natalie 娜塔莉波特曼英文介绍PPT
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娜塔莉·波特曼2015年哈佛毕业典礼演讲稿【英文】(2)I’ve been acting since I was 11. But I thought acting was too frivolous and certainly not meaningful. I came from a family of academics, and was very concerned of being taken seriously. In contrast to my inability to declare myself, on my first day of orientation freshman year, five separate students introduced themselves to me, by saying, I’m going to be president. Remember I told you that. Their names, for the record, were Bernie Sanders, Marco Rubio, Ted Cruz, Barack Obama, and Hilary Clinton. In all seriousness, I believed every one of them, their bearing and self-confidence alone seemed proof of their prophecy where I couldn’t shake my self-doubt. I got in only because I was famous. This was how others saw me and it was how I saw myself. Driven by these insecurities, I decided I was going to find something to do in Harvard that was serious and meaningful that would change the world and make it a better place.At the age of 18,I’d already been acting for 7 years, and assumed I find a more serious and profound path in college. So freshman fall I decided to take neurobiology, and advanced modern Hebrew literature, because I was serious and intellectual. Needless to say, I should have failed both. I got Bs,for you information, and to this day, every Sunday I burn a small effigy to the pagan Gods of grade inflation.But as I was fighting my way through Aleph Bet Yod Y’d shua in Hebrew, and the different mechanisms of neuro-response, I saw friends around me writing papers on sailing, and pop culture magazines, and professors teaching classes on fairly tales and The Matrix. I realized that seriousness for seriousness’s sakewas its own kind of trophy, and a dubious one, a pose I sought to counter some half-imagined argument about who I was. There was a reason that I was an actor. I love what I do. And I saw from my peers and my mentors that it was not only an acceptable reason, it was the best reason.When I got to my graduation, sitting where you sit today after 4 years of trying to get excited about something else. I admitted to myself that I couldn’t wait to go back and make more films. I wanted to tell stories, to imagine the lives of others.I have found or perhaps reclaimed my reason. You have prize now, or at least you will tomorrow. The prize is a Harvard degree in your hand. But what is your reason behind it?My Harvard degree represents for me, the curiosity and invention that were encouraged here, the friendships I’ve sustained, the way Professor Graham told me not to describe the way light hit a flower, but rather the shadow the flower cast, the way Professor Scarry talked about theatre is a transformative religious force, how Professor Coslin showed how much our visual cortex is activated just by imagining. Now granted these things don’t necessarity help me answer the most common question I’m asked: What designer are you wearing? What’s your fitness regime? Any make up tips? But I have never since been embarrassed to myself as what I might previously have thought was stupid question. My Harvard degree and other awards are emblems of the experiences which led me to them. The wood paneled lecture halls, the colorful fall leaves, the hot vanilla Toscaninis, reading great novels in overstuffed library chairs, running through dining halls screaming: Ooh! Ah! City steps!City steps!City steps!City steps!It’s easy now to romanticize my time here. But I had somevery difficult times here to. Some combination of being 19, dealing with my first heartbreak, taking birth control pills that have since been taken off the market for their depressive side effects, and spending too much time missing day light during winter months, led me to some pretty dark moments. Particularly during sophomore year, there were several occasions where I started crying in meetings with professors. Overwhelmed with what I was supposed to pull off. When I could barely get myself out of bed in the morning.Moment when I took on the motto for my school work. Done. Not good.If only I could finish my work, even if it took eating a jumbo pack of sour Patch Kids to get me through a single 10-page paper. I felt that I’ve accomplished a great feat. I repeat to myself. Done.Not good.A couple of years ago, I went to T okyo with my husband, and I ate at the most remarkable sushi restaurant. I don’t even eat fish. I’m vegan. So that tells you how good it was. Even with just vegetables, this sushi was the stuff you dreamed about. The restaurant has six seats. My husband and I marveled at how anyone can make rice so superior to all other rice. We wondered why they didn’t make a bigger restaurant and be the most popular place in town. Our local friends explains to us that all the best restaurants in Tokyo are that small, and do only one type of dish: sushi or tempura or teriyaki. Because they want to do that thing well and beautifully. And it’s not about quantity. It’s about taking pleasure in the perfection and beauty of the particular.本文已影响人。
娜塔莉波特曼(英文)
Cristy Lytal
【期刊名称】《疯狂英语:阅读版》
【年(卷),期】2005(0)4
【摘要】上天不忍心奥黛丽·赫本就这样离开人世,于是,娜塔莉·波特曼朝我们姗姗走来。
【总页数】1页(P9-9)
【关键词】波特曼;英文;脱衣舞女;friend;希伯莱语;出生地
点;adjustment;beautiful;Interne;anything
【作者】Cristy Lytal
【作者单位】
【正文语种】中文
【中图分类】H319.4
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进音乐《we belong togther》第83届奥斯卡颁奖典礼于2011年2月27日在洛杉矶柯达剧院举行,之前呼声最高的娜塔莉波特曼成功凭借《黑天鹅》里德出色表现成功封后。
今天的英语名人堂就介绍给大家她的星路和选择。
进音乐《黑天鹅- Nina's Dream》赵:从最初站在镁光灯下到今天,昔日的女孩如今已长大,纯真依旧但是多了份成熟女人的自信与风情。
娜塔莉正用自己的实际行动向世界证明——她是好莱坞新一代演员中最具实力,最有前途的女星。
出生于圣城耶路撒冷的娜塔莉·波特曼家境优越,拉宾的年代,炮火连天的局面不得不使全家移民美利坚。
那一年波特曼只有三岁,不经世事,避过了触目惊心的烽烟,安谧祥和地生活在大洋彼岸,她的父亲是位著名的医师,身为艺术家的母亲而后成为她的经理人。
9岁的娜塔莉·波特曼在纽约一家披萨店里被星探发现,露华浓公司本想将她定位为模特,却被一口拒绝,从那时起,她就期待着成为一名演员。
赵:吕克·贝松的第一部英语电影在美国选角,这位怪蜀黍在丽芙·泰勒和娜塔莉·波特曼之间摇摆不定,前者个子太高了,后者又太小,不放弃的波特曼索性又到贝松跟前来了一轮表演,最终拿下电影全片的剧本。
这部片子就是《这个杀手不太冷》,青春叛逆的马蒂尔德惊艳绝伦,杀手庇护下的柔弱身影成功实现了抢镜,不过出名给她带来了无穷无尽的麻烦,为保隐私,她不得不把姓氏从赫许勒改为祖母家的波特曼,那一年,她仅仅12岁。
此时加在她身上的,是“萝莉代言人”的标签,《盗火线》里艾尔·帕西诺的继女,《火星人》中杰克·尼科尔森的女儿,《美丽佳人》中的早熟少女,演完这些后,波特曼相继推掉了《冰风暴》、《洛丽塔》和《罗密欧与朱丽叶》等片约。
一头扎进百老汇的剧院,是《安妮·弗兰克日记》的热烈排演,没有电影的喧嚣,却有谢幕时的掌声阵阵。
在好莱坞女星中,娜塔莉·波特曼算是个异数,她兢兢业业地完成了四年的学士课程。
娜塔莉·波特曼的哈佛毕业典礼演讲稿分析Natalie Portman's Harvard Graduation Speech: An AnalysisNatalie Portman, a renowned actress and activist, delivered the commencement speech at Harvard University in 2015. Having graduated from Harvard herself in 2003 with a degree in Psychology, Portman was the perfect candidate to address the graduating class of 2015. Her speech touched upon a variety of themes ranging from gender inequality in Hollywood to the importance of creativity and empathy in today's world. In this article, we shall analyze and break down Portman's speech to understand its key themes and ideas.Opening remarksPortman began her speech by reminiscing about her own graduation day and how she had stood on the same steps as the graduating class of 2015. She acknowledged the significance of the day for the graduates and their families and friends and promised to deliver a speech that would be "short, sweet, and memorable." She then launched into her first theme - the value of education and the importance of using it to make a difference in the world.The value of educationPortman underscored the importance of education in enabling individuals to become changemakers in the world. She emphasized that education was not just about getting good grades or a high-paying job, but about using what one had learned to make a positive impact. She mentioned how she had used her own education in Psychology to write a paper on "the neuroscience of pleasure" which later became the basis for her movie, Black Swan. She urged the graduates to use their own education to pursue their passions and make a difference in the world.Gender inequality in HollywoodPortman then spoke about the issue of gender inequality in the entertainment industry, drawing upon her own experiences as an actress. She highlighted the lack of female directors and producers in Hollywood and how this results in fewer opportunities for women. She called for greater representation of women in all aspects of the industry, stating that "female representation in the arts is not a luxury, it's a necessity." She also encouraged the graduatesto challenge the status quo and fight for greater equality in their own careers and workplaces.The importance of empathy and creativityPortman's final theme was that of empathy and creativity, which she argued were essential qualities in today's world. She spoke about the need for individuals to connect with and understand others who were different from themselves, and how empathy could lead to greater peace and harmony. She also emphasized the importance of creativity in bringing about positive change, citing the examples of artists and writers who have used their craft to inspire change in society.ConclusionPortman's speech was a powerful and inspiring addressthat touched upon a range of themes and issues that are relevant in today's world. Her emphasis on the value of education, the need for greater gender equality in Hollywood, and the importance of empathy and creativity in today's world resonated deeply with the audience. By urging the graduatesto use their own education to make a difference, challenge the status quo, and cultivate empathy and creativity, Portmanleft a lasting impression and inspired all those in attendance to go out and make a positive impact in the world.。
