优异的传输带来优质的声音表现Kubala-Sosna Temptation USB线

EDUIPmENT REVIEUJ 点指兵兵文/展光 图/小路 产品代理：新汉建业 鸣谢巴洛音响提供器材试听!近几年来，随着越来越多的唱片公司都推出母带级音 源，因此也越来越多的玩家陆续开始把玩这些母带文件。

要播放高规格的母带音源，无非有两种途径：CAS （用电脑作为数字转盘）与数码/网络播放机。

一般来说，年轻一代 的玩家喜欢CAS 这种玩法，因为他们往往都已经有一台台式 或手提电脑，这时候，只需要一台高品质的解码器就能胜任了；而老一辈的玩家则喜欢数码/网络播放机，这可能是由于操作上的习惯，更加喜欢一目了然的菜单。

因此市面 上也越来越多的数码/网络播放机采用APP 来控制，这次送到本刊试音室的Lindemann Limetree Network 数码/网络播 放机便是。

44彳師前崖银禧之年的Lindemann要介绍这款Limetree Network数码/网络播放机，就不得不介绍Lindemann的历史，因为现时的SACD的标准，也少不了Lindemann的身影。

Lindemann,可能老一辈的发烧友都对其相当熟悉，Lindemann Audiotechnik由Norbert Lindemann在1993年创立，第一款推出市场的AMP1合并功放以价廉物美著称。

随后，1997年的AMP4合并功放、以及全球首部采用升频技术的CD唱盘CD1,让Lindemann在高级音响市场奠定了不可动摇的地位。

与此同时，Lindemann也是德国第一个全面研制SACD的音响厂商，首部SACD唱盘D680在2002年初推出，两年后推出的820更被誉为全世界声音最好的SACD机之其中采用独家研发升频线路HiDRA使得SACD音质大幅度提升，许多发烧友是通过SACD0昌盘进而认识Lindemann这家公司。

2002年秋季推出B60和B90两对喇叭，接着在2005年推出了新设计的830前级和双单声道后级850,使其成为德国少数具备全线研发生产能力的音响厂商。

综合类1最强大而全面的软音源Hypersonic2简单易用的GM音色插件Hyper Canvas3超级四大件----Edirol HQ—QTSuper Quartet4张CD盘的超级音色库Plugsound Box5Cakewakl Studio Instrments的经典四大件SI—Bass Gitar SI-Drum Kit SI-Electric piano SI—String Section 6“巨人”的声音—————Colossus7软音源中的坦克装甲车-—-—ＳampleTank28酷似Hypersonic的LUXONIX Purity9小巧实用的韩国ravity合成器套件10国产的免费综合软音源Digital Sampling Arts Falcon2常规管弦乐音色类1最实用的管弦乐音源Edirol HQ Orchestral2制作管弦乐的最佳选择Symphonic Orchestrat系列超级巨无霸----白金版(Platinum Editon）个人工作室的最佳选择—--黄金版(Ｇold Edion）小巧实用的银版—--（Silver Edion）3古典华丽的Miroslav Phiharmonik4电脑里的合唱团-——-Symphonic Choirs打击乐1强大无比的流行鼓王---—-Ｆxpansio BFD2超级鼓手Addictive Drums3虚拟的鼓手-Ｓteinberg Groove Agent24电子打击乐的首选———Drums Overkill5富有异乡风情的打击乐Wixoo Latigo 和Darbuka第1章带你走进软音源的时代 11.1 电脑音乐的两个时代-—硬件时代和软件时代 11。

2 软音源插件的基础知识概述 41.2.1 软音源和传统硬音源相比，有哪些优点？ 51。

2。

2 使用软音源来制作音乐，需要什么样的电脑配置? 71。

2.3 专业音频卡的选择 101。

蓝牙拨号器---纽曼BT08全键盘蓝牙耳机测评蓝牙拨号器纽曼BT08全键盘蓝牙耳机测评蓝牙拨号器行业主导厂商纽曼普安又推出一款iPhonehome家族的新成员——BT08，新品BT08是一款全新设计理念产品，拥有简洁美观的外形，体积小巧，按键面呈微凸弧面，体现细微曲线美，透明显示符号及字符，水晶质感与金属色泽巧妙搭配彰显魔幻效果。

仅从外观就能看出这是一款精心打造的工艺品。

纽曼BT08 蓝牙拨号器虽然被称为工艺品，但iPhonehome BT08不但具有超大(1000)容量通讯录、最近通话记录、拔打电话、重拔等全方位语音通讯所需功能，而且更要说明的是在小巧的机身内还配备了280毫安时的电池。

