死神账单最新版
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死神的账单作者:来源:《作文评点报·作文素材初中版》2017年第04期曾看过这样一则故事。
夜深了,医院静悄悄的,一位病人久久不能入睡,因为他觉得自己大限将至,正静静地等待死神的到来。
一阵风将门推开,病人吓了一跳,却看到死神正坐在病床边。
“神啊!求求您,再让我多活几天,就几天!”“噢!不!亲爱的,我做不了主。
我们先来算一下账吧!”“算账?”“对,算账,你一生的账。
”“我一生的账?”“对,现在开始吧!从你出生开始算起到现在已60多年了。
可在这60多年中,有一半的时间你在睡觉,这样算起来你还占了便宜,你真正活着的时间才有30年,可这30年你又是如何度过的呢?小时候你很顽皮,上课不认真听讲,开小差,浪费了大好的光阴。
中学时代,你追星,打电脑游戏,不务正业,成绩下降。
唉!多可惜呀!再说你上大学,整天想着玩,上网聊天,学业一点也不顾,好不容易毕了业,你找工作又犯难,找到了工作,你又成天和同事打牌,公司没事儿时你们什么也不做,抽抽烟,喝喝酒,就这样混过去。
老了,便更加厉害,居然和小孙子抢游戏机玩,学人家年轻人‘网恋’,真是不可理喻。
”“神啊!求求您别说了,只要让我多活几天……”“我还没有说完呢!你虽然虚度一生,但仍成就了小小的事业。
你对职员多严厉呀,不许这个,不许那个,不发奖金,真是……”“喂!等等,你先别死,我还没说完……”可惜太晚了,病人没等到死神说完便死去了。
听过这则故事,你有什么感触吗?保尔曾说过:“人的一生应该这样度过:当他回忆往事的时候,不会因虚度年华而悔恨,也不会因碌碌无为而羞愧;在临死的时候,他能够说:我的生命和全部精力都献给了世界上最壮丽的事业——为人类的解放而斗争。
”病人的一生是虚度年华、碌碌无为的一生。
我的青春是怎样度过的呢?我反思自己,自己也曾犯过类似的错误,现在改正还来得及吧!在反思中,我明白:人活着不应该只追求生命的长度,还应该追求生命的质量;在反思中,我明白:人活着的最高境界就是把他的整个生命献给全人类;在反思中,我明白:生命的意义不在于长短,而在于内涵。
【五年级】假如这是最后一分钟读《死神的账单》有感500字----ed904931-7873-11ec-a085-7cb59b590d7d【五年级】假如这是最后一分钟读《死神的账单》有感500字在这宁静的夜晚,我悠闲地坐在办公桌前,眼睛盯着那一页上的几个大字——死亡账单《死神的账单》记叙了一个癌症患者在临死前向死神乞求最后一分钟来珍惜,死神却罗列出了他一生所浪费的时间的账单,患者没等死神念完账单就悔恨而死。
一分钟太小了。
当你心烦意乱的时候,它就在你眼前掠过;当你打盹时,它是不知疲倦的;当你笑的时候,它仍然坚定地向前移动。
我不知道有多少分钟不经意间溜走了。
你现在忽视了眼前的一分钟,将来就只能像小说中的那个癌症患者一样,乞求最后一分钟来看看天,看看地,听听落叶的叹息……你生命中有数千分钟,但这绝对不是你浪费时间的原因。
所有的财富和奢侈终有一天会消散,时间也是如此。
一分钟,是何其的珍贵。
当小说中的癌症患者向死神乞求最后一分钟的时候,死神告诉他:“在你的生命中,我从来没有见过你像今天珍惜这一分钟一样,珍惜任何一个小时或者一天。
”时间从来不会回头,不如把当下的一分钟当作最后一分钟一样来珍惜。
如果这是最后一分钟,你会怎么做?假如这是最后一分钟,你还会觉得时间太漫长,太难熬吗?如果这是最后一分钟,你还会在街上闲逛吗?假如这是最后一分钟,你还会与闲人狂侃一些八卦新闻吗?如果这是最后一分钟,你还会在互联网上浪费青春吗?……如果这是最后一分钟,如果每个人都能像珍惜最后一分钟一样珍惜每一分钟,世界上怎么会有这么多平庸的人。
生命是以时间为单位的,每一分钟都是最宝贵的财富,要像珍惜最后一分钟一样把握住每一分钟。
时间管理技能一、为什么需要时间管理 (1)二、时间与时间管理概述 (2)(一)什么是时间 (2)(二)时间有哪些特性 (3)(三)如何理解时间管理 (3)三、时间管理的原理 (4)(一)基本原理 (4)(二)效能(E FFECTIVENESS) (5)(三)效率(E FFICIENCY) (6)(四)勤恳/勤奋(D ILIGENCE) (8)四、时间管理的具体实施 (11)第一步事项清单 (11)第二步优先排序 (12)第三步时间安排及具体实施 (13)第四步每晚回顾 (13)一、为什么需要时间管理1、时间是我们唯一对每个人都公平的资源这是一个拼爹的时代,公平的理想依然遥远,不公的现实代代遗传。
如果你既不是富二代,也不是官二代,那么你怎么样才能比得过白富美和高富帅?感谢老天爷,让我们在万千的不公平中,还有这唯一公平的资源:时间!因此,与其感叹你缺乏别的资源,比如金钱,人脉,不如好好把你的时间资源加以管理以弥补其他资源的不足,因为时间资源的正确使用可以创造出其他的资源。
2、做好时间管理,不再因虚度光阴而悔恨孔子说,“逝者如斯夫,不舍昼夜”。
时间一去不复返,年华似水不回头。
时间失去了就失去了,永远不会再回来。
庄子说,人生若白驹之过隙,忽然而已。
浪费时间就是浪费生命。
光阴虚度,华发早生。
徒留悔恨和嗟叹!【故事:死神的叹息】这是在《终极突破》这本书里找到的一段文字:深夜,一个危重病人迎来了他生命中的最后一分钟,死神如期来到了他的身边。
此前,死神的形象在他脑海中几次闪过。
他对死神说:“再给我一分钟好么?”死神回答:“你要一分钟干嘛?”他说:“我想利用这一分钟看一看天,看一看地。
我想利用这一分钟想一想我的朋友和我的亲人。
如果运气好的话,我还可以看到一朵绽开的花。
”死神说:“你的想法不错,但是,很抱歉,我不能答应你。
我们留了足够的时间让你去欣赏,你却没有去珍惜,你看一下这份账单:在过去60年的生命中,你有三分之一的时间在睡觉;剩下的40多年里你经常拖延时间;你曾经感叹时间太慢的次数达到了10000次。
引导:死神的账单视频如果一个人的人生就是90岁。
通常在60岁之后就退休了。
60岁之前都在工作。
20岁之前都在学习。
20到60岁的时间段都在工作。
只有四十年的时间在工作。
这四十年当中我们有三分之一的时间在睡觉。
三分之一的时间在休闲陪家人。
有多少时间在工作。
三分之一的时间在工作。
工作当中有多少时间在上网在聊天。
在拖延时间。
三分之一的时间相当于13.3年。
这13.3年将决定你过的是一种什么样的生活。
耶鲁大学的目标的故事。
死神的账单视频我们每当去旅游都会不会做些准备的呀?比如说从衣服到药品,照相机啊、证件啊,然后查当地的天气啊,路线阿等等而生命也像一段旅程,可我们对于这段旅程的准备工作做好了吗?而往往我们的准备工作都没做好就上路了,这一路茫茫碌碌地走到现在,你找到了你人生的方向了吗?目标本身就是一个方向,是生命当中不可缺少的,他能带给我们方向啊,力量啊,带给我们勇气阿,目标对于生命就像在大海上航行,船与灯塔的关系,目标不单是关于我们做成什么事情,也是关于生命的方向,没有方向的生命是很危险的,那你今年的目标是什么,三年的目标是什么?,五年的目标又是什么?人生的总目标是什么。
这个世界有百分之三的人是有明确目标的,而剩下的百分之九十七是为这百分之三的人的目标服务的。
我们的生命没有效率常常是因为生命没有目标,而当我们有明确的目标,我们才会全速的前进。
发纸和笔:当你拿着这张纸的时候,我要请你轻轻地把眼睛闭起来,去做一个回顾,回想那么多年,你的生命因为有目标或者没有目标带给你的是什么?你一直过着一个有没有目标的生活?如果今天是你生命中的最后一天,你最遗憾的是什么?还有那些事情没有做?我们往往一生的目标就是小的时候我要当科学家,当个国家干部。
或者当个军人,目标不仅仅是关于那些成果,更多的是关于人生方向和意义的。
比如说我能给我爱的人幸福,能让父母过得开心也是个目标,我要让我的生命更精彩也是个目标,然而如果今天是你生命中的最后一天,你最遗憾的是什么,你心里最痛苦的是什么?没有完成的心愿是什么?好好的想一想。
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(138)Document feeder door is open. Canceled fax. (139)Fax is busy. Canceled send. (139)Fax is busy. Redial pending. (139)Fax receive error. (140)Fax Send error. (140)Fax storage is full. Canceling the fax receive. (141)Fax storage is full. Canceling the fax send. (141)No dial tone. (141)No fax answer. Canceled send. (142)No fax answer. Redial pending. (142)No fax detected. (142)Solve problems sending faxes (143)ENWW xiAn error message displays on the control panel (143)Document feeder paper jam (143)Scanner error (143)The control panel displays a Ready message with no attempt to send the fax. (143)The control panel displays the message "Receiving Page 1" and does not progressbeyond that message (144)Faxes can be received, but not sent (144)Unable to use fax functions from the control panel (144)Unable to use speed dials (144)Unable to use group dials (144)Receive a recorded error message from the phone company when trying to senda fax (145)Unable to send a fax when a phone is connected to the product (145)Solve problems receiving faxes (145)An error message displays on the control panel (145)The fax does not respond (145)Voice mail is available on the fax line (145)The product is connected to a DSL phone service (146)The product uses a fax over IP or VoIP phone service (146)Sender receives a busy signal (146)A handset is connected to the product (146)A phone line splitter is being used (146)Cannot send or receive a fax on a PBX line (146)Solve general fax problems (146)Faxes are sending slowly (146)Fax quality is poor (147)Fax cuts off or prints on two pages (147)Connectivity issues (147)Solve USB direct-connect problems (147)Solve network problems (148)Poor physical connection (148)The computer is using the incorrect IP address for the product (148)The computer is unable to communicate with the product (148)The product is using incorrect link and duplex settings for the network (149)New software programs might be causing compatibility problems (149)The computer or workstation might be set up incorrectly (149)The product is disabled, or other network settings are incorrect (149)Wireless network issues (149)Wireless connectivity checklist (149)The product does not print, and the computer has a third-party firewall installed (150)The wireless connection does not work after moving the wireless router or product (150)xii ENWWCannot connect more computers to the wireless product (150)The wireless product loses communication when connected to a VPN (151)The network does not appear in the wireless networks list (151)The wireless network is not functioning (151)Product software issues (Windows) (151)Product software issues (OS X) (153)The printer driver is not listed in the Print & Scan list (153)The product name does not appear in the product list in the Print & Scan list (153)The printer driver does not automatically set up the selected product in the Print & Scan list (153)A print job was not sent to the product that you wanted (153)When connected with a USB cable, the product does not appear in the Print & Scan list afterthe driver is