Hello, class of 2015. I am so honored to be here today. Dean Khurana, faculty, parents and most especially graduating students.2015届毕业生你们好。
今天我很荣幸地站在这里。
迪恩库拉纳,教职员工,家长们,尤其是你们毕业生们。
Thank you so much for inviting me. The senior class committee.非常感谢你们邀请我。
感谢大四学生会。
It's genuinely one of the most exciting thing I've ever been asked to do.这真是我被邀请过的最令人兴奋的一件事。
I have to admit primarily because I can't deny it.我不得不承认,这主要是因为我没法儿否认它。
As it was leaked in the WikiLeaks release of the Sony hack that when I was invited I replied and I directly quote my own email :"wow this is so nice."因为维基解密公布的索尼被黑资料中爆出了我受邀之时的邮件回复:“哇哦,这真是太棒了。
”"I'm gonna need some funny ghost writers, any ideas?"“我得去物色几个搞笑代笔啊,你有啥建议么?”This initial response now blessedly public with from the knowledge at my class day we were lucky enough to have Will Ferrell as class speaker, and many of us were hung-over, or even freshly high, mainly wanted to laugh.这段人尽皆知的最初回复背后的原因是我们毕业日时有幸请到了威尔法瑞尔做演讲,当时我们中的大多数都宿醉未醒,或刚开始嗨起来,于是只想笑。
娜塔莉波特曼哈佛毕业演讲中英全文娜塔莉·波特曼5月22日回母校演讲。
她与即将毕业的学弟学妹们分享的是她的不完美和不自信。
以下是XX收集的《娜塔莉波特曼哈佛演讲》,仅供大家阅读参考!娜塔莉波特曼哈佛毕业演讲内容全文(英文版) Hello, class of am so honorest to be here Khurana,faculty,parents,and most especially graduating students. Thank you so much for invating me. The Senior Class Committee. it’s genuinely one of the most exciting things I’ ve ever been asked to do.I have to admit primarily because I can’t deny it as it was leaked in the WikiLeaks release of the Sony hack that hen I was invited I replied and I directly quote my own email.” Wow! This is so nice!””I’m gonna need some funny ghost writers. Any ideas? ”This initial response now blessly public was from the knowledge that at my class day we were lucky enough to have Will Ferrel as class day speaker and many of us were hung-over, or even freshly high mainly wanted to I have to admit that today, even 12 years after graduation. I’m still insecure about my own have toremind myself today you’re here for a I feel much like I did when I came to Harvaed Yard as a freshman in you guys were,to my continued shocked and horror, still in felt like there had been some mistake, that I wasn’t smart enough to be in this company, and that everytime I opened my would have to prove that I was’t just dumb I start with an apology. This won’t be very funny. I’m not a I didn’t get a ghost I am here to tell you is giving you all diplomas tomorrow. You are here for a reason. Sometimes your insecurities and your inexperience may lead you, too, to embrace other people’s expectations, standards, or values. But you can harness that inexperience to carve out your own path, one that is free of the burden of knowing how things are supposed to be, a path that is defined by its own particular set of reasons.That other day I went to an amusement park with my soon-to-be 4-yeas-old son. And I watch him play arcade games. He was incredible focused, throwing his ball at the target. Jewish mother than I am, I skipped 20 steps and was already imagining him as a major league player with what is his arm and his arm and his concentration.But then I realized what he want. He was playing to trade in his tickets for the crappy plastic toy. The prize was much more excting than the game to get it. I of course wanted to urge him to take joy and the challenge of the game, the improvement upon practice, the satisfaction of doing something well, and even feeling the accomplishment when achieving the game’s goals. But all of these aspects were shaded by the 10 cent plastic men with sticky stretchy blue arms that adhere to the walls. That-that was the prize. In a child’s nature, we see many of our own innate tendencies. I saw myself in him and perhaps you do too. Prizes serve as false idols everywhere(圣经里的false idol). Prestige, wealth, fame, power. You’ll be exposed to many of these, if not all. Of course, part of why I was invited to come to speak today beyond my being a proud alumma is that I’ve recruited some very coveted toys in my life including a not so plastic, not so crappy one: an Oscar. So we bump up against the common troll I think of the commencement address people who have achieved a lot telling you that the fruits of the achievement are not always to be trusted. But I think that contradictioncan be reconciled and is in fact instructive. Achievement is wonderful when you know why you’re doing it. And when you don’t know, it can be a terrible trap.I went to a public high school on Long Island, Syosset High School. Ooh, hello, Syosset! The girls I went to school with had Prada bags and flat-ironed hair. And they spoke with an accent I who had moved there at age 9 from Connecticut mimicked to fit in. Florida Oranges, Chocolate cherries. Since I ’m ancient and the Internet was just starting when I was in high school. People didn’t really pay that much of attention to the fact that that I was an actress. I was known mainly at school for having a back bigger than I was and always having white-out on my hands because I hated seeing anything crossed out in my note books. I was voted for my senior yearbook ‘ most likely to be an contestant on Jeopardy ’ or code for nerdiest. When I got to Harvard just after the release of Star Wars: Episonde 1, I knew I would be staring over in terms of how people viewed me. I feared people would have assumed I’d gotten in just for being famous, and that they would think that I was not worthy of the intellectual rigor here. Andit would not have been far from the truth.When I came here I had never written a 10-pape paper before. I’m not even sure I’ve written a 5-page paper.I was alarmed and intimidated by the calm eyes of a fellow student who came here from Dalton or Exeter who thought that compared to high school the workload here was easy. I was completely overwhelmed and thought that reading 1000 pages a week was unimaginable, that writing a 50-page thesis is just something I could never do. I Had no idea how to declare my intentions. I could’t even articulate them to myself. I’ve been acting since I was 11. But I thought acting was too frivolous and certainly not meaningful. I came from a family of academics and was very concerned of being taken seriously.In contrast to my inability to declare myself, on my first day of orientation freshman year, five separate students introduced themselves to me by saying, I’m going to be president. Remember I told you that. Their names, for the record, were Bernie Sanders, Marco Rubio, Ted Cruz, Barack Obama, Hilary Clinton. In all seriousness, I believed every one of them. Theirbearing and self-confidence alone seemed proof of their prophecy where I couldn’t shake my self-doubt. I got in only because I was famous. This was how others saw me and it was how I saw myself. Driven by these insecurities, I decided I was going to find something to do in Harvard that was serious and meaningful that would change the world and make it a better place.At the age of 18, I’d already been acting for 7 years, and assumed I find a more serious and profound path in college. So freshman fall I decided to take neurobiology and advanced modern Hebrew literature because I was serious and intellectual. Needless to say, I should have failed both. I got Bs, for your information, and to this day, every Sunday I burn a small effigy to the pagan Gods of grade inflation. But as I was fighting my way through Aleph Bet Yod Y shua in Hebrew and the different mechanisms of neuro-response, I saw friends around me writing papers on sailing and pop culture magazines, and professors teaching classes on fairy tales and The Matrix. I realized that seriousness for seriousness’s sake was its own kind of trophy, and a dubious one, a pose Isought to counter some half-imagined argument about who I was. There was a reason that I was an actor. I love what I do. And I saw from my peers and my mentors that it was not only an acceptable reason, it was the best reason.When I got to my graduation, siting where you sit today, after 4 years of trying to get excited about something else, I admitted to myself that I couldn’t wait to go back and make more films. I wanted to tell stories, to imagine the lives of others and help others do the same. I have found or perhaps reclaimed my reason. You have a prize now or at least you will tomorrow. The prize is Harvard degree in your hand. But what is your reason behind it ? My Harvard degree represents, for me, the curiosity and invention that were encouraged here, the friendships I’ve sustained the way Professor Graham told me not to describe the way light hit a flower but rather the shadow the flower cast, the way Professor Scarry talked about theatre is a teansformative religious force how professor