并在语音通讯上又产生突破——支持耳机线控功能。

这算不算是iPhonehome BT08的仅有的特点呢,下面我们就一起来看看这个产品的细节吧～iPhonehome BT08测评之产品定位品味BT08一定要从他的精美造型说起，其精美的外观是介乎于电子产品和饰品之间的一款产品，其实BT08的诞生还是令我们比较意外的，毕竟在人们的心目中深圳的电子产品最著名的就是山寨二字。

而精美的产品不但要有创意的设计，更加现实的是产品成本的增加。

在蓝牙拨号器、深圳这样的字眼面前的确BT08这样的产品确实给人们带来了惊艳～实际体验如何呢,接下来我们继续观察吧。

Shen Longbao look in the eyes, for a chance to kill him. ShenLongbao behind smart to keep gendarmes, picked up a brick reservoir in cotton vest, walked into a small alley corner, seeing four weeks nobody will step up and pulled out bricks Asahi on military police knocked down. Unsuspecting Japanese military police was flaccid paralysis. Shen Longbao picked the Japanese military police gun in cotton vest, leave精致的产品来了，谁来使用呢,在这里我们采访了纽曼普安负责人李斌，他说，下一阶段，大屏将是手机的一个趋势。

OVERVIEW:This product is a far more advanced version of our original Seek Wah and Seek Wah II. Basically the Super Seek Wahis sort of a combination of a tremolo pedal and a wah wah pedal. If you’re familiar with seventies synths, it’s exactly like an analog sequencer controlling a mellow band pass filter. New features include: tap tempo, MIDI tempo control, glis-sando, expression pedal control over tempo and glissando, adjustable number of stages from 1 to 16, automatic tempo slowing or speeding (delta), savable/loadable presets and more!GETTING STARTED:Important Note: In order to accommodate all of the Super Seek Wah’s features, there are some instances where a knob may control more than one parameter. This is indicat-ed on controls that have a slash in their label. For example: the 16 mini step knobs can be set to control either the “wah” for that individual step, or “groove” for that individual step. A mini toggle switch labeled “groove/wah” assigns the function of those 16 mini knobs. Another couple examples of this type of multi-function are the “tap div/delta” and “steps/preset” knobs. These are not your father’s knobs! They are rotary encoders, kind of a cross between a knob and a switch. They can turn like regular knobs, they can be pushed down and turned, they can be pushed down and held, and they can be pushed and released. The parameter to the left of the slash is controlled by turning the knob nor-mally. The parameter to the right of the slash is controlled by pushing down the knob and turning it while depressed. We’ll cover all of that specifically later.If you’ve used a Ringtone before you’ll see the familiar Step/ Seq /Rnd mini toggle switch on the upper left. Seq and Rnd are modes where the pedal’s brain moves you from step to step, either sequentially or randomly. Step mode al-lows you to advance from step to step manually by tapping on the “tap/hold” button.SPEED CONTROL:There are four different ways to control tempo. The “speed” knob, the “tap/hold button”, MIDI clock input (from a computer or other MIDI device), and the expression pedal input (a 1/4” standard TRS synth-type expression pedal). You’ll see quickly that adjusting the speed control overrides the previous tap tempo setting, tapping then overrides the previous speed control setting, and MIDI overrides all. TYPE: Vexter Series [V] | MODEL: SUPER SEEK WAH™SPEED KNOB:Set as you like.TAP TEMPO:Tap Tempo has become a fairly common way to manually enter tempos into time based pedals like delays, tremolos, etc. The Super Seek Wah powers up in Tap Tempo mode. Tap Tempo captures and uses the time between your last 2 taps as a foundational pulse. From there, you turn the “tap div/delta” knob normally (without pushing) to select how many steps the sequencer travels in between tap pulses. The chart below lays out your options in multiples.STEP MULTIPLIER:MIDI CONTROLLED TEMPO:The Super Seek Wah may be clocked by any device that outputs MIDI clock information. It considers only the clock portion of MIDI data. MIDI clock will take priority over the speed knob, tap tempo, and expression pedal controls. If the MIDI clock is stopped at any time, the sequencing will freeze until you tap in a new tempo, turn the speed control, or MIDI clocking resumes. The “tap div” control applies to MIDI clock similarly to tapped tempos. But now your op-tions are the note values listed below.STEP NOTE:NUMBER OF STEPS:The “steps/preset” knob allows you to choose how many total steps are in your sequence. Turn the knob without pushing to select how many steps before the sequence starts over. You can select any number from 1 to 16. ADJUSTING THE WAH SEQUENCE:Adjusting the individual sequence controls (there are 16of them) will change the wah sounds when the “groove/ wah” mini toggle switch on the right hand side of the pedal switch is set on “wah”.Congratulations!You’re the proud owner of the Z.Vex Effects Vexter Super Seek Wah!™1 2 3 4 5 6 7 8²/ 1 2 3 4 6 8 16³Page 1 of 4ADJUSTING THE GROOVE () SEQUENCE: If you wish, you can individually change the rate at which each step moves to the next, causing less of a sudden step and more of a glide to the next step in the sequence. Set the “groove/wah” switch to “groove” to access this feature. ADJUSTING THE GLISSANDO GLOBALLY:There’s a knob on the upper right labeled “gliss” which globally adjusts all glissando rates between steps to the same value. It’s labeled differently from the “groove” switch to remind you that it adjusts all of them at once, so it’s not quite as “groovy.” ADJUST THIS ONE FIRST. If youadjust the individual groove settings and then try to adjust the global glissando setting, it will erase all of the groove settings and every step will follow the global glissando con-trol alone. You can, of course, go back and set your groove settings, but remember this to save yourself time and ag-groovation… set the glissando first, then get groovy, baby. Just to try to help you understand these controls, here is a not-so-brief summary. If you never adjust the gliss knob or set the switch on the right to groove and twist any of the16 sequence knobs, your steps will all be hard and quick, jumping from one to the next very quickly like, well, steps. You can smooth out the movement between steps with the gliss knob, and they’ll all smoothly move the same from step to step, getting more smeary as you turn it up. Or, you can switch the small toggle on the right to groove and individu-ally adjust how much glissando is applied to each step, causing some steps to be sudden and others to glide. Or, you can do both… adjust the whole bunch of them glob-ally with the gliss knob and then set the groove switch and groove on using the 16 small knobs, but please do it inthat order, and do not go back and adjust the gliss knob or you’ll have to start grooving all over again. Got it? Probably not. Just go screw around with it and something good will happen.DELTA CONTROL:We came up with this mode where the tempo can speed up and slow down, and the rate at which that happens we call DELTA.To activate DELTA mode, push and release both the “tapdiv/delta” and “steps/preset” knobs at the same time. Each push moves the mode led next to the “tap/hold” button. Stop when you get to delta.When the “tap div/delta” knob is held down and turned, it adjusts the delta rate. This controls the rate of change when the pedal is speeding up or slowing down. Selecting the little arrow pointing left on the mini toggle switch causes the tempo to decelerate when you step on the “tap/hold” but-ton. When you release that button, the speed snaps back to the