美国丽人的年轻人英语影评

美国丽人影评《美国丽人》是一部令人难以忘怀的电影，它以其深刻的情感和引人入胜的故事情节，给观众带来了强烈的感觉和共鸣。

首先，这部电影在视觉上给人一种震撼。

导演通过精心的摄影和布景，将美国郊区的平凡生活展现得如此细腻而又真实。

每一个画面都充满了细节和意义，无论是那些华丽的玫瑰花瓣还是平凡的街道，都传达出一种美丽和脆弱的感觉。

这种对细节的关注使得观众可以更好地理解和感受主人公的内心世界。

其次，电影中的角色塑造也非常出色。

主人公莱斯特（Lester）的转变令人动容。

他开始时是一个沮丧而平庸的中年男子，但在遇到一位年轻女邻居后，他逐渐找回了自己的激情和活力。

这个角色的转变让人深思，引发了观众对自己生活的思考。

我们都曾有过沉闷和失落的时刻，而莱斯特的故事给了我们希望，让我们相信生活中的美好和可能性。

此外，电影中的其他角色也给人留下了深刻的印象。

莱斯特的妻子卡罗琳（Carolyn）是一个表面看起来成功而精力充沛的女性，但她内心的空虚和不满却在电影中得到了揭示。

这种对现实生活的讽刺和批判，使得观众对社会中的虚伪和偏见有了更深刻的认识。

最后，电影中的音乐也是一大亮点。

从开头的《因为你》到结尾的《不再追求》，每一首歌都与情节相得益彰。

音乐的选择和运用，进一步增强了电影的情感共鸣。

观众不仅能通过视觉感受到角色的内心世界，而且通过音乐的力量，更加深入地理解他们的情感和挣扎。

总的来说，《美国丽人》是一部令人心动的电影，它通过精心的视觉呈现、深刻的角色塑造和动人的音乐，成功地引发了观众的感情共鸣。

这部电影让我们重新思考生活的意义和价值，同时也提醒我们要勇敢地追求自己的梦想和真正的幸福。

无论是通过莱斯特的故事还是其他角色的命运，电影《美国丽人》都给了观众无尽的思考和启发。

美国丽人影评
《美国丽人》是一部令人震撼的电影，它以其细腻的描绘和深刻的主题引起了我深深的共鸣。

首先，这部电影通过对主人公莱斯特·伯恩翰（Lester Burnham）生活的刻画，展现了现代社会中普遍存在的空虚和压抑。

莱斯特是一个中年男人，他的生活似乎已经失去了意义，工作乏味，婚姻破碎，他变得麻木和沉闷。

这种对现实生活的不满和渴望自由的心态，让我深深地感同身受。

我相信，很多观众也会在莱斯特身上找到自己的影子。

其次，电影通过对莱斯特与其他角色之间的关系描绘，探讨了人际关系中的复杂性和矛盾。

莱斯特与他的妻子卡罗琳（Carolyn）之间的冷淡和疏离，以及他与邻居简·伯恩翰（Jane Burnham）之间的禁忌恋情，都展示了人性的复杂性和欲望的冲突。

这种真实而令人不安的关系，让我深思人与人之间的相互作用和情感纠葛。

此外，电影还通过对美的追求和审美观念的探索，呈现了一种对美的渴望和迷恋。

莱斯特对他的女儿简的美丽着迷，对邻居的玫瑰花痴迷，这种对美的追求成为他逃离现实的一种方式。

这种对美的追求让我反思了美的定义和个人对美的追求的意义。

总的来说，《美国丽人》是一部引人深思的电影，它通过对现实生活的刻画和人际关系的描绘，引发了我对生活的思考和对人性的思考。

它让我意识到，我们每个人都有自己的渴望和追求，但同时也要面对现实的残酷和矛盾。

这部电影的魅力在于它不仅仅是一部娱乐作品，更是一部带给观众启示和思考的作品。

美国丽人影评
《美国丽人》是一部令人深思的电影，它给我留下了深刻的印象。

影片通过多
个视角展现了美国社会的种种问题，同时也深刻揭示了人性的复杂性和社会的虚伪。

首先，影片的叙事手法非常独特，通过多条线索交织在一起，展现了不同人物
的生活和内心世界。

每个角色都有自己的故事和矛盾，他们的命运交错在一起，呈现出了一幅错综复杂的社会画卷。

这种叙事方式让我感到震撼，也让我更加深刻地理解了人与人之间的联系和影响。

其次，影片对美国社会的批判也非常深刻。

从家庭、职场到社会，影片展现了
美国社会中种种问题，如家庭破裂、性别歧视、种族歧视等。

这些问题在现实生活中依然存在，触目惊心。

影片通过对这些问题的揭示和批判，让我深感社会的虚伪和不公，也让我更加关注社会的现实问题。

最后，影片对人性的揭示也非常深刻。

每个角色都有自己的矛盾和迷茫，他们
的内心世界充满了欲望和挣扎。

影片没有对人物进行简单的黑白划分，而是展现了他们复杂的内心世界和矛盾的情感。

这种对人性的揭示让我感到震撼，也让我更加深刻地理解了人性的复杂性。

总的来说，影片《美国丽人》给我留下了深刻的印象。

它通过多条线索交织在
一起的叙事方式展现了美国社会的种种问题，同时也深刻揭示了人性的复杂性和社会的虚伪。

这部电影让我深思，也让我更加关注社会的现实问题和人性的复杂性。

American Beauty 影评《美国丽人》是一部令人深思的电影，它通过细腻的描绘和引人入胜的故事情节，深深触动了我的内心。

首先，这部电影的拍摄手法和艺术表现力令人印象深刻。

导演萨姆·门德斯巧妙地利用了镜头语言和视觉效果，将角色内心的矛盾和挣扎以独特的方式呈现给观众。

特别是那些富有想象力和寓意的镜头，让我仿佛置身于主人公的内心世界，与他们一同感受着生活的苦闷和迷茫。

其次，影片对现代社会中常见的问题进行了深入的思考和揭示。

它以一个普通家庭为背景，通过展示主人公们的种种矛盾和不满，暗示了现代社会中人们内心的空虚和追求虚荣的现象。

这种对人性的深入剖析，让我在观影过程中产生了强烈的共鸣。

此外，影片中的角色塑造也非常出色。

凯文·史派西在片中扮演的莱斯特·伯恩汉姆是一个普通人，但他的内心世界却异常复杂。

他的转变和觉醒让我感到震撼，也让我思考起自己的生活。

而安娜贝尔·斯库里亚和萨姆·罗克威尔饰演的邻居夫妇则展现了不同类型的人物，他们的故事线索与主线相互交织，使整个故事更加丰满和有趣。

最重要的是，《美国丽人》给我带来了对生活的深刻思考。

它告诉我，我们常常追求表面的美丽和成功，却忽视了内心的真实需求。

电影中的人物们在不同的方式下都在追求自己内心的美丽，而这种追求却常常被社会的压力和期望所束缚。

这让我意识到，我们应该更加关注自己的内心世界，寻找真正属于自己的美丽和幸福。

总而言之，电影《美国丽人》是一部令人难以忘怀的作品。

它通过细腻的描绘和深入的思考，引发了我对生活和内心的思考。

它不仅是一部娱乐作品，更是一部启发人心的艺术品。

美国丽人观后感英文American Beauty: A ReflectionUpon watching the critically acclaimed film American Beauty, I found myself captivated by its thought-provoking storyline and profound exploration of the human condition. Directed by Sam Mendes, the movie delves into the deeply hidden desires, societal expectations, and the essence of true beauty that lie beneath the surface of American suburbia. American Beauty, both a critique and a celebration of American life, unravels the complexities of the human psyche and challenges our perceptions of beauty, happiness, and the pursuit of the American Dream.One aspect that stood out to me while watching the film was the portrayal of Lester Burnham, the middle-aged protagonist played brilliantly by Kevin Spacey. Lester, seemingly trapped in a monotonous existence, represents the disillusionment and discontent that can arise from conforming to societal norms. Through his narration, we are given a glimpse into his thoughts and feelings, revealing a deep dissatisfaction with his life. His rebellion against conventionality, epitomized by quitting his dull job and pursuing his fantasies, resonates with the audiences as a rebellion against the constraints imposed by societal expectations.One of the most memorable scenes in the film is when Lester discovers the beauty in the mundane through his infatuation with Angela, his daughter's best friend. The famous scene where Lester watches Angela lying on a bed of roses, her beauty illuminated in a gentle light, highlights his attraction to her youthful energy and vibrant appearance. In this moment, Lester experiences a profound awakening, realizing that true beauty goes beyond physical appearance and encompasses the freedom to express oneself authentically.Moreover, the film explores the complex dynamics of family and the façade of perfection often associated with the American Dream. Carolyn Burnham, played by Annette Bening, symbolizes the pursuit of material success and conformity. Carolyn's obsessive focus on maintaining the appearance of a perfect home and family reveals theunderlying emptiness she feels in her life. Her character reminds us of the relentless pressure society places on individuals to conform to certain societal standards, blurring the line between authenticity and the desire to meet external expectations.In contrast to Carolyn, Lester's daughter, Jane, grapples with her own struggles and insecurities. Thora Birch's portrayal of Jane beautifully captures the teenage rebellion and quest for identity. Her character arc provides an honest commentary on the challenges faced by young people in navigating their way through societal expectations and their own desires.Additionally, American Beauty portrays various aspects of love and relationships, depicting the complex intertwining of passion, longing, and vulnerability. The affair between Lester and Angela unveils the fragility of longing and a desperate attempt to recapture youth. Meanwhile, the relationship between Jane and Ricky, the peculiar boy next door played by Wes Bentley, offers a sense of hope and authenticity amidst the chaos. Their connection serves as a counterpoint to the superficiality and false facades prevalent in the suburban environment.Throughout the film, Mendes skillfully uses symbolism to enhance the narrative and provide deeper meaning. The iconic motif of the red rose petals serves as a visual representation of beauty, passion, and desire, while the swirling plastic bag becomes a metaphor for the search for meaning and fulfillment. These symbols contribute to the multi-layered nature of American Beauty, inviting the audience to interpret the film in their own unique way.In conclusion, American Beauty serves as a thought-provoking exploration of the complexities of the human experience. Through its nuanced characters, striking visuals, and profound storytelling, the film challenges societal expectations, norms, and the pursuit of beauty and happiness. As Lester Burnham declares towards the end of the film, "I guess I could be pretty pissed off about what happened to me, but it's hard to stay mad when there's so much beauty in the world." American Beauty reminds us that true beauty lies not only in appearance but in the authenticity and freedom to live life on one's own terms.。

