【秘籍】解读2011考研英语大纲1

2011年考研英语(一)真题Section I Use of EnglishDirections:Read the following text. Choose the best word(s) for each numbered blank and mark [A], [B], [C] or [D] on ANSWER SHEET 1. (10 points) Ancient Greek philosopher Aristotle viewed laughter as “a bodily exer cise precious to health.” But _____some claims to the contrary, laughing probably h as little influence on physical filness Laughter does _____short-term changes in the function of the heart and its blood vessels, ____ heart rate and oxygen c onsumption But because hard laughter is difficult to ____, a good laugh is unl ikely to have _____ benefits the way, say, walking or jogging does.____, instead of straining muscles to build them, as exercise does, laughte r apparently accomplishes the ____, studies dat ing back to the 1930’s indicate that laughter. muscles,Such bodily reaction might conceivably help____the effects of psychologic al stress.Anyway,the act of laughing probably does produce other types of ___ ___feedback,that improve an individual’s emotional state. ______one classical th eory of emotion,our feelings are partially rooted _______ physical reactions. It was argued at the end of the 19th century that humans do not cry ______they are sad but they become sad when te tears begin to flow.Although sadness also _______ tears,evidence suggests that emotions can f low _____ muscular responses.In an experiment published in 1988,social psych ologist Fritz.1．[A]among [B]except [C]despite [D]like2．[A]reflect [B]demand [C]indicate [D]produce3．[A]stabilizing [B]boosting [C]impairing [D]determining4．[A]transmit [B]sustain [C]evaluate [D]observe5．[A]measurable [B]manageable [C]affordable [D]renewable6．[A]In turn [B]In fact [C]In addition [D]In brief7．[A]opposite [B]impossible [C]average [D]expected8．[A]hardens [B]weakens [C]tightens [D]relaxes9．[A]aggravate [B]generate [C]moderate [D]enhance10．[A]physical [B]mental [C]subconscious [D]internal11．[A]Except for [B]According to [C]Due to [D]As for12．[A]with [B]on [C]in [D]at13．[A]unless [B]until [C]if [D]because14．[A]exhausts [B]follows [C]precedes [D]suppresses15．[A]into [B]from [C]towards [D]beyond16．[A]fetch [B]bite [C]pick [D]hold17．[A]disappointed [B]excited [C]joyful [D]indifferent18．[A]adapted [B]catered [C]turned [D]reacted19．[A]suggesting [B]requiring [C]mentioning [D]supposing20．[A]Eventually [B]Consequently [C]Similarly [D]ConverselySection II Reading ComprehensionPart ADirections:Read the following four texts. Answer the questions below each text by c hoosing [A], [B], [C] or [D]. Mark your answers on ANSWER SHEET 1. (40 points)Text 1The decision of the New York Philharmonic to hire Alan Gilbert as its ne xt music director has been the talk of the classical-music world ever since the sudden announcement of his appointment in 2009. For the most part, the resp onse has been favorable, to say the least. “Hooray! At last!” wrote Anthony T ommasini, a sober-sided classical-music critic.One of the reasons why the appointment came as such a surprise, howeve r, is that Gilbert is comparatively little known. Even Tommasini, who had adv ocated Gilbert’s appointment in the Times, calls him “an unpretentious musicia n with no air of the formidable conductor about him.” As a description of the next music director of an orchestra that has hitherto been led by musicians li ke Gustav Mahler and Pierre Boulez, that seems likely to have struck at least some Times readers as faint praise.For my part, I have no idea whether Gilbert is a great conductor or even a good one. To be sure, he performs an impressive variety of interesting com positions, but it is not necessary for me to visit Avery Fisher Hall, or anywhe re else, to hear interesting orchestral music. All I have to do is to go to my CD shelf, or boot up my computer and download still more recorded music fr om iTunes.Devoted concertgoers who reply that recordings are no substitute for live performance are missing the point. For the time, attention, and money of the a rt-loving public, classical instrumentalists must compete not only with opera ho uses, dance troupes, theater companies, and museums, but also with the recorde d performances of the great classical musicians of the 20th century. There recor dings are cheap, available everywhere, and very often much higher in artistic quality than today’s live performances; moreover, they can be “consumed” at a time and place of the listener’s choosing. The widespread availability of such r ecordings has thus brought about a crisis in the institution of the traditional cl assical concert.One possible response is for classical performers to program attractive new music that is not yet available on record. Gilbert’s own interest in new music has been widely noted: Alex Ross, a classical-music critic, has described him as a man who is capable of turning the Philharmonic into “a markedly differ ent, more vibrant organization.” But what will be the nature of that difference? Merely expanding the orchestra’s repertoire will not be enough. If Gilbert and the Philharmonic are to succeed, they must first change the relationship betwee n America’s oldest orchestra and the new audience it hops to attract.21. We learn from Para.1 that Gilbert’s appointment has[A]incurred criticism.[B]raised suspicion.[C]received acclaim.[D]aroused curiosity.22. Tommasini regards Gilbert as an artist who is[A]influential.[B]modest.[C]respectable.[D]talented.23. The author believes that the devoted concertgoers[A]ignore the expenses of live performances.[B]reject most kinds of recorded performances.[C]exaggerate the variety of live performances.[D]overestimate the value of live performances.24. According to the text, which of the following is true of recordings?[A]They are often inferior to live concerts in quality.[B]They are easily accessible to the general public.[C]They help improve the quality of music.[D]They have only covered masterpieces.25. Regarding Gilbert’s role in revitalizing the Philharmonic, the author fe els[A]doubtful.[B]enthusiastic.[C]confident.[D]puzzled.Text 2When Liam McGee departed as president of Bank of America in August, his explanation was surprisingly straight up. Rather than cloaking his exit in th e usual vague excuses, he came right out and said he was leaving “to pursue my goal of running a company.” Broadcasting his ambition was “very much m y decision,”McGee says. Within two weeks, he was talking for the first time with the board of Hartford Financial Services Group, which named him CEO a nd chairman on September 29.McGee says leaving without a position lined up gave him time to reflect on what kind of company he wanted to run. It also sent a clear message to th e outside world about his aspirations. And McGee isn’t alone. In recent weeks the No.2 executives at Avon and American Express quit with the explanation that they were looking for a CEO post. As boards scrutinize succession plans in response to shareholder pressure, executives who don’t get the nod also m ay wish to move on. A turbulent business environment also has senior manage rs cautious of letting vague pronouncements cloud their reputations.As the first signs of recovery begin to take hold, deputy chiefs may be m ore willing to make the jump without a net. In the third quarter, CEO turnove r was down 23% from a year ago as nervous boards stuck with the leaders th ey had, according to Liberum Research. As the economy picks up, opportunitie s will abound for aspiring leaders.The decision to quit a senior position to look for a better one is unconve ntional. For years executives and headhunters have adhered to the rule that the most attractive CEO candidates are the ones who must be poached. Says Kor n/Ferry senior partner Dennis Carey:”I can’t think of a single search I’ve done where a board has not instructed me to look at sitting CEOs first.”Those who jumped without a job haven’t always landed in to p positions q uickly. Ellen Marram quit as chief of Tropicana a decade age, saying she want ed to be a CEO. It was a year before she became head of a tiny Internet-base d commodities exchange. Robert Willumstad left Citigroup in 2005 with ambiti ons to be a CEO. He finally took that post at a major financial institution thr ee years later.Many recruiters say the old disgrace is fading for top performers. The fin ancial crisis has made it more acceptable to be between jobs or to leave a ba d one. “The traditional rule was it’s safer to stay where you are, but that’s be en fundamentally inverted,” says one headhunter. “The people who’ve been hur t the worst are those who’ve stayed too long.”26. When McGee announced his departure, his manner can best be describ ed as being[A]arrogant.