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Single-Axis Electric Actuator - with Panasonic AC ServomotorSpecificationsElectric Actuator (Model: LJ1H10G*-X13)Stroke: mm100 to 500(Stroke interval: 50mm)550 to 1000(Stroke interval: 50mm)Mounting orientationHorizontalOperating temperature range5 to 40℃Ball screw Lead: 12mm 10― Payload: kg Slide screw Lead: 20mm 10Ball screw Lead: 12mm 600― Maximum speed: mm/s Slide screw Lead: 20mm 500Rolled ±0.05 ― Ball screw Ground ±0.02― Positioning repeatability : mmSlide screw Rolled ±0.1Rolled ― Ball screw Ground Ø12mm, lead 12mm―Screw Slide screwRolledØ20mm, lead 20mmGuideHigh rigidity direct acting guideSwitchN.C. type: D-Y59AL-232 (Solid state: 3-wire) N.O. type: D-Y59AL (Solid state: 3-wire)SP017X-023EP: FYSMC CORPORATION1-16-4 Shimbashi, Minato-kuTokyo 105-0004, JAPANURL: P .G. InformationSpecificationsElectric Actuator (LJ1H20G*-X13)Stroke: mm100 to 650(Stroke interval: 50mm)700 750 800 850 900 950 1000 1200Mounting orientationHorizontal Operating temperature range5 to 40℃ Lead: 10mm 30― Ball screw Lead: 20mm 15 ― Payload: kgSlide screwLead: 20mm 15Lead: 10mm 500 460 410 370 330 300 275 250 ― Ball screw Lead: 20mm 1000930 820 740 660 600 550 500― Maximum speed: mm/s Slide screw Lead: 20mm 500Rolled ±0.05 ― Ball screw Ground ±0.02― Positioning repeatability : mmSlide screw Rolled ±0.1Ø15mm, lead 10mm ― Ball screw Rolled, Ground Ø15mm, lead 20mm―Screw Slide screwRolledØ20mm, lead 20mmGuide High rigidity direct acting guide SwitchN.C. type: D-Y7GL (Solid state: 3-wire) N.O. type: D-Y59AL (Solid state: 3-wire)Electric Actuator (LJ1H30G*-X13)Stroke: mm200 to 1000(Stroke interval: 50mm)1050 1100 1150 1200 1250 1300 1350 1400 1450 1500Mounting orientationHorizontal Operating temperature range5 to 40℃ Ball screw Lead: 25mm60 Payload: kgSlide screwLead: 40mm 30Ball screw Lead: 25mm 1000940 860 780 700 660 620 590 560 530 500Maximum speed: mm/s Slide screw Lead: 40mm 500 Rolled ±0.05 Ball screwGround ±0.02 Positioningrepeatability : mm Slide screw Rolled ±0.1RolledBall screwGroundØ25mm, lead 25mmScrew Slide screw RolledØ30mm, lead 40mm Guide High rigidity direct acting guideSwitchN.C. type: D-Y7GL (Solid state: 3-wire) N.O. type: D-Y59AL (Solid state: 3-wire)How to Order Cable (*2)*2) Connector requirement:Power supply connector (5557-10R by MOREX)Interface connector (10126-3000VE by Sumitomo/3M Limited)(Refer to the specification table to verify applicable model.)*3) Please contact your sales representative when supplying your own motors.*4) A driver unit will be included if the motor is already installed at the time of shipment.the cable for connecting a motor and driver unit is optional. (Refer to “How to Order Cable”.)*5) Please refer to our standard catalog regarding the details of combinations of feed screw lead and stroke.Please contact SMC for lead times.*6) Stroke lengths with an asterisk (*) are produced upon receipt of order.Please contact SMC for lead times.*7) For Series LJ1H20 with stroke length of 1200mm, only slide screws are available (Symbol: S).*8) Please refer to the dimensions page for electrical entry directions.*9) Auto switches (positioning) should be adjusted by customers.©2001 SMC CORPORATION All Rights Reserved。
PARTS LAYOUTJ A Z Z B A SS M A D E N U S A CORONA,CALIFORNIAZ 3 0 0 0 01SER IAL NU MBER 21345768510121311591012131114111516171821222021221923 23252624272526242728REF#DESCRIPTION PARTNUMBER 1BODY AM STD JAZZ BASS JPM0056191519 1BODY AM STD JAZZ BASS 3TS0055219500 1BODY AM STD JAZZ BASS OWT0056191505 1BODY AM STD JAZZ BASS BLK0056191506 1BODY AM STD JAZZ BASS COLA0056191512 1BODY AM STD JAZZ BASS BPL0056191555 1BODY AM STD JAZZ BASS CFM0056191569 2NECK AM STD JAZZ BASS RW0074255000 2NECK AM STD JAZZ BASS MN0074256000 3KEY BASS STD UPG BASS LNG CHROME0075116000 4STRING GUIDE BASS CHROME0994913000 5SCREW SMAB 4 X 1/2 OHP ZA CHROME0994923000 6NECK PLATE AM DLX BASS CHROME0991446100 7SCREW SMA 8 X 1-3/4 OHP ZARTAN0021424049 8 PICKGUARD AM STD J-BASS MG/B/MG0080768000 8 PICKGUARD AM STD J-BASS W/B/W0991335000 8 PICKGUARD AM STD J-BASS P/B/P0991377000 8 PICKGUARD AM STD J-BASS TORT0074131000 9PLATE CONTROL JAZZ BASS CHROME0992057100 10KNOB 2 LARGE 1 SMALL SKIRTED BLACK0991370000 11HEX NUT 3/8-32 X 3/32 TK NI0016352049 12WASHER LOCK INTL 3/8 