美国丽人 American Beauty review by Roger Ebert关键字：英语电影影评"American Beauty" is a comedy because we laugh at the absurdity of the hero's problems.And a tragedy because we can identify with his failure--not the specific details, but the general outline.The movie is about a man who fears growing older, losing the hope of true love and not being respected by those who know him best. If you never experience those feelings, take out a classified ad. People want to take lessons from you.Lester Burnham, the hero of "American Beauty," is played by Kevin Spacey as a man who is unloved by his daughter, ignored by his wife and unnecessary at work. "I'll be dead in a year," he tells us in almost the first words of the movie. "In a way, I'm dead already." The movie is the story of his rebellion.We meet his wife, Carolyn (Annette Bening), so perfect her garden shears are coordinated with her footwear. We meet his daughter Jane (Thora Birch), who is saving up for breast implants even though augmentation is clearly unnecessary; perhaps her motivation is not to become more desirable to men, but to make them miserable about what they can't have."Both my wife and daughter think I'm this chronic loser," Lester complains. He is right. But they are not without their reasons. At an agonizing family dinner, Carolyn plays Mantovanian music that mocks every mouthful; the music is lush and reassuring, and the family is angry and silent. When Lester criticizes his daughter's attitude, she points out correctly that he has hardly spoken to her in months.Everything changes for Lester the night he is dragged along by his wife to see their daughter perform as a cheerleader. There on the floor, engrossed in a sub-Fosse pompon routine, he sees his angel: Angela (Mena Suvari), his daughter's high-school classmate. Is it wrong for a man in his 40s to lust after a teenage girl? Any honest man understands what a complicated question this is. Wrong morally, certainly, and legally. But as every woman knows, men are born with wiring that goes directly from their eyes to their genitals, bypassing the higher centers of thought. They can disapprove of their thoughts, but they cannot stop themselves from having them."American Beauty" is not about a Lolita relationship, anyway. It's about yearning after youth, respect, power and, of course, beauty. The moment a man stops dreaming is the moment he petrifies inside and starts writing snarfy letters disapproving of paragraphs like the one above. Lester's thoughts about Angela are impure, but not perverted; he wants to do what men are programmed to do, with the most beautiful woman he has ever seen.Angela is not Lester's highway to bliss, but she is at least a catalyst for his freedom. His thoughts, and the discontent they engender, blast him free from years of emotional paralysis, and soon he makes a cheerful announcement at the funereal dinner table: "I quit my job, told my boss to - - - - himself and blackmailed him for $60,000." Has he lost his mind? Not at all. The first thing he spends money on is perfectly reasonable: a bright red 1970 Pontiac Firebird.Carolyn and Jane are going through their own romantic troubles. Lester finds out Carolyn is cheating when he sees her with her lover in the drive-through lane of a fast-food restaurant (where he has a job he likes). Jane is being videotaped by Ricky (Wes Bentley), the boy next door, who has a strange light in his eyes. Ricky's dad (Chris Cooper) is a former Marine who tests him for drugs, taking a urine sample every six months; Ricky plays along to keep the peace until he can leave home.All of these emotional threads come together during one dark and stormy night, when there is a series of misunderstandings so bizarre they belong in a screwball comedy. And at the end, somehow, improbably, the film snatches victory from the jaws of defeat for Lester, its hero. Not the kind of victory you'd get in a feel-good movie, but the kind where you prove something important, if only to yourself."American Beauty" is not as dark or twisted as "Happiness," last year's attempt to shine a light under the rock of American society. It's more about sadness and loneliness than about cruelty or inhumanity. Nobody is really bad in this movie, just shaped by society in such a way they can't be themselves, or feel joy.The performances all walk the line between parody and simple realism; Thora Birch and Wes Bentley are the most grounded, talking in the tense, flat voices of kids who can't wait to escape their homes. Bening's character, a real estate agent who chants self-help mantras, confuses happiness with success--bad enough if you're successful, depressing if you're not.And Spacey, an actor who embodies intelligence in his eyes and voice, is the right choice for Lester Burnham. He does reckless and foolish thingsin this movie, but he doesn't deceive himself; he knows he's running wild--and chooses to, burning up the future years of an empty lifetime for a few flashes of freedom. He may have lost everything by the end of the film, but he's no longer a loser.美国丽人 American Beauty review by Cindy Fuchs关键字：英语电影影评It’s a tricky business to leave American Beauty feeling all right, but the film works very hard to make that possible, despite its dismal representation of suburban living.免费范文网免费范文网Scripted by first-time screenwriter Alan Ball (who used to write for Cybill and off-Broadway) and directed by British theater veteran Sam Mendes (Cabaret, The Blue Room), the film features Thora Birch, once Harrison Ford’s school-uniformed daughter in the Tom Clancy movies, now a really pissed-off teen named Jane, living in the generic ’burbs with her hateful and self-hating parents, Lester (Kevin Spacey) and Carolyn (Annette Bening). The poor kid doesn’t have a chance. She’s a morose cheerleader with pale skin and red-red lipstick, as well as a blond, burstingly beautiful best friend, Angela (Mena Suvari, the golden girl of American Pie), also on the squad, who absorbs all attention whenever they’re in the same space.Birch is absolutely brilliant. Her sophisticated performance of Jane’s despair and aspirations — to be like Angela, to be loved by her father or someone resembling him, to be anywhere but where she is, in a room where her mother is melting down before her eyes — save American Beauty from comic, surreal overkill. She anchors the film’s easy-target hysterics in a character whose face — more than any dialogue or situation —registers the dark nuances of adolescent fear, disgust and longing.However, most critical attention has been centered on the movie’s insights into Lester’s horrific existence. This is understandable, as he is the narrator. Right off the bat he tells us, "This is my life. In less than a year, I’ll be dead. Of course, I don’t know that yet. In a way I’m dead already." The language is brutal and lyrical. The scene beneath the voiceover is alarmingly sterile but extremely familiar: an overhead shot of a suburban neighborhood, all the houses alike, all the streets going nowhere. In an instant, he’s sympathetic, the heart of the film. You anticipate and dread his death, and wonder who will be responsible.You’re led to believe that it’s Jane, indirectly or other wise. The very first shot in the film is her face, on video, pouting. She’s talking to whoever holds the camera, whom we learn later is her boyfriend, a strange, desperate and abused new neighbor named Ricky (Wes Bentley). He affords his elaborate entertainment system by selling pot (to her dad) but he spends most of his time videotaping everyone, in particular Jane at allhours, from any position he can manage, as she crosses her lawn, gossips in the schoolyard, passes by her bedroom window. In this first scene, she talks about how unhappy she is, and how much she dislikes