子扫荡了一遍。八路军和乡亲们开始挖每家每户都连接的，四通八达的地道，利用这地道总是打胜仗。 我认为，有了困难，不仅要团结一心，还要动脑子想办法，这样才能解决难题。影片中的乡亲们不仅团结在了一起，还共同挖地道，使得日本军在明处，我军在暗处，总是让日本军摸不着头脑的吃败仗，真的好过瘾! 所以大家一起动脑想办法，打了胜仗，胜利也是大家的!我们在生活中也要有这种精神，大家一起解决困难，一起享受成功的快乐! 成功是快乐的，也需要大家共同付出。影片中第一场仗我军是失败的，虽然人都活着，但房子被毁了，所以大家吸取教训，集体的
不朽传奇之《终结者2》 在世界经典电影赏析课上看过《终结者2》后感触很深。回想起这部片子，本来想找一个简短而又有概括性的语句来形容它，但我发现搜刮遍所有中文词汇都难拼凑出一句可以完整概括它的话。这时才突然想起有人也在网上也征集过“用一句话来形容《终结者2》”，当时让我记忆最深的是一个网友说，“在我的 有生之年，可能没有任何一部影片可以超越它！”是的，这也是我的心声，在我这小半辈子里看过的数也数不过来的影片中，唯有这一部是不可超越的！这不仅仅在于影片本身的经典，还在于这部影片是我童年时期看过的最为震撼的一部片子，它对我的思维方式，甚至价值观都造成了直接的影响，正是它告诉了我什么叫科幻片，什么叫超级大片，什么叫想象力，什么才是纯爷们！ 首先，来介绍一下剧情吧。 影片故事发生在《终结者1》（后简称T1）的15年后，我们的小救世主已经长成了一个半大小子。整天除了泡妞和小偷小摸外基本上不干什么好事，完全没有要拯救苍生的觉悟。当然这也不能怪他，毕竟没人管吗，这时他妈正在“非正常人类研究所”里被人研究；而他爸......应该干脆还没出生！接着就是那个史上最无敌、最性感的机器人来了，千变万化的液态金属机器人。然后他自然要大开杀戒了，所以我们的美国英雄，阿诺州长就来拯救苍生了。剩下的基本就开打了，除了打还是打！大家自己看吧。总之，这部片子的特点就是没有一分钟空闲，整个影片从头紧张到尾，没有一点累赘，甚至没有一句多余的对白。 对于一部影片来说，想要要成为经典，那么它必须有过人之处，而这部影片却可以说是没有不过人之处。以至于我已经不知道该从哪个方面说起了，没办法，让我们从头到尾慢慢说吧，说到哪算哪吧，大家别嫌乱，凑活看吧。 影片开始时的设定与《T1》剧情可以说是完美的衔接，看得出身兼编剧与导演的詹姆斯·卡梅隆是花了很多心思去仔细琢磨的，一点没有漏洞和生硬的安排，完美平滑的衔接让观众可以很畅快的回到终结者的世界中去。接着科幻史上最伟大的点子，还是那个最无敌、最性感的机器人T1000华丽而鬼魅的登场了！这是一个直接到达巅峰的点子，他让一切续集中的升级版机器人都显得那么苍白无力，无地自容。无论他们自身配备多么强大的镭射武器，或者拥有多么傲人的双峰都将只是徒有其表的摆设，再没有什么机器人能和T1000相提并论了！当然，除了我们的老T800！当时的州长正值巅峰，可以说他的肌肉就是吃饭的本钱，就是 好莱坞票房的保证。为此导演还专门在影片的开头为他安排了一场华丽的肌肉展示秀。州长大人在酒吧里暴打了一群倒霉的皮衣男!这是很不人道地，那帮哥们
Seven(七宗罪)1995 David Fincher's classic tale of inventive serial killing and urban degredation, with Brad Pitt and Morgan Freeman on excellent form Who'd have thought? An absurd-sounding tale of a serial killer basing his crimes around the seven deadly sins, directed by the man behind the mess that was Alien3, turning out to be one of the most chilling and original thrillers of the 1990s. From the outset, through the film's brilliantly designed deliberate under-lighting - we see very little blood and guts - and muffled sound, the audience is encouraged to lean towards the screen, immerse itself in the film's unbearably grim world. Pitt is in career-making form as Mills, a simple cop moving with his sweet young wife (Paltrow) to a grim, anonymous city, determined to make a difference, to do some good. He is assigned to track down a vengeful killer, and works alongside Somerset (Freeman), a jaded, wise policeman on the verge of retirement. The two are that modern movie cliché -the mismatched pair thrown together by circumstance, who gradually learn mutual respect. But Fincher and Walker take these hackneyed ingredients, play with them in the context of a brilliantly cohesive plot, and present something consistently fresh - the police finding themselves with too much evidence, the premature unmasking of the killer - and very, very dark. 1