[B]frank.[C]self-centered.[D]impulsive.27. According to Paragraph 2, senior executives’ quitting may be spurred by[A]their expectation of better financial status.[B]their need to reflect on their private life.[C]their strained relations with the boards.[D]their pursuit of new career goals.28. The word “poached” (Line 3, Paragraph 4) most probably means[A]approved of.[B]attended to.[C]hunted for.[D]guarded against.29. It can be inferred from the last paragraph that[A]top performers used to cling to their posts.[B]loyalty of top performers is getting out-dated.[C]top performers care more about reputations.[D]it’s safer to stick to the traditional rules.30. Which of the following is the best title for the text?[A]CEOs: Where to Go?[B]CEOs: All the Way Up?[C]Top Managers Jump without a Net[D]The Only Way Out for Top PerformersText 3The rough guide to marketing success used to be that you got what you paid for. No longer. While traditional “paid” media –such as television comm ercials and print advertisements –still play a major role, companies today can exploit many alternative forms of media. Consumers passionate about a produ ct may create “owned” media by sending e-mail alerts about products and sale s to customers registered with its Web site. The way consumers now approach the broad range of factors beyond conventional paid media.Paid and owned media are controlled by marketers promoting their own pr oducts. For earned media , such marketers act as the initiator for use rs’ respon ses. But in some cases, one marketer’s owned media become another marketer’s paid media –for instance, when an e-commerce retailer sells ad space on its Web site. We define such sold media as owned media whose traffic is so str ong that other organizations place their content or e-commerce engines within t hat environment. This trend ,which we believe is still in its infancy, effectively began with retailers and travel providers such as airlines and hotels and will no doubt go further. Johnson & Johnson, for example, has created BabyCenter, a stand-alone media property that promotes complementary and even competiti ve products. Besides generating income, the presence of other marketers makes the site seem objective, gives companies opportunities to learn valuable infor mation about the appeal of other companies’ marketing, and may help expand user traffic for all companies concerned.The same dramatic technological changes that have provided marketers wit h more (and more diverse) communications choices have also increased the ris k that passionate consumers will voice their opinions in quicker, more visible, and much more damaging ways. Such hijacked media are the opposite of earn ed media: an asset or campaign becomes hostage to consumers, other stakehold ers, or activists who make negative allegations about a brand or product. Mem bers of social networks, for instance, are learning that they can hijack media t o apply pressure on the businesses that originally created them.If that happens, passionate consumers would try to persuade others to boy cott products, putting the reputation of the target company at risk. In such a c ase, the company’s response may not be sufficiently quick or thoughtful, and t he learning curve has been steep. Toyota Motor, for example, alleviated some of the damage from its recall crisis earlier this year with a relatively quick an d well-orchestrated social-media response campaign, which included efforts to e ngage with consumers directly on sites such as Twitter and the social-news site Digg.31.Consumers may create “earned” media when they are[A] obscssed with online shopping at certain Web sites.[B] inspired by product-promoting e-mails sent to them.[C] eager to help their friends promote quality products.[D] enthusiastic about recommending their favorite products.32. According to Paragraph 2,sold media feature[A] a safe business environment.[B] random competition.[C] strong user traffic.[D] flexibility in organization.33. The author indicates in Paragraph 3 that earned media[A] invite constant conflicts with passionate consumers.[B] can be used to produce negative effects in marketing.[C] may be responsible for fiercer competition.[D] deserve all the negative comments about them.34. Toyota Motor’s experience i s cited as an example of[A] responding effectively to hijacked media.[B] persuading customers into boycotting products.[C] cooperating with supportive consumers.[D] taking advantage of hijacked media.35. Which of the following is the text mainly about ?[A] Alternatives to conventional paid media.[B] Conflict between hijacked and earned media.[C] Dominance of hijacked media.[D] Popularity of owned media.Text 4It’s no surprise that Jennifer Senior’s insightful, provocative magazine cove r story, “I love My Children, I Hate My Life,” is arousing much chatter –not hing gets people talking like the suggestion that child rearing is anything less t han a completely fulfilling, life-enriching experience. Rather than concluding th at children make parents either happy or miserable, Senior suggests we need to redefine happiness: instead of thinking of it as something that can be measure d by moment-to-moment joy, we should consider being happy as a past-tense condition. Even though the day-to-day experience of raising kids can be soul-cr ushingly hard, Senior writes that “the very things that in the moment dampen our moods can later be sources of intense gratification and delight.”The magazine cover showing an attractive mother holding a cute baby is hardly the only Madonna-and-child image on newsstands this week. There are also stories about newly adoptive –and newly single –mom Sandra Bullock, as well as the usual “Jennifer Aniston is pregnant” news. Practically every wee k features at least one celebrity mom, or mom-to-be, smiling on the newsstand s.In a society that so persistently celebrates procreation, is it any wonder th at admitting you regret having children is equivalent to admitting you support kitten-killing ? It doesn’t seem quite fair, then, to comp are the regrets of paren ts to the regrets of the children. Unhappy parents rarely are provoked to wond er if they shouldn’t have had kids, but unhappy childless folks are bothered wi th the message that children are the single most important thing in the world:obviously their misery must be a direct result of the gaping baby-size holes in their lives.Of course, the image of parenthood that celebrity magazines like Us Week ly and People present is hugely unrealistic, especially when the parents are sin gle mothers like Bullock. According to several studies concluding that parents are less happy than childless couples, single parents are the least happy of all. No shock there, considering how much work it is to raise a kid without a pa rtner to lean on; yet to hear Sandra and Britney tell it, raising a kid on their “own” (read: with round-the-clock help) is a piece of cake.It’s hard to imagine that many people are dumb enough to want children just because Reese and Angelina make it look so glamorous: most adults under stand that a baby is not a haircut. But it’s interesting to wonder if the images we see every week of stress-free, happiness-enhancing parenthood aren’t in so me small, subconscious way contributing to our own dissatisfactions with the a ctual experienc e, in the same way that a small part of us hoped getting “ the Rachel” might make us look just a little bit like Jennifer Aniston.36.Jennifer Senior suggests in her article that raising a child can bring[A]temporary delight[B]enjoyment in progress[C]happiness in retrospect[D]lasting reward37.We learn from Paragraph 2 that[A]celebrity moms are a permanent source for gossip.