Lester. "I need a father who’s a role model," she says. "Someone should put him out of his misery." Off camera, Ricky offers to kill him for her.This offer is certainly foreboding, espec ially since it’s followed by Lester’s announcement of his imminent demise. As the action proceeds, Jane is revealed as being typically teenagerish in her wrath: that is, not convinced that what she thinks she wants is really what she wants. (Angela says that the worst thing is to be "ordinary," and Jane believes her for most of the film, also accepting Angela’s plainly unfounded judgment that she —Jane —is ordinary.) She’s also passive and fearful, despite her desperation, characteristics she’s absorbed f rom Lester and Carolyn (who sells real estate badly and has an affair with the local "real estate king," played by Peter Gallagher). But Ricky, he’s another story: a ticking time bomb, embodying the stereotype that suburban white boys are fast becoming in today’s mass-media eye. His backstory includes a pathologically passive mom (Allison Janney) and a menacing dad, Marine Colonel Frank Fitts (Chris Cooper, devastating in a truly troubling role).Fitts’ salient traits are ruthlessness, rigidity and homophob ia —the ’90s insta-signs of imminent suburban-guy breakdown — which definitively set him apart from Lester, who genuinely likes his gay neighbors and who becomes remarkably flexible once he loses his advertising job and falls in love with Angela. This latter development comes to resembles Lolita, in that Angela relishes her role as jailbait, misunderstanding it as a means to self-worth (a typical girl’s mistake, hardly pathological in her given environment). Lester’s redemption takes up the movie’s length and emotional focus, but he leaves walking disasters in his wake: most obviously, his undone wife andguilt-traumatized child.By the time these results become clear to you, the film will be over. It ends, as it promises in its opening frames, with Lester’s death. The face that will haunt you is Jane’s, as it haunts her father, her boyfriend and her mother. Mopey and dreamy, implacable and lovely, Jane, like Lissa in Best Laid Plans, wants more than she can imagine. If only the movies around them were so ambitious.American Beauty 美国丽人英语影评And there were a lot of great ones this year. I will also say something even (possibly) bolder--that Kevin Spacey gives the performance of his career. And all us movie geeks know that is saying a LOT, given this man's past roles, and his talent. I used to think he was overrated as an actor. Then I figured OK, I see what all the fuss is about. Now, he's up there wi t h my favorite actors of all time, with James Woods, Steve Buscemi, Robert Deniro...probably in the top 5.I was lucky enough to see a free screening this afternoon and boy, am I glad I had the privilege. In fact, this review might not even be that coherent- it's one of those movies that blows you away so much that you have trouble even putting your feelings into words.The plotline sounds trite when you first describe it (it did to me when I first heard about it), Spacey plays a man who describes himself as a loser, with Annette Bening as his horrible, shrewish, self-absorbed, pathetic b*tch of a wife. His daughter is not all that likeable either, despite the fact that you can understand why she turned out this way, with her as a mother. Just when you think you've met the most dysfunctional family in the world outside of "Happiness", you find out about the family who just moved in next door. At first, the strange son seems like the most messed-up member of their brood, but after you get to meet his ex-military, abusive, homophobic, terrifying father and his withdrawn, sad, headcase mother, you realize he is the most normal member of the household by far. Then, the filmwriters toss in Kevin Spacey's lustful obsession wi t h his daughter's sexkitten cheerleader friend, which trust me, is a lot more fun, entertaining, and amusing than it sounds when you read about it. Soon, he is having the most entertaining, amusing midlife crisis ever seen in the history of cinema. He just doesn't give a ***k about what he does or says anymore, and you only wish you could get away with doing the things he does.I found myself laughing out loud in this movie so many times, most of it horrified, amazed laughter at what is happening and the things that are coming out of the character's mouths, especially Spacey's. He had at least a dozen lines that had every member of the audience in hysterics and actual applause and cheers.I can't say enough good things about this movie. You think, after the first five minutes, that you know how the movie will end. Well, Spacey's opening narrative does give it away, but trust me, the events unfo ld in a way that you will NEVER see coming. You will swear you can see what a character is going to do next, what violent or self-destructice act they will commit, but you turn out to be wrong.Without getting too pretentious here, the movie lives up to it's theme/tagline of "...look closer". THe characters are not what they seem, up until the end, and even then they surprise you. At least two characters that you are POSI TIVE you have figured out, do or say something that turns all your preconceptions of them upside down, while making your jaw drop, and your heart ache. You will leave the movie with a smile, though, and that is maybe what I expected least of all.影评作业"American Beauty" is a comedy because we laugh at the absurdity of the hero's problems. And a tragedy because we can identify with hisfailure--not the specific details, but the general outline.The movie is about a man who fears growing older, losing the hope of true love and not being respected by those who know him best.Lester Burnham, the hero of "American Beauty," who is unloved by his daughter, ignored by his wife and unnecessary at work. "I'll be dead in a year," he tells us in almost the first words of the movie. "In a way, I'm dead already." The movie is the story of his rebellion.We meet his wife, Carolyn , so perfect her garden shears are coordinated with her footwear. We meet his daughter Jane , who is saving up for breast implants even though augmentation is clearly unnecessary; perhaps her motivation is not to become more desirable to men, but to make them miserable about what they can't have.“American Beauty ”is not about a Lolita relationship, anyway. It's about yearning after youth, respect, power and, of course, beauty. The moment a man stops dreaming is the moment he petrifies inside and starts writing snarfy letters disapproving of paragraphs like the one above. Lester's thoughts about Angela are impure, but not perverted; he wants to do what men are programmed to do, with the most beautiful woman he has ever seen.All of these emotional threads come together during one dark and stormy night, when there is a series of misunderstandings so bizarre they belong in a screwball comedy. And at the end, somehow, improbably, the film snatches victory from the jaws of defeat for Lester, its hero. Not the kind of victory you'd get in a feel-good movie, but the kind where you prove something important, if only to yourself."American Beauty" is not as dark or twisted as "Happiness," last year's attempt to shine a light under the rock of American society. It's more about sadness and loneliness than about cruelty or inhumanity. Nobody is really bad in this movie, just shaped by society in such a way they can't be themselves, or feel joy.He does reckless and foolish things in this movie, but he doesn't deceive himself; he knows he's running wild--and chooses to, burning up the future years of an empty lifetime for a few flashes of freedom. He may have lost everything by the end of the film, but he's no longer a loser.。