original tempo. Fun, huh? If you choose the little arrow pointing right then press and hold the “tap/hold” button, it speeds up until you let go of the “tap/hold” button. Then it again snaps back to the original tempo. Want even more fun? Put that little switch in the middle between the arrows. Now, when you hold down the “tap/ hold” button it’ll alternately slow down and stay there (when you release the button), then speed back up and stay there (after the next hold and release) and so on, alternating faster to slower. This middle position of Delta behaves a little differently when the pedal is being clocked by a MIDI device. It will alternately speed up and slow down as before, but instead of remaining at the tempo when released, it will snap back to the MIDI clock. Remember, the rate at which this all takes place is controlled by the “tap div/delta” knob… just hold down and turn the “tap div/delta” knob to adjust it to one of the sixteen different rates. HOLD:When the “tap div/delta” and “steps/preset” knobs are pushed simultaneously for a moment, you can change the function of the “tap/hold” switch and select HOLD mode.In this mode, the sequencing stops when you push and hold the “tap/hold” switch, and continues when you let go. This feature works with MIDI clocking and all other tempo choices.GO TO 1:This is another function of the “tap/hold” button. Whenever you want the sequence to go directly to 1 and collect $200, tap the “tap/hold” switch ONCE. You have to be in TAP TEMPO mode (to get there, push and release both the “tap div/delta” and “steps/preset” knobs to cycle through the modes). Important Note: this is a really cool trick, butif you tap too close together you will wind up entering a new tempo. Using this feature with MIDI is really fun, and you don’t have to worry about tapping too often. You can interrupt your sequence at any time, and jump back to the beginning. This allows you change the sensation of your sequence by moving the apparent start point. You can also stutter the beginning of your sequence to complicate the pattern.EXPRESSION PEDAL INPUT:You can control either tempo or global glissando settings with an external expression pedal. Simply plug an expres-sion pedal into the input on the back of the Super Seek Wah with a ¼” TRS cable. Set the expression pedal mini toggle switch to either “gliss” or “speed”. That assigns control of the selected parameter to the expression pedal, and simultaneously disables the corresponding knob on the pedal. When using the Super Seek Wah without an external expression pedal, put the expression selector switch in the OFF position. And there’s one more secret thing you cando with the expression pedal. If you have the expression set to control “speed” but you also have the Step/Seq/Rnd toggle in “Step” you’d think nothing would happen, right? Wrong! In this setting you can glide forward and backward through the stages dependent on the position of the expres-sion pedal.I N D I V I D U A L G L I S S A N D OPage 2 of 4EXTERNAL TAP IN/OUT:There’s one more ¼” jack on the back that lets you slave your other Super Seekers(as well as most other pedals with a ¼” tap tempo in/out jack) together, or use an external momentary switch to tap in tempo remotely. When Super Seekers are connected to each other’s tap in/out jack, tap-ping on any one of them will cause all of them to jump to that tapped tempo.SAVING PRESETS:If you come up with a favorite program and you want to be able to recall it later, there are 8 “slots” in which a com-plete setup can be stored. To prepare for storage, push the “steps/preset” knob down and turn it to one of the 8 slots (one led in the first 8 steps will indicate which slot you’ve selected). Next, get your programming all done, adjusting your individual settings and fine-tuning the pedal until you’re happy. When you’re ready to save your settings, hold down the “steps/preset” knob and then push and hold down the “tap/hold” button until you see a couple of LEDs flicker next to that button. Your program is saved and will remain in memory even if the battery is removed from the pedal. What exactly gets saved? Glissando and groovy settings, last tempo settings, your last chosen mode (HOLD, DELTA, TAP),your chosen number of stages, tap/midi division, and DELTA setting. The DELTA toggle position and STP/SEQ/RNDtoggle position are also saved. The expression toggle position and GROOVE/WAH toggle position are not saved. RECALLING PRESETS:To access a saved preset, push down and turn the “steps/ preset” knob until you get to the slot you wish to recall. Re-lease, and voila! You’ve recalled your preset. You might have to reset the expression toggle position and GROOVE/WAH toggle, those settings are not saved.HOW TO SAVE A SETUP WHEN YOU’RE NOT IN THE SLOT WHERE YOU WANT TO SAVE IT:That was a mouthful. When you’re fooling around with the Super Seek Wah and come up with a really cool setup that you want to save, you may suddenly realize that you aren’t parked in the slot where you want to save it. In fact, you may be parked in a slot that you really don’t want to write over. What to do? Very simple, really, but be careful. Pick a slot that you (probably) don’t care about, or may be empty. Push in the “steps/preset” knob and rotate it to the slot that you want to over write. DON’T RELEASE IT! Now push down the “tap/hold” switch and wait until you see the happy blinky LEDs illuminate next to it. You’ve just saved your set-tings in the selected slot.If you accidentally release the “steps/preset” knob before you push and hold the “tap/hold” switch, you’ll wind up loading whatever preset was chosen (if there was one stored there), and lose the settings you were trying to save. Also, if you chose a slot that you thought contained nothing important and it was actually a really wonderful setup that you never ever ever wanted to lose, you just lost it. DON’T DO THAT! There are 8 program slots for you to fill with your creative genius. We left ourselves a little extra room in the Super Seek Wah’s brain for code updates. Just in case we think of something really fun to add later. Although activat-ing more features may eventually require pushing all buttons at once, while rubbing your nose on the back of the unit. INTERNAL CONTROLS:Inside the pedal you’ll find a trim pot for changing the global Q setting (frequency sweep from top to bottom) of the wah. The pot is set here at the shop for maximum range. POWERING YOUR PEDAL:We highly recommend that you use a high-quality 9VDC power supply with your Super Seek Wah with at least100mA capability. It should have a center-negative BOSS-type barrel connector. The pedal can operate using a 9V battery but do not expect much battery life… this thingis a power hog because of all of the LEDs and the micro controller.WARRANTY:As with all Z.Vex Effects, we will be very happy to help you out and fix up any damaged or defective Z.Vex product. To extend your Vexter’s warranty from 1 year to 2, please fill out the enclosed warranty card and mail it to us, or contact **********************************.Feelfreetocontact ********************/************************* questions.Enjoy!WE’VE INCLUDED A PHOTO OF THE SUPER SEEK TREM™ON THE REVERSE OF THIS PAGE FOR YOUR CONVENIENCE!Page 3 of 4P |*************|****************Last Updated: December 2013Page 4 of 4。