Coslin showed how much our visual cortex is activated just by granted these things don’t necessarily help me answer the most commonquestion I’m asked: What designer are you wearing? What’s your fitness regime? Any makeup tips? But I have never since been embarrassed to myself as what I might previously have thought was a stupid question. My Harvard degree and other awards are emblems of the experiences which led me to them. The wood paneled lecture halls, the colorful fall leaves, the hot vanilla Toscaninis, reading great novels in overstuffed library chairs, running through dining halls sceaming: Ooh! Ah! City steps! City steps! City steps! City steps!It’s easy now to romanticize my time here. But I had some very difficult times here too. Some combination of being 19, dealing with my first heartbreak, taking birth control pills that since been taken off the market for their depressive side effects, and spending too much time missing daylight during winter mouths led me to some pretty dark moments, particularly during sophomore year. There were several occasions where I started crying in meeting with professors overwhelmed with what I was supposed to pull off when I could barely get myself out of bed in themorning. Moments when I took on the motto for school work. Done. Not good. If only I could finish my work, even if it took eating a jumbo pack of sour Patch Kids to get me through a single 10-page paper. I felt that I’ve accomplished a great feat. I repeat to myself. Done. Not good.A couple of years ago, I went to Tokyo with my husband and I ate at the most remarkable sushi restaurant. I don’t even eat fish. I’m vegan. So that tells you how good it was. Even with just vegetables, this sushi was the stuff you dreamed about. The restaurant has six seats. My husband and I marveled at how anyone can make rice so superior to all other rice. We wondered why they didn’t make a bigger restaurant and be the most popular place in town. Our local friend explain to us that all the best restaurants in Tokyo are that small and do only one type of dish: sushi or tempura or teriyaki. Because they want to do that thing well and beautifully. And it’s not about quantity. It’s about taking pleasure in the perfection and beauty of the particular. I’m still learning now that it’s about good and maybe never done. And the joy and workethic and virtuosity we bring to the particular can impart a singular type of enjoyment to those we give to and of course, ourselves.In my professional life, it also took me time to find my own reasons for doing my work. The first film I was in came out in 1994. Again, appallingly, the year most of you were born. I was 13 years old upon the film’s release and I can still quote what the New York Times said about me verbatim. Ms Portman poses better than she acts. The film had universally tepid critic response and went on to bomb commercially. That film was called The Professional, or Leon in Europe. And today, 20 years and 35 films later, it is still the film people approach me about the most to tell me how much they loved it, how much they moved them, how it’s their favorite movie. I feel lucky that my first experience of releasing a film was initially such a disaster by all standards and measures. I learned early that my meaning had to be from the experience of making film and the possibility of connecting with individuals rather than the foremost trophies in my industry: financial and critical success. And also these initialreactions could be false predictors of your work’s ultimate legacy, I started choosing only jobs that I’m passionate about and from which I knew I could glean meaningful experiences. This thoroughly confused everyone around me: agents, producers, and audiences alike. I made Gotya’s Ghost, a foreign independent film and study our history visiting the produce everyday for 4 months as I read about Goya and the Spanish Inquisition. I made for Vendetta, studio action movie for which I learned everything I could about freedom fighters whom otherwise may be called terrorists, from Menachem Begin to Weather Underground. I made Your Highness, a pothead comedy with Danny McBride and laughed for 3 months straight. I was able to own my meaning ant not have it be determined by box office receipts or prestige. By the time I got to making Black Swan, the experience was entirely my own. I felt immune to the worst things anyone could say or write about me, and to whether the audience felt like to see my movie or not. It was instructive for me to see for ballet dancers once your technique gets to a certain level, the only thing that separates you from others is yourquirks or even flaws. One ballerina was famous for how she turned slightly off balanced. You can never be the best, technically. Some will always have a higher jump or a more beautiful line. The only thing you can be the best at is developing your own self. Authoring your own experience was very much what Black Swan itself was about. I worked with Darren Aronofsky the director who changed my last line in the movie to it was perfect. My character Nina is only artistically successful when she finds perfection and pleasure for herself not when she was trying to be perfect in the eyes of others. So when Black Swan was successful financially and I began receiving accolades I felt honored and grateful to have connected with people. But the true core of my meaning I had already established. And I needed it to be independent of people’s reactions to me. People told me that Black Swan was an artistic risk, a scary challenge to try to portray a professional ballet dancer. But it didn’t feel like courage or daring that drove me do it. I was so oblivious to my own limits that I did things I was woefully unprepared to do. And so the very inexperience that in college had made meinsecure and made me want to play by other’s rules now is making me actually take risks I didn’t even realize were risks. When Darren asked me if I could do ballet I told him I was basically a ballerina which by the way I wholeheartedly believed. When it quickly became clear that preparing for film that I was 15 years away from being a ballerina. It made me work a million times harder and of course the magic of cinema and body doubles helped the final effect. But the point is, if I had known my own limitations I never would take of the risk. And the risk led to one of my greatest artistic personal experiences. And that I not only felt completely free. I also met my husband during the filming. Similarly, I just directed my first film, A Tale of love in Darkness. I was quite blind to the challenges ahead of me. The film is a period film, completely in Hebrew in which I also act with an eight-year-old child as a costar. All of these are challenges I should have been terrified of, as I was completely unprepared for them but my complete ignorance to my own limitations looked like confidence and got me into the director’s chair. Once here, I haveto figure it all out, and my belief that I could handle these things contrary to all evidence of my ability or do so was only half the battle. The other half was very hard work. The experience was the deepest and most meaningful one of my career. Now clearly I’m not urging you to go and perform heart surgery without the knowledge to do so! Making movies admittedly has less drastic consequences than most professions and allows for a lot of effects that make up for mistakes. The thing I’m saying is, make use of the fact that you don’t doubt yourself too much right now. As we get older, we get more realistic, and that includes about our own abilities or lack thereof. And that realism does us no favors. People always talk about diving into things you’re afraid of. That never worked for me. If I am afraid, I run away. And I would probably urge my child to do the same. Fear protects us in many ways. What has served me is diving into my own obliviousness. Being more confident than I should be which everyone tends to decry American kids, and those of us who have been grade inflated and ego inflated. Well. It can be a good thing if it makes you try things you never might have tried.Your inexperience is an asset, and will allow you to think in original and unconventional way. Accept your lack of knowledge and use it as your asset. I know a famous violinist who told me that he can’t compose because he knows too many pieces so when he starts thinking of the note an existing piece immediately comes to mind. Just starting out of your digest strengths is not known how things are supposed to be. You can compose freely because your mind isn’t cluttered with too many pieces. And you don’t take for granted the way how things are. The only way you know how to do things is your own way. You here will all go on to achieve great things. There is no doubt about that. Each time you set out to do something new your inexperience can either lead you down a path where you will conform to someone else’s values or you can forge your own path. Even though you don’t realize that’s