泰坦尼克号英语短剧剧本

The Adventures of Titanic剧本编撰：Whitney旁白：Long, long ago, there was a kingdom named Arendelle. The country was rich and the people lived in peace. However, the king and the queen of the kingdom were very avaricious, and they craved the legendary jewel--The Heart Of The Ocean. But they didn’t kno w how to find it until one day.第一幕演员——巫师\皇后\国王\大臣King和Queen坐在座位上，大臣跑进来。

大臣(兴奋地跑进来)：Your Majesty. Here comes a witch, and she said she knew how to find the heart of the ocean.国王（从座位上跳起来，兴奋地）:Really? Let her in at once! I’m gonna see her. If I get the jewel, I will be the richest and the most powerful man in the world.女王(生气,对着King)：What? You wanna have it for yourself? How dare you!The King(秒怂，拿出要跪搓衣板的气势):Oh, my sweetheart. How can that be? The most beautiful jewel should be given to the most beautiful lady. The necklace is certainly yours, my honey. (托一下皇后的下巴,宠溺状)The Queen(气消了一丢丢，做作的)：Well, let him in, just wait and see. The Witch（跪下）: Your majesty, it’s my hon or to be able to serve you. Oh, you are so charming, my queen……The Queen(不耐烦地打断)：Okay, I’ve had enough of your garbage. Just tell me where the jewel is, or I'll cut off your head!（巫师很慌，水晶球也掉了，跪在地上，很怕）The King(一边安抚Queen，一边对Witch说)：Easy, honey. Well, just show us the necklace. If you can really find the jewel, I promise you promotion and wealth.The Witch（慢慢平复情绪，找回水晶球）：Well, Let me see, let me see……（摸水晶球）Emm…I see…The priceless necklace belongs to a boy named Jack. He seems like an orphan, lonely, poor, and lives a very, very hard life. Oh, what a poor little thing.The Queen: Tell me where he is!The Witch: He is far away from us, and it's hard to find where he is right now. But I can cast a spell and lead him to us! I'll give him a steamer ticket of Titanic to here, Arendelle. It's an opportunity for him to find a bright future, he must can't refuse. This will also be our chance to get the jewel--the heart of the ocean.The King: But what if he doesn't want to give it to me?The Witch: Your majesty，I have an idea……（巫师招呼大臣一起过来，凑上去窃窃私语，国王点头）第二幕演员——Jack\老乞丐（大臣）\闲杂人等通往命运之地船票！还是……（旁白说的时候大家（船上人员）聚在一起看墙上的告示，议论纷纷，此时（大臣扮演的）乞丐地坐在旁边，但是人们都不屑看他一眼，Jack看了看公告，落魄地埋着头从人群中出来，看到了一旁要饭的大臣）旁白：The following morning, there's sensational news on the front page: The king and queen of Arendelle decide to build a grand ship named Titanic, and only the noble and the rich can get the opportunity to get on and move to Arendelle.老乞丐（大臣假扮的，坐在地上很可怜的样子）：Could you give me something to eat? I've been hungry for days.Jack(上场看到了一个老乞丐，拿出口袋里仅剩的面包，有些犹豫的)This is the only food I have.（稍微思考，给他）老乞丐（很感动，快哭了)：Thank you, thank you！God bless you! Many people passed by, but you are the only one who gives me food. (说完大臣一口吃下了面包，并且叫住了正要转身离开的Jack，同时拿出船票递给Jack)This is the reward for your kindness.Jack(有些犹豫)：No, I can't accept it.老乞丐（笑着）：Thanks, good boy. But this is what you deserve for your kindness. Just take it and enjoy the journey.Jack: Thank you.（Jack走远之后仔细地看了那张船票，发现竟然是登上那艘Titanic的票）Jack(超级无敌惊讶，超级无敌开心)：It's a steamer ticket of…… The Titanic！ What a chance for me! I can start a brand new life! I have to make good prepare for the journey.（Jack回头一望刚刚乞丐坐的地方，但却发现他早已不见了踪影）第三幕演员——Jack\Rose\闲杂人等Jack & Rose，命定之人！擦出的是怎样的火花？（众人登上泰坦尼克号）（屏风稍做分隔，贵妇、海妖少女、等乘客落座）(Rose在船头栏杆外爆哭。