漫步者原子豆编解码【最新版】目录1.漫步者原子豆编解码器介绍2.编解码器的原理与特点3.应用范围与实际效果4.总结正文漫步者原子豆编解码器是一款性能出色的音频处理设备，适用于音乐制作、影视后期制作等领域。

它能够实现音频信号的高质量编解码，提供高品质的音频体验。

编解码器的原理是通过对音频信号进行数字信号处理，将模拟音频信号转换成数字信号，以便于存储和传输。

在播放时，再将数字信号转换回模拟信号。

这种处理方式能够有效地降低音频信号在传输过程中的损耗，保证音频质量。

漫步者原子豆编解码器采用了先进的数字信号处理技术，确保了音频信号的高保真度。

漫步者原子豆编解码器具有如下特点：1.高采样率：编解码器支持高达 32 位的采样率，使得音频信号的细节表现更加丰富，提高了音频质量。

2.高比特深度：比特深度是指音频信号的数字量化精度，漫步者原子豆编解码器支持高达 24 位的比特深度，使得音频信号的表现更加细腻，降低了数字失真。

3.多种格式支持：编解码器支持多种音频格式，包括 MP3、WAV、FLAC 等，满足用户不同的需求。

4.便捷的操作：漫步者原子豆编解码器采用一体化的设计，用户只需连接音频设备即可使用，无需复杂的设置。

漫步者原子豆编解码器在音乐制作、影视后期制作等领域有广泛的应用。

在音乐制作中，编解码器能够提供高品质的音频信号，使得音乐作品的表现更加细腻丰富。

在影视后期制作中，编解码器能够确保音频信号的高质量，提升观众的观影体验。

总的来说，漫步者原子豆编解码器是一款性能出色的音频处理设备，能够实现音频信号的高质量编解码，提供高品质的音频体验。

纽 曼 之 音 B90 系 列用 户 手 册 VM 961您 好：感谢您选用本公司生产的MP3数码播放器！为了使您尽快轻松自如地操作您的MP3数码播放器,我们随机配备了内容详尽的用户手册，您可以获取有关产品介绍、使用方法等方面的知识。

使用您的MP3播放器之前，请仔细阅读我们随机提供的所有资料，以便您能更好地使用该产品。

在编写本手册时我们非常认真和严谨，希望能给您提供完备可靠的信息，然而难免有错误和疏漏之处，请您给予谅解并由衷地欢迎您批评和指正。

如果您在使用该产品的过程中发现什么问题，请及时拨打我们的服务热线，感谢您的支持和合作！ 本公司对于因软件、硬件的误操作、产品维修、电池更换或其它意外情况所引起的个人数据资料的丢失和损坏不负任何责任，也不对由此而造成的其它间接损失负责，请随时备份您的数据资料到您的台式（笔记本）计算机上。

同时我们无法控制用户对本手册可能造成的误解，因此，本公司将不对在使用本手册过程中可能出现的意外损失负责，并不对因使用该产品而引起的第三方索赔负责。

本手册中的信息如有变更，恕不另行通知。

本手册信息受到版权保护，其任何部分未经本公司事先书面许可，不准以任何方式影印和复制。

● 产品及产品颜色款式请以购买的实物为准。

● 本公司保留对本手册、保修卡及其相关资料的最终解释权。

注意事项★如果长时间不使用本播放器，请务必将电池取出放置以防止电池因过量消耗引起腐蚀或漏液而导致播放器损坏。

★不要在特别热、冷、多尘或潮湿的环境中使用播放器。

★使用时不要让播放器摔落、或与硬物摩擦撞击，否则可能会导致播放器表面磨花、电池脱落或其它硬件损坏。

★不要私自拆卸、修理和改造。

★在下列情况下请进行充电：☆如在正常操作中播放器电池图标为24按：外观及按键说明5基本操作一、开机/关机(1)在关机状态下短按一下开机键即可进入开机画面。

(2)在开机状态下长按播放键数秒钟，就可以把播放器关闭了。

二、连接到ＰＣ在计算机开机状态下将MP3播放器直接插入计算机的ＵＳＢ接口就可以进行ＵＳＢ数据传输。

Module Audio Music Hub说明书一门三杰 打造蓝牙传输新体验 Module Audio魔族音响最近一次过推出了两款“画中音”系列的Hi-Fi音乐播放设备，包括Minibar和Music Hub两款产品。

Minibar的中文名叫做魔音棒，而Music Hub则被称为音乐中心。

此外还有一款专供以上两款产品组合使用的超低音产品，这款“脉动之音”系列的Sonic boom低音炮有2英寸和3英寸两个型号。

由魔族音响推出的这3款产品，主要针对那些喜爱通过智能手机、平板电脑或者笔记本电脑听歌的影音玩家，通过简单的蓝牙搜索、配对、传输即可实现高品质的音乐播放，并且免除了连接线的烦恼。