红色电影观后感(精选多篇) 革命尚未成功，同志仍需努力——观看《辛亥革命》有感 最近一段时间，我怀着崇敬的心情观看完了《辛亥革命》，看完很受鼓舞。《辛亥革命》这部电影很好的描述了当年动荡的历史。辛亥革命诞生在晚清政府日益腐朽、资产阶级萌芽与日益加深帝国主义侵略共存的时代，电影把革命产生的一系列重大事件以及革命的意义做了生动细致的阐述。电影以秋瑾就义为起点，以广州起义、孙文海外游说募捐、黄兴国内领导武昌起义、晚清政府内忧外患、各省独立解放、孙文就职临时大总统、袁世凯窃取革命果实等为主线，战争、情感、事件一一俱全，让
人有梦回过去的感觉，又不乏感人至深之境。辛亥革命推翻了清王朝的统治,沉重打击了中外反动势力，为中国人民斗争的发展开辟了道路，辛亥革命结束了统治了中国两千多年的封建君主专制制度,建立了中国历史上第一个资产阶级共和政府,使民主共和观念深入人心,并在中国形成了”敢有帝制者,天下共击之”的民主主义观念，辛亥革命给人们带来了一次思想上的解放。激发了人民的爱过热情和民族觉醒，促使社会经济、思想习惯和社会风俗等方面发生了积极的变化。 今天，我们去回顾它、铭记它，并必将把它给我们传递的一种精神和历史使命延续到以后的无止尽的全心全意为人民服务中去。时光流逝，历史远去。岁月可以改变沧海桑田，但是永远无法抹去历史在此间留下的烙印，那震耳发聩的枪声将永远定格在人类历史的长河中。可以这样说，随着硝烟散去的那一刻起，人们就一直在探究这段历史
以期从中吸取有益的借鉴。想起辛亥革命，我们回到了一个世纪前，武昌首义的枪声拉开了辛亥革命的序幕，随着各省份的独立，在孙文的领导下革命最终取得成功。 一个世纪的光阴犹如弹指一挥间，历史不容假设，所以我很难想像，如果100多年前，没有这样一部分人为了心中的信念、自己的理想用抛头颅洒热血的方式执着的追寻新的希望，那么如今的中国该是怎样的一种场面？不过，既然历史没有留给我们血雨腥风的生活，没有留给我们戎马疆场的机会，那么我们就该以新的方式开拓进取，去寻找利国利民的新道路。 看完《辛亥革命》，我们倍受鼓舞，深知要不断磨砺自己的心志，懂得团队配合、精诚团结的真谛，富有辛亥革命推陈出新的胆识，学会创新，努力前行，把团队工作做得更精、更细、更好。回首过去，放眼未来，我们没有理由不去铭记那些革命先驱。我坚信，它的精神
Tess(苔丝)1979 Thomas Hardy's Tess of the D'Urbervilles, which Roman Polanski has turned into a lovely, lyrical, unexpectedly delicate movie, might at first seem to be the wrong project for Mr. Polanski in every way. As a new biography of the director reports, when Tess was shown at the Cannes Film Festival, the press pointed nastily and repeatedly to the coincidence of Mr. Polanski's having made a film about a young girl's seduction by an older man, while he himself faced criminal charges for a similar offense. This would certainly seem to cast a pall over the project. So would the fact that Hardy's novel is so very deeply rooted in English landscapes, geographical and sociological, while Mr. Polanski was brought up in Poland. Finally, Tess of the D'Urbervilles is so quintessentially Victorian a story that a believable version might seem well out of any contemporary director's reach. But if an elegant, plausible, affecting Tess sounds like more than might have been expected of Mr. Polanski, let's just say he has achieved the impossible. In fact, in the process of adapting his style to suit such a sweeping and vivid novel, he has achieved something very unlike his other work. Without Mr. Polanski's name in the credits, this lush and scenic Tess could even be mistaken for the work of David Lean. In a preface to the later editions of Tess of