[英文电影剧本]TITANIC(泰坦尼克号)(JamesCatitanica screenplay by james cameroncast:kate winslet... rose dewitt bukaterleonardo dicaprio... jack dawsonkathy bates... the unsinkable molly brownbilly zane... caledon hockleybill paxton... brock lovettwritten and directed by:james cameron1 blacknessthen two faint lights appear, close together... growing brighter. theyresolve into two deep submersibles, free-falling toward us like expresselevators.one is ahead of the other, and passes close enough to fill frame, lookinglike a spacecraft blazing with lights, bristling with insectilemanipulators.tilting down to follow it as it descends away into the limitless blacknessbelow. soon they are fireflies, then stars. then gone.cut to: 2 ext./ int. mir one / north atlantic deeppushing in on one of the falling submersibles, called mir one, right up toits circular viewport to see the occupants.inside, it is a cramped seven foot sphere, crammed with equipment. anatoly mikailavich, the sub's pilot, sits hunched over his controls... singingsoftly in russian.next to him on one side is brock lovett. he's in his late forties, deeplytanned, and likes to wear his nomex suit unzipped to show the gold fromfamous shipwrecks covering his gray chest hair. he is a wiley, fast-talkingtreasure hunter, a salvage superstar who is part historian, part adventurerand part vacuum cleaner salesman. right now, he is propped against the co2 scrubber, fast asleep and snoring.on the other side, crammed into the remaining space is a bearded wide-bodynamed lewis bodine, who is also asleep. lewis is an r.o.v. (remotelyoperated vehicle) pilot and is the resident titanic expert.anatoly glances at the bottom sonar and makes a ballast adjustment.cut to:3 ext. the bottom of the seaa pale, dead-flat lunar landscape. it gets brighter, lit from above, as mirone enters frame and drops to the seafloor in a downblast from itsthrusters. it hits bottom after its two hour free-fall with a loud bonk.cut to: 4 int. mir onelovett and bodine jerk awake at the landing.anatoly(heavy russian accent)we are here.ext. / int. mir one and two5 minutes later: the two subs skim over the seafloor to the sound of sidescan sonar and the thrum of big thrusters.6 the featureless gray clay of the bottom unrolls in the lights of the subs. bodine is watching the sidescan sonar display, where the outline of a huge pointed object is visible. anatoly lies prone, driving the sub, his face pressed to the center port.bodinecome left a little. she's right in front of us, eighteen meters. fifteen. thirteen... you should see it.anatolydo you see it? i don't see it... there!out of the darkness, like a ghostly apparition, the bow of the ship appears. its knife-edge prow is coming straight at us, seeming to plow the bottom sediment like ocean waves. it towers above the seafloor, standing just as it landed 84 years ago.the titanic. or what is left of her. mir one goes up and over the bow railing, intact except for an overgrowth of 'rusticles' draping it like mutated spanish moss.tight on the eyepiece monitor of a video camcorder. brock lovett's facefills the black and white frame.lovettit still gets me every time.the image pans to the front viewport, looking over anatoly's shoulder, to the bow railing visible in the lights beyond. anatoly turns.anatolyis just your guilt because of stealing from the dead.cut wider, to show that brock is operating the camera himself, turning it in his hand so it points at his own face.lovettthanks, tolya. work with me, here.brock resumes his serious, pensive gaze out the front port, with the camera aimed at himself at arm's length.lovettit still gets me every time... to see the sad ruin of the great ship sitting long fall from the world above.anatoly rolls his eyes and mutters in russian. bodine chuckles and watches the sonar.bodineyou are so full of shit, boss.7 mir two drives aft down the starboard side, past the huge anchor while mir one passes over the seemingly endless forecastle deck, with its massiveanchor chains still laid out in two neat rows, its bronze windlass caps gleaming. the 22 foot long subs are like white bugs next to the enormous wreck.lovett (v.o.)dive nine. here we are again on the deck of titanic... two and a half miles down. the pressure is three tons per square inch, enough to crush us like a freight train going over an ant if our hull fails. these windows are nineinches thick and if they go, it's sayonara in two microseconds.8 mir two lands on the boat deck, next to the ruins of the officer'squarters. mir one lands on the roof of the deck house nearby.lovettright. let's go to work.bodine slips on a pair of 3-d electronic goggles, and grabs the joystickcontrols of the rov.9 outside the sub, the rov, a small orange and black robot called snoop dog,lifts from its cradle and flies forward.bodine (v.o.)walkin' the dog.snoop dog drives itself away from the sub, paying out its umbilical behindit like a robot yo-yo. its twin stereo-video cameras swivel like insecteyes. the rov descends through an open shaft that once was the beautifulfirst class grand staircase.snoop dog goes down several decks, then moves laterally into the first class reception room.snoop's video pov, moving through the cavernous interior. the remains of the ornate handcarved woodwork which gave the ship its elegance move through the floodlights, the lines blurred by slow dissolution and descending rusticle formations. stalactites of rust hang down so that at times it looks like anatural grotto, then the scene shifts and the lines of a ghostly undersea mansion can be seen again.montage style, as snoop passes the ghostly images of titanic's opulence:10 a grand piano in amazingly good shape, crashed on its side against awall. the keys gleam black and white in the lights.11 a chandelier, still hanging from the ceiling by its wire... glinting assnoop moves around it.12 its lights play across the floor, revealing a champagne bottle, then some white star line china... a woman's high-top 'granny shoe'. then something eerie: what looks like a child's skull resolves into the porcelain head of adoll.snoop enters a corridor which is much better preserved. here and there adoor still hangs on its rusted hinges. an ornate piece of moulding, a wall sconce... hint at the grandeur of the past.13 the rov turns and goes through a black doorway, entering room b-52, thesitting room of a 'promenade suite', one of the most luxurious staterooms ontitanic.bodinei'm in the sitting room. heading for bedroom b-54.lovettstay off the floor. don't stir it up like you did yesterday.bodinei'm tryin' boss.glinting in the lights are the brass fixtures of the near-perfectlypreserved fireplace. an albino galathea crab crawls over it. nearby are theremains of a divan and a writing desk. the dog crosses the ruins of the onceelegant room toward another door. it squeezes through the doorframe,scraping rust and wood chunks loose on both sides. it moves out of a cloudof rust and keeps on going.bodinei'm crossing the bedroom.the remains of a pillared canopy bed. broken chairs, a dresser. through thecollapsed wall of the bathroom, the porcelain commode and bathtub tookalmost new, gleaming in the dark.lovettokay, i want to see what's under that wardrobe door.several angles as the rov deploys its manipulator arms and starts movingdebris aside. a lamp is lifted, its ceramic colors as bright as they were in1912.lovetteasy, lewis. take it slow.lewis grips a wardrobe door, lying at an angle in a corner, and pulls itwith snoop's gripper. it moves reluctantly in a cloud of silt. under it is adark object. the silt clears and snoop's cameras show them what was underthe door...bodineooohh daddy-oh, are you seein' what i'm seein'?close on lovett, watching his monitors. by his expression it is like he isseeing the holy grail.lovettoh baby baby baby.(grabs the mike)it's payday, boys.on the screen, in the glare of the lights, is the object of their quest: asmall steel combination safe.cut to: 14 ext. stern of deck of kedysh - daythe safe, dripping wet in the afternoon sun, is lowered onto the deck of aship by a winch cable.we are on the russian research vessel akademik mistislav keldysh. a crowdhas gathered, including most of the crew of keldysh, the sub crews, and ahand-wringing money guy named bobby buell who represents the limitedpartners. there is also a documentary video crew, hired by lovett to coverhis moment of glory.everyone crowds around the safe. in the background mir two is being loweredinto its cradle on deck by a massive hydraulic arm. mir one is alreadyrecovered with lewis bodine following brock lovett as he bounds over to thesafe like a kid on christmas morning.bodinewho's the best? say it.lovettyou are, lewis.(to the video crew)you rolling?cameramanrolling.brock nods to his technicians, and they set about drilling the safe'shinges. during this operation, brock amps the suspense, working the lens tofill the time.lovettwell, here it is, the moment of truth. here's where we find out if the time,the sweat, the money spent to charter this ship and these subs, to come outhere to the middle of the north atlantic... were worth it. if what we thinkis in that same... is in that safe... it will be.lovett grins wolfishly in anticipation of his greatest find yet. the door ispried loose. it clangs onto the deck. lovett moves closer, peering into thesafe's wet interior. a long moment then... his face says it all.lovettshit.bodineyou know, boss, this happened to geraldo and his career never recovered.lovett(to the video cameraman)get that outta my face.cut to: 15 int. lab deck, preservation room - daytechnicians are carefully removing some papers from the safe and placingthem in a tray of water to separate them safely. nearby, other artifactsfrom the stateroom are being washed and preserved.buell is on the satellite phone with the investors. lovett is yelling at thevideo crew.lovettyou send out what i tell you when i tell you. i'm signing your paychecks,not 60 minutes. now get set up for the uplink.buell covers the phone and turns to lovett.buellthe partners want to know how it's going?lovetthow it's going? it's going like a first date in prison, whattaya think?!lovett grabs the phone from buell and goes instantly smooth.lovetthi, dave? barry? look, it wasn't in the safe... no, look, don't worry aboutit, there're still plenty of places it could be... in the floor debris inthe suite, in the mother's room, in the purser's safe on c deck...(seeing something)hang on a second.a tech coaxes some letters in the water tray to one side with a tong...revealing a pencil (conte crayon) drawing of a woman.brock looks closely at the drawing, which is in excellent shape, though itsedges have partially disintegrated. the woman is beautiful, and beautifullyrendered. in her late teens or early twenties, she is nude, though posedwith a kind of casual modesty. she is on an empire divan, in a pool of lightthat seems to radiate outward from her eyes. scrawled in the lower rightthe girl is not entirely nude. at her throat is a diamond necklace with onelarge stone hanging in the center.lovett grabs a reference photo from the clutter on the lab table. it is aperiod black-and-white photo of a diamond necklace on a black velvetjeller's display stand. he holds it next to the drawing. it is clearly thesame piece... a complex setting with a massive central stone which is almostheart-shaped.lovetti'll be god damned.cut to:16 inserta cnn news story: a live satellite feed from the deck of the keldysh,intercut with the cnn studio.announcertreasure hunter brock lovett is best known for finding spanish gold insunken galleons in the caribbean. now he is using deep submergencetechnology to work two and a half miles down at another famous wreck... thetitanic. he is with us live via satellite from a russian research ship inthe middle of the atlantic... hello brock?lovettyes, hi, tracy. you know, titanic is not just a shipwreck, titanic is theshipwreck. it's the mount everest of shipwrecks.cut to:17 int. house / ceramics studiopull back from the screen, showing the cnn report playing on a tv set in the living room of a small rustic house. it is full of ceramics, figurines, folk art, the walls crammed with drawings and paintings... things collected over a lifetime.panning to show a glassed-in studio attached to the house. outside it is a quiet morning in ojai, california. in the studio, amid incredible clutter,an ancient woman is throwing a pot on a potter's wheel. the liquid red clay covers her hands... hands that are gnarled and age-spotted, but still surprisingly strong and supple. a woman in her early forties assists her.lovett (v.o.)i've planned this expedition for three years, and we're out here recovering some amazing things... things that will have enormous historical and educational value.cnn reporter (v.o.)but it's no secret that education is not your main purpose. you're a treasure hunter. so what is the treasure you're hunting?lovett (v.o.)i'd rather show you than tell you, and we think we're very close to doing just that.the old woman's name is rose calvert. her face is a wrinkled mass, her body shapeless and shrunken under a one-piece african-print dress.but her eyes are just as bright and alive as those of a young girl.rose gets up and walks into the living room, wiping pottery clay from her hands with a rag. a pomeranian dog gets up and comes in with her.the younger