X .6870016436049 13CONTROL 250K 10%0990831000 14CAPACITOR CD .05µF 100V 20%0015552049 15JACK PHONE OPEN CIRCUIT0021956049 16WASHER FLAT 3/8 X .614 NI0031153049 17BRIDGE ASSY AM SERIES BASS UPG RH CHROME0075124000 17A BASE PLATE BASS BRIDGE AM SERIES CHROME0075125000 17B BLOCK BASS BRIDGE AM SERIES CHROME0075126000 17C BRIDGE SADDLE AM SERIES BASS 1-20075127000 17D BRIDGE SADDLE AM SERIES BASS 3-40075135000 17E SCREW 6-32 X 5/16 FHP ZI0076154000 17F SCREW CAP 6-32 X 1-1/2 HEX SKT BLX0075394000 17G SPRING TELE BRIDGE BLACK 0018872049 17H SCREW SET 6-32 X 7/16 HEX SKT BLX NYLOK0075354000 18SCREW SMAB 5 X 1 OH CHROME0021422049 *=NOT PICTURED IN DIAGRAMREF#DESCRIPTION PARTNUMBER 19PICKUP BRIDGE VINT JACO 0055199000 20PICKUP NECK VINT JACO0055198000 21PICKUP COVERS SET 0992038000 22SCREW WOOD 4 X 1-1/4 RH ZA CHROME0021408049 23WEATHER-STRIP 9/16 X 1/2 OP CL NEOP0018556049 24BUTTON STRAP CHROME 0063267049 25WOOD SCREW 6 X 1 OHP NI0016188049 26FELT WASHER BLACK 0994929000 27FELT WASHER WHITE0994930000 28FERRULE STRING AM SERIES BASS 0048604049 *CASE BASS RH0996171506 *WRENCH HEX KEY 1/16 SHORT ARM0021109049 *WRENCH ALLEN WRENCH 3/160048693000 *HEX KEY 7/64 BALL END0076157000*=NOT PICTURED IN DIAGRAMWIRING ASSEMBLY.05NECK PICKUP VOLUMEBRIDGE PICKUPNECK PICKUPBRIDGE PICKUPVOLUMETONE CONTROL CAPACITOR.05µFOUTPUT JACKGROUND LUG TO GUITAR BODYBLACK WIRE TO BRIDGESWITCH AND CONTROL FUNCTIONNECK PICKUP VOLUMEBRIDGE PICKUPVOLUMEMASTER TONENECK PICKUPBRIDGE PICKUP。
Three Instruments with SuperNATURAL Piano PowerRG-3F/RG-1F/LX-10FDigital Piano*LX-10F onlyRG-3F/RG-1F/LX-10F Specifications[Keyboard] ■ Keyboard 88 keys (PHA III ivory feel Keyboard with Escapement) ■ Touch SensitivityTouch: 100 levels, Fixed Touch, Hammer Response: Off, 10 levels ■ Keyboard Mode RG-3F/RG-1F: Whole, Dual (volume balance adjustable), Split (split point adjustable), LX-10F: Whole, Dual (volume balance adjustable), Split (split point adjustable), Twin Piano [Sound Generator] Conforms to GM2/GS/XGlite ■ Piano Sound SuperNATURAL Piano Sound ■ Max. Polyphony 128 voices ■ Tones 337 tones(including 8 drum sets, 1 SFX set) ■ Temperament 8 types, selectable temperament key ■ Stretched Tuning Off, Preset, User tuning (adjustable in individual notes) ■ Master Tuning 415.3 to 466.2 Hz (adjustable in increments of 0.1 Hz) ■ Transpose Key Transpose: -6 to +5 (in semitones), PlaybackTranspose (with Audio CD/Audio File): -6 to +5 (in semitones) ■ Effects RG-3F/RG-1F: Reverb (Off, 1 to 10), Only for Piano Tones: Open/close lid (7 levels), Hammer Noise (5 levels), Tone Character (-5 to +5), Damper Resonance (Off, 1 to 10), String Resonance (Off, 1 to 10), Key Off Resonance (Off, 1 to 10), Cabinet Resonance (Off, 1 to 10), Duplex Scale (Off, 1 to 10), Damper Noise (Off, 1 to 10), Only for Organ Tones: Rotary Speaker Effect (Slow/Fast), LX-10F: Reverb (Off, 1 to 10), Only for Piano Tones: Open/close lid (7 levels), Cabinet Resonance (Off, 10 levels), Hammer Noise (5 levels), Damper Noise(Off, 10 levels), Duplex Scale (Off, 10 levels), Damper Resonance (Off, 10 levels), String Resonance (Off, 10 levels), Key Off Resonance (Off, 10 levels), Only for Organ Tones: Rotary Speaker Effect (Slow/Fast) ■ Equalizer 4-band Digital Equalizer [Metronome] ■ Tempo Quarter note = 10 to 500 ■ Beat 2/2, 0/4, 2/4, 3/4, 4/4, 5/4, 6/4, 7/4, 3/8, 6/8, 9/8, 12/8 ■ Volume 11 levels ■ Metronome Pattern LX-10F: 11 patterns [User Program] ■ Internal RG-3F/RG-1F: 36 ■ User Memory RG-3F/RG-1F: Max. 99 User Program Sets ■ USB Memory RG-3F/RG-1F: Max. 99 User Program Sets [Recorder] ■ Track RG-3F/RG-1F: 1 track, LX-10F: 3 tracks ■ Song RG-3F/RG-1F: Recorder section: 1 song, LX-10F: Recorder section: 1 song,Internal Memory: Max. 99 songs ■ Note Storage Approx. 