selected. (153)You are using a generic printer driver when using a USB connection (154)10 Service and support (155)Customer support (156)HP limited warranty statement (157)UK, Ireland, and Malta (158)Austria, Belgium, Germany, and Luxemburg (158)Belgium, France, and Luxemburg (159)Italy (160)Spain (160)Denmark (161)Norway (161)Sweden (161)Portugal (162)Greece and Cyprus (162)Hungary (162)Czech Republic (163)Slovakia (163)Poland (163)Bulgaria (164)Romania (164)Belgium and the Netherlands (164)Finland (165)Slovenia (165)Croatia (165)Latvia (165)Lithuania (166)Estonia (166)Russia (166)ENWW xiiiAppendix A Technical information (167)Product specifications (168)Print specifications (168)Physical specifications (168)Power consumption and electrical specifications (168)Acoustic emission specifications (168)Environmental specifications (168)Environmental product stewardship program (170)Protecting the environment (171)Ozone production (171)Power consumption (171)European Union Commission Regulation 1275/2008 (171)Paper (171)HP PageWide printing supplies (171)Plastics (171)Electronic hardware recycling (172)Material restrictions (172)General battery information (172)Battery disposal in Taiwan (172)California Perchlorate Material Notice (172)EU Battery Directive (172)Battery notice for Brazil (173)Chemical substances (173)EPEAT (173)Disposal of waste equipment by users (173)Toxic and hazardous substance table (China) (174)Restriction on hazardous substances statement (Turkey) (174)Restriction on hazardous substances statement (Ukraine) (174)Restriction of hazardous substance statement (India) (174)China energy label for printer, fax, and copier (175)China SEPA Eco Label user information (175)Regulatory information (176)Regulatory notices (176)Regulatory model identification number (176)FCC statement (176)VCCI statement (Japan) (177)Power cord instructions (177)Power cord statement (Japan) (177)EMC statement (Korea) (177)Visual display workplaces statement for Germany (177)European Union Regulatory Notice (178)xiv ENWWEuropean Union Regulatory Notice (178)Wireless models only (178)Models with fax capability only (178)Additional statements for telecom (fax) products (179)New Zealand telecom statements (179)Additional FCC statement for telecom products (US) (179)Industry Canada CS-03 requirements (180)Notice to users of the Canadian telephone network (181)Australia wired fax statement (181)Notice to users of the German telephone network (181)Additional statements for wireless products (182)Exposure to radio frequency radiation (182)Notice to users in Brazil (182)Canadian statements (182)Japan statement (183)Notice to users in Korea (183)Taiwan statement (183)Mexico statement (183)Index (184)ENWW xvxvi ENWW1Product basics●Product features●Product views●Power on and off●Use the control panel●Quiet ModeENWW1Product featuresPageWide Pro MFP 477dnD3Q19A, D3Q19B, D3Q19C,D3Q19D Tray capacity (75 GSM or 20–lb Bond paper)●Tray 1: 50 sheets ●Tray 2: 500 sheets ●Optional Tray 3: 500 sheets ●Automatic Document Feeder(ADF): 50 sheets●Standard output bin: 300sheetsPrint ●Simplex speeds up to 40 pagesper minute (ppm) for both color and black with Professional quality●Duplex speeds up to 21 ppmfor both color and black with Professional quality●Up to 55 ppm in General Officemode●Walkup Plug-and-Print USBDevice port●Walkup printing of MS Officedocuments Copy ●Simplex speeds up to 40 ppm in black and color ●Single-pass, two-sided copying for speeds up to 26 ppm in black and color ●50-sheet ADF supports page sizes up to 356 mm (14.0 in) in length and 216 mm (8.5 in) in width Scan●Duplex speeds up to 26 ppm for both color and black ●Scan to walkup USB device, email address, network folder, or SharePoint site ●Glass supports page sizes up to 356 mm (14.0 in) in length and up to 216 mm (8.5 in) in width ●HP software enables scanning a document to a file that can be edited ●Compatible with TWAIN, WIA, and WS-Scan programs Fax●Fax to email address ornetwork folder●Fax from walkup control panelor from program on connected computer●Fax archive, fax log, junk-faxblocking, non-volatile fax memory, fax redirect featureConnectivity ●802.3 LAN (10/100) Ethernet port ●Host USB Type A and Type B ports (back)●USB 2.0 Device port (front)PageWide Pro MFP 477dw D3Q20A, D3Q20B, D3Q20C, D3Q20D Has the same features as the PageWide Pro MFP 477dn, and includes the following:●Embedded wireless capability ●802.11n 5GHz dual bandsupport●HP ePrint—send documents tothe product email address for printing●HP Wireless Direct support ●NFC-enabled (Near FieldCommunications); walkup printing from smart phones and tablets●Scan to smart phone 2Chapter 1 Product basics ENWWEnvironmental featuresFeature Environmental benefitDuplex printing Automatic duplex printing is available on all models of HP PageWide Pro MFP477dn/dw series. Duplex printing saves the environment and saves you money.Print multiple pages per sheet Save paper by printing two or more pages of a document side-by-side on onesheet of paper. Access this feature through the printer driver.Copies multiple pages per sheet Save paper by copying two pages of an original document side-by-side on onesheet of paper.Recycling Reduce waste by using recycled paper.Recycle cartridges by using the HP Planet Partners return process.Energy savings Sleep modes and timer options enable this product to quickly go into reducedpower states when not printing, thus saving energy. Accessibility featuresThe product includes several features that aid users with limited vision, hearing, dexterity or strength.●Online user guide that is compatible with text screen-readers.●Cartridges can be installed and removed using one hand.●All doors and covers can be opened using one hand.ENWW Product features3Product views●Front left view●Front right view●Back view●Cartridge door viewFront left viewLabel Description1USB device connection port2Cartridge door3Tray 1 extension4Tray 15Power button6Tray 2–main paper tray7Control panel8Scanner glass4Chapter 1 Product basics ENWWFront right viewLabel Description1Automatic document feeder (ADF) cover2Main output door3ADF paper guides4ADF loading area5ADF output bin6ADF output bin stop7Main output bin stop8Main output binBack viewLabel Description1Ethernet connection port2Fax connection ports3USB Type A and USB Type B ports4Power cord connectionENWW Product views5Label Description5Left door6DuplexerCartridge door viewLabel Description1Cartridge slots2Product serial number and product number3Cartridge part numbers6Chapter 1 Product basics ENWWPower on and offNOTICE:To prevent damage to the product, use only the power cord that is provided with the product.