woman, lizzy calvert, rushes to help her.roseturn that up please, dear.reporter (v.o.)your expedition is at the center of a storm of controversy over salvage rights and even ethics. many are calling you a grave robber.tight on the screen.lovettnobody called the recovery of the artifacts from king tut's tomb grave robbing. i have museum-trained experts here, making sure this stuff is preserved and catalogued properly. look at this drawing, which was found today...the video camera pans off brock to the drawing, in a tray of water. the image of the woman with the necklace fills frame.lovett...a piece of paper that's been underwater for 84 years... and my team are able to preserve it intact. should this have remained unseen at the bottom of the ocean for eternity, when we can see it and enjoy it now...?rose is galvanized by this image. her mouth hangs open in amazement.rosei'll be god damned.cut to: 18 ext. keldysh deck - nightcut to keldysh. the mir subs are being launched. mir two is already in thewater, and lovett is getting ready to climb into mir one when bobby buellruns up to him.buellthere's a satellite call for you.lovettbobby, we're launching. see these submersibles here, going in the water?take a message.buellno, trust me, you want to take this call.cut to: 19 int. lab deck / keldysh - nightbuell hands lovett the phone, pushing down the blinking line. the call isfrom rose and we see both ends of the conversation. she is in her kitchenwith a mystified lizzy.lovettthis is brock lovett. what can i do for you, mrs... ?buellrose calvert.lovett... mrs. calvert?rosei was just wondering if you had found the 'heart of the ocean' yet, mr.lovett.brock almost drops the phone. bobby sees his shocked expression...buelli told you you wanted to take this call.lovett(to rose)alright. you have my attention, rose. can you tell me who the woman in thepicture is?roseoh yes. the woman in the picture is me.cut to: 20 ext. ocean - daysmash cut to an enormous sea stallion helicopter thundering across theocean. pan 180 degrees as it roars past. there is no land at either horizon.the keldysh is visible in the distance.close on a window of the monster helicopter. rose's face is visible, lookingout calmly.cut to: 21 ext. keldysh - daybrock and bodine are watching mir 2 being swung over the side to start adive.bodineshe's a goddamned liar! a nutcase. like that... what's her name? thatanastasia babe.buellthey're inbound.brock nods and the three of them head forward to meet the approaching helm.bodineshe says she's rose dewitt bukater, right? rose dewitt bukater died on thetitanic. at the age of 17. if she'd have lived, she'd be over a hundred now.lovetta hundred and one next month.bodineokay, so she's a very old goddamned liar. i traced her as far back as the20's... she was working as an actress in l.a. an actress. her name was rosedawson. then she married a guy named calvert, moved to cedar rapids, had twokids. now calvert's dead, and from what i've heard cedar rapids is dead.the sea stallion approaches the ship, bg, forcing brock to yell over therotors.lovettand everybody who knows about the diamond is supposed to be dead... or onthis ship. but she knows about it. and i want to hear what she has to say.got it?cut to: 22 ext. keldysh helipadin a thundering downblast the helicopter's wheels bounce down on thehelipad.lovett, buell and bodine watch as the helicopter crew chief hands out aboutten suitcases, and then rose is lowered to the deck in a wheelchair bykeldysh crewmen. lizzy, ducking unnecessarily under the rotor, follows herout, carrying freddy the pomeranian. the crew chief hands a puzzled keldysh crewmember a goldfish bowl with several fish in it. rose does not travellight.hold on the incongruous image of this little old lady, looking impossiblyfragile amongst all the high tech gear, grungy deck crew and giganticequipment.bodines'cuse me, i have to go check our supply of depends.cut to: 23 int. rose's stateroom / keldysh - daylizzy is unpacking rose's things in the small utilitarian room. rose isplacing a number of framed photos on the bureau, arranging them carefullynext to the fishbowl. brock and bodine are in the doorway.lovettis your stateroom alright?roseyes. very nice. have you met my granddaughter, lizzy? she takes care of me.lizzyyes. we met just a few minutes ago, grandma. remember, up on deck?roseoh, yes.brock glances at bodine... oh oh. bodine rolls his eyes. rose finishesarranging her photographs. we get a general glimpse of them: the usual snapshots... children and grandchildren, her late husband.rosethere, that's nice. i have to have my pictures when i travel. and freddy ofcourse.(to the pomeranian)isn't that right, sweetie.lovettwould you like anything?rosei should like to see my drawing.cut to: 24 int. lab deck, preservation arearose looks at the drawing in its tray of water, confronting herself across aspan of 84 years. until they can figure out the best way to preserve it,they have to keep it immersed. it sways and ripples, almost as if alive.tight on rose's ancient eyes, gazing at the drawing.25 flashcut of a man's hand, holding a conte crayon deftly creating ashoulder and the shape of her hair with two efficient lines.26 the woman's face in the drawing, dancing under the water.27 a flashcut of a man's eyes, just visible over the top of a sketching pad.they look up suddenly right into the lens. soft eyes, but fearlessly direct.28 rose smiles, remembering. brock has the reference photo of the necklacein his hand.lovettlouis the sixteenth wore a fabulous stone, called the blue diamond of thethe neck up. the theory goes that the crown diamond was chopped too... recutinto a heart-like shape... and it became le coeur de la mer. the heart ofthe ocean. today it would be worth more than the hope diamond.roseit was a dreadful, heavy thing.(she points at the drawing)i only wore it this once.lizzyyou actually believe this is you, grandma?roseit is me, dear. wasn't i a hot number?lovetti tracked it down through insurance records... and old claim that was settled under terms of absolute secrecy. do you know who the claiment was, rose?rosesomeone named hockley, i should imagine.lovettnathan hockley, right. pittsburgh steel tycoon. for a diamond necklace his son caledon hockley bought in france for his fiancee... you... a week before he sailed on titanic. and the claim was filed right after the sinking. sothe diamond had to've gone down with the ship.(to lizzy)see the date?lizzylovettif your grandma is who she says she is, she was wearing the diamond the day titanic sank.(more)lovett (cont'd)(to rose)and that makes you my new best friend. i will happily compensate you for anything you can tell us that will lead to its recovery.rosei don't want your money, mr. lovett. i know how hard it is for people who care greatly for money to give some away.bodine(skeptical)you don't want anything?rose(indicating the drawing)you may give me this, if anything i tell you is of value.lovettdeal.(crossing the room)over here are a few things we've recovered from your staterooms.laid out on a worktable are fifty or so objects, from mundane to valuable. rose, shrunken in her chair, can barely see over the table top. with a trembling hand she lifts a tortoise shell hand mirror, inlaid with mother of pearl. she caresses it wonderingly.rosethis was mine. how extraordinary! it looks the same as the last time i sawit.she turns the mirror over and looks at her ancient face in the crackedglass.rosethe reflection has changed a bit.she spies something else, a silver and moonstone art-nouveau brooch.rosemy mother's brooch. she wanted to go back for it. caused quite a fuss.rose picks up an ornate art-nouveau hair comb. a jade butterfly takes flighton the ebony handle of the comb. she turns it slowly, remembering. we cansee that rose is experiencing a rush of images and emotions that have laindormant for eight decades as she handles the butterfly comb.lovettare you ready to go back to titanic?cut to: 29 int. imaging shack / keldyshit is a darkened room lined with tv monitors. images of the wreck fill thescreens, fed from mir one and two, and the two rovs, snoop dog and duncan.bodinelive from 12,000 feet.rose stares raptly at the screens. she is enthraled by one in particular, animage of the bow railing. it obviously means something to her. brock isstudying her reactions carefully.bodinethe bow's struck in the bottom like an axe, from the impact. here... i canrun a simulation we worked up on this monitor over here.lizzy turns the chair so rose can see the screen of bodine's computer. as heis calling up the file, he keeps talking.bodinewe've put together the world's largest database on the titanic. okay,here...lovettrose might not want to see this, lewis.roseno, no. it's fine. i'm curious.bodine starts a computer animated graphic on the screen, which parallels hisrapid-fire narration.bodineshe hits the berg on the starboard side and it sort of bumps along...punching holes like a morse code... dit dit dit, down the side. now she'sflooding in thebodine (cont'd)forward compartments... and the water spills over the tops of the bulkheads,going aft. as her bow is going down, her stern is coming up... slow at first... and then faster and faster until it's lifting all that weight,maybe 20 or 30 thousand tons... out of the water and the hull can't deal...so skrttt!!(making a sound in time with the animation)... it splits! right down to the keel, which acts like a big hinge. now thebow swings down and the stern falls back level... but the weight of the bow pulls the stern up vertical, and then the bow section detaches, heading for the bottom. the stern bobs like a cork, floods and goes under about 2:20a.m. two hours and forty minutes after the collision.the animation then follows the bow section as it sinks. rose watches this clinical dissection of the disaster without emotion.bodinethe bow pulls out of its dive and planes away, almost a half a mile, beforeit hits the bottom going maybe 12 miles an hour. kaboom!the bow impacts, digging deeply into the bottom, the animation now follows the stern.bodinethe stern implodes as it sinks, from the pressure, and rips apart from the force of the current as it falls, landing like a big pile of junk.(indicating the simulation)cool huh?rosethank you for that fine forensic analysis, mr. bodine. of course the experience of it was somewhat less clinical.lovettwill you share it with us?her eyes go back to the screens, showing the sad ruins far below them.a view from one of the subs tracking slowly over the boat deck. rose recognizes one of the wellin davits, still in place. she hears ghostly waltz music. the faint and echoing sound of an officer's voice, english accented, calling 'women and children only'.30 flash cuts of screaming faces in a running crowd. pandemonium and terror. people crying, praying, kneeling on the deck. just impressions... flashes inthe dark.31 rose looks at another monitor. snoop dog moving down a rusted,debris-filled corridor. rose watches the endless row of doorways sliding past, like dark mouths.32 image of a child, three years old, standing ankle deep in water in the middle of an endless corridor. the child is lost alone, crying.33 rose is shaken by the flood of memories and emotions. her eyes well up and she puts her head down, sobbing quietly.lizzy(taking the wheelchair)i'm taking her to rest.roseno!her voice is surprisingly strong. the sweet little old lady is gone,replaced by a woman with eyes of steel. lovett signals everyone to stayquiet.lovetttell us, rose.she looks from screen to screen, the images of the ruined ship.roseit's been 84 years...lovettjust tell us what you can--rose(holds up her hand for silence)it's been 84 years... and i can still smell the fresh paint. the china hadnever been used. the sheets had never been slept in.he switches on the minirecorder and sets it near her.rosetitanic was called the ship of dreams. and it was. it really was...as the underwater camera rises past the rusted bow rail, we dissolve / matchmatch dissolve: 34 ext. southampton dock - dayshot continues in a florious reveal as the gleaming white superstructure oftitanic rises mountainously beyond the rail, and above that the buff-coloredfunnels stand against the sky like the pillars of a great temple. crewmenmove across the deck, dwarfed by the awesome scale of the steamer.crowd of hundreds blackens the pier next to titanic like ants on a jellysandwich.in fg a gorgeous burgundy renault touring car swings into frame, hangingfrom a loading crane. it is lowered toward hatch #2.on the pier horse drawn vehicles, motorcars and lorries move slowly throughthe dense throng. the atmosphere is one of excitement and general giddiness.people embrace in tearful farewells, or wave and shout bon voyage wishes tofriends and relatives on the decks above.a white renault, leading a silver-gray daimler-benz, pushes through thecrowd leaving a wake in the press of people. around the handsome cars peopleare streaming to board the ship, jostling with hustling seamen and stokers,porters, and barking white star line officials.the renault stops and the liveried driver scurries to open the door for ayoung woman dressed in a stunning white and purple outfit, with an enormous feathered hat. she is 17 years old and beautiful, regal of bearing, withpiercing eyes.it is the girl in the drawing. rose. she looks up at the ship, taking it in。