30,000 notes ■ Tempo Quarter note= 10 to 500, Audio Playback Speed: 75 to 125 % ■ Resolution 120 ticks per quarter note ■ Controls Song Select, Play/Stop, Rec, Rewind to the top of the song, Rewinding, Fast-forwarding, Track Mute, Mute Volume, Tempo, All Songs Play, Count-in (only for Music files playback), Song Volume, Center Cancel (only for Audio playback) [Internal Memory] ■ Songs Max. 99 songs ■ Save Song Standard MIDI Files (Format 0) [External Memory] ■ External Storage USB Flash Memory (sold separately) ■ Playable SoftwareStandard MIDI Files (Format 0/1), Roland Original Format (i-Format), Audio File (WAV 44.1 kHz / 16-bitThree pianos, three distinct cabinet design, one remarkable similarity: Roland’s SuperNATURAL Piano engine (page 9), which blurs the line between digital and acoustic instruments. Boasting new-generation PHA III Ivory Feel Keyboards with Escapement, gorgeous cabinetry, and new Progressive Damper Action Pedal (page 9), the RG-3F , RG-1F , and LX-10F are built to shine in a wide range of aesthetic environments and musical applications.The RG-3F mini grand reflects the look, touch, and sound of tradition while boasting the most advanced and authentic digital-piano technology on the market. Simply, this instrument looks and sounds exquisite. Its top-of-the-line keyboard provides true grand-piano feel and response, while the four-speaker 60 W sound system provides powerful, rich sound.With its stylish contemporary look and space-saving footprint, the RG-1F goes upscale with its chic appearance and attractive Satin Black finish. This stylish piano blends elegantly into any environment, filling your room with beautiful stereo sound through its internal speaker system.Its classic upright cabinet and traditionally styled pedals give the LX-10F a timeless appearance, but beneath the wood is Roland’s most advanced technology. Never before has a home digital piano in this price range sounded so smooth, natural, and three-dimensional. The LX-10F delivers remarkable sound through its Grand Piano Presence II six-component Sound System.linear format), Audio CDs (CD-DA) (when using a USB CD drive) ■ Save Song Standard MIDI Files (Format 0) [Other] ■ Internal Songs RG-3F/RG-1F: 60 songs, LX-10F: 74 songs ■ Rated Power Output RG-3F: 60 W x 2, RG-1F: 40 W x 2, LX-10F: 60 W x 2 ■ Speakers RG-3F/RG-1F: 20 cm x 2, 5 cm x 2,LX-10F: 16 cm x 2 (with Speaker box), (8 cm x 12 cm) x 2, 5 cm x 2 ■ Display RG-3F/RG-1F: 20 characters, 2 lines LCD, LX-10F: 128 x 64 dots Graphic monochrome LCD (with backlit) ■ Language LX-10F: English, Japanese ■ Lyrics LX-10F: Yes (Built-in Display) ■ Controls RG-3F/RG-1F: Volume, Brilliance, LCD Contrast, LX-10F: Volume, LCD Contrast ■ Pedals Damper (Progressive Damper Action Pedal, capable of continuous detection), Soft (capable of continuous detection, function assignable), Sostenuto (function assignable) ■ Other Functions RG-3F/RG-1F: Panel Lock, Playback Lock, V-LINK, LX-10F: Panel Lock, V-LINK ■ Connectors RG-3F/RG-1F: AC inlet, Pedal Connector, Input jacks (1/4 inch phone type) (L/Mono, R), Input jacks (RCA phono type) (L/Mono, R), Output jacks (1/4 inch phone type) (L/Mono, R), USB (MIDI) connector, MIDI connectors (IN, OUT), Headphone jack (Stereo) x 2, External memory connector (USB), LX-10F: AC inlet, Pedal connector, Input jacks (L/Mono, R), Output jacks (L/Mono, R), USB connector, MIDI connectors (In, Out), Phones jack (Stereo) x 2, External Memory connector ■ Power Supply AC 117 V, AC 220 V, AC 230 V, AC 240 V (50 / 60 Hz) ■ Power Consumption RG-3F/LX-10F: 140 W, RG-1F: 95 W ■ Dimensions <top opened> RG-3F: 1,490 (W) x 950 (D) x 1,540 (H) mm/58-11/16 (W) x 37-7/16 (D) x 60-11/16 (H) inches, RG-1F: 1,420 (W) x 730 (D) x 1,270 (H) mm/56 (W) x 29 (D) x 50 (H) inches, LX-10F: 1,410 (W) x 453 (D) x 1,124 (H) mm/55-9/16 (W) x 17-7/8 (D) x 44-1/4 (H) inches (including piano stand) <top closed> RG-3F: 1,490 (W) x 950 (D) x 920 (H) mm/58-11/16 (W) x 37-7/16 (D) x 36-1/4 (H) inches, RG-1F: 1,420 (W) x 730 (D) x 890 (H) mm/56 (W) x 29 (D) x 36 (H) inches, LX-10F: 1,410 (W) x 446 (D) x 1,070 (H) mm/55-9/16 (W) x 17-9/16 (D) x 42-1/8 (H) inches (including piano stand) ■ Weight RG-3F: 110 kg/243 lbs, RG-1F: 75 kg/166 lbs, LX-10F: 93.6 kg/206 lbs 6 oz (including piano stand) ■ AccessoriesRG-3F: Owner’s Manual, Power Cord, Headphone Hook, Maintenance Kit, Key Cover, Caster Caps,RG-1F: Owner’s Manual, Power Cord, Headphone Hook, Brackets, LX-10F: Owner’s Manual, Power Cord, Roland 60 Classical Piano Masterpieces, Headphones Hook, Cord Clamps*, Stabilizer*, Felt*,*Supplied with the stand. ■ Options Headphones (RH-A30, RH-300, RH-L20, RH-5), USB Flash Memory (M-UF2G), USB CD Drive (CD-01A)RG-3F/RG-1F/LX-10F SpecificationsRG-1F LX-10F。
尊敬的用户：非常感谢您选购美得理数码钢琴！这款外观精美，易学易用的数码钢琴是本公司全体员工不懈努力，孜孜以求的结晶，，强大英贴近用户......我们竭诚希望这部精工制造，功能丰富的数码钢琴能充分发挥您的音乐天赋，给您带来无比快乐和美妙的音乐享受。