《美国丽人》英文观后感影评《美国丽人》英文观后感影评Film in the beginning, male host Mr. of side white tell us the coda of affair:he dead.This can not help letting the person remind of more virtuous than benefit bosom of beginning.Male leading role William the lotus Er ascend of the corpse float to float on the swimming pool, but he of the voice lead us to return to a story of beginning, narrate in detail from the beginning.Although a lot of movie usage so of means, few enough solidly knit physique to enough start to prop up a final outcome which have been already know.Perhaps BEof each the aspect all suited more contemporary American of life practice with appreciate beauty appetite, should the slice acquired to unprecedentedly clip a way shout in mainland in the United States, regardless is that a film criticism or an audience be all obtain what one has wished for a long ti general fight to be the first of crush into movie theater.Although should slice at whole the United States of 429 cinema project, it the receipt of a film gross earnings in two weeks have already rank five, it sensation effect perhaps only havecan place on equalfooting.In addition, should slice's being also a scene be infinite on each big movie stanza(particularly is the United States various film criticism association), cover with Jing to cut Ji, with one action bagged more than 50 items to judge and decide medium of more than 100 awards.Such as the Best Actor, Best Cinematography, Best Director of 20XX年Oscar, Best Film, the best and original manuscript etc. laurel wreath already good enough to elucidation: “Beautiful person in the United States" is notaher"die don't feel Xiao" of the United States dream.《美国丽人》英文观后感影评It's an incredible film about a taleny musician. His parents abandoned him on a steam ship which traveled to American from other places.The boy was brought up by a Negro who gave him the name 'Danny Boodmann T.D. Lemon Nineteen hundred .' His dad was killed in an accident and then he showed his talent in piano playing. He became a pianist on the steam boat in a group of 4 to 5 people.He never cooperated and always let his piano be aware of by the people in the dance floor so that other players would stop and look at those noblemen and noblewomen dancing crazily following the music .1900'skill was also well known among the people on the land . He hadn't got off the boat evenfor one time .He had seen uncountable people go to America to look for their dreams .He thought that the people on the land was too busy and didn't know what they were busy for.He wanted to do what he liked, what was easy ,what could make him happy. He could do anything but be ordinary.He was born on the boat and lived his all life on it .Just like a brief note passed through our ears and disappeared ."The legend of 1990" Was directed by Giuseppe Tornatore .It was written by Alesscandro Baricco .Tim Roth played the role of 1900. The film was attractive because of its amazing plot ,wonderful actor ,meaningful opinion and the excellent music .The sound of the piano had its moods and feelings .When 1900 met a graceful girl ,the sound became lyric.When he was arround by the poor who were enthusiastic ,the sound became brisk .When he played alone ,the sound became sad .The changeable appeared any time in the film. 1900's last song was silence .Before a dull explosion ,his fingers moved in the air ,played his last note.The film let me think a lot on life .I'll definitely recommend it to you .Let the music start ,telling you the legend of 1900.《美国丽人》英文观后感影评Leggenda del pianista sull'oceano,laTake a piano. The keys begin, the keys end. You know there are eightyeight of them, nobody can tell you any different. They are not infinite. You are infinite. And on these keys the music that you can make is infinite. I like that. That I can live by.What I didn't see. In all that sprawling city there was everything except an end. There was no end. What I did not see was where the whole thing came to an end. The end of the world...You get me up on that gangway and you're rolling out in front of me a keyboard of millions of keys, millions and billions of keys that never end.That they never end. That keyboard is infinite. And if that keyboard is infinite, then on that keyboard there is no music you can play. You're sitting on the wrong bench. That's God's piano.How do you choose just one? One woman, one house, one piece of land to call your own, one landscape to look at, one way to die...I was born on this ship, and the world passed me by, but two thousand people at a time. And there were wishes here, but never more than fit between prow and stern. You played out your happiness, but on a piano that was not infinite. I learned to livethat way.。