12The Captain: Good morning, welcome to Titanic. And now we are about to start on our journey. Come on lads, SPEED UP!-------------------------------------------------------------------------------------------------------------------3Aside: The great ship, Titanic, which was called of “the ship of dream”，sailed for New York from Southampton on April 10th 1912. She was carrying one thousand three hundred sixteen passengers. At that time, however, she was not only the largest ship that had ever been built, but was regarded as unsinkable.-------------------------------------------------------------------------------------------------------------------4Aside: The hero named Jack Dawson is a penniless artist who won his third-class ticket in a poker game. The heroine called Rose Bukater is a rich girl, but she is bound by various powers. She trapped in a loveless engagement because of her mother is facing finance ruin. They first met each other in the bow. And then, they fell in love.---------------------------------------------------------------------------------------------------------------------5场景一（At the ball 在舞会上）Carl: Rose this ball is pretty good, isn’t it.Rose: Yes, well definitely.Carl: Our wedding will be much better than this ball, Rose. We’re going to marry very soon. I hope our marriage can be perfect.Rose:……marriage……marriage…… Oh! Sorry Carl, I am t ired. I want to get some rest.Carl: All right. Enjoy yourself. See you latter.---------------------------------------------------------------------------------------------------------------------6Jack: Hi, Rose. You look beautiful tonight. Can we have a dance?Rose: No, Jack. I need rest.Jack: Rose, you look you are in trouble. I can see you.Rose: What?Jack:You are not happy, I know how the world works. You don’t love Carl, Right?Rose:Sorry, Jack. You can’t say that. It’s impolite.Jack: Listen, Rose. You should find your own way……Rose: It’s not your business, Jack. Mr. Dawson, I have to leave.--------------Carl: Rose. You must be loyal to me.Rose: What……? I can’t understand you.Carl: Listen. Now you’re gong to marry me! You can’t fall in love with others, with that man! Rose: So, Mr. Carl. Why do you think I would marry you? I love you? No, no……---------------------------------------------------------------------------------------------------------------------789场景二（在船头In the bow）响音乐---------------------------------------------------------------------------------------------------------------------10Rose: Hello Jack. I change my mind. They said you might be ……Jack: Shh…… Give me your hand. Now close your eyes. Go on!…… Step up……Don’t peak.Rose: I’m not.Jack: hold on, hold on. Do you trust me?Rose: I trust you.Jack: All right. Open your eyes.Rose: Oh! Oh…… Jack! I am flying Jack! I am flying!---------------------------------------------------------------------------------------------------------------------11~14---------------------------------------------------------------------------------------------------------------------15Rose: I love you, Jack.Jack: Don’t do that. Don’t say good bye. Not yet. Do you understand me?Rose: I’m so cold.Jack:Listen, Rose. You are going to get out of here. You’re going to go on. You’re going to make lots of babies and you are going to watch them grow. You’re going to die an old, an old lady, warm in your bed. Not here. Not this night. Not like this. Do you understand me? Rose: I promise.Jack: Never let go.Rose:I will never let go, Jack. I’ll never let go.Rose: Jack. Jack. Jack. There’s a boat. Jack. Jack. Jack? Jack! Jack! There’s a boat, Jack. Jack. Rose: Come back! Come back! Come back! Come back! I’ll never let go. I promise.---------------------------------------------------------------------------------------------------------------------16 Rose: Now you know there was a man named Jack Dawson and that he saved me in any way that a person can be saved I don’t even have a picture of him. He exists now only in my memory. ---------------------------------------------------------------------------------------------------------------------1718 THANKS---------------------------------------------------------------------------------------------------------------------THE END。