为使您的演奏得以理想发挥，使用前敬请仔细阅读本说明书；此外，请保管好本说明书以备后用。
它仅拥有丰富的音色和动感的节奏，还具有存储功能，方便现场演奏的中文显示，使您的操作变得更加简单、直观您会在使用过程中惊喜地发现更多实用的功能。
不尊敬的用户，当您选购本数码钢琴后，请检查以下物品是否齐全。
右支架左支架琴体（含电源线）脚踏盒（含脚踏线）背板螺丝包美得理售后保修证书使用说明书1Version:006尊敬的用户，不要将本琴置于多尘土、振动、寒冷或高温的环境中（如阳光直射处、暖气旁），以免损伤外观及内部元件。
不要在其他电器附近使用本琴，如电视机、收音机等，以免产生干扰。
本琴在下列环境下使用最佳：温度：拔本琴的电源插头时，要握住插头，切勿用力狠拉电线，以免电线和插座受损。
清洁琴体前请先拔掉电源插头，不要用湿手插拔电源插头。
定期检查电源插头并清除积于其上的污垢。
当不使用本琴或打雷时，请拔掉电源线。
操作开关按钮及拔连接线时，不要用力过猛。
不要长时间把琴的音量开到很大或感觉不适应的程度来演奏，建议您将旋钮调到最大音量的三分之二处，以免造本成永久性听力下降。
与其他电器设备（如电脑、音响等）连接之前应先关闭所有的电源。
在开关这些设备时，应先将所有音量控制器置于最低。
并且应该一边演奏琴一边将外接设备的音量从最小逐渐提升到所需要的音量。
本供电电缆、电线上发现断线或接触不良等，请勿继续使用，以防引致火灾、触电等事故。
设置场所电 源操作说明维修·保养避免本琴遭受雨淋，不要在水边或潮湿环境下使用。
不要在琴上放置盛有液体的容器，以免液体流入琴内，损伤内部元器件。
清洁本琴时，请用干燥柔软布擦拭，不可使用带有化学腐蚀性溶剂清洗擦拭。
This fine instrument is equipped with a FISHMAN PREFIX PLUS™ACOUSTIC GUITAR SYSTEM.Please read these instructions care-fully.If you have any questions or problems, please call our CUS-TOMER SERVICE LINE at (978) 988-9665.The PREFIX PLUS™ is an instrument-mounted pickup / preamp sys-tem that offers total control of your amplified guitar sound.THE PICKUPThe PREFIX PLUS™ ACOUSTIC GUITAR SYSTEM includes the FISH-MAN ACOUSTIC MATRIX pickup;made with a unique co- polymer sensing material available exclusively from Fishman.This technology is not available from any other manufacturer.The sensing material exhibits a sensitivity and dynamic range that far surpasses all other known sensing materials.The ACOUSTIC MATRIX transducer is a fully EMI shielded, multi-layer sandwich of co-polymer strips that run the length of the pickup.This design allows the pickup to sense the motion of the entire saddle length, providing superb string to string balance, as well as sensitivity to both the strings and top of the instrument. THE PREAMPThe PREFIX PLUS™ preamp module incorporates a unique "flip-top" battery compartment for easy access. A variable NOTCH filter, shelv-ing BASS & TREBLE , semi-parametric CONTOUR, and BRILLIANCE controls are included for precise tone shaping and fighting feedback. There is also a PHASE reversal switch and a low battery indicator. The PREFIX PLUS™ can be plugged into any instrument-level audio input with excellent results.2PREAMP FUNCTIONSBATTERY COMPARTMENTPull the small tab at the top of the PREFIX PLUS™ toward you.The body of the preamp will swing out, revealing the BATTERY COMPARTMENT.Insert a fresh 9V alkaline battery.cable from the endpin jack when the unit is not being used.NOTE:Plug an instrument cable into the endpin jack before you plug into the sound equipment.Doing so will prevent loudspeaker damage.BATTERY LOW INDICATORWhen plugging into the endpin jack, the LOW BATTERY light will flash momentarily, indi-cating that the power is on.When the LOW BATTERY light stays on, it is time to change the battery.CONTROLSNOTCH FILTERThis is a fixed level, variable-frequency filter for eliminating feedback or unwanted reso-nance.The affected frequency is variable from 40 to 500 Hz.The NOTCH FILTER is effectively off in the full counter-clockwise position.3VOLUME CONTROLControls the overall gain of the PREFIX PLUS™.Goes from very quiet to very loud. BASS CONTROLThis is a boost/cut shelving tone control.The center detent yields a flat response. CONTOURThis is a Wide-range semi-parametric filter.It is used to selectively shape the instru-ment's tone.The CONTOUR Level slider controls the amount of boost or cut applied to the selected Contour FREQUENCY.The center detent yields a flat response.The Contour FREQUENCY slider determines the frequency band that is boosted or cut by the CONTOUR LEVEL control.The frequency is variable from 250 to 10 kHz. TREBLE CONTROLThis is a boost/cut shelving tone control.The center detent yields a flat response. BRILLIANCE CONTROLThis is a resonant style boost/cut filter.When boosted, the BRILLIANCE control can add presence to your sound or brighten up dead strings.PHASE SWITCHThe PHASE switch compensates for acoustic phase differences that often occur between instrument and speaker.It can be used as a tone filter at low volume levels or a feedback filter at high levels.The PHASE switch can correct any electrical phase difference between the PREFIX™ system and an outboard instrument microphone.Flip the PHASE switch several times and use your ear to find the optimum setting.The best position for the PHASE switch may change, depending on the sound system and/or venue acoustics. 