Music Hub音乐中心 可能许多朋友和笔者一样，第一次看到Music Hub的时候会感觉它的外形与一台收音机十分相似，突然间让人联想到抬着收音机在路上摇曳的街舞青年。

而Music Hub音乐中心的设计思路就是从音乐分享出发，希望用户可以通过它与身边的朋友和家人分享自己喜爱的音乐，并且可以在任何地方、任何时间进行数字音乐的播放。

Music Hub音乐中心的箱体颜色主要由黑色组成，正面和背面的金属网罩为灰色，两者的搭配低调而沉稳。

箱体上设计了360度可旋转式手提支架，可通过这个支架任意调整听音角度，让Music Hub音箱的摆放随意而不受拘束。

Music Hub整个音箱的喇叭单元部分占据了音箱整体的80%，左右两边各有两个模组，每个模组包括1个超薄花瓣形喇叭和1个被动辐射器，其采用了左右单声道双模组对称式设计结构，也就是说前后双向扩声，可有效消除箱体振动。

Music Hub独特的前后双面发声设计令声音的覆盖面更加广阔，提供给听者更大的聆听自由度。

透过金属网罩可以隐约看到里面的银色花瓣形喇叭单元，正面的两个喇叭单元位于上方，而背面的两个喇叭单元位于下方。

Music Hub的操作面板位于音箱的顶部，上面设有一排共6个按键，从左至右分别是开关机按键、AUX按键、蓝牙按键、静音按键、音量减少按键和音量增加按键，并且对应前面板的指示灯。