泰坦尼克号英语短剧剧本（合集五篇）第一篇：泰坦尼克号英语短剧剧本旁白：It’s a cold evening.The Titanic has sunken.Rose, Jack and Oscar are on the life boat floating in the ocean.This is Jack.This is Rose and this is Oscar, her husband-to-be.（边说边介绍，三人坐在课桌上）Oscar: Oh, honey~ Are you OK?（边说边将手搭上Rose肩）Jack: She is my girl.（打开Oscar的手）Oscar: You are so cold.（脱下报纸披在R身上面向观众）what you wear, what you are.Jack: What are you doing!（扔掉校服，脱下自己的羽绒服抖了抖，面向观众）BoSideng（波斯登）, warm and comfortable, it’s my choice.（将羽绒服披在Rose身上）Rose:（向Jack）I love you.（向观众）But I love BoSideng more.Oscar: Hey!She is my wife-to-be, who are you? J ack: I am I.Wo de di pan wo zuo zhu（我的地盘我做主）.Oscar: People on the Earth all know, She and I will go to New York to have our wedding.Rose: But now…… Jack: Don’t say any more!T ake your knife out!（从口袋里掏出铅笔，紧握手中）Oscar: Ok.Let’s go fighting!（同样掏出铅笔紧握手中）Jack & Oscar: Fighting!（用铅笔互戳）----小蜜蜂~ Rose: No, no, no!Please stop!（拉二人）(J & O不小心将Rose推下桌子——落水）Rose: Help, help!（Jack & Oscar将拉上Rose桌子）Oscar: Honey, how are you? Rose:（向观众）PiaoRou（飘柔）, just so confident~（甩头发）（Rose不小心推Oscar，Oscar落水）Oscar: Help, help!Rose: Oh, no!（向Oscar伸手）（Jack抓过Rose的手，对视）Jack:（唱）你是我的玫瑰，你是我的花…You are my life, you are myhoney~ Rose: But……what about O scar？Jack: Don’t pay attention to him.Rose: OK.Darling~ I love you, loving you, like mouse love rice~ 旁白：At this time, Oscar has been far away……Jack and Rose are still floating in the ocean.It’s colder and colder.Jack: Do you feel cold?Rose: Yes.You see we are so lonely.Jack: Don’t worry.I have this!（从口袋里掏出打火机，并向观众展示）This is a magic DaHuoji（打火机）.（Jack按下打火机）（Superwoman上，胸前贴一张纸，上书S）Superwoman:（向观众）Do you know who am I? I am Superwoman!The famous Superman is my brother.I’m willing to help others.Rose: Would you please help us get away from here?（Superwoman无视，面向Jack）Superwoman: Oh, pretty boy~ Come here, I will save you.Jack: Take my girl together.Superwoman: No way!（Superwoman下）（Jack第二次按下打火机）（Indian Princess 上，向观众合掌问候）Princess: I am a princess from India.Rose: Would you please help us get away from here?Princess: OK.I have a magic blanket, maybe it can take you e on.（从口袋里掏出围巾）（Jack & Rose 尝试伸出脚，Princess上下晃动围巾）Princess: Oh, no, it’s broken!My blanket!（边说边后退，渐远）（IndianPrincess下）（Jack第三次还没按，Harry Potter上，提着扫帚）Harry: Yi? Where am I?（向观众）My name is Harry Potter.I’m from Hogwarts（霍格沃茨）.I lose my way.Rose: Would you please help us get away from here? Harry: I really want to help you, butmy ability is limited.（耸肩）Jack:（愤怒地）Oh, my god!Go away at once!（指向前方）（Harry Potter下）旁白：Suddenly, the life boat is shaking because Jack and Rose are too heavy.Jack: Rose, listen to me.I love you, but I will leave you.The boat can’t support us for a long time.You must live, so I will jump into the sea.Rose: No, no, no.Jump or not jump, this is a question.Jack: Then let the God decide it（二人低头虔诚祈祷状）Rose: God will bless us.（Jack和Rose同时从身后伸出手来，包剪锤）Jack & Rose: One two three!（Jack出锤子，Rose出包子）Jack: I lose.You see, it’s God’s choice.（Rose连连摇头）Rose: Oh, no.Jack, Jack, why your name is Jack!Jack: I wish you a happy life.Good-bye!（Jack跳下桌子，Rose伸手拉，未果）Rose: You jump, I jump.（Rose跳下桌子，O未死，继续叫救命……）（旁白唱my heart will go on，音乐起，全剧终。