what you’re doing. If your reasons are your own, your path, even if it’s a strange and clumsy path, will be wholly yours, and you will control the rewards of what you do by making your internal life fulfilling. At the risk of sounding like a Miss American Contestant, themost fulfilling things I’ve experienced have truly been the human interactions: spending time with women in village banks in Mexico with FINCA microfinance organization, meeting young women who were the first and the only in their communities to attend secondary schools in rural Kenya with free the Children group that built sustainable schools in developing countries tracking with gorilla conservationists in Rwanda. It’s cliché, because it’s true, that helping other ends up helping you more than anyone. Getting out of your own concerns and caring about some else’s life for a while, remind you that you are not the central of the universe. And that in the ways we’re generous or not, We can change course of someone’s life. …have had the most lasting impact. And of course, first and foremost, the center of my world is the love that I share with my family and friends. I wish for you that your friends will be with you through it all as my friends from Harvard have been together since we graduated. Grab the good people around you and don’t let them go. To be or not to be is not the question; the vital question is how to be and how not to be. Thank you! I can’t waitto see you do all the beautiful thins you will do.娜塔莉波特曼哈佛毕业演讲内容全文(中文版)XX届毕业生,你们好。
本文部分内容来自网络整理,本司不为其真实性负责,如有异议或侵权请及时联系,本司将立即删除!== 本文为word格式,下载后可方便编辑和修改! ==娜塔莉·波特曼201X哈佛毕业英文演讲稿奥斯卡影后,哈佛校友娜塔莉·波特曼近日重返母校,受邀在201X年哈佛毕业典礼发表演讲。
娜塔莉讲述了自己初入大学和拍电影时遭遇的挫折与挑战,鼓励毕业生去大胆走一条没有“事情本应怎样做”之负担的路,言语间真诚而励志。
视频有中英文对照,十分值得一看。
以下是娜塔莉·波特曼在哈佛的演讲:201X哈佛毕业演讲 (英文):Hello, class of 201X.I am so honest to be here today.Dean Khurana,faculty,parents,and most especially graduating students. Thank you so much for inviting me. The Senior Class Committee. it’s genuinely one of the most exciting things I’ve ever been asked to do.I have to admit primarily because I can’t deny it as it was leakedin the WikiLeaks release of the Sony hack that hen I was invited I replied and I directly quote my own email.” Wow! This is sonice!” ”I’m gonna need some funny ghost writers. Any ideas? ”This initial response now blessedly public was from the knowledge that at my class day we were lucky enough to have Will Ferrel as class day speaker and many of us were hung-over, or even freshly high mainly wanted to laugh.So I have to admit that today, even 12 years after graduation. I’m still insecure about my own worthless.I have to remind myself today you’re here for a reason.Today I feel much like I did when I came to Harvard Yard as a freshman in 1999.When you guys were,to my continued shocked and horror, still in kindergarten.I felt like there had been some mistake, that I wasn’t smart enough to be in this company, and that everytime I opened my mouth.I would h ave to prove that I wasn’t just dumb actress.So I start with an apology. This won’t be very funny. I’m not a comedian.And I didn’t get a ghost writer.But I am here to tell you today.Harvard is giving you all diplomas tomorrow. You are herefor a reason. Sometimes your insecurities and your inexperience may lead you, too, to embrace other people’s expectations, standards, or values. But you can harness that inexperience to carve out your ownpath, one that is free of the burden of knowing how things are supposed to be, a path that is defined by its own particular set of reasons.That other day I went to an amusement park with my soon-to-be 4-yeas-old son. And I watch him play arcade games. He was incredible focused, throwing his ball at the target. Jewish mother than I am, I skipped 20 steps and was already imagining him as a major leagueplayer with what is hisarm and his arm and his concentration. But then I realized whathe want. He was playing to trade in his tickets for the crappyplastic toy. The prize was much more exciting than the game to get it.I of course wanted to urge him to take joy and the challenge of the game, the improvement upon practice, the satisfaction of doing something well, and even feeling the accomplishment when achievingthe game’s goals. But all of these aspects were shaded by the 10cent plastic men with sticky stretchy blue arms that adhere to the walls. That-that was the prize. In a child’s nature, we see many of our own innate tendencies. I saw myself in him and perhaps you do too.Prizes serve as false idols everywhere(圣经里的false idol). Prestige, wealth, fame, power. You’ll be exposed to many of these,if not all. Of course, part of why I was invited to come to speaktoday beyond my being a proud alumna is that I’ve rec ruited somevery coveted toys in my life including a not so plastic, not socrappy one: an Oscar. So we bump up against the common troll I thinkof the commencement address people who have achieved a lot tellingyou that the fruits of the achievement are not always to be trusted. But I think that contradiction can be reconciled and is in fact instructive. Achievement is wonderful when you know why you’re doing it. And when you don’t know, it can be a terrible trap.I went to a public high school on Long Island, Syosset High School. Ooh, hello, Syosset! The girls I went to school with hadPrada bags and flat-ironed hair. And they spoke with an accent I who had moved there at age 9 from Connecticut mimicked to fit in. Florida Oranges, Chocolate cherries. Si nce I ’m ancient and the Internet was just starting when I was in high school. People didn’t really paythat much of attention to the fact that that I was an actress. I was known mainly at school for having a back bigger than I was and always having white-out on my hands because I hated seeing anything crossed out in my note books. I was voted for my senior yearbook ‘ mostlikely to be an contestant on Jeopardy ’ or code for nerdiest. WhenI got to Harvard just after the release of Star Wars: Episode 1, Iknew I would be staring over in terms of how people viewed me. I feared people would have assumed I’d gotten in just for being famous, and that they would think that I was not worthy of the intellectual rigor here. And it would not have been far from the truth. When I came here I had never written a 10-paper before. I’m not even sureI’ve written a 5-page paper. I was alarmed and intimidated by the calm eyes of a fellow student who came here from Dalton or Exeter who thought that compared to high school the workload here was easy. Iwas completely overwhelmed and thought that reading 1000 pages a week was unimaginable, that writing a 50-page thesis is just something I could never do. I Had no idea how to declare my intentions. Icouldn’t even articulate them to myself.I’ve been acting since I was 11. But I thought acting was too frivolous and certainly not meaningful. I came from a family of academics and was very concerned of being taken seriously. Incontrast to my inability to declare myself, on my first day of orientation freshman year, five separate students introduced themselves to me by saying, I’m going to be president. Remember Itold you that. Their names, for the record, were Bernie Sanders, Marco Rubio, Ted Cruz, Barack Obama, Hilary Clinton. In all seriousness, I believed every one of them. Their bearing and self-confidence alone seemed proof of their prophecy where I couldn’t shake my self-doubt. I got in only because I was famous. This was how others saw me and it was how I saw myself. Driven by these insecurities, I decided I was going to find something to do inHarvard that was serious and meaningful that would change the world and make it a better place.At the age of 18, I’d already been acting for 7 years, and assumed I find a more serious and profound path in college. So freshman fall I decided to take neurologist and advanced modern Hebrew literature because I was serious and intellectual. Needless to say, I should have failed both.I got Bs, for your information, and to this day, every Sunday I burn a small effigy to the pagan Gods of grade inflation. But as Iwas fighting my way through Aleph Bet Yod Y shua in Hebrew and the different mechanisms of neuro-response, I saw friends around mewriting papers on sailing and pop culture magazines, and professors teaching classes on fairy tales and The Matrix. I realized that seriousness for seriousness’s sake was its own kind of trophy, and a dubious one, a pose I sought to counter some half-imagined argument about who I was. There was a reason that I was an actor. I love what。
娜塔莉波特曼哈佛毕业演讲中英全文娜塔莉·波特曼5月22日回母校演讲。
她与即将毕业的学弟学妹们分享的是她的不完美和不自信。