Razer Surround gives gamers the best virtual 7.1 channel surround sound experience with any stereo headphones.Current generation virtual surround technologies are often inaccurate given that every individual has a unique response to simulated sound stages – as such, virtual surround sound is often regarded as inferior to discrete surround sound set ups.Using state-of-the-art technology, the surround sound algorithms powering Razer Surround creates an unbelievably accurate surround sound environment and allows gamers to calibrate positional sound to match their own unique preferences. This level of calibration allows Razer Surround to provide an incredible level of precision in-game, allowing gamers to have the unfair advantage.The bullet that just whistled past you or the high-rev engine of the Formula 1 car coming up from the rear just got real with Razer Surround. Immerse yourself in the ultimate sound experience made justfor you and your games.TABLE OF CONTENTS1. SYSTEM REQUIREMENTS (2)2. INSTALLATION (2)3. ACCOUNT MANAGEMENT (3)4. USING RAZER SURROUND (8)5. LEGALESE (18)1. SYSTEM REQUIREMENTSSYSTEM REQUIREMENTS∙Windows® 8 / Windows® 7∙Internet connection∙At least 200MB of free hard disk spaceDisclaimer: All features listed in this Master Guide are subject to change based on the current software version.2. INSTALLATIONINSTALLING RAZER SURROUNDRazer Surround is an audio configurator that is installed onto your PC for use with your headphones, headsets and even earphones. Razer Surround’s user interface is accessed via the Razer Synapse 2.0 client.Step 1. Download the Razer Synapse 2.0 installer from /synapse2/.Step 2. Run the installer and follow the on-screen instructions.Step 3. Download the latest version of the Razer Surround installer from /surround.Step 4. Launch the downloaded installer.Step 5. Wait for the installation to complete.UNINSTALLING RAZER SURROUNDIf you have a previously installed version of Razer Surround or if you wish to completely uninstall the program,Step 1.Navigate to your Control Panel and select Programs > Uninstall a program. Step 2.Right-click on the Razer Surround entry in the list and select Uninstall.Step 3.Follow the onscreen instructions to complete the uninstallation.Step 4.Restart your computer when prompted.3. ACCOUNT MANAGEMENTCREATING AN ACCOUNTRazer Surround works on the Razer Synapse 2.0 client. Hence, please register for a Razer Synapse 2.0 account as follows:Step unch Razer Synapse 2.0 from the Start menu.Step 2.Click CREATE ACCOUNT at the bottom of the client.Step 3.Enter a valid Email address.Step 4.Enter your Password. Re-enter the Password for confirmation.Step 5.Click the links to read the Subscription Agreement and Privacy Policy. Check the I have agreed to the Subscription Agreement and Privacy Policy box ifyou agree to be bound by the terms stated.Step 6.Click CREATE ACCOUNT.Step 7.Check your email inbox for an account verification email from Razer.Step 8.Verify your Razer Synapse 2.0 account by clicking on the link in the email. Step 9.Return to the Razer Synapse 2.0 client and login using your registered account.ACCESSING RAZER SURROUND’s USER INTERFACEStep unch Razer Synapse 2.0.Step 2.Enter your account’s Email address and Password.Step 3.Check the Stay logged in box ONLY IF you wish to automatically login to Razer Synapse 2.0 using this account each time you launch the client.Step 4.Click LOGIN.Step 5.All Razer Synapse 2.0 supported devices connected to your computer will be detected and listed on the bottom left area of the client. Click the RazerSurround icon to access the Razer Surround user interface.GOING OFFLINEInternet connection is required to log into Razer Synapse 2.0. Once you are logged in, you can choose to activate Offline Mode. Most functionalities aside from software update of your Razer Surround software works in offline mode.Go offl ine by clicking your account name on the top right corner and select “Go Offline”.SIGNING OUTSign out from Razer Synapse 2.0 by clicking your account name on the top right corner and select “Change User”. To completely close Razer Synapse 2.0, right-click the Razer Synapse 2.0 icon on your system tray and select “Close Razer Synapse 2.0”.Note: Audio adjustments made on your audio device via Razer Surround will only be active while Razer Synapse 2.0 is on.RETRIEVING YOUR PASSWORDIf you have forgotten your account password,Step 1.Click Forgot Password? on the login interface of the client. Your web browser will launch and direct you to Razer’s Password Reset Request page:Step 2.Enter your registered account EMAIL and type the image verification code shown. Then click SUBMIT.Step 3.Check your email inbox for a verification email from Razer. Click the link in the email.Step 4.Your web browser will navigate to the password reset page as shown in the figure below. Enter your NEW PASSWORD and retype it to confirm. Thenclick SUBMIT.A success screen will be displayed. You can now login to Razer Synapse 2.0 using this new password.CHANGING YOUR PASSWORDFor security purposes, you are recommended to change your account password regularly. To change your account password through the Razer Synapse 2.0 client, Step unch the client and login to Razer Synapse 2.0.Step 2.From the client, click your display name to bring up a list of menu options.Select CHANGE PASSWORD.Step 3.In the next screen, enter your current Password, and the New Password. Re-enter the new password then click OK to confirm the change.4. USING RAZER SURROUNDNote: Each audio device and headset/headphone calibrated via Razer Surround forms a unique pair of settings that will be saved in your Razer Synapse 2.0 online cloud. This setting will be