[B]single mothers with babies deserve greater attention.[C]news about pregnant celebrities is entertaining.[D]having children is highly valued by the public.38.It is suggested in Paragraph 3 that childless folks[A]are constantly exposed to criticism.[B]are largely ignored by the media.[C]fail to fulfill their social responsibilities.[D]are less likely to be satisfied with their life.39.According to Paragraph 4, the message conveyed by celebrity magazine s is[A]soothing.[B]ambiguous.[C]compensatory.[D]misleading.40.Which of the following can be inferred from the last paragraph?[A]Having children contributes little to the glamour of celebrity moms.[B]Celebrity moms have influenced our attitude towards child rearing.[C]Having children intensifies our dissatisfaction with life.[D]We sometimes neglect the happiness from child rearing.Part BDirections:The following paragraph are given in a wrong order. For Questions 41-45, you are required to reorganize these paragraphs into a coherent text by choosi ng from the list A-G to filling them into the numbered boxes. Paragraphs E and G have been correctly placed. Mark your answers on ANSWER SHEET1. (10 points)[A] No disciplines have seized on professionalism with as much enthusias m as the humanities. You can, Mr Menand points out, became a lawyer in thr ee years and a medical doctor in four. But the regular time it takes to get a doctoral degree in the humanities is nine years. Not surprisingly, up to half of all doctoral students in English drop out before getting their degrees.[B] His concern is mainly with the humanities: Literature, languages, philo sophy and so on. These are disciplines that are going out of style: 22% of A merican college graduates now major in business compared with only 2% in hi story and 4% in English. However, many leading American universities want t heir undergraduates to have a grounding in the basic canon of ideas that every educated person should posses. But most find it difficult to agree on what a “general education” should look like. At Harvard, Mr Menand notes, “the great books are read because they have been read”-they form a sort of social glue.[C] Equally unsurprisingly, only about half end up with professorships for which they entered graduate school. There are simply too few posts. This is partly because universities continue to produce ever more PhDs. But fewer stu dents want to study humanities subjects: English departments awarded more ba chelor’s degrees in 1970-71 than they did 20 years later. Fewer students requir es fewer teachers. So, at the end of a decade of theses-writing, many humaniti es students leave the profession to do something for which they have not been trained.[D] One reason why it is hard to design and teach such courses is that th ey can cut across the insistence by top American universities that liberal-arts e ducations and professional education should be kept separate, taught in differen t schools. Many students experience both varieties. Although more than half of Harvard undergraduates end up in law, medicine or business, future doctors and lawyers must study a non-specialist liberal-arts degree before embarking on a professional qualification.[E] Besides professionalizing the professions by this separation, top Ameri can universities have professionalised the professor. The growth in public mone y for academic research has speeded the process: federal research grants rose f ourfold between 1960and 1990, but faculty teaching hours fell by half as resea rch took its toll. Professionalism has turned the acquisition of a doctoral degree into a prerequisite for a successful academic career: as late as 1969a third of American professors did not possess one. But the key idea behind profession alisation, argues Mr Menand, is that “the knowledge and skills needed for a p articular specialization are transmissible but not transferable.”So disciplines acqu ire a monopoly not just over the production of knowledge, but also over the p roduction of the producers of knowledge.[F] The key to reforming higher education, concludes Mr Menand, is to al ter the way in which “the producers of knowledge are produced.”Otherwise, ac ademics will continue to think dangerously alike, increasingly detached from th e societies which they study, investigate and criticize.”Academic inquiry, at lea st in some fields, may need to become less exclusionary and more holistic.”Ye t quite how that happens, Mr Menand dose not say.[G] The subtle and intelligent little book T he Marketplace of Ideas: Refor m and Resistance in the American University should be read by every student thinking of applying to take a doctoral degree. They may then decide to go el sewhere. For something curious has been happening in American Universities, and Louis Menand, a professor of English at Harvard University, captured it s killfully.G → 41. →42. → E →43. →44. →45.Part CDirections:Read the following text carefully and then translate the underlined segment s into Chinese. Your translation should be written carefully on ANSWER SHE ET 2. (10 points)With its theme that “Mind is the master weaver,” creating our inner chara cter and outer circumstances, the book As a Man Thinking by James Allen is an in-depth exploration of the central idea of self-help writing.(46) Allen’s contribution was to take an assumption we all share-that beca use we are not robots we therefore control our thoughts-and reveal its erroneou s nature. Because most of us believe that mind is separate from matter, we thi nk that thoughts can be hidden and made powerless; this allows us to think one way and act another. However, Allen believed that the unconscious mind g enerates as much action as the conscious mind, and (47) while we may be abl e to sustain the illusion of control through the conscious mind alone, in reality we are continually faced with a question: “Why cannot I make myself do thi s or achieve that? ”Since desire and will are damaged by the presence of thoughts that do no t accord with desire, Allen concluded : “ We do not attract what we want, bu t what we are.” Achievement happens because you as a person embody the ex ternal achievement; you don’t “ get” success but become it. There is no gap b etween mind and matter.\Part of the fame of Allen’s book is its contention that “Circumstances do not make a person, they reveal him.” (48) This seems a justification for n egl ect of those in need, and a rationalization of exploitation, of the superiority of those at the top and the inferiority of those at the bottom.This ,however, would be a knee-jerk reaction to a subtle argument. Each set of circumstances, however bad, offers a unique opportunity for growth. If c ircumstances always determined the life and prospects of people, then humanity would never have progressed. In fat, (49)circumstances seem to be designed t o bring out the best in us and if we feel that we have been “wronged” then we are unlikely to begin a conscious effort to escape from our situation .Neve rtheless, as any biographer knows, a person’s early life and its conditions are often the greatest gift to an individual.The sobering aspect of Allen’s book is t hat we have no one else to blam e for our present condition except ourselves. (50) The upside is the possibilitie s contained in knowing that everything is up to us; where before we were exp erts in the array of limitations, now we become authorities of what is possible.Section ⅢWritingPart A51.Directions:Write a letter to a friend of yours to1) recommend one of your favorite movies and2) give reasons for your recommendationYour should write about 100 words on ANSWER SHEET 2Do not sign your own name at the end of the leter. User“LI MING” in stead.Do not writer the address.(10 points)Part B52. Directions:Write an essay of 160---200 words based on the following drawing. In yo ur essay, you should1) describe the drawing briefly,2) explain it’s intended meaning, and3) give your comments.Your should write neatly on ANSWER SHEET 2. (20 points)2011年考研英语(一)真题参考答案1-5，ACDBA 6-10 CADCB 11-15 BCACA 16-20 BCADB21-25 DBCAA 26-30 CCBDB 31-35 CCBDB 36-40 CBCCC41-45 BDCAE翻译：46、艾伦的贡献在于提供了我们能分担和揭示错误性质的假设--因为我们不是机器人，因此我们能够控制我们的理想。