Titanic（六人英语话剧）第一幕The Captain: Good morning, ladies and gentlemen. Welcome to Titanic. And now we are about to start on our journey. SPEED UP!All: SPEED UP!Aside: The great ship, Titanic, sailed for New York from Southampton on April 10th 1912. She was carrying one thousand three hundred sixteen passengers. At that time, however, she was not only the largest ship that had ever been built, but was regarded as unsinkable.Aside: The hero named Jack Dawson is a poor man. The heroine called Rose Bukater is a rich girl, but she is limited by various powers. They first met each other on the deck. And then, they fell in love.Rose: I am Rose Bukater, a rich girl. But I am not happy because of my unwilling marriage with Carl. I don’t love him at all, but I have to. I am the only hope for my family to bring back to life by this marriage with Carl. I don’t have any picture of my future life. However one man named Jack Dawson teaches me what real life is. Carl: Rose，this ball is pretty good, isn’t it？Rose: Yes, definitely perfect.Carl: Our wedding will be much better than this ball, Rose. We’re going to marry very soon. I hope our marriage can be fantastic. Rose:……marriage……marriage……Oh! Sorry Carl, I am tired. I want to get some rest.Carl: All right. Enjoy yourself. See you latter.Jack: Hi, Rose. You look beautiful tonight. Can we have a dance?Rose: No, Jack. I need rest.Jack: Rest? Let me tell you a joke.Rose: No, No. Don’t bother me, Jack.Jack: Rose, you look you are in trouble. I can see you.Rose: And then?Jack: I can help you. You are not happy, you know. I know how the world works. You don’t love Carl, Right? You are just like an in-door girl.Rose: Sorry, Jack. You can’t say that. It’s impolite.Jack: Listen, Rose. You should find your own way of life……Rose: It’s none of your business, Jack. Mr. Dawson, I have to leave.Aside: The housekeeper see the scene that Rose and Jack talking closely and happily ,so he walks towards to Mr Carl.The Housekeeper: Mr.! You may be in trouble! Look at that bad guy. He must be dangerous to you. Take care of your Fiancée!Carl: You must be kidding. She is my girl and I can give her whatever she wants. What can the poor guy give her?The Housekeeper: Mr. Carl! You’d better be careful. The guy seems to be clever and knows what girls really need. He will be a great threat.Carl: Then what should I do?The Housekeeper: She will never love you except that she realize you are the most who know her well in the world. You ought to have a talk with her. Let her feel your deep love and resolute determination. Don’t yield to the poor guy.第二幕Carl: Rose. You must be loyal to me.Rose: What……? I can’t understand you.Carl: Listen. Now you’re gong to marry me! You can’t fall in love with others, with that man!Rose: So, Mr. Carl. Why do you think I would marry you? I love you? No, no……Carl. You gave me lots of things. But you just can’t give the real love that Jack had given to me. I have no choice but to marry you just because of our marriage is the only hope that can bring my family back to life. Carl, I can’t feel your love. I don’t want to be like this. I want a bright future. I want to live my own life.The Captain: Hi, buddy! What’s up? You look so depressed.Jack: I have fallen in love with a girl but she seems to be angry with me. Will she marry the wealthy guy? How can I win her heart？The Captain: Don’t be stupid! She is just a simple woman. For her, romance is more important than bread.( Rose is coming.) Your chance is coming. Good luck!Rose: Hello Jack. I’ve changed my mind. They said you might be here……Jack: Shh……Give me your hand.Jack: Give me your hand. Now close your eyes. Go on!……Step up……Don’t peak. Rose: I’m not.Jack: hold on, hold on. Do you trust me?Rose: I trust you.Jack: All right. Open your eyes.Rose: Oh! Oh……Jack! I am flying Jack! I am flying!第三幕Aside: Four days after setting out, while the Titanic was sailing across the icy waters of the North Atlantic. A huge iceberg was suddenly spotted by a look-out. The Titanic turned just in time, narrowly missing the immense wall of ice. Titanic was sinking rapidly. Seconds later, the water is filled with hundreds of screaming people. Jack and Rose drift in the black water. Jack is clinging to the piece of wood that Rose is lying on.Rose: It’s getting quiet.Jack: It’s just going to take them a couple of minutes to get the boats organized. I don’t know about you. But I intend to write a strongly worded letter to the White Star Line about all this.Rose: I love you, Jack.Jack: Don’t do that. Don’t say good bye. Not yet. Do you understand me?Rose: I’m so cold,Jack: Listen, Rose. You are going to get out of here. You’re going to go on. You’regoing to make lots of babies and you are going to watch them grow. You’re going to die an old, an old lady, warm in your bed. Not here. Not this night. Not like this. Do you understand me?Rose: I can’t feel my body.Jack: Winning that ticket was the best thing that ever happened to me. It brought me to you and I’m thankful for that, Rose. I’m thankful. You must……You must do me this honor. You must promise me that you’ll survive……That you won’t give up. No matter what happens……No matter how hopeless. Promise me now, Rose. And never let go of that promise.Rose: I promise.Jack: Never let go.Rose: I will never let go, Jack. I’ll never let go.The Captain: Is anybody hearing me? Is anybody hearing me?Rose: Jack. Jack. Jack. There’s a boat. Jack. Jack. Jack? Jack! Jack! There’s a boat, Jack. Jack.Rose: Come back! Come back! Come back! Come back! I’ll never let go. I promise. The Captain: Come up out!Aside: Now you know there was a man named Jack Dawson and that he saved me in anyway that a person can be saved. I don’t even have a picture of him. He exists only in my memory now.注：本剧本有对应的同名PPT，需要的可以搜索下载。

Titanic幕：一，上船前二，相遇三，下等舱的相爱四，与未婚夫的冲突，杰克被陷害五，救出杰克，遇冰山六，海中对白角色：Jack , Rose,Cal,第一幕（场景：赌场）法布里吉欧: Jack, you are pazzo. You bet everything we have杰克: When you got nothing, you got nothing to lose.杰克：All right... moment of truth. Somebody's life's about to change。

杰克: Fabrizio?法布里吉欧: Niente.杰克：:Olaf?欧拉夫:Nothing.杰克:Sven?杰克:Uh-oh. Two pair.I'm sorry, Fabrizio.法布里吉欧:"Sorry"? You bet all the money!杰克:I'm sorry. You're not gonna see your mom for a long time.Cos we're going to America! Full house, boys!杰克，法布里吉欧:Whoa!Yeah!（上船过程中。

）船员：Welcome aboard, ma'am. Welcome to Titanic.旁白：It was the ship of dreams - to everyone else.To me it was a slave ship taking me back to America in chains. Outwardly I was everything a well-brought-up girl should be. Inside, I was screaming.第二幕（场景：甲板上露丝站在高处，杰克和两个朋友坐在下面）Ryan : I'm Tommy Ryan.Jack:Jack Dawson.Fabrizio : Fabrizio.Ryan:Hi. Do you make any money with your drawings?Oh, forget it, boyo. You'd as like have angels fly out of your arse as get next to the likes of her.Rose一个人站在船头Jack：Don't do it.露丝：Stay back. Don't come any closer.杰克：Come on.Gimme your hand. I'll pull you back.露丝：No! Stay where you are. I mean it. I'll let go.杰克：No, you won't.露丝：What do you mean, no, I won't? Don't presume to tell me what I will and will not do.杰克：Well, you would've done it already.露丝：You're distracting me. Go away.杰克：I can't. I'm involved now. You let go and I'm gonna have to jump in there after you.露丝：I saw my whole life as if I'd already lived it, an endless parade of parties and cotillions, polo matches. Always the same narrow people, the same mindless chatter. I felt like I was standing at a great precipice with no-one to pull me back. No-one who cared, or even noticed.杰克：So you wanna go to a real party to have a relax ?第三幕杰克：may I?露丝：pleasure!音乐起，一块跳舞。