影评 - 美国丽人
《美国丽人》是一部令人深思的电影，它深刻地揭示了现代社会中
的种种问题和挑战。

影片通过讲述一个普通家庭的故事，展现了人
们内心深处的挣扎和痛苦，引发了观众对生活、幸福和自我认知的
深刻思考。

首先，影片的拍摄手法非常出色。

导演运用了大量的镜头语言和视
觉符号，通过色彩、构图和镜头运动来表达人物内心的情感和矛盾。

尤其是影片中的玫瑰花，成为了一种象征，代表了美丽与痛苦的并存，给人留下了深刻的印象。

其次，影片的剧情和人物塑造也非常出色。

主人公莱斯特的转变和
成长，以及他与家人之间的关系变化，让观众产生了强烈的共鸣。

同时，影片还通过其他人物的故事，展现了各种社会问题，如家庭
破裂、青少年心理问题、性别歧视等，引发了观众对社会现实的思
考和反思。

最后，影片的音乐和配乐也非常出色。

音乐的选择和运用恰到好处，为影片增添了许多情感色彩，使得观众更容易被故事所吸引和感染。

总的来说，电影《美国丽人》是一部非常出色的作品，它通过对普
通生活的观察和揭示，引发了观众对生活和人性的深刻思考。

这部
电影不仅在艺术上获得了成功，更在情感上触动了观众的内心。

它是一部值得反复观看和品味的佳作。

青春片电影英语
青春片是指以青春为主题的电影作品，这类电影通常以年轻人的成长、爱情、友情以及对生活、社会的探索为主要内容。

许多经典的青春片不仅深受观众喜爱，也成为了英语学习者学习英语的好材料。

以下是一些经典的青春片及其英语学习价值：
1. 《四百击》(The 400 Blows)：这是法国导演弗朗索瓦·特吕弗的处女作，讲述了一个叛逆少年的成长故事。

这部电影的英语学习价值在于可以学习法语的发音和一些日常用语。

2. 《美国丽人》(American Beauty)：这是一部关于中年危机和家庭关系的电影，讲述了一名中年男子对生活的迷茫和寻找自我意义的故事。

这部电影的英语学习价值在于可以学习一些口语表达和词汇。

3. 《少年派的奇幻漂流》(Life of Pi)：这是一部关于生命和信仰的电影，讲述了一个少年在海上漂流的故事。

这部电影的英语学习价值在于可以学习一些高级词汇和表达方式。

4. 《致我们终将逝去的青春》(Youth)：这是一部中国电影，讲述了两个青春期的男孩和一个女孩之间的情感故事。

这部电影的英语学习价值在于可以学习一些中文表达在英文中的翻译方式和一些口语表达。

5. 《绿皮书》(Green Book)：这是一部关于种族歧视和友情的电影，讲述了一个黑人钢琴家与他的意大利裔司机在美国南部旅行的故事。

这部电影的英语学习价值在于可以学习一些美国南部口音和一些词汇。

以上是一些经典的青春片电影及其英语学习价值，希望能够对英语学习者们有所帮助。

- 1 -。

The Conflict of American beautyThe movie is titled with American beauty, which is a kind of American flower whose anthesis is short. As is shown in the movie, beautiful things will never last for a long time. Even the death symbolizing beauty in Ricky’s eyes won’t remain permanently. People’s pursuit of beauty has never been stopped. Thus, conflict emerges.In the pursuit of beauty, someone indulges themselves in illusion, while others choose to face the truth and awaken himself from dull boring life. This is strongly highlighted between Lester and Carolyn. Lester, a man at the age of forties, underwent the midlife crisis, only to get comfort to jerk off in the toilet. When he saw his daughter’s friend—Angela, he found the beauty of his life. What he was going to do revealed his determination to face the truth of dull life and awakening himself. Lester quitted his job and started to work out. The moment he was going to have sex with Angela and knew that Angela was virgin, he realized the most beautiful moment was to spend time with the people you really love, which was evidently shown in the scene he died.Carolyn, a working-mother control freak,whose pruning shears perfectly match her gardening clogs and whose personality proves as phony as her faithfulness, indulged herself in delusive phantom—the seemingly harmonious family, expensive-decorated house. Actually, she betrayed her husband and family to engage an affair with her real estate idol, and the expensive-decorated house came with mortgage. On the way of chasing the phony beauty, what she missed was the love from husband and daughter, and her own soul.Besides, in the pursuit of beauty, someone chooses to hold back, while someone choose not to hide, which is evidently shown between Ricky and Frank Fitts. Ricky, a drug, had never hidden his reverence and love for death. In his opinion, the death is the same as the second of god’s staring, from which people could see the beauty. The passage of life is amazing. The video tape of the plastic bag floating in the air and his witnessing of the homeless woman frozen to death showed his respect and appreciation to life and death plainly and frankly. As he said in the movie, “there was this entire life behind things and this incredibly benevolent force that wanted me to know that there was no reason to be afraid ever… sometimes there is so much beauty in the world, that I feel like I can’t take it, and my heart is just going to cave in”.Nevertheless, Frank Fitts, an US Marine Corps, who had his entire life complied withprinciples and routine and held the hatred of gays, was actually a homosexual. How ironic it was. He chose to hold back his inner desire of facing his sex-orientation bravely, which resulted in his wife’s mental illness and his son’s rebellion. His cowardice restrained his pursuit of life beauty. When he nerved himself to Lester, only to find that he met the wrong man. What he could do was to end Lester’s life, and continued to keep his principle and routines.Thus, the right attitude to beauty is to try to relax, and don’t hold on to it. And then all the beauty will flow through you like rain to make you feel gratitude to life.对死亡充满敬畏。