2011年考研英语一第一篇阅读一、简介2011年考研英语一的第一篇阅读题目为“音乐心理学研究”。

这篇文章主要介绍了音乐心理学领域的一些研究成果和理论观点，包括音乐对人类心理和情绪的影响，以及音乐在社交活动中的作用。

该文章涉及的内容较为复杂，需要考生具备一定的英语阅读能力和心理学基础知识。

二、文章结构分析该文章主要由概述、正文和结论三部分构成。

概述部分首先阐述了音乐在人类文化中的重要地位，并介绍了音乐心理学的研究对象和意义。

正文部分逐一介绍了音乐对心理和情绪的影响、音乐的社交功能以及音乐在不同文化背景下的作用。

结论部分对前述内容进行了总结，并对未来的研究方向提出了展望。

三、主要内容梳理1. 音乐对心理和情绪的影响音乐具有直接影响人类心理和情绪的功能。

在不同情境下，不同类型的音乐会引发人们的不同情绪反应，比如轻快的音乐会让人感到愉悦和活力，而悲伤的音乐则会引发人们的悲伤情绪。

音乐还能够帮助人们缓解压力、调节情绪，对人们的心理健康具有积极的影响。

2. 音乐的社交功能音乐还在社交活动中发挥着重要作用。

在民族舞蹈、庆祝活动、宗教仪式等各种社交场合，音乐都扮演着不可或缺的角色。

通过音乐，人们得以表达情感、增进交流，并在社交互动中获得愉悦感和满足感。

3. 音乐在不同文化背景下的作用由于文化的多样性，不同文化背景下音乐的作用也有所差异。

一些研究表明，不同文化中的音乐种类和风格与当地人们的情感表达和社会行为密切相关，因此音乐在不同文化中具有不同的社会功能和象征意义。

四、文章观点分析该文章所介绍的内容在音乐心理学领域有一定的研究基础和实证支持，几乎所有的内容都能找到相关的学术文献或研究成果进行佐证。

文章对于音乐对心理和情绪的影响、音乐的社交功能和音乐在不同文化背景下的作用进行了系统性的阐述和总结，并对未来的研究方向提出了展望，具有一定的学术价值和启发意义。

五、文章对考生的要求针对该篇阅读文章，考生需要具备良好的英语阅读能力和较为扎实的心理学基础知识。

2011考研英语（一）写作真题详解及参考范文(2011-01-15 17:09:07)分类：考研复习标签：杂谈2011年考研英语已经尘埃落定，写作部分比起2010年超纲的“告示”和“变态”的火锅，难度大为降低，现解析如下。