4SUGGESTED EQ SETTINGSMID CUTYou can scoop out harsh midrange by setting the FREQUENCY slider slightly above center with the CONTOUR Level cut to taste below the center detent. You can alsocut midrange byboosting theBASS and TRE-BLE sliders torealize an"implied" mid-cut at 800 Hz.5FINGERSTYLEThis setting will add fullness to the bass and definition to the treble. 6CUT THROUGHFor cutting through a live band mix at high volumes.7WHAT IS PHASE?Phase is the relationship between two signals or soundwaves originating from the same instrument.For our purposes, phase relationships are expressed as being either "in phase" or "out of phase".In phase tends to enhance, while out of phase tends to sup-press the natural characteristics and acoustic tendencies of an instrument.A simple way to determine the quality of phase (in or out) of two sounds is to com-pare phase switch settings at low volumes.is when the wave-yourOUT OF PHASEOut of phase is when theinating from the same instru-upper peak of one waveoccurs at the same moment intime as the lower peak of theother.Out of phase is likelooking at yourself in a livevideo monitor;the image yousee is similar, but the per-spective is shifted.When you move to the right, the image appears to move to your left.Continued ...8WHAT IS THE PHASE SWITCH FOR?The phase switch is useful for two reasons:1.Due to the interactive and changing nature of phase, acoustic amplification depends on maintaining optimum phase relationships between amplified instruments, sound systems and venues.2.Since an industry standard for polarity has not been established for all sound equipment, the phase switch can compensate for any unintentional differences that might occur between instrument and sound system. APPLICATIONSIn any situation where the instrument faces a loudspeaker, there will be an inter-active phase relationship between the two.This usually occurs with stage amps, side fill and floor monitors at close distances.• LOW VOLUME AMPLIFICATIONAt low volumes, when an instrument and speaker are at similar levels and are in phase, the sound is full and solid, with the lower frequencies emphasized. When a mic'ed instrument and speaker are out of phase at low levels, the bass frequencies cancel out to some extent.The resulting sound is somewhat unnat-ural and unbalanced compared to in phase.• HIGH VOLUME LEVELSAt high volume levels, when an instrument and speaker are in phase, the sound pressure from the speaker will excite the instrument's sound chamber, creating a feedback loop at the instrument's lowest octave.This "cavity resonance" feed-back can be dealt with by putting the instrument and speaker out of phase or by adding equalization.ING THE PHASE SWITCH TO REDUCE FEEDBACK.Inverting the PHASE switch will put the instrument and speaker out of phase with each other, cancelling the low frequency feedback.If you move from your position on stage more than a few feet, you may have to invert the PHASE switch again to maintain an out of phase relationship between the mic'ed instrument and speaker.Continued ...9Here's why:A typical guitar has a cavity resonance of about 100 Hz.This is the frequency that generally feeds back when the guitar and speaker are in phase.100 Hz has a wavelength of about 11 feet.Phase inverts 180° for every 1/2 a frequency's wavelength.In this case, 1/2 the wavelength is about 5 1/2 feet.If you set your PHASE switch to eliminate cavity resonance (out of phase) and then move 5 1/2 feet towards or away from the speaker, you will effectively put the mic'ed guitar/speaker relationship at 100 Hz back in phase;in the line of fire for low frequency feedback.The PHASE switch on the ONBOARD BLENDER™ in effect electronically "moves" your instrument's position relative to the speaker by inverting the phase 180° every time you flip it.ING THE NOTCH FILTER TO REDUCE FEEDBACKNotching out instrument cavity resonance will eliminate the low frequency feed-back problem completely.The advantages to using notching equalization are:• The physical distance from the speaker will no longer be a factor for potential low frequency feedback.