以下是小编收集的《娜塔莉波特曼哈佛演讲》,仅供大家阅读参考!娜塔莉波特曼哈佛毕业演讲内容全文(英文版) Hello, class of am so honorest to be here Khurana,faculty,parents,and most especially graduating students. Thank you so much for invating me. The Senior Class Committee. it’s genuinely one of the most exciting things I’ ve ever been asked to do.I have to admit primarily because I can’t deny it as it was leaked in the WikiLeaks release of the Sony hack that hen I was invited I replied and I directly quote my own email.” Wow! This is so nice!””I’m gonna need some funny ghost writers. Any ideas? ”This initial response now blessly public was from the knowledge that at my class day we were lucky enough to have Will Ferrel as class day speaker and many of us were hung-over, or even freshly high mainly wanted to I have to admit that today, even 12 years after graduation. I’m still insecure about my own have toremind myself today you’re here for a I feel much like I did when I came to Harvaed Yard as a freshman in you guys were,to my continued shocked and horror, still in felt like there had been some mistake, that I wasn’t smart enough to be in this company, and that everytime I opened my would have to prove that I was’t just dumb I start with an apology. This won’t be very funny. I’m not a I didn’t get a ghost I am here to tell you is giving you all diplomas tomorrow. You are here for a reason. Sometimes your insecurities and your inexperience may lead you, too, to embrace other people’s expectations, standards, or values. But you can harness that inexperience to carve out your own path, one that is free of the burden of knowing how things are supposed to be, a path that is defined by its own particular set of reasons.That other day I went to an amusement park with my soon-to-be 4-yeas-old son. And I watch him play arcade games. He was incredible focused, throwing his ball at the target. Jewish mother than I am, I skipped 20 steps and was already imagining him as a major league player with what is his arm and his arm and his concentration.But then I realized what he want. He was playing to trade in his tickets for the crappy plastic toy. The prize was much more excting than the game to get it. I of course wanted to urge him to take joy and the challenge of the game, the improvement upon practice, the satisfaction of doing something well, and even feeling the accomplishment when achieving the game’s goals. But all of these aspects were shaded by the 10 cent plastic men with sticky stretchy blue arms that adhere to the walls. That-that was the prize. In a child’s nature, we see many of our own innate tendencies. I saw myself in him and perhaps you do too. Prizes serve as false idols everywhere(圣经里的false idol). Prestige, wealth, fame, power. You’ll be exposed to many of these, if not all. Of course, part of why I was invited to come to speak today beyond my being a proud alumma is that I’ve recruited some very coveted toys in my life including a not so plastic, not so crappy one: an Oscar. So we bump up against the common troll I think of the commencement address people who have achieved a lot telling you that the fruits of the achievement are not always to be trusted. But I think that contradictioncan be reconciled and is in fact instructive. Achievement is wonderful when you know why you’re doing it. And when you don’t know, it can be a terrible trap.I went to a public high school on Long Island, Syosset High School. Ooh, hello, Syosset! The girls I went to school with had Prada bags and flat-ironed hair. And they spoke with an accent I who had moved there at age 9 from Connecticut mimicked to fit in. Florida Oranges, Chocolate cherries. Since I ’m ancient and the Internet was just starting when I was in high school. People didn’t really pay that much of attention to the fact that that I was an actress. I was known mainly at school for having a back bigger than I was and always having white-out on my hands because I hated seeing anything crossed out in my note books. I was voted for my senior yearbook ‘ most likely to be an contestant on Jeopardy ’ or code for nerdiest. When I got to Harvard just after the release of Star Wars: Episonde 1, I knew I would be staring over in terms of how people viewed me. I feared people would have assumed I’d gotten in just for being famous, and that they would think that I was not worthy of the intellectual rigor here. Andit would not have been far from the truth.When I came here I had never written a 10-pape paper before. I’m not even sure I’ve written a 5-page paper.I was alarmed and intimidated by the calm eyes of a fellow student who came here from Dalton or Exeter who thought that compared to high school the workload here was easy. I was completely overwhelmed and thought that reading 1000 pages a week was unimaginable, that writing a 50-page thesis is just something I could never do. I Had no idea how to declare my intentions. I could’t even articulate them to myself. I’ve been acting since I was 11. But I thought acting was too frivolous and certainly not meaningful. I came from a family of academics and was very concerned of being taken seriously.In contrast to my inability to declare myself, on my first day of orientation freshman year, five separate students introduced themselves to me by saying, I’m going to be president. Remember I told you that. Their names, for the record, were Bernie Sanders, Marco Rubio, Ted Cruz, Barack Obama, Hilary Clinton. In all seriousness, I believed every one of them. Theirbearing and self-confidence alone seemed proof of their prophecy where I couldn’t shake my self-doubt. I got in only because I was famous. This was how others saw me and it was how I saw myself. Driven by these insecurities, I decided I was going to find something to do in Harvard that was serious and meaningful that would change the world and make it a better place.At the age of 18, I’d already been acting for 7 years, and assumed I find a more serious and profound path in college. So freshman fall I decided to take neurobiology and advanced modern Hebrew literature because I was serious and intellectual. Needless to say, I should have failed both. I got Bs, for your information, and to this day, every Sunday I burn a small effigy to the pagan Gods of grade inflation. But as I was fighting my way through Aleph Bet Yod Y shua in Hebrew and the different mechanisms of neuro-response, I saw friends around me writing papers on sailing and pop culture magazines, and professors teaching classes on fairy tales and The Matrix. I realized that seriousness for seriousness’s sake was its own kind of trophy, and a dubious one, a pose Isought to counter some half-imagined argument about who I was. There was a reason that I was an actor. I love what I do. And I saw from my peers and my mentors that it was not only an acceptable reason, it was the best reason.When I got to my graduation, siting where you sit today, after 4 years of trying to get excited about something else, I admitted to myself that I couldn’t wait to go back and make more films. I wanted to tell stories, to imagine the lives of others and help others do the same. I have found or perhaps reclaimed my reason. You have a prize now or at least you will tomorrow. The prize is Harvard degree in your hand. But what is your reason behind it ? My Harvard degree represents, for me, the curiosity and invention that were encouraged here, the friendships I’ve sustained the way Professor Graham told me not to describe the way light hit a flower but rather the shadow the flower cast, the way Professor Scarry talked about theatre is a teansformative religious force how professor Coslin showed how much our visual cortex is activated just by granted these things don’t necessarily help me answer the most commonquestion I’m asked: What designer are you wearing? What’s your fitness regime? Any makeup tips? But I have never since been embarrassed to myself as what I might previously have thought was a stupid question. My Harvard degree and other awards are emblems of the experiences which led me to them. The wood paneled lecture halls, the colorful fall leaves, the hot vanilla Toscaninis, reading great novels in overstuffed library chairs, running through dining halls sceaming: Ooh! Ah! City steps! City steps! City steps! City steps!It’s easy now to romanticize my time here. But I had some very difficult times here too. Some combination of being 19, dealing with my first heartbreak, taking birth control pills that since been taken off the market for their depressive side effects, and spending too much time missing daylight during winter mouths led me to some pretty dark moments, particularly during sophomore year. There were several occasions where I started crying in meeting with professors overwhelmed with what I was supposed to pull off when I could barely get myself out of bed in themorning. Moments when I took on the motto for school work. Done. Not good. If only I could finish my work, even if it took eating a jumbo pack of sour Patch Kids to get me through a single 10-page paper. I felt that I’ve accomplished a great feat. I repeat to myself. Done. Not good.A couple of years ago, I went to Tokyo with my husband and I ate at the most remarkable sushi restaurant. I don’t even eat fish. I’m vegan. So that tells you how good it was. Even with just vegetables, this sushi was the stuff you dreamed about. The restaurant has six seats. My husband and I marveled at how anyone can make rice so superior to all other rice. We wondered