Part A: 小作文Directions:Write a letter to a friend of yours to1) recommend one of your favorite movies and2) give reasons for your recommendation.You should write about 100 words on ANSWER SHEET 2.Do not sign your own name at the end of the letter. Use”Li Ming”instead.Do not write the address.(10 points)题目译文给你的一位朋友写一封信1）推荐你最喜欢的一部电影并2）给出推荐的原因。

真题详解令广大考生欣慰的是，2011年小作文并未考察大纲中已提到六年但并未考察过的摘要题型，也未考察2010年刚刚考察过的告示题型，而是考察了广大考生最为熟悉、从2005到2009已经连续五年考察的书信。

回顾刚刚过去的2010年，中国内地电影票房成功突破100亿元，成为旭日初升的朝阳产业。

从年中的《唐山大地震》、《盗梦空间》、《山楂树之恋》到年底的三大贺岁片《赵氏孤儿》、《让子弹飞》、《非诚勿扰2》，电影已经重新成为全民关注的话题。

今年的考研小作文即考察了“电影”这一热点话题。

本题属于推荐信，在拙著《2011考研英语高分写作》第64-65页详细讲解了推荐信的注意事项、写作方法，提供了经典范文及十大万能句型。

同时，该书76页提供的关于《八十天环游地球》的读书报告范文完全可以用于本文写作，下面的参考范文即由该文改写而成。

2011年与2010年考研英语(一)大纲变化对照表2011年与2010年考研英语（一）大纲变化对照表内容题型《2010年全国硕士研究生入学统一考试英语（一）考试大纲》要求《2011年全国硕士研究生入学统一考试英语（一）考试大纲》要求大纲变化词汇考生应能掌握5500左右的词汇以及相关词组。

除掌握词汇的基本含义外，考生还应掌握词汇之间的词义关系，如同义词、近义词、反义词等；掌握词汇之间的搭配关系，如动词与介词，形容词与介词，形容词与名词等；掌握词汇生成的基本知识，如词源、词根、词缀等。

英语语言的演化是一个世界范围内的动态发展过程，它受到科技发展和社会进步的影响。

这意味着需要对本大纲词汇表不断进行研究和定期的修订。

此外，全国硕士研究生入学英语统一考试是为非英语专业考生设置的。

考虑到交际的需要，考生还应自行掌握与本人工作或专业相关的词汇，以及涉及个人好恶、生活习惯、宗教信仰等方面的词汇。

考生应能掌握5500左右的词汇以及相关词组。

除掌握词汇的基本含义外，考生还应掌握词汇之间的词义关系，如同义词、近义词、反义词等；掌握词汇之间的搭配关系，如动词与介词，形容词与介词，形容词与名词等；掌握词汇生产的基本知识，如词源、词根、词缀等。

英语语言的演化是一个世界范围内的动态发展过程，它受到科技发展和社会进步的影响。

这意味着需要对本大纲词汇表不断进行研究和定期的修订。

此外，全国硕士研究生入学英语统一考试是为非英语专业考生设置的。

考虑到交际的需要，考生还应自行掌握与本人工作或专业相关的词汇，以及涉及个人好恶、生活习惯、宗教信仰等方面的词汇。

注：词汇部分详细解析请参考高等教育出版社出版的《2011年全国硕士研究生入学统一考试英语没有变化考试大纲配套强化指导》第二章第一节内容。

语法考生应能熟练地运用基本的语法知识。

本大纲没有专门列出对语法知识的具体要求，其目的是鼓励考生用听、说、读、写的实践代替单纯的语法知识学习，以求考生在交际中更准确、自如地运用语法知识。

从2011考研英语大纲透析考研英语(一)2011年英语考研大纲已公布，呈现出大体稳定、局部微调的趋势。

下面结合最新大纲，深度分析考研英语的命题方向和趋势，帮助考生更加清楚地了解考题特点，准确把握2011年的备考方向。

一、词汇和语法《2011年全国硕士研究生入学统一考试英语考试大纲》对词汇的评价目标是：“除掌握词汇的基本含义外，考生还应掌握词汇之间的词义关系，如同义词、近义词、反义词等；掌握词汇之间的搭配关系，如动词与介词，形容词与介词，形容词与名词等；掌握词汇生成的基本知识，如词源、词根、词缀等。

在考研的整个复习过程中，词汇应该始终是重点，甚至在考研前夕，仍需要对薄弱环节的单词进行浏览和回忆。

所以建议考生每天都能花一点时间放在单词复习上。

只有深入细致和反复的单词复习，才能打下坚实的词汇基础。

要熟练掌握大纲里面高频出现的核心词汇，最好能把词汇放在适合于考研难度的语言信息、文章中去记忆，同时要引申到每个单词的同义反义，各种词性的形式以及所含词缀等，这样不仅记忆了词汇的含义，而且掌握了词汇的用法，对词汇才会有全面深入的把握。

关于语法，2011考研英语大纲没有专门列出对语法知识的具体要求，只是鼓励考生用听、说、读、写的实践代替单纯的语法知识学习，以求考生在交际中更准确、自如地运用语法知识。

考研虽然没有专门的题型考查语法，但实际上任何题型都要涉及语法，完形填空要求掌握一定的语法知识、句式结构；阅读文章无时无刻不渗透对句式复杂的长难句的理解；翻译题这几年的趋向更是越来越侧重考核结构偏长偏难的句子，这说明如果对语法结构的掌握不够熟悉，就难以达到考研要求，难以在考试中取得好成绩。