the D'Urbervilles, Mr. Hardy described the work as "an impression, not an argument." Mr. Polanski has taken a similar approach, removing the sting from both the story's morality and its melodrama. Tess Durbeyfield, the hearty country lass whose downfall begins when her father learns he had noble forebears, is sent to charm her rich D'Urberville relations. She learns that they aren't D'Urbervilles after all; instead, they have used their new money to purchase an old name. Tess charms them anyhow, so much that Alec D'Urberville, her imposter cousin, seduces and impregnates her. The seduction, like many of the film's key scenes, is presented in a manner both earthy and discreet. In this case, the action is set in a forest, where a gentle mist arises from the ground and envelops Tess just around the time when she is enveloped by Alec. Alec, as played by Leigh Lawson, is a slightly wooden character, unlike Angel Clare, Tess's later and truer lover, played with supreme radiance by Peter Firth. Long after Tess has borne and buried her illegitimate child, she finds and falls in love with this spirited soul mate. But when she marries Angel Clare and is at last ready to reveal the secret of her past, the story begins hurtling toward its final tragedy. When Tess becomes a murderer, the film offers its one distinctly Polanski-like moment—but even that scene has its fidelity to the novel. A housemaid listening at a door hears a "drip, drip, drip" sound, according to Hardy. Mr. Polanski has simply interpreted this with a typically mischievous flourish. Of all the unlikely strong points of Tess, which opens today for a weeklong engagement at the Baronet and which will reopen next year, the unlikeliest is Nastassja Kinski, who plays the title role. Miss Kinski powerfully resembles the young Ingrid Bergman, and she is altogether ravishing. But she's an odd choice for Tess: not quite vigorous enough, and maybe even too beautiful. She's an actress who can lose her magnetism and mystery if she's given a great deal to do (that was the case in an earlier film called Stay As You Are). But here, Mr. Polanski makes perfect use of her. Instead of a driving force, she becomes an echo of the land and the society around her, more passive than Hardy's Tess but linked just as unmistakably with natural forces. Miss Kinski's Tess has no inner life to speak of. But Mr. Polanski makes her surroundings so expressive that her placidity and reserve work very beautifully. Even at its nearly three-hour