●Turn the product on●Manage power●Turn the product offTurn the product on1.Connect the power cord that is provided with the product to the connection port on the back of theproduct.2.Connect the power cord to a wall outlet with an adequate voltage rating.NOTE:Make sure that your power source is adequate for the product voltage rating. The product useseither 100-240 Vac or 200-240 Vac and 50/60 Hz.3.Press and release the power button on the front of the product.Manage powerHP PageWide Pro MFP 477dn/dw series printers include power-management features that can help reducepower consumption and save energy.●Sleep Mode puts the product in a reduced power-consumption state if it has been idle for a specificlength of time. You can set the length of time before the product enters Sleep Mode from the controlpanel.●Schedule On/Off enables you to turn the product on or off automatically at days and time that you setfrom the control panel. For example, you can set the product to turn off at 6 p.m. on Monday throughFriday.Set the Sleep Mode time1.Open the control panel dashboard (swipe the dashboard tab at the top of any screen downward, ortouch the dashboard area on the home screen).2.On the control panel dashboard, touch .ENWW Power on and off73.Touch Power Management, and then touch Sleep Mode.4.Select one of the time-interval options.The product switches into a reduced power-consumption state when it has been idle for the amount of timethat you select.Schedule the product to turn on or off1.Open the control panel dashboard (swipe the dashboard tab at the top of any screen downward, ortouch the dashboard area on the home screen).2.On the control panel dashboard, touch .3.Touch Power Management, and then touch Schedule Printer On/Off.4.Turn the Schedule On or Schedule Off option on.5.Select the Schedule On or Schedule Off options at the bottom of the screen, and then select the day andtime that you want to schedule.The product switches on or off at the time you select on the day you select.NOTE:The product cannot receive faxes when it is turned off. Faxes sent during a scheduled off interval willprint when the product is turned on.Turn the product offNOTICE:Do not turn off the product if a cartridge is missing. Damage to the product can result.▲Press and release the power button on the front of the product to turn off your HP PageWide Pro MFP 477dn/dw series printer.A warning message appears on the control panel if you attempt to turn the product off when one ormore cartridges are missing.NOTICE:To prevent print-quality problems, turn off the product by using the power button on the frontonly. Do not unplug the product, turn off the powerstrip, or use any other method.8Chapter 1 Product basics ENWWUse the control panel●Control panel buttons●Control panel home screen●Control panel dashboard●Control panel application folders●Control panel shortcuts●Help featuresNOTE:The small text on the control panel is not designed for prolonged viewing.Control panel buttonsButtons and indicator lights on the control panel of HP PageWide Pro MFP 477dn/dw series printers appear litwhen their function is available, and are darkened if their function is not available.1Home button.Touch to view the control panel home screen.2Wireless network indicator.Solid blue when the product is connected to a wireless network. Blinks when the product is searching for awireless connection. Off when the product is connected to a wired network or by a USB cable.3NFC (Near Field Communications) indicator.The product can be enabled for walkup printing from tablets and smart phones.4Back or Cancel button.Touch to return to the previous screen, or to cancel the current process.5Help button.Touch to view the Help menu options.ENWW Use the control panel9。
阅读七篇:《理想的女儿》《有一天》《学会成长》《死神的账单》《有一种态度比理想更重要》《水往高处理想的女儿林特特就母女关系而言,《红楼梦》中,最幸运的当属贾敏。
林黛玉一进府,贾母便剖白,“我这些儿女,所疼者唯有你母。
”日后,王夫人感叹,贾敏未嫁时,何等的娇生惯养、金尊玉贵,印证了贾母的话。
除了拥有母亲的爱,在女儿处,贾敏也得到了富足的情感。
她病时,林黛玉“侍汤奉药,守丧尽哀”;她逝后,林黛玉“哀痛过伤”,“触犯旧症”。
要知道,不是每个女人,都有如此和谐的母女缘。
比如,贾探春和赵姨娘,一个希望脱尽关系,一个巴不得对方接受命运的惩罚。
这与嫡庶制度有关,但我总觉得,她们矛盾的本质源于距彼此的理想都太远。
几乎每个母亲心中都有理想的女儿,每个女儿也都曾为母亲设计过理想化的目标;理想越近,母女关系越好,反之,则矛盾丛生。
比如,王安忆《长恨歌》中的王琦瑶母女。
王琦瑶对女儿薇薇的爱有限,缘于薇薇不像她。
后来,薇薇又发觉无论闺密张永红还是男友小林都与王琦瑶更要好,尤其在后者面前,王琦瑶俨然一个争风吃醋的情敌。
我想,薇薇宁愿要一个普通的妈,也不想要一个无时无刻不存在的竞争者。
又比如,黄逸梵和张爱玲。
据说,黄逸梵最初对女儿张爱玲的失望发生在抓阄时,女儿抓了个金锭子,而黄逸梵一直想让女儿实践她的理想,做一个西方淑女。
几度分合,几乎每一次长时间的相处,黄逸梵都未耽误过张爱玲的教育——她一直将女儿往理想的方向培养,但她又嫌张爱玲笨,夸女儿只有一句,“头圆”。
她嫌张爱玲不够好,这伤害了女儿。
“看得出我母亲是为我牺牲了许多,而且一直在怀疑着我是否值得这些牺牲,我也怀疑着。
”张写道。
来自母亲的不满比母亲的虐待更让人痛苦。
张爱玲用文字宣泄着,她笔下的母女关系很少不扭曲。
有趣的是,张爱玲后来和姑姑亲厚,从某种意义上说,姑姑弥补了她在母亲身上未实现的温情和理想。
这让我想起亦舒在《流金岁月》中塑造的阿姨。
“阿姨并不很美,却有独特的气质”,阿姨将蒋南孙当大人对待,“这让小女孩很感动”,蒋南孙家变时,阿姨挺身而出……与懦弱的母亲形成鲜明对比。
3您的洗碗机...................................................4包装内的附件....................................................5安全指南.......................................................6儿童锁................................................................6安装....................................................................6防溢保护功能....................................................6冬季存放/运送..................................................6包装....................................................................6处置....................................................................6图标....................................................................7有害物质............................................................8第一次清洗前................................................8 Water hardness(水质硬度)...............................9基本设置............................................................10请加满亮碟剂...................................................10请加满软化盐...................................................11请加满自动投放...............................................12更环保的洗碗方式........................................12节约能源和用水................................................13在洗碗机中放入碗碟.....................................13易碎碗碟............................................................13装载方式会影响洗涤效果................................14洗碗机碗篮.......................................................14顶部刀叉盘........................................................15上层碗篮............................................................16下层碗篮............................................................18刀叉篮................................................................20使用洗碗机...................................................20添加洗涤剂........................................................21开启/关闭..........................................................21程序设定............................................................22选择程序模式....................................................23选择选项............................................................23启动/停止..........................................................24若想装入更多碗碟...........................................24停电....................................................................24一旦程序完成后................................................24最佳烘干效果....................................................25清空洗碗机........................................................26程序图表.......................................................27无线网络连接................................................27 