所以在复习中应当注重语法的学习。

其实高中英语已经覆盖了基本的语法知识，后期只要在复习考研各种题型时对语法查漏补缺进一步融会贯通，就可以达到考研语法的要求。

二、英语知识运用英语知识运用作为试题里的第一种考试题型，主要“考查考生综合运用所学词汇和语法知识的能力”。

2011年考研英语一第一篇阅读
摘要：
1.考研英语一第一篇阅读的背景和重要性
2.2011 年考研英语一第一篇阅读的具体内容
3.阅读的技巧和策略
4.如何提高考研英语阅读能力
正文：
【1】考研英语一第一篇阅读的背景和重要性
对于许多准备考研的学生来说，英语阅读理解一直是一个难题。

尤其是考研英语一的第一篇阅读，因其难度较高，更是让学生感到头痛。

然而，这也是学生必须面对的一部分。

因为，阅读理解在考研英语中占据了相当大的比重，对于学生的整体成绩有着重要的影响。

【2】2011 年考研英语一第一篇阅读的具体内容
在2011 年的考研英语一的第一篇阅读中，文章的主题是关于环境保护的。

文章主要讨论了人类活动对环境的影响，以及环境保护的必要性和方法。

文章的难度相对较高，需要学生有较强的词汇量和阅读理解能力。

【3】阅读的技巧和策略
要想在考研英语阅读理解中取得好成绩，学生需要掌握一些阅读的技巧和策略。

例如，先快速浏览全文，了解文章的大意和主题；在阅读时，注意文章的结构和逻辑关系，理解作者的观点和态度；在做题时，要根据文章的内容，准确理解问题的含义，然后从文章中找到答案。