why they didn’t make a bigger restaurant and be the most popular place in town. Our local friend explain to us that all the best restaurants in Tokyo are that small and do only one type of dish: sushi or tempura or teriyaki. Because they want to do that thing well and beautifully. And it’s not about quantity. It’s about taking pleasure in the perfection and beauty of the particular. I’m still learning now that it’s about good and maybe never done. And the joy and workethic and virtuosity we bring to the particular can impart a singular type of enjoyment to those we give to and of course, ourselves.In my professional life, it also took me time to find my own reasons for doing my work. The first film I was in came out in 1994. Again, appallingly, the year most of you were born. I was 13 years old upon the film’s release and I can still quote what the New York Times said about me verbatim. Ms Portman poses better than she acts. The film had universally tepid critic response and went on to bomb commercially. That film was called The Professional, or Leon in Europe. And today, 20 years and 35 films later, it is still the film people approach me about the most to tell me how much they loved it, how much they moved them, how it’s their favorite movie. I feel lucky that my first experience of releasing a film was initially such a disaster by all standards and measures. I learned early that my meaning had to be from the experience of making film and the possibility of connecting with individuals rather than the foremost trophies in my industry: financial and critical success. And also these initialreactions could be false predictors of your work’s ultimate legacy, I started choosing only jobs that I’m passionate about and from which I knew I could glean meaningful experiences. This thoroughly confused everyone around me: agents, producers, and audiences alike. I made Gotya’s Ghost, a foreign independent film and study our history visiting the produce everyday for 4 months as I read about Goya and the Spanish Inquisition. I made for Vendetta, studio action movie for which I learned everything I could about freedom fighters whom otherwise may be called terrorists, from Menachem Begin to Weather Underground. I made Your Highness, a pothead comedy with Danny McBride and laughed for 3 months straight. I was able to own my meaning ant not have it be determined by box office receipts or prestige. By the time I got to making Black Swan, the experience was entirely my own. I felt immune to the worst things anyone could say or write about me, and to whether the audience felt like to see my movie or not. It was instructive for me to see for ballet dancers once your technique gets to a certain level, the only thing that separates you from others is yourquirks or even flaws. One ballerina was famous for how she turned slightly off balanced. You can never be the best, technically. Some will always have a higher jump or a more beautiful line. The only thing you can be the best at is developing your own self. Authoring your own experience was very much what Black Swan itself was about. I worked with Darren Aronofsky the director who changed my last line in the movie to it was perfect. My character Nina is only artistically successful when she finds perfection and pleasure for herself not when she was trying to be perfect in the eyes of others. So when Black Swan was successful financially and I began receiving accolades I felt honored and grateful to have connected with people. But the true core of my meaning I had already established. And I needed it to be independent of people’s reactions to me. People told me that Black Swan was an artistic risk, a scary challenge to try to portray a professional ballet dancer. But it didn’t feel like courage or daring that drove me do it. I was so oblivious to my own limits that I did things I was woefully unprepared to do. And so the very inexperience that in college had made meinsecure and made me want to play by other’s rules now is making me actually take risks I didn’t even realize were risks. When Darren asked me if I could do ballet I told him I was basically a ballerina which by the way I wholeheartedly believed. When it quickly became clear that preparing for film that I was 15 years away from being a ballerina. It made me work a million times harder and of course the magic of cinema and body doubles helped the final effect. But the point is, if I had known my own limitations I never would take of the risk. And the risk led to one of my greatest artistic personal experiences. And that I not only felt completely free. I also met my husband during the filming. Similarly, I just directed my first film, A Tale of love in Darkness. I was quite blind to the challenges ahead of me. The film is a period film, completely in Hebrew in which I also act with an eight-year-old child as a costar. All of these are challenges I should have been terrified of, as I was completely unprepared for them but my complete ignorance to my own limitations looked like confidence and got me into the director’s chair. Once here, I haveto figure it all out, and my belief that I could handle these things contrary to all evidence of my ability or do so was only half the battle. The other half was very hard work. The experience was the deepest and most meaningful one of my career. Now clearly I’m not urging you to go and perform heart surgery without the knowledge to do so! Making movies admittedly has less drastic consequences than most professions and allows for a lot of effects that make up for mistakes. The thing I’m saying is, make use of the fact that you don’t doubt yourself too much right now. As we get older, we get more realistic, and that includes about our own abilities or lack thereof. And that realism does us no favors. People always talk about diving into things you’re afraid of. That never worked for me. If I am afraid, I run away. And I would probably urge my child to do the same. Fear protects us in many ways. What has served me is diving into my own obliviousness. Being more confident than I should be which everyone tends to decry American kids, and those of us who have been grade inflated and ego inflated. Well. It can be a good thing if it makes you try things you never might have tried.Your inexperience is an asset, and will allow you to think in original and unconventional way. Accept your lack of knowledge and use it as your asset. I know a famous violinist who told me that he can’t compose because he knows too many pieces so when he starts thinking of the note an existing piece immediately comes to mind. Just starting out of your digest strengths is not known how things are supposed to be. You can compose freely because your mind isn’t cluttered with too many pieces. And you don’t take for granted the way how things are. The only way you know how to do things is your own way. You here will all go on to achieve great things. There is no doubt about that. Each time you set out to do something new your inexperience can either lead you down a path where you will conform to someone else’s values or you can forge your own path. Even though you don’t realize that’s what you’re doing. If your reasons are your own, your path, even if it’s a strange and clumsy path, will be wholly yours, and you will control the rewards of what you do by making your internal life fulfilling. At the risk of sounding like a Miss American Contestant, themost fulfilling things I’ve experienced have truly been the human interactions: spending time with women in village banks in Mexico with FINCA microfinance organization, meeting young women who were the first and the only in their communities to attend secondary schools in rural Kenya with free the Children group that built sustainable schools in developing countries tracking with gorilla conservationists in Rwanda. It’s cliché, because it’s true, that helping other ends up helping you more than anyone. Getting out of your own concerns and caring about some else’s life for a while, remind you that you are not the central of the universe. And that in the ways we’re generous or not, We can change course of someone’s life. …have had the most lasting impact. And of course, first and foremost, the center of my world is the love that I share with my family and friends. I wish for you that your friends will be with you through it all as my friends from Harvard have been together since we graduated. Grab the good people around you and don’t let them go. To be or not to be is not the question; the vital question is how to be and how not to be. Thank you! I can’t waitto see you do all the beautiful thins you will do.娜塔莉波特曼哈佛毕业演讲内容全文(中文版)XX届毕业生,你们好。
娜塔莉·波特曼哈佛毕业英文演讲稿娜塔莉·波特曼哈佛毕业英文演讲稿演讲稿的格式由称谓、开场白、主干、结尾等几部分组成。
在生活中,演讲稿在我们的视野里出现的频率越来越高,那么一般演讲稿是怎么写的呢?以下是小编整理的娜塔莉·波特曼哈佛毕业英文演讲稿,仅供参考,欢迎大家阅读。