Connect Life.......................................................27准备工作............................................................27连接到网络并配对............................................28远程控制洗碗机................................................28远程控制启动洗碗机........................................28配对更多设备....................................................28关闭现有无线网络/打开现有无线网络.......29移除所有设备...................................................30设置..............................................................33保养与清洁...................................................33请加满亮碟剂...................................................33请加满软化盐...................................................34请加满自动投放...............................................35请清洁滤网........................................................36清洁喷淋臂........................................................37清洁洗碗机的外部............................................37请运行自清洁程序............................................38清除残渣............................................................40故障排除指南................................................40一般守则............................................................45 WiFi.....................................................................46安装..............................................................46安全指南............................................................47门的运送保护....................................................47放置洗碗机........................................................47贴上保护膜........................................................48调整好高度后将洗碗机滑入定位.....................49排水连接............................................................50供水连接............................................................51电气连接............................................................51将洗碗机锁入定位............................................52洗碗机踢脚板....................................................53服务..............................................................53产品信息............................................................53请联系离您最近的售后服务中心寻求专业帮助........................................................................53洗程次数...........................................................54技术信息.......................................................54技术数据............................................................目录欢迎来到我们不断发展的ASKO 家族!我们为我们的电器感到自豪。
使用手冊©Copyright 2019 HP Development Company, L.P.HDMI、HDMI 標誌和高畫質多媒體介面為 HDMI Licensing 有限公司的商標或註冊商標。
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第二版:2019 年 4 月第一版:2018 年 8 月文件編號:L33294-AB2關於此手冊本指南提供顯示器功能、設定顯示器、使用軟體和技術規格的相關資訊。
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iiiiv 關於此手冊目錄1 快速入門 (1)重要安全資訊 (1)產品功能和組件 (1)功能 (1)背面元件 (3)安裝顯示器 (4)安裝顯示器的注意事項 (4)拆下機座的鉸鏈擋板 (4)連接纜線 (5)連接 USB 裝置 (7)調整顯示器 (8)安裝安全纜線 (9)放置耳機 (9)掛載顯示器本體 (10)拆下顯示器機座 (10)連接 VESA 固定托架 (11)開啟顯示器電源 (12)2 使用顯示器 (13)啟用 G-SYNC (13)下載顯示器驅動程式 (13)使用 OSD (13)顯示模式 (14)使用深度睡眠模式 (14)使用環境照明 (14)針對遊戲選取更快速的回應時間 (15)調整藍光輸出 (15)使用 RGB 增益控制 (16)檢視畫面速率 (16)訊息計時器 (16)使用十字線功能 (17)使用多顯示器對齊 (18)v3 支援與疑難排解 (19)解決常見問題 (19)OSD 鎖定 (19)連絡支援 (20)連絡技術支援的準備事項 (20)尋找序號和產品編號 (20)4 維護顯示器 (21)維護準則 (21)清潔顯示器 (21)搬運顯示器 (21)附錄 A 技術規格 (22)預設顯示器解析度 (23)進入使用者模式 (24)附錄 B 無障礙 (25)無障礙 (25)尋找您需要的技術工具 (25)我們的承諾 (25)國際無障礙專業人員協會 (IAAP) (25)尋找最佳輔助技術 (26)評估您的需要 (26)HP 產品的無障礙功能 (26)標準及法規 (26)標準 (26)Mandate 376 – EN 301 549 (27)網頁內容無障礙指引 (WCAG) (27)立法與規範 (27)美國 (27)二十一世紀通訊和視訊無障礙法案 (CVAA) (28)加拿大 (28)歐洲 (28)英國 (28)澳洲 (28)全球 (28)實用無障礙資源和連結 (29)組織 (29)教育機構 (29)vi其他身心障礙資源 (29)HP 連結 (29)聯絡支援中心 (30)viiviii1快速入門重要安全資訊顯示器隨附 AC 變壓器和電源線。
1、科学泰斗——钱伟长【获奖名片】赤子【颁奖词】从义理到物理,从固体到流体,顺逆交替,委屈不曲,荣辱数变,老而弥坚,这就是他人生的完美力学,无名无利无悔,有情有意有祖国【人物介绍】钱伟长(1912-2010),江苏无锡人,中国近代力学之父,著名的科学家、教育家。
钱伟长早年攻物理学,留学加拿大期间已经显露出非凡才华。
28岁时,他的一篇论文已经让爱因斯坦大受震动,并迅速成为国际物理学的明星。
抗战结束后,钱伟长坚持回到祖国,在艰苦的条件下,拒绝美国科学界的诱惑,忠于祖国,坚持实现"科学救国"的抱负。
为新中国开创了力学科学教育体系。
他学贯中外,对中国科学事业的发展做出了巨大的贡献。
1957年,钱伟长被错划为右派,受到不公正待遇,但是钱仍然没有放弃科研和对祖国的忠诚。
1977年以后,他不辞辛劳,去祖国各地做了数百次讲座和报告,提倡科学和教育,宣传现代化,为富民强国出谋划策。
1990年以后,他为香港、澳门回归祖国及和平统一祖国的大业奔走。
有人说,钱伟长太全面了,他在科学、政治、教育每个领域取得的成就都是常人无法企及的。
钱伟长说:"我没有专业,国家需要就是我的专业;我从不考虑自己的得与失,祖国和人民的忧就是我的忧,祖国和人民的乐就是我的乐。
"他用六十多年的报国路诠释了自己一直坚持的专业:爱国。
其重要贡献有:1946年,他与冯•卡门合作发表了《变扭率的扭转》,成为国际弹性力学理论经典之作。
1947年,在正则摄动理论方面创建了以中心挠度wm为摄动参数作渐近展开的摄动解法,在国际力学界被称为“钱伟长方法”。
1948年,在奇异摄动理论方面写出有关固定圆板的大挠度问题的渐近解,称为“钱伟长方程”。
解放后,致力科学理论和工程力学领域,成为我国近代应用数学与力奠基人之一2、信义兄弟——孙水林孙东林【获奖名片】信义【颁奖词】言忠信,行笃敬,古老相传的信条,演绎出现代传奇,他们为尊严承诺,为良心奔波,大地上一场悲情接力。
改版履歷使用說明書的編號記述在本書封底的左下角。
印刷日期使用說明書編號改版內容2008年5月1055NT0初版印刷序言感謝購買MONITOUCH V系列的畫面編輯用軟體 "V-SFT-5"。
為了正確使用MONITOUCH,請仔細閱讀包括本書在內的手冊、使用說明書,並充分理解其內容。
注意1.該軟體的著作權歸Hakko Electronics Co., Ltd.所有。
2.未經許可禁止以任何形式使用、複製、轉載、更改該軟體以及手冊的局部或全部。
3.該軟體的設計以及手冊中所記載的事項可能不事前預告而進行更改。
4.當該軟體的設計與手冊中的記述相違背時請以軟體設計為准。
5.對於使用該軟體以及手冊後產生結果的影響將不負任何責任,請予以理解。
6.原則上該軟體的使用為1台電腦購買1套軟體。
關於商標等•Windows、Word、Excel是美國微軟公司在美國及其他國家的注冊商標。
•其他公司名稱以及產品名稱是各公司的商標或注冊商標。
•時序控制裝置 (PLC) 的各設備名是各個公司的產品。
手冊的種類和用途本書是MONITOUCH V8系列相關的手冊中,對V8系列的功能進行詳細說明的手冊。
在和MONITOUCH V8系列相關的手冊中,還有其他如下的手冊。
手冊名使用說明書編號用途V8 系列參考手冊(本書)1055NTx對MONITOUCH V8系列的功能、進行詳細說明V 系列巨集參考1056NTx對V-SFT Ver. 5的巨集的概要、巨集編輯器的操作方法,巨集指令的內容等進行詳細說明V8系列引進手冊1057NTx對MONITOUCH V8系列的概要、製作編輯畫面時的基本操作方法、進行詳細說明V8 Series Operation Manual1058NEx對V-SFT Ver. 5 的結構、各個專案的編輯方法,限制事項等操作的相關內容進行詳細說明的手冊V8 Series Hardware Specifications2016NEx對MONITOUCH V8系列的硬體規格、使用方法等進行說明V8 Series Connection Manual2201NEx對MONITOUCH V8系列和其他公司的設備進行連接的方法,佈線圖等進行說明V Series DLL Function Specifications1059NEx對EthernetDLL (HKEtn20.dll)、CF卡DLL(VCFAcs.dll) 的概要、內容進行詳細說明關於V8系列的種類和記述形式MONITOUCH V8系列有以下種類。