• The mic'ed instrument/speaker can remain in phase, maintaining a more nat-ural and balanced response.10SPECIFICATIONSNominal Input Level:-20 dBVInput Overload:(20 Hz - 20 kHz)-2 dBVInput Impedance:20 M OhmsOutput Impedance:Less than 3.5 k OhmsNominal Output Level:-12 dBVTHD:Less than .04 %, -20 dBV inputSignal to Noise Ratio:77 dB(A weighted referred to nominal-20 dBV input)Current Drain:Less than 3.5 mAPower Supply:9V Alkaline battery(estimated 160 hours continuous use with lowbattery indicator at 6.5V)Notch Filter Range:40Hz - 500 Hz (-15 dB)Bass Control Range:± 12 dB at 60 Hz± 3 dB at 350 HzTreble Control Range:± 12 dB at 10 kHz± 3 dB at 2.4 kHzContour Control Range:± 12dB(adjustable from 250 Hz to 10 kHz) Q = 0.5 Brilliance Control Range:± 9 dB at 10 kHzAll specifications subject to change without notice.11。
T /C N L I C 0013－2020中国轻工业联合会团体标准智能键盘乐器通用技术条件T/CNLIC 0013－2020*中国轻工业出版社出版地址：北京东长安街6号邮政编码：100740发行电话：(010)65241695网址：http :// Email ：club @ 轻工业标准化研究所编辑发行地址：北京西城区月坛北小街6号院邮政编码：100037电话：(010)68049923*版权所有侵权必究书号：155019·5497印数：1－200册定价：38.00元全国团体标准信息平台ICS 97.200.20X 58团体标准T/CNLIC 0013－2020智能键盘乐器通用技术条件General specification for intelligent keyboard instrument国团体标准信息平台T/CNLIC 0013－2020I前言本标准按照GB/T 1.1－2009给出的规则起草。
本标准由中国轻工业联合会提出并归口。
本标准主要起草单位：北京星海钢琴集团有限公司、森兰信息科技（上海）有限公司、广州珠江钢琴集团股份有限公司、北京乐器研究所、吟飞科技（江苏）有限公司、海伦钢琴股份有限公司、江阴金杯安琪乐器有限公司。
本标准主要起草人：孟宇、赵秀伟、滕杨裔、王伟、徐刚、秦宏伟、郑之杰、时建明、张文博、周军、成慈、郭婷。
本标准为首次发布。
全国团体标准信息平台台平息信准标体团国全T/CNLIC 0013－20201智能键盘乐器通用技术条件1范围本标准规定了智能键盘乐器的术语和定义、概述、要求、试验方法、检验规则、使用说明的编制、使用环境、标志、包装、运输、贮存及回收利用。
本标准适用于音域至少为三个八度的智能键盘乐器（包括但不限于智能钢琴、智能手风琴、电子手风琴、智能电子琴、智能电子钢琴、智能电子管风琴）。
2规范性引用文件下列文件对于本文件的应用是必不可少的。
凡是注日期的引用文件，仅注日期的版本适用于本文件。
Targeted retail availability : April 2008A beautiful marriage: The enchanting harpsichord and the wonders of a digital instrument.From solo performance to ensemble playing, the C-30 provides the perfect sound and touch for baroque music. Enjoy the best of both worlds — a new-generation digital harpsichord with authentic sound and touch, excellent playability, and soul-stirring expression.■ Beautiful designAble to fit beautifully into a small space, the exquisite compact design is modeled on a small rectangularharpsichord known as the virginal. Picture board can be installed on the inside of the keyboard lid, and the side panels can be replaced with reproduction stained glass. Customization is available to match anyinterior so you can create the look you desire.■ Sensitive keyboard touchA newly developed special keyboard authentically reproduces the plucking sensation of a harpsichordkey when pressed. All of the characteristics of the harpsichord key action have been captured, includingthe length and form of the black keys, the depth of the key press, and even the distinctive noise thatcomes when a key is released.■ Rich timbreKnown as “Cembalo” in German and Italian and “Clavecin” in French, the harpsichord comes in various shapes and sizes. Two different types, Frenchand Flemish, of harpsichord sounds are built into the C-30. You can togglebetween them with the touch of a switch. For each sound, four buttons areavailable: 8-foot I (back), 8-foot II (front), 4-foot (octave higher), and lute (buffmute). You play them individually or layer them.In pursuit of the perfect harpsichord, Roland has equipped the C-30 with“Dynamic Harpsichord” sounds, which can be played with dynamics (velocitysensitivity) and a damper pedal. In addition, the sounds of the early fortepianoand a compact pipe organ have been included.Example of a French harpsichordMade 1765 by F . BlanchetHeld by, and photo courtesy of,Hamamatsu Museum of Musical InstrumentsPreliminary InformationC-30 operation panelRoland Corporation would like to thank the Collection Molinari-Pradelli, for the authorization to reproduce the picture entitled 'Estasi de Santa Maria Madalena' by MarcantonioFranceschini, for this limited edition of the C-30 Harpsichord.。