目录《泰坦尼克号》全部英文剧本............... 错误!未定义书签。

Mamma mia! 《妈妈咪呀》.................. 错误!未定义书签。

How to Lose a Guy in 10 Days《十日拍拖手册》精讲笔记错误!未定义书签。

YES MAN 精讲笔记......................... 错误!未定义书签。

《哈利·波特与混血王子》精讲笔记......... 错误!未定义书签。

Just My Luck《倒霉爱神》精讲笔记......... 错误!未定义书签。

Nanny Diaries 《保姆日记》精讲笔记....... 错误!未定义书签。

Twilight《暮光之城》精讲笔记............. 错误!未定义书签。

Up 《飞屋环游记》精讲笔记................ 错误!未定义书签。

《泰坦尼克号》全部英文剧本TV REPORTER: Treasure hunter Brock Lovett is best known for finding Spanish gold off islands in the best Caribbean. LIZZY: It’s OK, I’ll get you in a minutes. Come on.TV REPORTER: Now he is using Russian subs to reach the most famous shipwreck of all, the Titanic. He is with us live via satellite from the research ship Keldysh in the North Atlantic. Hello, Brock.BROCK: Hello, Tracy. Of course everyone knows the familiar stories of Titanic. You know, the nobility, the band playing at the very end and all that. But what I’m interested in are the untold stories, the secrets locked deep inside the hull of Titanic. We’re out here using robot technology to go further into the wreck that anybody has done before.TV REPORTER: Your expedition is at the center of a storm of controversy over salvage rights, and even ethics. Media are calling you a grave robber.BROCK: Well, nobody ever called the recovery of the artifacts… LIZZY: What is itOLD ROSE: Turn that up, dear.BROCK: I have museum-trained experts out here making sure thatthese relics are preserved and catalogued properly. Take a look at this drawing that we found just today, a piece of paper that has been under water for 84 years, and my team were able to preserve it, intact. Should this have remained unseen at the bottom of the ocean for eternity when we can see it and enjoy it nowOLD ROSE: Well, I’ll be goddamned!BUELL: There is a satellite call for you!BROCK: Buell, we are launching! Can’t you see these submersibles going in the waterBUELL：Trust me, buddy! You want to take this call! BROCK: Great! This is Brock Lovett. How can I help you, Mrs..... BRULL: Calvert. Rose Calvert.BROCK: Mrs. Calvert.OLD ROSE: I was just wondering if you had found the Heart of the Ocean yet, Mr. LovettBUELL: I told you wanted to take the call.BROCK: All right. You have my attention, Rose. Can you tell us who the woman in the picture isOLD ROSE: Oh, yes. The woman in the picture is me.OLD ROSE: YesBROCK: Are your state rooms all rightOLD ROSE: Oh, yes. Very nice. Oh, have you met my granddaughter, Lizzy She takes care of me.LIZZY: We met just a few minutes ago, remember Nanna, up on deck OK.OLD ROSE: There. That’s nice. I have to have my pictures with me when I travel.BROCK: Can I get you anything Is there anything you would like OLD ROSE: Yes. I would like to see my drawing.BROCK: Louis the Sixteenth wore a fabulous stone that was called the Blue Diamond of the Crown, which disappeared in 1792, About the same time old Louis lost everything from the neck up. The theory goes that the Crown Diamond was chopped too, to be cut into a heart-like shape that became known as the Heart of the Ocean. Today it would be worth more than the Hope Diamond. OLD ROSE: It was a dreadful heavy thing. I only wore it this once.LIZZY: You actually think this is you, NannaOLD ROSE: It is me, d ear. Wasn’t I a dishBROCK: I tracked it down through insurance records, an old claim that was settled under terms of absolute secrecy. Can you tell me who the claimant was, RoseOLD ROSE: I should imagine it was someone named Hockley.BROCK: Nathan Hoc kley. That’s right. Pittsburgh steel tycoon. The claim was for a diamond necklace his son Caledon had bought his fiancée-you-a week before he sailed on Titanic. It was filed right after the sinking. So the diamond had to have gone down with the ship. Do you see the dateLIZZY: April 14, 1912.BUELL: Which means if your grandmother is who she says she is, she was wearing the diamond the day the Titanic sank. BROCK: And that makes you my new best friend.BUELL: There are some of the things we recovered from your state room.OLD ROSE: This was mine. How extraordinary. And it looks the same as it did the last time I saw it. The reflection has change a bit.BROCK: Are you ready to go back to TitanicBODINE: OK. Here we go! She hits the berg on the starboard side, right She kind of bumps along, punching holes like Morse code, Dit, dit,dit along the side, below the water line. Then the forward compartments start to flood. Now as the water level rises, it spills over the watertight bulkhead, which unfortunatel y don’t go any higher than E-deck, so now as the bow goes down, the stern rise up, slow at first, then fasterand faster, until finally she’s got her whole ass sticking up in the air. And that’s a big ass. We’re talking 20,30 thousand tons. OK. And the hul l’s not designed to deal with that pressure, so what happens Schkee-she splits right down to the keel and the stern section just kind of bobs there like a cork for a couple of minutes, floods, then finally goes under about 2:20am, 2 hours and 40 minutes after the collision. The bow section planes away, ending about half a mile away, going 20 or 30 knots when it hits the ocean floor. Brrrroo! Brrooo! Pretty cool, huhOLD ROSE: Thank you for that fine forensic analysis, Mr. Bodine. Of course, the experience of it was somewhat different. BROCK: Will you share it with usLIZZY: I’m taking her to rest.OLD ROSE: No!LIZZY: Come on, Nanna.OLD ROSE: No!BROCK: Tell us. Rose.OLD ROSE: It’s been 84 years.BROCK: It’s OK. Just try and remember anything. Any thing at all.OLD ROSE: Do you want to hear or not, Mr. Lovett It’s been 84years, and I can smell the fresh paint. The china had never been used. The sheets had never been slept in. Titanic was called “The Ship of Dreams”, and it was. It really was. It w as the ship of dream to everyone. To me, it was a slave ship, taking me back to America in chains. Outwardly, I was everything a well-brought up girl should be. Inside, I was screaming. JACK: All right. The moment of truth. Somebody’s life is about to change. Fabrizzio.FABRIZZIO: Niente.ANOTHER: Niente.JACK: OlafOLAF: Nothing.JACK: SvenJACK: Uh, oh..Two pairs. I’m sorry, Fabrizio.FABRIZIO: Who’s sorryJACK: I’m sorry you’re not going to see your mom again for a long time, cause we’re going t o America! Full house, boys! JACK: Yeah!JACK: Come on! I’m going home! I’m going home! FABRIZIO: I go to America!PUB KEEPER: No mate! Titanic go to America. In five minutes! JACK: Shit! Come on! What’s here! What’s here….JACK: We’re riding it high style now! We’re a couple o’regular swells! We’re practically goddamn royalty, ragazzomio!FABRIZIO: You see, like I tell you, I go to America to be a millionaire. You ‘re fozzo!JACK: I may be crazy, but I got the tickets! Come on, I thought you were fast!FABRIZIO: Faster!JACK: Hey, wait! Wait! Wait! Wait! Wait! Wait! Hey, wait! We’re passengers! We’re passengers!MAN: Have you been though the inspection cueJACK: Of course. Anyway, we don’t have any lice. We’re Americans. Both of us.MAN: Right. Come on board.JACK: We’re the luckiest sons-of –bitches in the world, you know that!STEWARD: Upper deck. We’re boarding please.OLD ROSE: At Cherbourg, a woman came aboard named Margaret Brown. We all called her Molly. History would call her the “Uns inkable Molly Brown.”Molly: Well, I wasn’t about to wait all day for you, sonny. Here. Do you think you can managePORTER: Yes.OLD ROSE: Her husband had struck gold someplace out west, and she was what mother called, “new money.” By the next afternoon, we were steaming west from the coast of Ireland, with nothing out ahead of us but ocean.CAPTAIN SMITH: Take it to sea, Mr. Murdoch. Let’s stretch her legs.MURDOCH: Yes, sir. Full ahead, Mr. Moody.MOODY: All ahead full!SAILOR: All ahead full!SAILOR: Come on lads, look lively!ISMAY: She is the largest moving object ever made by the hand of man in all history. And our master shipbuilder Mr. Andrews, here, designed her from the keel plates up.ANDREWS: Well, I may have knocked her together, but the idea was Mt. Ismay’s. He envisioned a steamer so grand in scale and so luxurious in its appointments that its supremacy would never be challenged. And here she is, willed into solid reality. ALL：Here, here!RUTH: You know I don’t like that Rose.CAL: She knows. We’ll both have the lamb. Rare, with very little mint sauce. You like lamb, right, sweet peaMOLLY: You gonna cut her meat for her too there, Call Hey, who thought of the name Titanic Was it you, BruceISMAY: Well, yes, actually. I wanted to convey sheer size, and size means stability, luxury, and above all, strength. ROSE: Do you know of Dr. Freud, Mr. Ismay His ideas about the male preoccupation with size might be of particular interest you.RUTH: What’s gotten into youROSE: Excuse me.RUTH: I do apologize.MOLLY: She is a pistol, Cal. I hope you can handle her. CAL: Well, I may have to start minding what she reads from now on, won’t I, Mrs. BrownISMAY: Freud. Who is he Is he a passengerJACK: Don’t do it!ROSE: Stay back! Don’t co me any closer!JACK: Come on! Just give me your hand and I’ll pull you back over.ROSE: No! stay where you are! I mean it! I’ll let go! JACK: No you won’t!ROSE : What do you mean, No I won’t Don’t presume to tell me what I will and will not do. You do n’t know me.JACK: Well, you would have done it already.ROSE: You’re distracting me. Go away!JACK: I can’t. I’m involved now. You let go, and I’m gonna have to jump in there after you.ROSE: Don’t be absurd. You’d be killed.JACK: I’m a good swimmer.ROSE: The fall alone would kill you.JACK: It would be hurt, I’m not saying it wouldn’t. To tell you the truth, I’m a lot more concerned about that water being so cold.ROSE: How coldJACK: Freezing. Maybe a couple of degrees over. Have you ever , uh, ever been to WisconsinROSE: WhatJACK: Well, they have some of the coldest winters around. I grew up there, near Chippewa Falls. I remember when I was a kid, me and my father, we went ice-fishing out on Lake Wisota. Ice-fishing is, you know, when you…ROSE: I know what ice-fishing is!JACK: Sorry. You just seemed like, you know, kind of an indoor girl. Anyway, I, uh, I fell through some thin ice, and I’m telling you ya, water that cold, like right down there, it hitsyou like a thousand knives stabbing you all over your body. You can’t breathe, you can’t think, at last not about anything but the pain. Which is why I’m not looking for ward to jumping in there after you. Like I said, I don’t have a choice. I guess I’m kind of hoping that you’ll come bac k over the railing and get me off the hook here.ROSE: You’re crazy!JACK: That’s what everybody says, but with all due respect, miss, I’m not the one hanging off the back of a ship here. Come on! Come on, give me your hand. You don’t want to do this. J ACK: Whew. I’m Jack Dawson.ROSE: Rose Dewitt Buchater.JACK: I’m going to have to get you to write that one down. Come on.JACK: I’ve got you! Come on! Come on!ROSE: Help me, please!JACK: Listen. Listen to me. I’ve got you and I won’t let go. Now pull yourself up. Come on! Come on! Try! You can do it! JACK: I got you!SAILOR: What’s all thisSAILOR: Stand back and don’t move an inch! Fetch the master-at-arms!CAL: This is completely unacceptable! What make you think that you could put your hands on my fiancée! Look at me, you filth! ROSE: Cal.CAL: What did you think you were doingROSE: Cal! Stop! It was an accident!CAL: An accidentROSE: It was. Stupid, really. I was leaning over and I slipped.I was leaning far over to see the ah, ah, ah, um…CAL: PropellersROSE: Propellers. And I, um, slipped, and I would have gone overboard, but Mr. Dawson here saved me, and almost went over himself.CAL: You wanted to see the… She wanted to see the propellers. GRACIE: Like I said, women and machinery do not mix. MASTER AT ARMS: Was that the way of itJACK: Yeah. Yeah, that was pretty much it.GRACIE: Well, the boy’s a hero then. Good for you, son. Well done. So, it’s all’s well and back to our brandy, eh CAL: You must be freezing, let’s get you inside. GRACIE: Um, perhaps a little something for the boyCAL: Of course. Uh, Mr. Lovejoy, I think a twenty should do it. ROSE: Oh, is that the going rate for saving the woman you loveCAL: Rose is displeased. What to do I know. Perhaps you could join us for dinner tomorrow evening, to regale our group with your heroic tale.JACK: Sure. Count me in.CAL: Good. It’s settled then. This should be interesting. JACK: Can I, uh, bum a smokeLOVEJOY: You ought to tie those. It is interesting that the young lady slipped so suddenly, but you still had time to remove your jacket and your shoes.Titanic (1997)by James Cameron.1 BLACKNESSThen two faint lights appear, close together... growing brighter. Theyresolve into two DEEP SUBMERSIBLES, free-falling toward us like expresselevators.One is ahead of the other, and passes close enough to FILL FRAME,lookinglike a spacecraft blazing with lights, bristling with insectile manipulators.TILTING DOWN to follow it as it descends away into the limitless blacknessbelow. Soon they are