Hello, class of 20xx.I am so honest to be here Khurana,faculty,parents,and most especially graduating students. Thank you so much for inviting me. The Senior Class Committee. it’s genuinely one of the most exciting things I’ve ever been asked to do. I have to admit primarily because I can’t deny it as it was leaked in the WikiLeaks release of the Sony hack that hen I was invited I replied and I directly quote my own email." Wow! This is so nice!" "I’m gonna need some funny ghost writers. Any ideas? "This initial response now blessedly public was from the knowledge that at my class day we were lucky enough to have Will Ferrel as class day speaker and many of us were hung-over, or even freshly high mainly wanted to I have to admit that today, even 12 years after graduation. I’m still insecure about my own worthless.I have to remind myself today you’re here for a reason.Today I feel much like I did when I came to Harvard Yard as a freshman in you guys were,to my continued shocked and horror, still in kindergarten.I felt like there had been some mistake, that I wasn’t smart enough to be in this company, and that every time I opened my mouth.I would have to prove that I wasn’t just dumb I start with an apology. This won’t be very funny. I’m not a I didn’t get a ghost I am here to tell you ard is giving you all diplomas tomorrow. You are here for a reason. Sometimesyour insecurities and your inexperience may lead you, too, to embrace other people’s expectations, standards, or values. But you can harness that inexperience to carve out your own path, one that is free of the burden of knowing how things are supposed to be, a path that is defined by its own particular set of reasons.That other day I went to an amusement park with my soon-to-be 4-yeas-old son. And I watch him play arcade games. He was incredible focused, throwing his ball at the target. Jewish mother than I am, I skipped 20 steps and was already imagining him as a major league player with what is hisarm and his arm and his concentration. But then I realized what he want. He was playing to trade in his tickets for the crappy plastic toy. The prize was much more exciting than the game to get it. I of course wanted to urge him to take joy and the challenge of the game, the improvement upon practice, the satisfaction of doing something well, and even feeling the accomplishment when achieving the game’s goals. But all of these aspects were shaded by the 10 cent plastic men with sticky stretchy blue arms that adhere to the walls. That-that was the prize. In a child’s nature, we see many of our own innate tendencies. I saw myself in him and perhaps you do too.Prizes serve as false idols everywhere(圣经里的.false idol). Prestige, wealth, fame, power. You’ll be exposed to many of these, if not all. Of course, part of why I was invited to come to speak today beyond my being a proud alumna is that I’ve recruited some very coveted toys in my life including a not so plastic, not so crappy one: an Oscar. So we bump up against the common troll I think of the commencement address people who have achieved a lot telling you that the fruits of the achievementare not always to be trusted. But I think that contradiction can be reconciled and is in fact instructive. Achievement is wonderful when you know why you’re doing it. And when you don’t know, it can be a terrible trap.I went to a public high school on Long Island, Syosset High School. Ooh, hello, Syosset! The girls I went to school with had Prada bags and flat-ironed hair. And they spoke with an accent I who had moved there at age 9 from Connecticut mimicked to fit in. F lorida Oranges, Chocolate cherries. Since I ’m ancient and the Internet was just starting when I was in high school. People didn’t really pay that much of attention to the fact that that I was an actress. I was known mainly at school for having a back bigger than I was and always having white-out on my hands because I hated seeing anything crossed out in my note books. I was voted for my senior yearbook ‘ most likely to be an contestant on Jeopardy ’ or code for nerdiest. When I got to Harvard just after the release of Star Wars: Episode 1, I knew I would be staring over in terms of how people viewed me. I feared people would have assumed I’d gotten in just for being famous, and that they would think that I was not worthy of the intellectual rigor here. And it would not have been far from the truth. When I came here I had never written a 10-paper before. I’m not even sure I’ve written a 5-page paper. I was alarmed and intimidated by the calm eyes of a fellow student who came here from Dalton or Exeter who thought that compared to high school the workload here was easy. I was completely overwhelmed and thought that reading 1000 pages a week was unimaginable, that writing a 50-page thesis is just something I could never do. I Had no idea how to declare my intent ions. I couldn’t even articulate them to myself.I’ve been acting since I was 11. But I thought acting was too frivolous and certainly not meaningful. I came from a family of academics and was very concerned of being taken seriously. In contrast to my inability to declare myself, on my first day of orientation freshman year, five separate students introduced themselves to me by saying, I’m going to be president. Remember I told you that. Their names, for the record, were Bernie Sanders, Marco Rubio, Ted Cruz, Barack Obama, Hilary Clinton. In all seriousness, I believed every one of them. Their bearing and self-confidence alone seemed proof of their prophecy where I couldn’t shake my self-doubt. I got in only because I was famous. This was how others saw me and it was how I saw myself. Driven by these insecurities, I decided I was going to find something to do in Harvard that was serious and meaningful that would change the world and make it a better place.At the age of 18, I’d already been acting for 7 years, and assumed I find a more serious and profound path in college. So freshman fall I decided to take neurologist and advanced modern Hebrew literature because I was serious and intellectual. Needless to say, I should have failed both.I got Bs, for your information, and to this day, every Sunday I burn a small effigy to the pagan Gods of grade inflation. But as I was fighting my way through Aleph Bet Yod Y shua in Hebrew and the different mechanisms of neuro-response, I saw friends around me writing papers on sailing and pop culture magazines, and professors teaching classes on fairy tales and The Matrix. I realized that seriousness for seriousness’s sake was its own kind of trophy, and a dubious one, a pose I sought to counter some half-imagined argument about who I was. There was a reasonthat I was an actor. I love what I do. And I saw from my peers and my mentors that it was not only an acceptable reason, it was the best reason.When I got to my graduation, siting where you sit today, after 4 years of trying to get excited about something else, I admitted to myself that I couldn’t wait to go back and make more films.I wanted to tell stories, to imagine the lives of others and help others do the same. I have found or perhaps reclaimed my reason. You have a prize now or at least you will tomorrow. The prize is Harvard degree in your hand. But what is your reason behind it ? My Harvard degree represents, for me, the curiosity and invention that were encouraged here, the friendships I’ve sustained the way Professor Graham told me not to describe the way light hit a flower but rather the shadow the flower cast, the way Professor Scarry talked about theater is a trans-formative religious force how professor Coslin showed how much our visual cortex is activated just by imaging. Now granted these things don’t necessarily help me answer the most common question I’m asked:What designer are you wearing?What’s your fitness regime?Any makeup tips? But I have never since been embarrassed to myself as what might previously have thought was a stupid Harvard degree and other awards are emblems of the experiences which led me to wood paneled lecture halls,the colorful fall leaves,the hot vanilla T oscaninis,reading great novels in overstuffed library ing through dining halls !Ah!City steps!City steps!City steps!City steps!It’s easy now to romanticize my time Ihad some very difficult times here combination of being 19,dealing with my first heartbreak,taking birth control pills that have since been taken off the market for their depressive side effects,and spending toomuch time missing daylight during winter months,led me to some pretty dark moments,particularly during sophomore e were several occasions where I started crying in meetings with professors,overwhelmed with what I was supposed to pull off ,when I could barely get myself out of bed in the morning. Moments when I took on the motto for my school work:Done,Not only I could finish my work,even if it took eating a jumbo pack of sour Patch Kids to get me through a single 10-page paper.I felt I’ve accomplished a great feat,I repeat to myself:Done,Not good.A couple years ago,I went to Tokyo with my husband,and I ate at the most remarkable sushi restaurant,I don’t even eat fish,I’m that tells you how good it with just vegetable,this sushi was the stuff you dreamed restaurant has