Ritchie Blackmore Signature - an all-tube guitar amp head featuring the soundand the look that fascinates a guitar legend such as Ritchie Blackmore.The Ritchie Blackmore Signature amp is based on a classic, proven design, but is also equipped with a number of innovative features. For instance, you can vary the amount crunch for the two channels Clean and Lead via the Gain-Boost switch. Also, each of the two Gain stages (Lo and Hi) is equipped with a dedicated Master Volume control or you can activate Master A and Master B via footswitch.With its high-quality components and superior finishing, this amp is built to last.You will find guidelines on care and maintenance of tube amps on the last page of 1 Input Unbalanced 1/4" input jack.2 Clean Input sensitivity control for the Clean channel, adjust the volume by means of this control and the Lo Gain Master (13); in the Hi Gain mode use the Hi Gain Master (14) for adjusting the volume. 3 Bright Alters the EQ by boosting the upper treble range; effectiveness decreases at higher Clean Gain (2) settings.4 Lead TIP: To get Crunch or heavy Rhythm sounds, set this Gain control for the Lead channel, control between the 9 and 12 o ´clock ´s position controls the amount of distortion (depending on the type of pick-up) and leave in the Lead mode. the Gain Boost pusbutton in the Off-position. CAUTION: Extremely high gain and volume levels in the Lead mode can produce strong feedback. Avoid feedback squeals, they lead to hearing loss and damaged speakers!5 BassBottom end voicing control. TIP : To get an idea of this amp ’s capabilities,6 Middle we suggest you set all control pots Mid-range voicing control. to the 12 o ’clock position. 7 Treble Upper range voicing control.8 Contour Press this button to alter the mid-EQ. When the button is pressed, the low mids (300-500 Kz) are boosted slightly. You can also activate this function via footswitch (Jack 19).9 Lead PresenceThis control defines the Treble response in the poweramp stage for the Lead channel.10 Lead VolumeVolume control for the Lead channel (in front of the FX loop, affects the SEND level).11 Gain Lo - Hi This button increases the gain levels for both channels. When you activate it, the Clean channel responds more like a Crunch channel, and the Lead channel delivers a hi-gain lead sound. Y ou can also activate this function via footswitch (Jack 20), the Gain Boost pushbutton is then no longer functional. The yellow LED illuminates to indicate Hi-Gain mode is active.12 Clean - Lead Channel selector pushbutton for Clean and Lead modes, red LED indicate Lead mode; This function can also be activated via a footswitch connected to jack 20. Once a footpedal is connected, the channel selector pushbutton is deactivated.13 Master A - Lo Gain Use this control (post FX Loop) to set the poweramp ´s master volume when the preamp is in Lo-Gain mode. Connect a footswitch to Jack 19 if you want to convert this control for use as Master A.You can then use the footswitch to activate two different master volumes (Master A and Master B).Rear Panel17 AC SOCKET Connect AC cord here ATTENTION: Ensure you use an intact AC cord with an insulated plug only! Before you power the amp up, ensure the voltage value printed beside the AC socket corresponds to the available current.18 AC FUSE BOX Contains mains fuse (rear chamber) and spare fuse (front chamber).NOTE: Ensure replacement fuses bear identical ratings (refer to the table)!19 Footswitch: Master A - B; Contour 1/4" stereo jack for double footswitches, executes the following functions: 1.Switching between the two Master volume controls A and B (mono terminal) 2.Contour switching (stereo terminal).Please note: If a footpedal is connected to this jack, the Lo Master - Hi Master function automatically converts to the Master A - B feature. In this case it can only be accessed via the footswitch.20 Footswitch: Clean - Lead; Gain Lo - Hi 1/4" stereo jack for double footswitches, executes the following functions: 1.Channel switching Clean - Lead (mono terminal) 2.Gain Lo - Hi (stereo terminal).21 F.X. Loop: Send Signal output for the Effects loop. Connect this output to a signal processor ’s input/return jack via a shielded cable with 1/4" plugs.22 F.X. Loop: ReturnSignal input for the Effects loop. Connect this input to a signal processor ’s output/send jack via a shielded cable with 1/4" plugs.23 Balance FX mix control for the Effects loop: Rotate the knob to the DRY position for the pure amp signal, i.e. no effect on the signal. Turn clockwise to blend in an effect connected to the loop to the dry signal (parallel/passive). At the Effect position, only the wet signal, i.e. the signal sent