The information in this document is subject to change without notice and does not represent a commitment on the part of Native Instruments GmbH. The software described by this docu-ment is subject to a License Agreement and may not be copied to other media. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by Native Instruments GmbH, hereinafter referred to as Native Instruments.“Native Instruments”, “NI” and associated logos are (registered) trademarks of Native Instru-ments GmbH.ASIO, VST, HALion and Cubase are registered trademarks of Steinberg Media Technologies GmbH.All other product and company names are trademarks™ or registered® trademarks of their re-spective holders. Use of them does not imply any affiliation with or endorsement by them.Document authored by: David Gover and Nico Sidi.Software version: 2.6.11 (11/2017)Hardware version: MASCHINE MK3Special thanks to the Beta Test Team, who were invaluable not just in tracking down bugs, but in making this a better product.NATIVE INSTRUMENTS GmbH Schlesische Str. 29-30D-10997 Berlin Germanywww.native-instruments.de NATIVE INSTRUMENTS North America, Inc. 6725 Sunset Boulevard5th FloorLos Angeles, CA 90028USANATIVE INSTRUMENTS K.K.YO Building 3FJingumae 6-7-15, Shibuya-ku, Tokyo 150-0001Japanwww.native-instruments.co.jp NATIVE INSTRUMENTS UK Limited 18 Phipp StreetLondon EC2A 4NUUKNATIVE INSTRUMENTS FRANCE SARL 113 Rue Saint-Maur75011 ParisFrance SHENZHEN NATIVE INSTRUMENTS COMPANY Limited 203B & 201B, Nanshan E-Commerce Base Of Innovative ServicesShi Yun Road, Shekou, Nanshan, Shenzhen China© NATIVE INSTRUMENTS GmbH, 2017. All rights reserved.Table of Contents1Welcome to MASCHINE (23)1.1MASCHINE Documentation (24)1.2Document Conventions (25)1.3New Features in MASCHINE 2.6.11 (27)2Basic Concepts (29)2.1Important Names and Concepts (29)2.2Adjusting the MASCHINE User Interface (32)2.2.1Adjusting the Size of the Interface (32)2.2.2Switching between Ideas View and Arranger View (33)2.2.3Showing/Hiding the Browser (34)2.2.4Minimizing the Mixer (34)2.2.5Showing/Hiding the Control Lane (35)2.3Common Operations (36)2.3.1Using the 4-Directional Push Encoder (36)2.3.2Pinning a Mode on the Controller (37)2.3.3Pinning a Mode on the Controller (38)2.3.4Undo/Redo (39)2.3.5List Overlay for Selectors (41)2.3.6Zoom and Scroll Overlays (42)2.3.7Focusing on a Group or a Sound (42)2.3.8Switching Between the Master, Group, and Sound Level (47)2.3.9Navigating Channel Properties, Plug-ins, and Parameter Pages in the Control Area.482.3.9.1Extended Navigate Mode on Your Controller (53)2.3.10Using Two or More Hardware Controllers (56)2.3.11Touch Auto-Write Option (58)2.4Native Kontrol Standard (60)2.5Stand-Alone and Plug-in Mode (62)2.5.1Differences between Stand-Alone and Plug-in Mode (62)2.5.2Switching Instances (63)2.5.3Controlling Various Instances with Different Controllers (64)2.6Preferences (65)2.6.1Preferences – General Page (66)2.6.2Preferences – Audio Page (70)2.6.3Preferences – MIDI Page (74)2.6.4Preferences – Default Page (77)2.6.5Preferences – Library Page (81)2.6.6Preferences – Plug-ins Page (89)2.6.7Preferences – Hardware Page (94)2.6.8Preferences – Colors Page (98)2.7Integrating MASCHINE into a MIDI Setup (100)2.7.1Connecting External MIDI Equipment (100)2.7.2Sync to External MIDI Clock (101)2.7.3Send MIDI Clock (102)2.8Syncing MASCHINE using Ableton Link (103)2.8.1Connecting to a Network (103)2.8.2Joining and Leaving a Link Session (103)2.9Using a Pedal with the MASCHINE Controller (105)2.10File Management on the MASCHINE Controller (105)3Browser (107)3.1Browser Basics (107)3.1.1The MASCHINE Library (107)3.1.2Browsing the Library vs. Browsing Your Hard Disks (108)3.2Searching and Loading Files from the Library (109)3.2.1Overview of the LIBRARY Pane (109)3.2.2Selecting or Loading a Product and Selecting a Bank from the Browser (114)3.2.2.1Browsing by Product Category Using MASCHINE MK3 (118)3.2.2.2Browsing by Product Vendor Using MASCHINE MK3 (119)3.2.3Selecting a Product Category, a Product, a Bank, and a Sub-Bank (119)3.2.3.1Selecting a Product Category, a Product, a Bank, and a Sub-Bank on theController (124)3.2.4Selecting a File Type (125)3.2.5Choosing Between Factory and User Content (126)3.2.6Selecting Type and Mode Tags (127)3.2.7List and Tag Overlays in the Browser (133)3.2.8Performing a Text Search (135)3.2.9Loading a File from the Result List (135)3.3Additional Browsing Tools (140)3.3.1Loading the Selected Files Automatically (140)3.3.2Auditioning Instrument Presets (142)3.3.3Auditioning Samples (143)3.3.4Loading Groups with Patterns (144)3.3.5Loading Groups with Routing (145)3.3.6Displaying File Information (145)3.4Using Favorites in the Browser (146)3.5Editing the Files’ Tags and Properties (152)3.5.1Attribute Editor Basics (152)3.5.2The BANK Page (154)3.5.3The TYPES and MODES Pages (155)3.5.4The PROPERTIES Page (157)3.6Loading and Importing Files from Your File System (158)3.6.1Overview of the FILES Pane (158)3.6.2Using Favorites (160)3.6.3Using the Location Bar (161)3.6.4Navigating to Recent Locations (162)3.6.5Using the Result List (163)3.6.6Importing Files to the MASCHINE Library (166)3.7Locating Missing Samples (168)3.8Using Quick Browse (170)4Managing Sounds, Groups, and Your Project (175)4.1Overview of the Sounds, Groups, and Master (175)4.1.1The Sound, Group, and Master Channels (176)4.1.2Similarities and Differences in Handling Sounds and Groups (177)4.1.3Selecting Multiple Sounds or Groups (178)4.2Managing Sounds (183)4.2.1Loading Sounds (185)4.2.2Pre-listening to Sounds (186)4.2.3Renaming Sound Slots (187)4.2.4Changing the Sound’s Color (187)4.2.5Saving Sounds (189)4.2.6Copying and Pasting Sounds (191)4.2.7Moving Sounds (194)4.2.8Resetting Sound Slots (196)4.3Managing Groups (197)4.3.1Creating Groups (198)4.3.2Loading Groups (200)4.3.3Renaming Groups (201)4.3.4Changing the Group’s Color (201)4.3.5Saving Groups (203)4.3.6Copying and Pasting Groups (205)4.3.7Reordering Groups (208)4.3.8Deleting Groups (209)4.4Exporting MASCHINE Objects and Audio (210)4.4.1Saving a Group with its Samples (211)4.4.2Saving a Project with its Samples (212)4.4.3Exporting Audio (214)4.5Importing Third-Party File Formats (221)4.5.1Loading REX Files into Sound Slots (221)4.5.2Importing MPC Programs to Groups (222)5Playing on the Controller (226)5.1Adjusting the Pads (226)5.1.1The Pad View in the Software (226)5.1.2Choosing a Pad Input Mode (228)5.1.3Adjusting the Base Key (231)5.1.4Using Choke Groups (233)5.1.5Using Link Groups (235)5.2Adjusting the Key, Choke, and Link Parameters for Multiple Sounds (238)5.3Adjusting the Base Key (239)5.4Playing Tools (240)5.4.1Mute and Solo (241)5.4.2Choke All Notes (245)5.4.3Groove (246)5.4.4Level, Tempo, Tune, and Groove Shortcuts on Your Controller (248)5.4.5Tap Tempo (252)5.5Performance Features (253)5.5.1Overview of the Perform