retrieved each time the same pairing of devices is selected in the Razer Surround SETTINGS tab. CALIBRATING YOUR AUDIO DEVICE USING THE CALIBRATION WIZARDA 5 step calibration wizard helps you set up your audio device for virtual 7.1 surround sound playback. If you are setting up your audio device for the first time, we recommend using this wizard for a step by step guide on the calibration process.Click START to launch the wizard.Step 1 of 5In step 1, Razer Surround detects all audio sources that are connected to and recognized by your computer and lists them in the box. Choose the audio device that you wish to configure. Click Test to ensure that the correct device has been selected.Click Next to continue to the next step.Step 2 of 5If you are configuring for a Razer headphone, select your headphone model from the dropdown list.Click Next to continue.Step 3 of 5This step introduces the calibration process. Read the instructions carefully and ensure that you are in a quiet environment in order to hear the audio prompts properly.In this figure, the mannequin represents your position. The green arrows on each segment represent the target direction of the audio playback for that particular segment. Each orange line represents the last saved calibration settings configured on Razer Surround.Click Calibrate Now once you are ready to begin the calibration.Position yourself according to the point of reference indicated by the mannequin. The calibration process is divided into a series of segments. An audio prompt will be played for each segment.For the first segment, the sound should be perceived as coming from the direction marked by the green target arrow, roughly North-East of your point of reference. Your aim is to move the sound you hear such that you perceive it to be coming from this target direction. To achieve this,1.Listen carefully to the audio prompt2.The sound you hear will change direction as you move the mouse scroll wheel orthe up/down arrow keys.3.Continue changing the direction of the sound until you perceive it to come fromthe North-East position or as close to the green target arrow as possible. Note: The orange line indicates the relative change to the previously saved alignment setting. It does not affect your current calibration, as it serves merely as a change indicator.Click Next to continue to the next segment. Repeat the above, using the green target arrow for each segment as the target direction and continue until you complete the circle.Once all segments are calibrated, click Next to go to the next step.Click Experience Surround Sound to test your personalized sound environment. To tweak a particular section, simply click it to play its audio prompt and adjust the settings as desired. To reset the entire configuration, click Reset All. Otherwise, click Finish to confirm the settings.A confirmation screen will be displayed. Click OK to save and exit the wizard.CALIBRATING YOUR AUDIO DEVICE USING MANUAL SETTINGSIf your audio device has already been set up previously for virtual 7.1 surround sound playback but you wish to tweak a few settings, you can choose to use the SETTINGS tab instead.Ensure that the Enable Virtual Audio Device checkbox is selected. You can then edit the settings including :∙Selecting an audio source∙Selecting a Razer headphone (if you are using one)∙Enabling the Auto select USB headphone when available option. This allows Razer Surround to automatically use the USB driver for your headphone if available.∙Aligning the sound direction to the target direction for each audio segment. Click Test to test your new configuration or click Demo to view a demonstration on how audio calibration can be performed.CONFIGURING AUDIO ENHANCEMENTSThe Audio Tab lets you control various options related to the audio you hear from your headphones.Using the various sliders, you can:∙Enable stereo enhancement for audio playback∙Adjust the overall volume of your headset∙Improve the bass output of your headset∙Normalize the loudness of audio played to avoid sudden and unpleasant increase in volume from effects such as explosions∙Enable voice clarity adjustments to improve the quality of incoming voice conversations. Voice Clarity adjustments includes both clarity (Presence Level) and volume (Volume Level) of incoming voice conversationsCUSTOMIZING EQUALIZER SETTINGSThe EQ Tab lets you filter various audio frequencies, controlling the overall tone of your audio output.A list of preset equalizer settings can be selected from the drop down menu, giving you easy access to various commonly used audio tones. You can also manually adjust each audio frequency using the sliders.5. LEGALESECOPYRIGHT AND INTELLECTUAL PROPERTY INFORMATIONCopyright © 2013 Razer Inc. All rights reserved. Razer, For Gamers By Gamers, and the triple-headed snake logo are trademarks or registered trademarks of Razer Inc. and/or affiliated companies in the United States or other countries. Windows and the Windows logo are trademarks of the Microsoft group of companies. All other trademarks are the property of their respective owners.Razer Inc. (“Razer”) may have copyright, trademarks, trade secrets, patents, patent applications, or other intellectual property rights (whether registered or unregistered) concerning the product in this Master Guide. Furnishing of this Master Guide does not give you a license to any such copyright, trademark, patent or other intellectual property right. Razer Surround (the “Product”) may differ from pictures whether on packaging or otherwise. Razer assumes no responsibility for such differences or for any errors that may appear. Information contained herein is subject to change without notice.。