from the FX device is fed to the power amp (serial/passive).NOTE: If no effects processor is connected to this loop, leave this control in position DRY!24 Poweramp Output: 4 Ohms parallel4 ohms speaker output jacks, internal parallel signal path for the connection of one 4 ohms cabinet or two 8 ohms speaker cabinets.25 Poweramp Output: 8 Ohms parallel8 ohms speaker output jacks, internal parallel signal path for the connection of one 8 ohms cabinet or two 16 ohms speaker cabinets.26 Poweramp Output: 16 Ohms 16 ohms speaker output jack, for the connection of one 16 ohms speaker cabinet.NOTE: Never operate the amplifier without a sufficient load, otherwise you may damage or destroy the power amp! Ensure your cabinet ’s specifications match the espective output ’s specs.Possible speaker cabinet options:1 x 4z or 2 x 8z or 1 x 8z or 2 x 16z or 1 x 16z.14 Master B - Hi Gain Use this control (post FX Loop) to set the poweramp ´s master volume when the preamp is in Hi-Gain mode. Connect a footswitch to Jack 19 if you want to convert this control for use as Master B.You can then use the footswitch to activate two different master volumes (Master A and Master B).15 Stand ByPoweramp standby switch.16 Power AC power on/off.Technical Data, T ype 650 ("Signature 100"):Rated power: approx. 100 watts at 4, 8 or 16 ohms; Type 650.Tubes: V1(Input -Tube): ECC 83 / 12AX7, FQ selected;V2: ECC 83 / 12AX7 selected;V3, V4: ECC 83 / 12AX7, standard;V7 - V10: 5881 (6L6GC) matched sets.Fuses: external: 2,5 AM (medium) for the 230 Volt model;5 AM (medium) in the 100 and 120 V olt models.internal:3,15 AT (slow) for the 230 Volt model;6,3 A T (slow) in the 100 and 120 Volt models. Important: Replace fuses only against same type and rating! Dimensions: appr o x. 71 x 27 x 27 cm (l x h x d)Weight: approx. 20 kgTube array:Technical Data,T ype 655 ("Signature 150"):Rated power: approx. 150 watts at 4, 8 or 16 ohms.Tubes: V1(Input -Tube): ECC 83 / 12AX7, FQ selected;V2: ECC 83 / 12AX7 selected;V3, V4: ECC 83 / 12AX7, standard;V7 - V10: 6550 (KT88) matched sets.Fuses:external: 3,15 AM (medium) for the 230 Volt;6,3 AM (medium) in the 100 and 120 V olt models.internal: 4 AT (slow) at 230 Volt.8 A T (slow) in the 100 and 120 Volt models. Important: Replace fuses only against same type and rating! Lighting: 15 Watts/230 V in the 230 Volt model.15 Watts/110 V in the 100 and 120 Volt model.Attention: Ensure you never use a bulb rated higher than 15 watts! Dimensions: approx. 71 x 27 x 27 cm (l x h x d)Weight: approx. 22 kgTube array:"Engl Amps are the best amps I´ve ever used – not only are they powerful,but they have texture and character too."Handling and CareProtect the amp from mechanical knocks (tubes!).Let the amp cool down before you transport it (approx. 10 minutes).Tubes need about 20 seconds to warm up after you switch the power on, and furtheron a few minutes before they reach their full power capability.Avoid storing the amp in damp or dusty rooms, they are hard on jacks, switches and potentiometers.Make sure air can circulate at the front and top of the ampto allow for adequate cooling (increases component life).avoid microfonic properties, undesireable noise and unbalanced performance.We r e s e r v e t h e r i g h t t o m a k eu n a n n o u n c e d t e c h n i c a l u p g r a d e s !ENGL Ger ätebau GmbH, Germany;Internet: Text, design, grafics and layout by Horst LangerPhoto - Ritchie Blackmore: Antonio Scettri。
钢琴产品说明书带你了解钢琴的演奏技巧和保养方法钢琴产品说明书一、产品介绍钢琴是一种多功能的乐器，除了具有美妙的音色外，还可以带来许多乐趣和享受。
本产品说明书旨在向您介绍钢琴的演奏技巧和保养方法，帮助您更好地使用和保护您的钢琴。
二、钢琴的演奏技巧1. 坐姿和手位在演奏钢琴时，正确的坐姿和手位是非常重要的。
请确保您坐直，双脚平放在地板上，身体与琴键保持一定的距离，保持身体放松。
同时，手掌应平整，手指轻轻曲起，靠近琴键盖。
这样的坐姿和手位可以帮助您更好地控制力度和音准。
2. 按键技巧钢琴的按键技巧包括按下琴键的力道和速度控制。
轻柔的选择和使用手指，通过控制力道和速度，可以产生不同的音效和音色。
练习时应该注重手指的独立性，通过反复练习和实践，提高手指的灵活性和敏感度。
3. 节奏感和音乐感在演奏钢琴时，节奏感和音乐感是必不可少的。
通过感受音乐的节奏和旋律，可以更好地表达音乐的情感和感觉。
尝试用心去理解和体会音乐，注重每个音符的长度和强度，并试着与其他乐器进行合奏或伴奏，提高整体的音乐感。
三、钢琴的保养方法1. 清洁保养钢琴的外观和琴键需要定期进行清洁。
使用柔软的布轻轻擦拭琴身和琴键，腊水湿润后擦拭琴身，以保持钢琴的光洁和美观。
请勿使用含有酒精或其他化学物质的清洁剂，以免损坏琴身和琴键。
2. 定期调音钢琴的音准会随着时间的推移而发生变化，因此定期调音非常重要。
建议每年至少调音一次，以保持钢琴音色的稳定和准确。
3. 控制温湿度钢琴对温度和湿度非常敏感。
过高或过低的温度和湿度会影响钢琴的演奏品质和保养状态。
请将钢琴放置在避免阳光直射和潮湿的环境中，并定期使用湿度计监测钢琴所处的湿度。
四、注意事项1. 避免直接暴露在阳光下，以防止琴身和琴键变色。
2. 避免堆放重物在钢琴上，以免对琴身造成损坏。
3. 避免将饮食和饮料放置在钢琴附近，防止液体溅到琴键和琴身上。
4. 避免在使用钢琴时过度使用力，以免对琴键和琴弦造成损坏。