running time, Mr. Polanski's Tess cannot hope for anything approaching the range of the novel. But the deletions have been made wisely, and though the story loses some of its resonance it maintains its momentum. There are episodes—like one involving Tess's shabby boots and Mercy Chant, the more respectable girl who expects to marry Angel—that don't make the sense they should, and the action is fragmented at times. That's a small price to pay for the movie's essential rightness, for its congruence with the mood and manner of the novel. Mr. Polanski had to go to Normandy and rebuild Stonehenge to stage his last scene, according to this same biography. As is the case throughout his Tess, the results were worth the trouble. 1
Invisible strength I.Introduction In modern society, everybody is pursuing his or her own dreams. Life is difficult navigation will not be plain sailing; people cannot achieve their goals without any failure. Some people think of themselves as fools and lose heart in everything after they meet failure. Other people are quite different: they will continue fighting and fighting, and meet with success in the end. One of the major factors to cause the difference is people who realize their dreams having their own spiritual support. After watching the film Forrest Gump, I am increasingly aware of the importance of the spiritual support. Forrest’s spiritual support is closely linked to kinship, friendship and love and this kind of invisible strength is crucial factor in the process of his success. Forrest Gump comes from single-parent family in Greenbow, Alabama and his mother makes a living mainly by providing accommodation for people who pass through. Unfortunately, Forrest is born with strong legs but a crooked spine and he has to wear leg braces which make walking difficult and running near impossible. What’s more, he has a relatively low IQ of 75 which causes him to be refused by public school. In the eyes of others, Forrest is stupid. But his mother tells him not to let anyone tell him he is different, telling him “stupid is as stupid does’’. Forrest enters the primary school through his mother’s effort. However, in an accident, he finds his own talent in running. And then, he becomes a football star when he studies in university. After graduating from university, Forrest joins in the Vietnam War and wins medals for his military exploits. He plays an excellent game of table tennis and becomes one of the first Americans to visit the land of China. To