Xonar D-KARAX(K歌之王)声卡麦霸应用指南宝师傅、游飘Xonar D-KARAX声卡作为华硕定位于网络K歌的主打产品，采用C-Media CMI8786音频处理器，拥有7.1声道输出，支持96KHz/24bit，信噪比高达106dB，失真度>0.0013%，支持无延迟实时播放、录音。

此外，Xonar D-KARAX声卡还支持华硕独有的Hyper Grounding 技术，使用多层PCB将数字信号的供电与模拟信号的供电隔离，降低模拟信号和数字信号之间的串扰，对回放和录音品质都会有帮助。

对于这款声卡，最耀眼的是卡上集成的Cirrus Logic CS47028C DSP芯片，具备极低的麦克风延迟，不仅可以提供硬件混响、压缩“EQ”，还有“HP LP”滤波（就是大家常说的“低切”、“高切”，在对于麦克风调节时，有着很好的作用，特别是对于低于80Hz以下的噪音，因为这个频段，人声几乎是没有的，所以对于MIC输入上，我们可以认为这个频段以下就是噪音）。

安装好驱动后，打开驱动界面，如下图：我们从上图可以看到声卡控制界面。

这里是一个简化版面，详细的调节和参数都隐藏着，稍后介绍。

这里，我们可以看到一个频谱分析仪，显示的是当前播放声音的一个频谱。

中间是当前的模式显示，有预设模式、EQ模式、和当前的输出模式及音量条。

右边是音量控制旋钮、音频平衡调节、静音控制。

而其他高级设置需要点击面板右下角那个三角形标志的按钮，就会弹出高级设置界面了。

这里才是控制界面的精华所在，也是体现这款带有硬件DSP音频芯片强大的地方。

这里我们可以看到调节分为两大类：音乐（MUSIC）和卡拉OK(Karaoke) 模式。

首先，我们先来说说音乐部分：一、MUSIC面板1、主设定系统音源这里是你的音箱声道选择，最多支持7.1的系统如果是耳机，推荐用 2声道模式。

采样率这里最大的采样率支持96KHz，普通音乐和用于K歌的话，推荐使用44.1KHz （因为鉴于各种音乐K歌平台的采样均为44.1KHz，这样兼容性是最好的）。