美国丽人 American Beauty 英文影评Nothing beats death for establishing a detached, omniscient point of view, and from the very beginning of Sam Mendes's haunting and accomplished debut feature (and one of the year's first significant films), it's made clear that its hero, middle-aged, middle-class lost soul Lester Burnham (Kevin Spacey) is a goner. Lester's flashback voiceover narration has the sardonic serenity of the beyond, an anarchistic wisdom as he observes himself jerking off in the shower ("This will be the highlight of my day), spies on wife Carolyn (a strident and fragile Annette Bening) tending the title roses ("See how her clogs match the handles of her pruning shears? It's not a coincidence."), or looks in on sullen and unhappy daughter Jane (Thora Birch, with soulful, accusing eyes) surfing the Internet for breast augmentation sites ("I'd tell her things get better, but I don't want to lie"). His secret? "In less than a year, I'll be dead. . . . But in a sense, I'm dead already."Who actually kills Lester is a mystery. Is it Jane, who's shown on video saying her dad is a "lame-o" who should be put out of his misery? Carolyn, who takes out her frustrations at the shooting range? Colonel Fitts (Chris Cooper), the new neighbor with the militant right-wing views and the extensive firearms collection? In the end, it makes no difference.As for Lester's spiritual death, it's one of the most common themes in American literature and film, and Mendes and first-time writer Alan Ball deserve credit for bringing this hollow man to life. Mostly, though, it's Spacey's movie, as his impeccable timing, coy superciliousness and rueful knowingness provide the tone and tension that illuminate it. Like the gimpy loser he played in The Usual Suspect, his Lester starts out unimpressively, embarrassing himself in front of his wife and daughter both in social settings and at the dinner table. But Spacey's diabolical smile suggests that his days as suburban doormat adrift in a '90s updating of John Cheever's white-collar wasteland (the film is reminiscent of that writer's "The Country Husband") will not be for long.His rebirth begins at a high-school basketball game where he and Carolyn, in a misconceived attempt to be better parents, watch Jane run through a new dance routine with the cheerleading squad. His patient gaze changes to ardor as the camera singles out the nubile features of Angela (vivid newcomer Mena Suvari), whose insinuating smile seems meant just for him. Mendes, however, overplays the moment: a spotlight shines on Angela, everyone else in the gym disappears, and she opens her blouse to unleash a cascade of rose petals, the hallmark of Lester's fantasy sequences, and one of the film's less compelling metaphors for beauty.Mendes is more restrained in Lester's second epiphany, when at a shindig for Carolyn's real-estate job he slips out back with Ricky Fitts (Wes Bentley, like a laconic Christian Slater with spooky presence), the colonel's son, who's catering the affair. Tiny figures framed by a blank wall and the asphalt of a parking lot, the two get loopy and hilarious on the dope that is the real source of Ricky's income. "I think you're become my new personal hero," says Lester when Ricky quits and tells his intruding boss to get lost.In effect Ricky becomes the film's hero, too, since he embodies the youth, idealism, and poetry that Lester abandoned along with his dream of owning a 1970 Firebird. Ricky also embodies much of the visual sense that distinguishes the style of this director (who's known for his striking stage productions of Cabaret and The Blue Room). Oppressed by his fascist dad (one of the film's few stereotypes that fails to transcend itself), Ricky buys video equipment with his dope money and shoots random moments of morbid beauty, such as a dead bird, a whirling plastic bag in a leaf-littered alley, and Lester's bruised-petal daughter. It's the beginning of a courtship between Ricky and Jane, and the interplay of self-conscious imagery, voyeurism, and desire recalls Steven Soderbergh's sex, lies and videotape and Krzysztof Kieslowski's A Short Film About Love.Lester, meanwhile, pumps iron while stoned to get buff for Angela, extorts a year's severance pay from his soul-destroying job, and is mostly amused when his wife has an affair with Buddy Kane (a graying Peter Gallagher, looking like a monstrous fusion of George Hamilton and Michael Dukakis), the real-estate king. The details of the dead man's ultimate fate are a bit of a letdown, but as he posthumously notes, it's hard to stay mad when there's so much beauty in the world, and in that regard, this near-masterpiece is true to its title.。