【4】如何提高考研英语阅读能力
提高考研英语阅读能力，需要学生在平时的学习中，多读一些英文文章，尤其是关于社会、科技、文化等方面的文章。

这样，不仅可以扩大词汇量，还可以提高阅读理解能力。

2011年考研英语(一)真题Section I Use of EnglishDirections:Read the following text. Choose the best word(s) for each numbered blank and mark [A], [B], [C] or [D] on ANSWER SHEET 1. (10 points) Ancient Greek philosopher Aristotle viewed laughter as “a bodily exer cise precious to health.” But _____some claims to the contrary, laughing probably h as little influence on physical filness Laughter does _____short-term changes in the function of the heart and its blood vessels, ____ heart rate and oxygen c onsumption But because hard laughter is difficult to ____, a good laugh is unl ikely to have _____ benefits the way, say, walking or jogging does.____, instead of straining muscles to build them, as exercise does, laughte r apparently accomplishes the ____, studies dat ing back to the 1930’s indicate that laughter. muscles,Such bodily reaction might conceivably help____the effects of psychologic al stress.Anyway,the act of laughing probably does produce other types of ___ ___feedback,that improve an individual’s emotional state. ______one classical th eory of emotion,our feelings are partially rooted _______ physical reactions. It was argued at the end of the 19th century that humans do not cry ______they are sad but they become sad when te tears begin to flow.Although sadness also _______ tears,evidence suggests that emotions can f low _____ muscular responses.In an experiment published in 1988,social psych ologist Fritz.1．[A]among [B]except [C]despite [D]like2．[A]reflect [B]demand [C]indicate [D]produce3．[A]stabilizing [B]boosting [C]impairing [D]determining4．[A]transmit [B]sustain [C]evaluate [D]observe5．[A]measurable [B]manageable [C]affordable [D]renewable6．[A]In turn [B]In fact [C]In addition [D]In brief7．[A]opposite [B]impossible [C]average [D]expected8．[A]hardens [B]weakens [C]tightens [D]relaxes9．[A]aggravate [B]generate [C]moderate [D]enhance10．[A]physical [B]mental [C]subconscious [D]internal11．[A]Except for [B]According to [C]Due to [D]As for12．[A]with [B]on [C]in [D]at13．[A]unless [B]until [C]if [D]because14．[A]exhausts [B]follows [C]precedes [D]suppresses15．[A]into [B]from [C]towards [D]beyond16．[A]fetch [B]bite [C]pick [D]hold17．[A]disappointed [B]excited [C]joyful [D]indifferent18．[A]adapted [B]catered [C]turned [D]reacted19．[A]suggesting [B]requiring [C]mentioning [D]supposing20．[A]Eventually [B]Consequently [C]Similarly [D]ConverselySection II Reading ComprehensionPart ADirections:Read the following four texts. Answer the questions below each text by c hoosing [A], [B], [C] or [D]. Mark your answers on ANSWER SHEET 1. (40 points)Text 1The decision of the New York Philharmonic to hire Alan Gilbert as its ne xt music director has been the talk of the classical-music world ever since the sudden announcement of his appointment in 2009. For the most part, the resp onse has been favorable, to say the least. “Hooray! At last!” wrote Anthony T ommasini, a sober-sided classical-music critic.One of the reasons why the appointment came as such a surprise, howeve r, is that Gilbert is comparatively little known. Even Tommasini, who had adv ocated Gilbert’s appointment in the Times, calls him “an unpretentious musicia n with no air of the formidable conductor about him.” As a description of the next music director of an orchestra that has hitherto been led by musicians li ke Gustav Mahler and Pierre Boulez, that seems likely to have struck at least some Times readers as faint praise.For my part, I have no idea whether Gilbert is a great conductor or even a good one. To be sure, he performs an impressive variety of interesting com positions, but it is not necessary for me to visit Avery Fisher Hall, or anywhe re else, to hear interesting orchestral music. All I have to do is to go to my CD shelf, or boot up my computer and download still more recorded music fr om iTunes.Devoted concertgoers who reply that recordings are no substitute for live performance are missing the point. For the time, attention, and money of the a rt-loving public, classical instrumentalists must compete not only with opera ho uses, dance troupes, theater companies, and museums, but also with the recorded performances of the great classical musicians of the 20th century. There recor dings are cheap, available everywhere, and very often much higher in artistic q uality than today’s live performances; moreover, they can be “consumed” at a time and place of the listener’s choosing. The widespread availability of such r ecordings has thus brought about a crisis in the institution of the traditional cl assical concert.One possible response is for classical performers to program attractive new music that is not yet available on record. Gilbert’s own interest in new music has been widely noted: Alex Ross, a classical-music critic, has described him as a man who is capable of turning the Philharmonic into “a markedly differ ent, more vibrant organization.” But what will be the nature of that difference? Merely expanding the orchestra’s repertoire will not be enough. If Gilbert and the Philharmonic are to succeed, they must first change the relationship betwee n America’s oldest orchestra and the new audience it hops to attract.21. We learn from Para.1 that Gilbert’s appointment has[A]incurred criticism.[B]raised suspicion.[C]received acclaim.[D]aroused curiosity.22. Tommasini regards Gilbert as an artist who is[A]influential.[B]modest.[C]respectable.[D]talented.23. The author believes that the devoted concertgoers[A]ignore the expenses of live performances.[B]reject most kinds of recorded performances.[C]exaggerate the variety of live performances.[D]overestimate the value of live performances.24. According to the text, which of the following is true of recordings?[A]They are often inferior to live concerts in quality.[B]They are easily accessible to the general public.[C]They help improve the quality of music.[D]They have only covered masterpieces.25. Regarding Gilbert’s role in revitalizing the Philharmonic, the author fe els[A]doubtful.[B]enthusiastic.[C]confident.[D]puzzled.Text 2When Liam McGee departed as president of Bank of America in August, his explanation was surprisingly straight up. Rather than cloaking his exit in th e usual vague excuses, he came right out and said he was leaving “to pursue my goal of running a company.” Broadcasting his ambition was “very much m y decision,”McGee says. Within two weeks, he was talking for the first time with the board of Hartford Financial Services Group, which named him CEO a nd chairman on September 29.McGee says leaving without a position lined up gave him time to reflect on what kind of company he wanted to run. It also sent a clear message to th e outside world about his aspirations. And McGee isn’t alone. In recent weeks the No.2 executives at Avon and American Express quit with the explanation that they were looking for a CEO post. As boards scrutinize succession plans in response to shareholder pressure, executives who don’t get the nod also m ay wish to move on. A turbulent business environment also has senior manage rs cautious of letting vague pronouncements cloud their reputations.As the first signs of recovery begin to take hold, deputy chiefs may be m ore willing to make the jump without a net. In the third quarter, CEO turnove r was down 23% from a year ago as nervous boards stuck with the leaders th ey had, according to Liberum Research. As the economy picks up, opportunitie s will abound for aspiring leaders.The decision to quit a senior position to look for a better one is unconve ntional. For years executives and headhunters have adhered to the rule that the most attractive CEO candidates are the ones who must be poached. Says Kor n/Ferry senior partner Dennis Carey:”I can’t think of a single search I’ve done where a board has not instructed me to look at sitting CEOs first.”Those who jumped without a job haven’t always landed in to p positions q uickly. Ellen Marram quit as chief of Tropicana a decade age, saying she want ed to be a CEO. It was a year before she became head of a tiny Internet-base d commodities exchange. Robert Willumstad left Citigroup in 2005 with ambiti ons to be a CEO. He finally took that post at a major financial institution thr ee years later.Many recruiters say the old disgrace is fading for top performers. The fin ancial crisis has made it more acceptable to be between jobs or to leave a ba d one. “The traditional rule was it’s safer to stay where you are, but that’s been fundamentally inverted,” says one headhunter. “The people who’ve been hur t the worst are those who’ve stayed too long.”26. When McGee announced his departure, his manner can best be describ ed as being[A]arrogant.[B]frank.[C]self-centered.[D]impulsive.27. According to Paragraph 2, senior executives’ quitting may be spurred by[A]their expectation of better financial status.[B]their need to reflect on their private life.[C]their strained relations with the boards.[D]their pursuit of new career goals.28. The word “poached” (Line 3, Paragraph 4) most probably means[A]approved of.[B]attended to.[C]hunted for.[D]guarded against.29. It can be inferred from the last paragraph that[A]top performers used to cling to their posts.[B]loyalty of top performers is getting out-dated.[C]top performers care more about reputations.[D]it’s safer to stick to the traditional rules.30. Which of the following is the best title for the text?[A]CEOs: Where to Go?[B]CEOs: All the Way Up?[C]Top Managers Jump without a Net[D]The Only Way Out for Top PerformersText 3The rough guide to marketing success used to be that you got what you paid for. No longer. While traditional “paid” media –such as television comm ercials and print advertisements –still play a major role, companies today can exploit many alternative forms of media. Consumers passionate about a produ ct may create “owned” media by sending e-mail alerts about products and sale s to customers registered with its Web site. The way consumers now approach the broad range of factors beyond conventional paid media.。