Features (253)5.5.2Selecting a Scale and Creating Chords (256)5.5.3Scale and Chord Parameters (256)5.5.4Creating Arpeggios and Repeated Notes (262)5.5.5Swing on Note Repeat / Arp Output (267)5.6Using Lock Snapshots (268)5.6.1Creating a Lock Snapshot (268)5.6.2Using Extended Lock (269)5.6.3Updating a Lock Snapshot (269)5.6.4Recalling a Lock Snapshot (270)5.6.5Morphing Between Lock Snapshots (270)5.6.6Deleting a Lock Snapshot (271)5.6.7Triggering Lock Snapshots via MIDI (272)5.7Using the Smart Strip (274)5.7.1Pitch Mode (274)5.7.2Modulation Mode (275)5.7.3Perform Mode (275)5.7.4Notes Mode (276)6Working with Plug-ins (277)6.1Plug-in Overview (277)6.1.1Plug-in Basics (277)6.1.2First Plug-in Slot of Sounds: Choosing the Sound’s Role (281)6.1.3Loading, Removing, and Replacing a Plug-in (281)6.1.3.1Browser Plug-in Slot Selection (287)6.1.4Adjusting the Plug-in Parameters (290)6.1.5Bypassing Plug-in Slots (290)6.1.6Using Side-Chain (292)6.1.7Moving Plug-ins (292)6.1.8Alternative: the Plug-in Strip (294)6.1.9Saving and Recalling Plug-in Presets (294)6.1.9.1Saving Plug-in Presets (295)6.1.9.2Recalling Plug-in Presets (296)6.1.9.3Removing a Default Plug-in Preset (297)6.2The Sampler Plug-in (298)6.2.1Page 1: Voice Settings / Engine (300)6.2.2Page 2: Pitch / Envelope (302)6.2.3Page 3: FX / Filter (305)6.2.4Page 4: Modulation (307)6.2.5Page 5: LFO (309)6.2.6Page 6: Velocity / Modwheel (311)6.3Using Native Instruments and External Plug-ins (313)6.3.1Opening/Closing Plug-in Windows (313)6.3.2Using the VST/AU Plug-in Parameters (316)6.3.3Setting Up Your Own Parameter Pages (317)6.3.4Using VST/AU Plug-in Presets (322)6.3.5Multiple-Output Plug-ins and Multitimbral Plug-ins (325)7Working with Patterns (326)7.1Pattern Basics (326)7.1.1Pattern Editor Overview (327)7.1.2Navigating the Event Area (333)7.1.3Following the Playback Position in the Pattern (335)7.1.4Jumping to Another Playback Position in the Pattern (337)7.1.5Group View and Keyboard View (338)7.1.6Adjusting the Arrange Grid and the Pattern Length (341)7.1.7Adjusting the Step Grid and the Nudge Grid (344)7.2Recording Patterns in Real Time (349)7.2.1Recording Your Patterns Live (349)7.2.2The Record Prepare Mode (352)7.2.3Using the Metronome (353)7.2.4Recording with Count-in (354)7.2.5Quantizing while Recording (356)7.3Recording Patterns with the Step Sequencer (356)7.3.1Step Mode Basics (356)7.3.2Editing Events in Step Mode (359)7.3.3Recording Modulation in Step Mode (361)7.4Editing Events (361)7.4.1Editing Events with the Mouse: an Overview (362)7.4.2Creating Events/Notes (365)7.4.3Selecting Events/Notes (366)7.4.4Editing Selected Events/Notes (372)7.4.5Deleting Events/Notes (378)7.4.6Cut, Copy, and Paste Events/Notes (381)7.4.7Quantizing Events/Notes (383)7.4.8Quantization While Playing (385)7.4.9Doubling a Pattern (386)7.4.10Adding Variation to Patterns (387)7.5Recording and Editing Modulation (391)7.5.1Which Parameters Are Modulatable? (392)7.5.2Recording Modulation (393)7.5.3Creating and Editing Modulation in the Control Lane (395)7.6Creating MIDI Tracks from Scratch in MASCHINE (401)7.7Managing Patterns (403)7.7.1The Pattern Manager and Pattern Mode (403)7.7.2Selecting Patterns and Pattern Banks (406)7.7.3Creating Patterns (408)7.7.4Deleting Patterns (410)7.7.5Creating and Deleting Pattern Banks (411)7.7.6Naming Patterns (413)7.7.7Changing the Pattern’s Color (415)7.7.8Duplicating, Copying, and Pasting Patterns (416)7.7.9Moving Patterns (419)7.7.10Adjusting Pattern Length in Fine Increments (420)7.8Importing/Exporting Audio and MIDI to/from Patterns (421)7.8.1Exporting Audio from Patterns (421)7.8.2Exporting MIDI from Patterns (422)7.8.3Importing MIDI to Patterns (425)8Audio Routing, Remote Control, and Macro Controls (434)8.1Audio Routing in MASCHINE (435)8.1.1Sending External Audio to Sounds (436)8.1.2Configuring the Main Output of Sounds and Groups (441)8.1.3Setting Up Auxiliary Outputs for Sounds and Groups (446)8.1.4Configuring the Master and Cue Outputs of MASCHINE (450)8.1.5Mono Audio Inputs (456)8.1.5.1Configuring External Inputs for Sounds in Mix View (457)8.2Using MIDI Control and Host Automation (461)8.2.1Triggering Sounds via MIDI Notes (462)8.2.2Triggering Scenes via MIDI (469)8.2.3Controlling Parameters via MIDI and Host Automation (471)8.2.4Selecting VST/AU Plug-in Presets via MIDI Program Change (479)8.2.5Sending MIDI from Sounds (480)8.3Creating Custom Sets of Parameters with the Macro Controls (484)8.3.1Macro Control Overview (485)8.3.2Assigning Macro Controls Using the Software (486)8.3.3Assigning Macro Controls Using the Controller (492)9Controlling Your Mix (494)9.1Mix View Basics (494)9.1.1Switching between Arrange View and Mix View (494)9.1.2Mix View Elements (495)9.2The Mixer (497)9.2.1Displaying Groups vs. Displaying Sounds (498)9.2.2Adjusting the Mixer Layout (500)9.2.3Selecting Channel Strips (501)9.2.4Managing Your Channels in the Mixer (502)9.2.5Adjusting Settings in the Channel Strips (504)9.2.6Using the Cue Bus (508)9.3The Plug-in Chain (510)9.4The Plug-in Strip (511)9.4.1The Plug-in Header (513)9.4.2Panels for Drumsynths and Internal Effects (515)9.4.3Panel for the Sampler (516)9.4.4Custom Panels for Native Instruments Plug-ins (519)9.4.5Undocking a Plug-in Panel (Native Instruments and External Plug-ins Only) (523)9.5Controlling Your Mix from the Controller (525)9.5.1Navigating Your Channels in Mix Mode (526)9.5.2Adjusting the Level and Pan in Mix Mode (527)9.5.3Mute and Solo in Mix Mode (528)9.5.4Plug-in Icons in Mix Mode (528)10Using the Drumsynths (529)10.1Drumsynths – General Handling (530)10.1.1Engines: Many Different Drums per Drumsynth (530)10.1.2Common Parameter Organization (530)10.1.3Shared Parameters (533)10.1.4Various Velocity Responses (533)10.1.5Pitch Range, Tuning, and MIDI Notes (533)10.2The Kicks (534)10.2.1Kick – Sub (536)10.2.2Kick – Tronic (538)10.2.3Kick – Dusty (541)10.2.4Kick – Grit (542)10.2.5Kick – Rasper (545)10.2.6Kick – Snappy (546)10.2.7Kick – Bold (548)10.2.8Kick – Maple (550)10.2.9Kick – Push (551)10.3The Snares (553)10.3.1Snare – Volt (555)10.3.2Snare – Bit (557)10.3.3Snare – Pow (559)10.3.4Snare – Sharp (560)10.3.5Snare – Airy (562)10.3.6Snare – Vintage (564)10.3.7Snare – Chrome (566)10.3.8Snare – Iron (568)10.3.9Snare – Clap (570)10.3.10Snare – Breaker (572)10.4The Hi-hats (574)10.4.1Hi-hat – Silver (575)10.4.2Hi-hat – Circuit (577)10.4.3Hi-hat – Memory (579)10.4.4Hi-hat – Hybrid (581)10.4.5Creating a Pattern with Closed and Open Hi-hats (583)10.5The Toms (584)10.5.1Tom – Tronic (586)10.5.2Tom – Fractal (588)10.5.3Tom – Floor (592)10.5.4Tom – High (594)10.6The Percussions (595)10.6.1Percussion – Fractal (597)10.6.2Percussion – Kettle (600)10.6.3Percussion – Shaker (602)10.7The Cymbals (606)10.7.1Cymbal – Crash (608)10.7.2Cymbal – Ride (610)11Using the Bass Synth (613)11.1Bass Synth – General Handling (614)11.1.1Parameter Organization (614)11.1.2Bass Synth Parameters (616)12Using Effects (618)12.1Applying Effects to a Sound, a Group or the Master (618)12.1.1Adding an Effect (618)12.1.2Other Operations on Effects (627)12.1.3Using the Side-Chain Input (629)12.2Applying Effects to External Audio (632)12.2.1Step 1: Configure MASCHINE Audio Inputs (632)12.2.2Step 2: Set up a Sound to Receive the External Input (635)12.2.3Step 3: Load an Effect to Process an Input (637)12.3Creating a Send Effect (639)12.3.1Step 1: Set Up a Sound or Group as Send Effect (639)12.3.2Step 2: Route Audio to the Send Effect (644)12.3.3 A Few Notes on Send Effects (646)12.4Creating Multi-Effects (647)13Effect Reference (650)13.1Dynamics (651)13.1.1Compressor (651)13.1.2Gate (655)13.1.3Transient Master (659)13.1.4Limiter (661)13.1.5Maximizer (665)13.2Filtering Effects (668)13.2.1EQ (668)13.2.2Filter (671)13.2.3Cabinet (675)13.3Modulation Effects (676)13.3.1Chorus (676)13.3.2Flanger (678)13.3.3FM (680)13.3.4Freq Shifter (681)13.3.5Phaser (683)13.4Spatial and Reverb Effects (685)13.4.1Ice (685)13.4.2Metaverb (687)13.4.3Reflex (688)13.4.4Reverb (Legacy) (690)13.4.5Reverb (692)13.4.5.1Reverb Room (692)13.4.5.2Reverb Hall (695)13.4.5.3Plate Reverb (698)13.5Delays (700)13.5.1Beat Delay (700)13.5.2Grain Delay (703)13.5.3Grain Stretch (705)13.5.4Resochord (707)13.6Distortion Effects (709)13.6.1Distortion (709)13.6.2Lofi (711)13.6.3Saturator (713)13.6.4Analog Distortion (716)13.7Perform FX (718)13.7.1Filter (719)13.7.2Flanger (721)13.7.3Burst Echo (724)13.7.4Reso Echo (726)13.7.5Ring (729)13.7.6Stutter (731)13.7.7Tremolo (734)13.7.8Scratcher (737)14Working with the Arranger (740)14.1Arranger Basics (740)14.1.1Navigating the Arranger (743)14.1.2Following the Playback Position in Your Project (745)14.1.3Jumping to Other Sections (746)14.2Using Ideas View (748)14.2.1Scene Overview (748)14.2.2Creating Scenes (750)14.2.3Assigning and Removing Patterns (751)14.2.4Selecting Scenes (755)14.2.5Deleting Scenes (757)14.2.6Creating and Deleting Scene Banks (758)14.2.7Clearing Scenes (759)14.2.8Duplicating Scenes (759)14.2.9Reordering Scenes (761)14.2.10Making Scenes Unique (762)14.2.11Appending Scenes to Arrangement (763)14.2.12Naming Scenes (764)14.2.13Changing the Color of a Scene (765)14.3Using Arranger View (767)14.3.1Section Management Overview (767)14.3.2Creating Sections (772)14.3.3Assigning a Scene to a Section (773)14.3.4Selecting Sections and Section Banks (774)14.3.5Reorganizing Sections (778)14.3.6Adjusting the Length of a Section (779)14.3.6.1Adjusting the Length of a Section Using the Software (781)14.3.6.2Adjusting the Length of a Section Using the Controller (782)14.3.7Assigning and Removing Patterns (783)14.3.8Duplicating Sections (785)14.3.8.1Making Sections Unique (786)14.3.9Removing Sections (787)14.3.10Renaming Scenes (789)14.3.11Clearing Sections (790)14.3.12Creating and Deleting Section Banks (791)14.3.13Enabling Auto Length (792)14.3.14Looping (793)14.3.14.1Setting the Loop Range in the Software (793)14.4Playing with Sections (794)14.4.1Jumping to another Playback Position in Your Project (795)14.5Triggering Sections or Scenes via MIDI (796)14.6The Arrange Grid (798)14.7Quick Grid (800)15Sampling and Sample Mapping (801)15.1Opening the Sample Editor (801)15.2Recording a Sample (802)15.2.1Opening the Record Page (802)15.2.2Selecting the Source and the Recording Mode (803)15.2.3Arming, Starting, and Stopping the Recording (806)15.2.5Checking Your Recordings (810)15.2.6Location and Name of Your Recorded Samples (813)15.3Editing a Sample (814)15.3.1Using the Edit Page (814)15.3.2Audio Editing Functions (820)15.4Slicing a Sample (828)15.4.1Opening the Slice Page (829)15.4.2Adjusting the Slicing Settings (830)15.4.3Live Slicing (836)15.4.3.1Live Slicing Using the Controller (836)15.4.3.2Delete All Slices (837)15.4.4Manually Adjusting Your Slices (837)15.4.5Applying the Slicing (844)15.5Mapping Samples to Zones (850)15.5.1Opening the Zone Page (850)15.5.2Zone Page Overview (851)15.5.3Selecting and Managing Zones in the Zone List (853)15.5.4Selecting and Editing Zones in the Map View (858)15.5.5Editing Zones in the Sample View (862)15.5.6Adjusting the Zone Settings (865)15.5.7Adding Samples to the Sample Map (872)16Appendix: Tips for Playing Live (875)16.1Preparations (875)16.1.1Focus on the Hardware (875)16.1.2Customize the Pads of the Hardware (875)16.1.3Check Your CPU Power Before Playing (875)16.1.4Name and Color Your Groups, Patterns, Sounds and Scenes (876)16.1.5Consider Using a Limiter on Your Master (876)16.1.6Hook Up Your Other Gear and Sync It with MIDI Clock (876)16.1.7Improvise (876)16.2Basic Techniques (876)16.2.1Use Mute and Solo (876)16.2.2Use Scene Mode and Tweak the Loop Range (877)16.2.3Create Variations of Your Drum Patterns in the Step Sequencer (877)16.2.4Use Note Repeat (877)16.2.5Set Up Your Own Multi-effect Groups and Automate Them (877)16.3Special Tricks (878)16.3.1Changing Pattern Length for Variation (878)16.3.2Using Loops to Cycle Through Samples (878)16.3.3Using Loops to Cycle Through Samples (878)16.3.4Load Long Audio Files and Play with the Start Point (878)17Troubleshooting (879)17.1Knowledge Base (879)17.2Technical Support (879)17.3Registration Support (880)17.4User Forum (880)18Glossary (881)Index (889)1Welcome to MASCHINEThank you for buying MASCHINE!MASCHINE is a groove production studio that implements the familiar working style of classi-cal groove boxes along with the advantages of a computer based system. MASCHINE is ideal for making music live, as well as in the studio. It’s the hands-on aspect of a dedicated instru-ment, the MASCHINE hardware controller, united with the advanced editing features of the MASCHINE software.Creating beats is often not very intuitive with a computer, but using the MASCHINE hardware controller to do it makes it easy and fun. You can tap in freely with the pads or use Note Re-peat to jam along. Alternatively, build your beats using the step sequencer just as in classic drum machines.Patterns can be intuitively combined and rearranged on the fly to form larger ideas. You can try out several different versions of a song without ever having to stop the music.Since you can integrate it into any sequencer that supports VST, AU, or AAX plug-ins, you can reap the benefits in almost any software setup, or use it as a stand-alone application. You can sample your own material, slice loops and rearrange them easily.However, MASCHINE is a lot more than an ordinary groovebox or sampler: it comes with an inspiring 7-gigabyte library, and a sophisticated, yet easy to use tag-based Browser to give you instant access to the sounds you are looking for.What’s more, MASCHINE provides lots of options for manipulating your sounds via internal ef-fects and other sound-shaping possibilities. You can also control external MIDI hardware and 3rd-party software with the MASCHINE hardware controller, while customizing the functions of the pads, knobs and buttons according to your needs utilizing the included Controller Editor application. We hope you enjoy this fantastic instrument as much as we do. Now let’s get go-ing!