six husband and I marveled at how anyone can make rice so superior to all other wondered why they don’t make a bigger restaurant,and be the most popular place in local friends explain to us that all the best restaurants in T okyo are that small,and do only one type of dish:sushi or tempura or use they want to do things well and it’s not about ’s about taking pleasure in the perfection and beauty of the particular.I’m still learning now that it’s about good and maybe never the joy and work ethic and virtuosity we bring to the particular can impart a singular type of enjoyment to those we give to,and of course to ourselves.In my professional life,it also took me time to find my own reason for doing my first film I was in came out in 1994.Again,appallingly,the year most of you were born,I was 13 years old upon the film’s release,and I can still quote what the New York Times said about me verbatim,[Ms Portman poses better than she acts],The film had a universally tepid criticresponse,and went on to bomb film was called ‘The Professional,or Leon in Europe’ And today,20 years and 35 films later,it is still the film people approach me about the most,to tell me how much they loved it,how much it moved them,how it’s their favorite movie.I feel lucky that my first experience of releasing a film was initially such a disaster by all standards and measures.I learned early that my meaning had to be from the experience of making the film and the possibility of connecting with individuals,rather than the foremost trophies in my industry/financial and critical also these initial reaction could be false predictors of your work’s ultimate legacy.I started choosing only jobs that I’m passionate about,and from which I knew I could glean meaningful thoroughly confused everyone around me:agents,producers,and audiences alike,I made Gotya’s Ghost,a foreign independent film and studied art history,visiting the produce everyday for 4 months as I read about Goya and the Spanish Inquisition,I made V for Vendetta,studio action movie for which I learned everything I could about freedom fighters whom otherwise may be called terrorists from Menachem Begin to Weather Underground.I made Your Highness,a pothead comedy with Danny McBride and laughed for 3 months straight.I was able to own my meaning and not have it be determined by box office receipts or prestige.By the time I got to making Black Swan,the experience was entirely my own,I felt immune to the worst things anyone could say or write about me. And to whether the audience felt like to see my movie or was instructive for me to see ballet dancers,once your technique gets to a certain level,the only thing that separates you from others is your quirks or flaws.(怪异甚至瑕疵) ballerina was famous for how she turned slightly off can never bethe best,one will always have a higher jump or a more beautiful only thing you can be the best at is developing your own oring your own experience was very much what Black Swan itself was about.I worked with Darren Aronofsky the director whom changed my last line in the movie to:It was use my characte Nina is only artistically successful when she finds perfection and pleasure for herself,not when she was trying to be perfect in the eyes of when Black Swan was successful financially and I began receiving accolades.I felt honored and grateful to have connected with the true core of my meaning I had already I needed it to be independent of people’s reactions to le told me that Black Swan was an artistic risk.A scary challenge to try to portray a professional ballet it didn’t feel like courage or daring that drove me do it.I was so oblivious to my own limits that I did things I was woefully unprepared to so the very inexperience that in college had made me feel made me w ant to play by others’ is making me actually take risks.I didn’t even realize were Darren asked me if I could do ballet,I told him that I was basically a ballerina which by the way I wholeheartedly it quickly became clear that preparing for the film that I was 15 years away from being a made me work a million times harder and of course the magic of cinema and body doubles helped the final the point is,if I had known my own limitations,I never would have taken the the risk led to one of my greatest artistic personal that I not only felt completely free,I also met my husband during the filming.Similarly,I just directed my first film,A Tale of Love in Darkness.I was quite blind to the challenges ahead of film is a period film,completely in Hebrew in which I also act with an eight-year old child as a of these are challenges I should have been terrified of,as I was completely unprepared for my completeignorance to my own limitation looked like confidence and got me into the director’s there,I had to figure it al l out,and my belief that I could handle these things contrary to all evidence of my ability to do so was only half the other half was very hard experience was the deepest and most meaningful one of my clearly I’m not urging you to go and perform heart surg ery without the knowledge to do so!Making movies admittedly has less drastic consequences than most professions,and allows for a lot effects that make up for thing I’m saying is,make use of the fact that you don’t doubt yourself too much right we get older,we get more realistic,and that includes about our abilities or lack that realism does us no le always talk about diving into things you’re afraid never worked for I’m afraid,I run I would probably urge my child to do the protects us in many has served me is diving into my g more confident than I should be which everyone tends to decry American kids,and those of us who have been grade inflated and ego , it can be a good thing if it makes you try you never might have inexperience is an asset,and will allow you to think in original and unconventional pt your lack of knowledge and use it as your asset.I know a famous violinist who told me that he can’t compose because he knows too many pieces,so when he starts thinking of the note and existing piece immediately comes to starting out one of your biggest strengths,is not knowing how things are supposed to can compose freely because your mind isn’t cluttered with too many you don’t take for granted the way how things only way you know how to do things is your own here will go on to achieve great e is no doubt about time you set out to do something new,your inexperience can either lead you down a path where you will conform to someone else’svalues,or you can forge your own though you don’t realize that’s what you’re your reason are your path,even if it is a strange and clumsy path,will be wholly you will control the rewards of what you do,but making your internal life fulfilling the risk of sounding like America contestant,the most fulfilling things I’ve e xperienced have truly been the humaninteraction:spending time with women in village banks in Mexico with FINCA microfinance organization,meeting young women who were the first and the only in their communities to attend secondary schools in rural Kenya;with Free the Children group that built sustainable schools in developing countries,tracking with gorilla conservationists(自然保护主义) in ’s a cliche(这是老生常谈),because it’s true,that helping others ends up helping you more than ing out of your concerns,and caring a bout some else’s life for a while,reminds you that you are not the center of the that in the ways we’re generous or not,we can change the course of someone’s at work,the small feat of kindness,crew members,directors,fellow actors have shown me,have had the most lasting impact.And of course,first and foremost,the center of my world,is the love that I share with my family and friends.I wish you that your friends will be with you through it all,as my friends from Harvard have been together since we friends from school are still very have nursed each other through heartaches and danced at each others’ ’ve held each other at funerals,and rocked each other’s new worked together on projects,helped each other get jobs,and thrown parties for when we’ve quit bad now our children are creating a second generation of friendship,as we look at them toddling ard and disheveled working parents(疲惫而凌乱的上班族家长) that we the good people around you anddon’t let them biggest asset this school offers you,is a group of peers that will both be your family and your school for life.I remember always being pissed at the spring here in king us into remembering,a sunny yard full of laughing frisbee throwers.(阳光洒满院子,人们扔着飞盘欢声笑语的场景)r 8 months of dark was like the school has managed to turn on the good weather,as a last memory we should keep in mind that would make us want to come as I get further away from my years here,I know the power of this school is much deeper than weather changed the very question that I was quote one of my favorite thinkers Abraham Joshua Heschel:T o be or not to be is not the question,the vital question is:how to be and how not to be. Thank you. I can’t wait to see how you do all the beautiful things you will do.。