根据《2011年全国硕士研究生入学统一考试英语考试大纲》的内容来看，与2010年大纲相比，2011年考研英语大纲非常稳定，基本没有变化。

尤其在完型、翻译新题型部分未作明显变动，下面谈谈三部分的复习备考。

新题型部分英语新题型是2005年新增加题型，许多同学复习时对这种题目把握不准，加上可以借鉴的考研真题数量比较少，参考资料少，很多考生都感觉复习起来比较困难。

那么如何在有限的复习时间中给自己吃一颗定心丸呢？请看以下这些分析也许能帮助大家解决一些疑难。

新题型又称段落大意题，新题型的解答需要理解文章的段落大意。

考研英语新题型是一种以快速阅读为完成条件的阅读类题型补充。

考研英语大纲中已经规定新题型主要考查“考生对诸如连贯性、一致性等语段特征以及文章结构的理解”。

这就要求考生在准备这类题时，应该掌握必要的攻题技巧。

新题型占考研英语总分的10%，所占分值比重比较小，所以复习压力要小一些。

但由于新题型在考研英语中比较特别，所以仍然需要掌握一定的方法，通过一定数量的练习才会在考试中得到比较理想的分数。

在复习过程中应该注意一下两个部分：一、文章的结构要做新题型中完形填句(段)的题目，考生就应该先了解这类文章的结构，一般情况下，文章的结构有：1、描述性结构主要介绍事物、问题或倾向的特点，对人物的描述如传记，包括人身体特征、家庭背景、成长过程、个**好、成就贡献等内容进行描述、因此时间、地点往往是出题重点。

2、释义性结构解释某一理论、学科、事物，主要用例子比喻类比阐述。

3、比较性结构把两个人或事物功能、特点、优缺点进行对比。

4、原因性结构这种结构主要分析事物的成因，客观的、主观的、直接的、间接的。

5、驳斥性结构这种结构主要是先介绍一种观点，然后对其评论或驳斥，然后分析其优点缺点，危害性，最后阐明自己的观点。

以上文章结构的知识其实反映了完形填句(段)题型的出题原则。

二、解题步骤1、锁定目标答案可能的特征2、阅读选择项，寻找特征词特征词：代词、专用名词、连接词、数字、复数名词等。

根据题目要求，以下为英语二 2011 text1 解析的文章撰写：一、主题介绍英语二 2011 text1 是一篇考试题目，旨在考察学生对英语阅读理解和写作能力的掌握程度。

文章内容涉及一定的文学知识和情感表达，要求考生能够充分理解文中的意思，并运用自己的语言表达能力进行复述和解释。

通过解析这篇文章，可以帮助考生更好地理解文章内容和相关知识点，提升英语学习和应试能力。

二、文章内容概述2011年英语二试题的text1是一篇关于“声音与情感”的文章。

文章以作者的亲身经历为主线，描述了作者在一次音乐会上听到一首曲目时所产生的深刻情感体验。

在听到这首曲目时，作者不仅被音乐本身所感染，还被歌手所表达的情感所打动，激发了内心深处的共鸣和感动。

文章通过生动的描写和细腻的情感展现了音乐对人们情感的强烈影响力，以及音乐和情感之间的密切联系。

三、文章结构分析1.开篇引言：文章以作者在音乐会上的亲身体验为开端，引出文章主题“声音与情感”。

2.情感描写：文章通过对音乐和歌手情感的描述，生动展现了作者内心的震撼和感动。

3. 思考与总结：文章在最后对音乐和情感的联系进行了思考和总结，深化了文章的主题。

4. 结尾点题：文章以对音乐和情感的感悟和思考作为结尾，点出文章的主题和中心思想。

四、文章语言分析1. 表达生动：文章使用了丰富的形象描写和感情色彩的语言，使读者能够身临其境地感受到作者的情感体验。

2. 文笔流畅：文章行文流畅自然，语言简洁明了，表达清晰易懂，给人留下深刻印象。

3. 情感真挚：文章充分表达了作者内心深处对音乐和情感的真挚情感，感染了读者的情感共鸣。

五、文章解析意义1. 帮助理解文章内容：通过对文章的解析和分析，可以帮助读者更好地理解文章的主题和情感表达。

2. 提升写作能力：文章语言表达精练，行文结构合理，它可以帮助读者提升自己的写作能力，更好地表达自己的思想和情感。

3. 拓展文学知识：文章内容涉及音乐、情感、文学作品等多方面知识，有利于拓展读者的文学视野和知识面。

2011年考研英语(一)考试大纲刚刚和同学们见面，现在第一时间对考纲进行全面、深入的剖析，以便广大考生能以考纲为准绳，有的放矢的进行卓有成效的考研英语复习。

2011考研大纲下载一、2011年考研英语(一)考试大纲的变化特点说明比对2011年和2010年的考纲不难发现，在去年的基础上，今年的新大纲未做任何调整和变化，而且自2005年英语考研大纲做过较大的调整以来，在时至今日的总计七个考研英语大纲出炉的年头里，考纲一直秉承了稳定性和连续性，只在去年有过局部微调，并没有实质性的重大变化，这对广大考生来说是一个非常好的态势，同学们如有考研的打算，越早启动英语复习越好，完全没必要去受新考纲的钳制。

今年的考纲依然从以下几个方面确定了考研英语的要求和侧重权重。

(一)考试形式考试形式为笔试。

考试时间为180分钟。

满分为100分。

试卷包括试题册和答题卡。

答题卡分为答题卡1和答题卡2。

考生应将1-45题的答案按要求填涂在答题卡1上，将46-52题的答案写在答题卡2上。

(二)考题内容与试卷结构试题分三部分，共52题，包括英语知识运用、阅读理解和写作。

第一部分英语知识运用该部分不仅考察考生对不同语境中规范的语言要素(包括词汇、表达方式和结构)的掌握程度，而且还考察考生对语段特征(如连贯性和一致性等)的辨识能力等。

共20小题，每小题0.5分，共10分。

在一篇240-280词的文章中留出20个空白，要求考生从每题给出的四个选项中选出最佳答案，使补全后的文章意思通顺、前后连贯、结构完整。

考生在答题卡1上作答。

第二部分阅读理解该部分由A,B,C三节组成，考察考生理解书面英语的能力。

共30小题，每小题2分，共60分。

A节(20小题)：主要考察考生理解主旨要义、具体信息、概念性含义，进行有关的判断、推理和引申，根据上下文推测生词的词义等能力。

要求考生根据所提供的4篇(总长度约1600词)文章的内容，从每题所给出的4个选项中选出最佳答案。