—The MASCHINE team at Native Instruments.MASCHINE Documentation1.1MASCHINE DocumentationNative Instruments provide many information sources regarding MASCHINE. The main docu-ments should be read in the following sequence:1.MASCHINE Getting Started: This document provides a practical approach to MASCHINE viaa set of tutorials covering easy and more advanced tasks in order to help you familiarizeyourself with MASCHINE.2.MASCHINE Manual (this document): The MASCHINE Manual provides you with a compre-hensive description of all MASCHINE software and hardware features.Additional documentation sources provide you with details on more specific topics:▪Controller Editor Manual: Besides using your MASCHINE hardware controller together withits dedicated MASCHINE software, you can also use it as a powerful and highly versatileMIDI controller to pilot any other MIDI-capable application or device. This is made possibleby the Controller Editor software, an application that allows you to precisely define all MIDIassignments for your MASCHINE controller. The Controller Editor was installed during theMASCHINE installation procedure. For more information on this, please refer to the Con-troller Editor Manual available as a PDF file via the Help menu of Controller Editor.▪Online Support Videos: You can find a number of support videos on The Official Native In-struments Support Channel under the following URL: https:///NIsupport-EN We recommend that you follow along with these instructions while the respective appli-cation is running on your computer.Other Online Resources:If you are experiencing problems related to your Native Instruments product that the supplied documentation does not cover, there are several ways of getting help:▪Knowledge Base▪User Forum▪Technical Support▪Registration SupportYou will find more information on these subjects in the chapter Troubleshooting.1.2Document ConventionsThis section introduces you to the signage and text highlighting used in this manual. This man-ual uses particular formatting to point out special facts and to warn you of potential issues. The icons introducing these notes let you see what kind of information is to be expected:This document uses particular formatting to point out special facts and to warn you of poten-tial issues. The icons introducing the following notes let you see what kind of information can be expected:Furthermore, the following formatting is used:▪Text appearing in (drop-down) menus (such as Open…, Save as… etc.) in the software and paths to locations on your hard disk or other storage devices is printed in italics.▪Text appearing elsewhere (labels of buttons, controls, text next to checkboxes etc.) in the software is printed in blue. Whenever you see this formatting applied, you will find the same text appearing somewhere on the screen.▪Text appearing on the displays of the controller is printed in light grey. Whenever you see this formatting applied, you will find the same text on a controller display.▪Text appearing on labels of the hardware controller is printed in orange. Whenever you see this formatting applied, you will find the same text on the controller.▪Important names and concepts are printed in bold.▪References to keys on your computer’s keyboard you’ll find put in square brackets (e.g.,“Press [Shift] + [Enter]”).►Single instructions are introduced by this play button type arrow.→Results of actions are introduced by this smaller arrow.Naming ConventionThroughout the documentation we will refer to MASCHINE controller (or just controller) as the hardware controller and MASCHINE software as the software installed on your computer.The term “effect” will sometimes be abbreviated as “FX” when referring to elements in the MA-SCHINE software and hardware. These terms have the same meaning.Button Combinations and Shortcuts on Your ControllerMost instructions will use the “+” sign to indicate buttons (or buttons and pads) that must be pressed simultaneously, starting with the button indicated first. E.g., an instruction such as:“Press SHIFT + PLAY”means:1.Press and hold SHIFT.2.While holding SHIFT, press PLAY and release it.3.Release SHIFT.Unlabeled Buttons on the ControllerThe buttons and knobs above and below the displays on your MASCHINE controller do not have labels.1234567812345678The unlabeled buttons and knobs on the MASCHINE controller.For better reference, we applied a special formatting here: throughout the document, the ele-ments are capitalized and numbered, so the buttons above the displays are written Button 1 to Button 8, while the knobs under the displays are written Knob 1 to Knob 8. E.g., whenever you see an instruction such as “Press Button 2 to open the EDIT page,” you’ll know it’s the second button from the left above the displays.1.3New Features in MASCHINE2.6.11The following two new features have been added to MASCHINE 2.6.11 and are only aimed at MASCHINE MK3 users:▪Introduction of the General, Audio, MIDI and Hardware Preferences direct from the MA-SCHINE MK3 controller using the SETTINGS button. For more information on using the Preferences from the hardware, refer to each section of the following chapter: ↑2.6, Prefer-ences.。
《死神的账单》
有一天,小明收到了一封神秘的信,封皮上写着“死神的账单”。
他心里扑通扑通跳,像被小石头打中的湖面,起了层层涟漪。
打开信,纸上只有寥寥数字,如同夜晚的月光,冷而清晰:“你
的时间余额已不足,需支付生命之债。
”小明看着,心中疑惑又害怕,恍若跌入无底深渊。
他的生活从未如此沉重,每分每秒都像是在计数,连玩耍也带着
阴影。
小明开始懂得,那些被他浪费的日子,原来都是死神记下的账。
他曾把时间挥霍如土,如今却要以生命偿还。
他决定改变,每天早起读书,不再沉迷游戏。
他发现,充实的生
活比虚度更有滋味,就像阳光比黑夜更温暖。
时间虽短,但他想活得
有意义。
这就是小明与死神账单的故事,它教会小明,时间是生命的金子,每一刻都应珍惜。
尽管我们无法逃避死神的账单,但我们可以选择如
何填写它的内容。
从此,小明的生活充满了色彩,每一个瞬间,都是
对生命的热爱和尊重。