accomplish the will of his friend, who dies in the war, Forrest goes to the Golf Coast and uses all his money to buy a shrimp boat. Helped by his former Vietnam superior Lt. Dan, Forrest accidentally earns a lot of money from his shrimp business becoming a billionaire in the end. Forrest is a fortunate person. He loves his life, cherishes his kinship, friendship and love and eventually, Forrest gets what he deserves.
红色革命电影观后感红色电影观后感六篇各位读友大家好，此文档由网络收集而来，欢迎您下载，谢谢 红色电影曾经是陪伴了一代人走过青春岁月，也曾经是一代人童年时候的重要回忆。它们对于有些人来说是不太能够理解的历史，只是父辈口中的传说。 篇一： 当无边的黑暗蚕食着中原大地，当腐-败的统治奴役着华夏儿女，当列强的阴谋弥漫在谈笑之间，当疾苦的人民沉睡在麻木之中，有一群人，截然相反，他们高举革命的大旗，手擎希望的火把，投身革命，奋不顾身，以自身绽放绚丽，亦是甘之如饴。 秋瑾：淡然赴死，高洁如白莲 青石板上伴随着铁链划过刺耳的咣当声，一位妇人手铐木枷，脚绑铁链，却毫无惧色，就如同出于淤泥之上的白莲一般，一路平静，一路淡然……
“我此番赴死，是为革命，中国妇女还没为革命流过血，当从我秋瑾始……”明明是壮志凌云的话语，明明是慷慨激昂的蔑视，但她，只是平静的叙说，淡然到让人心疼。是啊，即使是沉重的木枷依旧困不住自由的灵魂，哪怕是坚固的脚镣依然锁不住革新的脚步。 心里，许是放不下天真可爱的孩子，心里，许是放不下眷意浓浓的亲情……面对满官的指责，她置个人情思于度外，系国家未来于心中：“我的死是为所有的孩子!”宁静温和而令众人无言以驳。 秋瑾身处麻木的社会，遭众人不解，但她依旧坚持自我，起义失败了，但革命的精神，鼓舞了民族的奋斗不息。青石板上高洁淡雅如白莲一般的人消亡了，但她的倩影，永驻在所有人的心中…… 林觉民：白衣飘袂，傲然如白梅 他，仅仅一袭白衣就足以构成残酷战争中最美的一道风景，脸上革命的骄傲足以让末路之人看不到生还的退路，
甚至望而生畏。侠肝义胆，铁骨铮铮，利落的装枪上膛，迅捷的瞄准射击，一举一动，凌厉中饱含诗意，白衣上点点血色漫延而开，踉跄的身影凝聚了毫不屈服的意志…… 这不是翩翩公子的白衣，这不是文人墨客的白衣，这是独属于林觉民的白衣，白衣之下，隐藏的是坚韧不拔的革命之志;白衣之下，跳动的是义薄云天的赤血丹心;白衣之下，燃烧的是奔流不息的民族血脉。 面冠似玉，肝胆如铁，心地赤诚如朝阳。即使沉尸于水下，嘴角依旧有浅浅的笑意，此情此景，凄美如画，可不难读出其中的深韵。也正是这个人，让我心疼，却也让更多的人看到了革命，看到了他所作的努力，相信了他所相信的一切。 一个侠骨柔情的男人，用年轻而热血的生命换取了毕生的信仰，却留下了一个支离破碎的家庭。自古情义难两全! 他们，在那个黑暗的年代，用自己
世界经典电影赏析之《末代皇帝》 姓名：XX 学号：XX 学院：XX 班级：XX 该片获第60届(1988年)奥斯卡最佳影片、最佳导演、最佳改编剧本、最佳摄影、最佳美工、最佳服装设计、最佳剪辑、最佳音响效果、最佳原创音乐九项大奖 这是历史上第一部获准进入北京紫禁城实景拍摄的电影，以溥仪的家庭教师庄士敦所写的《紫禁城的黄昏》为原始架构，参考了溥仪的自传《我的前半生》及其它相关著作，创造出一部偏西方视角、但制作认真的传记电影。由意大利扬科电影公司、英国道奥电影公司、中国电影合作制片公司联合摄制。中国背景、中国故事、中国人物，混杂了西方人的观念与技法。影片以一个特殊人物一生的传奇经历，反映了一个波澜壮阔的时代。影片的摄影和服装等尤为气派，溥仪的人物塑造回避了脸谱化的窠臼。 《末代皇帝》所诠释的溥仪，不单纯是一个皇帝的历史，而是一个作为皇帝的人的故事。对于历史问题的认识，向来严肃谨慎的中国人认为“讲故事和历史完全是两回事，细节的处理应当尊重历史的真实。”贝托鲁奇版《末代皇帝》可能和“史实”和“传说”都无关，他眼中的溥仪是在特定历史条件下无法摆脱被囚禁命运的生命个体，成份复杂、面目模糊的一个可以和观众进行心灵沟通的人。 本片的编导从人性角度出发，表现了溥仪如何从一个普通人变为“神”，又从“神”变为人的故事。一系列中国历史上的大事件作为溥仪的生活环境得到表现。影片的艺术技巧娴熟，人物的内心的矛盾和孤独、对人情的渴求、对外部世界的向往以及接受改造时的痛苦思想斗争，都得到深入的展示。本片写出了一个真实的、活生生的人。结构上，影片采用的是现实与回忆交叉的手法，保持了扣人心弦的戏剧悬念。与人物心理相合的色调和布景，优美的画面构图给人以审美的享受。影片的成功，是各国创作人员密切合作的结果。本片获得1988年第60届美国奥斯卡最佳影片奖、最佳导演奖、最佳改编剧本奖、最佳服装奖、最佳作曲奖、最佳剪辑奖、最佳音响效果奖、最佳摄影奖和最佳美工奖。 末代皇帝是一部气势宏大、色彩浓郁、场面壮观、技巧精湛的史诗巨片。 故事从1950年冬天开始讲述起：清王朝废帝溥仪，作为战犯从苏联被押回中国。火车抵达中苏边境的满洲里火车站后，溥仪认为此去性命难保，便溜进卫生间企图割腕自杀。中国战犯管理所所长发现情况有异，急敲卫生间的门。敲门声使溥仪陷入了回忆。1908年的一个冬夜，清宫卫队长敲开了醇亲王府的大门，按慈禧太后旨意把3岁的溥仪接进宫中教养，准备接位。 在香烟缭绕的坤宁宫内，即将咽气的慈禧接见了溥仪，告诉他要即日登基。在太和殿上隆重举行登基大典时，溥仪在大臣陈宝琛身上发现了一个装着蝈蝈的