美国丽人影评《美国丽人》是一部令人难以忘怀的电影，它通过生动的故事情节和深刻的人物描写，给观众带来了强烈的感觉和共鸣。

首先，电影以一个普通家庭为背景，展现了现代社会中普遍存在的问题和挑战。

主人公莱斯特（Lester）在中年危机中迷失了自我，他的生活充满了压力和不满。

这种情感状态使得观众能够与他产生共鸣，因为我们每个人都会在生活中经历类似的困惑和挣扎。

其次，电影通过对人物内心世界的深入描写，展现了人们对自由和幸福的追求。

莱斯特通过重新发现自己的激情和渴望，摆脱了束缚他的生活模式。

这个过程中，观众能够感受到他内心的变化和解放，这让我们思考自己是否也需要重新审视并追求自己真正想要的生活。

此外，电影还通过对家庭关系和人际关系的描绘，探讨了现代社会中的孤独和疏离感。

莱斯特的妻子卡罗琳（Carolyn）在追求表面上的成功和完美的生活时，忽略了家庭和亲情的重要性。

这种冷漠和疏离感在观众心中引起了深深的共鸣，使我们反思自己是否也在追求外在的成功时忽略了真正重要的东西。

最后，电影通过精美的摄影和音乐，营造了一种独特的氛围和情感。

每个镜头都充满了美感和艺术性，让观众沉浸其中。

而音乐则巧妙地与情节相结合，增强了电影的感染力和观赏性。

总之，《美国丽人》是一部引人深思的电影，它通过对现代社会问题的揭示和人物内心的探索，给观众带来了强烈的感觉和共鸣。

无论是对生活挣扎的共鸣，对自由和幸福的追求，还是对孤独和疏离感的思考，这部电影都能够触动观众的内心，并引发深入的思考。

同时，其精美的摄影和音乐也让观众沉浸其中，享受电影带来的艺术享受。

英语影片little woman观后感全文共3篇示例，供读者参考篇1"Little Women" is a timeless classic that has captured the hearts of audiences for generations. The recent film adaptation directed by Greta Gerwig is a beautiful and poignant retelling of Louisa May Alcott's novel, bringing the beloved characters to life in a new and refreshing way.One of the most striking aspects of the film is the strong sense of sisterhood and female empowerment that permeates every scene. The four March sisters – Meg, Jo, Beth, and Amy –are each unique and complex characters with their own hopes, dreams, and struggles. Through their close bond and unwavering support for each other, they navigate the challenges of growing up in a patriarchal society, finding strength in their unity and resilience in the face of adversity.The performances in "Little Women" are outstanding, with Saoirse Ronan shining as the headstrong and independent Jo March. Florence Pugh, Emma Watson, and Eliza Scanlen also deliver powerful performances, bringing depth and nuance totheir respective charac ters. Timothée Chalamet portrays the charming and enigmatic Laurie, adding a captivating dynamic to the story.One of the key themes explored in the film is the importance of pursuing one's dreams and aspirations, even in the face of societal expectations and limitations. Jo's ambition to become a successful writer and Amy's desire to be a renowned artist serve as inspiring examples of perseverance and determination in the face of adversity.The film also delves into the complexities of love and relationships, portraying the various forms of love that exist in the world – from sisterly bonds to romantic entanglements. The evolving dynamics between the characters are beautifully portrayed, adding layers of emotion and depth to the narrative.Overall, "Little Women" is a moving and powerful film that celebrates the enduring spirit of sisterhood, resilience, and the pursuit of one's dreams. Greta Gerwig's masterful direction, combined with stellar performances and a compelling storyline, makes this adaptation a must-see for fans of the classic novel and newcomers alike. I highly recommend watching "Little Women" for its profound message of empowerment, love, and the enduring strength of the human spirit.篇2"Little Women" is a timeless classic that has been adapted into numerous films over the years. However, Greta Gerwig's 2019 adaptation breathes new life into Louisa May Alcott's beloved novel, bringing the story of the March sisters to a new generation of viewers.One of the standout aspects of this adaptation is itsnon-linear storytelling, which adds a new depth to the narrative. By jumping back and forth in time, Gerwig is able to explore the thematic elements of the novel in a more nuanced way. The film delves into the complexities of sisterhood, identity, and the struggle for independence in a male-dominated world. The performances of the cast, especially Saoirse Ronan as Jo and Florence Pugh as Amy, bring these characters to life in a way that feels fresh and relatable.The film also does a superb job of capturing the emotional depth of the novel. From the joys and struggles of growing up to the heartbreaks and triumphs of love and loss, "Little Women" tugs at the heartstrings in a way that feels vivid and authentic. The film's beautifully crafted visuals, from the stunning costumes to the lush cinematography, further enhance the emotional impact of the story.In addition, Gerwig's adaptation succeeds in giving each of the March sisters their own distinct voice and agency. Rather than simply being defined by their relationships with men, each sister is given the opportunity to carve out her own path and define her own destiny. This feminist reimagining of the story feels relevant and empowering in today's context.Overall, "Little Women" is a poignant and powerful film that manages to stay true to the spirit of the original novel while adding its own unique flair. Its strong performances, emotional depth, and beautiful visuals make it a must-watch for fans of the novel and newcomers alike. Gerwig's adaptation is a testament to the enduring power of Alcott's story and a reminder of the timeless themes of love, family, and the pursuit of one's dreams.篇3"Little Women" is a classic story that has been told and retold in various forms throughout the years. The latest adaptation of the beloved novel by Louisa May Alcott is the 2019 film directed by Greta Gerwig. As a fan of the original story, I was excited to see how Gerwig would bring the March sisters to life on the big screen.From the opening scenes, I was captivated by the beautiful cinematography and the attention to detail in recreating the world of the March family. The film follows the lives of the four March sisters - Meg, Jo, Beth, and Amy - as they navigate the trials and tribulations of growing up in Civil War-era America. Each sister has her own struggles and dreams, and I found myself rooting for each of them in turn.One of the standout features of the film is the incredible performances by the cast. Saoirse Ronan shines as Jo, the fiercely independent writer who dreams of making a name for herself in a world that is not always kind to women. Florence Pugh delivers a nuanced performance as the youngest sister, Amy, who struggles to find her place in a world that often overlooks her talents. Emma Watson brings a quiet strength to the role of Meg, the eldest sister who must put her own dreams on hold to support her family. And the late Beth, played by Eliza Scanlen, brings a sense of vulnerability and sweetness to the story.But perhaps the most moving performance in the film comes from Laura Dern as Marmee, the March sisters' mother. Dern brings a warmth and wisdom to the role, serving as a guiding light for her daughters in times of struggle and uncertainty. Her scenes with each of the sisters are some of the most powerful inthe film, showcasing the bond of love and support that holds the family together in even the darkest of times.Overall, "Little Women" is a beautifully crafted film that captures the spirit of the original novel while adding a fresh perspective for a new generation. Greta Gerwig's direction is both heartfelt and innovative, bringing a sense of modernity to a story that is over 150 years old. The themes of love, family, and the pursuit of one's dreams are timeless, and this film serves as a reminder of the enduring power of Alcott's classic tale.In conclusion, "Little Women" is a must-see film for fans of the novel and newcomers alike. It is a moving and inspiring story that celebrates the strength and resilience of women in a world that often seeks to diminish their voices. I left the theater feeling touched and uplifted, grateful for the reminder that, no matter the trials we face, the love of family and the power of our dreams can see us through.。

# # #学院课程论文题目：从电影《美国丽人》看隐藏在美国社会肌肤内的种种“癌症”课程名称英语影视赏析考查学期2014/2015 学年第一学期考查方式课程论文姓名学号专业成绩指导教师从电影《美国丽人》看隐藏在美国社会肌肤内的种种“癌症”摘要：《美国丽人》这部影片的色调虽然不是黑白的，但却是晦涩的。