fireflies, then stars. Then gone.CUT TO:2 EXT./ INT. MIR ONE / NORTH ATLANTIC DEEPPUSHING IN on one of the falling submersibles, called MIR ONE, right up toits circular viewport to see the occupants.INSIDE, it is a cramped seven foot sphere, crammed with equipment. ANATOLYMIKAILAVICH, the sub's pilot, sits hunched over his controls... singingsoftly in Russian.Next to him on one side is BROCK LOVETT. He's in his late forties, deeplytanned, and likes to wear his Nomex suit unzipped to show the gold fromfamous shipwrecks covering his gray chest hair. He is a wiley, fast-talkingtreasure hunter, a salvage superstar who is part historian, part adventurerand part vacuum cleaner salesman. Right now, he is propped against the CO2scrubber, fast asleep and snoring.On the other side, crammed into the remaining space is a bearded wide-bodynamed LEWIS BODINE, sho is also asleep. Lewis is an (REMOTELY OPERATED VEHICLE) pilot and is the resident Titanic expert.Anatoly glances at the bottom sonar and makes a ballast adjustment.CUT TO:3 EXT. THE BOTTOM OF THE SEAA pale, dead-flat lunar landscape. It gets brighter, lit from above, as MIRONE enters FRAME and drops to the seafloor in a downblast from itsthrusters. It hits bottom after its two hour free-fall with a loud BONK.CUT TO:4 INT. MIR ONELovett and Bodine jerk awake at the landing.ANATOLY(heavy Russian accent)We are here.EXT. / INT. MIR ONE AND TWO5 MINUTES LATER: THE TWO SUBS skim over the seafloor to the sound ofsidescan sonar and the THRUM of big thrusters.6 The featureless gray clay of the bottom unrols in the lights of the subs.Bodine is watching the sidescan sonar display, where the outline of a hugepointed object is visible. Anatoly lies prone, driving the sub, his facepressed to the center port.BODINECome left a little. She's right in front of us, eighteen meters. Fifteen.Thirteen... you should see it.ANATOLYDo you see it I don't see it... there!Out of the darkness, like a ghostly apparition, the bow of the shipappears. Its knife-edge prow is coming straight at us, seeming to plow thebottom sediment like ocean waves. It towers above the seafloor, standingjust as it landed 84 years ago.THE TITANIC. Or what is left of her. Mir One goes up and over the bowrailing, intact except for an overgrowth of "rusticles" draping it likemutated Spanish moss.TIGHT ON THE EYEPIECE MONITOR of a video camcorder. Brock Lovett's facefills the BLACK AND WHITE FRAME.LOVETTIt still gets me every time.The image pans to the front viewport, looking over Anatoly's shoulder, tothe bow railing visible in the lights beyond. Anatoly turns. ANATOLYIs just your guilt because of estealing from the dead.CUT WIDER, to show that Brock is operating the camera himself, turning itin his hand so it points at his own face.LOVETTThanks, Tolya. Work with me, here.Brock resumes his serious, pensive gaze out the front port, with the cameraaimed at himself at arm's length.LOVETTIt still gets me every time... to see the sad ruin of the great shipsitting here, where she landed at 2:30 in the morning, April 15, 1912,after her long fall from the world above.Anatoly rolls his eyes and mutters in Russian. Bodine chuckles and watchesthe sonar.BODINEYou are so full of shit, boss.7 Mir Two drives aft down the starboard side, past the huge anchor whileMir One passes over the seemingly endless forecastle deck, with its massiveanchor chains still laid out in two neat rows, its bronze windlass capsgleaming. The 22 foot long subs are like white bugs next to theenormouswreck.LOVETT .)Dive nine. Here we are again on the deck of Titanic... two and a half milesdown. The pressure is three tons per square inch, enough to crush us like afreight train going over an ant if our hull fails. These windows are nineinches thick and if they go, it's sayonara in two microseconds.8 Mir Two lands on the boat deck, next to the ruins of the Officer'sQuarters. Mir One lands on the roof of the deck hous nearby. LOVETTRight. Let's go to work.Bodine slips on a pair of 3-D electronic goggles, and grabs thejoystickcontrols of the ROV.9 OUTSIDE THE SUB, the ROV, a small orange and black robot called SNOOPDOG, lifts from its cradle and flies forward.BODINE .)Walkin' the dog.SNOOP DOG drives itself away from the sub, paying out its umbilical behindit like a robot yo-yo. Its twin stereo-video cameras swivel like insecteyes. The ROV descends through an open shaft that once was the beautifulFirst Class Grand Staircase.Snoop Dog goes down several decks, then moves laterally into the FirstClass Reception Room.SNOOP'S VIDEO POV, moving through the cavernous interior. The remains ofthe ornate handcarved woodwork which gave the ship its elegance movethrough the floodlights, the lines blurred by slow dissolution anddescending rusticle formations. Stalactites of rust hang down so that attimes it looks like a natural grotto, then the scene shifts and the linesof a ghostly undersea mansion can be seen again.MONTAGE STYLE, as Snoop passes the ghostly images of Titanic's opulence:10 A grand piano in amazingly good shape, crashed on its side against awall. The keys gleam black and white in the lights.11 A chandelier, still hanging from the ceiling by its wire... glinting asSnoop moves around it.12 Its lights play across the floor, revealing a champagne bottle, thensome WHITE STAR LINE china... a woman's high-top "granny shoe". Thensomething eerie: what looks like a child's skull resolves into theporcelain head of a doll.Snoop enters a corridor which is much better preserved. Here and there adoor still hangs on its rusted hinges. An ornate piece of molding, a wallsconce... hint at the grandeur of the past.13 THE ROV turns and goes through a black doorway, entering room B-52, thesitting room of a "promenade suite", one of the most luxurious stateroomson Titanic.BODINEI'm in the sitting room. Heading for bedroom B-54.LOVETTStay off the floor. Don't stir it up like you did yesterday. BODINEI'm tryin' boss.Glinting in the lights are the brass fixtures of the near-perfectlypreserved fireplace. An albino Galathea crab crawls over it. Nearby are theremains of a divan and a writing desk. The Dog crosses the ruins of theonce elegant room toward another DOOR. It squeezes through the doorframe,scraping rust and wood chunks loose on both sides. It moves out of a cloudof rust and keeps on going.BODINEI'm crossing the bedroom.The remains of a pillared canopy bed. Broken chairs, a dresser. Through thecollapsed wall of the bathroom, the porcelain commode and bathtub tookalmost new, gleaming in the dark.LOVETTOkay, I want to see what's under that wardrobe door.SEVERAL ANGLES as the ROV deploys its MANIPULATOR ARMS and starts movingdebris aside. A lamp is lifted, its ceramic colors as bright as they werein 1912.LOVETTEasy, Lewis. Take it slow.Lewis grips a wardrobe door, lying at an angle in a corner, and pulls itwith Snoop's gripper. It moves reluctantly in a cloud of silt. Under it isa dark object. The silt clears and Snoop's cameras show them what was underthe door...BODINEOoohh daddy-oh, are you seein' what I'm seein'CLOSE ON LOVETT, watching his moniteors. By his expression it is like he isseeing the Holy Grail.LOVETTOh baby baby baby.(grabs the mike)It's payday, boys.ON THE SCREEN, in the glare of the lights, is the object of their quest: asmall STEEL COMBINATION SAFE.CUT TO:14 EXT. STERN OF DECK OF KEDYSH - DAYTHE SAFE, dripping wet in the afternoon sun, is lowered onto the deck of aship by a winch cable.We are on the Russian research vessel AKADEMIK MISTISLAV KELDYSH. A crowdhas gathered, including most of the crew of KELDYSH, the sub crews, and ahand-wringing money guy named BOBBY BUELL who represents the limitedpartners. There is also a documentary video crew, hired by Lovett to coverhis moment of glory.Everyone crowds around the safe. In the background Mir Two is being loweredinto its cradle on deck by a massive hydraulic arm. Mir One is alreadyrecovered with Lewis Bodine following Brock Lovett as he bounds over to thesafe like a kid on Christman morning.BODINEWho's the best Say it.LOVETTYou are, Lewis.(to the video crew)You rollingCAMERAMANRolling.Brock nods to his technicians, and they set about drilling the safe'shinges. During this operation, Brock amps the suspense, working the lens tofill the time.LOVETTWell, here it is, the moment of truth. Here's where we find out if thetime, the sweat, the money spent to charter this ship and these subs, tocome out here to the middle of the North Atlantic... were worth it. If whatwe think is in that same... is in that safe... it will be.Lovett grins wolfishly in anticipation of his greatest find yet. The dooris pried loose. It clangs onto the deck. Lovett moves closer, peering intothe safe's wet interior. A long moment then... his face says it all.LOVETTShit.BODINEYou know, boss, this happened to Geraldo and his career never recovered.LOVETT(to the video cameraman)Get that outta my face.CUT TO:15 INT. LAB DECK, PRESERVATION ROOM - DAYTechnicians are carefully removing some papers from the safe and placingthem in a tray of water to separate them safely. Nearby, other artifactsfrom the stateroom are being washed and preserved.Buell is on the satellite phone with the INVESTORS. Lovett is yelling atthe video crew.LOVETTYou send out what I tell you when I tell you. I'm signing your paychecks,not 60 minutes. Now get set up for the uplink.Buell covers the phone and turns to Lovett.BUELLThe partners want to know how it's goingLOVETTHow it's going It's going like a first date in prison, whattaya think!Lovett grabs the phone from Buell and goes instantly smooth.LOVETTHi, Dave Barry Look, it wasn't in the safe... no, look, don't worry aboutit, there're still plenty of places it could be... in the floor debris inthe suite, in the mother's room, in the purser's safe on C deck...(seeing something)Hang on a second.A tech coaxes some letters in the water tray to one side with a tong...revealing a pencil (conte crayon) drawing of a woman.Brock looks closely at the drawing, which is in excellent shape, though itsedges have partially disintegrated. The woman is beautiful, and beautifullyrendered. In her late teens or early twenties, she is nude, though posedwith a kind of casual modesty. She is on an Empire divan, in a pool oflight that seems to radiate outward from her eyes. Scrawled in the lowerright corner is the date: April 14 1912. And the initials JD.The girl is not entirely nude. At her throat is a diamond necklace with onelarge stone hanging in the center.Lovett grabs a reference photo from the clutter on the lab table. It is aperiod black-and-white photo of a diamond necklace on a black velvetjeller's display stand. He holds it next to the drawing. It is clearly thesame piece... a complex setting with a massive central stone which isalmost heart-shaped.LOVETTI'll be God damned.CUT TO:16 INSERTA CNN NEWS STORY: a live satellite feed from the deck of the Keldysh,intercut with the CNN studio.ANNOUNCERTreasure hunter Brock Lovett is best known for finding Spanish gold insunken galleons in the Caribbean. Now he is using deep submergencetechnology to work two and a half miles down at another famous wreck... theTitanic. He is with us live via satellite from a Russian research ship inthe middle of the Atlantic... hello BrockLOVETTYes, hi, Tracy. You know, Titanic is not just A shipwrick, Titanic is THEshipwreck. It's the Mount Everest of shipwrecks.CUT TO:17 INT. HOUSE / CERAMICS STUDIOPULL BACK from the screen, showing the CNN report playing on a TV set inthe living room of a small rustic house. It is full of ceramics, figurines,folk art, the walls crammed with drawings and paintings... things collectedover a lifetime.PANNING to show a glassed-in studio attached to the house. Outside it is aquiet morning in Ojai, California. In the studio, amid incredible clutter,an ANCIENT WOMAN is throwing a pot on a potter's wheel. The liquid red claycovers her hands... hands that are gnarled and age-spotted, but stillsurprisingly strong and supple. A woman in her early forties assists her.LOVETT .)I've planned this expedition for three years, and we're out here recoveringsome amazing things... things that will have enormous historical andeducational value.CNN REPORTER .)But it's no secret that education is not your main purpose. You're atreasure hunter. So what is the treasure you're hunting LOVETT .)I'd rather show you than tell you, and we think we're very close to doingjust that.The old woman's name is ROSE CALVERT. Her face is a wrinkled mass, her bodyshapeless and shrunken under a one-piece African-print dress.But her eyes are just as bright and alive as those of a young girl.Rose gets up and walks into the living room, wiping pottery clay from herhands with a rag. A Pomeranian dog gets up and comes in with her.The younger soman, LIZZY CALVERT, rushes to help her.ROSETurn that up please, dear.REPORTER .)Your expedition is at the center of a storm of controversy over salvagerights and even ethics. Many are calling you a grave robber.TIGHT ON THE SCREEN.。