“世界如此之美，应该平静地去欣赏”，主人公莱斯特•伯纳姆死前的最后一席话启发到，人们要用崭新视角去看待周围的世界。

如此颇具哲理的结局既让观众对莱斯特-伯纳姆的离开充满悲伤，对人生意义价值产生新的思考。

物质带来便利，同时也带来太多负担，又有多少人，可以真的放下。

请宽容，让自己幸福，不能带给别人幸福至少不要带去伤害。

《美国丽人》是一部体现美国家庭伦理生活矛盾的黑色喜剧，影片线索繁多但却脉络清晰，充分显示了导演山姆-门德斯的深厚功力。

同时凯文-斯贝西的出色表演也是影片成功的保证。

关键词：晦涩；崭新；物质；伦理；黑色喜剧一、电影种类英语影视赏析这门课程对我们大学生来说，可以激发我们学习英语的兴趣，也可以让我们更加了解西方的文化。

通过我们所选修的英语影视鉴赏课程可以知道，英语电影可以分为：喜剧片、励志片、幽默片、爱情片、强档片、科幻片、剧情片、黑色片、战争片、动作片、惊悚片、恐怖片等等。

每种类型的影片，它所表达的东西和要呈现给观众的东西是不一样的。

二、电影简介《美国丽人》是一部美国剧情电影。

它以一个典型的美国中产阶级家庭为例，展示了隐藏在美国社会肌肤内的种种“癌症”。

这部影片从刚开始就预告了主角的生死：莱斯特•伯哈姆已经活不到一年了，而现在似乎还看不出什么迹象……，一直响着的背景音乐也是时而晦涩时而低沉的。

男主莱斯特在服务了14年的公司里面临着随时被炒鱿鱼的危险，在拜金霸道的妻子面前也是无能懦弱的形象，在女儿面前更是不能作为模范榜样，似乎在谁的面前都是失败者。

直至，遇到女儿的同学安吉拉之后，他重燃了对生活的希望。

《美国丽人》影评近些年来，很多美国电影尝试从阴暗面去反思那些在人们想象中应该是完美的白栅栏、小房子、小家庭。

对很多美国人来说，这种城郊生活是他们的“美国梦”。

但对有些人，这也许是一团扭曲的梦魇，充斥着未竞的愿望、被压抑的欲念和破灭的理想。

平静的表面下经常隐藏着孳生紊乱、焦虑、伪善的土壤。

导演大卫·林奇（David Lynch）正把这当作自己施展才华的舞台，他热衷于描述这种郊区生活的社会性堕落的根源，并且深入的进行解剖。

《美国丽人》（American Beauty）所记录的也是属于这个领域，但不像林奇的作品那么黑暗，因为它尚且存在瞬间的救赎。

一、死亡——“我四十二岁。

再有不到一年就会死去。

当然，那会儿我还不知道。

不过从某种意义上说,我已经死了。

”影片一开始，男主人公的旁白就告诉我们事情的结尾——他死了。

这不禁让人想起比利·怀德《日落大道》的开场：男主角威廉·荷尔登的尸体飘浮在泳池上，而他的声音带领我们回到故事的开始，细说从头。

虽然很多电影使用了这样的手法，但很少有足够坚实的织体能够支撑起一个已知的结局。

《美国丽人》是对典型的美国城郊生活带有讽刺意味的巡礼。

美丽的郊远小区、笔直的街道、路旁庭院前整齐而稀疏的树影、白房子红屋门，这些仿佛构成了一个完美的美国普通家庭。

但当我们走近它，在这个家庭里，莱斯特（Lester Burnham）——为所谓的“美国梦”牺牲的男主人——所追求的金钱和成功事业归于单调乏味的存在。

生活令他他感觉精神空虚、生命毫无价值。

凯文·斯派西（Kevin Spacey）成功地演绎了莱斯特——这个挣扎于激情不再的婚姻和无意义的职业泥沼中的身心疲惫的丈夫。

安尼特·贝宁（Annette Bening）饰演卡罗林（Carolyn）——莱斯特的精神压抑、整日为地产经纪工作驱使的妻子。

象大多数中产阶级妇女一样，卡罗林很容易被摆布，对自己的独立、自信深信不疑并为这一点从心底里怜惜自己。

美国丽人（American Beauty）影评电影评论：美国丽人（American Beauty）《美国丽人》是一部令人深思的电影，它以其真实而又震撼的故事，给观众带来了强烈的感觉和共鸣。

导演山姆·门德斯（Sam Mendes）通过对美国中产阶级家庭的描绘，勾勒出了一个追求表面美丽的社会对个体造成的压力和伤害。

首先，电影通过对主人公莱斯特（Lester）的刻画，揭示了现代社会中个体的迷失和焦虑。

莱斯特是一个中年男人，他在事业上陷入了困境，婚姻也变得平淡无奇。

他开始重新审视自己的生活，追求自己真正的内心渴望。

这种对自我认同的探索和追求不仅让观众感到共鸣，也让我们反思自己是否真正活出了自己的生活。

其次，电影通过对家庭关系的描绘，展现了人际关系的复杂性和脆弱性。

莱斯特的妻子卡罗琳（Carolyn）在外人面前保持着完美的形象，但内心却充满了不满和焦虑。

她的女儿简（Jane）也在寻找自己的身份和自由。

这些家庭成员之间的纠葛和矛盾，让观众深刻地感受到了现实生活中家庭关系的复杂性。

此外，电影还通过对美的追求和表面美丽的批判，让观众思考了现代社会中对外在形象的过度追求。

卡罗琳作为一个地产经纪人，对房子的美化和销售充满了热情，但内心却感到空虚。

而莱斯特则迷恋上了他女儿朋友的美丽，这种对表面美丽的追求最终将他引向了悲剧。

电影通过这些人物的故事，提醒观众要珍惜内心的美丽和真实。

最后，电影的摄影和音乐也给观众带来了强烈的感受。

山姆·门德斯运用了大量的慢镜头和富有诗意的画面，展现了生活中的细节和美感。

配乐也充满了情感，与故事情节相得益彰。

这些技术手法让观众更加沉浸在电影的氛围中，加深了对故事的理解和共鸣。

总的来说，电影《美国丽人》通过对现代社会中个体迷失、家庭关系和美的追求的描绘，给观众带来了强烈的感受和共鸣。

它让我们反思自己的生活和价值观，并提醒我们要珍惜内心的美丽和真实。

这部电影不仅是一部优秀的艺术作品，更是一面镜子，反映了现实社会中的问题和挑战。

美国丽人影评第一篇：美国丽人影评寻找生命之美——《American Beauty》影评《美国丽人》这部1999年度的第72届奥斯卡最佳影片犀利地揭示了美国日常生活的“众生相”。

它以一个典型的美国中产阶级家庭为例，呈现在我们眼前的是完美的“美国梦”，物质高度发达，人们衣食无忧，美国梦的背后却隐藏着中年危机的焦虑，个人价值观的紊乱，青春期的骚动，盲目追求金钱地位，被虚假的成功蒙蔽，以及压抑下人性的扭曲都在看似平静的生活中滋生、蔓延。

凯文·斯派西（Kevin Spacey）成功地演绎了Lester——这个挣扎于激情不再的婚姻和无意义的职业泥沼中的身心疲惫的丈夫。

Lester 的妻子Carolyn，像很多中产阶级妇女一样，整日为地产经纪工作驱使，为了所谓的成功努力着，紧张压抑，缺乏安全感，带着对丈夫的鄙夷感生活着。

Lester的女儿Jane对父母心存怨愤，厌恶父亲的懦弱，母亲的虚假，在迷茫不安的青春期与父母日渐冷漠疏远。

这个家庭内部已是危机四伏，但表面上总还是相安无事。

因为大家都认可了这样的生活局面，妥协着，忍耐着，相信着，然后告诉着也说服着自己，这就是生活的常态，就该如此。

表面上这个平庸无能、深陷于中年危机焦虑中的男人似乎早已习惯了这种机械化流水化，毫无激情可言的人生，直到他遇到了自己女儿的高中同学和朋友——金发碧眼的啦啦队长Angela。

Angela青春，美丽，他的出现给Lester乏味的人生注入了一剂强心剂，他第一次为活着感到欣喜万分，感到自己有时间尽情享受曾经错过的缤纷的美丽。

他辞去了索然无味的工作，开始健身，跑步，为追寻曾经错失的缤纷和美丽努力着，在快餐店炸汉堡，听摇滚，吸大麻，用自己的积蓄买下了自己喜爱的老式跑车，并向妻子明确表示自己对夫妻生活完全没有兴趣，在幻想Angela的梦境中享受着自我，Lester的改变丝毫没有引起妻子的重视，她觉得Lester疯了，敢于驳斥自己的观点，女儿也觉得父亲很可悲，居然幻想着自己的同学。